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that-ari-blogger · 6 months

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The Ritual Breaks Story

If you hadn't guessed by the two other posts I have made on the song, The Ritual is my favourite song in Stray Gods: The Role Playing Musical. I would go as far as to argue that it is the best song in the musical as well, but that isn't the point of this post.

This post is to gush over why I love the song so much. Specifically, this post will talk about how The Ritual messes with the commonly used story structure, in its placement in the musical, and in the song's actual structure.

Let me explain.

SPOILERS AHEAD

This post will focus on three of the most common story structures, the Monomyth, the Three Act Structure, and the Freytag's Pyramid. But first, I would like to do some contextualisation.

These structures are not rules.

Anyone who tells you that a story "should" or "must" or "can't" do something is talking out of their arse. As such, these structures are to be used as analytical tools, rather than ratings. I am not going to be scoring the song as to how many points on the Hero's Journey it hits, I will be looking at how the musical as a whole uses the monomyth and how it doesn't and to what effect.

That felt like it needed to be said.

The Monomyth, or Hero's Journey, was presented in Joseph Campbell's 1949 book: The Hero With A Thousand Faces and it was, in my opinion, rather unrefined. Or more accurately, overrefined.

What do I mean by this? I mean that Campbell's monomyth was incredibly overdetailed and ridiculously prescriptive as Campbell tried to squint and put every story ever written into the same mould and make judgements about society at the same time.

It also had elements in it that haven't aged well at all. For example, one element that Campbell proposed every story had, was called the "woman as temptress" which is... not just sexist, but also inaccurate. I'm glad the modern monomyth has mostly avoided this.

As such, the monomyth concept is what I will be using, much like other modern interpretations, and either scrapping, or ignoring, certain elements. It is a medicine journey with a few more steps along the road. Ted Ed has a fantastic video on the subject, as does Overly Sarcastic Productions.

In any case, The Ritual, according to this model, fits into the "Trials" section. It's unimportant, and not typically a challenge for a character. This is the start of Empire Strikes Back, when Luke has to get out of the frozen cave. It's tangential.

But The Ritual is what several of the main characters have been leading towards. Eros and Aphrodite and to some extent Apollo have all been gearing up to this moment. You could read this as the result or crisis in their arcs, but I don't think that fits. It's its own moment, but it's its own moment in someone else's story, not Grace's.

The three act structure is the most famous, and is almost synonymous with writing as a whole, but it isn't as ubiquitous as you would think. James Cameron (who wrote The Terminator and Alien) offers this piece of advice:

"I firmly believe in the three act structure. I have just never written one."

The structure boils down to three sections of a story, each culminating in its own climactic event, that build into the third act climax. These don't have to be fast paced, but they are emotional beats. It could be a fight, or a quiet, retrospective moment.

There are then plenty of elements that are usually relegated to a specific act. For example, a villain might have a third-act breakdown, or a hero might discover their magical powers or something in the first act. And the mentour usually dies either in the first or second act climaxes, or quietly at the start of act three.

I would say that The Ritual hits the second act climax, possibly. Because Stray Gods almost intentionally avoids this structure. The closes thing it has to a first act climax is Challenging A Queen, which isn't really a climax, its more of an individual challenge that sets up something later. Similarly, Old Woulds might fit that first act climax, but it also sets up other stuff in later parts. It's deliberately unclear.

But you know what isn't unclear? The structure of The Ritual itself fits firmly into the three act structure, and so do a ton of other songs in the musical, most notably Phantom Pains. I would say the two songs are linked by grief and cycles, but the entirety of the musical is linked with that, so it's not really a unique thread.

The Ritual begins with exposition in the form of those stained glass windows about the war and the idols' place in it. Then it switches to a different location based on a choice you make.

Then there is a lull as Eros (Or whoever you choose if you get to a point where you can choose) begins to speak, before the final act gets decided, and it is here that all the decisions come to fruition. Everything up to the third act is set up, and it all pays off here.

Freytag's Pyramid is a lot less complicated than it sounds, and it is one that you have probably heard of, if not by its actual name.

This is the Freytag's Pyramid. I've heard people call this the five act structure, and I disagree with those people, but I can see where they are coming from. There are five main sections of this, but they aren't acts, they are descriptors.

