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alectology-archive · 1 year

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Ianthe/Harrow for the ship game

I think this goes without saying, but yeah, I ship them!

1. What made you ship it?

the bone arm sex scene, in all its messy glory - but the reread did make me appreciate some finer details that I missed since I was so lost on the plot the first time around because of harrow the ninth’s story structure. chronologically speaking, I’d now probably go with harrow kissing ianthe with tongue or the intensely sexual depiction of ianthe stabbing harrow with her trident knife. if we want to go back farther, the lobotomy scene probably counts. the ship also excels when harrow is resisting her clear attraction to ianthe or insulting ianthe within an inch of her life (ianthe obviously pretends that she’s not offended). more recently, I was laughing at how ianthe wanted to take harrow home as a ‘sex thing’. harrow just doesn’t care as much about ianthe as ianthe does her, and that’s what really makes the ship for me, I think.

2. What are your favorite things about the ship?

I just love messy relationships but it’s also the sheer degree of codependency colouring their dynamic in harrow the ninth! ianthe didn’t have a twin around anymore so she tried to make a coronabeth out of harrow instead by giving her makeovers and trying to establish her authority, mostly failed, and never forgave harrow for it; they’re both forced into mutual vulnerability with one another against their will - ianthe is present as the most empathetic figure in harrow’s life when she’s most vulnerable, and ianthe clearly misses her sister and struggles a lot with her disability. they’re both very proud people and harrow also has a way of cutting to the bone with criticisms that I don’t think ianthe has ever quite been subjected to in her life, and I like how she kind of gets off on having her aptitude and effort recognised by other people (which is circumstantially ianthe) besides the pair also helping one another hold onto their identities and navigate the social and sexual landscape on the mithraeum - they just have So Much going on! I also get the impression that ianthe is very attracted to people who can give her access to power, and while harrow isn’t necessarily powerful in a way that really matters in harrow the ninth, she’s a very, very skilled necromancer and ianthe is acutely aware of that.

3. Is there an unpopular opinion you have on your ship?

this question is always so hard for me to answer because I just Do Not Know what the fandom consensus on any ship is (for the best, probably). I guess what I appreciate most about their relationship is all the heavy subtext? I have to wonder if it wouldn’t have worked otherwise - I think it lays emphasis on the forbidden nature of their relationship (two incompatible personalities, ‘sister’ lyctors, gideon witnessing the erotic tension) in a way that really appeals to me, and I also think it fits better with harrow’s pov since she’s so repressed.

#I’m writing such a long-winded posts for ask games ajdhdhajfshfhs #asks #talkinglikeateen #ask games #the locked tomb #text

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thorniest-rose · 2 years

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hiiiii 😊 so i wanted to say something but i don't know if it's a weird thing to say...anyway..

i've been rereading your fic ace of hearts (which i ADORE) these days and i noticed how different it is from everything else i've read from you? i've been following you for a while and i've read most of your fics and i love your takes about this pair. and when i say different, i don't mean that in a bad way, of course. just that the contrast between that fic and stuff you've been sharing lately is so obvious. i just find this really interesting, cause aoh is, idk, less intense than other stuff you write? lighter, softer in a way.

it's really, idk, fascinating in some way? it also made me wonder, do you think you could ever go back to writing something like that? like, without the tension and the "darkness" your current works seem to have? not necessarily this particular fic, if you're not ready to go back to writing it yet, but something with a similar tone (?).

hi!!! thanks so much for your ask. Are you the same person who wrote a long comment on ace of hearts yesterday? If so I really enjoyed reading it, thank you!!! It's so sweet that you like that fic so much.

Anyway, your question isn't weird at all, don't worry. So you're completely right in saying AOH feels different to the rest of my CK/TKK fics. It's because the first chapter of that was the first thing I ever wrote for the fandom back in March last year so it was kinda like me dipping my toe into the fandom and because of that I didn't want to write a fic that was very dark or intense as I had no idea how the fandom would react to my fics. Plus I'd experienced a lot of hate in my previous fandom for the things I'd written, so I wanted to write something a little... idk if softer is the right word, but something that was more in keeping with other fics I'd read. But as I got more involved in the fandom and became more confident and comfortable, I started to write fics that were more in keeping with the things I usually like to write.

And to be honest, I don't really like being labelled a "dark fic writer" just because I can find labels derivative and I don't actually think my stuff is that dark compared to fics I've read in other fandoms. Like my stuff could be SO much darker imo. But I know I explore themes and characterizations that run darker than canon so that's why I'm described like that. But honestly that's just what really appeals to me as a writer. When I'm writing fics for my favourite ships I love bringing in things like obsession & codependency, and things that don't fit into the label of "fairytale romance" because I don't think most real-life relationships are like that. They're messy and hampered by things like insecurity and jealousy. And I just love writing about romantic love that is destructive and dangerous, I find it fascinating, it's like a thrill I guess? And it's true that writing fluffier stuff doesn't appeal to me as much because of that.

However I do like a balance!!! I wouldn't be able to write really intense and harrowing fics all the time, it would be exhausting. So every now and then I'll write something lighter for a palette cleanser. Like my tattooed!Johnny fic isn't that dark imo, that's just my take on CK if Daniel and Johnny had been exes. I also love writing about D/s dynamics and I don't think those are necessarily dark fics? But they're definitely highly charged.

So to answer your question, yes AOH is very different but that doesn't mean I see that fic as lesser or that I don't intend to go back to it, I would love to when I have the time. And I don't always want to write dark fics even though I tend to gravitate to the themes you find in fics like that. It just really depends on what I'm inspired by in the moment. And I would love to write something similar to AOH too, for example my idea for my "soft, pretty Daniel" fic, that wouldn't be dark at all! That would just be about how pretty Daniel is and how much of an awkward, annoying crush Johnny has on him haha. So I hope I can write some of that soon too. I really hope that helps? I've totally rambled but I do appreciate how much you like my fics and that you like the stuff I write that isn't necessarily what most people associate with me, i.e the darker stuff <333

#asks #my fics

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randomedrstuff · 5 years

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Take Two! With Emilie de Ravin

The actress and LA mama on motherhood, her second pregnancy & strong roles for women

By Caitlin Wolper

Emilie de Ravin wasn’t the first to know she was pregnant again—her 2.5-year-old daughter Vera told her. Vera also was the first to predict that the baby was a boy, and, as time would tell, she was right. De Ravin—an LA mom and actress known for her notable and critically-acclaimed primetime TV roles on “Roswell,” “Lost,” and “Once Upon A Time”—will welcome her first son and second child with fiancé Eric Bilitch in a couple of months.

