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#george wickham
bethanydelleman · 2 months
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George Wickham isn't bad in that way (which is the best thing I can say about him)
A lot of online discussions label Wickham from Pride & Prejudice as a pedophile because both of his victims, Georgiana Darcy and Lydia Bennet, were 15/16 years old. However, I am very certain this was not Jane Austen's point, and it also papers over the big differences between Georgiana's and Lydia's cases.
(This post isn't graphic but I'll put the rest under the jump)
Firstly, Georgiana's age was about her vulnerability to manipulation, not attraction. If Georgiana was older and out, she probably would have not fallen for Wickham and agreed to run away because she would have had other competing choices and more information about the engagement and marriage process. The time is chosen because she is ignorant, under the care of someone who is willing to betray her, and Wickham wants her money. I'm pretty sure he would have gone for her fortune even if he was adverse to her appearance.
Secondly, Lydia runs away with Wickham because she is following her mother's misguided, "husband at any cost" philosophy, there is no evidence in the book that this was a premeditated plan of his. The plot to elope with Georgiana was premeditated, but from everything in the book, Wickham was running away from debt and brought Lydia along for funsies because she offered. The point of Lydia's elopement is that she was too young, too ignorant, and not well protected. Her parents made a huge error in judgment allowing her to go to a place where she might fall victim to something like this. If it wasn't Wickham, it could have easily have been someone else, like Willoughby, almost the same thing happens to Eliza Williams under nearly the same circumstances.
Thirdly, the age of consent was 14 at the time and Lydia at least was "out". So culturally, he's going for people who would be considered "women" though most people at the time also would have thought they were marrying too early. So many people in the novel say Lydia is too young. (The average age of first marriage was 23.4 (Women's History of Britian, 2005)). Also, I think Jane Austen, who rarely describes anyone in detail, going out of her way to make Lydia the tallest of the sisters and also describing Georgiana as very tall, and describing both of them as fully developed, was her making the point that this wasn't Wickham having an attraction to prepubescent girls. Not that liking barely legal girls is great, but it's more like a modern guy dating 18 year olds when he's 30 icky than illegal.
It was about how girls who are too young are far more vulnerable to mistakes, empty promises, and manipulation.
So yeah, Wickham is the worst, but he's not that bad. This is the most I will ever say in his defence. I hold out a fond hope that he died in battle and Lydia gets a second chance at life. Or ran like the coward he is and then was court marshalled.
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anghraine · 1 year
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This is unnecessarily long, but: I was just thinking about Wickham's predation on fifteen-year-old Georgiana Darcy and then, almost exactly a year later, Wickham's predation on sixteen-year-old Lydia Bennet.
There are obvious parallels between the two incidents. In fact, they're so obvious that I think the incidents are sometimes treated as equivalent, with the consequences only differing by happenstance. I don't think that's true, personally.
There are some mechanistic sort of differences—Wickham put a lot more effort and planning into the Georgiana situation. He wanted to marry her for her money and to make her brother suffer. She had to be isolated from people who would look out for her interests, he had Mrs Younge in place, he had known Georgiana as a child and was able to exploit his own previous kindness to her as her father's godson, etc.
And Georgiana, despite all of this, and despite being swept away by a teenage infatuation with an extremely attractive man, was still uncomfortable with it. She was worried about disappointing a brother who raised her and whom she deeply loves and admires. When her brother actually showed up by surprise, she decided to tell him everything; Darcy takes pains to give her credit for this. Adaptations generally downplay Georgiana's active decision-making here, but the only element of chance is Darcy deciding to go to Ramsgate at all. He insists that he was only able to act because Georgiana chose to tell him what was going on.
This isn't meant to be an indictment of Lydia, though. Does she admire the parents who raised her? No. But why would she? Especially why would she admire a father who treats her mother and sisters and herself with profound contempt and no sense of responsibility? Why would she ever confide in him?
