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#despite the way that it could in a different context
spacingstars · 2 days
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Technically these thoughts were inspired by @battlekilt's response to this post I just needed a space to luxuriate in the sauce of my own thoughts lol.
Generally, there are two points to my stream of thoughts here:
One, the personal element of Rex knowing about Anakin and Padme’s marriage.
Two, the professional element of Rex knowing about Anakin and Padme’s marriage.
I’ll first get into the weeds of point one:
By and large, Star Wars canon does not go into overt detail on exactly how it was that Rex found out about Anakin's marriage; how this occurred tends to be a matter of conjecture more often than not—usually pitted down to a matter of accident. Either comically or more seriously. I don't bring this up to disparage this take. I, in fact, held to it myself upon my first watch of TCW! But I've since reevaluated that position and have come to a completely different conclusion altogether:
Anakin told Rex intentionally.
My reasoning for this is down to a number of things, particularly due to the series of TCW novels that were written to tie into the first few seasons of TCW. The one I am primarily discussing here is Star Wars: No Prisoners, and shoving aside any other opinions that I have on this book, it holds some specific moments from Anakin about Rex that really validated the change in thought process I had the more I analyzed Anakin and Rex’s relationship.
Generally, I had before assumed it was a matter of accident (in past scenarios, I most often thought of the confession coming about from a moment where the prospect of survival was not the most cheery of outlooks); the reason as to why I held such a thought process is because Anakin’s marriage is generally his most guarded secret, he was unwilling to tell anybody about it, and in such a context, it becomes easy to assume that Rex finding out was a fluke, nothing more.
However, the more I started to really pick at Anakin and Rex’s relationship, the more I started to think it would be a lot more interesting if Anakin intentionally told Rex about the marriage.
In the past, I came about this mainly from the idea that part of what makes Anakin & Rex so interesting to me is the two-way loyalty that stretches between them, the way Rex occupies a unique space in the list of Anakin’s relationships. TCW itself frequently speaks of the trust they have in each other, to the extent other characters (like Padme herself, seen in TCW S07:E02, during the holocall scene between her and Anakin, and in No Prisoners itself) notice it. And with that in mind, I thought, more and more, it made more sense to me that Anakin had told Rex intentionally. It’s clear, given moments in the ROTS novelization, that Anakin didn’t want to shun this aspect of his life into secrecy:
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from Star Wars: Revenge of the Sith
(This is not the only instance of Anakin expressing a desire to leave the Order in the ROTS novelization; his behaviors in ROTS itself are also indicative of this desire to me (his lack of care about getting caught with Padme in the moment she reveals her pregnancy,) and his quote of “I understand wanting to walk away from the Order,” when Ahsoka walks away from the Order during the Wrong Jedi arc. Which, if you want a short explanation for why I think Anakin stayed despite expressing multiple times a desire to leave, there are many little pieces and layers to it, but the primary conclusion I’ve come to is that Anakin stayed out of a sense of duty, particularly related to ending the war. But that’s not what this post is about.)
This leads me to believe that Anakin wanted to confide in someone—wanted someone who he could trust to share this part of him, and given the loyalty and trust he holds in Rex—and I’d also wager it’s down to Rex’s demeanor—it was easier for Anakin to tell Rex than anybody else. Of course, this was all my own conjecture! This was just me taking bits and pieces of what we have of these characters and their circumstances and affixing them into a different configuration to explain something that wasn’t elaborated on in canon.
Of course, or so I thought, because Star Wars: No Prisoners has quite the interesting scenes, scenes that do elaborate upon this.
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from Star Wars: No Prisoners
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also from Star Wars: No Prisoners
It’s so fascinating to me that Anakin thinks Rex is someone he owes it to tell, and doesn’t that just speak of how highly Anakin regards Rex? He’s able to think that Rex deserves to know, and not just that, but that Anakin thinks Rex would understand. Anakin describing Rex as not just professionally loyal but personally loyal is a sentiment that really strikes to the core of why I think Anakin was comfortable enough to tell Rex; because ultimately, Rex has not just given him his professional loyalty, the loyalty expected of a soldier, but he's also given the loyalty of his friendship. I really don’t think it’s a stretch to say that the feeling is mutual between them. The way Rex speaks of Anakin in Star Wars: Rebels is so damn fond. I really do think Anakin told Rex, intentionally, not just for the professional aspect of it, which I will get into shortly, but because Anakin wanted to have someone he could trust and confide in; Anakin has trust and faith in Rex, the same as Rex has trust and faith in Anakin.
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from Star Wars: Age of Republic short story "501 Plus One"
And, returning to the discussion surrounding the screenshots from No Prisoners, obviously, there’s even more there, what with Anakin thinking about how he can’t just leave his men to suffer (it shows consistency in his character, in regards to the loyalty he shows his men because his thoughts here reflect those in the Umbara arc, where he refused to leave, even on orders from Palpatine, until Rex reassured him he could handle it. Which is just... it drives me batty, but my thoughts on that moment from Umbara are not strictly relevant to this post.) And part of that conniption is born out of the loss of his mother! Because he faults himself for being unable to save her, and now he's left with an all-consuming desire to ensure no one under his care dies, which, of course, will inevitably lead to Anakin being consumed by his own conniptions about death itself through his visions of Padme dying in ROTS. (I love how many layers I can peel back and examine from this one moment.)
I also have to emphasize that the biggest thing is that Anakin didn’t even tell Palpatine about his marriage. Palpatine, Palpatine, someone who had been a confidant for Anakin for so long, Palpatine, more than anyone, most certainly knows the most about Anakin; he’s the only one who truly understood how Anakin ticked, and he used that knowledge to disastrous effect.
Which to me, just reinforces how incredible it is that Anakin felt comfortable enough with Rex to tell him about his marriage.
Now, No Prisoners doesn’t actually contain a scene where Anakin tells Rex, but given his thoughts it’s very likely Rex was told shortly after the events of the book.
Now, for point 2:
Which is that, in essence, when Anakin remarks that Rex needs to know about this secret so he can freely contact him or otherwise know about the whereabouts of his location in case they get orders and Anakin, along with the 501st, need to be shipped out effective immediately.
This is a readiness issue.
Readiness is the ability of a military force to engage in assigned tasks and/or missions upon orders.
Anakin being upfront about his marriage to Rex on this principle is most certainly going to get Rex in agreement* because Rex would be aware of the logistical importance of maintaining readiness. Anakin and Rex are on the same page here because, ultimately, no one else is going to better understand these aspects of the continued function of an armed force than a clone; they're clone soldiers.
*Which, additionally, regarding the argument that Rex ends up in a precarious situation for knowing about Anakin and Padme’s marriage, upon further examination of this, I do not think this holds water either. I say this primarily because, ultimately, Anakin, in being married to Padme, has not broken any of the GAR’s regulations. The issue of Anakin’s marriage is of concern to the Jedi, not the GAR. And Rex is not beholden to the Jedi’s religious doctrine; Anakin is, and unless you want to argue that the Order would crack down on Rex in retribution for aiding one of its members in hiding a marriage that’s expressly against their rules… nothing would happen to Rex because ultimately the issue of Anakin and Padme’s marriage is only an issue with regards to, primarily, the Jedi Order, which is not an authority that Rex is behold to; Rex is beholden to the GAR, and, as I said, Anakin being married is not breaking any regulations I can think of… I also find it hard to believe that the GAR would be pressed about a secret marriage when much of their natborn soldier base is also likely to be married. In fact, given my previous comments about readiness, the GAR is likely to take Rex’s stance on the matter.
Rex and Anakin are on the same page regarding the issue of his marriage for both the personal reasons of it and the professional.
And, to address Rex's awkwardness about covering for Anakin in TCW S07:E02:
Rex's awkwardness about having to cover for Anakin and Padme in TCW S07:E02 is presented more as a moment of humor juxtaposed against the earnest conversation between Anakin and Padme as they discuss Anakin and Rex's relationship; it's meant to be a funny-sweet moment regarding the relationship between them. This entire moment is meant to show the familiarity Anakin and Rex have with each other, to the point they have a system worked out between each other when Rex needs to cover for Anakin, which I should also say the fact that Rex is willing to lend his gear** to Anakin for this cover story is something I consider to be a big display of trust, it's very much a classic "friend covers friend," kind of moment.
**That helmet is important to Rex's identity. It is, in effect, his face; it is a custom helmet, donning his signature jaig eyes; it is what most people are going to think when they hear Captain Rex; it is, effectively, Rex trusting Anakin enough to hand over a vital part of his identity.
Everything about this moment screams familiarity to me in the way Anakin and Rex conduct themselves with each other; I find it quite telling that Rex is comfortable enough to tell Anakin they don't have time for what Anakin is suggesting they do in front of the bad batch. Rex is essentially saying no to something that can read as an order from his commanding officer to other clones. The fact that Rex is comfortable enough with Anakin to do so is massive, and as I've said before it shows the familiarity and comfort the two have with each other in their personal relationship. When Anakin first implores Rex to provide cover; Rex's insistence on them not having time for that—to me—less indicates that Rex doesn't like covering for Anakin, but more so that Rex is fixated on the mission because he just got a glimmer of hope that Echo is still alive.
It should also be said, Rex is simply awkward; it's just a facet of his personality. He's an awkward dork in armor.
With all that said, to paraphrase a quote from the post that started this ramble, Rex was one of Anakin’s best friends. (And I personally think that the feeling is mutual given the numerous times Rex has expressed similar sentiments towards Anakin.) :3c
It should also be said that much of this post was made much more coherent thanks to @battlekilt, who was also a great help in fleshing out much of these thoughts, especially those pertaining to Anakin and Rex's interactions in TCW S07:E02.
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eisforeidolon · 2 days
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Destiel has definitely soured my opinion on Misha especially since he continues to feed into it. It would not be so bad if he didn't make everything so sexual in relation to this ship. It seems like out of the entire cast Jensen is definitely the one who is sexualized the most and destiel fans continue to act like that is ok because JA and Misha are friends. Not one of them care how Jensen might feel if he knew they look at him at this sexual fantasy to make their ship cannon. These people are not his fans no matter how much they like to claim they are. The ship only bothers me because the fans seem unhinged. Maybe if they shipped for fun instead of trying to make a statement that none of them even believe in other fans would take them more seriously.
