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#first of all because BONK
twilit-tragedy · 1 year
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Atreus hands him to his father, asking for guidance. Kratos hands him to Freya, giving her the choice. Freya lets him go, realizing she doesn’t need to. Sindri strides in and unceremoniously offs the bastard.
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b1gwings · 4 months
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a little something i made for my dnd group back in september ^_^
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skrunksthatwunk · 10 months
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ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.
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haruka is watching all of this unfold.
[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]
ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.
(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)
first, we have to talk about the ending of the first game.
[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]
kiwami stuff
so as she's dying, yumi tells haruka this:
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that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.
shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:
date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:
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kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:
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date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:
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then echoes yumi's advice to haruka:
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which makes an impression on kiryu:
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date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:
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after the dust has cleared,
kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:
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so, what's our takeaway from kiwami?
kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.
and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.
okay. now we get to kiwami 2.
if you forgot, the context is basically:
everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on
there's a bomb that's about to go off and they don't know how to/can't defuse it
ryuji shot the twist villain to death, but took fatal hits to do so
sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch
ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad
kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer
here's the scene itself:
sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)
date (he's here now) yells this at them from a helicopter:
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before someone else in the helicopter tells date this:
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we get this shot of haruka calling out to kiryu as the helicopter swerves away:
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and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:
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then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.
so, how does this scene interact with the ending of the previous game?
the short answer is "badly <3" but here's the long answer:
it's about choices.
the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.
now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.
this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.
(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)
characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.
so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.
they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.
i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?
put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.
here's how some specific choices they made undermine all that shit we talked about earlier from the first game.
once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.
it's not enough this time. and that's a choice.
it's also one i can't think of a good reason for, and that's the real kicker.
characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.
i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.
i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway
and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).
instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.
note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.
kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.
and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.
so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.
and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.
tl;dr (basically just rephrasing the second to last main paragraph)
there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.
#got so into this post that i used tumblr on my laptop for the first time to surpass mobile's image limit#i also added transcriptions in the alt text (which i should do more often)#actually thinking about it in the movie kiryu teaches haruka that lesson about stumbling on.. and she's the one to ask to follow him... hm.#just interesting given that the movie came out before 2. i don't think it makes much of a difference to the post it's just neat to me#one of my favorite parts of writing this was skimming through a bunch of yk1/yk2 cutscenes and noticing how often kiryu pats haruka's head#it happens a lot more than i remembered and it's very sweet to me. get bonked little one <3#another good thing was realizing you can edit tags when you're not on mobile.... fucking life changing. i have lost hours to mobile tag#editing and i'm not even kidding about that#speaking of editing this one took like 6 hours.. my brother used “yakuza autism” (verb) for me earlier and it's so true. source: this post#i did have a short break to get food bc i hadn't eaten all day but that's mostly because i woke up at 3pm. anyway#also if you like kiwami 2's ending you're not even remotely alone. i looked at the comment sections of the scene comps and ppl love it#and more power to you!! i like it when people enjoy things. and tbh i DO have feelings that i'm supposed to about that ending#i just also have feelings you're not supposed to. like. anger. i guess.#rgg#ryu ga gotoku#skrunk meta#aww yeah it's a new tag babeyy#yakuza kiwami 2#kiwami 2#yakuza#like a dragon#yk2#kiryu kazuma#sawamura haruka#sayama kaoru#maybe my thoughts'll change after replaying the games...? it's been like a year and a half since i beat yk2 so i am a bit fuzzy on it#yakuza kiwami spoilers#yakuza kiwami 2 spoilers
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time stops, but still your heart is beating
Ten minutes later, Megumi felt a soft thunk on his shoulder. He instinctively froze, fingers twitching, but relaxed when he saw that it was just Yuuji’s head.
Wait—
Megumi tensed again, perhaps even more than before, and slowly looked down at his shoulder.
Yuuji’s head was on his shoulder and he was dead asleep.
Well, Megumi wasn’t very tired anymore. Shit.
[or, megumi is gay and yuuji is pretty and gosh darn it megumi wants to lay his head on yuuji's shoulder so badly he's gonna explode]
💥6,471 words | itafushi💥
based off of this art by @arinavah <3 bestie i hope you know that i think about this art a lot... they bonk...
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bylertruther · 1 year
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"But it wasn't the full truth, was it? [...] It's okay. You can admit it now. No more lies. No more hiding." + "I know you can hear me. I know you can read my thoughts. Even the worst ones. Maybe mostly the worst ones." <- dialogue that makes you go hmmmmmmmmmmmmmmm 🔍🧐
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whosplayerthree · 1 year
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Couples: remember to get concent (pre agreed on or in the moment) before restricting your partner by wrapping them in your serpentine dragon form while talking about being a "real naughty boy".
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hauntingblue · 1 month
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LUFFY!!!!!!!!! I HAVE BEEN CONVERTED!!!! LUFFY BELIEVER FULL TIME!!!!! LET US WORSHIP THE SUN!!!!
#luffy deflating like a balloon..... be serious 😭😭#MOMO NOT BEING ABLE TO HEAR LUFFY!!! oh kaido going for the others now..... law could hear his voice too???#NAMI BEING THE FIRST TO STEP UP!!! CHILLS!!! THIS TIME STEPPING UP TO WITNESS THE HORRORS!!! YEAH!!!#yamato really does carry the spirit of oden straight up.... motivating his son and everything...#i feel like i am going insane... I CAN HEAR THE DRUMS!!! nami telling luffy to not die and fulfill his promise WHO ELSE HAD A PROMISE????#is this why his fruit awakened.... because nami reminded him of the promise... omg..... THE DRUMS!!! CHILLS!!!! THE SMILE!!!!! IM SO HYPE!!#talking tag#watching one piece#episode 1070#i am smiling so hard rn. contagious#also the cp0 that died for this ajdja.... suffering from success....#THE BOUNCING SOUNDS!!!! THE DRUMS!!!! THE SMILE!!! SANJI JUST VOLTING AWAKE??? see the clouds over his shoulders remain.... as i was saying#you know this has me realising maybe shanks isn't all that bad and stole the fruit from the gov so they couldnt get hold of it#hiyori saying how oden kept hia promise but also how he wanted to keep the promise of opening wano for joyboy#THE KANJURO THING!!! HIYORI WATCH OUT!!! oh its gonna burn orichi by accident YEAAHHH!!!!!!! FUCK YEAHH!!!!#the animation is so fun.. luffy just junping around and shit while hia destruction power is MASSIVE#this is so!!!! kaido complaining about being bored and having fun thru fighting AND HERE COMES LUFFY WITH HIS LOONEY TOONS GOOFY FIGHT!!!!#they knocked this shit out of the park!!! also END CREDITS????!#episode 1071#momo saying kaido got fat 😭 actually kaido got pregnant <3 yamato you're going to be a big brother congrats!!!#the eyes 😭😭 damn luffy flew away and exploded... 😞😞 skipping rope with kaido omg.... everyone should go outside and see this...#we are welcoming here in the luffy believers... barto is gonna enlist hundreds of new members#law is luffy believer number 1 damn the speech he is giving kid... omg kaido bonked him ajshaksjak that was so good he needed witnesses..#nami worried abojt luffy being dead and when he appears she is just like WTF IS THAT!!!!!! HUH???!!#wait a second ooohhhh kaido is goong down too fuck yes akdjaksj momo and yamato peeking over the island jahdksk#THE DRUMS BEING HIS HEART I CANNOT GET OVER IT!!! Kaido shoukd be puking up his insides by now but alas this is so fun BOIOIOIOIOING#FIRST TIME SOMEONE ASKS LUFFY WHO HE IS AND HE DOESN'T SAY MONKEY D LUFFY FUTURE KING OF THE PIRATES. HE SAYS ITS HIM. STRAIGHT UP!!!!#NVM HE SAID IT!!!!! GOD IS THAT YOU????!!!!#episode 1072
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usagimen · 1 month
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           Anyway, soft revise that after the events of Shibuya during the Perfect Preparation Arc - Sayuri begins to strip away her bondage. One, the Kobayashi’s fear her strength, unlike the Gojo or Zen’in clan they have never housed a sorcerer of such might. This also scares them on the basis Sayuri carved herself into an extraordinary being as she swore to Tsukuyomi when small; she would never desire from him. To separate their power, her mastery over cursed energy is solely her own, hence the rigorous training she put her body underneath as a teen && young adult. Two, her mental fortitude is unrivaled, in her worst moments when she should break - she never does. Sayuri lives by the mantra; negative emotions start from the gut, thus, she has learned to navigate everything she feels making her stoic && formidable in battle.
