Returning the Favor - John Wick x F!Reader
⚠️warnings: DUBCON, smut, piv, facial, pressured intimacy, implied abuse (not John), graphic depictions of violence, cursing, alcohol, blackmail, noncon pictures, no use of y/n!, 3716 words.
a/n: it’s me again, back with something I’ve been cooking for a few days. life is wild rn but I hope u all enjoy!
summary: John does a hit for you, at no cost, and now he wants something in return. it’s only fair, right?
John remembers your little face. The way your eyebrows furrowed at his insistence of doing this job free of charge. The split skin on your lip and the bruising on your cheek and wrists, he can picture it clearly.
He pictured you walking up to him in the alley outside of the Continental, where a friend of yours told you he would be.
He recalled the way you asked about his services.
“Who do you need gone?” he had asked, as you handed him a manilla envelope. That’s when he noticed the blue and yellow pattern that littered your skin when you reached your hand out to him to give him the paperwork.
“My fiancé.” you stammered out of those damaged lips of yours. “He’s the chief of police, and I’ve tried getting away, getting protection orders, but he’s able to just get rid of anything I do.” you elaborated.
John’s eyebrows raised at the sound of that. He added the context clues together and immediately understood, especially after seeing your bruises. John assumed you weren’t a kickboxer in your spare time.
He’s still able to admire your delicate features, despite the fact you’re not trying exactly to look pretty. He can still tell that you have gorgeous eyes and long lashes, a nice haircut that frames your well shaped face to perfection. Your skin is smooth and clear, and your body? Even though you’re in a cropped hoodie, you do have leggings on.
Oh leggings. Truly underrated in all aspects. The way the cloth clings to your body, shaping around your hips, thighs, and ass.
Truly beautiful. He can tell.
Maybe he could use this to his advantage? Not necessarily the most morally correct way to get a woman, but it could do the trick.
And use he did. He would use it to his advantage, in a simple and innocent move.
“I’ll do it. No charge.” John replied to you, you’re taken aback by the sudden generosity from him, you’re so shaken by the entire situation you don’t even notice his eyes trailing your entire figure and checking you out.
“Really? No, I can’t let you,” you insist, handing him a duffel bag full of 5 figures of cold hard cash, but he simply refuses it.
“We can discuss it later…” John says, shaking his head and outright not taking the bag. “Keep your money. Please.”
-
He’s thinking of this encounter as his blade thrusts into your fiance’s throat, finally getting the winning blow after their quite large altercation. As a police captain, your fiancé knew how to hold his own in a fight quite well.
Not well enough apparently.
Your fiancé gurgles as John shoves him against his bed, the blade destroying his vocal chords and windpipe. John makes one swift movement with his wrist, and the blade rips out of his flesh, separating several tendons. The severed arteries cause blood to squirt onto John’s neck and face.
“No one likes a woman beater.” John clicked his tongue at the dying police officer, who crumpled to the floor, blood pooling from his lethal wound and onto the carpet. A bubbling sound echoes from his mouth, the red liquid dribbling from his lips, and in a few more moments, his eyes are drained of any life that was left in them.
John rolled his own eyes and quickly did his best to destroy the good condition of the condo, making it seem like a robbery gone wrong. He grabbed a few things that looked of value, including a few expensive watches and some impressive Japanese chef knives, and went on his way.
-
You had stayed at your friend’s house in the meantime. Anxiety spiked through your chest, hoping everything was going to plan. You honestly weren’t able to take it anymore, your fiancé had really outdid himself this time. You had gone out with your girlfriends for some drinks on Saturday night, he didn’t appreciate you not sharing your location with him. So the obvious reaction? To beat the absolute piss out of you. You were wearing a sweater in 70 degree weather because of the purple and blue marks that littered your skin, including on your arms, abdomen, and back.
You had enough. Clearly enough to save up money doing side gigs without him knowing and saving enough to pay for a hitman that a friend of a friend told you about. You’re playing something with your friend on her Nintendo Switch as you feel your phone buzz in your pocket.
You frantically grab the device, opening it to find a text from an unknown number.
It’s done. Meet me at the Continental’s bar.
Your heart dropped to your stomach. That could only mean one thing. The job was finished.
He was finally dead.
Sighing in relief, your friend raised her eyebrows and turned to you.
“You good?” she asked.
