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#edinburgh book festival
scotianostra · 2 years
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On 24th August 1947 the first Edinburgh International Festival (EIF) of Music and Drama opened.
Rudolf Bing, an Austrian impresario who had fled Nazi Germany, wanted to create an international festival in the UK. After various searches Edinburgh was proposed by Henry Harvey Wood of the British Council, supported by both Sir John Falconer, the city’s Lord Provost, and Lady Rosebery. In 1945 a festival committee was formed which decided that 1947 would be the earliest possible date - and that the Festival would be a chance for Edinburgh to create a new post-war identity as ‘the cultural resort of Europe’.
The first Edinburgh International Festival began on 24 August 1947, with an aim to ‘provide a platform for the flowering of the human spirit’ by bringing people and artists together from around the world. One of the highlights of the first year’s programme was the reuniting of conductor Bruno Walter with the Vienna Philharmonic and Walter’s comments set the seal on the future – ‘What you have done in Edinburgh is one of the most magnificent experiences since the war. Here human relations have been renewed.’
The “Festival” as it simply known in Edinburgh is now the world’s biggest arts festival, in over 300 venues, thousands of shows from around the world entertain people from, well around the world too, it is said the population of my hometown more than doubles at Festival time.
It’s not all comedy, and theatre, there are now many aspects to the festival, first you have the Edinburgh International Festival of Music and Drama, that’s the one that started on this day 73 years ago, it’s the professionals who get paid for being on stage in what ever guise they don, the thing was at the beginning it was invite only, and only eight companies were invited, so some set up their own shows, hoping to not just entertain, but hopefully earn a few quid in the process, this took the name The Fringe, it was been so successful it soon became bigger than the “Official” Festival and over the years most acts just wanted to be in Edinburgh, any chance of earning a crust went out the window, many performers save up all year just to come to Edinburgh and appear, sometimes in front of only a handful of people, if you’re lucky!
There was no real organisation during the first years of The Fringe, it wasn’t until 1951 when the sign of any communal activity occurred in 1951 when Edinburgh University students opened a drop-in centre at 25 Haddington Place. This was used by many Fringe performers as it provided cheap food and a bed for the night, oh to be able to find a cheap bed nowadays!
It was 1954 before Fringe groups held their first meeting to discuss the possibility of working together. “We are cutting each other’s throats” was a quote from one of the groups.  It was the logistics, the non-performance aspects, that they saw as a problem and the establishment of a joint box office and publicity mechanism were given high priority. The first Fringe programme was produced in this year by C. J. Cousland, an Edinburgh printer, as seen in the second pic. The Fringe now outstrips the EIF by an insurmountable amount, but as I said earlier most shows struggle to make a profit.
Eventually, the Festival Fringe Society was set up in 1959. A constitution was drawn up, stating that elected officers should oversee the running of a box office, produce a programme brochure that would include every event that was not on the International Festival, and run a club where performers could meet, eat, drink until late, and generally feel involved.
This post is, like the Fringe, getting to large, I like to keep them short so having covered the main two, here is a quick run through of the rest of the Festival, as we know it now.
Pipes and dancing took place on the Castle Esplanade, and in Princes Street Gardens, from 1947, the year of the first International Festival. It was eventually superseded by The Edinburgh Military Tattoo in 1950. Under the direction of Brigadier Alasdair Maclean, there were eight items in the first programme.  There were no stands in that first year, the audience watching from the side of the Esplanade. Stands were erected from the following year, growing to its current size when it houses an audience of around 9,000.
The Edinburgh Art Festival is a fixture in the International Festival programme, the early 1950s arguably being the golden period.  However, funds were withdrawn in 1973 and the visual arts were relegated to “associates”, i.e. linked to but not directly part of the International Festival.  In more recent years the associate tag gradually disappeared and it began to rely on The Fringe programme to provide external advertising of its wares.Most Edinburgh folk will remember the Ingenious  Campbell soup cladding on the pillars of the Scottish Royal Academy for the Andy Warhol exhibition in 2007, it’s certainly my most memorable memory of the Arts Festival.
