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#game spooky too
alforalice · 5 months
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Started playing SIGNALIS today (by that, around 1 and a half hours before TRYING to sleep) and...other than the fact I forget how to breathe for a moment because I'm constantly holding my breath...woah
Soo tall
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louvsona · 7 months
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we love a sexy sister daniel! happy halloween!
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faeriekit · 10 months
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Health and Hybrids (VI)👽👻💚
[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and whatever prompt made the one body horror meat grinder fic.]
PART ONE is here PART TWO is here PART THREE is here PART FOUR is here and PART FIVE is here and this is part six💚 Ao3 Is here for all parts
Where we last left off... Danny and Bart are bros now. The Speedsters chat about the horribly injured entity their kid has decided is like a...pet? Theydk?
Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my awful attempts at following DC canon. On with the show.
💚👻👽👻💚
Danny wakes up to an unbridled wave of nostopdon’t.
…He rouses. His lungs flutter.
Danny flinches. 
There’s something— it’s large and it’s green in a way that humans are not and it’s taller and wider than Danny’s human and the space it makes in Danny’s senses—
The red human Danny is too attached to now buzzes to his bedside, spilling worrywor/rynerv/ous all over Danny’s section of this abandoned hospital. His muscles tighten up to compensate; and when the green not-human adult gets closer, Danny pushes himself forward on his elbows— closer to his vibrating human, closer to a defensive formation. 
The green thing moves and Danny can’t see the gesture. He bristles. 
And then
Danny’s skull spl
                                its
                                                down the middle. 
Everything hurts and everything is on fire. 
Danny screams. 
                        And he screams. 
                                                        And he screams. 
And—
Danny isn’t moving— everything else moves when Danny screams but he isn’t moving— the fast human has gotten even faster and they’re zooming through the building, through rooms and past adult humans that Danny has never seen, and all Danny can do is sink his claws into the human and hope that it stays. That Danny stays. In its arms, and not next to— that. 
The fast-buzzing human finds a dark room. 
It shoves Danny and itself inside. Good. 
They hide. 
Even better. 
Someone comes to the door, and Danny can feel the frigid heat of a blast forming in his fingers. But it’s only two of the humans Danny has already met. And another young human.
This one has light hair, he thinks. It shines in the light spreading out from the cracked doorway. 
They talk and they don’t crowd his space but to be honest Danny would rather they did. There’s something horrible out there, and he knows these humans aren’t that bad and whatever green thing out there certainly is. They should all be safe in this nice dark room. 
He makes a grabby hand. Come here. Get closer. 
…One of them does. Great! Danny gently bats at it with his knuckles until it joins them underneath the table. Danny puts the buzzing human in front of him and his new human behind him, so that he’s in the middle. There’s layers now. They can’t all get wiped out at once. 
Danny makes grabby hands at the other. It makes a huffy sort of vibration. Probably a laugh. Stupid. Doesn’t it notice that they’re in danger?? 
Danny whips a very sharp comehererightnowbetween them— not lashing, but not gentle. They are in danger. Come here. 
Thankfully, the last two obey—Danny’s pretty sure he’s being humored, but that doesn’t matter. Not as long as they’re all under the table. And safe.
The buzzing human’s anxious vibrations slowly move out into a slower, calmer boredom, and that’s fine, because boredom means that it doesn’t think they’re in danger. No one has found them yet and the humans are twitchy and nervous.
One of the darker-dressed humans says something. Danny can’t tell what it says, exactly, but he can turn his head to listen. The words flow around him like water. Someone else murmurs something else.
A human hand bats at Danny’s. Danny flinches. It—is it fighting?? Are they fighting??
They don’t start…hitting. But they keep batting at Danny’s hands, very carefully avoiding his claws, and—oh. They want to play. And they probably want to play quietly, so they’re being smart about not getting caught. Ugh. If Danny had his toys, they wouldn’t be so bored. This is almost worse than boredom.
…Fine. Danny’s claws don’t exactly retract like an animal’s, but they’re not so essential to his being that they’re formed and present all the time. The sharp shapes of his claws shift in the darkness, until they’re only blunt nails: suitable for playing.
All the humans make very excited noises under their breath. It’s all very interesting or something. It can’t be that special. Danny sees other ghosts reshape little bits of themselves all the time.
The quiet human in red gently lifts up Danny’s hands with its own. It gently tosses Danny’s hands in the air, so that they clap together very quietly once they fall down onto its own. Danny lets it happen. They’re this close to him anyway. They’re probably not a threat.