The Freytag's Pyramid model is a graph. And yes, I am going to bring maths into this. (I can count to 12 and a half, so I assure you I am quite qualified)

The horizontal axis of the graph is time. As the story progresses, usually, you move from left to right on the scale. The vertical axis is tension. The more tense an event is, usually, the further up on the graph it sits.

As you can see in the diagram above, a story tends to progress towards a climax, with tension rising as the story picks up speed, until the story closes, and the stress drops to the denouement, which is just a fancy word for the finale. These lines can be a bit wavy as you see fit, but the general direction is fairly standardised.

So where does The Ritual fit into this?

Trick question, it doesn't. I would argue that The Ritual is its own climax. It should (if we were using this model) fit on the "rising action" section of this. But it doesn't, it's its own thing.

Ok, I've harped on long enough about theoretical stuff. The point I am getting at is that Stray Gods isn't Grace's story. That's a weird way of putting it but let me clarify. Stray Gods is the story of Grace convincing this messed up family to get along and get over their problems.

The Ritual feels like a climax because it is. This song is the climax of a different story that Grace stumbled into and helped change the direction of. It's the climax of a tragedy that Grace managed to avert.

Stray Gods functions like people watching and doesn't fit with the story structures because people watching is exactly what this story is. This is several different stories that have stretched and stretched until they have warped beyond comprehension and lost all meaning.

The stories you watch are trying desperately to stick to these pre-existing patterns, and they aren't working. Stray Gods is a musical about change. You don't fix these people's problems for them, but you convince them to change and to adopt a different story structure. To try things a new way. To try and fix themselves instead of running face first into each obstacle over and over again until either it crumbles, or they do. The Ritual is this concept put succinctly and powerfully.

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#rants #literary analysis #literature analysis #greek mythology #what's so special about...?#stray gods #stray gods spoilers #stray gods the roleplaying musical #stray gods aphrodite #stray gods eros #stray gods the musical #stray gods the ritual #the ritual stray gods

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nsfwtranscan · 7 months

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Let's say fuck it to gender constructs and YOU get ME pregnant. A woman like you deserves to have a breeding boy at your side.

#ftmpreg #ftm breeding #tmpreg #pregnancy fantasy #eros talks #pregnancy kink #pregnancy roleplay #t4t nsft

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nirnrootic · 1 year

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#NIRNROOTIC. by azura, by azura, by azura!

independent, selective, mutuals and 18+ only rp blog. features a variety of original characters stationed within THE ELDER SCROLLS universe. as adored by ODDITY ( he/him, 21+, gmt+8 ). please look to pinned post for relevant information.

#sp.#tes rp #elder scrolls rp #tes roleplay #the elder scrolls rp #skyrim rp #fantasy rp #<3 i still need to start the bios for eros and mirvon & finish the bio for solos but..... just puttin meself out there !

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pompomcew · 7 months

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I want to erp so fucking bad bro you have no idea

FTM/M

im semi lit but flexible so i often match my partners

i lean submissive , but sometimes im a dominant when im really in the mood

I prefer to be penetrated, i like being on bottom. It feels right for me, (also i have a history of breaking pelvises /j)

i like playing humans, furries, and kemonomimi!

Kinks: teasing , neglect play, light bdsm , petplay , breeding , cockwarming , bulllying, leashes and collars

limits: toilet , feet , rimming (giving and receiving). Anything illegal is also a no go.

#ftm ns/fw #ftm nsft #nsft #queer nsft #gay nsft #please fuck me #nsf/w #nsf/t #nsft rp #nsft roleplay #ero rp #Rp nsft #mlm nsft

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acidd-attack · 1 year

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Mato Seihei no Slave

#manga #manga art #anime and manga #black and white #anime #manga panel #manga and stuff #manga stuff #manga screencap #manga edit #Mato Seihei no Slave #manga girl #submisive girl #roleplay #ero manga #ren yamashiro

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that-ari-blogger · 6 days

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Win, Lose, Take, Fail (Remember)

Discussion of stories and historical research are very similar practices. A ton of history is source based, and is, in a very real way, media analysis. A historian will look at a text written centuries ago and deduce not only linguistics, but also the themes prevalent in the day-to-day life.

I will eternally be impressed by some of the ideas that people find written between the lines of even the most well known about pieces, and its humbling to know that the stories that we tell in the modern day might be time capsules in their own right.