The Jazz & Blues Festival is a 10 day festival, spread over a dozen venues, which spans late July and early August. It began in August 1979 at the Adelphi Ballroom, Abbeyhill, which had a capacity of 500, and it was held over a single weekend. Like all the festivals it has grown over the years and for a short time they had “Jazz on a Summer’s Day” which attracted a bigger crowd than any other single jazz event in the UK, it was held in Princes Street Gardens, but the commercial folk that run things in Edinburgh basically fucked things up by allowing a Spiegeltent event to take over the space in the gardens in 2010 and that aspect of it has not returned since, which is a shame.
Edinburgh International Book Festival was first held in 1983 and was an instant success with 120 authors attending, including John Updike and Anthony Burgess. The 17 day festival is now  sited in Charlotte Square Gardens, at the western end of George Street, converting it into a tented village for the duration. The 2016 festival, with an attendance of circa 230,000, boasted of appearances by over 800 authors, poets, illustrators, journalists and politicians from 55 countries.
The pics speak for themselves, except the last one, it’s me with a guy called Masai Graham, he is from Birmingham and throughout the year is a carer, but he is also a great fast paced comedian, and a master of the pun, He has been in the top ten jokes several times through the years, and this year won for the second time with the joke;
“I tried to steal spaghetti from the shop, but the female guard saw me and I couldn’t get pasta”
In 2016  his winning joke was;
“My dad suggested I register for a donor card – he’s a man after my own heart.”
In 2015 he came 4th with;
What’s the difference between a hippo and a Zippo? One is really heavy, the other is a little lighter.
You still have time to catch Masai  in Dropkick Murphy’s on Merchant Street, check the programme here 
https://www.freefestival.co.uk/venue.aspx?VenueID=188
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lovebooksgroup · 9 months
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Book Festival Event Review - Claire Askew & Kate Foster: Tales of Two Edinburghs @KateFosterMedia @edbookfest @HodderBooks @panmacmillan #EdinburghInternationalBookFestival #WhatsonEdi
Book Festival Event Review - Claire Askew & Kate Foster: Tales of Two Edinburghs @KateFosterMedia @edbookfest @HodderBooks @panmacmillan #EdinburghInternationalBookFestival #WhatsonEdi
Claire Askew & Kate Foster: Tales of Two Edinburghs Review by Kelly Lacey On August 17th, I had the opportunity to attend a fascinating event that showcased the talent and creativity of two talented authors, Claire Askew and Kate Foster. The hall was packed full of readers, all eager to learn about the stories behind the books. We were treated to an insightful conversation about each of the…
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fraugoethe · 2 years
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Festival für Bücher - 17 Tage EBF22
Das Edinburgh International Book Festival ist immer ein #Highlight. Gefühlt wird es immer größer. 900 Events sind in 2022 geplant. Das Beste ist, dass man 250 davon online verfolgen kann. Samstag geht das @edbook los!
Das Edinburgh Bookfestival präsentiert zwischen dem 13. und 29. August 2022 rund 900 Veranstaltungen, von denen 250 online angeschaut werden können. Vorwiegend lokale Autoren präsentieren ihre Werke und diskutieren über diverse Themen. Fünf davon habe ich mir ausgesucht und warte schon gespannt auf die Übertragung. (more…)
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paper-swirls · 11 months
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I'm at @cymerafestival today!!! Come along to The Pleasance, and say hi!
There are so many fantastic artists, writers, makers and creators here, you don't want to miss this!
We're here til 5pm, hope to see some of you here!
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theglycoprotein · 10 months
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I know I don't post much on Tumblr anymore, but that doesn't mean that my poems aren't being written and performed everywhere and anywhere. On Friday night I competed in a poetry slam in Edinburgh, my home city - the competition was fierce, the writing and performances were top notch and it really could have been anyone's to win... and I only went and won!
This means I'll be competing against 11 other poets from all across Scotland in the grand slam final as part of the Edinburgh International Book Festival at the end of August. I honestly cannot wait!
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aquitainequeen · 2 years
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Me, booking things I want to see at the Fringe Festival and the Book Festival: Ha, ha, I have no idea how far apart these locations are in Edinburgh, surely nothing will go wrong!!!