     Even when the flames of Shibuya threatened to take her, she swallowed her fear, anguish && hatred with a bitter pill she was losing all that brought her joy. This signifies she is the lone survivor, it will not be till the Culling Arc that she learns there is another purpose, one that comes after her suffering. It’s also comical due to a previous conversation where it was mentioned, she embodies nobility; a haughty woman with arrogance && too much pride. For which she will laugh admitting there is truth in such a statement; she does not accept less && moderation is not a word she understands. The Kobayashi’s sought to suppress this, they were deathly worried what it meant for them, to house a God meant they would be thrust into the light && operatives who work in shadows do not wish for such a thing.
           Their symbology is mist, scattering && illusive, while she is fire - bright, shining, all consuming. Sayuri is the daughter of a defector who spurned their unity, they know the rebellious spirit of her mother flows through her blood, even if she never knew the woman - Sayuri’s rage mimics hers. This is not to say the clan does not love her, they do immensely, but they were ill prepared believing when she was a child she was frail, fragile, someone who could break. Hatsuko didn’t realize when she negotiated Sayuri’s arrival at Tokyo Tech she was igniting a spark who would burn brilliantly. The first taste of freedom, acceptance, friendship granted Sayuri the ability to carve an iron resolve. In Kyoto, she is a cursed girl, the dead girl who never had a chance, but amongst the shining metropolis she was just Yuri - shy, anxious, hungry to see a life that was stolen from her. It’s interesting to think that despite the brutality of her home, she saw hope elsewhere with her friends && clung to it tight, even if she knew deep down - there is a monstrous woman that only reacts when all she knows is threatened. Prior to that turning point, it causes her great distress, she will even openly weep that it is one of few things that breaks her heart.
         Though, after Shibuya she firmly accepts it, admitting her weakness && inability to accept both harmony / chaos caused her to lose what was most precious. Sayuri is very much a woman that is respected within her family’s hierarchy but feared as she defied the natural order to take back what was hers. She is also the epitome of a perfect Kobayashi, who accepts no defeat && will give everything when it comes to securing what she deems valuable && loved. Unlike other special grades, she is a catalyst that can only be described as a natural disaster who holds no qualms or shame for her destruction.
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quaranmine · 1 year
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🍉
🍉in what ways has writing helped you process trauma and/or navigate through your own life?
very interesting question! i feel like i don't go into writing fanfic with the idea of "i'm going to use this to process things from my real life" and then it just bonks me over the head anyway. like writing is a process where you just cut yourself open and bleed all over the page, and half the time i don't even really realize what i'm doing
i write about a lot of things indirectly. there's pieces of things hidden everywhere. i don't necessarily share the same traumas and experiences of the characters i write about but it's like, oh, if you hold it to the light at this specific angle, you'll see what i poured into it. not all my fics are like this, some are just ideas i had, but i'm a pretty introspective person who puts a lot of thought into things so a lot of my fics are like this
i have this one watcher!grian wip that's pretty self-indulgent. i hope that i'll post it one day, even if it's just a tiny piece, but it's one of those fics that just got away from me a little even though i love the writing i've done for it. anyway in the fic there's some very specific things that grian struggles with and it took looking at it THREE MONTHS LATER for me to suddenly realize that it was just a repackaged fantasy version of my main personal identity/social crisis i was going through then 😭 it was actually really funny to me i was like WOW i literally didnt even know what i was actually writing about when i made this but it was On My Mind i guess
there's also occasional references to my experiences with chronic illness/autoimmune disease in my fics. i've fortunately been in remission for several years now, so my current chronic illness experience is mostly just "abled adult without any symptoms or pain who is just permanently on medication and slightly immunocompromised." it affects my day to day life very little right now fortunately but the years when i was super sick were some of the worst of my life and are like. VERY core memories of my teenage years. anyway, there's a specific bit of HTBAHB where i draw on that some--specifically, grian's very mixed feelings about being a watcher and if he'd change it or not. with my autoimmune disease, if you gave me an opportunity to take it away or cure it i would accept in a heartbeat. but if you let me go back in time and prevent myself from ever having it? idk if i'd accept. as painful and traumatic as it was, it also very much shaped me how i am today, and the idea of extricating myself from that is strange. maybe the me of the past would have been happier, but she'd be a totally different person. anyway! other people probably have a different take on their traumas and experiences depending on what it was and its affects, so that was a very personal perspective there. additionally i have also incorporated some of this autoimmune disease experience into my listener!jimmy headcanons, but i haven't been able to complete and publish my wip that is About That
firewatch au is also just. extremely this. i'm very sorry but it's gonna be pretty devastatingly sad throughout and y'all just gotta let me have this because somewhere along the way it went from "interesting fun idea i had last year" into "something i Need to write" lsjdflsjfslf. i haven't grieved or lost anyone in the extreme way that grian has, but i think there's just. so many types of loss and grief in the world. lost friends and family (via death or otherwise), lost relationships with people you used to care about so much (and still might care about), lost opportunities and lost chances to have lived a different life or made different choices, the collective loss of living through the pandemic, the persistent environmental and climate grief that stalks my entire chosen career. there will be things that pop up in this story that are referenced from my real life, and things that pop up in the story that align with my own fears/anxieties.
anyway this is why writing is the most terrifying hobby ever i am like really out here every day doing this and then publishing it for strangers on the internet to read and hoping they don't read me too hard
fic writer asks
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abluehappyface · 10 months
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I understand I'm not the best of help, but could you at least pretend that I'm not a nuisance...
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ggghoulish · 1 year
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if vesper noir actually ends up getting graduated (it’s. unlikely but you never know) I think I may actually end up hating corporate vtubers lmfao
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mrs-nate-humphrey · 2 years
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I missed you too! Glad to see you back on the dash! <3 And yeah, I didn’t mean you specifically were saying Ross shouldn’t be on the show, it’s just something I see people say sometimes that always leaves me baffled like why would you deprive yourself of pivot and my sandwich and my best friend and my sister and I’m fine etc. etc. Lol. But also your reasons for not liking Ross are very valid and honestly not something I see much on here? Usually when people say they hate Ross they list things that were really Joey and Chandler’s doing (the Rachel v Julie list, not telling Rachel about the copy girl) and as a Friends scholar (there’s no other word for it, I could tell you an exact episode description from a screenshot alone rip) it pains me when people get canon and details so wrong lol. But yeah anyway all this to say, I agree, those are very massive flaws Ross had and you’re so right to dislike him, it’s all just very refreshing to see someone dislike Ross for things that actually happened instead of things they completely made up lol. Anyway second rant over haha
Haha, don't worry, I got the vibe that you were talking abt general patterns in discourse and not @ me personally, and took it that way, too! I've never been active in the Friends fandom, but I think that show is such a part of pop culture that everyone gets exposed to some Friends discourse so I know exactly the type of Ross haters you're talking about, ahah.
