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#did anyone make it this far?
angeart · 5 months
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And 29!
--from ao3 wrapped [writers edition]
29: Favorite line/passage you wrote this year?
this is a very interesting question! and also very difficult, given the amount of things i've written in combination with my bad memory. so of course i went and dug through things, overthinking this, even though, really, i know exactly what to answer. still, let me take the long route. (because i'm an idiot and there's no other way.)
so first i'll ramble about things i like.
starting with the phrase that always makes me weak, and i don't think i use it enough, but characters just dissipating into giggles—that exact wording. like. c'mon. that. whenever i get to use it, i'm so happy. it's such a lack of control and overflow of joy. the best thing ever.
but if we move into specific passages... (i go on a bit of a tangent, so the rest is under the line-) (dancing scene at the end there and a bit of a hmtb spoiler/sneakpeek/preview for you guys)
i looked over the cursed forest au fic (even with death haunting your footsteps, your flowers will bloom again), looking for pretty sentences, and the problem is, that fic is full of pretty sentences. (i honestly don't know how i did that, but it does make me happy.) something about words like the warzone of his good intentions, you know? (i had more. i'm trying to be concise.) (i promise.)
but really, there's one phrase in that fic that i do think about sometimes still. so it needs to be mentioned. here:
It still hurts, to be treated so gently, but unlike everything else, it hurts in a way he thinks he might be able to survive.
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i also want to bring up a sentence from Elegy that lives in my head rent-free (this is from chapter 3, which i'm aware is unreleased as of now, but shh):
The grief is a guillotine, and he’s bending forward, hair falling away from his neck, baring skin and bracing for impact.
there's just something about that that refuses to let me go.
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but! i also enjoyed writing happy things. (shocking)
especially this passage from these flowers will wither (like you and me), but they're not dead yet was very fun to write:
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Grian grins at him, something bright and cheeky. “Do you want to try that again?”
There’s a pause when Scar attempts to recalibrate. (He fails.) (He absolutely fails.) 
He tries to grab something rational in him, tries to tell himself that Grian means dancing. But his traitorous heart supplies a wholly different answer to him. 
Scar pushes himself up and, with fingers sliding along Grian’s jaw, he presses his lips to Grian’s.
(They’re warm. They’re chapped. They’re Grian Grian Grian Grian.)
He feels the vibration of Grian’s laughter against him before he really registers the sound.
“That’s not what I meant,” Grian scolds, but there’s no bite in it; he sounds entirely too pleased and amused, even as he piles a handful of sand on top of Scar’s head in playful revenge.
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and this honestly now brings me to hmtb. which is where we anchor.
believe it or not, there is a happy scene that i can't stop thinking about (just the sheer power of it, across all the pain and messes and saddness—scar making grian laugh like this.)
------ hmtb chapter 49:
Scar looks at him innocently and presents his question: “What is a romp, Impulse?”
Grian bursts out laughing.
A big, toothy grin spreads across Scar’s face at the sound.
Impulse’s eyes briefly flit to Mumbo and he feels his face get hot. “I— What— That’s not fair!” he whines. “That’s not a truth, that’s a, Scar, I’m not a dictionary!”
At that, Grian laughs harder, bending over. His giggles tip over proper cackling, a bit breathless around the edges, and Scar thinks it’s the most wonderful sound in the whole world.
------ and of course this moment from chapter 47:
Neither of them can help it; their lips treacherously stretch into smiles where they’re pressed against each other, before they both helplessly dissipate into giggles, feeling lightheaded and high. 
“What are we doing,” Grian huffs out through his laughter.
“Kissing,” Scar replies cheerfully and demonstratingly places three kisses along Grian’s jaw.
It’s the best thing in the world.
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bet you didn't expect me to pull out the happy scenes out of this mess of a fic. ha.
but also! one the things i really like and enjoy is throwing anything to do with explosives, tnt, fire, etc, at scar and grian. like this:
Skin tingling and heart feeling like TNT on the verge of explosion, Scar moves to follow him, blindly, willingly, the way he’d follow him anywhere.
and this:
Watching him, Scar laughs quietly. He thinks of the sound the flint and steel makes, of the little click, of the hiss of TNT as it readies itself to cause damage. It sounds like his heart feels. He thinks of sparks that catch on leaves and grass and bark, a tree going up in flames, the catastrophic heat spreading violently to anything it touches, and he wonders if that is how Grian’s heart feels.  
