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doomedandstoned · 4 years

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Wasteland Coven Summon Doom From the Rust Belt

~Doomed & Stoned Debuts~

By Billy Goate

You're about to meet a true blue, dyed in the wool doom band from Ohio, which I discovered just a few weeks ago. This is WASTELAND COVEN, aptly named considering the industrial devastation that has visited the midwest, accentuated now even more in a time of pandemic. 'Ruined' (2020) is their debut EP and it features a singer, Susan Mitchel, that I would rank with Susie MacMullen of Brume and Dorthia Cottrell of Windhand. Sometimes vocalists try to pull off that coveted, full-bodied range, but end up sounding thin and wobbly. Not here.

Performing double duty on bass, Susan is joined in this Toledo crew by guitarists Bill Anderson and Brandon Collins, along with drummer Jason Wilcox. This is meat and potatoes doom, too, each of the three tracks on Ruined bearing the formative influences of Candlemass and Saint Vitus (the vocal cadence and guitar solos of "The Great Colossus"), Trouble and My Dying Bride (the mysterious and dramatic "Endless Night"), and the aforementioned Windhand (the riff laden intro to "Midsummer Days").

This mix of beauty and beast works well for Wasteland Coven. Susan's vocals take wings with sad urgency, rising above the dense, darkly downtuned procession of smoke and fire. Bittersweet leads break through the haze here and again, too, if for no other reason than to accent the gravity of the moment.

I've listened to the EP multiple times in a row and it is substantial enough to keep my appetite for doom satiated, without overstaying its welcome with an overly-familiar taste. Look for its release on Friday, April 17th (pre-order CD here), and listen to the record whole right here, right now via Doomed & Stoned!

Give ear...

Ruined by Wasteland Coven

A Chat with Wasteland Coven Guitarist Brandon Collins

Take us back to the band's origins. How did it all begin for you guys?

Things got started in late 2018, when our drummer Jason posted on Facebook asking if anybody wanted to play something dark and heavy. He was already playing in a punk band (The Old Breed) and a noise rock band (Sog City) so he was really looking to start more of a Manilla Road inspired band - he's a big Manilla Road fan. Sue (bass and vocals) and I (guitar) were both interested in Jason's pitch but style shifted a little bit as we all got together. By the first time we met up, he said to aim for Candlemass meets My Dying Bride (which I declared sorcery) and from there we drifted into the doom menagerie that we're at now.

Jason quickly roped in another guitar player, but after a month or two he lost interest, so we spent some time looking for another. During that search period we sketched out our first songs and booked some studio time for later in the year - we were going to record what we had regardless of who we had. Eventually Sue reached out to Bill who solidified the lineup midway through 2019 and we were officially a band. We practiced, finished up the songs as a four piece, and went to Lakebottom Recording House in September 2019.

How about a walk-through of the songs on 'Ruined' (2020)?

Midsummer Days

I think we all agree that this is the best song on here. It was going to be a shorter and simpler song originally, but it really kind of blossomed with all of us adding new bits to it. Lyrics mainly involve the imagery and feelings of a dying world. Really it's a sad, poetic veil over the changing of seasons, summer to fall to winter - seeing everything in nature fade and decay as seasonal depression kicks in. Admittedly, "Midsummer Days" isn't really a doomy title, but when you realize that they're dead. That'll teach you to judge too quickly! Kinda had to push Sue a bit to do the "trailing off into the void" vocals right at the end. She was reluctant, but I'm really glad she did them. It really adds some resonating loneliness.

Great Colossus

So originally, I came up with the riffs for this, played them for Jason, and when he added drums, his style immediately put Sue in mind of robots -- giant robots. And that drove us to make this our weirdest song lyrically, about falling in love with a giant robot with sexual overtones. Sue and I went back and forth on the lyrics for this one a lot, tweaking it to put just the right sultry spin on something cold and mechanical. This song sort of prompted the cover art. Around the time we were recording songs Sue was at an art show and saw the piece. Made her think of the song and said we needed it on our EP!

Endless Night

This was our first song, so I like to say it has first song syndrome -- not quite as strong as the others and maybe sticks out a little more 'cause you're trying to find your direction. But the main riff and the solos are still fun, so why not? Since it was going to be the first song for our doom band, the lyrics hit on a pretty typical doom metal topic: death. But I suppose the twist is that it's more about setting aside your fears and finding peace in your demise -- even as the music kind of betrays that peace and hints at the dread and dark thoughts behind it all. Solos here were fun to do. I take the first half of the solo section and Bill takes the second half, so we each get a chance to go our own direction just meeting for a moment to hand it off in the middle.

What was the recording process like for the band?

The bulk of it was done over the course of two weekends, September 27-29 and October 4-6 in 2019 (with a bit of touch up and review a few times afterwards). We went to Lakebottom Recording House in Toledo owned and operated by J.C. Griffin. Jason had recorded with J.C. many times before and refused to go anywhere else. But for the rest of us, it was our first time there and it was fantastic.

It's hard to imagine how it would have worked out with anyone else. J.C. is super encouraging and immediately invested in making sure you're getting a great sound - he's gives great direction for process, equipment, and performance. Really great weekends overall hanging out and playing music the whole time. The hardest part might have actually been the work week in between those two weekends -- coming down from all the joys and excitement with days full of music made "regular" life such a dull slog where we were just desperate to go back and do it again. Easily the most fun and best experience I've had recording.

In retrospect, maybe it was a bit weird that we were all so happy and having such a great time producing this melancholy music, but I don't think we put any thought into it at the time. Susan was extremely nervous and self-conscious when it came time to do her vocals, but with enough liquid courage she nailed it.

It looks like you had the album cover commissioned?

Artwork was done by Jackie McKown who lives here in Toledo. Sue saw the piece at an art show where Jackie was showing her stuff. These giant robot creatures wrecking shit was pretty in line with the initial themes of Great Colossus - it was lacking the sex/love angle, but it still fit just fine with the kind of destructive war-machines that could inspire love. Sue was very taken with it right away, so we went with it.

There's also presumably death and longing for better times involved in that kind of city-wide rampage, so you can tie into the other tracks as well. We sort of let that guide us, having the artwork inspire the title "Ruined." We had a city being ruined on the cover and we could find some form of ruination in each song. Then when it came time to lay everything out, we decided to ruin things a little more, adding wrinkles and dirt marks and imperfections.

This last question is just for the gearheads! Tell us what you're sporting these days?

Brandon: Epiphone Les Paul Studio guitar with an Orange Crush CR120C amp (frequently used to accidentally drown out everyone else), and for pedals: Big Muff Pi (with Tone Wicker), MXR EVH Phase 90, Cry Baby Wah.

Sue: Ibanez BTB 5 String Quilt Top bass, DR Dragon Skin strings (allergic to nickel), with a Fender Rumble 500 Combo amp and Big Muff Pi pedal.

Bill: ESP LTD Viper-256 w/Gibson 498T bridge guitar, ESP LTD EC-100 w/EMG 81/85. Amps include Peavey Valveking 2x12, Carvin X100-B 100 watt head*, and Carvin 4x12 Cab (used as needed). Pedal of choice: Digitech GNX4 Multi-Effects.

Jason: Tama Rockstar Drums.

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#D&S Debuts #Wasteland Coven #Toledo #Ohio #Doom #Metal #D&S Reviews #HeavyBest2020 #Doomed & Stoned

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cvrnewsdirectindia · 5 years

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Ginger Baker dead: Cream drummer dies, aged 80

Ginger Baker, the legendary drummer and co-founder of rock band Cream, has died at the age of 80.

Last month, the musician’s family announced he was critically ill in hospital, but no further details of his illness were disclosed.

On Sunday morning, a tweet on his official Twitter account stated: “We are very sad to say that Ginger has passed away peacefully in hospital this morning. Thank you to everyone for your kind words over the past weeks.”

We’ll tell you what’s true. You can form your own view.

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Baker had suffered from a number of health issues in recent years. He underwent open heart surgery in 2016 and was forced to cancel a tour with his band Air Force after being diagnosed with “serious heart problems”.

The drummer, who is widely considered to be one of the most innovative and influential drummers in rock music, co-founded Cream in 1966 with Eric Clapton and Jack Bruce. The band released three albums before splitting in 1968, after which he formed the short-lived band Blind Faith with Clapton, Steve Winwood and Ric Grech. A fourth Cream album was released after the band disbanded.

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Carmine Cardini, who was most famous for playing two different roles in the Godfather franchise, died on 28 May, 2019 at Cedars Sinai Hospital, aged 85. He played Carmine Rosato in The Godfather Part II (1974) before returning to the franchise in 1990 as Albert Volpe in The Godfather Part III.

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Leon Redbone died on 30 May, 2019, aged 69. The singer-songwriter, who was noticed by Bob Dylan in the Seventies and was an early guest on Saturday Night Live, released more than 15 albums over the course of four decades.

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57/61 Ric Ocasek

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61/61 Ginger Baker

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Alamy

1/61 Dean Ford

Getty

2/61 Pegi Young

A singer, songwriter, environmentalist, educator and philanthropist, she was also married to Neil Young for 36 years. She died of cancer on 1 January, aged 66, in Mountain View, California.

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3/61 Daryl Dragon

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4/61 Darius Perkins

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5/61 Bob Einstein

HBO/Kobal/REX/Shutterstock

6/61 Carol Channing

Getty

7/61 Mary Oliver

Getty

8/61 Windsor Davies

Getty

9/61 Jonas Mekas

Chuck Close

10/61 Diana Athill

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11/61 Michel Legrand

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12/61 James Ingram

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13/61 Dick Miller

Warner Bros

14/61 Jeremy Hardy

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15/61 Clive Swift

Rex

16/61 Julie Adams

Rex

17/61 Albert Finney

Getty

18/61 Peter Tork

GETTY IMAGES

19/61 Mark Hollis

20/61 Andy Anderson

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Alex Pym/Facebook

21/61 Lisa Sheridan

Getty Images

22/61 Janice Freeman

Getty Images for COTA

23/61 Keith Flint

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EPA

24/61 Luke Perry

AFP/Getty Images

25/61 Jed Allan

Rex Features

26/61 Hal Blaine

Getty

27/61 Pat Laffan

28/61 Mike Thalassitis

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29/61 Dick Dale

Getty

30/61 Bernie Tormé

YouTube

31/61 Andre Williams

YouTube

32/61 Scott Walker

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33/61 Agnès Varda

AFP/Getty

34/61 Tania Mallet

Model and Bond girl Tania Mallet died on 30 March, aged 77. She earned her only credited acting role opposite Sean Connery in 1964 film Goldfinger, playing Tilly Masterson.

United Artists

35/61 Boon Gould (right)

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36/61 Freddie Starr

Rex

37/61 Peggy Lipton

Twin Peaks star Peggy Lipton died of cancer, aged 72 on 11 May.

38/61 Doris Day

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39/61 Andrew Hall

Photo by ITV/REX

40/61 Carmine Cardini

Paramount Pictures

41/61 Leon Redbone

Photo by Chris Capstick/REX

42/61 Cameron Boyce

Disney Channel star Cameron Boyce died in his sleep on 6 July, aged 20. His family later confirmed the actor, who appeared in Jessie and descendants, had epilepsy.