Yeah, the hellers have annoyed me from the start, even way back when I shipped D/C in fandom over their disregard for other fans, the show, the actors, and basically anyone who didn't see their ship as an important cause/inevitable canon rather than just a fanon ship. But there also just came a point where I could no longer give Misha the benefit of the doubt either. Not because he's talking about shipping, or even specifically a non-canon ship? That could be fine! It's because of the specific way he talks about it and how a certain loud, batshit part of the fandom reacts to what he says.
Hellers want to pretend, despite everything Jensen has consistently said over the years about not wanting to talk about shipping in general and specifically not seeing D/C as any part of his character's canon story? That it's no big deal to keep dragging him into it. Actually, he's really into D/C and RPF of him and Misha - or it's at least a-okay because they're friends!
We'll ignore the part of that which is obviously deluded self-serving fetishistic bullshit. But it also pointedly ignores that there is a world of difference between joking with someone versus making someone the butt of your jokes. Especially regarding a subject you know they want no part of. Especially when you so specifically do it where they aren't present or active. The way he talks about the ship frequently treats Jensen and/or Dean like a subservient sexual object. It's often pointedly about laughably trying to make himself sound dominant. It's often pointedly crass and vulgar. It's often dishonestly contradictory to what Jensen and others have publicly said about the ship. They want to pretend like it's friendly banter/ribbing between him and Jensen, but it clearly isn't. It doesn't have the right tone, context, or level of interaction for that. It's him performing to his audience at Jensen's (and the show's) expense. As I've said many a time in regards to Misha, with friends like that ...
The thing is, both sides of that coin are about treating Jensen like a blow up doll. Any opinion or feelings he has don't matter, he's just a vehicle to project onto in the hopes it will get them what they want. In the fanatic shippers' case, the ship made canon. In Misha's case, continued money and attention. Funny how right when he needs to re-open Cameo for extra funds, this is how Grifter McQueerbait spent a J2-less con, huh?
Which is why Misha gets no benefit of the doubt from me. He doesn't care about his supposed friend getting called a homophobe for not playing along. He doesn't care about any of his other coworkers or the network who were very good to him getting similar blowback accusations from his lies and sly imprecations. He sure as hell doesn't care about his fans as he keeps setting them up to be disappointed over and over and over again. Hell, he doesn't even care enough about any of it to be consistent from con to con, because he changes his story according to his mood and whoever else is on stage.
Hey, if he keeps getting money and attention for it and someone else always faces the consequences, why change? Friendship? Integrity? Being gainfully employable? Pfft. Who needs it! There's $$$ to be made right now, baby! So I also just think he's a fucking idiot. Although I'll give him this, I didn't think even the hellers were daft enough to keep signing up to be fleeced this transparently with the same recycled material 3+ years post-show.
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cardentist · 7 months
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apparently there's discourse (not in the bad way, just the discussion way) surrounding lich and trans headcanons because of how he talks about michaela in the books
so here's my opinion as a trans person (other trans people are allowed to have different opinions but this one is mine):
I believe that mothy himself is well meaning about his trans and gay representation, but is unfamiliar with what We'd consider problematic. I'm not familiar enough with either mothy or the general culture of japan to say if this is the result of mothy himself being out of touch, or japanese queer culture just being different from the US's. but either way this is my read on the situation.
and so I engage with evillious with that in mind. it's a series that means well but has problematic elements. and that doesn't have to be a Bad thing, it's just something that needs some awareness while taking it in.
so when mothy writes lich openly acknowledging and accepting that michaela is his sister but then Also has him refer to her with her dead name I don't see that as mothy intentionally portraying lich as transphobic or unaccepting of her. it is, after all, how mothy chose to reveal that she was a trans woman in the first place (introducing us to "lich's brother michael" and having it revealed that she was michaela all along, and having lich acknowledge her as his sister now).
and I think there are two ways to go about this with this understanding.
we could simply gloss over the issue, because at the end of the day we're not going to be able to sit mothy down and explain why it can be hurtful to trans people. we don't have that direct communication with him. and it's not being written with the intent of being read as malicious on lich's part, so it's simply easier to smooth it over.
Or we could translate mothy being well intentioned but misinformed onto lich as a character trait. this works best within the context of him having to learn what he's doing wrong and grow, but obviously it's up to personal interpretation.
as for trans headcanons, there's nothing wrong with that in the first place. trans people are misinformed sometimes, nobody comes out of the womb socially conscious and fully aware of modern sensibilities.
having lich realize that they aren't a man could be tied into lich gaining a better understanding of transness. having lich be transmasc already and just not knowing any better because He doesn't mind these things and hasn't stopped to think that other people may feel differently. having lich be whatever flavor of trans you want in whatever way you want just because it's fun and you'd like to. it's all fine and doesn't hurt anybody
I would Also like to point out that levia has been making fun of behemo for wearing dresses and make up since she was introduced as a character, and people tend not to call her transphobic or highlight this as transphobia.
yes, there is more ambiguity in behemo's case as mothy has never stated outright what behemo's identity is, but calling someone you interpret as a man disgusting or weird for wearing dresses Is Transphobia (and was specifically highlighted As transphobia/bigotry that behemo has faced during barisol's child) regardless of what that person's gender actually is.
I personally like levia a lot, just like I like lich and behemo and michaela, and Personally I think they're all trans Because I like them. and I'm not saying that we should Start defining levia's character by this trait.
but I Am saying that it's an obvious double standard to hold lich as a character accountable while Not doing the same for levia when arguably levia is intentionally written as being harmful while lich isn't.
anyways, I think it's funny if levia realizes he's a trans man that still likes to wear dresses and make up, and I think lich is seth's boyfriend and banica's girlfriend and eater's -̴̱͔̫̭̎̆͆-̴̠͚͘͜-̶̺̰̙̦͗-̸̡̻̽̅-̴̢̹̰̠͐͑̃̈̑friend, and equally trans no matter what
(also potential lich and carlos dynamic intrigues me but I think it's much funnier if they aren't dating each other. banica's husband and banica's girlfriend silently and awkwardly eating brunch together because they figure they're supposed to hang out but between the two of them there isn't one drop of social intelligence)
(they do this every day, it never gets any better)
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jacksintention · 11 months
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I'm thinking again on the fact that so often comments, criticism and readings on Jack dwell a lot on how he is barely human/a person/doesn't have a personality at the point of the story and, while I somewhat understand these points, I find them so lacking. I find them... ableist? I'm always doubtful to use the word here because I'm not sure if it's applied in this kind (mental health) of context, but something like that. And I find them extremely simplistic.
However, honestly, a big part of the reason for these readings being so popular is that the manga itself words it that way. But that's one of the problems I find in the manga. When I say P.andora Hear.ts is very good but unfortunately it is very manga-like at times, besides the 2000s homojokes and the like, I'm usually thinking about things like this. I feel like often characters and situations that are (potentially) very intricate instead of getting insightful deep overviews often get screwed by the writing itself, which falls into very manga tropes a lot in a bad way (not that every manga has to fall into them, or that every manga trope has to be bad or written badly).
I don't know... For instance, I'd argue R.askolnikov's capacity for love in Cr.ime and Punishmen.t is debatable, but it's never treated as if it made him less of a person, a human being or made him not have a personality. I'd say not even Svidrigailo.v, who is as much a Bad Guy™ as a character can be, gets that treatment by the writing. I'd say that even him or Mikol.ka are written as fully fleshed human beings with their intricate internal lives and feelings. Svidrig.ailov's last scene with D.unya is fascinating for both characters and spins the whole dynamic and makes you question the entire narrative and veracity of not only those two characters, but brings to mind several other conversations among different characters and throws light (and doubt!) on the main plot between R.askolnikov and Porf.iry.
In similar situations, Jack's humanity, personhood and personality are debated, doubted and even full on accepted as vanished. No one reads Crim.e and Punishmen.t and comes to the same conclusions about Raskolni.kov, Svidrig.ailov, Sony.a or Razu.mikhin. The writing doesn't allow it. The writing doesn't allow you to forget that humanity is diverse and multifaceted, that it can be sad and cruel and loving and monstrous, even all at the same time, or that a person may struggle with feeling at all; and one is still a person.
#This honestly is one of the things if not The Thing that frustrates me the most of P.H#I've seen this kind of 'that's not a person/human/doesn't have a personality anymore' readings with The S.tranger by Camu.s#And they were imo also simplistic (and that's coming from someone who didn't like the book)#They were also made by my Ethics professor in college who was from the O.pus De.i#Anyway this is a post because I imagined I wouldn't be able to fit everything in the tags#I should probably delete this later#but I wanted to get it out of my system first. I've been thinking about this a lot again after reading the guides and I got angry again#I don't think manga as a medium necessarily has to treat characters this way#but there's often a big simplification of characters in general in a particular flavour#And I think Jack (arguably Vincent too) suffers from this. The exact same thing happening with Jack could be written slightly differently#and cease to have that shonen manga for edgy teens flavour it gets in like two pages#that doesn't ruin but definitely stains a 104 chapters characterisation that was so well crafted#(especially given most fans take everything at face value without thinking much about anything like vacuum cleaners of text)#I don't know. Despite how this manga is a lot about humanity being able to exist or take place#beyond the conditions of one's existence being “fake” through our actions and relationships with others‚ ourselves and the world‚#I don't like how characters like Jack are treated in that context#I understand why it's done and what it's trying to say‚ the Jack/O.z foil is super interesting in that regard. I don't even think#the writing fully falls into the mistake of 'thinking' Jack is not human/a person. But I find very unfortunate some of the writing choices#when dwelling on this‚ and even so distasteful at times#And as a consequence many fans just take the slippery slope and make a cardboard mimicry out of some great characters#But the manga/writing concedes a bit with that angsty teen air. And it's frustrating#I talk too much#Trying to pseudocensor words for the first time#to see if this way my 4am soliloquies won't appear in the tags of people just living their lives#Tumblr please let me rant about nothingness that interests only me without disturbing anyone please#I'm already mad I can't tag these at all anymore in my own blog for organisational reasons without them appearing for everyone everywhere
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the-acid-pear · 9 months
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Actually I'm like going insane about Tenna and how they might be executed in the story bc like. They're gonna have to either make him EXTREMELY charismatic to the point whatever crimes they committed can be overlooked or they're gonna have to be like Actually Big Shot Spamton Wasn't So Okay like. There's... So much weight to the actions of a character we haven't even met it's hard to not be like Damn This Tenna Guy Sucks. But what if he DOESN'T suck? Like literally anything could happen. It makes me so excited.