If you’d indulge me for a moment, I would like to briefly address those future historians who may be reading this: Coral reefs are magical, you guys really missed out on that, sorry.

Anyway, this is a post about She-Ra and the Princesses of Power, so what am I going on about?

Well, there are a few sources in both media analysis and historical reconstruction that are more valuable than an almost objective source. I say almost, because every narrator is biased, and that impacts even what they decide to include. No source is perfect.

So what about a think piece that lays out its biases for your convenience? How about a look directly into the mind of your characters to see what they perceive about the world and what they wish it could be? How interesting would that be?

This intro is getting a bit long.

Let me explain.

SPOILERS AHEAD (She-Ra and the Princesses of Power, Stray Gods: The Role Playing Musical)

My analysis of this episode can be summed up in one sentence. Catra’s worldview and desires are fundamentally opposed to her reality, and so when she forces the real world to fit it, things fall apart.

This is nice and all, but it fails to take into account the nuance of her perspective, and the fallacies inherent in this desire. But its also important to understand that this is where Catra’s redemption arc fails, or… where this redemption arc fails.

In my eyes, Catra has two main redemption arcs, one that stops in this episode, and one that starts up at the start of the next season. If you want to be granular, she has about a hundred different attempts, but that’s needlessly specific and way to close to exactly what I do on this blog for comfort.

But I think its easier for the purposes of analysis to divide Catra’s journey in two and discuss why the first fails and what the second would have to do to succeed.

Starting with something that threw me for a while. Catra isn’t conscious of this different world, at least not until the end of the episode. Which is a brutal trauma response. Catra doesn’t want to succeed in the life that gets better, she doesn’t care for healing, she wants to forget. Catra will burn the world down to keep a blindfold on and leave her memories behind. Blissful ignorance.

Let’s talk about Stray Gods: The Role Playing Musical.

Stray Gods is a Greek mythology, murder mystery, musical, video game, and conveniently, I have a series about it on this blog. (Link)

A slight quirk of Stray Gods is that the online argument I have seen about it has mostly focused on picking the second best song in the set list, because the most powerful is so obvious its almost funny.

Read my analysis of The Ritual for more information, but briefly, Aphrodite is a trauma survivor who repeatedly subjects herself to a form of amnesia in order to forget the horror she has experienced. Ring any bells?

Instead of trying to get better, Aphrodite slaps a band aid on the wound and tries to ignore it. This might help her eventually, but it directly harms those closest to her.

“Mother, I’ve stood by your side, now I no longer see, the purpose of love, when it tears at the centre of me. My arrows are rusty, forget the bow, and I won’t be begging you not to go, but when you’re away, you leave us a broken home, and you leave me alone. Lost in a moment, lost in a song.”

That was Eros singing. Cupid, the one with the arrows of love. This is someone who’s life has been wrecked by his mother’s trauma. Not in the same way as Catra lashing out at Adora, but with similar effects.

Both characters have tried to apply a quick and easy solution to a more difficult to solve problem, and the side effects of that are what perpetuate this cycle of trauma.

Hey, look at that, it’s the theme of cycles again. It’s almost as if I have a point here.

I could go on for hours about this one song, and I have, three times on this blog for a start, but I know I’ve annoyed people in my life with this obsession. But, I want this post to be vaguely on time, so I have to move on.

Before I do, though, the trauma in the idols (gods but fancier) of this story has a little quirk in its realisation that matches with Catra, linguistics of trust.

None of the idols in this musical use the word “friend” at all. Well, that’s not true, Pan says it once in a mocking way, but nobody uses in earnest. This exhibits itself more noticeably in The Ritual, where Aphrodite specifically says the following:

“He struck a deal with our enemy’s enemy.”

These characters can only conceptualise the world in terms of give and take, and of relationships in terms of allies or enemies.

Catra, meanwhile, can’t conceptualise the world in anything other than win, lose, take, and fail. Her ability to trust has been eroded so much that she will destroy the world to obtain something that has been attributed value for her.

That’s why she willingly forgets things, and its why her revelation is heartbreaking. Catra thinks the only way she can trust again is if she loses the memory of betrayal, but that’s not exactly how it works.