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43/61 Rip Torn

Rip Torn, the film, TV and theatre actor, died on 9 July, 2019, aged 88. His career spanned seven decades.

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44/61 Michael Sleggs

Michael Sleggs, who appeared as Slugs in hit BBC Three sitcom This Country, died from heart failure on 9 July, 2019, aged 33.

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45/61 Rutger Hauer

Dutch actor Rutger Hauer famously played replicant Roy Batty in Ridley Scott’s Blade Runner. As Batty, he delivered the iconic “tears in the rain” monologue. Hauer died on 19 July, 2019 aged 75.

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46/61 Paula Williamson

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47/61 David Berman

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48/61 Peter Fonda

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49/61 Ben Unwin

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50/61 Franco Columbu

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51/61 Kylie Rae Harris

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52/61 LaShawn Daniels

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53/61 Carol Lynley

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Dove/Daily Express/Getty Images

54/61 Jimmy Johnson

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55/61 John Wesley

YouTube / Warner Bros Domestic Television Distribution

56/61 Daniel Johnston

ALAIN JOCARD/AFP/Getty Images

57/61 Ric Ocasek

Ric Ocasek, frontman of new wave rock band The Cars, died 15 September at the age of 75.

Ocasek found fame as the lead singer of The Cars, who were integral in the birth of the new wave movement and had hits including “Drive”, “Good Times Roll” and “My Best Friend’s Girl”.

Astrid Stawiarz/Getty Images for Netflix

58/61 Suzanne Whang

The former host turned narrator of HGTV’s House Hunters died on 17 September. She was diagnosed with breast cancer in 2006 and initially recovered, until the disease returned in October 2018.

Rodin Eckenroth/Getty Images

59/61 Robert Hunter

Larry Busacca/Getty Images for Songwriters Hall Of Fame

60/61 Linda Porter

Tyler Golden/NBC

61/61 Ginger Baker

Alamy

Baker was named number three on Rolling Stone’s 100 Greatest Drummers of All Time list, and is the subject of the documentary Beware of Mr. Baker.

“Gifted with immense talent, and cursed with a temper to match, Ginger Baker combined jazz training with a powerful polyrhythmic style in the world’s first, and best, power trio,” said the Rolling Stone article. “The London-born drummer introduced showmanship to the rock world with double-kick virtuosity and extended solos.”

Lewisham-born Baker was known for being a mercurial and argumentative figure, whose temper frequently led to on-stage punch-ups.

His father, a bricklayer, was killed in the Second World War in 1943, and Baker was brought up in near poverty by his mother. He joined a local gang in his teens and when he tried to quit, gang members attacked him with a razor.

Baker suffered from heroin addiction, which he acquired as a jazz drummer in the London clubs of the late 1950s and early 1960s. He once told The Guardian he came off heroin “something like 29 times”.

Tributes for the drummer have been pouring in on Twitter.

Paul McCartney called Baker a “wild and lovely guy”, writing: “We worked together on the ‘Band on the Run‘ album in his ARC Studio, Lagos, Nigeria. Sad to hear that he died but the memories never will.”

Baby Driver director Edgar Wright wrote: “RIP the music giant that was Ginger Baker. The beat behind too many favourite songs from Cream, The Graham Bond Organisation and Alexis Korner’s Blues Incorporated.”

Rock journalist Mark Paytress tweeted: “Like Hendrix, Ginger Baker was a name synonymous w/ early days rock. Once you heard him play, saw pics & footage, he seemed to embody the music’s power, the culture’s adventure. Spending a day w/ him in 2014 magnified it all. Lost a big one this morning.”

Slipknot’s Jay Weinberg simply wrote: “Thank you Ginger Baker.”

from CVR News Direct https://cvrnewsdirect.com/ginger-baker-dead-cream-drummer-dies-aged-80/

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savegraduation · 5 years

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Aaliyah Would Be Proud

I'm James Landau, known on the Internet as Savegraduation.

I am starting this blog, Aaliyah Would Be Proud, to discuss one of most important and flammable issues of our time: youth rights. There are civil rights (for African-Americans, Chinese-Americans, Japanese-Americans, Jewish-Americans, Arab-Americans, Native Americans, Mexican-Americans, Indian-Americans, Filipino-Americans, and others); there are women's rights; there are LGBT rights (for lesbians, gays, bisexuals, transgender people, and non-gender-binary people); there are workers’ rights (for union laborers); there are disability rights (for the physically challenged, the blind, the deaf, the mute, the obese, arthrogrypotics, epileptics, CPers, autistics, Aspies, Downies, people with bipolar, people with borderline, schizophrenics, Touretters, obsessive-compulsives, ADDers, PTSDers, etc.); and then there are youth rights. The youth rights movement seeks to abolish or lower the age of legal restrictions, as well as change informal societal attitudes, that look down on people below a certain age (often 18, 21, or 25) as inferior and undeserving of even basic human rights.

We youth-rightsers aim to lower the voting age to 16. To lower the drinking age back to 19 or 18. To lower the age of majority and age of emancipation to 16. To protect students’ rights at the mandatory institution known as school. To abolish age-discriminatory store policies (”no more than two high school students in at one time”). To extend the rights of medical consent to all people old enough to wish for or object to treatment, regardless of age. To stop punishing parents for their minor children’s crimes. To abolish the draft. To ease restrictions on younger workers, and stop employers from viewing young employees as a liability. To allow people under 16 to get a job without adults bellowing, “Child labor!” To guarantee to every American the right to practice the religion she or he wants to and express her/his mind without her/his parents having her/him arrested for “insubordination”.

Age-discriminatory laws run a wide spectrum of enormity. At one end are age restrictions of things, such as drinking alcohol, smoking weed, or gambling, that the majority of Americans today believe are morally wrong for youth to do. Then come other status crimes like teen curfew laws. Then come laws like the laws in America preventing under18s from voting (even though Brazil, Argentina, Ecuador, Nicaragua, Austria, the Crown Dependencies, Scotland, and Malta already allow 16-year-olds-to vote; see https://en.wikipedia.org/wiki/Voting_age#Chronology_of_lowering_the_voting_age_to_16 ). Then come the oversteps of strict parents and Skinneresque faculty at K-12 schools, trying to prevent boys from wearing earrings, or censor the school paper because the principal doesn't like the angle of a particular student-written story or editorial. At the far end are stories of teens being abducted from their homes and taken into gulag camps simply because they have parents who don't like their nonconformity. Teens having their most beloved possessions destroyed or thrown away by their parents. Teens having to drive over state lines into states that will vaccinate them, lest they die before their eighteenth or even nineteenth birthdays because their parents refuse to let them have a vaccine . . . and also the less lucky teens who died already because a state legislature decided a parent's wishes trump a teen's concerns. 16-year-olds who have been seeking emancipation for a long time and then get kicked out to house by their parents (to their initial delight), only for the parents to then lie and report their child as a runaway, and having the mendacious parents rather than the truthful teen believed because of pervasive ageist attitudes and stereotypes, vitiating the minor's eligibility for emancipation. Gay teens undergoing the atrocious conversion therapy. Parents who take their 12-year-old sons to get circumcised against their sons' wishes. (And judging by their "Being a minor is only temporary!" argument, ageists seem to believe the boy's foreskin will magically regenerate on his eighteenth birthday.) If, when you hear the phrase "youth rights violations", you think simply of "You have to be 21 to drink", think again.

The title of this blog came from the R&B singer Aaliyah, who was born at the beginning of the Millennial Generation in January of 1979 and succumbed in a plane crash in 2001. In 1994, at the age of 15, Aaliyah released an album titled Age Ain't Nothing but a Number. Aaliyah lived her life to the fullest, not kowtowing to ageist laws and attitudes, and it was a good thing she did, because her life lasted only 22 years. I like to believe that if Aaliyah were to read my blog today, she would be proud of me for making the case for youth rights.

The seed of this Tumblr blog was planted several months ago, when a member of the NYRA Youth Rights Discussion Facebook group at https://www.facebook.com/groups/NYRAyouthrights/ told us about the Tumblr blog he had started on the topic of adult privilege (as analogous to male privilege, White privilege, straight privilege, etc.). Even though this blogger was an adult himself, he was swamped upon posting his first entry from people who wrongly assumed he was a kid who was upset because his parents wouldn't buy him an iPhone.

It is common among Gen-Xers (born 1964-1978) to be unaware that it's normal for Millennials (born 1979-2004) -- even the ones in our twenties or thirties, or who turned 40 this year -- to take many pro-YR positions, such as suffrage for 16-year-olds or restrictions on parental authority. These ignorant people assume that anyone starting a blog about ageism and ephebophobia (the fear of youth) must be "some kid", and that their concerns must be about positive rights (entitlement), rather than pressing negative rights.

Underlying this ignorance is a big myth surrounding generations that states every generation follows the same lifecycle as the Baby Boomers (born 1943-1957) did: they are innocent as children, then turn into wild, pot-smoking, socially liberal teen-agers who argue fiercely for youth rights, then go on being young and idealistic until they have children of their own and settle down . . . to then become "responsible", socially conservative adults who considered their younger selves to be irresponsible and misguided, raise their own kids strictly, start claiming "marijuana is illegal for a reason", and oppose youth rights. Or so the narrative goes.

But not every generation in Anglo-American history has followed this lifecycle. Take the Silent Generation (born 1925-1942), for instance. They began as Shirley Temples and Alfalfas amid the Great Depression and World War II, then spent their teens being a low-crime generation, despite all the Blackboard Jungle concern about juvenile delinquency and gangs. They married young. During the Postwar Era of 1950′s America, some of their members were beatniks, or invented rock-and-roll, or crusaded for the Civil Rights movement (after all, Chuck Berry and Martin Luther King, Jr. were Silents), but more often they kept their heads down, being grey-flannel-suit fathers who focused on their careers instead of activism, or barefoot-and-pregnant mothers who focused on being the perfect housewife. William Manchester wrote of fifties-era high school and college students: "Never had American youth been so withdrawn, cautious, unimaginative, indifferent, unadventurous -- and silent." They were indulgent parents, however, raising the Baby Boomers to the tune of Dr. Spock. Then they hit 40, and had their "midlife crisis", realizing they had wasted their youth being so un-rebellious. They started riding motorcycles and growing ponytails in middle age, and during the Vietnam Era, they generally raised their Baby Boomer and Joneser (born 1958-1963) kids permissively. It was a Silent, 1932-born Ted Kennedy, who proposed amending the Voting Rights Act of 1965 to lower the voting age to from 21 to 18 at a national level, and argued in Oregon v. Mitchell that the Equal Protection Clause of the Fourteenth Amendment meant Congress could pass voting-age-related legislation at a federal level.

The "all generations are the same" myth notwithstanding, there is another, competing big myth prevalent today. This myth states that today's youth are "the worst" ever. Older Americans often indulge in saying that the Millennial Generation is the worst generation ever . . . or at least was until the Fifth World Generation (born 2005-today) came along. Memes posted by Boomers and Xers on the Internet say that when they were growing up, youth respected their elders, parents spanked their kids without fearing CPS, the spankings did no harm, and children freely "drank from the garden hose". Do they even remember the accusations during the sixties that teens had "no respect for their elders", "no respect for authority"? Older generations like to stereotype Millennials and Fifth Worlders as generations of Eloi, genetically attached to their smartphones, phones that are smarter than they are. Mark Bauerlein titled his book on Millennials The Dumbest Generation.