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literarylondonhq · 8 months
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From the Edinburgh Fringe to the Chiswick Book Festival.
After returning from a successful run at the Edinburgh Fringe Festival, Nick Hennegan is in Chiswick, West London, for the Book Festival’s Local Writers evening at the George lV Pub on the High Road. Hear a selection of local writers with just TWO minutes to present their books… before being noisily penalised!  Part 2 next week. ⁠www.BohemianBritain.com ⁠
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kamreadsandrecs · 9 months
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kammartinez · 9 months
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kurtcore · 1 year
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laughing at myself sitting w my coffee like i am such an academic joke
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paranormalhousewife · 2 years
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"This Place Is Alive" featuring Travelers Moon Paranormal
“This Place Is Alive” featuring Travelers Moon Paranormal
When I knew I was going to be doing locations in Iowa this week, I knew there was a team I needed to reach out to. I had met Chris Nielson and Kelly McCarville at The Haunted Horror Film & Paranormal Investigation Festival. They are the paranormal investigators that make up Travelers Moon Paranormal. While at the festival, I really enjoyed getting to know them and learning about some of the…
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lovebooksgroup · 10 months
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WOMEN'S FICTION FESTIVAL launches in Edinburgh! @EdWomensFicFest @kellyalacey #WhatsonEdi #Readers #Authors #RespectRomFic
WOMEN'S FICTION FESTIVAL launches in Edinburgh! @EdWomensFicFest @kellyalacey #WhatsonEdi #Readers #Authors #RespectRomFic
Edinburgh Readers Get Ready! Last night’s launch of the Edinburgh Women’s Fiction Festival was held in the stunning McLarens on the Corner restaurant in Edinburgh. It was an impressive setting for a festival that promises to be one of the literary highlights of the year. The event was hosted by the festival committee, who gave an inspiring introduction to the festival. They explained that the…
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kriffingstars · 6 months
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Johnny MacTavish; rule breaker
pairing: Johnny MacTavish x Price!Reader summary: You're practically delivered to Johnny, you can't blame a man warnings: verrrrrry slight age gap (I imagine reader to be around 20, Johnny is 26), allusions to sex ;) a/n: You guys!!! I've loved your asks SO much. Hopefully this little interaction tides you over until part two :)
Price's Niece Masterlist
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You're in Edinburgh, for a conference at the university about how modern technology can assist in the renovation process of old pieces of art, the case studies being used are newly found renaissance paintings.
It's the middle of the fringe festival, so you were only able to get accommodation for the day before your conference, planning to get the 5-hour train back to London, and then the train home after it had ended.
It's sod's law when after an interesting but long day, all the trains are cancelled. Torrential rain has caused major flooding, and now you're stranded, soaking and without a way to get home.
Price isn't expecting a call from you so early, but after you explain your predicament he transfers you enough for a decent room and tells you he'll sort you out a train, or flight home in the morning.
Unfortunately, luck really isn't on your side because of course everything besides some really sketchy AirBnb is booked. You really don't want to stay there on your own. If you were with your uni friends it would be different, but it was just you who went to the conference, the rest of them more interested in curating than restoration.
Begrudgingly, you call your Uncle once again and explain what's happening. You know he's busy, he's been in meetings all day and you know he's had to step out to answer your call.
Gritted teeth, he tells you he'll sort it, and calls you back a few minutes later.
"Soap's coming to grab you, find a pub and get yourself something to eat on me. I'll give him a text to let him know where you are."
This really isn't the solution he wanted, but your safety is paramount and there's no way he's letting you sleep anywhere potentially dangerous.
The stars aligned in the most infuriating way, practically delivering you to the man he wanted you to stay away from. Soap had too much leave to use up, and so he was taking an extra week at home.
It's far from ideal, and he once again, reminds Soap that he's expecting no funny business.
"Aye Captain, best behaviour I promise." his scottish drawl mumbles through the phone as he hears am engine start.
"I'll even take the sofa."
That does nothing to ease the stress, that the two of you are inadvertently causing him.
It's gone nine by the time Johnny get's to you, the rain still hasn't let up, and he jogs, bag in hand through the front door.