Also the Friends scholar thing makes me so excited! there were a lot of moments when I was watching the show with my cousins that I wanted to gif or fic, but I couldn't exactly ask them to pause Netflix while I whipped out my ao3 or gif making software (?? equipment? idek what the right word is), so. I might just sneak into your DMs asking about what happened in which episode so that I can make fan content for it; be warned! <3
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arolesbianism · 5 months
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Thinks so hard abt swap au Wendy... Worlds lamest trans person sees being turned into a robot as a bad thing smh
#rat rambles#starve posting#now that my friend is an over simplification and in truth his situation is indeed deeply extistenstially horrifying#especially for a child who in no ways could ever be expected to process this at all but is left with nothing else to think about#long story short one night abby was like hey hey wendy you know what we should do? we should go camping!!#and packed a bunch of things a kid would think you need for camping and dragged wendy off into the woody mountains by the cabin their#family was vacationing at despite wendy saying thats a dumb idea and he doesnt want to go#eventually abby chose out a camping spot and ran off to get some firewood leaving wendy to wait and watch their stuff#then webber who as Ive barely but technically explained only half exists is watching sadly in the distance sad he can't join#and wendy sees him and is like wtf and webber gets super excited because wendy can see him but that ends up freaking wendy out more#leading to him backing away as webber tries to get close and slipping and falling down a very steep slope and bonking his head rip#he was basically dead and webber was upset and felt bad so he took it upon himself to save wendy's brain and make him a new body!#but since wendy's brain was pretty fucked a lot had to be replaced with robotic parts and pretty much all of wendy's memories were lost#he has some very very corrupted memory from the last night before he died and some scattered memories from when webber was testing shit#before his body was fully made and thats everything he could remember when waking up in his new body for the first time#to be clear he wasn't conscious the Entire time webber was working on his new body since webber kept him in a sleep like state mostly#only pulling him out of it for certain tests where he wanted his brain to be more responsive#mostly just to test like his eyes and ears and such#but yeah he got seperated from webber in a ~wild wacky storm~ and woke up alone in the constant proper#he is like soooo fucking miserable like all the time hes constantly feeling phantom pain and remebers just enough to know hes missing smth#and it only gets worse after he and abby are reunited because despite this being the one person he can vaguely remember being important to#him he cant seem to feel that same sense of familiarity he remembers feeling before and it just makes him more miserable#this ofc makes abby also freak out and since her way of dealing with things she doesnt know how to deal with is hard denial it gets worse#I <3 tragic siblings#but yeah wendy mostly copes with his situation by mangling critters into fucked up drone things to feel in control of smth#asside from the abby situation tho in general things start slowly getting better after he joins the other survivors#mostly just because he actually has to be like. a person. and while it is rly hard for him and he doesn't see himself as a person anymore#that doesnt stop unoticed progress from happening just due to the nature of being a person in a group of ppl who treat him as a person#and he and abby slowly start to bridge the gap between them but its very very rough for the first good while#its mostly a matter of abby calming down enough to realize that wendy is stressed out by this just as much if not more
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chuluoyi · 4 months
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✎ rivals... in love?
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- gojo satoru x reader
gojo is in shambles—so suguru might have a crush on you too?
genre: high school!gojo being a menace but pls spare him he just can't take losing, you see... crack, totally jealous!gojo, justice for geto, enemies to lovers, fluff
note: people have been asking for this so this is up next! i'm writing this while listening to bigbang's bang bang bang and fantastic baby so if gojo is a bit unhinged... you know why
a part of gojo's love entries
series masterlist | oneshot masterlist
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No way. There is just no way.
Satoru felt his eyes itch and twitch uncomfortably. Despite the opaque black tint of his sunglasses, he could still distinctly see you happily giggling.
“Geto-san, that’s so funny!”
With Suguru. His ride or die. Your massive crush.
Your crisp laughter rang in his ears, scorching his ego and igniting it in flames—that was precisely the reaction he had hoped to receive from you too!
"Aren't they just cute?" Yaga was suddenly beside him with a wistful smile, looking at you and his other student a few feet away. "What do the television say again... a perfect match? In this case, a perfect match made in jujutsu school, then."
And responding to your bubbly self, creating the very picture of perfect match made in jujutsu school indeed, Suguru was every bit as enthusiastic. “Nah, wait until you see this—”
"Perfect match my ass," Satoru grumbled outwardly, rolling his eyes, but he immediately dashed away before his teacher could bonk him in the head for cussing.
It was harmless conversation, or jokes, or whatever. Because Suguru couldn't possibly reciprocate your feelings. His type is women of gravure magazines—Satoru had deemed it as such.
…Right?
At this point, he wasn't in enough denial to say that he didn't like you, because he had made it so clear that he was, in fact, obsessed. He wasn’t shying away from the things he did, which included annoying you constantly, asking you out after school, helping you in missions, and sending you few pick up lines here and there.
And he thought he was certain he could whisk you off your feet. After all, who else could measure up to him and win?
Heh, no one.
(or basically that's just him ignoring the intrusive little voice in his mind that whispered, “Suguru!”)
“So what's with the nice act, huh?” Satoru blew his bangs in a huff as he questioned his best friend with a twinge of dissatisfaction. “Do you like her or something?”
Suguru quirked his eyebrow at him. “What?”
“Don’t play dumb. I have noticed how you two have been joined at the hip lately,” and with deliberate intention to spite his best friend, he made the sourest face as he mockingly recited, “Wait till you see this~”
Instantly realizing what he meant, Suguru burst into a loud snicker. “Come on, Satoru, really? Surely you aren't that petty. We were just chatting—”
“Not that. I know. What I'm asking now is that do you like her or not?”
It wasn't a rare sight to see Satoru with a pout and a frown, and usually he'd humor him. But this time, even Suguru could see that there was something different in the way he asked this. And should he say something that irked him then—
“Heh, so what if I am?”
That's the wrong answer.
Satoru halted abruptly, whipping his head around in sheer shock. "What the heck?"
“She’s a nice junior, kind, easy on the eyes,” Suguru shrugged, flashing him a dauntless smile. “Only a fool would let the chance pass up. Satoru, if you keep dawdling, one of these days, I just might—”
“Wha—hey!? That’s totally foul—!”
“Nah, they do say all is fair in love and war now, isn’t it?”
By a mind-boggling twist of events, apparently his best friend was also a guy after his dream girl. Satoru was irked, challenged, and he would never admit it, but a tiny part of him recoiled because Suguru clearly had an early start and a boost—you favored him first.
This was unexpected, and now he was conjuring up various scenarios of what he should do. He must act fast or else...
Little did he know that Suguru was thoroughly relishing his restlessness.
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Everyone around you said that your relationship with Gojo Satoru... is intriguing to say the least. And especially ever since that one botched mission you two went, you also felt there was a shift in your dynamics.
And if by intriguing they mean him constantly blocking your way and invading your space, then yes, it definitely is.
"Okay, okay, but wait, just hear me out!"
You halted your steps and faced him with an annoyed frown. You really had no time for this. You were about to be sent on a mission. "Gojo, really, can't you just—"
"Okay, I know he's dashing, or whatever," he huffed, the last word he said with a hint of disdain. "But hear me out, and I'm sure you'll reconsider."