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now, since i'm already rambly. there is one bit of hmtb i keep thinking back to constantly. and it's a particular conversation from chapter 21 (the talk in the middle of a crisis). this bit in particular:
 “He wasn’t afraid then. He knew you could kill him, but he wasn’t scared. And you know what, Grian? You didn’t kill him,” he finishes softly. 
“I… didn’t kill him?” Grian repeats, dazed and wobbly. 
“He wasn’t scared, and you didn’t kill him”
(you guys should keep this in mind too. it might get a callout sometime, uhhhhh, around chapter 100 or so at this rate—)
(don't worry about that, ofc.)
and now for the real answer. (wow.)
because here's the thing. you're asking what's my favourite passage. and really, i love all those other things too, but there's one particular bit of writing that hits closer than any other.
the dancing bits.
the heartachy, complicated, painful dancing bits.
and yes, this ties to the whole fic i wrote about them dancing in the desert, but listen. the purely-hmtb bits? those? those. okay?
here we go:
------ hmtb chapter 37: call of the desert
Scar sighs a little and says: “I miss it.”
“Scar,” Grian’s voice is absolutely unsteady.
They haven’t really talked about the desert, not since it was over.
Nobody ever talks about life games, if they can avoid it.
But now Grian sits here and he has to forcefully remind himself that the skin over his knuckles isn’t torn raw and that Scar’s blood isn’t coating his hands and he has to accept that Scar misses the desert and Grian also misses it, in a way, and it’s all so dizzying, it makes him lightheaded.
“We used to dance,” Scar says thoughtfully. “Why don’t we do it anymore?”
“I forgot how,” Grian barely manages to get out. He didn’t forget. In fact, he remembers every step Scar taught him. He remembers them stumbling together into a fall, a small giggling heap on top of the warm sand, limbs tangled. He remembers the moment when Scar grinned wildly at him, joy bright in his eyes, as they completed a couple of steps without a hitch for the first time. He remembers how they laughed and danced, giddy and high on life in a world that promised nothing but death.
He doesn’t want to remember. It hurts his heart.
“I can teach you again,” Scar suggests softly.
The pain in Grian’s heart just gets worse.
Scar reaches for Grian’s hand, then. Even if they’re both sitting on Grian’s bed and they can’t dance like this, he still slides his fingers underneath Grian’s palm and brings it up, in exactly the same way he held it when they danced. With curved lips, he hums a melody.
Grian looks at him, absolutely wretched. His hand twitches in Scar’s grasp, but he doesn’t pull it away. “Scar,” he half-whispers, in a miserable tone. He meant to say stop, but he can’t bring himself to. So he just pleads, using Scar’s name itself, hoping the other man will get it.
Scar studies Grian for a second, before he lowers their hands. He huffs out a small laugh. “It’s okay. We can leave it for some other time.”
Grian purses his lips. He doesn’t say there won’t be another time. He doesn’t say he doesn’t want this. He doesn’t say that something in him desperately wants this, actually, please Scar please.
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but, you know what. it isn't over.
this answer has been long enough. i know. i know. (i appreciate and love everyone who bothered to read this far <3 ) but. but there's more.
there is more, and it's so closely related, these scenes are entwined and live snugly side-by-side in my heart. but. here's the thing.
this next bit is 1,2k long, and it's from a chapter that, as of now, hasn't been released yet. for the curious, greedy, hungry souls (love you all to bits), here it is:
------ hmtb chapter [unspecified]
Scar blinks and recalibrates under the scrutiny. His eyes dart to the jukebox and he lets a smile spread across his lips, as he reaches out a hand to Grian. “Hey, G, you wanna dance?”
Grian’s eyes widen a fraction, thrown off by the abrupt suggestion. “I’m… not sure,” he manages to say, eyes dropping to Scar’s invitingly outstretched hand, palm-up and ready for him. 