“Huh?” You say out of the blue, shaking yourself out of your solace. “Yeah. Never better.” you force a smile.
-
John waited for you at the bar, he had changed and showered, washing the blood that had gotten on him from his little altercation with your now ex. The atmosphere is the typical Continental’s vibe, comfortable, upscale. He’s waiting for you at a small table with an open bottle of champagne. John hadn’t been able to get your cute face and nice figure off of his mind since he met you the other day. The day when he said to not worry about paying him.
Well, today he’d discuss another form of payment he was interested in. A favor for a favor one would say. A body for a body.
He wanted you.
His eyes trail up towards you who just arrived, wearing a simple yet oh so flattering outfit, your eyes are glued to your cell phone while you walk in.
John cleared his throat and shot you a little wave of his hand, catching your attention. Your beautiful eyes widen, and you smile at him, slipping your phone into the purse slung over your shoulder as you make your way over to his table. John couldn’t help but check your entire body out. Your face, legs, tits, even the way your hips swayed a bit while you walked made him just want to take a bite out of them.
God, you looked delicious.
Sitting down, you smiled at John.
“Hey, how are you?” you asked him, attempting to disguise the fact that you’re freaking out. Several emotions have been pumping in and out of your brain, you don’t know how to exactly feel. Grief? Safe? Relief? Distress?
Especially in front of the man that solved your biggest issue in your life within a manner of minutes. How do you present yourself in front of him? More importantly, how are you going to possibly defend yourself to the police?
Only time will tell.
John sighs, you sit down. He begins to speak as he pours your light, bubbly glass of alcohol.
“Not too bad, actually.” John answered your initial greeting. “More importantly, how are you, my dear?” John boomerangs your question. Your heartbeat accelerated and you set your purse in your lap.
“Complicated. I’ll figure it out later.” is what you manage to come up with, biting the inside flesh of your mouth, your delicate fingers are silently tinkering with the zipper pull of your purse that sits just under the table. Of course he asked that. This is what he does for a living, he doesn’t think twice about the act.
The two of you engage in small talk, and it’s surprisingly refreshing. John has a lovely smile for a killer, with his nicely maintained dark scruff outlining his cheeks and jaw whenever he chuckles at a quip of yours. His brown eyes are always in a narrowed position but they seem to always glow towards you, never taking them off of your face for a moment.
You don’t know it at first, of course you don't. John’s a professional. He's deliberate in every breath, every shift of his body, in such a way that could only be described as masterful.
You don’t notice him until he has taken forty-five minutes to inch closer to you in his chair, shifting every so often to eventually, be brushing up against your delicate frame, arm to arm.
By now you’re on your third glass of champagne, you simply didn’t want to think about any of your problems, to just enjoy your time with this man that simply did you a favor.
Right?
“I’d like to request something of you.” John suddenly says in the middle of a conversation about your hometown. He’s been awfully interested in different topics about your life, you haven’t even thought twice about it. “I can’t tarnish my reputation with the fact that I did a job, free of charge.” John states, his head tilted directly down at little ol’ you, who’s currently sipping your drink.
Your heart drops to your gut while you swallow.
“…that’s fine. I still have the mon-“
“I don’t want the money. It’s not important to me.” John interjected, with his hand suddenly resting on your soft upper thigh, the feeling of his long fingers squeezing the limb almost making you jump from your seat.
The way his thin brown eyes are gazing over you and your figure, it would have sent most people into cardiac arrest. You put two and two together, holding your breath as you maintain eye contact.
“I see.” were the words you whispered while he gave you a soft and endearing smile.
But those eyes? Those eyes were cold. The pair of his told you things you couldn’t imagine repeating.
Before you can say anything else, John’s lips travel to your ear, his hot breath tickling your skin as he speaks. The hairs on the back of your pretty neck stand straight up at the knowledge of how close he was to you.
“I haven’t been able to stop thinking about you since I took the job.” John informs you, his voice low and sultry, only meant for you to hear at that moment in time. “I made sure he suffered. And you owe me for that. Least you could do is… well,” John’s eyes trail down your figure, especially eying your cleavage.
Your heart is breaking. There was a twinge of hope in the back of your mind, aching for this man to be the one. The one to swoop you off of your feet and come save you like the damsel in distress that you were. But men are so disappointing.