"Bonnie! It's been a while," he greets as he wraps his arms around you, pulling you into a giant bear hug.
And it has, your communication had dropped in in the last couple of months. Both of you becoming busy, and texts that were once answered straight away lie unread.
He's warm and firm and practically engulfing you. He also smells really good.
"Jesus, you're freezing," he notes as he pulls back, cupping your hands in his as he blows on them to get the heat back into your digits.
Johnny makes it way too difficult to not like him. It's like telling you not to imagine an elephant. The more you tell yourself not to do it, the more you do.
He's kind, funny, charming and ridiculously handsome.
It's even harder when he swaps your bag for his, telling you there's some warm, dry clothes for you if you want to change before you head back to his.
In the bathroom you dig out the clothes, the t-shirt is one of his work ones, with the SAS insignia embroidered on the chest, the same one your Uncle wears. That's not what stops you in your tracks though, it's not the sweats either. It's the zip up hoodie, this one isn't army issue. It's well worn and smells absolutely divine, there's a few smells mixed in together but it's overwhelmingly him.
You lift the collar to your nose, breathing it in again and your chest flutters slightly.
Your Uncle's warnings bounce around your head as you leave the stall, and make your way back to the bar.
They also leave your head as soon as Johnny looks up at you, eyes lighting up and smile softening as he sees you dressed in his clothes. You've still got your hat on, covering your damp hair.
You Price's and your bloody hats he thinks when you get close enough again for him to tuck you into his side, as he leads you to his car.
All to warm you up though, he's simply making sure you're not going to get ill. There's definitely no other reason at all that he wants you as close as possible.
"Thank you again, I don't know what I'd have done if you weren't here to rescue me," It's not meant to be flirty, you're genuinely just relaying your gratitude.
But Johnny lives to serve, his whole life is built around that and he thinks that he'd come and rescue you wherever because the way you're looking up at him is sending him haywire.
No funny business. Yes Sir.
The hour drive back to his flat flies by. It reminds the both of you when you first met, and you don't let him forget how he properly put his foot in his mouth.
"We even look similar!" you shriek as he tries to justify why he thought that a trophy wife was the correct conclusion to come to about your identity.
"Nah, you're too pretty to look like him," Johnny doesn't think before he speaks, but he's glad he didn't this time, because when glances over at you as he checks his mirror he's greeted with you wearing his clothes, face hot, and eyes already looking at him.
It really should be illegal for him to rest his forearm on the ledge next to the window as he drives, one hand on the wheel, the other on the gearstick.
"Nearly here now," is all he says, and you hum in response.
Despite living in a new build, the flat is relatively cosy. Maybe it's just the giant 'L' shaped sofa in the corner that looks like you could sink onto and sleep for days on.
"You take the bed, I'll be just on the sofa if you need anything. Bathroom's that way, toothpaste's in the cabinet above the sink."
He was really looking after you, when he stopped for petrol he grabbed you a tooth brush and some make-up wipes, as well as a packet of your favourite sweets.
He really is making it hard, when he's so thoughtful.
Settling down for the night happens pretty quickly, he leads you into his room. Shows you where the phone charger is and grabs a pair of sweats for himself to change into.
Sinking into his sheets felt so wrong, when you thought about lying in his bed it was never like this. Usually, it involved you under him, trapped between the mattress and his frame as he pulled ungodly noises from your throat. Instead you've got a pretty thin duvet, the man you want as your blanket is sleeping soundly on his sofa.
You don't bother to check the time before leaving the confines of Johnny's bedroom, your throat dry after spending far too long thinking of what you wish he'd do to you.
Creeping as silently as possible down the hallway, you make it to the kitchen, without stirring too much noise from your gracious host.
Unfortunately, Johnny didn't tell you where he kept his glasses, it felt invasive to go rummaging but needs must.
"What you looking for, Bon" Johnny mutters, scaring the ever-loving daylights out of you.
With a shriek, you leap into the air before whirling around. If you thought your heart was beating fast, it's beating faster now because he's shirtless in front of you, sweats hanging low on his hips and he's speaking in the sexiest sleep-filled voice.