Are Millennials really the worst, dumbest generation ever? Nope. As sociologist Mike Males wrote in an LA Progressive article : "Imagine that a time-liberated version of vigilante George Zimmerman sees two youths walking through his neighborhood: black, hoodied Trayvon Martin of 2012, and a white teen from 1959 (say Bud Anderson from Father Knows Best). Based purely on statistics of race and era, which one should Zimmerman most fear of harboring criminal intent? Answer: He should fear (actually, not fear) them equally; each has about the same low odds of committing a crime." From 1982 to 2012, crime rates among African-American youth plummeted: property offenses declined by 51%, assault declined by 59%, robbery declined by 60%, rape declined by 66%, and even murder declined by 82%. And even though Donald Trump said in 2017 that "The murder rate in our country is the highest it's been in 47 years", the murder rate in America has in fact been halved since its 1991 peak. Far from the fabled heathens who have no morals because their parents didn't spank them, Millennial teens and twentysomethings, whatever their race, have too many moral compunctions to murder, rape, burglarize, or assault someone or set fire to someone's beloved belongings. Sadly, the stereotype that today's youth, especially boys and especially African-Americans, are "superpredators" persists, and has cops and security officers shooting and killing Trayvon Martin, Michael Brown, and Freddie Gray. People often support their fears by using the thinnest of anecdotal evidence: “Look at Columbine, they were teens!”

And "kids have no respect for their elders"? So what. Just as Boomer youth were right in questioning their homophobic, pro-war elders from the Greatest Generation (born 1911-1924) during the Vietnam War, today's youth are not necessarily in the wrong for speaking out against a parent, uncle, teacher, principal, coach, or psychologist-they-were-sent-to-after-being-diagnosed-with-ODD when said elder tells them that boys shouldn't grow their hair long, or that it's "inappropriate" for two girls to kiss, or that only paranoid alarmists believe in climate change, or that George W. Bush must be followed, right or wrong, or that kids must never express disagreement with adults on even as subjective and trivial a matter as whether the weather today is nice.

And the accusation that Millennials and Fifth Worlders are stupid? Co-champions were declared at the Scripps National Spelling Bee in 2014, 2015, and 2016, for only the fourth, fifth, and sixth times since the bee's inception in 1925. Then came 2019, when the spellers were so good that Scripps ended up with an EIGHT-way tie! Word lists got increasingly harder; the winning words from 1935 to 1941 were "intelligible", "eczema", "promiscuous", "sanitarium", "canonical", "therapy", and "initials", while the winning words from 2007 to 2013 were "serrefine", "guerdon", "Laodicean", "stromuhr", "cymotrichous", "guetapens", and "knaidel".

Other ageists listen to media frenzies over teens eating Tide Pods and snorting condoms. The moral panic over these "trends", however, has turned out to be a tempest in a teapot. Reports of being poisoned by laundry detergent pods were actually down in 2018, at the same time the media hype over this alleged teen fad was spiking. The trend stories were trend pieces reporting on previously written trend pieces, with acts of detergentophagy less common than the media would have their unwitting dupes believe. As the Washington Post wrote: "There's just one small problem, however: Those headlines were wrong. The only thing viral about the condom challenge right now is the moral panic about the idea of teens doing the condom challenge. In a matter of days, word spread from a single local news report to a small army of local and national publications across the world, all warning about a challenge that, in 2018, barely exists." As a Snopes page discusses, claims to fake "teen challenges" have been around for a long time. Sorry, but real youth are not as dumb as urban folklore makes them out to be. The media is simply getting more ephebophobic.

A common misconception among ageists is that the reason youth rights activists who are older than about, say, 25 still support youth rights is that they are pedophiles. The fact of the matter is that most adult youth rights activists are still fighting for youth rights because they faced some instance of ageism, or a repeated barrage of instances of ageism, during their childhood and/or adolescence that scarred them for life.

I am a young adult, soon to be middle-aged. I had many run-ins with, and undeserved attempts at discipline and sociaLIESation from, my parents, teachers, school administrators, psychologists, psychiatrists, and random adults in the neighborhood as a child, teen, and college student. I was also the victim of nonconsensual medical treatment, as I'll open up about in later blog entries.

When I was in kindergarten, the class learned the song "I Know an Old Lady Who Swallowed a Fly", of which I was horrified. I starting scraping my nails down my throat and sticking them out of my mouth whenever I heard the words "spider" or "goat". Over the next two years, the "purging" ritual I was developing went down to my groin, and more words (and objects!) were added from ages 6 to 22. Other words were dropped over the years.

Little did I know at age 6 that I was developing what I call "logaesthesia", or word-tasting. When I hear or read one of those terrible words like "scxxt" or "whxxps", I get the sensation that I have swallowed the word. It's as if it's inside of me, slumbering in my intestines and attracting intestinal slime. To hear or read a word is to take in. I can never read an article without feeling as if I'm taking a drink of that article's waters, feasting on a repast of bread, beef stew and almond roca from the article. The same with listening to conversation. The words, further, have specific tastes when I eat them. When I hear the word "whxxps", for instance, I immediately taste whipped cream. The whipped cream is there right inside of me, its cold creaminess sitting in the front seat of my pants. Would you like you have whipped cream in your pants? That's what it feels like to me. The word "mxss" tastes like oatmeal. "Scxxt" tastes like cooked carrot, like the carrot in pot roast. "Jxggle" tastes like red hots -- the candies -- while "jingle" as well as "t-ngle" taste like those tiny spherical hard candies you put on cupcakes. "Xll xver the plxce" tastes like pasta-ey soup, a soup like Spaghetti-O's perhaps. And "ice xxxxx", of course, tastes like ice xxxxx.

And it's not only the words that make me purge that have a taste. Many of the innocuous words do too. For instance, "trump" tastes like sautéed mushrooms. "Doodle" tastes like macaroni. "Kentucky" tastes like fried chicken. With my logaesthesia, I am a person to whom words do more than convey semantic meanings. To you, "tale" is just a word for a story, but to me it conjures up the taste of lasagna, the pasta in lasagna with a light sauce on it. Even names can have tastes to them: Greg tastes like chocolate Easter egg, while the name Kevin tastes of ice xxxxx cone and Tiffany of lemon meringue pie.

To avoid coming in contact with these words, I don't watch television, nor do I go to the movies. I avoid coming into chatrooms as much as I can, too. Logaesthesia affects my life when it prevents me from doing certain things such as these. I also used to suffer while surfing the Internet and had to copy-and-paste a lot of posts from the Net into Notepad and use Find & Replace on them. Now I have a Greasemonkey filter that replaces the offending words.

The object triggers in logaesthesia also affect my quality of life. To avoid coming across things that make me purge, such as spiders and cobwebs around my parents' house, or plastic silverware in restaurants, or Winnie the Pooh and Spider-man garbage in stores, I have to close my eyes, or at the very least cup my hand in front of my eyes so I only see the aisles in front of me. It makes it hard for me to make my way around a store when I can't allow myself to look around, and sometimes I even bump into shelves. I can't push shopping carts or wheelchairs when we go into public places, unless we're going to someplace where everything is safe, such as See's Chocolates.

I often go into rooms alone so I have a place to purge where no one will see that I am purging. I used to purge in public, but eventually the rituals got so deep into my groin that I had to unbutton my pants and couldn't do it in public anymore. I am not prudish about other people seeing me, but I am afraid that other people might tell me my behavior is "inappropriate" or "socially unacceptable" if they see me purging, so I need to hide my purging to save my fragile soul.

Because of my condition, teachers and other adults who had convinced themselves that I was masturbating, or even who insisted it was "inappropriate" even if it wasn't really masturbating, because of society's taboo against what they called "putting your hands in your pants" (ooh, how I hated that phrase) have tried to socialize me, talked down to me, and then told me I was wrong for contradicting an adult when I defended myself. All the "socialization" I received in high school, all the being forced to do things, all the fascist comments that my behavior was "inappropriate" or "socially unacceptable", haunt me to this very day. I still think back weekly to run-ins with authoritarian teachers that happened during my school years, triggered by the logaesthesia or other, non-logaesthesia-related events, causing me to yell, bite myself, punch my skull, and punch my abdomen as if slicing open a watermelon. If I had only been given the chance to stop going to school, to live away from my parents, to move to Berkeley, I may have been able to get away from it all before too much damage was done.

It doesn't help me much either that I have never heard of another person having logaesthesia. OCD? Yes. Lexical-gustatory synaesthesia? I've met a few such people online. But the two in synergy? I've never even read of it. It attests to the extreme rarity of my condition that I was the one who had to coin a word for it. And I feel lonely. People with ADD, Asperger's, social anxiety, Alzheimer's, or conduct disorder are a dime a dozen, especially on the Internet. But me? I really know the meaning of being lonely. Even the Ehlers-Danlos "zebras" have found each other on the Net.

Let me tell you more about myself. I am writing a rock musical about Millennials, called The Bittersweet Generation, and had an alternative band called Red Cilantro during my late teens and early twenties. I have a collection of music on my iPod that includes such artists as Nirvana, Third Eye Blind, Smash Mouth, Fastball, the Beatles, Pink, Sia, The Naked and Famous, Florence + the Machine, Gotye, Enya, the Cranberries, the Sundays, Of Monsters and Men, Shaggy, KT Tunstall, Avril Lavigne, Hole, Michelle Branch, Lady Gaga, M83, Muse, Ingrid Michaelson, Bastille, Depeche Mode, the Weeknd, and Xymox, and listen to my headphones when I am out and about to avoid hearing purge words. I do my hair like Nirvana frontman Kurt Cobain, and always wear a turtleneck, khakis and sunglasses. I love trying new foods and eating old favorites such as lasagna, biscotti, sushi, Chinese food, Taco Bell, spice drops, ravioli, manicotti, rice crackers, cranberry juice, challah, suman antala, dolmas, quiche, pomegranate juice, Brussels sprouts, banh mis, enchiladas, rambutans and piroshkis. When one of my friends was diagnosed with cancer, I tried to get everyone we knew to pray for her. I like spending time with my friends, both male and female, whom I love to a degree more typical of friendships between two females than of male-male or male-female friendships.

Another abnormality I suffer is a sensation I call That Feeling. I will be in the middle of an activity, or just lying down, when all of a sudden I feel as if spiders are going to fall down from the ceiling onto me. I begin constantly looking for spiders on the ceiling, and checking my own hands for specks of dead spider that may have gotten on my hands from handling objects -- again and again. I feel as if my eyes are going to cross. It feels as if I am using 110% of my brain. I notice every object and sound around me equally, and have a hard time telling my surroundings from my own thoughts. My eyes can't make sense out of the pictures I see online. This has been happening to me since 2009. I'll call my caretaker and tell him, "I've got That Feeling again", and he'll know what I mean.

I am cismale, bisexual, Jewish, deist, a beatnik, ENFP, 4w3sx, Virgo, Californian, anarcho-syndicalist, bearded, anosmic, and childfree, with dark brown hair and hazel eyes. I was born sunny-side-up with a single umbilical artery. On Simon Baron Cohen's tests, I got an empathizing quotient of 32, a systemizing quotient of 17, and an AQ of 24.