However, her pregnancy is a bit different the second time around. When she was pregnant with Vera, de Ravin recalls, she didn’t yet have a child, so she didn’t have to factor in needs besides her own. Her current pregnancy has thrown her a brand-new challenge: Managing a toddler while also managing her prenatal wellness. “I still had time to myself [during my first pregnancy]. I still had: ‘Oh, I can find a new prenatal yoga class,’ or ‘I can go for a nice walk’ and really take that time to nourish and take care of [my] body and mind,” she explains. “The struggle during this pregnancy is finding time to do that.” She already swears by DockATot and Nuna’s car seat, and adds she’s excited to try out the SNOO by Happiest Baby with her child-to-come. When de Ravin can fit in some “me time” and prenatal yoga between caring for Vera and acting, she feels “a massive difference, especially mentally.” That said, de Ravin won’t let pregnancy slow her down—she was on a project that wrapped when she was at 16 weeks: “There was a lot of ‘Oh, I think I should wear the flowy dress for this’ by the end of that job,” she laughs. She and Bilitch—who’s also in the entertainment industry—often travel for work and take Vera along with them, whether it’s Vancouver, Europe, or Atlanta. Vera’s also traveled to her mother’s home, Australia, among many other global destinations. Even though her family is LA-based right now, de Ravin feels she isn’t necessarily raising Vera in LA (especially before she enters the school system), what with all their travel—but she says Vera loves traveling with the family, and it often plays a role in her dress-up and games of pretend.

“Every time she dresses up and gets her little bag together, I’m like: ‘Where are you going?’ and she says: ‘Oh, I’m going to Paris, I’m going to climb the Eiffel Tower,’” de Ravin laughs, adding that the family recently took a trip there. “She’s moving to Paris, apparently. Sometimes we, in these stories, get to go; sometimes she’s going on her own.” Though de Ravin can’t predict if her daughter will choose to act, Vera definitely loves dress-up and dance (“I think I’m asked every day if we’re going to ballet.”). When de Ravin was packing before a move, she let Vera stand on the dining room table to help. “That became her little stage and she was singing ‘I’m a little teapot’ in her red tutu,” she laughs. “She’s definitely got that side to her.” Her mother is clearly a model for this theatrical behavior. De Ravin started her career-defining role on the late-90s teen sci-fi drama “Roswell” at only 18 years old, playing alien-human hybrid Tess Harding. Only a couple years later, she appeared as Claire on the popular and critically-acclaimed TV series “Lost,” which follows an increasingly harrowing and complex tale of airplane crash survivors stranded on an island, and recently celebrated its 14th anniversary of the premiere. “‘Lost’ was an experience that changed my life in so many ways,” she says. “Not just my life; I feel like it changed the platform for TV. There wasn’t ever a show like that, especially on network TV. It really broke every side of the box and burst through.” She spent six years filming the show, and got very close to the cast and crew as a result. “That’s a long time to spend with the same people being the same character in the same set with the same crew,” she reflects. “And then, that’s just sort of gone.” She spent seven years as Belle (as in the protagonist princess of “Beauty and the Beast”) on ABC’s long-running “Once Upon A Time,” a role that she recently wrapped. The show, which combines modern life and fairy-tale to create a brand new story, is one she’s found appeals to all ages, and often brings families together in front of their TV. There’s a commonality in all the roles de Ravin takes: She looks for characters somewhat unlike herself that both challenge her and carry “a positive reinforcement of what to do, what not to do: Something that people can learn from and grow from.” She adds: “I don’t want to play the same character over and over again, just wearing a different outfit or with different color hair; [otherwise] I might as well stay on the same job for 50 years.” De Ravin craves the challenge of playing complex characters dissimilar to herself, and the research it requires. And with the range of different personalities and character circumstances she’s taken on over the course of her acting career, the rewards she’s reaped from her hard work and diligent research are clear.

“For me keep a character fresh, therefore to keep the viewer interested in watching and engaged in watching what I’m doing, [I need] something that is challenging, something that I can learn from,” she says. “Whether it’s anything from a different talent the character has, or an accent, or a belief system—something I have to dip into the knowledge pool and really learn and do some research for—[I have to] open up my mind and my heart to new things and new experiences. I find that the more open you are and the more hungry you are for knowledge in life in general, whether it’s acting or anything else, then the more giving you can be and the more interesting of a character I can develop from that.” With Belle and “Once Upon A Time” as a whole, one of her greatest challenges was portraying a famous, pre-existing character but still imbuing her with complexity that didn’t stray from her personality and story. “I’ve got all these children that are watching her, wanting to be like their favorite character; let’s give her something…an extra strength to her, an extra positivity to her,” de Ravin says. “Also, [show them that] everyone makes mistakes, and there is no perfection; there is no perfect princess or perfect life or perfect world. Everything’s messy, and that’s not a bad thing.” That’s the type of life lesson de Ravin hopes her kids would get from her acting work as well. “I would like them to be hopefully more inspired by things that I can teach them as a parent as opposed to through my work, but at the same time, there are things that are appropriate life lessons, whether it be conflict or love or whatever, [that] can be taught through film and TV: It’s a very prominent part of growing up now, or just our world in general,” she says. “A child sits down and watches something and it makes a much bigger impact than it does on us…They’re just this massive, magical little sponge.” That’s another reason she takes on challenging roles: She wants to play strong, realistic women, roles she’s starting to see more often. “It’s not just what I pursue or what I would like to pursue,” she says. “It’s also what’s being presented is changing a lot too, in at least what I have seen.” She adds that in the future, she does want her children to understand that as much as she loves her job, it’s still work, and hard work at that. “I love what I do, I’m very lucky and blessed to be able to still be working in this industry—it’s a tough one, and it’s a strange one, it’s a crazy one. But it’s work, and as much fun as it is, it’s a job like everyone else has,” she says. She then adds with a laugh: “They can learn about the craziness of it later. Keep it more in the fun part for now.”

After she has her son, de Ravin figures she’ll go back to work—not right away, but likely in 2019. Of course, it’s all up in the air for now, as is the nature of entertainment. “You never know what projects are going to be around [in the future]. Is it something that I’m going to be into? Is it something they want me for?” de Ravin says. But luckily, she adds, she does work in the sort of industry where she can bring her kids along for the ride (before they’re “properly” in school—Vera currently attends a half-day pre-school). “There’s such flexibility when they’re little… It’s a place that you can share with your children: If you’re working on location and it’s somewhere cool, they can come hang out and watch and travel with you,” de Ravin says. “It’s not like I’m going to close myself in an office all day and I’m not allowed to bring to my children, so that really is a huge bonus.” She starts to say that, all the same, she loves to be home with “her” (Vera) and amends it to “them,” including her baby-to-come. “It’s going to be a big change; whatever happens will happen,” she says. “I didn’t know how I was going to do it with Vera, and that all worked out really nicely.” She’s on a break from work as she waits for her son’s arrival, and has been passing the time with Vera, who’s excited to have a baby brother. Vera’s also keeping her mom busy, between reading together (“She memorizes me or Eric reading [books] to her and then she’ll sit down and sort of read them herself in this animated voice, playing it out.”) and helping out in the kitchen from her stool: “I think she enjoys the tasting process,” de Ravin laughs. They also pursue outdoor activities together as a family, something both de Ravin and Bilitch believe to be an enormously important facet of early childhood. “She loves swimming, she likes going swimming together… I always try and find some activities with her, like little family farms or veggie farms or the beach or going for a walk, going for a hike, just exploring; even just being out in our garden and gardening together and looking over all the flowers—and then she’ll find the ants,” de Ravin says. “That reminds me of me, just loving, when I was as little as this, the tiny things outside that you find, whether it’s a tiny little part of a seed or figuring out where this came from, or where does that insect live, and all the tiny wonders. [It’s] super soothing and calming, too, doing that with her. It really puts life and everything else that’s going on in the world into perspective.”