"Who are you talki—"
"Who else!? Suguru, of course!"
You couldn't possibly arch your eyebrow even higher, and before you could say anything, he somehow took it as his cue to keep going.
“First, he eats curses. Cursed spirits! He eats them like rice balls! Can you imagine just how foul the taste is?”
"Gojo, I don't have the time—"
"Then! Going from that, just imagine kissing him," he stressed, eyeing you intensely as your own eyes felt like popping out by the sheer suggestion. "What if you taste the cursed spirits rice ball?"
"You're unbeliev—"
"Wait! Can you even kiss him? What if his cursed spirits suddenly pop out of him? Are you willing to kiss his little friends—"
"He's your best friend!" you finally interjected, obviously and utterly in shock by his unhinged rambling. "How could you say all of that?"
"No, you're getting me wrong." Satoru's clicked his tongue. "I'm just listing facts why it's better for you not to end up with him."
You barked a dry laugh. "And? Better with you, you mean? That's awfully biased."
"Why yes of course! Self-promo is never bad," he blatantly retorted. "Let me just tell you aallll you need to know about me!"
He audibly cracked his knuckles and puffed out his chest. "You know already, I'm strong. I can protect you well. My cursed technique doesn't involve eating curses, so you don't have to worry about tasting the said curses on my lips."
How could he blurt all of this with that perpetually playful expression? A chuckle escaped you unwittingly and that only spurred him to go on.
"And I'm handsome!" he boldly claimed, pointing at his face with pride. "And obviously I don't need to say this, but I'm filthy rich—"
At that, you burst into hearty laughter, unable to hold it in any longer.
Satoru's eyes sparkled, lit as if someone had just made his day. "All in all, you know what I mean. Everything with me, all of it is going to be fantastic!"
Even you couldn't deny that all of this exchange had been so amusing. Hilariously so. "You're down bad, huh?" you tried to taunt, although it seemed like a burst of snicker. Yet, you were caught off-guard when he said:
"For you?" his little smirk made your insides suddenly all jumbled up. "Yes."
Huh? What is this? Your bravado faltered a bit as your heart did a somersault inside.
It wasn't supposed to thump this hard. You weren't supposed to feel this overwhelming urge to squeal too. And your face wasn't supposed to grow this hot...
Seeing that, Satoru celebrated his little win, a wicked smile on his glistening lips—that somehow looked rather attractive to you now. "How? Thinking twice now, are we?"
But he couldn't believe that after all this, you would still cunningly retort with, "Ha! You wish, Gojo Satoru."
His stunned face was so comical that you chuckled once again. You wanted to rebuff him more, but before you could, Haibara's voice called you from a distance. "Heeey! Let's go! Or we're gonna be late!"
"I suppose that's my cue," you lightly shrugged, and before you left him in a dust, you could've sworn you saw a flicker of brewing tantrum behind those glasses, which brought a smirk on your face. "See ya, try harder, and I might look at your way."
Satoru was at his wit's end as he saw you sauntering away. What more that he could do so that you could be his? To keep your eyes on him and him only?
And yet, little did he know, in that beginning of summer in 2006, even before you realized it yourself, you had already did.
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Epilogue
In another corner of the school, eagerly spying on you were...
"Wait! Can you even kiss him? What if his cursed spirits suddenly pop out of him? Are you willing to kiss his little friends—"
"Did he just..." Suguru gaped, utterly in disbelief at what his own best friend said of him. "Did he just say that?"
Shoko let out a satisfied guffaw. "Oh, he definitely did."
"I can't believe he's tarnishing my name over a girl."
"Well, you know very well he could do way worse than that just to get what he wants," she threw him a thin smile, while exhaling a puff of smoke. "And hey, you lose. You gotta pay me."
Suguru turned to her in surprise. "Huh? Oh—oh, darn it. Shoko, can't you be less stingy?"
"Well, whose bright idea was it to pull that stunt on him and bet on whether Gojo would approach her in less than a day?"
-> continue to extended cut !
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lovebugism · 1 month
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OMG Stevie helping his shy!girlfriend with a bloody nose while at school just ☺️☺️☺️☺️☺️☺️
steve promises a good time in exchange for skipping class with him. you end up with a bloody nose. (established relationship, hurt/comfort-ish, 0.8k)
“Missed you,” Steve slurs against your mouth, pressing your body between his towering one and the cold bathroom stall.
You manage a quiet giggle between his sloppy kisses. He swallows the sunshine sound with his plush, pink mouth. “It’s only been three hours,” you tell him as you twist your hands in his wild hair. The chestnut strands feel like silk between your fingers.
“Yeah, tell me about it,” the boy mumbles before pressing his smile to yours. He licks into your mouth and sighs at the taste, almost like he’s never felt you before — like he hadn’t kissed the breath from your lungs all lunch period.
He’s insatiable, your beautiful brown-eyed boy, and he kisses you with haste accordingly. He’s always seemed to touch you that way. With a hunger, like every time he’s held you is the very first time. And with an eagerness, like any time could be his last.
Steve gets all boyishly aggressive beneath the weight of his yearning. And you, warm and fondly held by his swollen mouth and wide palms, can’t help when your head gets all swimmy about it. It’s a horrid combination, really. 
‘Cause when he ducks down to kiss your neck, you rise to the tips of your toes to swallow him whole. Your faces bonk rather gracelessly together accordingly — like a couple of poorly aligned planets.
“Oh, shit!” Steve exclaims as he pulls back from you, rubbing at his aching forehead.
“I’m okay!” you blurt — not because you entirely mean it, but because you feel like it’s something you should say after being so carelessly clumsy.
The boy’s face twists with a puppylike pout. His jutted lips are rosier and very ardently kissed. His honey eyes flit rapidly across your features, glazed over with leftover longing. You look about as far-gone as he does now.
“Are you sure?” Steve presses. Because you’ve got a tendency to downplay the severity of certain situations for the sake of being a burden. It’s a whole thing. You’re still working on it. “I know that had to hurt, babe.”
“I’m fine,” you insist despite the distant throbbing between your eyes. Shaking your head with so much vigor doesn’t help. “I promise. I’m good… I think.”
Steve peers down at you, visibly unconvinced. His narrowed eyes widen when blood drips slowly from your right nostril, trickling like a river of crimson down your cupid’s bow.
Your brows furrow at his suddenly concerned gaze. “What?” you wonder as you reach for your mouth. His eyes are very obviously pointed there, and you’ve got a weird itch now, anyway.
“Nothing! It’s okay, just— Maybe don’t touch it,” Steve blurts before ducking at your side. He unravels cheap toilet paper from the dispenser beside your thigh and wraps it around his hand. He rises again to wipe the nosebleed, only to find that you’ve smeared it with your fingers.
Your eyes go glassy at the cherry-colored blood staining your fingertips. “Gosh…” you murmur as your heart swells into your throat. You blink slow, head all swimmy — and not in the good way.
“It’s okay. You’re alright, babe,” Steve insists as he smooths a softly calloused palm beneath your jaw. He guides your chin softly upward and presses the tissue to your nose. “Here. Just tilt your head back. Hold this ’til the bleeding stops, yeah?”
At a loss for what else to do, you listen to him. You press the crown of your head against the stall wall and wrap a trembling hand around the boy’s wrist. You can feel his racing pulse beneath your thumb.
“This is the last time I’m skipping study hall with you,” you announce with an icy glare that’s hardly intimidating. “Ever.”
Steve’s lip quirks into a sheepish half-smile. “I figured,” he replies.
When the bleeding doesn’t stop, he takes you to the nurse’s. 