I've participated in, and read, many debates on the voting age, the drinking age, parental authority, school dress codes, medical consent, the youth rights movement as a whole, or just the whole concept of taking kids seriously -- I've seen them on Internet fora, on the comments sections of news websites, and in the emails I've received. And every place youth rights issues have been debated online, I've seen certain very shoddy and fallacious arguments against youth rights regurgigated again and again. If you're active in the youth rights movement, or even if you just read the comments sections at the Washington Post, you've probably heard them all: "Being a minor is only temporary", "You can wait", "16-year-olds will vote like their parents", "Young people think they're immortal", "I supported youth rights when I was younger but then outgrew that position", "You'll change your mind when you're older", "The only adults who still support youth rights are pedophiles", "If 16-year-olds are deemed incapable of signing a contract, how can they be mature enough to vote?" (the de jure fallacy), "My house, my rules", "Emancipation will solve everything", "Kids aren't oppressed -- they don't have to pay bills!", "Teens were eating Tide Pods a week ago", statements beginning "Society has decided . . .", and the red herring question "Bah, what about child labor?" Many of the posts in this blog will be centered around focusing on a certain argument and refuting it.

Then there are the scientific claims, published even by respected scientists, that claims teens have immature, underdeveloped, etc. brains, which first became trendy during the nineties. In a 2007 Scientific American article titled "The Myth of the Teen Brain", psychologist Robert Epstein exposes this as junk science. As Epstein points out, the studies that examine adolescent brains, teen-age pathologies, and teen angst do not distinguish cause from effect. Teen-age ills are caused by the restrictions on youth and segregation of teens from adults that got started in the early twentieth century. Teens in preindustrial societies do not show high rates of crime, and spend most of their time with adults. They do not feel teen angst. When Western-style schooling and television are brought to these societies, the adolescent members of these now Westernized societies begin to exhibit delinquency and teen angst. The Inuit living on Victoria Island, Canada had no problem with juvenile delinquency until their community was Westernized in the eighties, and by 1988 they had established their first permanent police department now that the worms had escaped from the can. Epstein also points out that brain imaging studies show only a correlation between age and brain anatomy, not a causal relationship. While the orthodoxy in the 1970's was that the brain reached its adult state at 18, and in the 1990's the line changed to "The brain isn't fully developed until 25", research in the 2010's now reveals that a person's brain in fact continues to develop and change for her/his whole life.

It's enlightening to see the kind of junk science that was used in its own time against women's suffrage, as in this recent article in the Atlantic. Note that William P. Sedgwick, an outspoken opponent of women's suffrage who claimed voting would be bad for women's brains, was a reputable professor at the Massachusetts Institute of Technology.

But all of that will be delved into in more detail in my blog entries in the weeks, months, and years to come. I've been writing about youth rights and ageism for more than two decades, and I do believe it is high time I had a blog on it. I have a moral philosophy I call bixochromatism (which in a nutshell states that the freedom to be in control of one's own decisions is more important than making what people tell you is a "good" or "wise" decision), which I will discuss in future posts. In the meantime, you can read my essay, 10 Reasons to Support the Youth Rights Movement, at http://khemehekis.angelfire.com/10reasons.htm , or even browse the website of the National Youth Rights Association (NYRA) at https://www.youthrights.org/

In solidarity,

Savegraduation

#youth rights #ageism #medical consent #voting age #baby boomers #generation x #millennials #fifth world generation #myths about youth #logaesthesia #aaliyah #silent generation #teen crime #national spelling bee #politics #hot topics

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huahsu · 5 years

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YEAR OF THE GHOST DOG

[TL;DR version for the New Yorker -- I loved many great short songs and became obsessed with (1) a very old, much longer one (2) and YouTube comments this year.] [links to previous year’s lists at the bottom]

A while back, I found myself in an extended funk. The reasons are uninteresting and honestly a bit dumb, a mix of everyday bummers and more existential stuff, all of which manifested in a kind of 360º sluggishness. I couldn’t really figure my way out of it but I believed that I would eventually stop feeling this way.

One night, I saw that someone online was selling a copy of the Emulations “These Are the Things,” a magnificent soul ballad 7″ out of Oakland. I wasn’t exactly homesick for the Bay Area, but something about the song’s roots, as well as its overwhelming feeling of optimistic yearning, resonated with (through?) me. There’s a moment when the singer’s falsetto peaks, and the piano starts cascading, and things feel like they’re going to work out after all. The copy for sale wasn’t in great shape, and it cost $100, an extravagant amount of money to spend on a piece of music. But I convinced myself that I’d feel better at some point, weeks, months, or years later, and I’d listen to my Emulations single, and recall that weird summer/fall.

As often happened with independently produced records of the sixties and seventies, “These Are the Things” was pressed on styrene, rather than vinyl. Styrene is a kind of plastic that’s lighter, cheaper and much more fragile than vinyl, and you can tell the difference by a kind of hollow plink when you put it on a turntable. Styrene also means that it has a limited life, and that each time the needle drags across its grooves, the record degrades a little bit. Over time, styrene records that get played a lot no longer sound as crisp or clear (or so it seems). I listened to it once it arrived, feeling a bit of regret at this wild expenditure, but also imagining my future self’s gratitude. I imagined entering into communion with everyone who had played this copy before me. I decided to only listen to the song once a year, if that--after all, each time I listened to the record, the song was changing, slightly.

A few months later, I felt normal (whatever that means) again, and the record became a marker of...I’m not sure what--maybe a kind of blind, stubborn optimism. Someone years later uploaded the song onto YouTube, which means I can listen to it whenever I want. This fall, I was trying and failing to spend less time on the Internet. But I decided that, instead of going on Twitter and Facebook, I would just read comments fans left on YouTube. I became obsessed with reading all the intimate histories people shared with one another--the chance encounters, the teenage dates and breakups, the seventies shop owners who recalled the days when stocking the right hit single could cover an entire month’s rent. I was listening to the Emulations when I noticed this comment, from Deric Jackson, who was apparently one of the group’s members: “I sung this song when I was 19yrs old. It was a pleasure to record and send this messageout into the airways. I have been with the women that God had given me to marry when I was 22yrs old. I did not understand at that time I was singing about my own life and the women who I had not met, but how wonderful it is to be with my wife fo 35yrs and life is still a breath of fresh air and wonderful. I would like to say to all real men love your wife, never worship her only one to worship is God alone.“ I’m pretty agnostic about most things relating to providence. But I felt as though I had been living in these words: “I did not understand at that time...” Jackson’s song was a prophecy, maybe even a conjuring, of his own path, and I wonder what he hears when he listens to it now. Sometimes you don’t know what’s coming next. But there’s always another song, and it doesn’t always sound the same as the last time.

(LATE 2017 BUT I REALLY DOUBT ANYONE NOTICED AKA THE FRENCH “MO BAMBA”) Junior Bvndo, “T’as ça #3 (Kylian Mbappe)”

I WILL LISTEN TO ANYTHING THAT USES DISTORTION Sheck Wes, “Wanted” OR OLD SCHOOL STABS Santi feat. Shane Eagle and Amaarae, “Rapid Fire” EVEN MORE THAN THAT, I LIKE THINGS THAT SOUND MESSY AND SLOPPY BUT ARE ACTUALLY PERFECT Caleb Giles featuring Cleo Reed, “Name” WOULDN’T HAVE BEEN AS GOOD AS IF IT HAD BEEN PERFECT, THE WARPED AND SMUDGED BEAUTY IS WHAT MAKES IT BEAUTIFUL Tirzah, Devotion Niagara, Apologia SAME, BUT SLIGHTLY OFF-STEP Blood Orange, “Charcoal Baby” THE BEST GENRE OF MUSIC REMAINS “SADE” Sade, “Flower of the Universe” and “The Big Unknown” Amber Mark, “Love is Stronger Than Pride” Bon Iver and Moses Sumney, “By Your Side” Kelela, “Like a Tattoo” 808s AND HEARTBREAK AND NEAR-OCTOGENERIANS Swamp Dogg, “She’s All Mind All Mind” I WASN’T AS ENAMORED WITH A LOT OF “NEW JAZZ” BUT DID LIKE Sam Wilkes, Wilkes Sam Gendel and Sam Wilkes, Music for Saxofone & Bass Guitar …WHICH REMINDED ME A BIT OF THIS FACEMELTING REISSUE (RIYL: ALICE COLTRANE, DON CHERRY, ETC ETC) John Tchicai, With Strings SPEAKING OF TERRIFIC JAZZ-ADJACENT STUFF Dos Santos, “Manos Anjenas” THE ORIGINAL “BIG MOOD” Okonkolo, Cantos THE YEAR I REALLY REKINDLED MY LOVE OF THE CELLO Clarice Jensen, For This From That Will Be Filled Oliver Coates, “A Church” …WHICH I DEFINITELY PREFER TO VIOLIN--ESP PIZZICATO--THOUGH THIS WAS QUITE GOOD Sudan Archives, “Nont for Sale” HARPS ALWAYS SOUND GOOD Leya, The Fool Meg Baird and Mary Lattimore, Ghost Forests ALWAYS HAVE TIME FOR WOODBLOCKS AND VIBES Kate NV, для FOR AS WELL AS MIAMI BASS SIGNIFIERS (KICKSTARTER FOR CITY GIRLS TO RAP OVER DJ BATTLECAT IN 2019) City Girls, “Act Up” AND BANJO DRONE...WHY NOT Nathan Bowles, Plainly Mistaken ALBUMS THAT I LIKED IN 2018, AND THAT I SENSE I WILL LIKE EVEN MORE BY THIS TIME NEXT YEAR Ben LaMarr Gay, Downtown Castles Can Never Block the Sun Neneh Cherry, Broken Politics AN ALBUM THAT I WISH WAS TEN ALBUMS Tierra Whack, Whack World AN ALBUM I WISH WAS JUST A LITTLE BIT LONGER Pusha-T, Daytona OF THE MANY REASONS I MOURN THE DEATH OF “THE ALBUM,” ONE IS THAT I ALWAYS LIKE TO HEAR WHAT PEOPLE DO WITH THAT LAST SONG YG, “Bomptown Finest” OR HOW ALBUMS, FULL OF SIGNS, ANGLES, FLEETING MOMENTS, CIRCULATE AND RE-CIRCULATE Angelique Kidjo, Remain in Light AND HOW THEY ARE LIKE WHAT NOVELS REPRESENTED IN THE AGE OF POETRY—OPPORTUNITIES TO LIVE INSIDE COMPLEXITY, SPACE, A DEMOS U.S. Girls, In a Poem Unlimited ONE OF THE BEST ALBUMS OF THE YEAR WAS A SOUNDTRACK... Kendrick Lamar et al, Black Panther AND TEASER FOR Jay Rock, Redemption AND ANOTHER WAS JUST SOME RAP SONGS Earl Sweatshirt, Some Rap Songs WHICH ISN’T TO SAY ARTISTS DON’T STILL VALUE AND HAVE FUN WITH THE FORMAT Vince Staples, FM A TWENTY-FIVE TRACK ADVENTURE INTO VIBES Pink Siifu, ensley AND SOMETIMES TWENTY MINUTES OR SO IS ENOUGH boygenius, boygenius ONE MORE ALBUM THING – FIRST SONGS HAVE ALWAYS FELT LIKE THESIS STATEMENTS, AND STREAMING HAS ONLY APPLIED MORE PRESSURE TO THE SOOTHING, BEWITCHING, PERFECT WELCOME Mac Miller, “Come Back to Earth” MAC MILLER AND THUNDERCAT LOOK SO HAPPY HERE whole thing, but esp six minutes in, and even more so about nine minutes in THE BEST VIBES Show Dem Camp feat. Boj and Ajebutter 22, “Damiloun” Koffee, “Toast” HAPPY-GO-LUCKY B/W DEVIL-MAY-CARE Shoreline Mafia, “Nun Major” I LIKE NEF AND EPs PERFECTLY SUIT HIM Nef the Pharaoh and 03 Greedo, Porter 2 Grape