#emilie de ravin #belle #belle french #LOST #lost show #Vera #interview #2018

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gizedcom · 4 years

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Rugby Star Maro Itoje Talks Politics, Art, And That Sensational World Cup Semi-Final Against New Zealand

Dubbed “The Pearl” by his teammates and “Super Maro” by the country, 25-year-old Maro Itoje is widely considered the greatest rugby player in the nation. Barrel-chested and nearly two metres tall, his relentless discipline is his not-so-secret weapon, and has cost him some formative experiences.

The Saracens star has missed family weddings and friends’ birthdays in his pursuit of greatness – and not just on the pitch. Itoje attended boarding school at St George’s School in Harpenden before earning a sports scholarship to Harrow, where, at A-level, he achieved straight As. While studying politics at London’s School of Oriental and African Studies, he made no friends – devoting himself entirely to practice and his studies instead.

But the sacrifices were worth it: in the World Cup semi-finals last October, England defeated New Zealand – the first time the All Blacks had lost a World Cup game since 2007. Maro was named player of the match; the crowd chanted his name throughout. Still, that doesn’t mean he wants to talk about sport. Here, the Renaissance man tells Vogue about his life beyond the scrum.

“My Entire Life Had Been Building Up To The 2020 Olympics”: How Team GB’s Katarina Johnson-Thompson Rediscovered Her Purpose

Was it hard to balance rugby with academics?

“It was tricky. That whole period was a time management exercise, to be honest. I had to be very disciplined about when it was time to train or to study. I missed out on a few events that I would have actually liked to go to, but I knew what my goal was, so all in all, it was 100 per cent worth it. If I went back, I’d do exactly the same.”

Where does that drive come from?

“I’ve always wanted to achieve. I’ve always wanted to be a great player. I come from a family where just being ‘good’ wasn’t good enough. I thrive on competition, and I want to put the best of myself out there.”

What’s it like going out onto the pitch for such an intense collision sport?

“It’s exciting, to be honest. Rugby is such a confrontational, physical game. You have to be dominant, so you have to be extremely physical, and the opposition are trying to do the exact same. I feel like the physical part of rugby is why it’s so loved. When someone makes a big tackle, you get excited just hearing the crowd’s volume raising. I personally look forward to it; I like it when games get a bit gritty.”

How did beating New Zealand at the World Cup semi-finals feel?

“That was a great game for the team, and myself, individually. Our mentality was to go out there and not give them any space to breathe. I think, by and large, we executed that game plan. It was definitely one of the most enjoyable and physical games I’ve played for England.”

Did you see Ross Kemp’s viral video reaction?

“I did, yeah. I don’t think I even got that excited! But it’s always nice to see things like that.”

You seem pretty apathetic when talking about rugby; would you be watching the game if you weren’t playing it?

“Without a doubt, if I wasn’t at the World Cup, I’d be waking up early to watch it. But the questions in sports media are quite repetitive, so it just gets a bit dry to talk about. Rugby is a huge, important part of my life but I have many more interests. I like listening to ’90s R&B and Afrobeats; watching biopics, documentaries, and sports like football, athletics, and basketball; and politics has always been an interest of mine.”

What are you reading and watching lately?

“The Last Dance on Netflix is phenomenal. Trevor Noah’s Born a Crime was amazing. I’m reading Alastair Campbell’s Winners: And How They Succeed, in which he talks to successful people known for winning in sport, business and politics and picks out the key principles that run through all of them. I plan on reading Tribes: How Our Need To Belong Can Make Or Break Society by David Lammy. I read a lot of nonfiction books – I’m not too good with fiction.”

Have you picked up any tips from Winners that you plan on incorporating?

“One was the importance of clear communication – you can have a great strategy or tactics or goal to achieve, but if you don’t communicate that plan clearly to your team, the message isn’t going to get through.”

You collect art; who are your favourite artists?

“I love going to the art markets in Lagos and picking up pieces from street artists who aren’t widely known. I go back about once a year and always find time to pick one or two additions; I really enjoy seeing their work. I’ve seen a lot of UK artists with a similar dynamism on Instagram too, like [Gabrielle Oke, known as] Gabee Paints (@gabeepaints), Angela Chilufya (@angelachilufya), and TJ Agbo (@teejgram).”

Can you describe your experience of being a Black student in British public boarding schools?

“I was lucky because I wasn’t navigating that space by myself; there was a group of Nigerian British boys I found myself boarding with, so I had a support network. When I moved to Harrow, it was a new environment, but still loads of Nigerian Brits, so I had people to talk through any micro-aggressions with. The best friends I had at 15 are all still my best friends. What was interesting was how right-wing the students’ and teachers’ thinking was. I think being right-wing is not necessarily a negative thing, per se, and it was interesting because I then experienced the complete opposite in SOAS. Going to institutions on two completely opposite sides of the political spectrum added a bit of balance to my formal education.”

Did you feel yourself become more right- or left-wing as a result?

“No, because at school age I was still figuring out what I believed in. And to be honest, I think sometimes the left-wing versus right-wing ideology can be extremely unhelpful because it often clouds what the right thing to do is at that particular time. If you’re governed by ideology, you’re going to make some terrible decisions. For example, if Rishi Sunak was governed by ideology, he definitely would not have created that stimulus budget and shown that support for workers and the self-employed. Obviously, it’s important to have a political framework and conviction in the things you want to achieve, but when you’re hell bent on it, ideology is very dangerous. Especially when it comes to party politics – you have to govern the whole country, so you need to appeal to people on the left and right.”

What are the political issues you care about the most?

“I care about inequality and justice – both racial and gender-related. The older I have got, the more I started to understand certain issues like feminism, which to me is just appreciating that, when breaking things down economically and sociopolitically, women face more barriers. I don’t advocate equality of outcome, but I do advocate equality of opportunity.”

Ava DuVernay & Colin Kaepernick Join Forces For A Netflix Series About The NFL Star’s Life

How do you describe your personal style?

“I’m a bit of an awkward size because I have long arms and shoulders, a thin waist, long legs, and big feet, so it’s not always easy to shop. I take a lot of inspiration from the ’90s era. I love granddad colours, simple neutrals like black, white, beige, cream. I like wearing designers at events but I shop mostly at ASOS or Gap.”

It’s said that you are the highest-paid rugby player in the country; what do you splurge on?

“I don’t know what other people are paid, so I can’t speak to that, but I’m a very simple guy. I’m not too flashy. I like spending my money on just the basics – a nice house, deck that out – but besides that I don’t really live a crazy life.”

No Gucci belt?

“That’s not me.”

Have you imagined life after rugby, and what you want to achieve before then?

“Hopefully, it’s still a long way away, but I would like to go into business, although I haven’t decided exactly what yet. And I want to win the next World Cup in France 2023. We came really close last year and fell short, so that’s definitely the goal.”

This interview has been edited and condensed for clarity. Read the full interview in the August 2020 issue of British Vogue.