He sits with you in the concrete room, beneath the buzzing fluorescent lights and the overwhelming scent of bleach. His hands tremble with the longing to touch you while the nurse checks you over. She shoves a cotton ball up your nostril and a bulky icepack in your hand.
Steve would help you hold it if he didn’t think it would be the worst idea ever. He’s already gotten you into this mess — he figures it’s best to keep himself out of the rest of it for now. He idles in the corner, instead, and plays the innocent bystander.
“How did this happen, exactly?” the woman asks as she scribbles out a report. The pen against the clipboard sounds much louder in the quiet.
You glance over her shoulder at Steve for an answer. He shrugs with panicked eyes. The nurse peers at you over the frames of her cat-eyed glasses with a most impatient glare.
“I, uh— I just wasn’t paying attention,” you stammer less than convincingly. “Slammed right into a wall. Guess I should watch where I’m going, right?”
You force out a giggle while the older woman flashes Steve a deadpanned glare. “And I don’t imagine that you were the source of this distraction. Were you, Mr. Harrington?” she montones.
“Me?” he scoffs with a lopsided smile. “Of course not.”
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kneelingshadowsalome · 5 months
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Christian Woman
(König x Nun!Reader)
Word count: 6.4 k Tags/warnings: Pining intensifies, religious despair intensifies, minor injuries, treatment of wounds, crying, enthusiastic kissing, König gets a few boners. 18+ for eventual smut in this story.
A/N: Don't tell me you wouldn't get horny scared too if you saw this tall guy suddenly emerging from the shadows in his full war gear :) There's a cute date night and a lot of angst in this chapter too, I tried to summon an actual plot here... As always, I need to explain why they’re bonking! But smut is coming, next and last chapter will be full of fluff and steamy first times (Reader is virgin!)
Part 2
You have a feeling that this is the last day you’ll see him.
The stranger from the Austrian Alps, the kindest mercenary you’ve ever met – the only mercenary you’ve ever met – the giant soldier who now carries a piece of your heart with him. You wonder if he even knows he owns it.
The morning prayers and mass are a chore and bring you no comfort, and the usual dawn bliss is gone. You find no delight in singing with your sisters, and withdrawing to your cell for solitary prayer feels like stepping back inside your own personal purgatory. 
You’ve been in heaven and in hell for days now. Maybe since the moment you met him...
But at the same time, you know it must’ve been the Lord who brought you together. There must be a reason for God to make you two meet, you refuse to think it’s only because He wishes to tempt you. There must be a bigger plan; the connection, as sinful and carnal as it is, has to serve some higher purpose.
And you wonder if you’re going mad, because your most sinful thought is that you actually see God in him. It’s just your lower instincts speaking, a demon of some sort that tries to misguide you because no man is like Lord Jesus. 
And yet, don’t they always preach that you meet Him in every person you meet? And that through you, other people meet God too…? 
This reasoning feels much better. It solidifies the mercy you’ve longed for during the brief weeks you’ve known this man who brashly calls himself König. You want to believe that he carries a spark of the Divine in him, and that you hold a grain of the Virgin Mary’s compassion and love in you. 
You decide to hold on to this thought: that you were meant to meet so that you could come to know God through each other. For in König, you see a suffering God, a crucified Christ who rises against evil by offering himself to the cruelty of men. Somehow, the image of him as a mortal man starts to twist into a divine, dark trooper, someone who battles the forces of the evil in this world.
And this reasoning leads you to think that it is only natural that you, a Sister of the Faith, have helped him find some rest and relief in the middle of his work. It’s pretty clear that König has found some solace in your company, and even if things have ventured into a forbidden area of low, simple lust, it’s not dark enough to taint the beauty and grace you've felt together. As long as you hold on to this purity, nothing can go wrong.
While praying for both of you that morning, you find yourself replaying the smiles and touches König has given you these past weeks. You know you will drown yourself in memories after he's gone because they are all you’ll ever have of him.
And they're more than enough.
Or at least they should be…
You feel a tiny dagger of guilt push into your heart, the place reserved for Christ, when you’re assigned to do some spiritual reading instead of helping out in the kitchen or organizing the small library. The appointed texts are about falling into temptation and sin, reminding you about the consequences of such actions. You read the passings with a heavy heart and then slip out to meet König, possibly for the last time.
You wear your everyday clothes to the café, and König says nothing about your sudden moral choice, only gives you another longing, enamored once-over. You keep him at arm’s length, both physically and emotionally, and the effects of this unexpected cold shower are immediate. The man doesn’t even try to disguise the sad, puppy-eyed stares he shoots your way. 
You hate it that the bright, playful air of your meetings is gone, and your heart is tearing itself apart in your chest because the only thing you wanted was to spread joy into his world. Even the Lord seems disappointed in you being so cold-hearted, and you can’t bear to see His sadness and suffering in König’s eyes.
You get offered not one, but two coffees today, and a large piece of dark chocolate cake that tastes of pure sin. He talks about how he would love to write to you, but you tell him you can’t be in correspondence with a man who isn’t your brother or father. König isn’t even married, so it would only raise questions – you would find yourself reading spiritual texts about lust and sin until it drives you crazy.
“I’m leaving early tomorrow,” he finally reveals with a voice thick with sorrow. “Can I see you before I go...? One last time?”
“I’d love to, but… I’m sort of being watched,” you say, slowly coming out of your shell to make it clear that you’d want to spend the rest of your life with him, but you simply just can’t.
Your weak, apologetic look is like a dose of confidence shot through his veins because the face opposite of you brightens immediately. König’s whole posture gets a hopeful uplift.
“Just for a little walk...? To see what the city looks like in the evening?”
“I don’t know if I can make it… I have to work until six... And attend the evening prayer at seven. And then silence starts at eight…” 
You’re wringing your hands under the table while you explain, hoping König will come up with a solution to this dilemma.
“We can go for a walk after silence, then,” he shrugs.
“I–I can’t just escape from the window.”
“...Why not?”
You look at König; he looks straight back.
The man’s serious about you sneaking out your window at night; he’s actually serious, even if there’s a dark, playful smile rising on his lips. 
“I can help,” he grins.
Your heart cracks open, it shoots full of light only more and more with that smile. König doesn’t need to ram a door down and shoot his way through your chest; all he has to do is sneak inside your heart and take the place that belongs to God. You don’t even feel the difference as he makes himself at home. 
Well, actually, you do... It’s like your Christ’s love and mercy have finally come to flesh and blood before you. They're materialized in the man sitting opposite of you, bouncing his knee excitedly and grinning like the most innocent little devil on Earth.
You find yourself whispering “Ok”, and the whole world shifts. 
You take a step towards something forbidden but great, your whole heart starts to sing along with life. You haven’t even done the actual thing yet but you’re already filled with bubbling laughter and excitement. If only your friend could see you now, about to do things she probably did when she was fifteen...
But everything feels so right that it can’t be a sin – if it is, it just so happens to be the most natural, most divine thing to do too.
If this is the last day you’ll ever see him, you can surely steal a tiny moment for yourself and forget about rights and wrongs for a moment. Just forget about the rules, and live in the actual world for a few hours, breathe the worldly air, see what normal people do and pretend you’re one of them, for just one night. 
You feel like Cinderella when picking clothes for the evening.
You rummage through the only closet in your room – during the time that should be spent in silent prayer before bed – and notice you still have your old jeans.
They’re light blue and still fit; actually, they fit more than well... You know that König’s eyes will be glued to your butt when you’re not looking.