You don't even noticing him walk towards you until he's standing right there. Christ, he really is toned.
"I-eh...a glass," your garbled response makes him let out a small huff of air as a smile breaks out over his face.
And if you didn't think that you could become more of a mess, he leans even closer and reaches a hand behind your head to grab the cursed object.
Your faces are inches apart, his nose grazing yours so gently you question if it was even there. In this light, his eyes are darker than usual, and his eyelashes seem a lot thicker as his blinks begin to slow. Your gaze flutters down to his lips, and you can't help but reach up to trace the scar with your fingertips.
When your gaze reaches his eyes again, you're already ruined. He's looking directly at your lips, tongue darting out as he swipes at his.
It's you who makes the first move, capturing him in a searing kiss. The flutters in your stomach have moved their way up to your eardrums, where they pound to be let out.
The kiss is all-consuming, your arms wrap around his neck finding anchor in the hair at the base of his neck. His arms have you pinned in, one snaking around your waist and finding refuge on the small of your back, pulling you closer and the other tenderly cupping your cheek.
"We shouldn't," he whispers breaking the kiss, but instead of backing away like you thought you would he dives in again. More passionate and with more tongue this time, teeth catching the bottom of your lip.
"I promised your old man I wouldn't," once again he pulls away, cupping your face, as leaves open mouth kisses down your neck, stopping to nip at your pulse point, before soothing it with his tongue.
"Johnny," you breathe, chest heaving. He lets out a growl against your throat which sends vibrations all the way south.
"He doesn't have to know."
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queerbrownvegan · 8 months
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Proud of the authors that walked out from the Edinburgh book festival not long ago 💚
Culture isn't separate from nature. Fossil fuels have a disastrous impact and we shouldn't dance around it.
-qbv
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toomuchracket · 7 months
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elope with me (ross x reader fluff)
day 5 of promptober75!! ross and shy gf have some mad realisations in the backseat of birthday party!matty's car on the way to edinburgh. that sounds dirty but actually this is the fluffiest thing of all time lol. i've missed writing for ross, and i really hope you guys like this as much as i do <3
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"and then she says, and this is no word of a lie, that she thinks the cannibalism is romantic. romantic!"
matty's tone is incredulous, and so is his face, visible in the rearview mirror. the car swerves slightly as he looks back at you and ross, both of you giggling in the backseat at your friend and his impassioned rant against some film he'd watched recently. 
his fiancée lightly slaps his arm. "stop bitching about me and keep your eyes on the road, please! honestly. sorry, guys."
you laugh as she turns to you and rolls her eyes, before her attention is diverted by matty picking up her hand and kissing it in wordless apology. ross squeezes your own hand and winks at you, letting the peaceful silence linger for a second before he speaks again. "so do you recommend the film, then?"
"yes!"
"absolutely fucking not."
"it's genuinely a good film, ross, it's not matty's fault he's too much of a coward to enjoy it," your friend glares at matty, then turns to lock eyes with you. "you actually might like it, babe. it reminded me of that ethel cain song you told me to listen to."
"oh, strangers?" you say, straightening up in your seat. "yeah, that's romantically cannibalistic, i s'pose. i might give it a watch once we're home."
"christ, not you as well, babe," matty groans, lightly thumping his head off the steering wheel. "i thought you were sane."
ross laughs. "nah, she's just so quiet that she lulls you into a false sense of security, before she reveals her weirdo tendencies," he says cheekily, snuggling into you as your cheeks heat up. "what's that museum you want to go to, again?"
"the surgeons' hall."
"that's the one. brains in jars, and weird shit like that," ross shudders. "creepy."
"i'm cool not going, if you don't want to," you say meekly. "i just don't know the city, s'all, so i don't fancy going alone in case i get lost. streets on top of other streets and all that."
ross opens his mouth, but matty's fiancée gets there first. "no, i'll go with you, lovely! we could make an afternoon of it, get a drink afterwards. or food, if we can stomach it."
the relief on ross's face is so obvious it almost makes you laugh.
you smile at your friend. "if you're not too tired after your event, absolutely. thank you for offering, babe."