The moment in which Shadow Weaver is nice to Catra is a demonstration of why I don’t think genre exists. This is a comedic moment, right? It’s got the build-up, you think it’s going one way, then it undercuts itself with the unexpected. So why is it so devoid of humour?

Because the reaction of everyone in this, including the audience, is one of fear, and serves to validate the fact that Shadow Weaver is abusive. Even if someone is being kind in the moment, if you automatically flinch in their presence, there is a history there that you can’t escape from.

Catra doesn’t know why she is scared of Shadow Weaver here, she can only remember the good times, but the PTSD from her mother figure’s actions runs deeper than surface memory. It’s a wound that still hurts, even if you look away from it or cover it up.

This is actually why things keep breaking in this reality. The whole thing is based off people ignoring specific details. It’s centred on complacency, but it doesn’t understand its characters.

Which is where the hamartia and all of those complicated terms come in. Essentially, Catra wants to keep Adora with her, but part of Adora is the strengths and flaws that lead to her leaving Catra.

Adora is fundamentally kind, but she’s also an incredibly quick thinker. This doesn’t always lead her to the most reasonable solutions, but it means she can almost immediately recognise that things are wrong. In this case, the fact that people keep saying everything is perfect, and nobody says that this much unless they are hiding something. So, Adora looks inwards, and notices holes in her memory, glimpsing beyond and getting those flashes.

The world reacts in a similar way, things exist contrary to their nature, and collapse in on themselves. This world is a paradox, the story has turned cannibalistic and is eating itself alive. It can’t be supported by the fallacies that hold it together.

Those fallacies in question, are Catra’s desires, and now I get to talk about how the first arc ended up here. Because we can all agree, if a character’s developmental trajectory ends up with them willingly destroying the world out of spite, things haven’t gone so well.

Catra has been trying to achieve her own autonomy from the trauma and abuse that coloured her upbringing and guided her actions in the Horde. But she hasn’t been confronting how this has actually affected her biases. The band aid solution comes back, but here it takes the form of those four words. Win, lose, take, fail.

“I won’t let you win. I’d rather see the whole world end than let that happen.”

Things can only be one of these four things, everything is exclusionary. Catra either loses or wins, she either takes or is taken from. She can’t fail or bad things will happen.

But let me let you in on a secret. I don’t know why I’m talking directly to a fictional character here, but oh well. Life is about the moment, rather than the value you put on it. You don’t have to take, you can share, or be given. You don’t have to fear failure, because there are people in your life who care about you no matter what.

Also, this is entirely my opinion speaking, but I think I’m right here. You’re in a war story, there are no winners or losers in war. There are just survivors, profiteers, and poets.

Back to the line above, in searching through the transcript, I found that the word “won’t” is used thrice in this episode. It’s a word of commitment and resolution. It’s not vague, or noncommittal, it’s a promise, and it's used in the above line, but also earlier on, once by Scorpia, and once by Adora.

“If you get us out of this, I promise I won’t hate you. I will just dislike you a reasonable amount.” “I won’t leave you behind again.”

Characters resolving to be better. Scorpia deciding to improve upon a relationship, and Adora making it abundantly clear that she has no intention of repeating her mistake.

But Catra is falling back, she won’t lose, she can’t fail, att least in her mind. And its that promise that destroys the world that she wants. Catra wants happiness, but its her own need for the four words above that break it. Catra is self-destructive, not necessarily in a direct way, but in a sense that she is sabotaging her own happiness.

So, what would a redemption arc for Catra have to look like?

Well, she would have to learn to shift up her values a lot. She would have to be in a place where she can accept friendship in a controlled environment. Maybe just a friend who is willing to offer a hand of kindness.

She might also need a way to let out her emotions in a healthy way. Maybe a declaration of love, but that would be a little too on the nose for this story’s patterns. So I’m picturing a creature with some kind of emotional connection to her. Maybe it changes colour or something.

Also, Shadow Weaver needs to exit the story permanently. I don’t think she needs to die, I don’t believe in retributive justice, but she needs to be banished in some capacity. Shadow Weaver needs to go.

Now, I know how much of what I have said will come true, and if you have seen this show to the end, you probably do as well. But if you haven’t, leave your thoughts in the replies. How do you see a redemption arc for Catra working?

Ok, before I go, I need to discuss Madam Razz, because there is so much going on in her scenes.

Starting with, why is she here?