“So, are you going to give me what I want? Or do I need to take it?” John sharply asks, snapping you out of your thoughts. Your blood turns cold at the thought of this killer having his way with you, touching you, fucking you. You were stuck. The anger churned in your gut as you clenched your jaw.
“Fine.”
Several minutes pass, and he has led you to his hotel room on the 8th floor, unlocking it and allowing you to enter first. You can only tell the luxuries this man has at his disposal, just from the glamorous hotel room he has brought you to.
The room is dimly lit, with a few candles he begins to light and the moon shining through the curtained windows. You furrow your eyebrows, biting your tongue, as you never imagined John, the killer, to be the romantic ambience type. You suddenly snap out of your head when he calls you by your name.
“Hm?” you ask, eyes wide as he’s turned towards you next to the bed.
“I asked, is there anything you’re uncomfortable doing? And what’s your preferred pace?” John repeated himself, apparently you had been stuck in your own thoughts and didn’t catch it the first time.
Of course there are things you’re not comfortable with in bed. Hell, you’re not even comfortable doing this with a man you hardly know!
You tell him the few things that are completely off limits with you, he ponders this and nodded his head, agreeing to your terms, even though this was a favor you were returning. The man, perhaps 20 years your senior, hasn’t broken eyesight with your figure for the past hour.
You almost feel like a meal that’s been prepared, just for him. Served on a silver platter and sent directly to his room, waiting to be ravaged upon. You wouldn’t be surprised if he began drooling soon.
He wasn’t kidding when he told you he’s been thinking about this since he met you a few days ago. It’s like you’ve tattooed yourself into his fleshy and morbid brain, refusing to let go, tormenting him with every small action you did, unintentionally or not.
But your curiosity is killing you.
“What pace do you prefer?” you shoot the question back at him instead of answering it yourself. You were experienced, sure. You were a grown woman. The past several months were filled with abuse and subpar sex with your (now dead) fiancé. Not that this owed favor would be any better, you’re expecting something that lasts maybe a few minutes just so John can get his stress out.
Of course you’re not expecting John to be generous, especially if this is simply a debt to be paid by your body.
John tilted his head to the side, clicking his tongue in thought while he sauntered over to you, who was on the opposing side of the bed. His eyes linger on you, not blinking even once as he soaks in your features. His rough hands began to undo his black silk tie, unbuttoning his white dress shirt that had already been stripped of its suit jacket. His knuckles are bruised and scabbed, John’s been a busy boy this week.
“It seems I may have grown a bit, fond, of you, this week.” John says, clearing his throat. “Can I show you how I want you?”
Your heart rate goes up, you bit the inside of your cheek, blinking up at the tall and intimidating creature that is John. It’s not like you can say no. You owe him. You owe him your life, he practically saved yours, no matter how unethical this was.
So you nod your head.
Moments pass but it doesn’t take John long to practically rip off your cute outfit, revealing the soft and sexy figure underneath. His bruised hands immediately grab you, he’s completely overtaken by the reminder of how small and delicate you look. Your sheer size difference between you and him, in height and weight, makes him so fucking erect. John shoved you against the fancy hotel wall, attaching his lips to yours, initiating a dance of tongues and teeth, taking your bottom pink lip and nibbling a bit. The move earns a squeak from your throat. John takes a moment to take his hands off of your soft flesh, disconnecting his lips from yours. John unzips his pants, letting them and his heavy belt fall to the floor.
It doesn’t take a second thought for him to reattach his hands to your thighs, grunting as he easily lifted your body up and to his level, with easier access to your lips and… well, your other pair of lips.
In the few minutes that you’ve been kissing, your cunt began to glisten with your arousal, especially now with John’s bare and rock hard cock pressing up to your small entrance.
“Shit, I just know you’re a tight little thing, huh?” John growled, using his innate strength to only hold you up by one arm, spitting into his hand and rubbing the slick between the tiny folds between your thighs. You moan as he delicately rubbed your clit, then giving himself a few pumps to wet his length.
“You gonna give up your pretty little pussy to pay me back? Huh? Gonna be a good hole for me to fuck?” John asked in a gruff and low tone into your ear, while you felt his thick tip push inside. Your breath hitched at the burn of his unexpectedly large dick, your cunt can only adjust so much in so little time.
“Agh! Y-y-yeah, just like that, please,” you stammered, gripping hard onto his muscular and wide back while he began to thrust. John gave you little to no time to get used to his length. You’re quickly able to adjust to his pace while he grabs your hips and thighs, moving you up and down on his cock that he was simultaneously thrusting into. Tonight, you’d be his good little fuck toy.