"yeah, thanks indeed," ross grins. he catches his best friend's eye in the rearview mirror. "while the girls are off being weird… pub?"
matty nods. "pub."
"i would also like to go to the pub, though," his fiancée interjects. "s'been too long since i had a drink in a good scottish one. we could meet you after our museum trip, couldn't we, babe?"
"that sounds good," you reply. "i take it you're excited to be back in edinburgh, then? you spent some time here before you moved to london, didn't you?"
"babe, you have no idea how much i'm looking forward to it," your friend sighs. "i'm kinda nervous, though. the book festival is a big deal. and i'm worried nobody will ask me any questions at my talk."
ross scoffs. "oh please, you have more fans than we do - don't deny it, matty, you know i'm right. you'll be fighting off people trying to ask you stuff, mate."
"yeah, it'll be great!" you add, smiling warmly.
she smiles just as warmly in return. "well, i hope you're right. maybe you'd better prepare a question, though, just in case no one else wants to talk."
your eyes widen, and you shake your head. "i love you, but there's no way i'm talking in public."
"i'll do it," comes the voice from the driver's seat.
everyone else in the car rolls their eyes. "anything to pull focus," ross mutters under his breath.
matty hears him, though. "oh, shut up, ross. anyway," he clears his throat. "we're about to cross the border, into the land of the soundest people on the fucking planet."
ross cheers when he sees the "welcome to scotland" roadsign, which makes you all laugh. "you know, i always forget that gretna is literally right on the other side of the border."
you look out of the window. sure enough, you're already driving past houses and shops and little grey stone buildings. "this is the place where people come to get married, right? why is that?"
"oh, history lecture incoming," matty laughs - again, his fiancée smacks him on the arm. "go on, rass."
ross rolls his eyes, but turns in his seat to face you. the warmth in those deep brown eyes of his is so distracting, but you're interested in the history of the place, so you try your best to focus on your boyfriend's words as best you can. "short version is that in the 1750s, you couldn't get married in england or wales without parental consent if you were under 21, but that rule didn't apply in scotland, so people used to sneak off and get married here because it was right across the border. and as long as there were two witnesses, practically anyone could officiate - loads of the blacksmiths performed ceremonies at their anvils, probably because couples needed to get wedding rings somewhere, and now every wedding that takes place in any venue here is done over an anvil. obviously laws are different now, but people still flock to gretna for quick, almost clandestine marriages - total opposite of what the pair of clowns in the front seat have got planned, basically."
"oh, shush, it'll be beautiful. i'm excited," you say, smiling at your friends before turning to gaze out at the town. "and that's interesting, that story. it's also kind of beautiful, i think, the urgency of it all. loving someone so much that you just run away together and get married as soon as you can, no circumstance, no fuss, just love compelling you."
even though you're not looking at anyone as you talk about love and marriage, you find your thoughts focusing on a familiar pair of dark brown eyes, a soft smile, dimpled cheeks, strong arms that feel like home. suddenly a little bit lightheaded, you open your window slightly and turn back to face the rest of the now-silent car's occupants, and immediately wish you hadn't.
ross and your friend have turned to look at you directly, and matty's peering at you through the rearview mirror; all three of them are smiling, but the lack of response sends you into panic mode. 
cheeks aflame and heart racing, you start speaking again, far more frantically than before. "i didn't mean to offend the two of you in saying that, by the way, i know you guys are so in love and it's so sweet to see because i love you and i love seeing you happy, and your wedding is going to be perfect and so romantic and i'm so touched that you asked me to be a part of it, and as much as i find the urgency of a gretna wedding romantic i also think it's very sensible to plan the day out in advance because obviously it's such a huge deal, marriage, and i do see the appeal in marrying surrounded by everyone you like and love, i just don't know that it would be for me, but like i said i think your day will be beautiful and-"
"love, slow down, breathe," ross takes your hand in his, rubbing slow circles into your palm - your breathing and heart rate both begin to regulate merely because of his touch. "nobody's offended."
you look nervously toward the front seat. "you're sure?"
"not offended in the slightest, babe," matty says, in the gentle tone you've learned he reserves for the people he loves most in the world. "my girl and i just like showing off."