I don’t actually know the answer to that, and its one of my problems with the episode. She’s there because Adora needed a mentour and because the episode needed some levity, but why is she there in story?

“It’s been such a long time since we last saw each other, hasn’t it? That or it hasn’t happened yet. I always get those two things mixed up.”

You wanna say that again? Time is funky in this world, I guess So maybe she’s being generic?

“Because this has all happened before! I remember it like it was yesterday. For Madame Razz, it was yesterday.”

Nope, Razz is just displaced from time. That’s fun, but there is more to this line.

Madam Razz is a phenomenally well written character, purely because of the masterclass of tone. At no point is Razz either serious or humorous, she is both always. Razz is approachable morality, a la Philosophy Tube, but I’m sorry Miss Thorn, you ain’t got nothing on Razz.

In one interaction, Razz explains the thesis of the entire show. That abuse and trauma are cycles, and that the only way to stop them is by confronting the trauma itself. Start at the beginning.

She-Ra and the Princesses of Power has some of the best single lines ever written for television, and Madam Razz gets them all.

There is one moment in the finale of the series that is a perfect example of what I mean. I’m avoiding spoilers for too far ahead, but if you know, you know.

Final Thoughts

This episode is such a well-made examination of Catra’s psychology and her lack of sanity. Catra doesn’t see the world the way it is, and what she wants is incompatible with how she wants it. She needs to work out what she needs and then go from there.

I actually think that this episode does something interesting by making Catra unredeemable. She fails, she had her chance, and she didn’t take it. Her attempt to connect with Adora involves physical abuse. Catra is irredeemable.

But this isn’t the last of the redemption arc, is it? Catra will try again and again, chance after chance, and gradually improve. The failures only serve to make the success hit harder. Catra’s life is a Dark Souls boss, essentially.

I often feel like the people who declare Catra's redemption as unsalvageable haven't got past this season, and don't take into account that she gets better, and I don't fault them for that. No show is for everyone, and what you do or don't find interesting in media says a lot less about you than how you express your like or dislike.

Anyway, next week, I will be examining The Portal and my thoughts on this season as a whole. So, stick around if that interests you.

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house-of-tales · 27 days

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"Psst, Erooos~" A voz cantarolando se aproxima e agora tem uma Inia com um sorrisinho arteiro perto dele. Ela logo abraça o loirinho e lhe dá um beijo na bochecha, seguida de uma leve mordida e por fim um beijo longuinho nos lábios. "Oi." Um sorriso doce então aparece. [ hoi de novo tamin :D isso é o 1 e o 2 -q]

A aproximação da menor não era tão surpresa assim, mas era sempre algo que deixava Eros contente de um jeito único. Era incrível como alguém realmente conseguia deixar ele emotivo de verdade, fazia ele soltar as amarras e simplesmente confiar no outro assim tão fácil.

"Oi, meu anjo" retribuiu o abraço, sim, mas acabou rindo com a mordida na bochecha. Risada que não durou muito, pois logo foi surpreendido com o beijo tão doce e carinhoso. Ah, como resistir a isso? Ainda mantendo o abraço, logo segurou o rosto alheio com uma mão e deu outro beijo, igualmente longo.

Realmente, não dava pra negar. Eros estava além de contente, estava feliz.

#eros:the incarnation of feelings #eros verse::main verse #roleplay::brazilian portuguese #special anon::inia #amo ser mimado assim ok pf continue ÇISFHUJAOIFSHSAJODADSA

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nsfwtranscan · 8 months

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I'm pretty fertile tonight so I ran the names through the wheel.

Looks like @infinitegest knocked me up! Tell me how it happened~

#eros talks #impregnate game #tmpreg #ftmpreg #pregnancy roleplay #pregnancy kink #pregnancy fantasy

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hifimuses · 6 months

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🔥

@femmina-eroe / send me a 🔥 and i'll tell you one thing my muse finds attractive about yours

"Well I mean they certainly get paid the big bucks for a reason."

"I mean I'm not ogling their chest or getting lost in those sharp piecing eyes, or thinking of the way they shake their hips and move their legs all around. Nope, not me!"