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arolesbianism · 7 months
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Stares at the sekai writers with my big wet brown eyes. Pls don't forget abt how Kanade hid the fact that she met with Mafuyu's mom from them and that Mafuyu knows abt that now
#rat rambles#sekai posting#I dont need them to get mad I just think itd be neat if we got to see how they feel abt that#it probably wont happen and tbh I dont mind that too much even if for kanade's sake itd be rly interesting to see#I mostly dont mind because I think it makes sense with their character for Mafuyu to not think abt it or actively try not to#plus with their current desperation I dont think theyre looking to blame one of their biggest sources of comfort#which is not to say kanade is to blame for how bad things have gotten with their mom just that its honestly like. rly scary how out of the#loop mafuyu was on How bad it was#and it makes sense that kanade wouldnt tell mafuyu abt all of this as it would likely have made mafuyu panic even more#but still its interesting to me to think abt how mafuyu just straight up knew nothing abt how much their mom and their friends knew#and how despite kanade's best efforts to prevent the worst it ultimately did very little to soften the inevitable pain#and in some ways she kind of like. actively endangered mafuyu or at least risked it#like to be clear shes a teenager theyre all teenagers ofc they didn't handle everything perfectly this isnt a condemnation of kanade#I just find it interesting how kanade's relationship with mafuyu has shifted kind of for the worse in some regards#and how now we are in the perfect set up for them to develope for the better#mainly I just want kanade to have some more big boy development without taking from the current group arc#+ I think this could make for some interesting insight on how mafuyu thinks abt the group in different contexts#I think kanade did the best she could and it didnt help and I want her to feel that way and be eaten by it a bit#because then we can do some fun mafuyu and kanade dad parallels and use it to showcase kanade's growth or give her growth#because look at me deep in my eyes. kanade has been falling into the same feeling of total responsibility much more actively#and now its becoming so much more real. so much more tangible. mafuyu isnt a person who needs her help. mafuyu is a person who needs help.#serious help#idk if any of this makes sense idk I guess I just want kanade to feel powerless and for mafuyu to grapple with their feelings on the others#a bit even if it doesnt escilate beyond just thoughts#anyways Im pretty sure ena is due next so I hope its her like helping Mafuyu buy new clothes or smth#I wanna have some fun mesh between light hearted shopping story and deeply deeply depressing runaway child shit#thats assuming theyll go that route with mafuyu but theyve been being vague enough abt it Im willing to entertain the idea that theyll do it#also I think itd be nice if we got to see more kaito but that might be asking for a big much#but yeah I think if no kaito than mizuki should be a 4 star or 3 star since no way in hell they wouldnt tag along for smth like that#and kanade can be the 2 star for here since quite frankly I kinda wanna let her stew in it all a bit more before we rly dive in deep
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yamujiburo · 29 days
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Why I Love Hanamusa
I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:
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First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.
I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!
Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!
It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.
Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.
Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.
All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 
Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.
Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.
There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.
I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.
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yosh-iro · 1 year
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just realizing my hearing can be summed up as having a fucking nasa computer for hardware but only ever using it to play that vid of a spinning rat with a compressed version of free bird in the background
#making that comparison cuz i literally just bought a $2k desktop after my laptop shit itself and im now watching that exact video#anyways the context for this is that while my hearing capability is much better than average for my age#i have an auditory processing disorder that makes it so my actual ability to hear is dogshit majority of the time#like i can hear really high pitched things (up to 20khz still even on low volume)#but for example speech is something thats hard for me to understand sometimes because it somehow gets garbled in my brain#which i think is why i dont have a hard time with accents since im so used to needing to unscramble whatever the hell i just heard anyways#or like how i cant tell music intervals apart despite taking/being in music for like 80% of my life#i was so happy when my band teacher let me see his hands when i did the interval part of my theory final last spring#cuz i know the difference when looking at it but hearing it i cant tell the difference between a minor 3rd and a major 6th or anything#and its not a lack of practice seeing as id been doing that shit specifically for almost 8 years at that point and hadnt gotten any better#i think he realized there was no way i would pass that part normally cuz he had been helping me with interval training for a while#i could play whichever one when asked to but couldnt tell them apart audibly when i tried to#pretty sure the highest i ever got on an interval test outside of my theory final was like 60% cuz i had to basically guess all of them#even with just single notes i find it hard to tell them apart unless its a G or C#G cuz i was a emo shit in jr high and C cuz that note haunts me in my fucking sleep since i stopped piano lessons like 8ish years ago#anyways yeah welcome to tumblr where i feel its not too abnormal to have somebodys life story in the tags section as context for a joke lol#or maybe im in the minority and most people dont actually do this but i just happen to see a lot of posts that do :p#and now this is very off topic lmfao#yoshi talk
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rene-spade · 20 days
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miss louisiana i | c. leclerc, a. saint mleux | chase landry
poly! | fem! reader x obsessive! exes! charles leclerc, alexandra saint mleux (+chase landry and f1 grid)
synopsis. your obsessive exes refuse to accept your new relationship with a man completely different from them. maybe they should move to louisiana? jk!. . . unless?
note. ok so reader is from louisiana and has cajun roots for context. chase landry is from swamp people 😭✌️ I loved that show when I was younger & I rewatched some recently and it reignited my crush on him sorry
WARNING(s); obsessive/possessive behavior, toxic/creepy exes (I make is as fluffy as I can tho trust), ooc Alex and Charles being a rich and out of touch, a spec of classism, stalking oops, (everyone Loves you)
miss.y/n📍belle river, la
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liked by charles_leclerc, alexandrasaintmleux, jacoblandry, carlossainz55, and 1,006,349 others
miss.y/n back where I belong ☀️🌷🐊🐝🐍🌿🐠
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mariene.y/l/n be safe in the water my baby 🤗
miss.y/n yes maman 🤞😊 you know I’m protected
user oop who’s protecting you miss ma’am
user omgggg how did Charles n Alex fumble so baddd 😩😩🙏 I’ve needed y/n’s cajun french baddie ass since DAY ONE 🗣️
charles_leclerc so beautiful mon ange 😍 but that water is dark and might be dangerous. ta maman a raison!
see translation | your mom is right
user stopp didn’t y/n break things off with them???
user2 currently losing it my fav throuple might be back 💪🗣️
carlossainz55 hope you’re doing well mi dulce ❤️
alexandrasaintmleux yeah no this isn’t happening
user carlos sweetie delete this comment while you still have hands <3
user SHE’S BACK IN LOUISIANA RAHH
user2 how did I not know she was from the middle of nowhere 😭 what is pierre part??
user3 how didn’t you know!!! her dad literally used to hunt alligator before he died and her mom remarried and moved back to France . Her dad was cajun
user this might be a reach but y’all think she knows anybody from swamp people? Love that show 🤣🤣
liked by miss.y/n
♤ ♤ ♤
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♤ ♤ ♤
Alex’s leg bounced up and down nervously as her call went to voicemail for the 7th time in a row. She’d been calling your phone nonstop since hearing the news, anxious to know if it was true or not. It was always something that ate at her; her and Charles’ inability to relate to your childhood in Louisiana. They’d grown up among a higher class than you and in foreign countries. You would just giggle and wave off her concerns, insisting that even though they couldn’t understand your upbringing, that at least you could understand theirs.
“No answer.” She muttered, teeth gnawing at her bottom lip. It was a habit she’d had as a child, one that you disapproved of and had trained out of her before you left them.
“She left us for a swamp man.” Charles pathetically finished Alex’s thought as they sat in his car, waiting to meet some other drivers and wags at the high-end restaurant Carlos chose.
“Don’t say it like that!” Alexandra turned her body towards the passenger window, “She didn’t leave us— not in that way! I told you she was homesick!”
Your father was a Cajun man who definitely took his culture to heart, doing a lot of hunting and fishing before he passed away suddenly when you were 12. Your mother was from France originally, and she remarried a rich Frenchman who’d ended up funding your modeling career after your success in pageantry. You moved straight to France at age 14 and found yourself in a completely different culture from how you grew up. You’d visited France before during summers with your mother, but it wasn’t home to you like Louisiana. You’d met Alexandra when the two of you were 19, and instantly bonded. Despite only really meeting briefly, it was love at first sight on Alex’s part and she supported you all the way to when you won Miss Universe after starting out Miss Louisiana.
When Charles had come along and had the same feelings that she did for you, it felt perfect, like everything had finally come together.
“With us is her home.” Charles replied, sucking his teeth.
“I can’t even—” Alex didn’t have to finish, the two had the same thought. They can’t even fathom the idea that you were with someone else.
x
Daniel was practically cackling in joy while Carlos at least tried to hide his amusement by covering his face. It was no secret that most of the f1 grid was praying for you to leave Charles/Alex so they could get a chance— but this wasn’t what they were expecting.
Bickering around the table ensued, only a few seconds before Alex was rolling her eyes with a groan and putting her face in her hands, “He doesn’t have any recent social media so I can’t even stalk him.”
“So we will just go there!”
“And what? Become swamp people?” Daniel was laughing so hard he was tearing up.
“Cha, that’s so ridiculous.” Alex mumbled.
“It is—!” Kika agreed suspiciously fast, “I just mean the split was recent, so maybe me and Pierre should visit her before you guys?” It’d only been a few months, but that had been enough to drive Charles and Alex a bit off the rails.