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rebeccaheyman · 4 years

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reading + listening 9.7.20

It’s been a minute since my last bona fide review roundup, in part because our week of vacation was followed by a week of long-overdue family visits (after all parties clocked negative covid tests), and in part because I hit a reading slump. Or rather, my version of a slump: a couple DNF aBooks in a row, plus an imbalance of reading and listening. I’ve pulled myself out of the lull, but the list below reflects my relative floundering for the past two weeks. Le sigh.

You Have a Match (Emma Lord), eBook, ARC (pub date Jan 2021). NetGalley review:

I absolutely loved TWEET CUTE and was eager to see how Lord would follow-up such a sparkling debut. YOU HAVE A MATCH brings the same timely, fresh, emotionally immediate storytelling as TC, albeit with slightly less humor and slightly more pathos. The concept takes a little more oomph to get off the ground (Leo's ambiguous ancestry leads to the DNA test that yields a secret sister result for protagonist Abby, and all relevant parties end up at the same summer camp together), and at times the narrative posturing becomes quite literally acrobatic (climbing trees, falling in ditches). Still, I happily suspend my disbelief for the sake of Lord's smart, authentic-feeling characters. In what might be a hallmark of her work, there's a consistent social media presence (IG, as opposed to TC's reliance on Twitter and an in-world messaging app). My dearest wish is that Lord's future work will not consistently rely on these trappings, which will sadly not age well; her storytelling chops are more timeless than the contemporary technologies featured in these narratives.

Muse (Brittany Cavallaro), eBook, ARC (pub date Feb 2021). NetGalley review:

I want to start by noting my excitement for this book -- and really, anything Brittany Cavallaro writes. I loved the Charlotte Holmes series and was eager to explore this new direction for Cavallaro's work. But for me, MUSE felt like it was always starting -- the action always rising, world always building, characters always establishing their identities. I didn't feel especially close to Claire, whose powers are somewhat ambiguous until they crystallize, very momentarily, in Act III. Part of the trouble, for me, is the intensive brain exercise required at the book's outset, to both visualize and conceptualize this version of America--a monarchy ruled by generations of King Washingtons. Ultimately, the story's setting (St. Cloud, along the Mississippi River) could be any imagined place; that this is a re-envisioned version of 1890s America has nothing to do with the political intrigues that drive the plot forward. I longed to spend less energy on parsing the intersections of real and imagined Americanism, and more time exploring Claire's power, her relationships to Beatrix and Remy, and the political machinations and intrigues in St. Cloud.

If my reading of MUSE is correct, then the second installment in the duology should be a runaway train of action, smart plotting, and feminist agendas -- in short, a book I very much look forward to reading. What I appreciated most in this first half of the story is what I've come to expect from Cavallaro generally: snappy, smart prose and strong women helming the narrative. It wasn't enough to make me love this read, but it's absolutely enough to keep me invested in the story's (eventual) conclusion.

The Ten Thousand Doors of January (Alix Harrow), aBook. May I confess that while this book came highly recommended from an extremely trusted reader-friend, I DNF’d my first attempt with the eBook back in November 2019? I couldn’t tell you what about me + this book didn’t jive last year, but a title this decorated and adored isn’t one I’ll easily give up on. I circled back around to it with the aBook (brilliantly narrated by January LaVoy), and while I can’t say this will rank among my favorites in the genre, it’s a solidly inventive, beautifully written narrative. In theme and structure, it’s awfully close to THE STARLESS SEA, which for me was a better book overall (one of the best of the year, actually). Something about the way the eponymous January too frequently claims “if I had only known what would happen next, I wouldn’t have done x” turned me off; this character seems to have a habit of being so caught up in her emotions that she doesn’t see obviously awful things about to happen. The antagonistic forces felt overdone and a little silly at times, and the mastermind reveal is too obvious by half. For all the flaws in TEN THOUSAND DOORS, the writing is solid enough that I’m absolutely planning to read Harrow’s next, The Once and Future Witches, out next month.

The Marriage Clock (Zara Raheem), aBook. THE MARRIAGE CLOCK appealed to me in part because its narrator, Ariana Delawari, is a joy (she was absolutely brilliant on THE WRATH AND THE DAWN duology), and in part because I’m a sucker for Desi-focused narratives; I just love reading about these big, close-knit families with a strong focus on culture and family devotion -- not to mention the food and fashion. Suffice it to say, I was predisposed to enjoy THE MARRIAGE CLOCK... and it was... just okay. The book tries to build a story of self-actualization on a foundation of anecdotal montage -- essentially, the first two thirds of the book are about bearing witness to a series of bad first dates and getting commentary on the sorry state of modern romance. The story definitely improves once Leila goes overseas to attend a wedding, but I confess by then I felt obligated to finish simply based on time invested. The book’s conclusion, which I won’t spoil here, would have felt more satisfactory if Leila’s behavior and attitudes hadn’t been so childish throughout. Bottom line: If you can watch early seasons of Sex In The City without wanting to shove Carrie Bradshaw into oncoming traffic, you’ll probably really like THE MARRIAGE CLOCK. But if you’re looking for a more mature, nuanced Desi romance with lots of heart, consider my personal fav, THE BOLLYWOOD AFFAIR (Sonali Dev).

Smooth Talking Stranger (Lisa Kleypas), aBook. This was my first contemporary romance from Lisa Kleypas, which came highly recommended by another trusted reader-friend. The opening salvo didn’t draw me in as quickly as some of Kleypas’s historical romances, but I stuck with it because of the personal rec and Brittany Pressley’s easy-to-listen-to narration. The story is enjoyable enough, despite an underlying “mystery” that lacks real intrigue. All in all, it seems like fairly average contemporary romance... right up until the emotional gut-punch leaves you wrecked at the end of Act III. I couldn’t tell you why -- because again, nothing super special about our MCs or the plot -- but this novel had me crying all kinds of tears by the end. A strange, and strangely satisfying listen, but not necessarily one I’d recommend.

Just Like Heaven (Julia Quinn), aBook. I’ve been meaning to read a Julia Quinn for awhile; she’s a prolific heavy-hitter in the genre, and frankly it feels negligent not to have read her yet. I’ve hesitated, in part, because of purportedly questionable content in one of Quinn’s early titles, THE DUKE AND I. Reading reviews of that novel red-flagged Quinn’s entire catalogue for me (yes, it’s that bad). After reading plenty of reviews for JUST LIKE HEAVEN, I was pretty certain the egregious violations THE DUKE AND I weren’t being repeated, and the allure of Rosalyn Landor’s narration confirmed my choice. Long and short verdict: Meh. While I found our hero and heroine passably tolerable, there’s not much plot here. Instead, there’s an almost obsessive focus on one character’s recovery from an infection (gross), and when that chicken stops laying eggs, we’re asked to care about a quasi-farcical string quartet our other MC is forced to play in. The secondary characters introduced as potential leads for the rest of the quartet were either too stupid or too annoying for me to care about. If you’re hankering for historical romance, pass this over and just reread Tessa Dare for the millionth time (when will I start taking my own advice?).

