Alt version of this post bc too many people asked for both <3
It's Saturday night and, like almost every Saturday night, Eddie wishes he didn't have to be at some jock party. The flashing lights, the scent of cheap mixed drinks, the incredibly mediocre loud music... And worst of all, the fucking jocks. Everywhere.
'Eddie!'
He looks up to find Steve, with a dopey smile on his face, basically skipping towards him and throwing his arms around his neck. Oh. He didn't know Steve still went to parties like those. Hadn't seen him at any of them in a while. But as soon as he gets wrapped up in an enthusiastic full-body hug, he decides there's one jock, and one jock only, that he doesn't mind running into at those parties.
'Eddie, what're you doin' here?' There's an unfocused look in his eyes and he wobbles on his legs a little bit, grabbing tighter onto Eddie for support. The touch burns through Eddie's t-shirt and he tries to ignore the shiver running down his spine.
'I didn't know you liked parties!' Steve drops his voice, slurring: 'I thought you hated the jocks.'
Eddie can't help but smile. 'I hate all jocks but one, big boy,' he tells Steve. 'Not here to party, only to get some cash.' He rattles with the metal lunchbox in his hands to illustrate his point. 'Can you let me go now so I can get on with my business, pretty please?'
'Noooo,' Steve says with an exaggerated pout. 'I'm too happy you're here! Dance with me!'
Eddie chuckles. 'I don't think you're in any state to dance right now. Jesus, Stevie, I don't think I've ever seen you this wasted before. Thought you were planning to pick up a girl tonight?'
'I was,' Steve says, suddenly sounding oddly serious. 'But it doesn't matter. Just needed to forget. The rum helped, too.' He frowns. 'Til you showed up.'
'Forget what?' Eddie asks, trying to make sense of this drunken string of words.
Something happens; something that's been happening quite often lately. Steve's eyes flash downwards, just for a second, right to where Eddie's lips are.
Eddie's heartbeat involuntarily picks up speed.
'What did you need to forget, Steve?' Eddie asks again.
'Can't tell you,' Steve mumbles so softly that Eddie can barely make it out over the loud music. 'I don't wanna make you feel guilty. I'm not judging you, y'know. 'S fine.'
He abruptly lets go of Eddie and takes a step away from him, stumbling right into some girl who pushes him back with an annoyed scoff; if Eddie weren't still standing right behind him, he would've fallen on his ass for sure.
'Alright, you're not making any sense tonight, big boy, but I can't in good conscience let you stay here by yourself. How 'bout I'll drive you home?'
Eddie glances at his watch. If he hurries, he can probably still be back to do what he came here for before the good part of the party is over. He does kinda need the cash.
'Can't,' says Steve. 'Can't go home with you.' Something in his voice is breaking and suddenly there are tears in his eyes, and Eddie still doesn't understand what's wrong; he feels like he's overlooking something huge, something that should be obvious.
'Let's just go outside to talk, then?' he suggests.
'Can't. Dance with me, Eddie.'
But when Eddie starts gently tugging Steve towards the open door leading to the garden, Steve easily lets himself be led outside. He closes his eyes and takes a deep breath when the cool night air reaches his lungs, as if one gulp of fresh air will instantly make him sober up. But he's still swaying on his feet, making Eddie grab onto him tighter.
Eddie likes to think of himself as moderately strong, but unfortunately, hauling 180 pounds of muscled jock around is starting to take its toll on him. He spots a bench in a secluded corner of the garden and guides Steve towards it.
'This better?' he asks.
'Yeah,' Steve breathes out. Even now that they're both sitting down, Steve keeps clinging onto him. 'Look at the stars, Eddie.'
Eddie looks up at the scattering of lights twinkling far above them - but he can feel Steve's eyes still burning into his face.
When he directs his gaze back to the guy sitting next to him, Steve's face is even closer than before. The starlight is reflected in his hazy eyes, tiny specks of silver hidden in various shades of brown and black.
'I wish I could kiss you,' Steve whispers, looking at Eddie with nothing but admiration behind that glassy drunk gaze.
Eddie almost forgets to breathe. He knows that it seemed like he and Steve were headed exactly toward something like this for a while now, but he still can hardly believe that it is real. That Steve Harrington is really looking at him like he's just as precious as the stars in the sky above them.
He brings up a hand, gently caresses Steve's soft cheek.
'Maybe you don't have to wish,' he whispers back, unable to stop his eyes from flashing towards Steve's beautiful lips for a moment. 'Tomorrow. When you're not drunk anymore. If you still remember this.'