#(m; husband imp)#ic #rp #roleplay #femmina-eroe #femminaeroe

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astrologydayz · 4 months

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ASTRO SEXOLOGY NOTES - MIXED🔞❤️

💚 LUST IN CAPRICORN = a person who's turned on by people who's in "control"/or by people who's the perfect match 2 be "in charge" of them - They want that strict "daddy/mommy" adventure. Typically really into being restrained, or being "told" what to do/how to act. Bratty behaviour is def a thing here - trying2 "cross" boundaries, 2 see what's gonna happen - "how far can I go, before I'll get "punished?". They could have been a late bloomer, when it comes 2 sex/sexual things in general - or even their sexual urges/desires could have come around later than most. They can get turned on by tattoos/piercings/tall people) sexually attracted2 "older" people typically/2someone who's experienced in life/or sexually, &knows how to make them cum - how 2 "trigger them", in the best way possible.

💙 LUST IN PISCES = a person who's turned on by people who's "dreamy"/"not really real"/sexually attracted 2 people with "tough lives"/backgrounds/sexually attracted2 artistic/spiritual people - creative people/turned on by people they got an "outta this world connection" with. "Roleplaying"/"performing" - putting on a "show" can be a thing they're really into here with lovers/sexual partners. Can also love having sex/getting sexual in water - like in a swimming pool, hot tub, under a shower. They can get sexually attracted 2 people who's not really who they say they are - they're sexually attracted 2 "dream like personas".

❤️ LUST IN ARIES = a person who's turned on by people who doesn't give a fuck/turned on by brave, but opinionated people/by someone who's not afraid to be themselves/turned on by birthmarks, or scars. They can be really into marks being left behind after sex/after "fooling around" - like bite marks, hickeys, marks on body from rough touching/slapping - marks from sex up against a wall, a table, desk, etc. They typically love impulsive sex/"adventure" sex - if u get them horny while u guys are out in public? U best believe they gon find a way 2 get both of u off quick, cuz ain't no way they're waiting till u guys get home - waiting really isn't their strong suit.

LUST ASTEROID - 4386

VENUS CONJUNCT/SQUARE MESSALINA ASTEROID - 545 IN A MAN'S CHART = a man who can give the idea of something "longer lasting" after sex/getting sexual with people, but he's really only into getting his needs fulfilled. Expert at coming up with fake "promises" - he gives u the idea of love, but typically can't walk the walk, after all that talk. EROS CONJUNCT/SQUARE/QUINCUNX PHOLUS ASTEROID - 5145 = a person who can have trouble with handling their sexual desires - they can get greedy, by trying to fulfil all of their sexual urges/desires, so it typically ends with them "blowing it up" for themselves - they end up "tricking" themselves.

MARS CONJUNCT/SQUARE/QUINCUNX MESSALINA ASTEROID - 545 IN A MAN'S CHART = a man who can't control his sexual urges. He can't get enough, he's insatiable - no matter how much he wishes he could control himself, he can't. It takes years of control, before this man ever learns how to say NO - or learns how 2control himself, sexually. "Teenage hormones" - "been around the block".

JUPITER CONJUNCT/SQUARE LUST = a person who's lust/sexual urges never dies down - there's only one way2 go & that's up. It's crazyyyy, like chill😮‍💨😍 - For real, they can always get it on! I'm amazed by these people! They can 100%feel like they'll never find someone who's just as insatiable as they are.

MARS CONJUNCT/TRINE/QUINTILE FAST ASTEROID - 27719 = a person who can get into sexual relationships pretty fucking fast - people who's just their "type" can show up on their path pretty quickly). Can also show up as quickies ofc, like quick hookups with people, etc.

LUST CONJUNCT MC = a person who's "known" for their "lustful tendencies"/talked about bc of their sexual escapades. They're not afraid of telling people what they're into/what they like sexually either - they can be quite boastful about it actually.

MARS CONJUNCT/TRINE/QUINTILE KISS ASTEROID - 8267 = a person who's typically REALLY into "rough"/wild, heated, passionate make out sessions! Can also show a person having a "need" 2 always involve kissing, when getting sexual with somebody.

MARS CONJUNCT/SQUARE/QUINCUNX NEPTUNE = can show us a person who's really sexual, but it's ALL about fantasising here. They can use most of their sexual energy on fantasising - never really doing whatever it is they're fantasising about. Fantasising/using your imagination a lot to get off/getting off by using erotic books/novels/interactive games, etc.