You have completely forgotten how nice you look in jeans, and it’s the Devil talking, making you admire yourself in tight denim like this. You never cared about how you look before; you certainly never gave much thought to how men see you or if they’re checking out your butt or breasts. Now you’re grooming yourself like never before, trying to decide what to do with your hair as if your life depended on it.
You choose a simple, black t-shirt to pair with the jeans and not make it too obvious that you’re trying to flaunt yourself. It hugs your form but is otherwise plain, and for some people, your choice of clothing is probably their regular work outfit. To you, it feels like you’re about to go out to seduce everyone.
Everything’s so tight and earthly; everything’s so… there. Visible... Touchable.
Lord, have mercy on me. I know I’m weak. But please let me have this, just this once…
And König has seen you without makeup all this time, so what on earth has possessed you to lament the fact that you don’t own a single case of lipstick? You’d kill for a few sweeps of mascara, too, just to bat your lashes at a silly man.
It’s not a date, you remind yourself.
It’s not a date... It’s not a date. You’re just going to have a short walk with him.
And you fear that accepting König’s “help” was a mistake. If you get caught with a man on the convent perimeter, you’ll get your ass thoroughly whooped…
Can a man of his size even keep quiet?
He probably suggested it so that you wouldn’t chicken out of this. If König is at your window by 8 and there’s no sign of you, he’ll probably just come in, throw you on his shoulder and jump out. He knows where your window is located now, and surely has some questionable skills due to his profession, skills you know nothing about, but you’re still about to have a panic attack from pure excitement when the clock strikes 8. 
You push the window ajar and settle on the sill to keep watch, gasping when you hear his familiar accent down below as soon as the window is open.
“Kätzchen...”
“König…?”
You peek down and meet his stupid, grinning face – God, he’s so happy to see you kept your promise. His eyes are shining, his fingers interlock to help you have something to place your foot on. 
“Here, kitty, kitty…”
You could easily jump out the window without hurting yourself, but of course he wants to help you since you were so kind to tell him where he could come and "pick you up".
But to see that playful smile and hear him trying to coax you out like you’re some skittish little kitten…
Could a grown man get any more silly?
You wiggle yourself out the window, trying to ignore the fact that he’s probably staring at your butt, still grinning like crazy while you do it. 
SupportING your entire weight like it’s no trouble at all, he helps you down. You’ve never been this close to him since you bumped into him: you have to take support from his shoulders as you search for a footing, and he scoops you in his arms the minute both your feet are safely on the ground.
“I knew you’d come,” he purrs with joy, and you place your hands on his chest – not to keep him at bay, but to touch him in a way that is as appropriate as possible when a man is hugging you like this.
“I can’t believe I’m doing this,” you whisper, still unsure if this is the best or the worst decision of your entire life.
“Kitty… Live a little, hmm?”
You have to crane your neck to look up at him – you’re not sure if you’re in the embrace of Jesus or Lucifer because the warmth of those eyes compare to the love of God, but they also make you weak and helpless. Whenever you’re with your sisters, the feeling is pure, pristine love, not a surge of complex emotions and thrill like it is with König.
“You’re a bad influence,” you breathe – König only laughs, and the grip around you tightens. 
“My lady. You’re the one who climbed out the window.”
“Because someone would’ve probably thrown small rocks on it if I hadn’t…!”
“Natürlich. And if that didn’t work… A serenade or two. Do you like love songs?” 
You look down at his chest, smiling, heart fluttering at the thought of a silly Austrian man serenading under your window. You have no trouble imagining him singing something syrupy in German, waking everyone up with his racket.
“You’re crazy, did you know that...?” 
“Sure. They tell me that all the time at work. Aber du… Du bist süss.” 
“...What’s that?” 
His smile only widens as he takes in your lips, your neck, the tight shirt that finally gives him something more to look at.
“You’re cute.”
The whole evening is heavenly. 
It’s everything you’ve ever wanted from a date and more.
He doesn’t take you for a short walk, oh no. He takes you out to eat, at some lively restaurant where they serve delicious, artisan, wood-fired pizzas. You have créme brûlée for dessert, and König gives you his strawberries when he notices you eat them first, but only on one condition: you have to let him feed them to you one by one. 
He buys you a rose: a big, red, plump one. No man has ever bought you flowers before, and even if you love lush, abundant bouquets, the fact that he chose you a single red rose after you’ve spoken about the beauty of simplicity, doesn't escape you.
König hasn’t only listened to you these past few weeks: he gets you. And how symbolic is it that he chose a rose that’s also tied to all the mysteries of God?
You walk the streets with a flower in one hand and his palm in the other. It's a holy trinity of him and you and the Great Mystery, it’s passion and it’s thorns, it’s blood and beauty and pain, and you feel like he just gets you; he knows you through and through. 
You pass by an outdoor bar with live music, and the place is so crowded that people are dancing on the streets. No cars honk as they slowly pass by the scene, the music and the laughing, dancing pairs make even the grumpiest passersby smile.
It shouldn’t be a surprise that König pulls you to him before you get to escape the scene. You’re drawn flush against his chest, hips colliding with his, hands finding each other in a slow sway that has never even seen the steps of Latin dances.
“Nuns are allowed to dance, no?” 
He smiles dreamily, enveloped in the same sweet haze as you.
“Not with a man,” you correct, but don’t even bother to push him away. Instead, you let König guide his hand down your waist and draw you closer. If this isn't a date, you don't know what is...
“I can take the blame,” he says. “You can tell everybody it was me.”
“It doesn’t work that way,” you laugh. 
“Why not?” 
His eyes are glued to yours, making you warm all over, so much so that you feel like you’re burning from the neck up. You guide your stare down to his chest, then over to the quick heartbeat on his neck.
He's nervous, too... Your cruel soldier is nervous, and kind, and shy because he's pressed against you.
You rest your head there on his chest, watching the golden sunset far away, painting the rooftops with a genial glow. Your heart is made of molten gold, too, as you allow yourself find a home in his embrace.
“I can take your sins,” he promises above you. “Jesus did that too, right?”
“You’re not Jesus,” you smile against his shirt – black, always black...
“Are you sure? I would go to hell for you.”
Your dance comes to a halt as you swallow and lift your gaze. The smiles are gone now, both yours and his. He’s so close now he could touch your lips with his if he wanted to.
And he does want to.
You don’t shy away as he leans down to kiss you. It’s chaste at first, a slow exploration, but then he opens your mouth with his, demanding, hot, intoxicating. You melt in his arms, and he somehow supports you through it all, turning the dance into an embrace and the decent little kiss into a full French one.
It’s hot and wet and slow, so, so passionate that your knees are about to give in. You devour him back, feel how he grows hard against your stomach – the swelling erection makes you dizzy before you come to your senses, but only barely.
You break away an inch, panting into his mouth while he’s panting into yours. What a blessing that you don’t own any lipstick; both of your lips are red without it…
“This is–”
“Inappropriate?”
His voice is husky, and sends a flood of wetness down between your legs. Your heart is racing, but you can’t even note how terribly alive you are before he attacks your lips again.
The kiss is even more desperate than the first one, and the slow urgency is gone. His mouth leaves you without air, and then – he wraps his arms around you and picks you up from the ground like you weigh nothing. Your hands get squished somewhere between you, naturally coming to cup his face as you kiss him back. 
It’s eager, pure lust, so powerful and needy that it scorches through your chest and ties your heartstrings into tight little knots, makes your brows knit together, too.
He grunts into your mouth, sensing you’re more than up for this after all. You let him see the full depth of your hunger and your lust, just waiting to be released and taken – made love to until you’re both sore and messy and limp.