It's not like Lydia doesn't confide in anyone. In fact, she too confides in an older sibling, her sister Kitty. And in one sense, her trust in Kitty is not undeserved. Kitty does keep the secret. Presumably, she does this because, despite her occasional annoyance with Lydia, she is very much under her influence and goes along with whatever Lydia does. Regardless, she is trustworthy in that sense. Moreover, we see at the end of the book that Kitty is easily improved by being placed in better environments and taught how to behave. She just didn't know better.
How was she going to judge Lydia's situation correctly? Who was teaching her to judge anything correctly? Certainly not their parents.
If Mr Bennet had bothered to interest himself in his younger daughters and try and influence them for the better, impressionable Kitty is probably the one who would have benefited the most. The whole Lydia/Wickham thing would have fallen apart before it went anywhere if all the girls had been been properly raised, even if Lydia did exactly the same things.
And Lydia likely wouldn't do the same things if she'd been brought up properly and, you know, treated with a baseline of respect rather than being openly mocked by her father, the person most able to affect her development. Instead, at barely sixteen, she's been continually rejected by her father, over-indulged by her mother, and flattered by adult men (28-y-o Darcy says he and Wickham are nearly the same age). And she still tells someone what's going on, even though she doesn't care about her parents' opinions or the consequences of her actions. And she was under the protection of a colonel and his wife at the time, who also could have told someone or acted, and didn't.
It's not that nobody could have done anything about the Lydia/Wickham situation. It's that nobody did until Darcy found out and tried to extract her. But it was, in one sense, too late. To Lydia, he's just some unfun acquaintance who says boring things like "go home to your family and I'll do what I can to cover for you." That is, he tries to do what he did for Georgiana.
But Lydia is not Georgiana—she did not choose to tell him about any of this. She did not want to be extracted because she didn't know and couldn't be quickly made to understand what marriage to Wickham would mean in the long term. And she didn't care what her family thought because she had no reason to, pragmatically or psychologically.
Georgiana, otoh, did care about her family's welfare and the good opinion and affection of the head of her family. But despite their radical differences in personality, the most fundamental difference between the girls IMO is that Georgiana had every reason to believe that disappointing Darcy and losing his respect would be a change from the norm.
Normally he is affectionate and attentive towards her. They write each other long letters, he defends her to other family members, and praises her frequently. Georgiana, quiet and intimidated though she may be, talks more when he's around. Disappointing him had actual stakes for her.
Put another way, the potential loss of his good opinion mattered to her because he's gone to the trouble of raising her as well as he can and forming a good relationship with her. She chose to tell Darcy the whole thing because he had earned her affection and trust in a way that Mr Bennet has utterly failed to do. Even Darcy happening to visit Georgiana at Ramsgate comes from his affection and attention to Georgiana's welfare, even if he couldn't have known what would follow from checking on his sister at that particular moment.
Chance is always part of life, and it's part of the novel and these situations. But a lot of how these scenarios wound out was not determined by chance but by long-existing patterns in these girls' educations and relationships.
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greengableslover · 1 year
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You are mistaken, Mr. Darcy. The mode of your declaration merely spared me any concern I might have felt in refusing you, had you behaved in a more gentleman-like manner. You could not have made me the offer of your hand in any possible way that would have tempted me to accept it. From the very beginning your manners impressed me with the fullest belief of your arrogance, your conceit and your selfish disdain for the feelings of others. I had not known you a month before I felt you were the last man in the world whom I could ever marry!
PRIDE AND PREJUDICE (1995) dir. Simon Langton | Episode 3
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yaboisbullshit · 2 months
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Elizabeth Bennet in the 1995 Pride and Prejudice series has eyes that are the definition of “doe eyes to fox eyes”.
In episode six when she’s talking to Wickham she swaps from innocently talking to him to getting in little jabs during their conversation and then instantly switches back to a more innocent look. God I love her so much.
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Mrs. Bennet and Lizzie
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hotjaneaustenmenpoll · 2 months
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asgoodeasgold · 5 months
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The best Wickham ever
George Wickham looking a bit worse for wear and being rather obnoxious, but who cares, he is still the most charming of devils.