Fable (hard cover) + Namesake (eBook ARC, pub date March 2021). Instagram mini-review of FABLE here. NetGalley review of NAMESAKE here. Adrienne Young is brilliant, full stop. I loved her previous duology -- SKY IN THE DEEP and THE GIRL THE SEA GAVE BACK -- and the Fable cycle does not disappoint. Strong, subtle characterizations; rich settings and evocative description; just enough mystical magic to make the world sparkle, but not enough to undermine the essential humanity of the story’s heart; and love of every stripe -- familial, romantic, friend, self -- driving the plot forward... could you even really ask for more? I devoured both halves of this gorgeous whole in a single weekend and I know you’ll love them both. Buy Fable ASAP and pre-order Namesake so Adrienne Young knows we know we don’t deserve her.

That’s it for me! On my radar this week:

Luster (Raven Leilani), aBook

The Lady’s Guide to Celestial Mechanics (Olivia Waite), aBook

Lady Derring Takes a Lover (Julie Anne Long), aBook

The Smash-Up (Ali Benjamin), eBook ARC

The Heiress (Molly Greeley), eBook ARC

We Can Only Save Ourselves (Alison Wisdom), eBook ARC

Plus, the continuing saga, Will I ever finish WHEN WE WERE MAGIC? Stay tuned, and happy reading!

#amreading #netgalley #the marriage clock #you have a match #muse #fable #namesake #just like heaven #smooth talking stranger #the ten thousand doors of january #arcs #audiobooks #ebooks

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placetobenation · 5 years

Link

I have been threatening a LOT of people with this for a very long time, from my friends, to wrestling boards, to Tom on the Military Industrial Suplex Podcast this very week (check it out if you haven’t yet!). So enough teasing, I’m just gonna go right ahead and say it.

I do believe that Torrie Wilson is, in fact, the lost great worker of her generation.

What I mean by that is not that she necessarily was a great wrestler. But she could have been. And really should have been.

I’m as surprised as you, trust me.

I never appreciated Torrie Wilson when she was around. On a list of wrestlers I was interested in during the 2000s she was somewhere near the bottom, and comfortably below her own dog, Chloe, whom I inexplicably always loved seeing on television. I was fully prepared to endure, rather than enjoy, Torrie’s sporadic wrestling matches as I went through the early years of this project.

Instead, she was my new favorite wrestler.

Life comes at you fast.

It was in 2002 that I started to notice it. She had a random Women’s Title match against Molly Holly and looked quite good in it. But of course, this is St. Molly of Minnesota we’re talking about, I expect nothing less.

But then she wrestled people like Nidia and she still looked good, which, no offense to people like Nidia, was a lot harder to explain. She was hitting her stuff really cleanly, busting out sweet clotheslines and dropkicks, and eating some offense right on the chin, from women AND men. Her bumping had noticeably improved out of sight.

“Oh my God,” I gasped. “Was Torrie Wilson… good??”

This was all happening and confusing me just in time for the greatest storyline to ever live, the absurd angle with Torrie, her father Al and Dawn Marie. Now, this may be the definition of damning with faint praise, but Torrie was definitely the best performer in this whole damn wretched thing. The matches that she had with Dawn during the angle were shockingly good wrestling matches, and let’s just say that Dawn Marie never looked as good in the ring with anyone else.

Their Royal Rumble bout in particular, I spoke about this already but I remain convinced that this is basically a cinematic masterpiece. Torrie Wilson is a tragic figure in it, like the heroine at the end of a horror movie: she’s been physically and emotionally ruined and everyone she loves is dead. She’s been so beaten down and devastated by all these harrowing events that she can’t even bring herself to feel any anger or seek any revenge anymore, she’s just a shell of a human being, numb to everything around her. All is lost, nothing is left. She’s living but she’s not truly alive. Just existing.

All this from someone who was derided as one of the worst actors in wrestling. As they say in my country, get that up ya!

In fact, it was seeing all this Torrie and Dawn Marie stuff for the first time way back in January 2017 that made me think seriously about doing some sort of longform Divas project. If Torrie Wilson is doing good work I don’t know about, clearly further investigation is required! So, thank/blame Torrie for all of this, I guess (delete as applicable).

And the more I investigated, the more impressed I was with Torrie every time. She hit her stuff well, she bumped well, she sold well. She did spots with Shaniqua while wearing HIGH HEELS and lived to tell the tale. I was now actively looking forward to seeing her name crop up. My only issue at this point was that she just wasn’t wrestling regularly enough on SmackDown.

And therein lies the problem.

Torrie Wilson was stuck on SmackDown during the years there was almost no women’s wrestling on the show. The Women’s Title and women’s division were on Raw. SmackDown only ever had a couple of women around at a time, and nary a great wrestler among them. They mostly valeted and did bikini contests, while wrestling matches were infrequent. Torrie was on SmackDown for over three years and had less than 40 televised matches during that time, and half of those were mixed tags.

I look at the potential Torrie was showing me in 2002, and just imagine with despair the kind of wrestler she could have become in the next few years if she was on Raw wrestling with the likes of Trish, Molly and Victoria on a full-time basis. When you consider how many of the women in the same general ‘model-cum-wrestler’ bucket as Torrie turned out to be good wrestlers and Women’s Champions, she already looked heaps better than a lot of them were at the same point, and could have ended up being heaps better than a lot of them if things were different.

But alas. Verily I do curse thee, cruel world.

Even when she was on Raw in the thick of the division, circumstances still just seemed to get in her way. I enjoyed Vince’s Devils to a truly unhealthy degree, but Torrie was better as a babyface and she was working heel for her first nine months on Raw. When she became a face again, she still never got a lot of opportunities in the ring; 2005-06 was rough for wrestling in the division and even by Divas standards, Torrie’s matches were super short. Match ups that suddenly appealed to me on paper as I became a Torrie mark often left me frustrated, just because they were criminally abrupt or interrupted by other nonsense. As a wrestler, Torrie never seemed to catch a break.

But the glimpses are still there. Torrie the sweetheart was a natural babyface, but after a couple weeks with Vince’s Devils she started heeling it up and getting into a groove as a bad guy, niggling the babyfaces and using her dog’s arsehole as a weapon (a real thing that happened). Soon we get to a point where Torrie is callously dragging Ashley around by the hair and killing her with lariats and shit and it makes you think. Maybe Torrie WOULD make a good heel after all?

So of course she starts turning babyface the week after.

Can’t catch a break.

But babyface was, in fact, her best side, and when she once again became one she was showing out more and more by the week.

Mickie James had one of the best women’s matches in company history with Trish Stratus at WrestleMania 22. Hard facts. Less than two months later, she had a match with Torrie Wilson on Raw and it is RIDICULOUS how much Torrie looked like the better wrestler of the two. If you came in knowing absolutely nothing about these women, watched this match and had to guess, you’d probably assume that Torrie was the Women’s Champion, not Mickie.

Soon after that, Torrie had a match on Sunday Night Heat against Victoria. “Just a C show,” you think, “Awesome, surely she must get more time here!” Torrie knows it and is straight up WILDIN’ from the get go, doing ‘ranas and dives and dropkicking Victoria in the fucking face. And then… and then… Victoria tweaks her bad knee and they have to go home less than two minutes in.

Can. Not. Catch. A. Break.