God… This is better than God…
You hear whistles and whoos in the distance, some men yelling, “Let’s go!” and “Get a room” while they pass by. Realizing you’ve fallen into a dream trap of strong arms and needy lips about to depart tomorrow, you know it's something you could have had years ago, perhaps, but not anymore. You'll lose everything if you break your vows tonight: basically, you’ve already broken them, but no permanent damage has been done.
You can still turn back if you turn back now…
You push yourself away, push him away, heart clenching when you see his adoring, love-drunk, half-lidded stare.
“I’m sorry,” you whisper, fighting back tears as you come down from your high. “I just–I can’t…”
He breathes labouriously, still clutching you against him, holding you in the air like you’re the thing he has searched for his entire life and now, finally discovered… Only to be told that he now has to put it back where he found it. 
You’re crying by the time he sets you down, and you have no heart or will to pull away. Instead, you bury your face in his chest and cry your fill in his shirt. It’s soon damp from your tears as König hugs and supports you through his own stoic heartbreak.
“I’m sorry... I’m sorry…”
You repeat it until you can’t repeat it anymore, bawling in his chest while the world around you continues to spin despite your heaven and hell, despite your vows, despite your stupid devotion. The world revolves like it always has, as you choose a crucified man over the one who’s flesh and blood and holds you through your pain.
“Kätzchen, don’t cry,” he pets your hair while you sniffle and tremble in his embrace. You know this is not the last time you will cry your heart out over him, but knowing it doesn't help you when he offers you his last, bittersweet comfort.
“It was a good dream while it lasted...”
The rose withers in your cell.
You turn it upside down and tie it to the curtain rod to prevent it from dropping its petals. It dries beautifully and keeps its bloodred colour, now reminding you of both Jesus and him. 
There hasn’t been a word from König in months, and of course there hasn’t. You denied his wish to write you, and the dried rose is the only thing left of your time with him. 
In the first weeks, it’s hard to keep up a charade. You show up to prayer, work and mass with red eyes, revealing to everyone that you’re going through a loss of some sort. Somewhere during the first week, the abbess summons you to meet her and you brace yourself for a scolding.
God knows you don’t need the rebuke, and when you close the door and turn to face the symbolic mother of the convent, you end up breaking into tears right in front of her.
“Whatever you were up to, my child, I am glad that it is over now,” she says with all the gentleness of the world. 
“Me too,” your voice breaks, and when the abbess extends her hands, you go to her, fall to your knees, and have another heartwrenching cry with your face in her lap.
You’ve denied yourself love and mercy for days, expecting to be expelled or shamed or ridiculed, but mercy is what you’re offered now, even after you’ve sinned.
The abbess caresses your hair just as softly as König did just days ago, and the fact that her kind gesture reminds you of some silly, infatuated soldier, only makes the breakdown worse. You bawl like a little child who’s deprived of candy, and you don’t even have the strength to berate yourself for it.
“I hope you haven’t done anything irredeemable...?” 
“No... Nothing happened,” you sob and look out of the rose window, desperate for sun while your head rests on a gentle but distant lap. 
Nothing happened except the most sinful, beautiful, lustful kiss of your life... Nothing happened except that you saw this man every time you could, held hands with him, swam in his smiles and affection, and went to bed with thoughts inappropriate for any human being. 
“The world tests us in many ways... But Lord never tests us. He only loves us.”
Something in that sentence finally quenches the neverending flow of tears. Your muscles start to relax, and you remember that this is the eternal truth: to surrender, over and over again, to a power far greater than you. 
The abbess never asks for details about what you have done. She never tells you you have sinned; you don’t need to be told that. The punishment has been dealt already: whoever ties herself to this world and its temptations will suffer exactly like this when the passion and excitement ends. The key to escaping its grip is to simply let go first, once and for all, surrender to the love of God, and trust that everything fill fall into place eventually.
“You must offer your mind and body to work now,” the motherly voice speaks above you. “Work, time and prayer will ease your pain.”
Work, time and prayer do ease the pain. 
They ease all pains, but it takes almost six months to stop thinking about him every hour of every day.
You’re proud of yourself when you find out one day that you haven’t thought about him at all. He just now crossed your mind when you remember how he used to smell: of salty seabreeze mixed with intoxicating musk, the scent of excitement and safety all in one. 
You could almost swear you catch a whiff of that particular scent in the yard when you go and water the flowers one evening, but it can’t be: he’s gone, and there’s nothing you can do about it, nothing you even want to do about it because you already made your choice. This path leads you to greater peace of mind in the long run, and you know you made the right decision even if it hurt you and König.
Sunsets still remind you of him, the colour of rose and gold mixed with endings, but the memories are now laced with bittersweet love rather than blunt despair and pain. The times you spent with him are a collection of brief, blissful moments, and you treasure every single one of them in your heart. You still pray for him, not every day, but nearly every day. You touch the rose when the hurt reaches its peak, but the last time you did that was almost a week ago.
And you thought you had forgotten his scent, but apparently, you have not. In fact, it seems to drift to your nose again, which is odd because you’re outside, after all…
“Kätzchen.” 
A whisper is hissed from the shadows just as you’re about to straighten and investigate, because either you’re going crazy or then there’s someone here who smells exactly like him.
You startle and almost drop the watering can, staring straight into the shadows under your window. The tallest man you’ve ever seen steps out from the dark in full combat gear, and while you can’t see his face because it’s covered with a draping black hood, you recognize it’s him simply from the way he moves. 
“Don’t be afraid. It’s me,” he rasps and tries to straighten from the slightly hunched position he’s in, but immediately falls back, then slants to lean on the wall. His gear is dirty, and he holds the side of his stomach with one hand, the lively blue eyes either drunk or very very tired.
“Dear God… What happened to you?”
You abandon the watering can and rush to him; it’s useless to ask if he’s injured when, clearly, he’s trying to prevent himself from slumping to the ground. 
He’s enormous and intimidating even when wounded, a soldier loaded with ammo and weapons and protective paddings and guards, wearing a hood and a helmet and a radio of some sort, his tactical gloves bloody and eyes droopy. The weapon by his side is almost half as tall as you, and God – is that a grenade strapped to his vest?
“I got compromised,” König looks down at the wound but doesn’t remove his hand. He looks so different, like another man entirely when he’s not dressed in his customary olive green pants and a casual black t-shirt. He seems even buffier now, even taller, so terrifying that you wonder if you ever even knew this man.
You must look like a frightened deer because König mistakes your horrified look as sweet, simple concern.
“Don’t worry... They have it much worse, I assure you,” he says with his usual grin – you can hear it from the way he says it that he’s smiling. But it’s so weary now, so exhausted and frail compared to his confident, playful laughs and that husky voice with which he spoke to you after your kiss.
“I came to ask for help,” he continues under his breath, wobbling even when leaning against a wall. “You’re the only one I can… trust.”
“Of course, anything. I will do anything I can.”
His eyes smile down at you from behind the executioner’s veil. It’s that same devoted stare you’ve been trying to dispel for months now. You give yourself a quick mental shake, then tell him to wait here while you go in and call for an ambulance. 
König bounces off the wall and seizes your hand, telling you he can’t go to a hospital and that, if anything, he must avoid any kind of public places. You don’t ask any further questions, even if you know you’re in a pickle now, and not only because those glacial eyes are making your knees weak again. There’s nothing much you can do: he’s wounded and still in danger, saying he can’t trust anyone else. Of course you have to help him in any way you can. If he says it’s not safe, then you must help him get somewhere where it is safe. 
And besides, aren’t you a nun? You’re supposed to help those in need. 
So when he asks you if there are any motels or a bed & breakfast nearby, you say you know just the place. 