📷 BBC Death Comes to Pemberley (2013) my edit
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melmad21 · 2 months
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Had to make a book cover for a classic book in my illustration class. Had just finished Pride and Prejudice and thought why not!
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princesssarisa · 2 years
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I've been thinking of the idea that Jane Austen might have been partly inspired to create Elizabeth and Darcy in Pride and Prejudice by Beatrice and Benedick in Much Ado About Nothing.
@anghraine has posted repeatedly about how P&P can almost be read as a then-modernized retelling of Much Ado, like Clueless is to Emma. Not only because of the Beatrice and Benedick/Elizabeth and Darcy parallels, but other details and character parallels too.
If Austen really was inspired by Shakespeare in this case, then I think she deserves praise for one thing that isn't often mentioned: that in writing her Beatrice and Benedick-like couple, she also wrote counterparts of Hero and Claudio, but she handled them in a way that's much less... divisive (to put it nicely) than the always-difficult Hero/Claudio storyline. Namely by dividing Hero and Claudio's role in the plot between two couples: Jane/Bingley and Lydia/Wickham.
The parallel between Jane and Hero is more obvious, since Jane is Elizabeth's sweet, innocent, most beloved family member just like Hero is to Beatrice, and since like Hero, she temporarily loses the man she loves because he's led to misunderstand her, which makes Elizabeth, like Beatrice, beside herself with rage. (If she could, Elizabeth probably would eat Darcy's heart in the marketplace after she learns he convinced Bingley to leave.) But instead of being melodramatically tricked into thinking Jane is sleeping with another man, Bingley is only led to think she likes him as a casual acquaintance but no more, and instead of taking her to the altar only to publicly shame and reject her (which would be a ridiculous thing to do for the mere "crime" of not feeling romantic love), he just quietly leaves the neighborhood without proposing or confessing his love to her, and without realizing the pain it causes her. This makes it much easier to root for Bingley to reunite with Jane and finally marry her than it is to feel the same way about Claudio.
But of course Hero's public shaming does more than break her heart: it also threatens to ruin her reputation forever, and her family's too. Austen also places her heroine's family in this type of danger, and just like Shakespeare did with Benedick, she has Darcy's efforts to set things right be the final stroke that brings the two formerly-battling love interests together as a couple. But thankfully, instead of tainting Jane and Bingley's sweet little romance by having them be the source of the near-disgrace, she has Lydia run off with Wickham. Effectively, her solution is "What if Beatrice and Hero had another young female relative, and instead of tricking Claudio, Don John straight-up seduced the third girl and that was the cause of the family's shame?" And instead of challenging Wickham to a duel, a la Benedick with Claudio, Darcy simply pays him off to marry Lydia: a choice that's telling about the difference in time, place, and genre between Austen's realistic, satirical portrayal of Georgian England and Shakespeare's portrayal of Renaissance Italy. (Austen furthers this point when Mrs. Bennet convinces herself that Mr. Bennet will duel with Wickham over Lydia's honor and panics at the thought, only to seem disappointed when he doesn't.)
I don't know if Austen consciously drew inspiration from Much Ado when she wrote Pride and Prejudice or not, but if she did, she made some clever character changes that suit the differences between a slice-of-life Georgian novel and a Shakespearean stage comedy.
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burningvelvet · 7 months
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Suggestion: a Brontë/Austen crossover story where The Tenant of Wildfell Hall’s Annabella Wilmot and Pride and Prejudice’s George Wickham meet while drunkenly traversing the continent in decadent exile and it’s just a series of their party stories as they run from debt collectors and scorned lovers…
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bethanydelleman · 3 months
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I've been thinking about Willoughby, Crawford and Wickham and how they play somewhat similar roles in their respective novels without being the same character.
Crawford is bored and his flirting is just meant to entertain him. He doesn't care about what this does to the woman or potential consequences (mainly for her, his behaviour seems to be based on plausible deniability. He never openly courtes the Bertram sisters so he can't get shunned for that). He's indifferent rather than malicious.