RAPPING AS FAST AS YOU CAN OVER FREESTYLE/HI-NRG WILL NEVER SOUND BAD TO ME… SOB X RBE, “Paid in Full” SOB X RBE, “Carpoolin’” …ALTHOUGH THEY ALSO SOUND SICK OVER FAKE GHOST DOG BEATS, TOO, THIS WAS ONE OF MY SONGS OF THE YEAR SOB X RBE, “Paramedic!” SAME WITH MEDHANE Medhane, “The Garden” TRIPPIE REDD PUTS OUT A LOT OF MUSIC FILLED WITH TRANSCENDENT MOMENTS, BUT RARELY MAKES TRANSCENDENT SONGS, AND IT PAINS ME A BIT THAT MY FAVORITE SONG OF HIS THIS YEAR WAS Diplo featuring Trippie Redd, “Wish” TRIPPY-ASS DOO-WOP Cuco, “Sunnyside” A STRONG HARMONY IS A VISION OF WHAT LIFE COULD BE Ben Pirani, “How Do I Talk to My Brother?” WHERE WERE U IN 94 Young Echo, Young Echo SWEAR I'VE NEVER HEARD MUSIC THIS “GREY” ManOnMars, ManOnMars IF YOU ARE GOING TO MAKE A FAKE D’ANGELO SONG, IT SHOULD BE THIS GOOD Patrick Paige III, “Voodoo” LIKED THIS, BUT IT’S ALSO POSSIBLE TO BE A BIT TOO FAITHFUL TO THE PAST Teyana Taylor, “Hold On” NOT QUITE FAYE WONG DOING THE CRANBERRIES (RIP DOLORES O’RIORDAN) BUT STILL MEMORABLE Katherine Ho, “Yellow” LIKE THE BEST PARTS OF FEELS-ERA ANIMAL COLLECTIVE, BUT TAIWANESE Prairie WWWW

NEVER THOUGHT TO VISIT THE LOUVRE UNTIL The Carters, “Apeshit” video BROWN EXCELLENCE Humeysha, Departures "BROWN BEATS” FOREVER RIP Cameron Paul

MY FAVORITE DISCOVERY OF THE YEAR Pharoah Sanders playing “Kazuko” in a tunnel near the Marin Headlands LIKE NONE OF ITS INFLUENCES (FOOTWORK, AMBIENT), LIKE NOTHING ELSE OUT THERE, REALLY Foodman, Aru Otoko No Densetsu DARESAY SKI MASK WOULD NOT HAVE BEEN BOOED OUT OF THE CIPHER Ski Mask the Slump God, Beware the Book of Eli THE MOST FAMOUS PERSON I’VE SEEN ON THE BIG SCREEN AT THE PAST THREE YEARS’ NETS GAMES IS Young M.A., “PettyWap” DEMOS FROM A GROUP I HAVE ALWAYS ADORED, BEFORE THEY FOUND THE SOUND THAT I ADORE The Nonce, 1990 EXTREMELY GOOD AND LARGELY OVERLOOKED REISSUE Suzanne Menzel, Goodbyes and Beginnings FOUR TET IS GOING THROUGH HIS LIVE ARCHIVES, AND IT’S A TREAT TO STUDY HIS ARC/EVOLUTION Live at Hultsfred Festival, 18th June 2004 Live at LPR New York, 17th February 2010 Live in Tokyo, 1st December 2013 Live at Funkhaus Berlin, 10th May 2018 STRANGE TO LIVE IN A MOMENT WHERE BEING WEIRD SEEMS A BIT DERIVATIVE. STILL, THIS IS BLISSFUL SahBabii, “Anime World” HAPPY FACE Smino, “Klink” SAD FACE Drake, “In My Feelings” (especially this version) “JIM FROM THE OFFICE” FACE Pusha-T, “The Story of Adidon” STOLE YOUR FACE Sophie, “Faceshopping” FACE/OFF YG and Mozzy, “Too Brazy” Sammy Bananas feat Antony and Cleopatra, “Slow Down” Kode 9 and Burial, Fabriclive 100 GASSED FACE E-40 and B-Legit, “Whooped" ABSOLUTELY FACEMELTING Todd Barton and Ursula K. Le Guin, Music and Poetry of the Kesh VACATION AWAY MESSAGE SiR, “D’Evils” Bad Bunny x PJ Sin Suela x Nejo, “Cual Es Tu Plan” BEST OPENING DISCLAIMER TO A VIDEO 808INK, “Come Down” “TAGS: LATIN CHORAL CUMBIA GOTH LOS ANGELES” San Cha, “Cosmic Ways”

BEST USE OF “OOCHIE WALLY,” STILL ONE OF MY FAVORITE BEATS EVER Stefflon Don, “Oochie Wally freestyle” BEST USE OF “SUPERTHUG” Rico Nasty, “Countin’ Up” EVERYTHING ABOUT THIS--THE HEADBANG MINIMALISM, THE LAS VEGAS WALGREENS--BUT ESPECIALLY THE LINE ABOUT WELLS FARGO Rico Nasty, “Trust Issues” “ORGASM ADDICT” (RIP PETE SHELLEY) Victor Oladipo, “One Day” “I JUST TOOK A FLIGHT TO FRANCE TO COP CARDIGANS” Black Thought and Styles P, “Making a Murderer” “AT THE EMIRATES I MILLY ROCK” Manzo and Malachi Amour, “Lingard” DOPE TUNE, AND UNEXPECTED KELLYANNE CONWAY REFERENCE JPEGMAFIA, “1539 N. Calvert” YEAH YEAH YEAH (RIP MARK E SMITH) Travis Scott and Drake, “Sicko Mode” R-E-S-P-E-C-T (RIP ARETHA FRANKLIN) Rosalia, El Mal Querer REEL DEAL, “DRIPPIN’ DOPE (SAXAPELLA)” (1989) Gunna, “Top Off” WAMP WAMP (WHAT IT DO) B/W WAIT (THE WHISPER SONG) Vallee feat. Jeremih, “Womp Womp” SAD REGGAETON IS NOT BAD Bad Bunny, “Solo De Mi” SOUNDS GOOD TO ME, 2002-PRESENT Temani, “Power” Westerman, “Confirmation” REAL LIES, POET LAUREATS OF “YOUNG PEOPLE THINKING ABOUT BEING OLD” Tom Demac and Real Lies, “White Flowers” A SONG DESIGNED TO SOUND LIKE IT CAME OUT THIRTY YEARS AGO, WHICH ALSO FEELS LIKE IT CAME OUT A MILLION YEARS AGO (IT WAS JUST JANUARY) Bruno Mars feat. Cardi B, “Finesse (remix)” TAY-K WAS JUST A YEAR AGO Comethazine, “Highriser” FAVORITE 2 BRIDGES MUSIC ARTS “MIGHT AS WELL” RANDOM PURCHASE OF THE YEAR Kizaki Ondo Preservation Society and Clark Naito, 木崎音頭 Kizaki Ondo FEELS LIKE IT CAME OUT TEN YEARS AGO (IT WAS JUST JAN/FEB) BUT I NEVER GREW TIRED OF IT Rich the Kid, “Plug Walk” ODDLY REASSURING THAT PEOPLE STILL JANGLE Massage, “Oh Boy” Earth Dad, “Walter” ...AND DISCOVER WORLDS FROM WITHIN THEIR BEDROOMS Soccer Mommy, Clean ...AND EXPLORE THE CONTOURS OF GROWLING AND NAGGING Sada Baby and Drego, “Bloxk Party” ...AND CAN USE THE PAST TO MAKE SOMETHING SO VISIONARY AND FORWARD-THINKING Virginia Wing, Ecstatic Arrow Mitski, Be A Cowboy ...AND LOOKING FOR FOURTH WORLDS Arp, Zebra ...AND MAKE IMPOSSIBLE RHYTHMS Heavee, WFM ...AND THAT ARTISTS I HAD NEVER HEARD OF, WORKING IN IDIOMS I HAD NEVER HEARD OF, MIGHT STILL BLOW MY MIND Odunsi (the Engine), rare. JUNGLE LIVES X-Altera, “Blowing Up the Workshop” mix TOP THREE TIMES I SAW STANDING ON THE CORNER THIS YEAR 3 - The Merciful Allah Black Hole Theatre 2 - The Time it All Ended with Fireworks on Grand St. 1 - An Empty Storefront During a Blizzard

{HONORABLE MENTIONS -The Time They Brought a Monolith -THEME DE YE-YO [Respect to the Gods]} SONG OF THE SPRING, SUMMER, WINTER, YEAR, STILL UNDEFEATED ### A CHURCH AND JOHN LENNON’S “IMAGINE” :: 2017 SIKH DEVOTIONAL MUSIC :: 2016 SPOOKY BLACK :: 2015

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miki-agrawal · 3 years

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From Carole Baskin to Leslie Jordan, the Unlikely Stars of the Quarantine

A look at the people and products who captured our imaginations (and, in some cases, our hearts) during a strange moment in history

Originally Posted On lamag.com By Paul Schrodt On May 17, 2020

It’s hard to think of the COVID-19 pandemic and its impact as anything other than a series of downturns: in global health, the economy, our cultural lifeblood, and moods. But as in any crisis, there are positives deserving praise. Dr. Anthony Fauci, unknown to many of us months ago, now has his own bobblehead—and deservedly so. But other experts and personalities—some with direct ties to the novel coronavirus, others who are delightful distractions—have captured our collective imagination. Here are 20.

Carole Baskin

Netflix’s zeitgeist-defining docuseries Tiger King is teeming with wilder-than-the-last characters, but one rises above the rest. Baskin—the 58-year-old former big-cat breeder turned conservationist and archrival/attempted murder victim of central subject Joe Exotic—sports an enviable feline-inspired wardrobe; coos her memed-around-the-world tagline, “Hey all you cool cats and kittens”; and prefers not to answer questions about her mysteriously missing ex-husband. A morally ambiguous figure for our uncertain times, she’s also sure to be one of Halloween’s most popular costumes—so stock up now on the fiercest tiger prints you can find.

Dua Lipa

The British singer, 24, didn’t want to release her second album, Future Nostalgia, into a pandemic—she announced its arrival with tears on social media. But its neo-disco bangers are exactly what a lockdown dance party demands, and the release is her first Top 10 LP in the U.S. She’s liberated the masses to move while (fabulously) self-quarantining with her model-celebrity-spawn boyfriend Anwar Hadid. But how hard is that?

https://www.instagram.com/p/CAayNagnmHF/

Ryan Heffington

Heffington, 46, had already been motivating Angelenos to hone their hip shaking  at his Silver Lake dance studio, the Sweat Spot, but the Grammy-nominated choreographer has turned his Joshua Tree house into a makeshift gym space. For his five-day-a-week Sweatfest cardio class on Instagram Live, he coaches around 8,000 viewers at a time through unique moves. Fans are known to end sessions with a cathartic cry.