LUST PERSONA CHART NOTES - 4386🔞👇🏼 SUN CONJUNCT/TRINE MARS IN LUST PERSONA CHART = a person who's sexually attracted 2 “fit looking bodies” - like people who works out a lot, or looks like they do. They're turned on by people who's courageous, passionate, ambitious, & a leader all around - alpha males/females typically. SUN CONJUNCT/TRINE SATURN IN LUST PERSONA CHART = a person who knows exactly what they need, & want sexually. They won't ever do something they're not fully comfortable with - they're out, if they're not with it. They can be very sexually attracted 2 people who's older/more mature than them/can get turned on by people who don't "play around" in life. MOON CONJUNCT/TRINE SATURN IN LUST PERSONA CHART = a person who needs some kind of emotional bond/emotional attachment before getting sexual with somebody. MERCURY CONJUNCT/TRINE MARS IN LUST PERSONA CHAT = can get really turned on from sucking dick/eating pussy/from giving a handjob/from fingering - or it can be them who's really into it, when someone is doing it on them. Can also get really turned on from dirty talking/or by certain voices/accents usually. MARS CONJUNCT/SQUARE/QUINCUNX CHIRON IN LUST PERSONA CHART = sexual trauma/really bad sexual experiences.

JUPITER CONJUNCT/TRINE/QUINTILE KISS ASTEROID - 8267 IN LUST PERSONA CHART = a person who's BIG on kissing 2 get turned on - They can get really horny by just making out, A LOT!

MARS CONJUNCT VERTEX IN LUST PERSONA CHART = fated sexual partners/experiences, baby.

THANKS4READING BABE!!!💋

APPRECIATE U, ALWAYS!💙

#astro notes #astro observations #asteroids #astrology #astrology notes #astro community

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aphroditelovesu · 8 months

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kinktober 2023 masterlist || disclaimer: will obviously contain nsfw content. be aware of this.

🎃˚˖੭ I love when you're submissive, love it when I break skin, you feel pain without flinchin', so say it...🎃˚˖੭

❝day one: vampire/bloody sex with Klaus Mikaelson❞

❝day two: praise kink with Apollo❞

❝day three: breeding kink with Alexander the Great❞

❝day four: daddy kink with Elijah Mikaelson❞

❝day five: degradation with Ares❞

❝day six: bondage with Aphrodite❞

❝day seven: somnophilia with Hypnos❞

❝day eight: threesome with Apollo and Eros❞

❝day nine: overstimulation with Damon Salvatore❞

❝day ten: voyeurism with Taehyung❞

❝day eleven: shadow play with Azriel❞

❝day twelve: exhibitionism with Dionysus❞

❝day thirteen: rough sex with Tom Riddle❞

❝day fourteen: romantic sex/making love with Eros❞

❝day fifteen: first time with Jungkook❞

❝day sixteen: wax play with Daenerys Targaryen❞

❝day seventeen: roleplay with Achilles❞

❝day eighteen: public sex with Hades❞

❝day nineteen: thigh riding with Sirius Black❞

❝day twenty: lactation kink with Robb Stark❞

❝day twenty-one: edging with Ares❞

❝day twenty-two: threesome with Achilles and Patroclus❞

❝day twenty-three: wing play with Lucifer Morningstar❞

❝day twenty-four: temperature play with Daenerys Targaryen❞

❝day twenty-five: dacryphilia with Jin❞

❝day twenty-six: wedding night with Apollo❞

❝day twenty-seven: size kink with Achilles❞

❝day twenty-eight: shower sex with Poseidon❞

❝day twenty-nine: cockwarming with Anakin Skywalker❞

❝day thirty: spanking with Eros❞

❝day thirty-one: non-con/dub-con elements with Apollo❞

🎃˚˖੭ Give me tough love, leave me with nothin' when I come down, my kinda love; push me and choke me till I pass out... 🎃˚˖੭

⤷ cited song: One Of The Girls - The Weeknd, Lily-Rose Depp and Jennie.❝

❝ 🎃 — 𝒍𝒂𝒅𝒚 𝒍: if you want to be tagged for future updates, comment or send a DM.

⤷ tagging: @krismikaelson, @compulsiivedreamer, @legendarydefendorkitty

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zeldasnotes · 1 year

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NSFW NOTES 2🔞🍑

PART 1

⚠️Trigger Warning: Mentions of sex!