(The real threat is outside, anyway.)
Then his hands get flipped over. The human gently bats its hands against Danny’s, extremely careful not to anger him enough to claw. They do this a couple times before Danny figures the game out.
Oh. It’s a hand game—Danny even knows this one. It’s Ms. Mary Mack. The quiet one whispers the right tune under its breath.
Once Danny knows it, it’s easy to gently follow the motions. He surprises them when he knows the motions as well as they do; his wrists hurt when he goes too fast, or when the human kids do—when they push too hard, Danny makes himself intangible, to their delight—but he can be gentle, and eventually everyone else is gentle, and they carefully plot out Mrs. Mary Mack and a veeeery slow version of Concentration.
It’s all very fun, right up until the Large Green Not-Human pushes itself through the floor.
Danny pulls his hands back, unsheathes his claws, and shrieks.
Everyone yells and everyone gets closer—it’s a defensive formation and that’s good but it’s not enough if he needs space to help defend them—and everything is loud and upsetting and Danny’s already hurt but he can fight and he will—
—Apology, Apology— something whispers, infinitely quieter than the attack Danny had suffered.
He bolts upright. What? Oh, oh no. It wants to talk to him. Danny does not want to talk back. NonononoGoAWAY.
The giant green thing backs off. Danny gets a distinct sensation of —Questions, Answers— sent to him. The feeling is accompanied by a procession of Danny’s own memories: the stars from the base, the container he’d woken up in, his bed nest and all the waste in it.
Danny winces further back under the table. Just because he likes his cot and feels safe in it doesn't mean it isn't gross. It is gross. But everything is going to be gross until all of his insides are actually inside of him again, and not squished up in his more liquid form.
The quickfasthuman darts in front of Danny, as if it is going to be any defense against whatever this creature is, and starts yelling in its little human voice. Danny keens.
—Care, Concern— flows towards him. With it comes Danny’s memories of the buzzing human bandaging him, a flesh-tone bandage stretching across the hole where more of his nose ought to be.
…Danny stills. It’s. That’s.
It’s a very gentle emotion. Maybe the thing is…lying…? But if it was, Danny would be able to feel it. Right?
There are more thoughts and feelings that come by, first very quietly and softly, and then a little too fast to track as the being get ahead of itself. When Danny pulls away, it slows down, and the flow becomes manageable again.
The Earth. Green and peaceful.
Space. —Home. Home—
This base that Danny is on. On it are faces that the green being can see, that Danny can’t— but in its memory it shares, all of them are welcoming and friendly with…their coworker. This being.
(Is this an alien?!)
(The being pauses in its recollection. It feels distinctly —Amused, Amused—. And then Danny gets space memories!! Of Mars!!!)
He carefully eases his claws out of the carpet. Okay. This is pretty cool. Danny’s getting the hang of this.
He (thinks? Successfully?) bounces back a memory of his first room, his first shuttle model of the Atlantis, the glow in the dark stars on his ceiling.
The alien (Alien!!!) treats him to a memory of his own offsprings’ resting places in his home. On Mars.
Danny doesn’t even argue when his buzzing human tries to pick him up. They can break formation. It’s fine. Danny purrs and purrs with his core. For the first time in months and months, someone can speak to him properly. Someone wants to speak to him.
What Danny thinks matters.
The stranger invites Danny into a mutual conversation, and Danny accepts.
Danny sinks himself into a memory of the earth, as seen from the upper atmosphere. The stars were all-encompassing there. He misses flying. 
The Martian sends him a memory of a crashed…
…Oh. Danny squeezes further under the table. That’s the Specter Speeder. From the stranger's eyes, his crash into the dirt looks so bad. That’s…that crash hurt him. He’s still hurt. Still so bad. 
Even the alien’s —Concern, Fear, Worry— isn’t a comfort. 
The Martian replays the memory of the bandaids again. And then a new memory: the laboratory where Danny woke up. 
The room was full of nervous humans in scrubs and lab coats, all of whom were nervous, nervous, fussing over problems like safe food and adequate oxygen and sanitary environment and please, please be okay. Danny’s empathy is limited to other empathetic beings, but the humans' thoughts and worried faces are bare and transparently clear to the alien. 
…Oh. 
Danny thinks of the young humans crowded around him, trying to keep him comfortable and safe, even when the alien knows that the humans know that he isn’t a threat. But that they worry for Danny anyway, because he’s scared and unhappy and in pain. 