His emotions wrangle in him—a need to be close, to give in, to accept everything Scar’s giving him, pushed violently against the sharp memories of sand and desert, something happy tiding over into blood and pain and misery.
He flexes his fingers, pulls them into a fist and then stretches them out, trying to unknot the tension and release the slight tremble that courses through them. His throat feels dry, all of a sudden.
“It’s okay,” Scar says in the softest tone that never fails to tug at Grian’s heart. “I can lead.”
The music turns mildly cacophonic, askew and sick. It buzzes and pitches and tilts, in a way music isn’t supposed to be able to. And Grian realises that he’s told Scar before that he forgot how to dance. 
Scar taught him all the steps, back in the desert. A lot of hours spent in the stifling air upon sun-warmed evening sand, stumbling and laughing and holding onto each other. Their skin was more tanned then. Their eyes were brighter, their souls wilder. They felt unstoppable.
Grian feels anything but right now.
He doesn’t know if he can take it.
But Scar’s reaching out to him and Grian finds that he cannot turn away from it, his body shackled and chained, unable to resist. And so even if everything in him screams no, he still finds himself reaching back, meeting Scar’s hands with his own trembling fingers, trepidation sinking its teeth into him.
Scar’s smile brightens and oh, maybe it’s not trepidation that Grian feels.
He feels Scar’s fingers take hold of his hand, secure and warm; they pull at him, but not in a destabilising way. It’s the opposite: they tell Grian exactly where to be. Scar’s other arm finds Grian torso and seamlessly slides across to his back, sending shivers down Grian’s spine; his wings stretch out and shudder, before they fall back, feathers lightly brushing over Scar’s skin.
Everything about this is electrifying, and it’s driving Grian haywire. 
He thinks maybe he needs to stop thinking. Maybe he needs to give in to the part of him that wants to let Scar have control of the two of them now; the part of him that wants to trust and believe that he’s safe; the part of him that craves affection with ugly, hungry desperation. 
Scar leans closer and with a rumbling baritone wrapped in velvet, he checks: “Ready?”
Running on nothing but instinct, Grian squeezes at Scar’s hand.
With a low chuckle, Scar lets go of Grian’s back and Grian almost gasps at the abrupt loss—but all Scar does is guide Grian’s free hand to his waist. “Like this,” he murmurs, his voice just a step away from purring, and then his hand slots back against Grian’s spine.
A trembling breath leaves Grian’s lips and he dips his head, leaning forwards, inching closer to Scar. He feels the response in the way Scar’s touch on his back turns firm, accepting the new closeness with reverent neediness. He can’t see Scar’s face, but he can tell Scar’s lips are curved in a smile, cheeks slightly dimpling.
He almost wishes to look, but he can’t, he can’t, it’s too much. 
He takes a deep breath though his nose. The air isn’t dry and hot. The ground doesn’t shift underneath his feet.
It hasn’t shifted underneath his feet in ages, but right now in this very moment, a part of Grian distantly thinks that it should. That if they’re going to dance, it should be atop a mountain, feet sinking into sand.
They’re standing on carpeted floor, and the music disc is one they didn’t have in the desert, the sounds of it wrapping around them in a rhythm completely discordant to the fast beating of Grian’s heart. 
With gentle and deliberate move, Scar directs them to sway. Their feet shift, steady on the solid floor, something learned and simple. Scar leads them in careful, basic steps, the ones he used at the very beginning to teach Grian. Back when even that was too much, and Grian kept stepping on his feet, and Scar kept catching him.
Scar doesn’t need to catch Grian now, because Grian knows these steps. They’re imbued in his muscle memory, something sunken and anchored, a part of his soul that’s reserved for things that feel like home.
Testingly, Scar throws in something more complex. He pulls Grian along, turning them in circles, every step confident and filled with joy. The music is the background rhythm, but they’re both locked somewhere else, in a fragment of a memory—something that used to be; something that Scar believes could be again.
With a curve to his lips, Scar hums and remarks: “You said you don’t remember.”