Wickham is a gold digger, he likes the attention but would never do anything to hurt his potenial prospects (running away with Lydia seems to contradict that but 1) he refused to marry her (until he was bribed by Darcy) because he was still betting on finding a rich heiress and said it was Lydia's own fault for coming with him and 2) even though it was a fairly public stunt I doubt it would be talked about outside of Hertfordshire or Meryton (and why would Lady Catherine tell her friends when they don't know the Bennets or Wickham? Then again, who knows with Lady Catherine?).)
Somehow Willoughby feels like the worst of them all. He seduces girls because he has nothing else to do like Crawford but when he gets Eliza pregnant he dips and abandons her which feels malicious or at the very least cowardly. The way he leaves Marianne, ignores her and then his marriage is even more spineless.
He really is the most detestable out of them all.
(John Thorpe would be on this list but he has neither the charm, looks nor brains to seduce anyone. He is playing this game completely alone but convinced he's winning big time.)
I agree with you!
The big difference with Willoughby in my mind is how far he'll go. Henry Crawford and his sister may joke about how he doesn't plunge girls too deep, but he walks a very careful line of plausible deniability, as you say, for both himself and the Bertram sisters (and we assume for other women he's flirted with in town).:
Everything returned into the same channel as before his absence; his manners being to each so animated and agreeable as to lose no ground with either, and just stopping short of the consistence, the steadiness, the solicitude, and the warmth which might excite general notice. (Ch 12)
He leaves both of the Miss Bertrams with their reputations intact when he departs from Mansfield for Bath.
This is very different from how Willoughby behaves, where everyone in his and Marianne's circle is pretty certain that they are engaged. Also, Henry Crawford pretty pointedly "dumps" Maria Bertram, while Willoughby ghosts Marianne and leaves their relationship open ended like a coward, as you pointed out.
Another despicable thing both Wickham and Willoughby do is prey on women who are of lower status: Eliza Williams and the tradesmen's daughters of Meryton. We are never told that Henry Crawford does anything like this, his game is played with social equals and we are never given any indication that the unmarried women he flirts with are in danger of physical ruin. His affair with Maria Rushworth at the end is awful, but Maria was a married adult and she knew what she was getting into, the narrator even confirms that it was her idea. It's on a different level from what Willoughby and Wickham did with younger women who had less ability to understand the consequences.
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anghraine · 6 months
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I couldn't work it into the other post, but something I was also thinking about with regard to Wickham as a child is ... okay, on the one hand, I think it's important to bear in mind that child Wickham was, in fact, a child. We can't just assume he was evil from day 1. I find him more interesting if he's not intrinsically evil, and I do have some sympathy for the weird position he was in.
In some ways, Wickham seems to have been treated as essentially another son. Mrs Reynolds says that Mr Darcy raised him (entirely at his own expense), Wickham says that he and Darcy were objects of the same parental care, Darcy that Wickham was brought up to expect exertion on his behalf and was the favorite of his (Darcy's) father. Wickham was given a gentleman's education, sent to school and Cambridge, and a valuable living in the Church was planned for him. This is the kind of thing that would be done for him if he actually were a younger son.
But the thing is ... he's not Mr Darcy's son. He's the son of Mr Wickham, Mr Darcy's steward. Wickham is in reality a charity case entirely dependent on the Darcys' good will—this is part of why Darcy says it would have been a depravity to turn on him without reason. Wickham's brought up for genteel life, but the path set out for him is one he is remarkably ill-suited to (not only morally, as it will turn out, but temperamentally). I've sometimes wondered what it was like to be Wickham at ... say, 12 or 13.
Still, I also wonder if he was already kind of a handful.
Evidently not to Mr Darcy—Darcy says his father not only enjoyed Wickham's society due to his engaging manners, but always had the highest opinion of him. We have no idea what Lady Anne thought or did. But realistically, the people who dealt with young Wickham and Darcy the most were probably the servants.