D-Nice

Born Derrick Jones,  D-Nice had a moment as a hip-hop  artist in the ’90s that  quickly faded. But  the 49-year-old DJ  reached newfound fame streaming his live Club Quarantine sets from his downtown L.A. apartment, drawing hundreds of thousands of stay-at-home revelers, including Rihanna, Oprah Winfrey, Bernie Sanders, Joe Biden, and Michelle Obama. The funk-and-soul-heavy playlists are more than a sonic escape—they’re an act of communal transcendence against all odds.

Zack Fox

A previously undersung L.A. comedian and internet provocateur, Fox, 29, racked up more than 300,000 views with a stone-faced parody—which made perfect use of Three 6 Mafia’s “Slob on My Knob”—of Gal Gadot’s viral-for-all-the-wrong-reasons “Imagine” sing-along.

https://www.instagram.com/p/B98XjQ7AK9X/

Juan Delcan and  Valentina Izaguirre 

The local artist couple, based in View Park-Windsor Hills, illuminated the power of social distancing with their “Safety Match” viral video, in which animated matches light up in a row until one of them steps out of the way. Viewed roughly a million times, the contemporary art piece achieved what no government PSA could.

Alison Roman

The New York Times cooking writer (and native Angeleno), 34, had already achieved food-world stardom with two best-selling books before lockdown. Under quarantine, Roman’s simple yet flavor-packed recipes for dishes like caramelized shallot pasta—and her unfussy-but-particular Brooklyn boho banter—have become required reading and eating. Roman went from darling to pariah in May when controversial comments she made about Chrissy Teigen and Marie Kondo went viral. If only shallots made you immune to Twitter backlash.

Ina Garten

More than 3 million people on Instagram watched the tranquil Barefoot Contessa, 72, demonstrate how she keeps her “favorite tradition,” the cocktail hour, alive under desperate conditions. The Food Network star has been a rightfully beloved figure for nearly two decades, but her mixing a gigantic cosmo was a hilariously refreshing reminder of what a true treasure she is.

https://www.instagram.com/p/B-cJUwUpxbM/

L.A. tap water

You’re not good, we never loved you, and yet without gallons of overpriced filtered alkaline H2O, we’re suddenly overjoyed to guzzle you.

Bidet attachments

After hoarders cleared out the toilet paper aisles, the makers of bidet products began cleaning up with their water-jet-shooting self-cleaning devices. The brand Brondell saw a 300 percent spike in sales, while the cleverly marketed Tushy sold out entirely. The future may be wipe free.

Zoom

The video-conferencing platform—which has raised security concerns and provides the same service as FaceTime, Google Hangouts, and Facebook Messenger—has become a key part of life under quarantine. Zoom stock has jumped more than 100 percent since January.

https://www.instagram.com/p/CAAihoslm_O/

The brothers Cuomo

New York Governor Andrew Cuomo, 62, has been lionized for leading his state through the darkness. But his cute younger brother, 49-year-old CNN anchor Chris, stole plenty of shine when he  tested positive for  COVID-19 and  without missing a  beat continued hosting  his show in self-isolation from his basement. Despite regular potshots from  right-wing critics, the younger Cuomo managed to come off  as more sincere and urgent than ever. One NYC matchmaker says the duo are topping her “most wanted” list, beating out even the Jonas brothers.

Reply All’s “The Case of the Missing Hit” 

Podcast Reply All delivered a blockbuster with a mind-bending search for a song—which might not exist—that a man says got stuck in his head in the ’90s. A reflection of the unanswered questions inundating our lives, except with far lower stakes, the March episode has sparked a 35 percent increase in the show’s listenership.

Trolls World Tour

Universal’s Trolls sequel, with a bizarre rock-versus-pop premise and a message about cultural appropriation that will likely go over the heads of its intended audience (and perhaps that of star Justin Timberlake), set a record for the biggest debut for a digital release, topping every relevant platform during its opening weekend in April. The $20 two-day rental price seemed steep to some, but to parents with stir-crazy kids it was a bargain.

The Womanizer vibrator

With Tinder hookups on hold, we’re turning inward—and reaching for sex toys. This cheekily marketed device has seen  a 152 percent year-over-year rise in U.S. sales thanks to quarantine orders. Its resonant new slogan for those hungry for pleasure: Stay home.

https://www.instagram.com/p/CAp1cWNpQz6/

Sourdough bread 

It’s a cliche at  this point, but  making it ourselves is truly com forting, if not always Tartine level. No wonder more than 100,000 posts have been tagged with #crumbshot on Instagram.

The new class of badass reporters

Journalism is never more important than during a national emergency or the mass dissemination of misinformation. We happen to be living through both. A young crop of reporters in the White House briefing room—including Weijia Jiang of CBS, Kaitlan Collins and Jeremy Diamond of CNN, Yamiche Alcindor of PBS, and Kristin Fisher of Fox News—has resisted President Trump’s theatrical boasting and mugging, pressing for straightforward information and fact-checking on the spot.

Leslie Jordan

The 64-year-old veteran actor from Will  & Grace and American Horror Story has amassed more than 3 million Instagram followers since March as a result of absurdist check-in videos in which he appears to be either very bored or very stoned. Pointing to his DIY painted toenails, he shares: “I messed this one up.” Relatable.

https://www.instagram.com/p/CAtA9Nfhat7/

My Year of Rest  and Relaxation 

Ottessa Moshfegh’s  2018 best-selling novel, about a beautiful, lazy, pill-popping  young woman who attempts a yearlong  hibernation in a Manhattan apartment, had  been celebrated at the time of its publication for its dark humor. Now its wit is hailed as beautifully horrific, as evidenced by the literary critics who are circling back to it. Vice declared of the book in one recent headline: “Blacking Out in a Juicy Couture Tracksuit Is a Lockdown Mood.”

The smart bike

Already a cult obsession, Peloton’s $2,245 souped-up stationary bike has never been more covetable as gyms lie dormant. The company’s stock bounced 50 percent in March, leaving an offensive Christmas-ad debacle in the dust. Cheaper competitors are also racing ahead. Echelon, whose bikes start at $839, reported a tenfold increase in sales the same month.

Tushy is a bidet startup which aims to replace toilet paper, Tushy was founded by Miki Agrawal.

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madhansband · 3 years

Video

youtube

Madhan’s Band - Song of the Week from the previous show.

YouTube Link: https://youtu.be/e6NoEc41hds

Thanking you for giving us the opportunity to perform at the event NYTS Presents GOLDEN JUBLIEE CELEBRATIONS - Journey of Memories organised by New York Tamil Sangam, USA on 08th Nov 2020

Credits: Band: Bass: Madhan – Band Head Keyboard: Delip Keyboard: Bhuvanesh Drums: Guberan Octopad: Dinesh Tabla: Martin Flute & Sax : Kumar Technical – Sound, Light & Video SHOW HEAD: JEROME DEEPAK JOHN SHOW RUNNER: MR. VASANTH SHOW COORDINATOR; MR. VENUGOPAL STUDIO, SOUND & LIGHT: PICTURE PRODUCTION (MR. ALFREAD SELVARAJ) STUDIO SOUND ENGINEER: MR. RAJU MIX & MASTERING: SURESH STUDIO SOUND ENGINEER ASST: THIRUMAL & BASKAR STUDIO LIGHT ENGINEER: MR.. RAYMOND STUDIO LIGHT ENGINEER ASST: VINAY KUMAR, SANTHAN RAj & VEDHACHALAM STUDIO VIDEO ENGINEER: MR. ASHWATTHAMA VIDEO EDITOR & POST PRODUCTION: MJ DIGITAL (MOHAMED JAHANGIR) DOP: Mr. VASANTH DOP ASSISTANCE: SRIDHAR CAMERA CREW: MUTHU, BALA & EDISON ONLINE EDITOR: Mr. VENKAT ONLINE EDITOR ASST: SELVAM GRAPHICS: PIXELART COLOURS: KANNAN STREAMING: PIXELART COLOURS: MOSES & ANAND MASTER OF CEREMONY: B H ABDUL HAMEED SINGERS; MUKESH, MURUGAN, NARAYANAN, SURMUKHI, PRIYANKA & VARSHA MUSICIAN: DELIP, BHUVANESH, KUMAR, GUBERAN, DINESH & MARTIN STANDUP COMEDY: MULLAI KODHANDAM & NAGAICHUVAI KAVINGAR MOHANASUNDARAM FOOD DEPARTMENT: CHINNARAJ MESS ______________________________ #Priya #SPMuthuraman #PanchuArunachalam #Sujatha #Rajinikanth #Sridevi #Ambarish #MajorSundarrajan #ThangaiSrinivasan #Aznahhamid #Ilaiyaraaja #isaignani #Babu #RVittal #SPTFilms #singapore #TamilMovie #KNatraj #KJYesudas #SJanaki #TamilSongs #TamilMovieSongs #musicianlife #Kollywoodsong #loveSong #tamilcinima #tamilbgm #tamilmusical #insta_isai_mazhai #cinematography #cinematographer #filming #filmmaking #director #film #Cinema #productioncompany #filmmaker #filmmaking #movies #cinematic #cinematographylife #art #actor #actorslife #theatre #actors #acting #actresslife #tamilactor #tamilmovie #tamilactress #tamilcinema #tamilsong #tamilmusic #tamillyrics #actress #behindthescenes #video #love #filmproduction #filmproducer #videoproduction #videoediting #videoedits #videoedit #productionHouse #actresses #beautiful #blockbusterHitsong #pregig #songs #trendingsongs #artsupplies #distributor #staypositivealways #spreadloveandpositivity #spreadingpositivity #70s #80s #90s #singer #singers #singing #sundayfunday #Sunday #sundayvibes #positivityandjoy #abdulhameedbh # #rmadhanpraksh #guberan #martin #bhuvanesh #akkarsh #delip #srinidhi #BambaBakiya #varsha #santhosenarayanan #mukesh #Mano #drMano #KalaimamaniMano #madhansband #mjdigital #tilagamaudio #Marshal #soundEngnieer #PictureProduction #OnlineEditorVenkat #DOPVasanth #PixeLart #padmabhushan #kalaimamani #padmavibhushan ______________________________ Get in touch with Madhan’s Band Website: http://www.madhansband.com/ MOBILE: +91 97867 66666 / +91 98401 53443 EMAIL: [email protected] / [email protected] Social Links: Facebook: https://www.facebook.com/MadhansBandMusic/ Instagram: https://www.instagram.com/Madhansband/ Youtube: https://www.youtube.com/c/MadhansBand Twitter: https://www.twitter.com/MadhansBand Linkedin: https://www.linkedin.com/company/MadhansBand/ Original Song Credits: Movie – Priya – 22nd December 1978 Singer – Padma Vibhushan Dr. K j Yesudas & Kalaimamani S Janaki Music Director – Padma Vibhushan Ilaiyaraaja Lyrics – Panchu Arunachalam Producer – S P Muthuraman Cast – Padma Bhushan Rajinikanth Padma Shri sri Devi Ambarish Major Sundarrajan Thengai Srinivasan Aznah Hamid K Natraj Year – 22 December 1978 ______________________________ Like, Share & Subscribe to our videos and Channel. ______________________________

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singerdrb · 5 years

Link

Visit my website - www.singerdrb.com

#disco party #dance #music #fun #reaggemusic #Las Vegas #vienna #facebook singer dr b #Spotify

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donqhox-blog · 6 years

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JYJ

⠀⠀⠀⠀⠀⠀

JYJ (Junsu, Yoochun, Jaejoong), is a 3-membered boygroup under C-JeS Entertainment. They are all former members of boygroup TVXQ!, and debuted as JYJ in April 2010.