Grian’s breath hitches and it’s only now that he lifts his head to meet Scar’s gaze. Despite that, his feet do not stumble; he doesn’t need to watch where he steps, he knows it all by heart. His gaze anchors in green eyes and something rises within him so tidally and overwhelmingly that he feels hot wetness blur his vision all of a sudden. “How could I forget?” he manages past the lump in his throat.
Scar gently lets go of Grian’s hand and instead reaches to touch Grian’s jaw, brushing his thumb soothingly over Grian’s cheek as he takes in the raw, ravaging emotion in Grian’s eyes. 
Grian moves his suddenly free arm around Scar, fingers finding purchase in the fabric of Scar’s shirt, digging into it until he has a firm grip. His lungs spasm in his chest, his heart stutters, his wings droop then lift and spread. A loose feather drops to the floor and Scar sidesteps it expertly, as if it was somehow too precious to damage. 
“You remember,” Scar murmurs, an odd inflection to his voice. 
Grian’s skin buzzes where Scar touches it; a tingling, warm sensation spreads from Scar’s fingertips and robs Grian of breath. “Of course,” he murmurs, quiet, destabilised. 
Scar’s eyes crinkle in joy, lips spreading into a bright, toothy smile that ends in dimpled skin as he looks at Grian. He makes no attempt to call out Grian’s earlier lie; he seems content in knowing that this is the truth, warm and alive underneath his fingers, guided by his steps. “Oh, I wouldn’t mind teaching you again, but this makes me so happy!” he admits openly, fractionally heightening their tempo as he leads them in spinning circles, everything in him attuned to the music even as it becomes nothing more than a background noise.
Grian isn’t ready for those words. Nor for the way Scar looks at him.
He feels like he’s drowning, and Scar’s both his sea and his oxygen.
Scar starts humming in tune, the happy expression lingering on his face, and it’s only then that the discordant rhythm of the song disentangles and starts making sense to Grian. It’s only the reverb of Scar’s voice that puts coherency into Grian’s existence; into their steps across the carpet that doesn’t give underneath their weight; into the way the room sways around them, full of warm shadows and flickering flames and muted colours not quite matching sand.
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butchfalin · 5 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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fred-the-dinosaur · 5 months
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ok, I started writing this in response to someone in particular but it felt unfair to single them out when the reason I was moved say something was because they were like the seventh person saying the same thing in a day.
To all the people like me, who had never heard of those YouTubers. Yeah, I get the vibe. I'd never heard of him either! Or any of the others. But so what ? Firstly, someone else you like is probably doing the same thing, and Secondly, on this scale? You probably HAVE HEARD of him. You just didn't know.
As turns out, I HAD heard of him.
I was so sure I hadn't. Lucky me for being so disconnected from the internet zeitgeist that I am insulated from its fallout! lol. Except I had read @vaspider 's post rejecting his spreading of Leibowitz's statements about 'boring people dying of aids', someone who at the time was struggling uphill against public opinion. Someone else I follow had a Hannibal video plagiarized last year by a big youtuber who turned out to also be him. My wife and I love watching verilybitchie, guess who also got a video ripped off by somerton?
And, like, you're right about how the fuck did people not take more issue with the 'nazis so hot' shit. But lots of people believed him, and spread it wide enough that you might have seen it. I am sure I've seen other, less explicitly awful takes of his crossing my dash, even passed them on, takes that were not even particularly horrifying, just misleading or untrue or stolen and taken out of context. Takes that are distorting the narrative of queer history on tumblr, beyond.
I'm not pointing fingers, just worried the impact of the video is getting lost. I wish someone who could write better and sound less grumpy doing it had written this instead. I just hadn't seen anyone else say exactly this yet. Specifically that, like me, you probably have heard of him, or more importantly his influence. Lots of other people you like got their stuff stolen by him.
And if you really have never met him or the consequences of his actions. then you've met someone else just like him.
I'd never 'heard' of him. So what?