Oh, Danny thinks. …Oh. 
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invisible-brandy · 7 months
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im gonna chew my arm off thanks<3
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sonicblooms · 2 years
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i hope these screenshots calm you like they’re calming me <3
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kicksnscribs · 11 months
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SO
Theres this documentary game called South Scrimshaw Part One out there on steam thats a visual novel style deal telling the story of a young whale living on an alien planet and it it gave me the perfect image to use when the horrors become too much:
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ratwavegamehouse · 9 months
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One of the games in my month-long Hidden Gems Sale (also known as the the I'm unemployed pity party) is Fear the Taste of Blood. It's an asymmetric game using playing cards and dice to tell a story inspired by classic movie monsters: towering aristocratic vampires, frightful werewolves, constructed creatures and invisible fiends.
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Throughout play you’ll record the attacks of the monster, how the survivors try to fight back and deal with the horror they are facing.
By default the game plays 3; one player acting as The Survivors, one player acting as The Monster and one player acting as the Night they're going through. It accommodates plenty of different sizes though.
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It's based on the rules of Beyond the Rift via Anyone Can Wear the Mask.
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There are rules for creating your own setting, monster and survivors but the game also comes with three pre-written scenarios. I sourced the art from old public domain horror magazines and comics.
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Werecat by Night is werebeast story at an ice skating competition, with the human form of the Werecat among the survivors.
In The Widower of Count Dracula an all queer cast, including Jonathan and Mina Harker's grown up child, faces down the late Dracula's lover in post war London.
Man-Made Phantom is a mashup of the Invisible Man and haunted house stories, as well The Old Dark House.
I played both Werecat by Night and Man-Made Phantom at GenCon (with an expanded cast of 5/6 players including me) and had a lot of fun both times. Our Werecat by Night ended with the figure skating judge burning the Werecat to death with a flower and then a troubled skater choosing to take the blame for the attacks.
Here's a video from Philippa Mort talking about the game some more and recommending it for dark and spooky nights.
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So yeah you can get 20% off as part of the sale or bundle all the Hidden Gems together for $40. I'll try and do some posts about the rest that's on offer this month.
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dexter-erotoph · 1 year
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ghostorbz · 7 months
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friends til the end
unfilter version too :P
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skyblueartt · 13 days
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Wish I got into Fnaf in the 2010s like a normal person. Tf am I doin 22 years old and just discovering this
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grimgummies · 18 days
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I just realised that a lot of the reason why I was struggling to leave/become less active on Twitter (besides the fact a lot of my friends are on there) was the fact that's where a majority of the super active Spooky Month fans are. But now that I'm sorta getting back into Minecraft I feel less and less inclined to be active on Twitter so that's something
I mean I will miss seein all the active artists/fans on that platform but it's honestly for the best that I don't touch Twitter much because it's not good for my mental health
I might occasionally drop in there to post but I don't feel a huge obligation anymore pff,, feels like a curse was lifted off my shoulders lmao
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clownsuu · 1 year
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So...you got into John Doe too-
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s i g h h h h h h h
yeah-
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rxttenfish · 8 hours
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my most unpopular ttrpg opinion is easily: no, "universal" games cannot run horror and stop trying to run horror in games not designed to be horror
like, dnd by far is the biggest offender here, but i keep seeing it pop up again and again and im sick of it. i still have no clue why the ogoa ttrpg is in the cypher system or why the mystery flesh pit ttrpg also made this exact same choice.
there are systems made to run horror in. and you cannot just pick up and immediately transfer that horror to another system because so many of the mechanics are things which are fundamental in all other genres but literally fly in the face of horror or creating good horror. there are so many fundamental mechanics in ttrpgs of other genres that will immediately destroy any and all tension you are trying to build in a horror game. please, just stop torturing yourself like this. stop torturing the game like this. just pick up some indie ttrpgs already designed with horror in mind, for fucks sake.
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invisible-brandy · 6 months
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the unhinged little giggle??? sir?? i mean sister daniel??
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jacenotjason · 1 month
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did you guys know i cant play a lot of roblox games properly
not bc i CANT, i just literally cant play them right because i spend too long just geeking out about the 3d models
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gifti3 · 9 months
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Kinda scary how asmo switches it up if you upset him or do something he doesnt like
just the general idea of having to deal with a very well liked and popular person latching on to you but ur aware that theyre mean and passive aggressive when u dont go along with their shit
and u dont wanna go along with whatever they say but this person keeps latching on harder every time u you try to go against them
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