Since I drew Peridot again I been thinking about something that always bothered me. I'm not just talking about the whole "omg steven universe characters shrink lmaoo" it's that her entire design just gets worse. The big-ass boots are essential for balancing out her massive head
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i dont know if this something you put a lot of thought into but it seems like you might and im curious so, what are some of your favorite themes to write about/the themes that interest you in writing or media?
Oh wow, good question. I put both a lot of thought and very little into the themes of my work. I always sit down and decide what I'm saying, and the meaning of the story, but some things always emerge in the writing. I usually discover what a story is actually about as I'm writing it. It's usually only after I finish the work that I realize what themes I had put in there, which seems like it should be bad. I think this means that a lot of my themes come through subconsciously. They're typically just...things I think about a lot.
I think the one thing I keep on coming back to is *tumblr voice* the mortifying ordeal of being known. That entire article, including the image of walking down a hundred stories of hell before reaching heaven, reconfigured my brain. It's just so damn hard to exist in a world with other people in it. There's an inevitability to hurting each other, but the love's worth it. Playing The World Ends With You at a vulnerable age primed me for obsession with this. That one quote from The Little Prince, ya know.
Generational trauma, cycles of trauma and abuse, and the long-term impact of trauma comes up a lot for me too. How being fucked up makes you fuck up others, the long-term consequences of being fucked up, the coping mechanisms we develop as a result. The ugly side of trauma and mental illness, the way we lash out and hurt people. I talk about escapism a lot, and the impact that has on you and the people around you long-term. This is usually exemplified through amnesia plotlines. This is a deep cut, but the Warchild series by Karin Lowachee had the best take on this I've read in a book.
Non-traditional love. I end up writing a lot of sibling dynamics, but I like creating unnamable and undefinable relationships. A lot of things I write just become very aro and asexual narratives. Love that saves. Love that isn't enough, but it still matters. The other side of love, which is grief.
I could go on. Forgiving yourself. Struggling to determine how to be a good person. How your identity & the intersections of your identity affect who you are. Power and power dynamics. A LOT of man vs self stories, like a lot a lot (I'm not overly interested by villains). The experience of being mentally ill and navigating the world as a mentally ill and/or disabled person. The differences between navigating the world as a man or a woman. I write a lot, so a lot of stuff tends to come up, lol. Roleswaps - fucking, somehow, for some reason, WHY, WHY DO I WRITE SO MUCH OF THEM -
Thanks for the ask, I had to do some self-reflection to answer it! I never really realize I'm writing about these things until I am, again. They're just all part of my framework of how I understand the world. Everybody has those, but when you're a writer it's easier to pull them out and microscope them.
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Season 8 was like 6 years ago(I feel old) and I know ppl have differing opinions on the Mr Echo thing (but it was intended, made it to storyboard and blocked animation and then dropped, soooo) but. I can see his recruitment p easily tbh. Bc the whole reason Dr J was in that lighthouse was because he was resurrected, forced there, and ordered to build Skulkin vehicles by Samukai. But Samukai in the flashback we see has already been deposed as leader of the Skulkin/Underworld. Which means the orders to do so most likely came from Garmadon.
And since Mr. E is one of the head honchos, he's likely an early arrival to the team, so I don't think Harumi has a whole lot figured out at this point, she's just got her Trauma and some Bad Influence Friends and an obsession with Lord Garmadon. So. Like. Plausible deniability road trip that she's just visiting important markers of Ninjago's recent past, all of which involve Lord Garmadon in some meaningful way; its sightseeing, its cathartic, and it gives her time to develop her dream Motorcycle Gang/Resurrection Cult. She's not looking for anyone at the Lighthouse, but she is looking for vehicle blueprints so she can be the Koolest leader on the block. But oops she looks in the basement and there's an Echo.
And she's flipping out bc??? A Ninja???? In the Lighthouse basement??? I mean it makes sense that it would be this one but???
Except this rusty old robot has no idea what she's talking about with this Ninja stuff, he's just waiting for his dad to come back.
And Harumi pauses.
Because how long has he been waiting? He's not sure, he had no proper way to measure time in the basement, and he doesn't have the best view of his clockwork heartpiece. But it was after his father saw a strange ship docking; Echo was worried it was the People who had locked up his father in the first place, but instead his dad sounded happy when he saw whoever was out there. It could have been a front, though, as clearly it was never safe to let Echo back out. Then Dr J popped down briefly, while everyone above was resting, to tell Echo he was desperately needed elsewhere, that it wasn't safe to bring Echo, but that he'd be back in no time.
And the pieces are fitting together for Harumi. And she's like. Your dad's dead, bro.
And he's like. What? Did he die doing what was needed of him?
And she's like. Oh, no. He died a few years later.
And he's like. Why didn't he come back for me????
And she's like. Probably because they kept him away.
And he's like. Who's they?
And she's like. The Ninja I was talking about earlier.
And it surely can't be hard in universe to find pictures of Zane and Dr J post s2-pre s3, so she pulls one up and shows Echo who is freaking out bc why is that one kind of like him and Harumi explains that that was the droid his father created first, that he became a Ninja, and that hes probably the one who took their father away and kept echo waiting for years.
But Echo has doubts, shocked as he is abt a new older brother, he wants to believe the good in the situation so he's unsure. But Harumi mentions that the Ninja's failures to uphold more than their self preservation/interests has led to uncountable losses and devastation in Ninjago time and time again, before delving into her own story. And she seems so kind, and so hurt, and I do think there's a genuine connection btwn these two that forms from this shared emotional torment that they decide came from the Ninja, and now Echo is more receptive.
And then Harumi gets to start her Garmadon pitch because wait! If Echo was made here, then that could only have happened because of Lord Garmadon. And she reiterates that he's the reason she and her city could have even survived The Great Devourer. And maybe Echo's family-by-creation left, maybe they were untrustworthy and lacking, but that's OK bc if you look at it all a certain way, Garmadon is more of a father to Echo than Dr J was. And Echo is a vulnerable, overwhelmed mess who just found out his dad fucked off for years without him and also died, and also he has a brother??? Who their dad clearly seems to have favored??? Did they even know about Echo??? Did they delight in their life free of him???
Basically. Kinda Spinel-core but getting abandoned and left completely alone does that to you. Especially when the first person to find you after being abandoned is a deeply hurt and misguided teen who is probably kinda desperate for someone, anyone else to see the Ninja the way she sees them.
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