Wickham insists that Mrs Reynolds was fond of him. Maybe she was, though she has nothing good to say about him now. She describes him in fairly impersonal terms at Pemberley, and after saying he's in the army now, remarks, "I am afraid he has turned out very wild." She seems pretty eager to shift the conversation to Darcy and says, "But I have always observed, that they who are good-natured when children, are good-natured when they grow up; and he [Darcy] was always the sweetest tempered, most generous-hearted boy in the world."
I've wondered if this conclusion was affected by Wickham as well as Darcy—if she sees something of the Wickham who turned out wild in her memories of Wickham the child, and this reinforces her sense of the significance of childhood behavior. She insists that she's never had a cross word from Darcy, even as a small child (she's been at Pemberley since he was 4, i.e. 24 years). But given her conclusions about children and her characterization of adult Wickham, I wouldn't be surprised if the first people to experience the brunt of Wickham's poor behavior were the servants at Pemberley.
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mysunfreckle · 5 months
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I have thought of a cursed Pride and Prejudice AU:
• Darcy leaves Georgiana's elopement out of the explanatory letter he writes after the failed proposal at Hunsford, only revealing Wickham's refusing the living in exchange for money and then demanding it anyway. This still softens Elizabeth opinion of him, she still believes him, but has less sway over her feelings.
• When she sees Wickham again she still likes him enough to want to find out the truth. At her first hint he immediately confesses "the truth". He does a very good job of mourning the folly of his youth and explains how ashamed he is of his actions now. He owns that he perhaps ought to be less resentful towards Darcy, but claims that Darcy did not scruple to disdain him for a moment of folly, which, he claims, was brought on purely a by distress of circumstances. He also wishes he would have told her the whole truth immediately, but he simply couldn't bear to think it might sink him in her opinion. Elizabeth, flattered, and aided by Jane's endless faith in human good nature, believes him.
• After agreeing to let Lydia go to Brighton, Elizabeth manages to convince Mr. Bennet that this is actually a very very bad idea. But, judging that it would mean outright war at home if he retracts his permission now, he grumpily decides to take the whole family to Brighton.
• Because of this, Elizabeth does not go with the Gardiners to Derbyshire. Wickham improves his friendship with the whole Bennet family and keeps paying Lizzy special attention.
• Instead of going to Scarborough, the Bingleys and both Darcy's go to Brighton.
• Darcy sees Elizabeth again and immediately tries to show her he has listened to her reproofs on his manners. She, now convinced of his being a decent man, but not softened by a Pemberley meeting and the praise of his servants, is pleased with this change in behaviour, but not immediately so moved by it as she would have been.
• Wickham is for the first time able to see Darcy in company with Elizabeth, and, knowing Darcy's mannerisms better than almost anyone except for Georgiana, immediately sees that Darcy is genuinely in love with her. He also sees how absolutely horrified Darcy is to see him with the Bennets.
• Wickham then changes his idle flirting to full on courtship of Elizabeth, purely to get back at Darcy.
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annaleigh · 1 year
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Pride and Prejudice characters for class! Done with the pen tool in Adobe Illustrator.
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curiousb · 4 months
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The Merybury Chronicles: Volume VII
Festive COVID has struck, so just a small update today, I'm afraid, with some snippets of news from around the town.
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A new retirement community has opened its doors - Purvis Lodge.
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Herbert and Faith Goodie are the first residents to move in, and take advantage of the leisure facilities.
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It's also time to say goodbye to another pet - Pip.
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Sally smustles away the sadness of the loss. She's due to head off to uni any day now, along with several of her fellow teens.
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The rumour around town is that George Wickham is playing away from home.
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Certainly, a few months later, Marla Biggs registers the birth of a daughter, whom she names Georgina.
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Does the little girl bear any resemblance to her purported father? Perhaps. I'm sure we'll be seeing her around town, so there'll be plenty of opportunity to decide. Georgina's stats:
~ Cancer 8 / 7 / 5 / 9 / 6
~ Charismatic / Perfectionist / Hates the Outdoors
~ OTH: Arts & Crafts
~ Favourite Colour(s): Black / White
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