They’d only ever been apart from you for just over two days in the last year, up until you ghosted them. Well— it wasn’t technically ghosting when you left a note; a very brief letter in your familiar handwriting that told them you needed some space. They didn’t take it as a break up, although they did panic. Their numbers weren’t blocked, so they naturally took that as a good sign. This was probably because you wanted their attention since all their calls and messages were going through. The finality of it didn’t hit until it reached two weeks of no-contact from you and their photos were removed from your Instagram. The public noticed and so did the rest of the grid despite Alex and Charles’ now 3-month-long denial stage.
“le lieu s'appelle Pierre Part, yeah?” Pierre grinned and Charles sneered at him. (the place is called pierre part)
“They might have a point,” Daniel winced with a wide grin, “I think you’ll just look crazy if you show up. At least, one of us would just look like a friend who misses her, ya know?”
“None of you are visiting our girlfriend!” Alex frowned.
“Ex,” Carlos gently corrected into his fist with a cough before straightening up, “She jus’ is homesick maybe so give her some space and she will come back in no time.”
“I knew this would happen.” Alex slumped with her chin in her hand, “cet endroit est sa maison.” (that place is her home)
“You’ve never heard ‘if you love something, let it go’? If it’s meant to be, she’ll come back.” Daniel tried to reassure, but his face was almost a wince.
“We just wanted her close to us is all! We travel so much, we didn’t mean to take her away from her home—”
But Daniel gave them a look, knowing about their behavior with you. As in love with you as they are, Alex and Charles are intense about it. Endearing on one hand for awhile, but then the jealousy got worse and they were pretty delusional about their tendencies. He could understand it honestly— you were lovely. He imagined he’d be in the same state as Alex and Charles if you were his and you left him. Which is why he cut them so much slack, the rest of the table too.
“I don’t understand why she ran away like that!” Charles finished with a huff, running his fingers through his hair. He was starting to sweat. This felt like a cruel joke on your part— a mean way to get their attention.
“His ears are a little big.” Alex whispered, staring into her phone with a pout.
“et cela! regarde nos oreilles!” (and that! look at our ears!)
Pierre lost it at that; Charles pulling at his ears to make a point, “Maybe he’s just a nice guy, man!”
“We are nice!”
“Let me see.” Carlos walked around the table to see Alex’s phone.
She’d googled the name of your alleged new boyfriend— Chase Landry. He had starred on some Southern US reality show ‘Swamp People’; it mainly surrounded cajun alligator hunters in Louisiana. They had known you liked the show, but had never seen it themselves.
“Eh,” Carlos shrugged, “his ears aren’t that big. He is a little old for her though, no? 34?”
“Exactly! He is a pervert! I’m calling her again, actually.”
♤ ♤ ♤
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miss.y/n 📍pierre part, la
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liked by jacoblandry, carlossainz55, francisca.cgomes, danielricciardo, and 1,014,108 others
miss.y/n me and my dirty swamp man foreva 🤞💛🌷🦆
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user STOPPP SHE SAID THAT’S MY MAN N IMMA STICK BY HIMMMM
user2 stfu 😭✋ the fact that this man most likely has no idea that this is going on
user3 his brother liking her posts and filling him in
miss.y/n jokes on y’all Jacob doesn’t know what’s going on either
bellahadid beautiful lily faery and her dirty swamp bf <3
miss.y/n <3 literally
user BELLA⁉️
arthur_leclerc beautiful view of the water, ma sœur!
see translation | my sister
user THEY SENT Y/NS FAVORITE LECLERC BROTHER IN TO PLAY DAMAGE CONTROL
user2 not “my sister” 😭😭😭 leclercs let her go challenge
user y/n’s harem coming to her defense like the mighty morphin power rangers 😭😂🤣
x
this is part 1 of perhaps 3. I plan on making part 2 much longer and more writing than social media like this one, just for some balanceee
taglist; @alliwantisadonut @splaterparty0-0 @charizznorizz
Ren
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c0kitty · 3 months
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NOW PLAYING ... NOBODY KNOWS ft. spider-women!ellie x reader
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“…BUT NOBODY KNOWS MY LITTLE SECRET.”
(⭑) summary: r/reddit, when’s the best time to tell your girlfriend of three months, (who you are so desperately in love with) you are that "crazy" vigilante on the news, fighting crime in a spider-suit, and that you now shoot fucking webs out of your wrist. (⭑) content: wc 1.2k+ nerd!ellie. confessions. making out. comfort. spider-man!ellie. established relationship. suggestive. insecure!ellie. HEAVILY inspired from the roof-top scene in tasm bcs im obsessed. cursing.
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you guys find yourself on the roof-top of dina’s-friend’s apartment, for a random party, celebrating god-knows what. it's slightly chilly, you stand next to ellie with her oversized jacket on you; despite ellie telling you numerous times it was going to be cold, she was not one to refuse you.
ellie wished she had her camera right now; outside’s a pretty scene with the many buildings scattered, the sky, gradually transitioning into yellow and pink hues, night unfolding, and you, looked so pretty by her side. 
the city below though remains bustling with constant movement, and ellie's mind is no different. because today was going to be the day —
ellie’s hazel-green eyes shift towards you, observing your soft expression, her heart ached with uncertainty as she wondered if you would hate her — hate her for lying, hate her for not being normal, hate her for having so much baggage. hate her for being spider-women. 
“you think dina and jesse are shagging?” you ask, randomly, breaking the comfortable silence. your hands moves to the railing, casually pushing yourself backwards on it.
“saw dina sneakin’ out at 1 am, like she was a teenager. so, yeah, definitely.” 
also due to ellie’s super-senses, she had heard so many “private,” conversations with him and dina she wished to unhear.
you nod your head, turning your attention towards ellie. “so, why do you seem so te—”
“i need to say something,” 
you guys both interrupt each other, it elicits a small giggle from you. “okay... is this about before? is that the reason you’ve been so pissy tonight?” 
you were hinting about earlier. when someone had hit on you, even with you being on ellie's lap, her arms even wrapped at your waist. it irritated the hell out of ellie, leaving her to characteristically run her mouth at em'. 
you almost had to drag her away to stop the growing commotion.
ellie sports a slight pout at her pink-lips. “it’s not my fault men can’t get fucking context clues, it’s a wonder they survive. and i haven’t been “pissy” i—” you raise your eyebrows in response, conveying a silent ‘you sure?’ ellie stops talking, only rolling her eyes.
“okay, whatever, maybe i was but, it's not about that,” ellie wasn’t sure how to start this conversation without sounding crazy or scaring you.
“...i was bitten,” ellie says, bushy brows slightly furrowing.
your head tilts, “that’s a little ominous.” ellie rethinks; maybe that wasn’t a good way to start.
“nevermind. you know, when i was sick. that whole two weeks, couple months back.” you nod your head, “yeah, you said you were sick. projectile vomit and shit. couldn’t lift a finger because it was so bad.” damn, ellie forgot she said all that.
“yeah, um sorry. i lied about that.” before you could say anything, lips pulled into a frown, ellie blurts: “i’m spider-man,” finally with a breath. you’re staring at her, but she can’t decipher your expression. unconsciously, ellie bites at her bottom lip.
silence fills the moment, and ellie finds it unbearable; suddenly, in just a second, your face relaxes. “oh, wait. you’re fucking with me. els thought you were serious for a second.”
ellie was regretting playing pranks on you so much, “i’m not fucking with you,” ellie’s arm cross, unconsciously flexing in the process, but you only a grow smile on your lips, like this was some ongoing joke. “jesus, stop smiling — it’s not a joke y/n,”
“i’ve known you all my life ellie — i think i would know if you were fighting crimes with iron-man,” you ignore her, releasing the bar. “wait just w—”
“lets go els, please. it’s getting cold and i’m tired,” you say, making your move toward the door; but in a quick reaction, ellie’s translucent webs shoots out her wrist, spinning you around til’ you're close, her hands, now holding at your waist.
you’re staring at her, eyes widened comically, and your mouth parted, seemingly trying to process what just happened. ellie's attention was drawn to something else though; light in the distance, drunken footsteps heading their way. 
“you just fucking — shot webs out your hands, ellie! you’re sp—” 
ellie didn’t have much time to think it through, because as soon as the drunkards stumble in, ellie's lips, soft and sweet, press into yours.  “..shh,” ellie whispers, faint to your lips — trying to calm you down.
a small gasp leaves your mouth. but after a second, hearing the commotion behind you; you get the message, relaxing yourself into the kiss.
ellie's kisses are usually greedy, but tender, her hands would rummage your body confidently, possessively pulling you in. but this kiss, its … different. it’s tentative, hesitant, like she was afraid to push.
at that, you try to make her feel comfortable with a subtle touch beneath her loose black-shirt. your lips, coated in strawberry gloss, glides seamlessly over hers, giving her a little push; and it works.
ellie tongue pushes in hastily, its smooth tracing from your lips to your tongue. her moppy-brown hair tickling your chin as she eases in the kiss, embracing the subtle buzzing in her chest. 
you hear the people leave, and it’s silent now, besides the busy cars. “ellie… t–” 
“one more second,” she grumbles, you wanted to keep going, but you still had a lot to say — questions cycling. so you pull away, with a gentle smack of the lips.
she lets out a small groan in response; her cheeks dusted in pink and round eyes flutter open, looking at you in a wistful gaze.
“so… you’re spider-man. well, spider-woman,” you finally say, exhaling. ellie’s eyes shift to the floor. her hands drop from you, and instead, runs through her hair anxiously. “yeah. i know it’s fucked up, and weird. i should’ve told you, warned you, but i—”
you interrupt her depressive rambles, “no, ellie i mean it’s cool, you’re cool. it’s just, fuck.” you take a breath, throwing your hands up. “i was just surprised because you’re, like, nerdy and cute, and then … spiderman, you know?”
ellie’s eyes lifted to meet yours, “relieved” couldn’t fully capture how she felt, but all she could managed to say was: “oh, okay. that’s great, yeah.”
a silence falls between you two in response to ellie’s awkwardness, exchanging glances; both of you burst into a fit of giggles.