Music video(s): Ayyy Girl (feat Kanye West & Malik Yusef), In Heaven, Get Out, Only One, Back Seat.

Social media: YouTube, Facebook.

JAEJOONG — 재중

Name: Kim Jaejoong — 김재중.

Birth name: Han Jaejoon — 한재준.

Former stagename: Hero.

Real birth date: February 4, 1986.

Registered birth date: January 26, 1986.

Birth place: Gongju, Chungcheong Province, South Korea.

Nationality: South Korean.

Blood type: O.

Height: 180 cm — 5′11″.

Weight: 63 kg — 139 lbs.

Sibling(s): Eight older sisters in his adoptive family — Kim Jinhee, Kim Seonhee, Kim Mikyeon, Kim Sookjin, Kim Yooseon, Kim Minkyeong, Kim Ahyoung & Kim Sooyoung. One biological older sister, three biological younger half-brothers, one biological younger half-sister — Yoojung.

Position: Vocal, visual.

Social media: Instagram, Twitter.

Language(s): Korean, Japanese.

Instrument(s): Piano.

Collaborations: Don’t Walk Away (with Yong Junhyung), Sunny Day (with NOEL’s Lee Sanggon), Luvholic (with Ha Dongkyun), Kiss B (with Flowsick), Only Love (with Flowsick).

Soundtrack appearances: Greetings, Love, To You It’s Goodbye To Me It’s Waiting, I’ll Protect You, Living Like A Dream, Stay, But I, Coincidence.

Movie appearances: “Taegeukgi” (2004), “Heaven’s Postman” (2009), “Jackal Is Coming” (2012).

Drama appearances: “Sunao Ni Narenakute” (2010), “Protect The Boss” (2011), “Dr. Jin” (2012), “Triangle” (2014), “SPY” (2015), “Manhole” (2017).

Awards: 14th Nikkan Sports Drama Grand Prix; Best Supporting Actor for Spring Season, SBS Drama Awards 2011; New Star Award, MBC Drama Awards 2012; Best New Actor, 7th Korea Drama Awards; Top Excellence Award, Actor, MBC Drama Awards 2014; Best Actor in a Special Project Drama, Seoul International Drama Awards; Best Hallyu Drama OST Award, 2017 Yin Yue Tai V-Chart Awards; Best Mael Artist, 2nd Annual SM Best Competition; Best Appearance, Shorty Awards; Best Celebrity on Twitter.

YOOCHUN — 유천

Birth name: Park Yoochun — 박유천.

Former stagename: Micky.

Birth date: June 4, 1986.

Birth place: Seoul, South Korea.

Nationality: South Korean.

Blood type: O.

Height: 180 cm — 5′11″.

Weight: 60 kg — 132 lbs.

Sibling(s): One younger brother — Park Yoohwan; actor.

Position: Rap, vocal.

Language(s): Korean, English, Japanese.

Instrument(s): Piano.

Ideal type: Someone his parents approve of.

Collaborations: Tokyo Lovelight (with DJ Makai), 놀러가자 (with Gummy).

Drama appearances: “Rainbow Romance” (2005), “Banjun Theater” (2005), “Vacation” (2006), “Beautiful Love” (2010), “Sungkyunkwan Scandal” (2010), “Miss Ripley” (2011), “Rooftop Prince” (2012), “Missing You” (2012), “Three Days” (2014), “A Girl Who Sees Smells” (2015).

Movie appearances: “Dating On Earth” (2005), “Haemoo” (2014), “Lucid Dream” (2017).

Awards: American Singing Competition (Virginia); Best Artist of the Competition, KBN Teens Singing Competition; Special Award, KBS Drama Awards; Best New Actor, Netizen Award & Best Couple Award (with Park Minyoung), 47th Baeksang Arts Awards; Best New Actor (TV) & Most Popular Actor (TV), 6th Seoul International Drama Awards; People’s Choice Award (Korea) & Outstanding Korean Actor, MBC Drama Awards; Most Popular Actor (TV), 48th Baeksang Arts Awards; Most Popular Actor (TV), K-Star News Awards; Best Idol Actor, 7th Seoul International Drama Awards; People’s Choice Award (Korea) & Outstanding Korean Actor, SBS Drama Awards, Excellence Award Actor in a Drama Special, Netizen Popularity Award, Top 10 Stars & Best Couple Award (with Han Jimin), MBC Drama Awards; Excellence Award Actor in a Miniseries, 49th Baeksang Arts Awards; Most Popular Actor (TV), 34th Korean Assciation of Film Critics Awards; Best New Actor, 51st Grand Bell Awards; Best New Actor, 15th Busan Film Critics Awards; Best New Actor, 4th SACF Beautiful Artists Awards; Best New Actor, Star Night Showbiz Awards; Popular Star Award, 35th Blue Dragon Film Awards; Best New Actor, SBS Drama Awards; Top Excellence Award Actor in a Miniseries & Top 10 Stars, 6th Korea Film Reporters Association (KOFRA) Film Awards; Best New Actor, 10th Max Movie Awards; Best New Actor, 51st Baeksang Arts Awards; Best New Actor (Film), SBS Drama Awards; Top Excellence Award Actor in a Miniseries & Top 10 Stars.

Moved to Fairfax, Virginia, United States in 6th grade.

JUNSU — 준수

Birth name: Kim Junsu — 김준수.

Also known as: Xia.

Real birth date: December 15, 1986.

Registered birth date: January 1, 1987.

Birth place: Gyeonggi Province, South Korea.

Nationality: South Korean.

Blood type: B.

Height: 178 cm — 5′10″.

Weight: 63 kg— 139 lbs.

Sibling(s): One older twin-brother — Kim Mooyoung; singer JUNO/ZUNO.

Position: Vocal, dance.

Social media: Twitter.

Language(s): Korean, Japanese.

Education: Neunggok Elementary School, Neunggok Middle School, Hwasu High School, Hanam High School, Myongji University major Film and Musical.

Instrument(s): Piano.

Ideal type: Someone with a warm heart and a hot body.

Collaborations: Tarantallegra (with Flowsik), Set Me Free (with Bizzy), Breath (with Double K), Lullaby (with Dynamic Duo), Incredible (with Quincy Combs), I’m Confessing Now (with Gilmi), Turn It Up (with Dok2), Rock The World (with The Quiett & Automatic), Sweet Melody (with Ben), Fun Drive (with Crucial Star), XITIZEN (with Paloalto), In The Name Of Love (with Gummy), OeO (with Giriboy), Midnight Show (with Cheetah), Silk Road (with BewhY), Flower (with Tablo), X Song (with Dok2), Out Of Control (with YDG), Timeless (with Zhang Liyin).

Musical appearances: “Mozart!” (2010-2011), “Tears of Heaven” (2011), “Elisabeth” (2012-2013), “December” (2013), “Dracula” (2014-2016), “Death Note” (2015-2017), “Dorian Gray” (2016).

OST’s: Beautiful Love, The Whereabouts of Sadness, Too Love, You Are So Beautiful, Love Is Like Snowflakes, I Don’t Like Love, Foolish Heart, I Love You, In The Time That I Love You, The Time of You Has Passed, How Can I Love You?, Lean On Me, Road.

Awards: 4th The Musical Awards; Best New Actor & Most Popular Actor, 16th Korea Musical Awards; Best New Actor & Most Popular Actor, 2010 Golden Ticket Awards; Ticker Power Award - Musical Actor, 5th The Musical Awards; Most Popular Actor, 17th Korea Musical Awards; Most Popular Actor, 3rd Asia Jewelry Awards; World K-POP Superstar Award, 6th The Musical Awards; Most Popular Actor, 18th Korea Musical Awards; Best Actor & Most Popular Actor, 2012 Golden Ticket Awards; Ticket Power Award - Musical Actor, Ticket Power Award - Local Concert Musician & Popularity Award, 2012 SFCC Awards; Raising Awareness of Korea Overseas - Singer, 1st Yin Yue Tai V-Chart Awards; Best Korean Male Artist, 19th Korean Musical Awards: Most Popular Star, 2013 Golden Ticket Awards; Popularity Award.

His mother’s name is Yoon Youngmi, and she was a Miss Korea contestant.

His ex-girlfriend is EXID’s Hani.

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merchantcolony · 4 years

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Dr Tj throws open The You Found Me Challenge for singers and Musicians | @officialdrtj Prizes 1.First Prize -Musicians (Band) – 70k Singer- 50k + Free Single recording + Promotion+Free Digital Stores Upload 2.Second Prize -40k 3.Third prize -20k The challenge is a call to action if you are gifted and has all it takes and of course there is a prize to be won. Please note, The competition is free for all. No payments is required. Simply follow the guidelines provided below to participate. You can join as an individual or a group How to Participate 1. Download ‘You Found Me’ from link on bio a) Do a cover for the song and be extremely creative. Your cover should be extremely exceptional b) Follow @officialdrtj on IG, twitter/Facebook c) Post your video on instagram, tag @officialdrtj, ask your friends to like the reposted video on @officialdrtj’s page. d) Use hashtag #YouFoundMe e) Video with highest likes, skills, and presentation will win Note In-house Judges may use their discretion where necessary. Challenge is open from August 15th to September 14th 2020. (at Lagos, Nigeria) https://www.instagram.com/p/CDuNjMKnKlD/?igshid=ocvpa6xrydt9

#youfoundme

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fameinhistory · 4 years

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Tiwa Savage

Tiwa Savage biography Tiwa Savage, is a Nigerian singer, songwriter and actress. Born in Isale Eko, she relocated to London at the age of 11 for her secondary education. Background information Full Name: Tiwatope Savage Born: 5 February, 1980 Birth place: Isale Eko, Lagos State, Nigeria Alma mater: University of Kent, Berklee College of Music Famous as: Singer, songwriter, actress Spouse(s): Tunji Balogun (m. 2013) Children: 1 Musical career Genres: Afrobeats, R&B, pop, hip hop, soul Instruments: Vocals Years active: 1996–present Labels: 323, Universal Motown Capital Island

Early childhood and educational career Tiwatope Savage was born on 5 February 1980, in Isale Eko, Lagos State, Nigeria. Her family relocated to London when she was 11 years old. While attending secondary school, she was a trombone player for her school's orchestra band. Savage graduated with a degree in accounting from the University of Kent, and started working at The Royal Bank of Scotland. She did backup vocals for English singer George Michael at the age of 16, and lent vocals to other musicians such as Mary J. Blige, Chaka Khan, Blu Cantrell, Emma Bunton, Kelly Clarkson, Andrea Bocelli and Ms. Dynamite. Savage enrolled at Berklee College of Music and graduated with a degree in professional music in 2007. While reminiscing about her experiences there, she said she was motivated by the drive and passion of the younger students. She also said she needed the school's atmosphere.