Ceres[1] in the 1st house or conjunct Sun might like to be called mommy or daddy in bed. Might like to have a age gap with their sex partner so that they can have that kind of roleplay.

Virgo Lilith are the most likely to be a ”submissive pet” (pet is a kink). They can be so submissive they might even want you to put a collar on them and pat them on the head.

Mars/Moon in the 8th house is such a fwb synastry aspect. There is almost always something forbidden when the 8th house is involved. Unfortunately also common synastry aspect when it comes to cheating.

Mars conjunct Uranus in the composite chart can make the two of you more comfortable with trying new stuff with eachother in bed. You will do things with this person you never thought you would do. The chemistry is so crazy you get shocked everytime you see eachother.

Mars in the 9th house probably likes to have sex outdoors or in risky places. Probably at school too. The kind of person to have a fwb at school.

To my Pluto 10th house people never let anyone film or take pics of you because with these placements you attract sexual scandals and could have your pictures leaked. Same with Lilith & Mars here.

People with Neptune Square personal planets fantasize a lot about sex. Especially people with Venus Square Neptune love to m*asturbate to fantasies about the person they are in love with.

Ive noticed that a lot of people with Cancer Mars loves missionary (unless they have a lot of Libra/Sag placements)

Cancer placements also looove to suck on titties or have theirs sucked. 🍼

Asteroid Prevert[18624] conjunct Mercury got sex on their mind 24/7

Lilith in the 2nd house are super talented when it comes to giving oral. 👄🍌

Lilith in the 3rd loves dirty talk.

Venus or Mars in a Gemini degree (3°,15°,27°) can make someone very turned on by an attractive voice and by dirty talk. Having a sexy voice makes you 10 times more attractive in their eyes.

Venus in the 8th house have sexual partners obsessed with them for years after the act. I dont know what magic glittery voodo stuff they got in their pants but its addictive.

Sleeping with someone who got the same Mars sign + Eros[433] sign as you is an experience you will never forget.

After looking at a lot of adult film actors charts and the charts of people I know Ive noticed that Eros[433] conjunct Moon seems to be one of the top sexual aspects in a natal chart.

People with Nessus[7066] conjunct Mercury might want to call you names during the act. These people have a dirty mouth. 🗣️

Asteroid Lust[4386] conjunct personal planets in the natal chart can indicate a very high libido. A very very sexual person. Sex is such an important part of their life.

Mars in the 8th house synastry creates this super strong forbidden sexual attraction. It keeps getting more and more tense until you cant control it anymore. You both know it. Its there from the start but its something that makes it forbidden for the two of you to do it. (only if there is physical attraction tho)

If you have Mars 8th house synastry + 1st house synastry you will literally want to rip eachothers clothes off.

Mars in harsh aspect to Neptune in synastry can make you fantasize a lottt about having sex with eachother.

Ive noticed Venus conjunct Chiron/Mars a common aspect in the charts of people who get involved in very odd sexual relationships. Like relationships where there is a huge age gap. Or relationships with people who treats them bad.

Taurus Mars loves foreplay. They are super sensual and need to feel, smell, touch and hear you.

Taurus Mars also loves to kiss during the act.

Lilith 2nd house and Lilith 3rd house have amazing moans. You will get turned on by their voice. They can be screamers🎙️

Libra placements are turned on by attractive looks, they can be very picky. Especially Moon, Venus & Mars. Their partners appearance is important to them.

Venus Opposite Mars in synastry is an aspect that makes the attraction last forever. You never get tired of sleeping with this person. Life long attraction.

Leo Venus/Mars/Eros likes to touch your hair during sex. The lions mane is super important for them. Or they could just like seeing your hair bouncing on your back while doing it in doggy position.

Mercury in the 7th house are more sexually attracted to partners who are younger than them.

Uranus/Neptune aspecting Venus/Mars likes to fantasize about doing it or doing it on the phone. These people love fantasy and might be into long distance relationships.

Lilith conjunct North Node in the composite chart seems to be an indicator of becoming fwb. Or the relationship being forbidden.

Venus in the 8th house in composite chart makes you addicted to eachothers sexual organ.🍆

#astro notes #astrology #astro observations #astronotes #lilith aspects #ascendant #mars 8th house

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