'No.' Steve shakes his head, so fiercely it makes his hair flap in all directions and his complexion at least two shades paler. 'Can't.'
'Why do you keep saying that, Steve?' Eddie asks softly.
'Cause.' For a moment Eddie thinks Steve is gonna grab his ass, but then... he randomly frees Eddie's handkerchief – the one with the skulls – from his back pocket.
'Cause of the Russians.'
Eddie can only stare at him in confusion.
'They tied me up,' Steve all but whispers. Eddie hates how small and broken his voice suddenly sounds.
He has always known – broadly speaking – about what happened to Steve and Robin miles beneath Starcourt last year. He's never actually heard Steve talk about the details, though. All he knows is that he and Robin were captured by Russian spies and somehow made it out alive. He could always see how difficult it was for Steve to talk about it whenever it came up, but he never wanted to pry. And now here they are, at some goddamn high school jock party of all places, and all of a sudden Steve willingly brings it up.
'I was with Robin,' Steve continues, still in that scared and broken voice. 'And they tied us to a chair. We couldn't move. And they – they hurt me. They hit me. 'Til I was bleeding all over. I thought I was gonna die. Robin thought I was dead.'
'Jesus Christ, Steve,' Eddie breathes out, tightening his grip around Steve's torso.
'So I can't,' Steve mumbles, holding up Eddie's handkerchief as if it's some kind of logical explanation for whatever it is he's trying to tell Eddie.
'Wh- What?'
'I know what it means, Eddie,' he says, as if he's even remotely making sense right now. 'You know John?'
'Who the hell is John?' Eddie only keeps finding himself more and more lost in this conversation.
'My cousin,' Steve says, like it's obvious, like he's ever talked about some cousin named John to Eddie before. 'The one in New York. He knows all about that shit, right? He sends me the good magazines sometimes when my parents aren't home. That's how I know.'
'Know what?'
Steve only waves around with that stupid handkerchief again.
'You're flagging, aren't ya? You like pain. Like BS... BM...'
Eddie feels his jaw drop.
'What the fuck are you talking about?' he asks. 'It's – this is a metal thing. It looks metal. I literally have no idea what you're – flagging?'
Now Steve's face finally mirrors the confusion Eddie has been feeling for the past ten minutes.
'Are you serious?' he asks, for one second showing more clarity in his eyes than Eddie has seen all evening.
Eddie nods.
'So it's not...' Steve stops himself, swallows, frowns. 'You're not into, like, hurting people and shit?'
And finally, it all clicks together in Eddie's mind: the repeated chorus of I can't, the story about the Russians, the goddamn handkerchief... Flagging. BDSM.
'Why the hell would I get off on hurting you, Steve?' is all he can get out of his mouth.
And Steve honest-to-Satan starts giggling; it sounds so relieved that Eddie kinda feels like giggling too, scary metal image be damned.
'I dunno, it's more common than you think,' Steve mumbles. 'I wouldn't judge you, alright? But I knew I could never give you that. No matter how much I like you. And then you'd get bored of me.'
'Oh, Steve,' Eddie whispers out. 'You don't need to worry 'bout that, I swear. For all I care, we can have the most vanilla sex in the world forever. Or never have sex at all. As long as it's with you... I'm good.' Eddie cringes as soon as the words leave his mouth: it sounds too cheesy, too sincere. He kinda hopes Steve will have forgotten this particular part of their conversation tomorrow morning.
But Steve doesn't look at him like he thinks it's stupid at all: his eyes are wide and he's smiling a soft smile.
'You sure? You won't get bored?'
Eddie chuckles. Now that he's being too goddamn cheesy anyway, he might as well double down on it. 'I can't imagine getting bored of getting to hold this body in a million fucking years. In any way you'll have me.'
Steve heaves out a relieved sigh before he buries his head against Eddie's chest.
'Can I bring you home, now?' Eddie asks.
There's a twinkle in Steve's eyes when he lifts his head again.
'Ooohhh... You wanna have the most vanilla sex in the world with me now?'
A chortle escapes Eddie's lungs.
'Um, maybe tomorrow, when you're not drunk off your ass,' he answers with a wink. 'For tonight, just lemme get you to bed, 'kay?'
'Okay, big boy,' Steve answers, and Eddie can't help but laugh before he presses a kiss against Steve's forehead.
2K notes
·
View notes
i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
222 notes
·
View notes