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royalarchivist · 2 months
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I say this in the kindest way possible, but I think this style of prose is more appropriate for a personal account rather than an update account. I have no idea who's being talked about half the time. 🥲
[ Tumblr meme via @mikaikaika ]
#QSMP#Philza#Edited#Phil#Let me know if this needs an additional tag#I don't think this necessitates a discourse or neg tag or whatever because I'm being silly but I'm happy to add one if folks need it#I won't post this one on Twitter I don't think because I genuinely don't want to hurt anyone's feelings#but. I feel very strongly about this. It's not helpful#I say this as a fan and as a professional writer (who also worked in the Marketing and Communications field for far too long)#The prose is nice! It's very whimsical and they're having fun! But I don't think it's appropriate for an updates account#I recently turned off notifications for QsmpEN and I'm considering muting them because half the updates just aren't helpful to me#I want to be able to speed read through the update thread I don't want to spend an additional 30 seconds trying to decipher who's who#I don't like posting complaints so I tried to make it a funny complaint#because I do think feedback is good! And I know I'm not the only one who feels this way#but at the same time: these update writers ARE volunteers#(As a side note -- I personally think anyone running a large social media account should be paid)#(I did that for a few years and it was hell. I can't imagine doing that and NOT getting paid for it)#But anyways#They're all volunteers so I don't actually wanna go all pitchforks and torches on them (which I wouldn't do anyways even if they WERE paid)#I'm just venting my frustrations in what is (hopefully) a funny way#but you're welcome to disagree! That's ok too#Portfolio
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mitchmotch · 7 months
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i was commissioned by @achinga to draw vash and milly! they're so silly :)
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daily-hanamura · 8 months
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#p4#persona 4#p4g#hanamura yosuke#yosuke hanamura#anyone that says yosuke is nothing but mean and awful to Kanji should meet me in the parking lot#we're not going to throw hands im just going to show you my 100 slide powerpoint presentation on their complex dynamic#for me one of the most appealing things about yosuke is how human and realistic he's been written#he is simultaneously capable of immense empathy and care towards his friends while at the same time struggle with his own identity#combined with a difficultly in self expression that results in him making tactless and hurtful remarks at times#thats not to say it makes those remarks ok - far from it!#but i think reducing yosuke to just those remarks makes him a rather empty caricature#which is such a shame especially considering that his entire personal narrative arc has been about confronting himself so he can be better#but anyway yes he cares about his friends he cares about their well being so much#he didnt have any obligation or a responsibility to look out for his juniors but he did so anyway without anyone asking#and it's so!!! because kanji does not look like he needs babying at all. hes taller than both yosuke and yu and he looks way older too#kanji has taken care of biker gangs by himself and is known to be intimidating#not that any of that fazes yosuke? kanji is his friend now hes one of them and therefore yosuke immediately wants to look out for him#god hanamura yosuke you so!!!#AAAAAAAAH#he's good with his queue
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sexylinoleum · 2 months
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Based off that one Ralsei valentine. He is such a weirdo.
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lastoneout · 1 year
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comradekatara · 1 year
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You've mentioned Zuko's "inability to kill" before, so could I ask you to elaborate on that?
sure. zuko is banished for, essentially, committing treason. he says to ozai that he was banished for "speaking out of turn," but simply speaking out of turn is not actually why ozai banished him. zuko said that people shoudn't have to die for the sake of further empowering the fire nation, and that goes against their nation's entire ethos. zuko lacks, as azula puts it, that "killer instinct that is just so fire nation."
while zuko does set fire to suki's village in his quest to capture aang, and you could argue that he may have committed other such acts offscreen, we never actually see him outright kill anyone. unlike zhao, who kills the moon, and azula, who kills aang in a manner that would have ended the entire avatar line had katara not revived him, zuko threatens and intimidates and harms, but when it comes down to it, he does not actually kill, because he simply cannot.
he threatens to kill zhao, and if he had killed zhao, no one in the audience would fault him for it. zuko does not even burn him upon winning their agni kai, going against custom; zhao calls him a coward for it. zhao tries to kill zuko on multiple occasions, including when he blows up zuko's entire ship. but, when the ocean spirit is dragging zhao under, zuko still extends his hand in a futile attempt to save zhao. contrast this scene with sokka arguing to leave zuko for dead in the same episode. he legitimately does not have a problem with letting zuko die, because, as he says, zuko would do the same thing to them (at least, sokka seems to think so).