It makes your heart bleed that König takes support from you while you slowly make your way down the street. A man of his size, a body trained to withstand whatever his job throws at him, seeking support from a frail little nun… It’s a joke, indeed, and a horrid one. 
When you get to the small place run by a humble old man, you don’t know who to feel more sorry for: the elder behind the counter or König, desperately trying to stay on his feet.
“I mean no trouble,” he says while pushing an unnerving amount of money across the table. “I just need a place to rest.”
The receptionist’s eyes dart to you, then back to König, who still has what you suppose is a loaded rifle dangling by his waist. The safety is on, probably, but there are also knives and grenades strapped to his person, and with that hood, he mainly looks like a terrorist of some sort.
“She’s here to help. See...? Bride of Christ. Even less trouble than I am.” 
You try to smile reassuringly as the man risks a better look at you now instead of being fixated on König or his weapons.
You must make an odd pair, a soldier and a nun... The old man probably has a ton of questions in his head right now.
“No shooting,” he says to you, but his words are directed at König.
“No shooting,” he promises. “No mess if no one knows we’re here. Ok...? You’ve never even seen us.”
The receptionist nods. Then he extends a trembling hand and takes the money, and hands out a key without taking any check-in information.
You go to König and help him up the small stairs and into his room paid with bloody money and a menacing appearance. The fitted carpet is old, and floral patterned, the room small and adorable and meant for visitors far more petite than König. The bedspread is old-fashioned and floral too and has never even seen blood, of that you are sure when König lays himself down with a grunt. 
You spend the next minutes – or hours, you can’t tell – in a tunnel-visioned fog as you do exactly as he says.
You help him out of his gear and weapons and lay them aside quickly but gently, you cut his shirt with an ugly-looking knife, then get a watered towel for him to press against the wound. You rush back to his tactical vest and search for a first aid kit and some medicine, and start to treat his wounds per his advice.
The sun sets in the window, and you patch up your injured soldier with care, trusting his word when he says it’s only a flesh wound and that it looks far worse than it is.
“I should get shot more often,” he purrs when you’re cleaning the rest of the blood off his skin.
“Don’t be ridiculous,” you scold, trying to focus on your task and not the vast plates that make his chest. Or the thick abs, right there under your fingertips… Or the fact that he has incredibly narrow hips, and a luscious breath of dark hair leading from his navel down and underneath the waistband of his pants. 
You suppose this is what your friend calls a happy trail...
And it does make you very happy.
You don’t dare to look beyond that because the pants he usually wears aren’t as tight as these, and you fear he’ll catch you checking out his junk in an attempt to see if your friend was correct about his size. 
To your blessing – or your curse – you don’t even have to look straight at it to see he’s having an erection. You can actually see from the corner of your eye how König grows hard while you’re treating him – it’s right there, a robust tent that rises beside you while you concentrate on wiping off the blood. 
“Pay no mind to that,” he says thickly and completely without shame. “It just happens… Can’t control it.”
He breathes a bit too heavy for someone who’s lying down, and you fear it’s because of the blood loss. But then you start to suspect it’s probably because all the remaining blood has gone between his legs… He doesn’t even try to tone down the heated, obsessive stares he shoots your way, and you suppose he’s either missed you very much, or then there’s a fever rising after all. You’re not sure if you’re glad or disappointed that the bullet didn’t scrape his leg instead.
“I missed you,” he says like he just read your thoughts. He whispers the sentence slowly and with purpose, saying it like a long-withheld secret.
“I missed you too,” you whisper back. 
Gosh… Here you are, a silly little nun who’s tried to get over a crush for six months, crying after him at night and caressing his rose during the day. You’ve been petting a withering flower some mercenary gave you in hopes of getting into your pants, you’ve fawned over memories of a few smiles and a kiss, all the while the said mercenary has killed people for money and now got shot. He came here to work again, but never sent a message, he only came to see you when he was injured… 
...And you’re glad he did. If a bullet was needed to bring him back to you, then you’re grateful for it, no matter how horrible it is.
“Did you ever… find someone?” You ask while keeping your gaze fixed on his navel instead of the raging bulge in his pants.
“Someone, who?”
“Someone to hold hands with.”
He gives a strained laugh. “Ah. No. No time for that.”
You swallow, and slowly guide your eyes to his.
“Are you still happy with your crucified man?”
Ouch.
“I… I don’t know.”
His brows knit together; you can see it even in the dim light of the table lamp, you can see it even if there’s some godforsaken black war paint all over his face under that hood.
There’s a distant hurt in his eyes before he blinks softly, slowly.
“I wrote to you, Braut Christi... Many times. Never sent the letters… They’re still in my room, at the base.”
Your heart skips a beat. 
He hasn’t had “time” for women, yet has written you letters all these months. He’s written letters while you’ve caressed a rose…. 
You wonder if hearts can find each other, even through a distance, and if you’ve felt the urge to go to the flower he gave you at the same time König has gotten the desire to write another letter to you. It’s bittersweet, like this whole thing between you two, the mystery that both brings you together and rips you apart. 
“I wish I hadn’t… I wish I...” you start, but can’t bring yourself to finish.
“Liebling. I should’ve sent them anyway.”
You go get rid of the bloodied paper towels before you start to cry in front of him.
God… You’re not only in a pickle, you’re neck-deep in trouble, and you only notice you forgot to wash your hands when you return to him.
He reaches for your hand and gives it a gentle squeeze. Peace settles in, even if there’s blood on your hands and the man you adore is lying next to you, patched up with the help of a first aid kit when he should be lying in a hospital, receiving treatment and care.
There’s a knife and a pistol tucked under the bedspread, next to his hand, and the fact that he’s still prepared to fight anyone who tries to come through that door underlines the fact that you two come from very different worlds. König is more than just a rose buying, coffee offering gentleman, he's more than just a silly guy who threatens to sing serenades under your window if you don’t come out to play with him.
You’re not sure if you’re more enamoured or scared.
“You’re an angel,” he rasps from the bed as you try to swallow the tears that refuse to go down.
“No I’m not.” 
“Yes, you are.”
A teardrop falls on the innocent floral bedspread as you wish you were in this room as a married couple instead of an injured, horny soldier and a childish nun in love. Spending your honeymoon or something, getting some rest after an eventful day in town, choosing this absurd old Bed & Breakfast as your place to stay for the night.
You wish you were doing anything else than treating his wounds, lethal or not.
“Are you crying?”
His voice is gentler than you even remembered. Six months of despair have turned him into a dark, alluring trickster when he’s really just a man, a big, amazing, tender man who’s multifaceted, multitalented, and always kind.
He's about to fall asleep, and it’s no wonder. The events of the evening have left you drained, too. You kneel beside his bed, too tired to even sit on a chair, wondering if he’ll die from his wounds tonight or get hunted down by the people who still want him dead. 
“I wish you would stop killing people... I wish you would stop getting killed.” 
You must look silly, kneeling beside a giant soldier’s bed, crying and holding his hand between yours as if praying. But his eyes smile at you, and while you’d want nothing more than to see his face again, you realise you kind of like König this way. Masked and menacing and mean to his enemies, but stripped down to his soul when he’s with you.
“I wish you would stop praying... And start living,” he mutters gently.
“Praying helps sometimes,” you whisper.
In truth, you wish you’d start living, too. You always thought you were brave when you said ‘no’ to the world. Perhaps you were only running away from it…
The hand is warm but not feverish. His breaths start to even, and his lids get heavier; his thumb gives you a small caress before he drifts off to sleep.
“Perhaps that’s why I’m still here, Kätzchen.”
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