“i feel like i should feel offended though, ‘nerdy?’” you playfully nudge at her feet, “you know what i mean. passionate about space, introverted, so obsessed with your grades. it’s like a text-book definition,” ellie couldn’t really deny that, so she just playful rolls her eyes instead.
“...but you know what’s crazy, i had a small tiny crush on spider–man, well you, before we officially dated.” 
ellie’s lips curve into a smile, “so now you get the best of both worlds, huh.” ellie comes closer to you, hands finding their place to your body. "i bet you dreamed of both of us fighting over you, hm?”  
in the quietness that follows, your eyes drift away from ellie, intentionally avoiding her gaze. ellie could tell there was more story to your silence, “wait — did you have a wet dream about spider-man and m—” she begins, but you swiftly cover her mouth.
“...shut it,” you say beyond flustered, which only intensifies ellie's curiosity.
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dyaz-stories · 5 months
Text
stars around my scars || Cha Hyun-Su x Reader
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word count: 1.2k
warnings & tags: so soft, fluff, angst because it's sweet home, hurt/comfort, kissing, touch-starved!hyun-su, a little suggestive but it's not too bad, hyun-su needs a hug and he gets that and more eheh
previous one-shot · next part
A/N: this can be read on its own or read as a part of the little hyun-su x reader series i've got going on at the moment! no particular context needed for this one, but i wrote it in like two hours so i hope you'll enjoy it.
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Hyun-Su sits at your table like he’s not sure he has the right to be there. He’s been less cautious around you lately, less distant, now that he knows that you accept him wholeheartedly for who he is, all that he is, even the dark, ugly parts that he tried to keep from you. But sometimes, when he is in the space that is so clearly yours, he still makes himself small, as if he thinks you’d kick him out if you remembered he was there.
It doesn’t matter that you invited him in and insisted he stayed. The fear that you could change your mind at any point, that the longer he’s around, the more he risks showing you a part of him you won’t like, that’s what sticks.
When you sit down across from him, he notices your eyes landing on his bruised knuckles, sees your brow furrows. Sheepishly, he removes his hand from the table.
“Doesn’t it hurt?” you ask.
You ask that a lot. Worry a lot. Selfishly, he likes that you do.
“It’s fine,” he replies, voice quiet. “It will heal.”
The wounds won’t get infected, they won’t kill him, and they’ll go away eventually. So, sure, it stings as long as they’re open, but he’s long stopped bothering with cleaning or treating them. Who cares about his pain anyway?
“That’s not the point,” you say, reaching out for his hand. He doesn’t resist when you take it in yours. How could he? Your fingers are soft, gentle, your skin is warm. It’s like he melts into your touch, like his muscles turn into lead.
It also makes him greedy, makes him want to know what it would do if you touched him more, in different ways. Inside him, the monster stirs, and Hyun-Su forces it back down.
You lift his hand and blow on the wounds that mar his knuckles. The gesture is childish, and despite himself, a smile breaks on his face.
“That’s not going to change much.”
He notices belatedly how fond his voice sounds. He’s usually so careful not to let it be so obvious, but you just surprised it out of him. If you notice, you don’t let it show. Instead, you roll your eyes at him — until you get another idea.
He looks at you in bemused interest as you lower your face towards his hand. And then he realizes what you’re doing, and his heart skips a beat.
You glance up at him, a silent request for his approval, before you go any further. He doesn’t know how to give it to you, doesn’t know if he should, if it’s safe.
He also doesn’t take his hand away.
Your lips press gently against his knuckles, and it sends a jolt through him that ignites his whole body. He can’t see himself, but he’s sure he’s blushing. When you meet his eyes again, he averts his immediately, swallows, clears his throat. But then he feels you open your fingers, letting his hand slip from your grasp, and he tightens his hold on you at the last second. He cannot bear the thought of losing your touch, not just yet.
“That—” His voice cracks. “That does help.”
“Oh,” you say, and then your thumb runs over his hand in a soft caress. He exhales, long and slow. He’d do anything for you not to let go of him.
When you stand up, his head shoots up, eyes following you like a puppy — only for you to get closer to him. You roll your lips together, still searching his expression for approval. You trace a wound on his shoulder, one he doesn’t even remember getting, if he’s being honest.
“Would it help here?” you ask.
Hyun-Su’s whole body is buzzing with the absolute, desperate need to be touched again.
All he can do is nod.
You lean in, kiss his shoulder, and he closes his eyes. He wants to drown in you. He wants you to run your hands over his body, he wants to touch you so bad, and he hates himself for remaining so still. But then you touch his cheek, trace his jaw, and he’s so infinitely thankful that you do what he can’t.
You’re the one who’s not meeting his eyes this time, as your index finger brushes against his bottom lip. There’s no wound there, they’re just chapped, and yet…
“How about here?”
He’s almost shaking in anticipation by now. He thinks he’d kill to be kissed by you — he knows the monster would. But again, he just nods.
So, standing in front of him, between his legs, you cup his cheek in the gentlest of ways, like he’s precious, and you kiss him again. It’s soft, gentle, just lips against lips.  You make a delicate sound when you part from him, and he regrets the loss of it immediately. It must be why he blurts out, before you can move any further “It still hurts.”
Your eyes go wide for a second, before a smile stretches your lips. He only gets a second to ask himself if he asked for too much, if you’re going to be disgusted with him for daring to ask, if—
You kiss him again, a little harder this time, nose pressing against his cheek. Your hands move to the back of his neck to support yourself better. Hyun-Su feels you part your lips, feels your tongue against his mouth, and that is when he loses it.
He’s happy that you have your eyes closed because, even though he feels fully in control of himself at the moment, he’s not sure which color you’d see in his just now.
He pulls you into his lap, hands on your hips at first before he moves one of them, just a little, to the small of your back. You’re all over him now, body against his, scent overwhelming, your taste on his tongue. The apartment would be quiet, if it wasn’t for the sound of your mouths together, and for the rush of his blood in his ears.
You gasp quietly into him, your teeth catch against his bottom lip and it makes him shiver. He dares then, caught in the euphoria of it all perhaps, to reach up to touch your face, long fingers stroking your cheek. His skin is on fire everywhere you touch it, but he wouldn’t give it up for the world, and he finds itself praying it never ends.
Yet it does, fairly abruptly, when he realizes, suddenly, that he’s falling. On instinct, he wraps his arms around you to protect you, and then the two of you hit the floor. The chair had to have tipped backwards at some point, without the two of you noticing.
There’s a moment of stunned silence afterwards, before you let out a quiet laugh, hiding your face in his shoulder.
Much to his surprise, he hears himself laugh as well. It just feels easy to do, when you’re in his arms. His heart is still pounding, his lips are tingling, and his breathing is shallow, but he’s feeling emotions he hasn’t felt in years.
He’s happy.
Deep inside of him, the monster takes a step back, satiated.
For now, anyway.
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i've really loved writing this and i'm quite happy with the end result, especially for something i wrote so quickly, so i hope you liked it too! please let me know your thoughts either on here, in tags, in an ask or reblog the fic, it means the world to me and it lets me know you want to see more, so it keeps me motivated!
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artsekey · 5 months
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Disney's Wish
Look, Disney's Wish has been universally panned across the internet, and for good reason.
It’s just…kind of okay.
 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:
The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.
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Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--
I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.
First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.
So, what went wrong between Asha & Magnifico in terms of narrative structure?
Act I
In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.
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Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.
As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.
Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.
… Until she asks him to grant Saba’s wish.
This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”
This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.
Well, wait, is that really Asha's goal?
While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.
So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.
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Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:
Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.
... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.
              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.
              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.
              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.
              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  
Act II:
His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).
              But then… he opens the book.
Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.
I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.
This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”
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            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.
 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.
Act III
              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?
              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.
              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.
I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.
Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.
 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.
This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.
All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.
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Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.
What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.
Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.
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jiminrings · 25 days
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fail-safe (3)
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pairing: yoongi x reader
wordcount: 14k
glimpse: you hear everything you've ever wanted, but you don't know if it's too late.
alternatively, yoongi is consumingly yours all the time.
[ part one, intermission, part two, intermission 02, finale ]
[ still angst (but u can breathe now bc it’s the finale), brother’s best friend AND single dad au, jealousy, yearning from all angles, did i say angst alr (mom-wise and brother-wise), fluff, redemption ]
notes: this is it for the chronological series of fail-safe :-) from the bottom of my heart thank you so sooooo much for reading n loving!!! sharing fs with the lot of u is an experience (and era) i'll never forget!!!
as always, lmk what you think <3 send in feedback n love to my askbox anytime!! | series masterlist
Your trip back home isn’t as rough as you expected it to be. 
Somehow, there’s a huge difference between coming home alone and coming home with Jungkook. There’s an irreplaceable weight in your chest that still flares even at the mention of Yoongi, the anger you have towards him mixing with the trepidation of holding everything in you, not just him, for another three days. There’s an angry rash around your fingertips just waiting for you to pick on your nails until they’re raw because atleast in that way, you get to forget the way Yoongi’s hand picked up yours in the dark.
There’s an ache in you that not even Yoongi and Hyewon could undo by never having met in the first place. It’s long been there, perhaps even older than Haneul. The ache of unfulfillment in you is bred by everything significant in your life — all from your first argument with your mom because of your lack of direction in life, to your latest heartbreak that keeps manifesting into your first ever.
You're no longer angry recounting the fact that you weren't destined for greatness. Namjoon turned out beyond great, world-renowned even, despite living in the same home that you did. Maybe it's not your environment or your lack of a passion that hindered you — maybe, it's just you alone.
Maybe, some part of you had ached too much from reaching (read: loving) too far up, you're doomed to live the rest of your life unfulfilled. Yoongi's never been yours, but the way your heart withdraws from him is as if he's always been.
You've done your share. You've completed your fill. You've worked yourself to the bone to make anything (not something, and certainly not everything) out of yourself that even if you're not decorated in sports like Namjoon nor celebrated in music like Yoongi, you have a fail-safe to fall back on.