“Fuck, need to be deeper in you.” John growled, manhandling you and tossing you onto the hotel mattress. Within seconds, he had flipped your body, stomach side down and pulled your ass straight up in the air, giving you a few hard smacks.
You cry out in pain but before you can say anything, he’s already jammed his cock back into your tight cunt, with you squeezing yourself around him, earning yourself a few tender moans from John.
John took his large hand to grab the roots of your hair, pulling your head and neck back while John pounded into you, causing you to go dizzy. He’s fucking you almost like a rabid animal, and for some reason, you love it. The two of you resemble dogs in heat, while he relentlessly thrusted into your already sore pussy, moving his hand from your hair to around your throat. You can even feel his balls smack the cusp of your ass, informing you that he’s been fucking you with his full length for a bit now. You swore you could feel John’s cock in your stomach, moaning and begging out loud for him.
John’s hand tightens around your throat, restricting as much oxygen as possible, quieting your moans and cries for more.
He brings his other hand and spanks your red ass again, it’s gonna hurt to sit down for the next few days, but the sensation along with him fucking you from behind was a delicious combination.
“Good little slut, who’s my whore? Huh?” John asked, spanking you again. The sting of your ass is almost too much to bear.
You struggle to answer, but you do it.
“M-me! I’m your little whore.” Your scratchy voice strains. He flips over your pretty body again, his hands and eyes glazing over the front of you. You’re going to hurt tomorrow. You can only imagine all of the bruises and scratches you’ll be finding over the next few days.
“I’m the luckiest man in the world right now.” John mumbled, spreading your legs all the way to your chest and putting himself into you, thrusting over and over again. The tip of his cock keeps brushing against your cervix, making you whimper and cry out, your nails dig into his biceps, and he couldn’t care less. “So fuckin’ beautiful, just for me…” John grunts under his breath. He lets out an intense groan from the bottom of his throat, pulling out of your sopping wet hole. You almost frown.
Unfortunately, you ended up beginning to like this favor you owed a bit too much. So much so that you begin to whine and pout the second that John pulled himself from you.
The older man bit his lip and raised his eyebrows, forcing himself to stifle his wicked smirk as he peers down at a desperate and needy little thing from below.
That thing being you, of course.
“Oh?” John asked innocently, despite the filthy sin you two were committing at the moment. “What do we have here?”
Remember when I mentioned that you were a meal in waiting?
Well, John was about to devour you.
He’s starving for you, attaching his lips and tongue to the folds he’s been unforgivably pumping into for the past half an hour. The sensation of his calloused fingers gripping and spreading your fleshy thighs apart, with malicious intent, mixed with the gentle and needy laps his tongue is giving your pussy is nearly too much to handle. He even gives your clit a few soft motions with his lips, your vision is blacking out from the carnal ecstasy John is so humbly gifting you at the moment.
Your ears can pick up a soft grunting from him, he’s taking his free hand and twisting it up and down on his shaft, touching himself to the act of him savoring your cunt.
John pushes two of his long fingers into you while he quickens the pace on your sensitive core, earning a sudden scream from you, jolting up and arching your back. John opens his eyes, not stopping, rather just looking at the way your tits bounced when you arch your back.
You were close. Way too close. John’s fingers were skillfully working you up, and you began to unconsciously clench around them.
“J-John, I’m gonna-“
“Cum for me.” John interrupted, his mouth still in your pussy as he kept his movements steady. He let out a few masculine whimpers into your clit while you lost control of your senses.
Your orgasm nearly brings you to the brink of tears, your vision blacks out, this is a completely new way to experience a climax. Your small hands grip the hell out of the hotel bed sheets, John allows you to ride out your orgasm, while you’re still recovering with your eyes closed, he quickly moves up towards you, and you feel a hot sticky substance splash onto your lips and cheeks.
“Fuck.” John catches his breath, panting and trembling along with you as he came on your face.
And there was a ton of it. Your eyes fluttered open, but you immediately shut them again, noticing that he wasn’t done, with more thick white ropes of his seed spurting now onto your nose and brow, painting a licentious portrait onto your delicate features.
You hear a click, and can see the outline of a bright flash through your closed eyes, but with your cock drunk state, you wouldn’t even think to mention it to John.