"speak for yourself, freak," his fiancée scoffs, but her face softens as she looks at him. "nah, it's not about showing off, for me. i just didn't think that true love - like proper romantic fairytale stuff - existed in my world until i met matty. and i want our wedding to reflect that."
your heart glows for them. "that's beautiful."
she shrugs. "it's just my experience. what's yours, if you don't mind me asking? i love the way you two are with each other. i'd love to know how you describe it."
"well, i'm nowhere near as eloquent as you, but i'll try," you say. but the words come easy - all you have to do is look at ross, and your love for him becomes too much to keep to yourself. "for me… it's all about comfort, safety, dependability. i know some of the great love stories have their drastic peaks and troughs, and love can drive you absolutely insane, but that's not the case for us. that's not what i want, or need. i need somebody who shows up for me consistently, who makes me feel secure enough to be more myself, who loves me exactly the same way every day. ross does that for me so effortlessly without ever being boring; there are always new things to learn about him. and i hope he feels the same way about me. it's a quiet kind of love, i think, but it's definitely deep, and true."
you smile bashfully at your boyfriend, who leans forward as far as his seatbelt allows to kiss you softly. "yeah, i think you hit the nail on the head with that description, darling," he murmurs, thumb gently caressing your warm cheek. "just you and i in our own little world."
your tender moment is interrupted by sniffling from the front seat. "for goodness' sake," matty says, wiping his eyes. "i can't believe the pair of you are making me cry in my own car. illegal move."
"shhhh, baby," his fiancée - also teary, you notice - coos, ruffling his hair. she leans over her own arm to grin at you and ross. "you two are so lovely, you know that? coming here with us to support me, and sharing your thoughts like that. i love you, i love your love, and i love that we're all feeling the love today. it's sweet."
"yeah, it is," ross agrees. you snuggle into him as best you can, breathing in the cologne and fabric softener scent of his hoodie and soaking up his warmth like he's the sun. it's not an inaccurate metaphor, actually - he is the centre of your universe, after all. "are you tired, my love?"
"little bit."
"here," ross quickly unfastens your seatbelt and pulls you into the middle seat, thus pulling you closer to him. he gently makes sure you have your new seatbelt on, before wrapping an arm around you and repositioning you against his chest. "go to sleep, darling, we still have a bit of time left in the car."
"will you wake me up when we get into the pretty part of edinburgh?"
ross smiles down at you, so tenderly you could cry. "course i will."
you smile back, eyelids already growing heavy. "alright."
sleep comes easy to you, cosied up safely in ross's arms. as always, he's the subject of your dreams, but the plot of this particular one is a new one to you. well, not totally. you've dreamt of marrying ross before, but the setting has never been so hyper-specific, or recognisable - little stone grey buildings, your hand and his both adorned with wedding rings, clasped together over an anvil, him in a kilt, you in a long white dress, your friends from the front seat of the car smiling and crying happily in the background.
the dream permeates your brain from that point on, even in your waking hours, too. you aren't sure whether it's the abundance of tartan dotted around the royal mile making you think of dream-ross's wedding kilt, or the grey façades of the buildings in the old town making you think of the far less elaborate ones in gretna, or if it's just ross's hand in your own as you wander around the city making you think of wedding rings, but you can't get the thought about running off to gretna with him out of your mind. 
it's funny, you think; you've only spoken about marriage enough to know that it's something you both want at some point, so your brain's constant defaulting to thoughts of eloping, of all things, should utterly terrify you. but like everything else in your relationship with ross, it feels easy, and natural, and right. the thing that scares you the most, actually, is how best to bring it up to your boyfriend.
as it turns out, though, you don't even have to. because, on your final night in edinburgh, ross mentions it first.
it happens after dinner, after drinks, after a singalong in the pub with the trad folk band playing songs none of you knew. you'd laughed and smiled until your cheeks hurt, and danced until your feet did too. ross carried you the whole way back to the hotel - no mean feat, considering he had to go at the same pace as an overly-tipsy matty and his wife-to-be - and he hasn't really let go of you since; not in the quick shower you took to rid yourself of "pub smell" and makeup, not while you brushed your teeth, and not in bed, where he's curled around you protectively as you lie on your side.
he's straight to the point, as usual, however. "you've been thinking about us eloping in gretna, haven't you?"
if you were any less intoxicated, you would panic. instead, you roll over lazily to face him, smiling shyly. "how could you tell?"