You're earning more than the white collars you could recognize from your old yearbook and even if it's to look after someone, to look after Jungkook and his craft, and neither use your actual degree nor make a name out of yourself — a part of you feels fulfilled.
If being fulfilled meant being in the shadows as a manager; if it meant caring for someone in a professional context yet in a way you've always known with practice, with love, through the years– you'll take it.
You'll take the peace of being fulfilled without a trophy than to be listless trying to compete for first place.
You're fulfilled now to be sitting at the passenger seat of your own car because despite having never been to your place anymore, Jungkook fought with you in order to get his hands on the wheel.
You're fulfilled now, even if you only took Jungkook's silly suggestion (read: insistence) of fake-dating him just so you wouldn't have to face your family and Yoongi alone. You're fulfilled despite having no real place in neither men's lives.
Oddly enough, Jungkook wants to be both. He wants to be fulfilled and compete for first  place in a position in your life that he can't even say to your face.
Jungkook holds you right in the middle of the living room, his eyes wide and grin sparkling as if the director had already said action! and the task for him was to act out what being in love looked like, right in front of his female lead's family in her childhood home. (Read: he isn't acting at all.)
“And he’s…?” your mom lets the question hang in the air, eyes trailing from Jungkook’s face, to his bicep, to how his forearm fits snugly against your back and his hand curls around your waist. Your mom visibly looks surprised, although you don’t know if it’s about the fact that you actually came back despite everything, or if it’s because her favorite actor is in her kitchen while she’s sweaty in an apron, or if it’s because said favorite actor leaves no space between the two of you.
“Jeon Jungkook, ma’am. It’s nice to finally meet you,” he greets politely, a little jittery now that he’s face-to-face with her. He’s only heard of the woman she is from you and as much as he tried to picture her from memory, your stories don’t do her much justice. Jungkook’s always loved your kind eyes and your sweet smile, but he knows now where you’ve got it from; in fact, if he turns around right now right after shaking her hand and bowing profusely, you’re showing exactly those to him — that, along with a pair of gazes he can’t place.
Those gazes aren’t kind at all. One is confused and dumbfounded, and the other harbors nothing but hostility and anger.
“Sweetheart, I know you. Who doesn’t?” your mom’s at a loss for breath, mouth still agape as she keeps flickering her eyes between the two of you. She knows that you’re his manager, but what she doesn’t know is why the Jeon Jungkook is in her humble kitchen of all places. He has the most expressive and sincere eyes ever — he can’t possibly mistake your childhood home as a filming set and your waist as a hand rest.
You finally placate her thoughts when you speak, the loaded silence between the three of you (it’s buzzing with tension if you account for the other two) breaking. You actually giggle, your laughter taking the load off her shoulders because you’re happy; you don’t feel an ounce of guilt even if you’re lying to her face. 
“We’re dating, mom,” you grin. “Jungkook’s my boyfriend.”
Jungkook smiles automatically, feeling your hand snake towards his own. His palm’s much bigger than yours yet it’s warmer than you’ve ever imagined, the envelope both of your hands make putting you at ease.
Your mom’s gasp bounces across the walls. Namjoon’s head that’s only been lowered the entire time you’ve been back suddenly whips to look at you and Jungkook. The fridge even lowers its hum to make way for the theatrics aimed at you, yet your eyes are fixed on your mom’s and Jungkook’s alone.
You came home for her and with him. You’re not here for anyone nor anything else because it’s merely a play for your survival, only this time, Jungkook’s hellbent on increasing your odds.
Yoongi freezes evidently, hand tightening around Haneul’s bottle as if it would do anything to release the red from his vision. He staggers silently, breathing suddenly ragged as he stares down at the offending steel cylinder. It’s small. Compact. If anything, he figures it would hurt if he were to throw it at anything. Anyone. Someone, even.
“Wow, that’s.. that’s amazing!” she embraces the both of you, making you and Jungkook share a gaze you only laugh through because he actually looks honored.
“Thank you, ma’am. I’m sorry I haven’t had the time to let you know personally,” he apologizes meekly for a mistake that isn’t even one in the first place, the humility in his tone making your ears perk. It’s Jungkook onceagain with the apologies towards you that he shouldn’t be making at all, and yet, even in front of your family, he persists.
Jungkook apologizes even for the things he hasn’t done, not because he plans on doing them, but because a large part of him wants to be in the actual situation wherein those mistakes were merely possibilities.
“It’s no problem at all. You’re busy getting all these awards, I know how that’s like,” she jokes, unable to stop smiling. “I’m just glad someone’s taking care of my baby.”
“And I don’t plan on missing a single day, ma’am.”
“Stop that,” she chides, shaking her head eagerly. “You can call me mom.”
Yoongi lets the bottle clatter to the sink.
( ♡ ) 
Yoongi hadn’t been able to sleep last night.
He’d woken up in a cold sweat hours before his alarm was supposed to go off to cook dinner for everyone, even if it was only yourfavorite. The anxiousness that bubbled in his veins when he was asleep was going to burst and while Yoongi thought nothing of it initially, he realizes in panic that it was actually pointing to something. 
He woke up next to Haneul and he was placated momentarily, but the knot tied around his heart tightens twofold when he sees Hyewon on the same bed.
On your bed.
The guilt that filled Yoongi then was enough for the bile to creep up into his throat, making him stagger outside to find Namjoon pacing right outside of his own bedroom. His personal phone’s tucked in between his ear and his shoulder, his hands preoccupied scrolling through whatever it is on his work phone. Yoongi momentarily stops his panic to inquire why the hell Namjoon’s panicking and why did he just see a glimpse of your social media accounts pulled up to the screen, your following list staring your brother in the eyes.
“What? What happened? Is it Y/N?”
Namjoon only looked at him with nothing but pity and guilt, the resentment he had for himself bleeding through the way he shifted his gaze to him.
“She saw you and Hyewon.”
Yoongi hadn’t been able to sleep since.  
He didn’t even blink when Hyewon thanked him and said her goodbyes. He wasn’t even fazed when his ex-wife kissed Haneul goodbye and his son only resumed playing with his blocks. Yoongi hadn’t even tended to himself throughout the entire night, surrendering himself to be awake in your couch in the far event that you’d come home.
Yoongi wanted to follow you home, except almost exactly similar to the past, he had chased you out of what’s supposed to be your own home in the first place. The difference now was that he didn’t mean for Hyewon to be on your bed at all, let alone your room, but in the back of Yoongi’s thick skull — he figures that it won’t be enough for you.
Yoongi waits for you all night throughout the morning like a loyal dog waiting for its master, his chest rising up and down in hope yet his chin down in despondence. You do end up coming back home though, but your presence is neither unaccompanied nor for him.
With you is Jeon Jungkook, your boyfriend.
If only Haneul hadn’t asked for his bottle to be brought upstairs because he’s watching cartoons on Yoongi’s laptop, he would’ve collapsed on the floor then and there, uncaring of the way everyone else would be looking down on him.
If only Namjoon’s gaze wasn’t flitting to him to gauge his reaction because it’s the first time he’s, or by everyone else rather, hearing that you have a boyfriend, Yoongi would put his hands on his head and curse until his piercing migraine suddenly disappears.
If only your mother wasn’t here, frozen in the kitchen mostly because of what you just revealed and who you came home with, and partly because she’s waiting for him to finish washing Haneul’s bottle, he would’ve thrown up right in the sink.
Yoongi gathers all his pain and keeps it shut within himself until he gets you alone, catching you by the staircase when everyone else has dispersed.
“I’m sorry. Namjoon told me what you saw and-…” he stops himself when you look up at him with an innocent yet empty gaze, the weight of it (or lack thereof) startling him. “Let me explain why Hyewon was there in your bed.”
“I don’t want to listen,” you enunciate clearly, keeping your voice down because both Jungkook and Haneul are a few steps away. You do it for their sake and not for Yoongi’s, the bitterness in your chest physically restricting you to think about his state.
Yoongi pushes on, breath already catching in his throat when you’re still stiff as a stone. You haven’t even made a break for it yet; he only unconsciously held onto you out of fear that you’ll be out of his sight. “She was in the area because her parents are old and they don’t know much about selling their house here a-and well, she knows that I did the same for my parents when they sold ours. Nothing happened. I just helped her with the sale! S-she was playing with Haneul in the living room while I napped a-and, I just… when I woke up, they were right next to me. Y/N, I swear, nothing-…”
You shake your head fervently, the innocence of his reason doing little to break the seal in your stomach. You feel it dropping once again and even if Yoongi’s right, even if he’s saying the truth, the sight alone of him appearing to be a part of a happy family jogs up all the pain.
“I don’t want to listen and you don’t have to explain either.”
“But I hurt you. That’s why I want to explain,” he stutters. Yoongi’s eyes are so glassy, you could see your reflection in them.
“Oh. So you know,” you whisper, teeth harshly digging into your bottom lip. “I hate Hyewon for a lot of things but not for being the mother of your child. That’s out of my reach. I get it. She’s his mom and that’s that,” you admit, the vacancy in your chest and on your ring finger reminding you what Yoongi had never given you the chance for. “What I hate is that you let her sleep in my room. Seeing Haneul in there is good. You and him? That’s okay because I let you sleep in there,” you heave, voice close to breaking because of how you force it to be tamped down. “I hate how you let her sleep in my room, Yoongi. I-I, I fucking hate it because it’s just like that time I caught you practically fucking her in my room.”
“I-I’m sorry, I didn’t-…” Yoongi sniffles, tears already pouring. The staircase in your house is far too narrow to hold the both of you, let alone your history. “I didn’t think. I didn’t notice, a-and, I didn’t think. I didn’t think at all, Y/N. I thought it was okay for a split second because we looked like-…”
“A family,” you finish for him. “I get it. I do,” you nod your head fervently, your own hand snaking to your lips to stop the sharp inhale that pains you from the inside. “Almost everyone loses their sense of reason when it comes to family.”