Besides, now he has a pretty little Polaroid picture of the facial he gave you, just the right size to keep in his wallet for safe keeping.
Now he has a bit of leverage on you, just in case he'd like another favor like this again. You wouldn’t want him to spread such a lewd picture of yourself around the internet, now would you?
He’ll enjoy every last bit of you for every single session you two share together. He’ll take advantage of your vulnerability and willingness to cave at any slight disadvantage you had.
You were his, and you didn’t even know it.
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haiku misinformation: a fact check
there's an post going around about haiku that has a lot of incorrect information about haiku, its terminology, history, etc. I will try to debunk some of the biggest inaccuracies here. everything in quotes is a direct statement from the original post. this is also really, really long.
"Haiku are made of 14 on, which are essentially the equivalent to Japanese syllabic structures, except the nature of how Japanese as a language is constructed versus English means that any given proper haiku could be translated in extremely and intensely different ways, each giving a subtle but distinctly different meaning."
Starting off strong - haiku are (usually) made of 17 on. It's the classic 5-7-5 pattern! 5+7+5=17! [possibly this is a mix-up with wakiku (脇(わき)句(く)) which is another type of Japanese poetry that does use 14 on but who knows.]
Definitions: an on is a phonetic unit, the equivalent to a mora (pl. morae) in English. this concept a) exists in English and b) like on, is related to syllables but distinctly different from them (i.e. ba is one mora but baa with a long vowel is two morae). On can be counted using the number of hiragana (phonetic syllabic characters) when the text is transliterated, so a word like Osaka that has the long O sound (made up of 4 kana) would be 4 morae or 4 on (o-o-sa-ka; おおさか). it's not really a syllabic structure at all, and more importantly has nothing to do with translation. idk where that last part comes from because that's really...not the point here. Yes, any given "proper" haiku could be translated in different ways with a subtle but distinctly different meaning but that's true of just...translation, period. check out Deborah Smith's translation of The Vegetarian by Han Kang for more on that.
Furthermore, haiku were/are not rigidly locked into the 5-7-5 on pattern. That's just not true, which is why I said usually above. Easy example: a 1676 haiku by Matsuo Basho that uses 18-on:
冨士の風や 扇にのせて 江戸土産; ふじのかぜや おうぎにのせて えどみやげ; the wind of Fuji /I've brought on my fan/a gift from Edo <- that first line is 6-on!
2. "The best way I can explain what I mean is that in English a good poem can be defined as a shallow river, whereas a good haiku is a deeply-dug well."
Not dignifying this with a response. Deeply incorrect and untrue. @bill-blake-fans-anonymous can handle this assertion.
3. "The presence of the kigu. There is a specific series of characters/words which are used to imply a season, and specifically a specific aspect of a season which the haiku revolves around. The creation of a haiku is often done as a meditative practice revolving around the kigu--you're essentially contemplating on this particular natural feature (nearly always the temporal aspect emphasizes either ephemerality or the opposite as well bc Buddhist ideas of enlightenment and beauty begin coming into play) and building an evocative and purposeful point that revolves around it like a hinge. It functions as both ground and anchor."
First (and largest) problem: the word. is. kigo. kigo. It's ki (季; season)-go (語; word) = 季語. Both the English and Japanese language Wikipedia, or a 3-second google search, will tell you this immediately. I have no idea where the term kigu comes from.
Second problem: plenty of haiku, both traditional and contemporary, do not use kigo. these are described as muki (無季; seasonless). Matsuo Basho, the haiku-writing poet non-Japanese people are most likely to know, wrote at least ten seasonless haiku that exist today. Masaoka Shiki, the Meiji-era haiku poet and reformist, wrote hundreds of kigo-free haiku and as an agnostic, tried to separate haiku from Buddhism and focus more on the shasei, the sketches from daily life. you can actually, today, buy what are called saijiki, which are lists of words and terms that refer to specific seasons (in the traditional Japanese calendar, so there are actually a lot of "micro" seasons as well). some saijiki include a whole section of "seasonles" words - here's an article about non-season kigo in a saijiki.
so the claim that English-language haiku are invalid or not "real" haiku because they lack a kigo doesn't hold up, unless you invalidate a whole bunch of Japanese haiku as well. the op also claimed they would categorize a lot of English "haiku" as senryū which is...an opinion. Yes, haiku tend to be focused around nature (more on that below) and senryū tend to be more comedic or about human foibles but...that's it! it's a tendency! it's not a hard and fast rule!