Music career and accolades In 2006, Savage participated in the UK edition of The X Factor and advanced to the final 24, but ended up being the 12th person to be evicted. While participating, she had difficulty dealing with the limelight. She said, "You have to always realize that people are watching. When I got the bad news that I wasn't getting through it was a really painful time. But you still have to learn how to hold that until you get home. Because you don't want to just let everything out. People admire you and want to see that you're strong; they don't want to see you breaking down." In 2009, Savage signed a publishing deal with Sony/ATV Music Publishing. The deal allowed her to write for Babyface, Kat Deluna, Fantasia, Monica and Mýa. She has received songwriting credits for her contribution to Monica's soul-tinged ballad "Catch Me". Her collaboration with Fantasia on the song "Collard Greens & Cornbread" earned the American recording artist a Grammy nomination in 2010. Savage wrote Jaicko's "Oh Yeah", featuring Snoop Dogg, and Deluna's "Push Push", featuring Akon. She performed background vocals on Whitney Houston's album I Look to You (2009). Inspired by the growth of the Nigerian music industry, Savage moved back to Nigeria and signed with Mavin Records in 2012.

Once Upon a Time, record deal and endorsement This album is straight from my heart and it's something that I've worked so tirelessly for. A lot of people wondered why it took me so long a time to drop my own album. That's because we had to go through a lot of legal processes to clear some of the samples that we used, and that took us some months. Also, we wanted to work with notable producers outside the shores of the country like Oak who produces Rihanna. So, we had to work around his schedule and waited for them to have our time. But this album is something that I really took my time with because I didn't want it to be the usual Nigerian album that contains just party tracks from the beginning till the end. -Tiwa Savage, speaking to Vanguard about her debut studio album In December 2011, Savage co-hosted the second season of Nigerian Idol alongside IllRymz. She made her film debut with Joke Silva and Ireti Doyle in the stage adaptation of For Coloured Girls. Savage established the 323 Entertainment record label with her former manager and husband Tunji "Tee Billz" Balogun, to whom she got engaged on 5 February 2013. She joined Mavin Records in 2012 and was one of the lead acts on the label's compilation album Solar Plexus (2012). While attending Berklee College of Music, she networked with musicians Keith Harris, Derek Pate, Scott Coleman, Radar Ellis, and Darien Dorsey. In an interview with journalist Brenda Pike, she said she collaborated with producers Chuck Harmony, Warren "Oak" Felder, and Sossick, among others. She said her debut studio album would include songs in her native tongue. Tiwa Savage was featured on the remix of "Oyi" in 2012. Prior to collaborating with Flavour, she recorded her own version of the song. In celebration of the 52nd anniversary of Nigeria's independence, Savage performed her rendition of "Arise, O Compatriots" for Ndani Sessions. In November 2012, she collaborated with Waje, Praiz, Timi Dakolo and Pamela Egoh on the Ovation Red Carol theme song "Higher". Savage started recording her debut studio album Once Upon a Time in 2010. She held an album listening party at the Wheatbaker Hotel in Ikoyi in May 2013. During the listening party, she revealed the entire track list of the album and announced Iceberg Slim, Sarkodie and General Pype as featured acts. The album was released to the Nigerian public on 3 July 2013. It was released on iTunes a day before its official release. Savage named the album Once Upon a Time in order to portray the positive stories about her life. She said she wanted to motivate other upcoming artists by telling them that, once upon a time, she was a little girl in Isale Eko who dreamt of being a star. The album was supported by seven singles—"Kele Kele Love", "Love Me (3x)", "Without My Heart", "Ife Wa Gbona", "Folarin", "Olorun Mi" and "Eminado". It also includes political songs like "Middle Passage", which is about the struggles of African men in a foreign country. Once Upon a Time was nominated for Best Album of the Year at the 2014 Nigeria Entertainment Awards. It was also nominated for Best R&B/Pop Album at The Headies 2014.

Philanthropy work and endorsement deal Tiwa Savage has been involved in many youth empowerment and breast cancer screening projects across Nigeria. She helped raise money for an organisation that builds schools in her hometown. Savage signed an endorsement deal with MTN Nigeria in July 2013, reportedly worth ₦30 million. She also signed endorsement deals with Pepsi, Forte Oil and Maggi.

R.E.D and Roc Nation deal On 31 January 2014, Savage released the Spellz-produced "Love in Yellow" in celebration of Valentine's Day. The song has elements of retro R&B and funk. Savage was featured on Reekado Banks's 2014 single "Turn It Up", which was produced by Don Jazzy. On 1 May 2014, Mavin Records released the Don Jazzy-produced "Dorobucci", featuring vocals from Savage, Don Jazzy, Dr SID, D'Prince, Reekado Banks, Korede Bello and Di'Ja. On 19 May 2014, Foston Musik premiered the Savage-assisted remix of Patoranking's "Girlie O". The song was produced by WizzyPro. The music video for the song was shot and directed in London by Moe Musa. On 7 June 2014, Tiwa Savage performed at the 2014 MTV Africa Music Awards alongside Miguel, Flavour N'abania, Davido, Mafikizolo, Uhuru, Oskido and Professor. The Moe Musa-directed visuals for "Wanted" was released on 28 May 2014. It features Savage wearing a nude body suit and touching herself suggestively. The video's release prompted a huge public backlash across various social networking sites, including Facebook, Twitter and YouTube. In June 2014, Savage collaborated with Mi Casa, Lola Rae, Sarkodie, Diamond Platnumz and Davido on "Africa Rising", a song for DStv's campaign of the same name. The campaign was created to inspire Africans to partake in community-based social investment projects. The accompanying music video for "Africa Rising" was shot and directed by South African production house Callback Dreams. The artists performed the song at the Africa Rising launch ceremony in Mauritius. On 19 December 2015, Savage released her second studio album R.E.D, which is an acronym for Romance, Expression and Dance. The album features guest appearances from Don Jazzy, Olamide, Dr SID, Iceberg Slim, 2face Idibia, D'Prince, Busy Signal and Reekado Banks. It was primarily produced by Don Jazzy, with additional production from Baby Fresh, Altims, Spellz and P2J. The album was supported by two singles: "My Darlin" and "Standing Ovation". Its deluxe edition was released in February 2016 and features guest vocals from Wizkid and P-Square. R.E.D was nominated for Best Album at the 2016 Nigeria Entertainment Awards. Savage recorded the album while pregnant with her son. The album was made available for free digital streaming on MTN Music on 21 December 2015. Within 24 hours of its release, it became the music platform's most-streamed album. The album was promoted through the website i-am-red.com. In June 2016, there were reports in the media that Savage had signed a management and publishing deal with Roc Nation. On 29 July 2016, she made it official by announcing the deal through her Instagram account, making her the first Nigerian artist to be signed to the label.

Sugarcane, MTV EMA and record deal with UMG Savage performed on the Liberty Stage of Jay Z's Made in America Festival. During her performance, she brought out Young Paris for a performance of "Best of Me" (Remix). Savage released her debut EP Sugarcane on 22 September 2017. It features collaborations with producers and guest artists such as Wizkid, Spellz, Baby Fresh, Maleek Berry and P2J. It explores themes of love and was recorded in English and Yoruba. Sugarcane was nominated for Best Album of the Year at the 2018 Nigeria Entertainment Awards. Savage revealed to The Fader magazine that she did not have any plans to release the EP, but decided to put out the project after recording so much music for her upcoming album. Sugarcane is a mixture of Afropop, funk, house, pop music, R&B and trap. On 24 August 2018, Savage headlined a concert at The O2's Indigo venue. General admission tickets sold out hours before the event. The concert featured additional performances from Don Jazzy, Reekado Banks, Di'Ja, Dr SID, WSTRN, Awilo Longomba, Mystro and the Alternate Sound Band. Prior to the concert, Savage held a pop-up shop on Berwick Street. In November 2018, Savage won Best African Act at the 2018 MTV Europe Music Awards, becoming the first woman to win the category. Savage released the melodic track "One" on 15 November 2018. Produced by Killer Tunez, it touches upon themes of gratitude. Akinpelu Oluwafunmilayo for Legit.ng described the song as an "Afrobeat song with a soft tempo and smooth rhythmical flow". On 2 December 2018, Savage performed at the 2018 Global Citizen Festival: Mandela 100, which took place at the FNB Stadium in Johannesburg, South Africa. News about her performance at the festival was first reported in July 2018. The video for "One" was released on 7 December 2018. Directed by Clarence Peters, it was shot at a local beach in Osoroko, Lagos. In January 2019, YouTube took down the video for "One" following accusations of copyright violations. Due to not being able to verify a copyright violation, YouTube restored the video on 2 March 2019. On 13 March, Savage was added to the lineup of artists who performed at the 2019 Wireless Festival. On 2 May 2019, Universal Music Group announced the signing of Savage to a seven-year publishing and distribution deal. It was also revealed that she left Mavin Records Efe Ogbeni of Regime Music Societe and Vannessa Amadi-Ogbonna will be responsible for executive producing all of her projects under the label. Savage's future music will be released through the label's operations in more than 60 countries. In July 2019, Savage was featured on "Keys to the Kingdom", a track she co-wrote for Beyoncé's soundtrack album The Lion King: The Gift. She appeared on the track alongside Mr Eazi. On 5 September 2019, Savage released "49-99", her first single with Motown Records. The song references the line "49 sitting, 99 standing" from Fela Kuti's 1978 hit "Shuffering and Shmiling". Described as a blend of Afrobeat, R&B and pop music, "49-99" features syncopated percussion, humming background harmonies and crisp snares. The Meji Alabi-directed video for "49-99" features colorful imagery and symbolism. One of the video's scenes references the iconic portraits of Congolese schoolgirls taken in 1972 by photographer Eliot Elisofon. Another scene, in which Savage is laid out with lengthy braids, is reminiscent of Diana Ross' flower-accented look from the late 1960s. On 19 November 2019, Savage released the Black Jheerze-produced track "Attention" and the Pheelz-produced track "Owo Mi Da" as standalone singles. In "Attention", she admonishes her love interest for the lack of attention he is putting into their relationship while in "Owo Mi Da", she makes cut throat remarks at an unnamed borrower. Savage performed background vocals on "Èkó", a slow-burning ballad from Coldplay's eighth studio album Everyday Life (2019).

Family and personal life Tiwa Savage is married to Tunji "Tee Billz" Balogun. On 23 November 2013, the couple held their traditional marriage at the Ark in Lekki. The couple's white wedding was held on 26 April 2014 at the Armani Hotel in Dubai. On 1 January 2015, Savage and Balogun announced that they were expecting their first child together. Six months later, Savage gave birth to their son. On 28 April 2016, Balogun accused his wife of infidelity and his mother-in-law of witchcraft. In a 45-minute interview conducted by This Day newspaper and Pulse Nigeria, Savage extensively addressed her husband's lengthy social media posts regarding their marriage. She debunked her husband's infidelity claims and accused him of financial recklessness, drug addiction and abandonment. She said her marriage to him is over.

Album and EPs by Tiwa Salvage Once Upon a Time (2013) R.E.D (2015) Sugarcane (2017) Reference: https://en.m.wikipedia.org/wiki/Tiwa_Savage Read the full article

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