“I didn’t notice she already entered the room. But I-I woke up,” Yoongi still swears up and down, adamant on his truth that you aren’t open to entertaining because he’s hurt you far too many times before. “Hyewon and I… we’re not. We’re co-parenting.”
“Still a family.”
“But-…”
“What the hell do you want to hear from me, Yoongi?” you snap, voice finally toning down when you notice faint footsteps coming from the second floor. “Do you— do you want me to agree with you and say that the three of you aren’t a family? And for what, s-so that could somehow excuse you for everything you’ve done? I don’t even know what family’s supposed to mean at this point!”
From upstairs, Namjoon suppresses a sob.
“My mom doesn’t know a single thing about all of this. I-I can’t even cry to her because I’m thinking of you. I’m thinking of protecting you, your son that she looks to as a grandson, a-and even your mom who’s her best friend,” you break into tears, ignoring the baby towel that Yoongi keeps on his person all the time that he offers to you. You sound far too defeated, and maybe you actually are, that Yoongi lets you push past him. “Meanwhile, my own brother probably knows everything but his first instinct is to protect you. Not me, his actual sibling. You.”
.
.
.
Namjoon had been waiting for you upstairs. He’s been barricading the door to the bathroom because he knows you can’t go to bed without your nightly shower, and because he knows that out of every space in the house, it must be the only one left wherein you can be truly alone with no hint of Yoongi.
“We have to talk,” he gets out as soon as you make eye contact with him, the towel that’s slung on your shoulder almost falling at the urgency to which he pulls you aside.
“It can wait.”
“I need to apologize,” he pleads once again, gripping your wrist gently like he had always done when you were kids to get you to listen to him.
“And I said it can wait. I can’t stand you right now,” you grit, the tears on your cheeks barely being dried up when Namjoon, unsurprisingly, decides to apologize to you within the same timeframe as Yoongi. They hadn’t planned it at all — the guilt and remorse weighed far too heavy for them to actually communicate.
“Where will you sleep?” he asks instead, exhaling heavily because you’re insistent on not crying again in barely your first night back, again. “Where will Jungkook sleep?”
“We’ll sleep together in a hotel.”
“Hotel?” Namjoon asks loudly, eyes bulging in shock. His voice is far too loud that everyone in the house (and maybe even your neighbors) must have heard him. “That’s nonsense. This is home, Y/N. You don’t have to book a hotel.”
“It is?” you seethe, your closed fists tightening on themselves painfully. “Did you also say the same thing to Hyewon? To Yoongi in the first place?”
“It’s my fault for-…”
You’re unaware that you and Namjoon are neck to neck until your mom chimes in out of nowhere, her gentle eyes asking more questions than she’s actually uttering. “What’s going on?” she switches her gaze between you and him. “Are the two of you fighting?”
“No,” you answer in unison, unable to fit a relieved sigh in between the terse silence.
“It’s nothing, mom,” Namjoon puts a hand on your shoulder, his smile tight and tense. “I was just telling Y/N that she doesn’t have to book a hotel.”
“Why would you book a hotel?” she gasps incredulously, her tone being the exact copy of Namjoon’s just a second ago.
“It’s just crowded in here, mom. That’s all,” you muster a sheepish smile, your posture slouching the more you realize that there’s no way out.
“I can ask Yoongi and Haneul to transfer to Namjoon’s so you can-..”
“No-!” you interrupt her in a hurry, breath hitching at the mention of him. “No, no. That’s unnecessary. I don’t want to sleep in my room.”
There’s a loaded pause between all of you, even between the door that Yoongi has his back on as he listens in.
“You and Jungkook can take my room instead,” Namjoon insists, his offer only barely scratching the surface of the apology that you truly deserve.
“Great. Thanks,” you conclude, already halfway into the bathroom when the sudden thought strikes you, your curiosity (and limit, by extension) getting the best of you to ask Namjoon while your mom’s still here. “How… how much longer are they gonna stay here?”
“I… haven’t asked yet,” Namjoon admits, the animosity you have towards Yoongi not going unnoticed by your mother.
“You need to ask then,” you quip. “This house is too small to have everyone and anyone.”
( ♡ ) 
Jungkook woke up in peace from sleeping in a bed that isn’t his.
Even before you actually got to shower (and not just sit on the toilet seat whilst trying to compose yourself) since you forgot to retrieve your clothes from your suitcase, Jungkook was already starfished in the middle of Namjoon’s bed. It’s a touching sight atop your own blanket and bug spray that your brother put in for you.
The two of you are far from okay. As a matter of fact, the only people you’re truly okay with in the house is your mom and Haneul; despite knowing that fully, Jungkook still dived in head-first in the middle of your situation. You’ve tried to dissuade him all throughout the five-hour long car ride, and not once did he even budge.
He’s here for you and no one else. He’s snoring in the middle of your sibling’s bed whom you aren’t in good terms with. He’s at ease with you in a province that he’s never stepped foot in, all because he felt compelled to protect you somehow and wouldn’t take no for an answer. 
Jungkook cares for you, enough to write a note and place it beside him just before he went to sleep, telling you that he’s a messy sleeper and to either jolt him awake to move or just manhandle him to the side so you could also sleep on the bed.
You go for the latter, trying to pry him as gently as you could (but even if you just hauled him like a sack of potatoes, he still wouldn’t wake up because he’s at ease too much; it’s you, of course) before finally calling it a night.
You may have lied awake mulling over the perpetual ache in your chest, but you didn’t cry at all.
Eventually, you fall asleep to the sound of Jungkook snoring.
.
.
.
Jungkook may have slept earlier than you, but he makes sure that you stay in late. (read: he physically tucked you into bed so snugly, you probably can’t even shift your shoulders by a centimeter). He wants to pull his weight around a house he hasn’t even been in, even if you hadn’t asked him to — you’d never do, because even as a manager and not as a fake-girlfriend, you don’t let him lift a single finger. Simply put, Jungkook feels this massive pull, not to perform for you, but serve you.
He finds himself quietly going down the stairs, still in his socks because you had stolen his house slippers just last night and he doesn’t have the heart to ask you to give them back. He’s quickly figured out the kitchen, getting a soup started before he allows himself to sit on the dining table by himself.
It turns out that Jungkook’s not alone at all.
“Hi.”
His ears perk at the soft voice that comes from the side of him, eyes immediately setting on the toddler who’s still dressed in his pajamas and has a similar case of bedhead to him.
“Hey buddy. Nice bangs,” Jungkook chuckles invitingly, pulling out a chair for Haneul to which he gets up on easily by himself. 
“My appa cut them for me,” he answers with a smile, shyly pointing to Jungkook’s forehead with an eager finger. “You have bangs too. Who cut yours?”
“My girlfriend. I think she can be a hairstylist one day,” he hums, not feeling guilty over lying to him when it’s only a half, easily-corrected lie. You may not be Jungkook’s actual, real girlfriend, but you did cut his bangs when he asked you to. He couldn’t be bothered going to the salon and you didn’t have the energy to argue with him otherwise, so that’s how he ended up with choppy, viral (it only became viral because he has them) bangs that gained him a few dozen articles or so.
Jungkook doesn’t have kids of his own, but what he does have are several nephews and nieces. He’s the youngest of four children, and that’s perhaps the reason why he could empathize with you. He’s never been through what you have, and although you would never wish for him to do so, a part of him wants to know what it’s like — not because he seeks the pain, but because he wants to know how he could empathize with you better
With Jungkook being Jungkook, it’s perhaps the reason why he’s one of the gifted few people who could strike up a sensible conversation with a toddler and make them laugh without doing anything at all.
Something about Jungkook makes Haneul laugh so loudly, he wakes up almost everyone in the house in peace. Even Jungkook’s attempt at lame jokes tickle Haneul more than the way Namjoon’s ever tried in earnest to make him laugh.
You’ve already slinked past the two of them on the dining table, tending to the soup and the few hundred side dishes Jungkook started on but paused just to talk to Haneul.
“Haneul, don’t believe your uncle-…” you chime over a playful dig that Jungkook makes in your expense, the giggles that had only been filling your ears just seconds ago instantly ceasing when you notice Yoongi standing near you.
“Uncle?” he raises his brow at you, turning his attention to his son. “Haneul, what did I say about talking to strangers?”
“But he’s not a stranger. I saw him in that movie!” he frowns, the immediate awe that slips out of Jungkook’s lips not helping his case in the slightest.
“Still a stranger,” Yoongi smiles tightly, his exhale dragging out as he mulls over the eerily domestic sight of the three of you.
“But he’s Uncle Kook,” Haneul reasons with him, pointing his finger at you. “He’s auntie’s boyfriend.”
.
.
.
Yoongi’s softened a little bit since breakfast.
He was never mad at Haneul in the first place (more like halfhearted because he still stands by his lesson of not teaching him to talk to strangers, even if they’re a worldwide-famous actor, but those are not his words at all) but what he is annoyed about is the scene that he walked into.
It looked far too natural for you to look like Haneul’s mom and for Jungkook to look like him, maybe even better as a dad despite not having children at all, that he thought he was seeing red.
Haneul’s lying on his shoulder as they rewatch Bluey for the second time in the living room, the shadow of your alleged boyfriend walking past him until he registers the accent, later doing a quick turnaround that makes Yoongi ultimately irritated and Haneul more than happy.
“Oh cool. I love Bluey!” Jungkook says sincerely, inviting himself to sit on the lone sofa chair to watch the episode.
“Wow, you’re just so… quirky,” Yoongi mutters under his breath with a roll of his eyes, his snarky remark making Jungkook’s ears tingle. The latter scoffs slyly, making him finally acknowledge Jungkook, albeit sarcastically. “So what do you do, Jungkook?”
Even before he could answer though, Haneul does it for him with an excitement that only comes out whenever he’s talking about his favorites.
“We watched his movies in the cinema, appa! Remember?”
“Did we?” Yoongi narrows his eyes, playing his huff into a cough. He repurposes the tinge of embarrassment that he feels into snark, running a hand through his hair cockily. “I’d for sure remember an actor if they were good.”