Funnily enough, due to all this break catching, or lack thereof, it was often in the most nonsense of Divas matches that Torrie got to show off the most. She was the highlight of the Bra and Panties Gauntlet at New Years’ Revolution 2006, running in and hitting suplexes and spears and handspring back elbows for the heckin’ sake of it and then getting eliminated in a novel way. She was back hitting even more bombs in that ridiculous Paddle on a Pole with Candice Michelle I covered in the B&P piece. She had another good B&P match with Melina just before she got traded to Raw, where she was inventing new ways to win and taking ridiculous Trish bumps on her head to the floor. If there could possibly be such a thing as a Bra and Panties match specialist, Torrie Wilson was probably it.

I mean, Torrie’s in there throwing around Rey Jr. ‘ranas in the middle of a random ass Fatal Four Way Bra and Panties match, and if there’s one surefire way to my heart, it’s by throwing around Rey Jr. ‘ranas in the middle of a random ass Fatal Four Way Bra and Panties match.

But still, this is all Torrie doing her best with the varying degrees of nonsense she was given to work with, until, finally, It happened. Ironically it wasn’t until she moved back to SmackDown in 2007 that It happened. But nevertheless, IT HAPPENED.

Torrie Wilson got to have a whole match! With a wrestler! For four and a half entire minutes! No bullshit! No interruptions! No terms and conditions! No hidden charges! No interest on the first 12 repayments!

Relatively speaking this may as well have been a WrestleMania main event.

And the point is, she got four and a half minutes with Victoria on SmackDown and it rocked! Victoria beat the absolute Holy hell out of her and Torrie was fighting the heck back for her LIFE and ended up dropkicking Victoria in the FACE so fucking hard her head flew right off her shoulders. You have to SEE this thing. They got another four and a half minutes the week after and rocked some more and at this point I drop to my knees, look up to the sky, and cry out to the heavens, “WHY COULDN’T YOU LET HER WORK LIKE THIS EVERY WEEK FOR THE LAST FIVE YEARS???”

Torrie basically spent the rest of 2007 being awesome with Victoria and it looked like somehow, some way, she was finally going to get the workrate run to make all my wildest hopes and dreams come true. But alas, the breaks remained un-caught. Torrie was having serious back issues and ended up quietly retiring by the end of the year. And thus, the idea of Torrie Wilson: Workrate Hero remained just that, an idea; abstract, elusive, floating out into the atmosphere for over a decade, until it came crashing back down to earth, and right on top of my head.

Torrie Wilson truly knocked me on my ass.

This is why I was so gosh darn happy when she came out during the history making, first time ever, all women’s Royal Rumble Match. Not only that I got to see her again and she got to throw clotheslines like it was 2006 again, but also how she was received. Torrie’s name has so often been used as a kind of slur, a codeword for “Diva” or “bad wrestler”, and here she is making a run in on a “real” match post-Revolution in a PPV main event in front of the smarkiest crowd in the world, Philadelphia. And they popped. And they chanted “TOR-RIE WIL-SON!” And my heart swelled until it burst. I died a thousand times during that Rumble match, but that may have been my favourite part. The redemption of Torrie Wilson.

My whole raison d’etre is now the redemption of Torrie Wilson. If there’s one thing I want to get done, one preposterous, flaming hot take of mine that I want you to absorb, it’s this one. Torrie Wilson really wasn’t that bad at all. Fuck what ya heard.

Next week we head in a different direction, from a surprisingly good wrestler to the greatest wrestler of all time. We have another important anniversary coming up folks…

Check it out: Molly Holly vs. Torrie Wilson – Women’s Title (Smackdown, July 11th 2002) Torrie Wilson vs. Nidia (Smackdown, August 15th 2002) Torrie Wilson vs. Nidia (Smackdown, September 12th 2002) Torrie Wilson vs. Dawn Marie (Royal Rumble 2003) Torrie Wilson vs. Dawn Marie (Velocity, February 1st 2003) Torrie Wilson vs. Melina – Bra and Panties Match (Great American Bash 2005) Torrie Wilson vs. Mickie James (Raw, May 22nd 2006) Torrie Wilson vs. Victoria (Heat, July 28th 2006) Torrie Wilson vs. Victoria (Smackdown, July 13th 2007) Torrie Wilson vs. Victoria (Smackdown, July 20th 2007) Torrie Wilson vs. Victoria (Smackdown, September 28th 2007)

#IFTTT #Place to Be Nation

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wolfwalkerstudios-blog · 7 years

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The Compass of Balance and Order

More concept art for Lustre Zeal. While attempting to try and develop the look and feel of the world the characters interact with I've also been trying to learn how to balance the aesthetics that I enjoyed while growing up with more modern sensibilities as copying the past because it was a simpler time won't necessarily make you a better artist. If anything it just makes you look dated. Also development log.

Development Log 7.21.17

So between working on various pictures and time spent trying to piece my psyche back together, apparently the development of the self and the deconstruction of the ego can be arrested at various stages in the individuation process leading to psychoses that I've no doubt Freud would have had a field day with, I've been developing a model of thought based on the nature of the Artistic Identity, the use of Inner Vision and our relationship to the social forces present in Emotional Economies to achieve what Jung would term 'a level of psychic functioning' that allows me to 'try and reach for an idea' without relying on the Extension of Self, Embodied Presence, the Avatar State, or the Panopticon Effect.