sokka kills combustion man, toph kills yu and xin fu, and neither of them have any regrets. conversely, katara cannot kill yon rha, and aang cannot kill ozai. like sokka and toph, they are justified in killing these men, perhaps even more so (since yin and xin fu did not actually attempt to kill toph, "only" kidnap her), but they ultimately choose mercy. like zuko on kyoshi island, aang and katara's actions, such as blowing up the factory in jang hui, may have had indirect casualties (i don't count aang being merged with the ocean spirit because he was not truly in control), but they are never able to kill directly, because when faced with another human being, regardless of how much they may hate them, their pathos prevents them from delivering that killing blow.
zuko, as a foil to aang and katara and the deuteragonist of the narrative, is also someone whose instincts prevent him from being the cold-blooded killer his nation expects of him. it is why, unlike the rest of his family (including iroh), he is unable to produce lightning; he is too sensitive to become the perfect weapon his father wants him to be, which is why azula's reveal is so thrilling and terrifying to the audience, because she is what ozai wants in a protege, unlike zuko, who try as he might, fails at embodying the fire nation values of ruthlessness and power at any cost.
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lesbiradshaw · 10 months
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Remember when we bunked together on the carrier?
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charliespoorasshole · 10 months
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geralt + yennefer: *parent mode activated*
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cocolacola · 1 year
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man idk, i only watched five episodes. sorry
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werewolf-cuddles · 2 months
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Boy, this Willy's Chocolate Experience fiasco has sure been amusing to look at, hasn't it? This trainwreck has given us nothing but pure wholesome fu-
>Paul Connell, the most well known of the "Willy McDuff" actors, got outed for dating a 16 year old student while he was a 22 year old drama teacher
Oh for fucks sake
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ghastigiggles · 2 months
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Omg omg omg "Here comes the tickle monster" with ler!Jing Yuan and lee!Yanqing! If that's okay ofc💕
Mischievious Prompts [Still Open]
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“My lord, please, you should still be resting…”
“A little rest is good for the soul,” Jing Yuan smiled back, gazing out the window; “But too much, and one risks becoming lethargic.”
Yanqing sighed softly, his brow furrowing with worry as he gazed at the general’s back. While it was true that Jing Yuan was bouncing back well, a part of him – the part that was still attached to his mentor – still stressed over the depth of his wounds. Jing Yuan could be like a cat at the best of times, concealing facets of his health to avoid worrying those he cared for – and giving his enemies an advantage, all the same.
“... I understand,” The young warrior managed after a moment, knowing better than to push his luck too far; “In that case, if there’s anything I can do to help, please, let me be of service.”
“Hm.”
Jing Yuan turned to look down upon Yanqing, a soft smile upon his lips as he took in the boy’s worried state – and with a soft chuckle, he nodded, turning to face him fully as Yanqing perked to attention.
“There is one thing…”
Something about the general’s tone struck a memory for Yanqing, who promptly tensed – suddenly overwhelmingly glad that there were no other members of staff present in Jing Yuan’s office. As the older warrior stepped forward, he stepped back, swallowing as he realized where this was going.
“My lord…! You can’t be serious – your condition is –”
“Not severe enough to stop the tickle monster!”
In a split moment, Jing Yuan grinned and started closer, earning a yelp of alarm from Yanqing as he darted away in turn, quickly moving to stay out of reach – though he couldn’t stop the anticipatory, equally entertained smile from seizing his features, nor the squeal that escaped him when the general finally seized his target. 
“Here it comes!”
“Eeyah! Nohohoo, my - my lohord…!”
Ultimately, a little laughter was a soothing balm for both of their souls – and for those who passed by the office’s doors, pausing to smile at the muffled sounds of play within. All would be well within the Divination Commission.
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plulp · 1 year
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I NEED A DOCTOR!!!
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divine-construct · 9 months
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i am taking oppenheimer away from the public until everyone learns how to read and understand media because my god the public’s media literacy when it comes to oppenheimer is terribly bad.
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