"your eyes lingered far longer they usually would on the window of that jewellers near victoria street," ross smiles, reaching to brush a stray bit of hair from your face. "that, and when you let me use your phone to google taxi numbers the other night i saw 'gretna marriage license rules' in your recent searches."
"you're very perceptive, macdonald."
"i try. so… what are the rules?"
"well," you begin, thinking back to your findings. "you have to apply for one 29 days before you want to get married, so the registrars can do all their checks."
"29 days?"
"yeah."
ross grins. "well, i've waited this long. what's another month?"
"really? you want to elope, too?" your breath catches in your throat as you speak - out of sheer joy, though, not fear.
"love, if we could've, i'd have married you on the way home tomorrow," ross says softly. "i mean, we have witnesses - who i think we should ask to come back up with us again next month, by the way - and semi-nice outfits, and i could get us rings easy. what else do we need?"
"you're right, we're ready," you giggle. "and i agree with you about the witnesses. if only to see matty weep when we say i do, honestly."
"oh, he'll be a mess," ross snorts. he brings your hand to his lips. "so it's settled, then? we're doing this?"
you lean forward to kiss him - softly, but not without an undercurrent of love and passion and desire. "yeah, we're doing this. one month, sweetheart, and i'm officially yours forever."
"looking forward to it, my love."
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scotianostra · 4 months
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Scottish Playwright, writer and Artist John Patrick Byrne was on January 6th 1940 in Paisley.
John Byrne where he grew up in the Ferguslie Park housing scheme and was educated at the town’s St Mirin’s Academy before attending Glasgow School of Art, where he excelled. In his final year he was awarded the Bellahousten Award, the school’s most prestigious painting prize, and spent six months in Italy, returning a masterful and confident young artist. His work is held in major collections in Scotland and abroad.
Several of his paintings have hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. In 2007 he was made a full member of the Royal Scottish Academy and is an Honorary Fellow of the GSA, the RIAS, an Honorary Member of the RGI and has Honorary Doctorates from the universities of Paisley, Glasgow, Aberdeen and Strathclyde.
It was by no means an overnight success for Byrne, he was making a living designing book covers for publishers Penguin before recognition, Byrne has also designed record covers for Donovan, The Beatles, Gerry Rafferty, Billy Connolly, and The Humblebums as well as illustrations for the renowned Scottish writer James Kelman.
As well as his artwork Byrne was an accomplished writer perhaps best known as the writer of The Slab Boys Trilogy of plays which explore working-class life in Scotland, and of the excellent TV dramas Tutti Frutti and Your Cheating Heart.
In 2018 Byrne was named Scotland’s most stylish man at the age of 78 at the Scottish Style Awards in Glasgow, beating Outlander star Sam Heughan to the coveted most stylish male title, which was previously won by Richard Jobson, Robert Carlyle, James McAvoy and Paolo Nutini. Byrne, a good friend of comic, Billy Connolly Byrne said at the time he was shocked at the award saying “I dress like a tramp”.
The highlights the quintessential Scottishness of Byrne’s work, and his enduring humour and his focus on the frailty of human experience often lived on the edge of working-class communities. It is a richly rewarding show which underscores r give John Byrne a rightful place as one of Scotland’s finest and most prolific artists.
His most recent work has been murals - one for the ceiling of the King's Theatre in Edinburgh and another in Glasgow to mark the 75th birthday of his friend Billy Connolly.
During lockdown he worked with Pitlochry Festival Theatre to create a new play which was produced and performed remotely.
He and his wife Jeanine also collaborated on a children's book, Donald and Benoit.
Everything he did was drenched in colour. Without him, the world feels a less colourful place.
John Byrne passed away on Thursday November 30th aged 83.
Everything he did was drenched in colour. Without him, Scotland and the world feels a less colourful place.
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