Don't know what any of those things are? Good, that saves me the trouble of trying to explain them because doing so would involve talking about higher-order thinking and metastrategic knowledge and I don't feel like being here all day. Suffice it to say that the two most prevalent processes I've come across in terms of communicating the means by which an artist experiences the creative forces analogous to the ones they seek to convey is Method Acting and Stanislavski's System, and I don't think I need to tell you which is the one that I prefer. Or maybe I do because quite frankly Method Acting has some very scary side effects and has caused many an actor to come back as something other then themselves. Think Alia from Dune when she gives Baron Harkonnen a place in her mind after speaking with him in other memory. Yeah, not pretty. Anyway back to talking about Artistic Identities and whatnot. Because working on Lustre Zeal has involved making so many freaking design decisions, I've lost count at this point as the sheer complexity of the processes involved has forced me to seek out even greater levels of organization then the one's I already rely on, I've had to focus more on a core set of techniques rather then my usual experimental and iterative explorations of various form languages. Good god that sentence was an absolute mouthful. Let's try that again shall we. Because I prefer to draw characters with more realistic looking anatomy and proportions, I've had to focus on things like the Reilly Method of drawing for my use of construction, gesture drawing for establishing the pose, Frazetta's Emotional Core for my relationships and blah, blah, blah for everything else. Seriously, do you think I'd actually sit here and list off every single artist, actor, animator or director whose work that I've studied in order to form the very foundation that I reach for when I sit down to draw? Well, I could, but it would be a fairly long list and a lot of the names would be Japanese so let's just stick with the whole Artistic Identity and whatnot as the degree of knowledge involved in achieving the level of realism I desire is fairly high and requires an obscene amount of investment in terms of time and energy to actually learn. Having said that, because of the desire to establish one's self both emotionally and mentally is a process of self-actualization, I figured that something similar must be happening whenever artists sit down to draw, writers write or musicians compose, if not only because such an identity allows us to establish our own individual presence in an Emotional Economy but because it also allows us to recognize the visual appeal of our work as well as further understand and define the form language we use to communicate our ideas with both our audience and our peers. A matter which is not helped much by the fact that the rites of passage artists undergo and the harrowing that we experience while setting out on such a path tend to have the unfortunate effect of either destroying our egos utterly or leaving us completely disillusioned by the nature of the realities we choose to engage with. The fact that I scare the absolute shit out of most people when I talk normally is something I've had to live with my entire life, so imagine my surprise when the art that I sought to create and the stories I started to tell became a reflection of the self I'd long sought to hide in order to pass off as normal. I don't doubt Jung would refer to that as the Shadow seeking to express itself in an otherwise healthy way, but then again my pursuit of finding my own Self amidst the ruins of a life ruled over by the fear of what others cannot possibly imagine has been motivated more by a desire to end such intellectual isolation then anything else. Anyway, as an Artist and a Writer I have the freedom to act and think as I want without hindrance or restraint, but balance that with the need for a Persona which to embody and the need for an Artistic Identity becomes both an ego defence mechanism and a means of self expression. There are of course countless downsides to this as dissociation and supplantation can and do occur, watching that happen to celebrities is disturbing to say the least, but then knowing the risks lessens the dangers so there is that. That said the purpose that I had in seeking out the concept of the Artistic Identity was because I wanted a way to discuss the idea of developing one's own Inner Vision without having to rely on the words 'feeling' or 'style' due to the incredibly vague connotations already associated with their use. Seriously, I hear those words used to describe everything related to art and it just grates against my mind because of how hollow and meaningless they are because if Art Deco is a style then no matter how much I may love it it isn't my 'style' its a style that I 'identify' with. Don't even get me started on 'feeling,' hoo boy, sensation is a much better word because not only can I externalize the concepts involved, I can internalize the information being gathered without harming my psyche in the process. But back to what I was originally saying, if we have an Internal Monologue, which can only be reported to exist as I know of no actual means by which to prove it exists save for maybe some form of telepresence or mind to machine transfer system, which in turn begs the question of machine learning and machine consciousness, it stands to reason that we also possess some form of Inner vision. By definition that would mean that if an Internal Monologue is about thinking in words, then Inner Vision is about thinking in pictures. Oh screw trying to dumb it down, there's a mode of meditation used in Vajrayana Buddhism that uses fully realized forms and sophisticated visualization techniques to create art. The fact it can also be used to achieve a substitution effect using imagined experiences that evoke the same cognitive and phsyiological consequences as their corresponding real world counterparts is in my mind an unintended bonus. Though not one I would personally prefer to try and teach someone as you can see by anything I try to draw, its a process that leaves little room for error and can seriously mess you up if you aren't aware of what the hell you're doing and what's going on. Seriously, ten years spent practicing a technique to achieve what people can experience in five minutes after eating a handful of mushrooms. Grumble, grumble, grumble . . . anyway, in order to differentiate one's own Inner Vision from, say, Mental Images or Mental Representation, its important to begin by distinguishing the idea of Inner Vision from the mathematical models and the spatial awareness skills we use to visualize objects as when attempting to represent an imaginary object rather then say, trying to recollect an object from memory in order to construct it, we rely on different visual processes to access and interact with the information in question. Which is to say that copying, transferring, transposing and transubstantiation all describe varying levels and degrees of the qualities we wish to ascribe to an object or form. Or in other words a sword can change its appearance to match its setting without altering its basic properties and still be recognized as a sword in spite of the differences between the artist's mental image of a sword and the way it appears in their own Inner Vision. And if that sounded confusing try applying the concept to architecture and you'll start to understand why so many artists default to the known forms that they've grown up with if only because doing so prevents them from experiencing the kind of trepidation and fear that comes from crossing through Liminal Space. Even I struggle with that one as the number of social constructs and intergenerational gaps that have created new and unprecedented chilling effects increase I find myself wondering what fresh new hell the masses have decided to pass off as popular opinion and commonly held belief. But then again the conflict that exists between attempting to establish one's own identity by rejecting the value systems of those who came before and the realization of one's own agency in a vanishing world is nothing new, its simply happening much faster now. Anyway, back to my point about developing one's Inner Vision, when we look for the primary influences that serve as the basis for the way we attempt to visualize objects, I found that focusing on those experiences that serve as our introduction to a work tend to form the foundation we unconsciously reach for when we draw as not only do they often have largest amount of emotional investiture but the degree of familiarity with the subject matter cannot be matched by the increasingly complex mental and emotional needs imposed upon us by the realities present in an adult world. Or in other words, the reason why the things we enjoyed as children absorbed us so completely is because the fabric of the social realities they presented us with served as a means of translating the elaborate social constructs of the adult worlds around us in a way that allowed us to relate to the events and forces that were shaping the geopolitical landscape of the time. The reason that I say this is because when I look back at many of the cartoons I grew up with I find myself seeing references to things that only those of us who were adults at the time would've recognized or even cared about. And this is in no way an isolated phenomena as not only is it present in my own work, but a few of the more recent cartoons that I've seen seem to be trying to reach a point where they appeal to both children and adults in a way that encourages parents to watch them with their kids so something to root for I suppose. That said, whenever I try to reach for an image in my mind that fits the parameters I've set in terms of design, I've found that comparing and contrasting it against things that already exist in reality is the only way to anchor the idea in a tangible way as asking myself to try and direct my own attention towards a certain emotion, theme, mood or even concept is all but impossible without associating my intent with some other established work. I suppose if I were to try and put it into words, its basically the difference between drawing, designing, and development. When I draw, I work from memory, when I design something I work from either an emotional intent or a previously established concept, when developing a novel or an illustration, I work with either a composition in mind or a set of parameters that in turn serve to define the work. Case in point when trying to visualize the Tower of Zeal I needed something that was simple enough to draw over and over again, and yet different enough from the rest of the surrounding architecture that no one would ever mistake it for having been built by the local population. Seeing that in my own mind on the other hand meant I couldn't rely on simply trying to copy pre-existing objects or styles even though doing so helps to familiarize us with the form language that human's use to try and express concepts like reverence and worship. That and ornamentation, people love ornamentation to the point that it is rare to see a truly blank surface anywhere in art or architecture. Anyway, I think that's enough rambling from me. As I said I'm still trying to develop the concept of the Artistic Identity and the function of Inner Vision so if I'm even less coherent then usual that would be why. Until next time folks, have a good one.

#concept art #Black and White #Lustre Zeal #fantasy

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thecloudlight-blog · 7 years

Text

New Post has been published on Cloudlight

New Post has been published on https://cloudlight.biz/shaye-morris-goes-from-playing-football-on-computer/

Shaye Morris goes from playing football on computer

From playing gridiron video games day-to-day the education workforce of an American university football crew is a dream come true for a Walk everyday man.

Former Cambridge High Faculty scholar Shaye Morris obtained affirmation of his utility to sign up for the education group of workers of one in every of us’s Ivy League colleges, Kenyon university in Gambier, Ohio.

Based in 1824, Kenyon is the oldest personal schools in Ohio.

Graduates blanketed statesmen consisting of the 19th US President Rutherford B. Hayes.

Morris’ hobby inside the all-American sport day-to-day gridiron, become sparked with the aid of an online computer game he played while serving as a rifleman in the New Zealand Military.