Third problem: the claim that a haiku is as meditative practice revolving around the kigu kigo...yeah, no. the earlier form of haiku, the hokku, were the introductory poems of the longer poetic form, the renga and the hokku gradually became a standalone poetic form known as haiku. the hokku had a lot of purposes and we have a historical record of them going back ~1000 years to Emperor Juntoku where they were declamatory poems tied to events (births, deaths, etc.) or social events (moon-viewing parties) - not really meditative. haiku, if a genre can focus on a single idea, focus on an experience and that can be real or imaginary, direct and personal or neither.
Here's another Basho poem for your consideration:
夏草や 兵どもが 夢の跡 (natsukusa ya tsuwamonodomo ga yume no ato; summer grasses--/traces of dreams/of ancient warriors)
both the dreams and the grasses are those of Basho (contemporary) and of the warriors (ancient); it's about travel, it's about connecting the present to the ancient past, it's not really so much about the summer.
(Fourth, minor problem that I'm not really going to get into: you'd have to take this 'Buddhist ideas of enlightenment and beauty' up with haiku scholar Haruo Shirane but he explicitly says in the Routledge Global Haiku Reader (2024) that "pioneers of English-language haiku [such as D.T. Suzuki, Alan Watts, and the Beats] mistakenly emphasized Zen Buddhism in Japanese haiku".....so.)
4. "The presence of the kireji...it's a concept borderline absent from English because it's an intersection of linguistics and philosophy that doesn't really exist outside of the context of Japanese."
Let's begin with clarification. What is kireji (lit. a 'cutting word')? It's a class of terms in Japanese poetry that can do a few things, depending on the specific kireji and its place in the poem. In the middle of the poem, it can mark a thematic break, a cut in the stream of thought highlighting the parallel(s) between the preceding and following phrases. At the end of the poem, it provides a sense of ending and closure - it helps mark rhythmic division, to say the least, and it is seen as the 'pivot' word.
Two problems with claims above:
a. there are haiku that do not use kireji. For the hat trick, here's a Matsuo Basho haiku from 1689 AD that is kireji-free:
初しぐれ猿も小蓑をほしげ也 (hatsu shigure saru mo komino wo hoshige nari; the first cold shower/even the monkey seems to want/a little coat of straw) <- NB: I love this haiku so much
b. the idea of a kireji, as in a pivot word that provides an inflection point with rhythmic division and structure, exist not just in English poetry but in multiple different types of poetry across time and space! The caesura in Latin and Ancient Greek! The volta in sonnets! Whatever is happening in the third line of the Korean sijo!
final thoughts:
the op included language, which I won't quote here because it was messy and tied into other rbs, about Orientalism and appropriation in English-language haiku, which is definitely a real thing. but this blanket statement ignores that the relationship between haiku and "the West", much like Japan and "the West", was and is not a one-way street. Western writers were influenced by haiku and, in turn, those writers influenced Japanese writers who wrote haiku inspired by these influences - this process has been going on for well over a century. Furthermore, English and Japanese are not the only languages in which haiku are written! Nobel Prize winner Rabindranath Tagore was writing haiku in Bengali; other Indian poets were and are writing them in Gujrati and Malayalam, particularly by the poet Ashitha. the Pakistani poet Omer Tarin has written haiku about Hiroshima! The Spanish poet Lorca published haiku in, get this, Spanish, in 1921 and the Mexican poet José Juan Tablada published more in 1922! Italian translations of Yosano Akiko were published in 1919! any discussion of the idea that English/non-Japanese-language haiku aren't really haiku because they don't hold to the "rules" (which Japanese authors have been revising, adapting, critiquing, and/or straight up flouting for centuries) or because English/non-Japanese poetry is "a shallow river whereas a good haiku is a deeply-dug well" just shows a lack of knowledge around traditions and depths of...well, poetry itself.
my god this is so long.
in summary: this is a complex topic. If anyone would like some actual information about haiku, its history, common themes and forms, or a collection of good poets, the Routledge Global Haiku Reader (2024) and Haiku Before Haiku : From the Renga Masters to Basho (2011) are great references and really accessible in their language! hmu if you're interested and I can send you some pdfs.
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