All through his tours of responsibility as part of the multi-country wide peacekeeping pressure, which blanketed US troops in East Timor, the opportunity came every day “play the sport for actual”.

He became hooked and went on daily organizing daily ornaments many of the armed career teams.

Returning home he joined a crew playing in Hamileverydayn, extending in every day the training function and is the top educate for the Halliday-to-day Hawks.

Trying every day, in addition, his skills as a teach, he spent two weeks in the front of his day-to-day and emailed 330 colleges throughout us looking for a function.

“Out of all those programs, I handiest heard returned from 30

But a high-quality reaction came lower back from Kenyon university, I was over the moon,” he said.

Because of his restrained revel in, Morris will now not be paid at the same time as he is there, and could every day self-fund his residing charges.

Remaining season’s document of six wins and four losses for Kenyon wasn’t top sufficient for the finals, however, Morris is hoping for higher results within the coming season.

Morris is calling ahead day-to-day being in Ohio for the commencement of education camp, and in his function as an assistant train might be worried about the education activities for the 60-70 participant squad.

“I assume I might be watching a number of films analyzing Kenyans and their oppositions play and defense styles.”

At the give up of the season, Morris hopes to use his revel in every day, in addition, the growing hobby in the sport in New Zealand.

Lord Morris of Handsworth OJ – After Dinner Speaker

Lord William Morris, has a long and prominent business and union profession at the back of him, a wealth of experience and a huge variety of motivational and inspiring messages and anecdotes at his disposal, making him one of the most popular speakers on the circuit.

Firstly a Director (non-exec) at the Financial institution of the brain, as well as Cohesion Accept as true with Bank, Lord Morris served on the Commission for Racial equality, the Royal Commission that reformed the House of Lords and additionally acted in an advisory potential for the IBA and BBC. Bill changed into granting an existence peerage in 2006 and knighted in 2004. In 2002 he became awarded the order of Jamaica for his offerings to Alternate Unions.

Famed for his achievements as a senior union chief with TGWU,

He’s now a key player in a number of roles, including a law judge for the employment Appeals Council, Chair of Midland Heart and he sits on the panel of Mergers and Takeovers. Not handiest involved in the enterprise, Lord Morris is likewise an ordinary commentator and broadcaster on numerous shows consisting of Radio 4’s Workaday Global and enterprise guides, in which he contributes on financial, social and political hot troubles.

A champion of the merits of range, he is an expert on how a richer way of life can cause marked social advantages. He has a huge enthusiasm for training and its blessings and has been offered some of the honorary levels, as well as a Chancellor role at Jamaica’s College of Jamaica. His legendary love of cricket also paid dividends whilst he became an exceedingly enthusiastic director of England and Wales’ Cricket Board!

As a Speaker

Lord Morris has had an extended profession of social reform, management, and professional negotiation. His capabilities at guiding, enthusing and engaging a target market thru the demanding situations of exchange are 2nd to none. His stories and views on globalization, generation, and his political know-how make him an enormously credible and knowledgeable presenter – one that is aware of a way to react and work together with his target audience.

His speak fashion

Lord Morris is a hugely passionate presenter with an inspirational fashion. His topics are usually very well researched, notably credible and his arguments persuasive and stability. Regardless as to what topic he is talking on – from globalization to pensions, to leadership or schooling, he gives a knowledgeable opinion added with gravity and air of mystery.

Key subjects and regions of interest His key subjects include leadership, change and coping with transformation, diversity and lifestyle, training, employment, politics, social and economic affairs, company governance and corporate responsibility – and his own charming existence tale from a baby inside the Jamaican nation-state, to the House of Lords in England…And beyond.

You Can Burn a Lot of Calories by Playing Squash

When you have been looking for a laugh sports interest that is going to help you be in extraordinary appropriate circumstance and fitness, then squash happens to be a notable alternative thinking about that the level of calories burned gambling squash is in reality excessive. It definitely put is made from an indoor squash court docket with a door in which 2 to four participants can take part of the interest. It takes first rate bodily fitness, reactions and awareness to make certain you beat the alternative participant. It goes without saying that with a stimulating workout regime like squash and the energy burnt gambling squash, you’ll quickly find yourself-acquiring your goals, whether or not it be reaching your best weight, keeping yourself in shape and healthful, raising attention or just taking part in a lively activity.

Being a totally extreme transferring workout, squash is considered as a top notch cardio workout. Regardless of how antique you are or gender, you may expect super consequences from participating in squash. What you want to do is enroll at a sports center and start with the match indoors. You will require your squash equipment, and Harrow squash rackets are absolutely one of the best makes you could keep in mind. No longer best will it can help you enjoy a game hobby, however even help your hand-eye coordination, frame flexibility, and recognition. Squash could also act as an exquisite stress reliever after your annoying day. Humans say it’s far encouraged to get together along with your friends for a recreation of squash at the crease of the day to alleviate the strain and continue to be in shape as nicely.

A Study calories Burned gambling Squash:

A rapid evaluation of the calories burnt gambling squash makes it feasible to find out how beneficial it can be an effective health sport and even a workout routine. The amount of energy you burn will typically rely upon how much time you play the sport and your body-weight. Additionally, a girl participant will burn energy barely in another way than a male participant. However, thinking about a body-weight of round 65 kilograms/171 lbs, what follows will provide you with a feel of the energy burned playing squash:

If you participate in the sport for 10 minutes – a hundred thirty calories Whilst you are taking part in the sport for 30 minutes – 390 energy. In case you take part in the sport for 60 mins/ 1 hour – 780 energy

Some authorities opine that squash will help you burn off more calories inside the equivalent term While compared to greater commonplace energetic activities, along the traces of soccer, tennis, or basketball. it is advocated to keep in mind that the statistics supplied right here is an approximate calculation and might trade from individual to individual, But the game will almost usually allow you to burn off an awesome quantity of calories.

Football Boots Buying Guide

With time, soccer boots are becoming a vital accessory for soccer players. This footwear come in hundreds of patterns, as there are many manufacturers available. So, which shoes should you cross for? Here are some pieces of recommendation from experts to make it less complicated for you.

Consolation

Do your feet harm to your footwear? In case you can not stroll with ease for your footwear, how are you going to play with them on? In different words, Comfort is the primary component that ought to be taken into consideration while buying a great pair.

Fee level

You need to set a Rate restriction. In the shop, you may be tempted by using the idea that you can pass for that amazing pair In case you spend only a few extra bucks. However accept as true with me, you should not move the Fee barrier you place. Maximum of the time, right football boots come with a Rate tag of no longer extra than $2 hundred. This could be a very good Fee restrict for you.

Length Matters

Regardless of how reasonably-priced it can be, do not grasp a couple this is too huge for you. At the same time as the Rate may be tempting, do not make this error. Playing in a couple that doesn’t fit you is a positive fire manner to lose a sport.

Don’t Depend on huge Names

Big names do not necessarily make the satisfactory footwear. Small or less popular producers also can make pretty proper footwear. In other phrases, there’s no damage in trying on footwear made by using less famous manufacturers. So long as they make shoes that meet your requirements, you could purchase from them.

Originally posted 2016-08-28 03:12:58.

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