( ♡ ) 
“Where’s your brother? I need him to do the heavy lifting.”
Your mom asks you with an urgency that parents only past the age of forty could possess, her lips already parted awaiting your response towards a question she asked just two seconds ago. 
Even if you weren’t engrossed on an episode of Bluey (Jungkook and Haneul put you into it and you get their laser focus now) just now, you still wouldn’t know about your brother’s whereabouts. Yoongi saves you this time, his response piquing both yours and Jungkook’s interest.
“He’s in practice. Joon took Haneul with him so he could learn too.”
Jungkook looks up from his phone sharply, eyes wide in eagerness. He and Yoongi haven’t even looked at each other since yesterday yet their coordination (read: competitiveness) syncs with the other at the exact second, their insistence on tagging along a menial task making you jolt.
“I’ll come with, mom!”
“I’ll come with, auntie.”
It’s not a competition, yet Jungkook jumps up to stand so quickly, his head almost brushed the ceiling. “Let’s go, babe,” he holds out a hand for you, making you clear your throat as you’re still trying to gauge the situation.
“But what about Yoongi? Poor thing, he’ll be left alone,” your mom awes, her pout only deepening when Yoongi pretends to look crestfallen at being overlooked. He doesn’t have to pretend that much because despite not being the biggest fan of grocery-shopping, especially in your area because it always smelled of eggs despite barely carrying any eggs, he’ll jump at any task to impress your mom, and you by extension.
“I don’t think you should worry-…” you start, already being interrupted in an instant.
“Oh come on, Y/N. Two pairs of hands are better than one! They really have to do some heavy lifting because I forget to tell you about that one time your aunts hounded me for-…” she trails off while telling you a story about your supposedly huge extended family, blissfully unaware that there’s two men fighting to open the door for the both of you.
Yoongi’s driving his car as the most spacious option, making Jungkook snicker under his breath as he blames himself for not bringing his SUV which is clearly more expensive than whatever Yoongi’s driving, even if you elbow him lightly by the ribs because you didn’t ask him to do that.
“Mom, what are you doing here? Go sit in the front,” you nudge her, unwilling to sit next to Yoongi in an enclosed space.
“Oh, right! Sorry, I was just used to you always taking shotgun whenever Yoongi’s driving,” she squeals, fondly clapping to herself as she revisits the memory. “Do you remember that, sweetheart? You’d always fight with Namjoon because Yoongi got his license first.”
It may only be your mom who’s leaning against the center console to look at you in the back, but it doesn’t mean that Yoongi’s ever taken off his attention from you.
“I remember,” Yoongi smiles, looking at you from the rearview mirror. “I never forget.”
.
.
.
The grocery store hasn’t changed one bit. 
It still smelled of eggs, the lights still aren’t as bright as they should be, and there’s still trinkets that you’ve always been swayed by being displayed near the register.
You’re taking it all in after not having been back for five years, whereas Yoongi strolls right in, but never ahead of you, as if he’s visited multiple times already since he left your town. 
Your mom and Jungkook are side by side as he asks her a question you can’t even discern, only getting to know his actual agenda when you hear his sneakers skidding against the floor as he runs towards the pushcarts. 
Yoongi, without even knowing the full context, runs after him because he didn’t want to come in second place for whatever it is that Jungkook’s challenging him to.
“I’ll steer the cart,” Jungkook presents definitively, his hand raised mid-air as if he’s being graded for eagerness alone. He looks like he wants to prove himself even if it’s only you and your mom present; no director, no producer in sight who sizes him up. 
“No. I’ll do it,” Yoongi argues out of nowhere, his bruised hands reclaiming the cart under Jungkook’s grasp. He’s not even looking at your mom because his gaze is only fixed on Jungkook who’s just two tugs away from actually spitting at him.
“I said it first,” your pretend-boyfriend forcefully pulls the hunk of metal away from Yoongi, the latter coming along with it for the briefest of seconds before he does the same, this time with Jungkook gasping.
“What, are you method-acting for your next role as a cart-steerer?” 
Your mom’s a little perplexed at the scene before her, lips parting in both concern and amusement because for a pair of people who haven’t met each other before, Yoongi and Jungkook are oddly competitive. They want to provesomething, anything, and maybe everything so bad, they neglect the fact that they look ridiculous fighting over a pushcart. 
“We actually need two,“ she says to no one in particular, thinking out loud as she goes through her grocery list. “I think maybe even three because-…”
“I’ll get it,” Jungkook rushes out in panic, almost bumping into you in the process. You were only gone for a minute to retrieve your phone from the car and yet he already looks breathless, the knot between his eyebrows untangling when he realizes that it’s you. “Oh. Sorry, babe.”
“I’ll get it, Koo,” you murmur, catching the tail end of what your mom said about the pushcarts. Jungkook’s cheeks are tainted pink in frustration and you can’t help but to be concerned, the back of your hand already flitting against his forehead before you know it. “Are you okay? Sorry, the AC in here is not like the AC in the city.”
“Huh, what? Oh no, it’s okay. I just got into this heated cart argument,” he waves you off, eyes rapidly moving between you, your mom, and Yoongi who’s mirroring his exact actions, except for the glaring hint of annoyance with the way he’s standing so close to you.
“Cart argument? What’s-…”
“We need meat.” 
You barely even have a chance to digest what Jungkook’s saying to you before you see him glitch right in front of you in a hurry, the only words to register clearly in your mind being your mom’s. She’s absent-mindedly talking herself through her grocery list (as she always does) and yet the two men right next to her hang onto her every word, the speed they take off on giving you no clue to why they’re acting as such.
“I’ll get it, auntie!” Yoongi gets out even before the wheels of his cart could cooperate, momentarily tripping over himself. Jungkook sputters at that, the laughter that builds in his throat being interrupted because he realizes that the other guy is ahead of him and he simply cannot bear that. 
“Beef. We need beef, right, mom? How many kilos. Like… ten? Okay. I’ll get it!” Jungkook dashes even if he’s never been in this grocery store before; even if your mom hasn’t said a single word to either of them.
You’re left dumbfounded in the middle of the store, your gaze unable to locate the distinct sounds of both of their sneakers skidding against the floor. 
“I didn’t even say anything,” your mom mutters in confusion, eyes flitting to you with a wonder you can’t place because even if the both of you are lost, she seems to have a better idea than you do. “Are they… competing over you, sweetie?”
“Competing? Me? Why would you even say that, mom?” you huff, leaning against the cart as you snatch her list to get the things she’s actually looking for.
“I don’t know,” she lulls, shrugging carelessly before nudging you. “Jungkook’s your boyfriend and well, I assume Yoongi’s always wanted to be in his position.”
“How did you even come to that conclusion?”
“Small town. Few people. Cute girl, cute guy,” she places, the end of her hypothesis being accompanied by a chuckle. When she says it like that, it sounds far too easy — it sounds far too seamless, you almost wish it was exactly that. “I didn’t even take the news that Yoongi was going abroad seriously because I thought it was a joke. I thought he could never move on from here or Namjoon,” your mom pouts, tilting her head when you freeze. “Much more, he could never move on from you.”
“He did,” you answer through gritted teeth, the grip you have on her list making the paper crumple underneath your hold.
Your mom doesn’t know everything. In fact, you don’t even know if she knows anything at all. You don’t despise her for her lack of involvement because you want to keep her from the chaos of your burdens, and you’ve always wanted to keep it that way.
But the way she speaks now, so full of conviction and faith, you find yourself despising it. She speaks as surely as the way Yoongi speeds past the both of you, weaving through aisles to get items she didn’t ask for, competing for and against a higher power (read: you) that Jungkook himself seeks. 
She says it so surely, it’s as if she knows about every waking thought that Yoongi’s ever had in your absence.
“It doesn’t look like he did.”
You ponder over your mom’s adoration for Yoongi, most of which you can’t decipher if it’s misplaced or not. You know he’ll always have a special place in her heart and in her home because she’s known him even before he was born because she’s best friends with Mrs. Min. 
Yoongi has a place in your life, no matter if it’s in your own or in the lives of the people you love. He probably has a modern penthouse in Namjoon’s life, the decoration in it improving over time. On the other hand, Yoongi probably occupies an ancestral cabin in your mom’s life that’s been well-maintained for longer than he’s ever been alive, the decor in it being handmade and resilient through the years. 
In your life, however, you can’t tell how and if Yoongi occupies it in the first place. For the longest time, his place in your life had come in the form of a mansion that not even a single architect nor engineer could ever think of. For a moment too, Yoongi’s place in your heart came in the form of a little house on a vast farm overlooking the mountains and the sea. Throughout all the houses that Yoongi’s shape-shifted to in your life, you doubt now if he could ever turn into them again.
When you think of Yoongi, all you see is your room. 
When you see Yoongi, all you could remember is your childhood house and its shortcomings in your life, especially when you needed to come home to it— to him, the most.
“I’ll pay, mom,” Jungkook snaps you out of your reverie, his whine making your ears ring.
“What? No, Jungkook. This is all too much,” you refuse vehemently, trying to fight him from extending his black card any further.
“It’s not. This is for your family anyway. I, I might have even grabbed extra portions for myself because mom said she’ll repeat tomorrow what she did for lunch today,” he grins, momentarily losing himself to the sight of you that he doesn’t even notice he’s in the process of being one-upped by Yoongi.
“Jungkook, baby, I’ll feel-…”
“I paid for it, auntie,” Yoongi announces, making your lips part and Jungkook’s jaw drop.
“You shouldn’t have, Yoongi,” you scold him softly, a whine already building at the back of your throat but he waves you off easily. Your mom’s thanking him profusely in the background, and while Yoongi’s pleased with the attention, his gaze remains on you.
“But I wanted to,” he insists, pursing his lips. “I should.”
“You’re not family,” is what you want to say.
“But I want to be,” is what he wants to scream.
Wordlessly, Yoongi puts a plastic toy ring he bought from the register into your bag. It’s pink and it’s star-shaped, its mold still the same from all those years ago.
.
.
.
You barrel into your mom’s room just to see Namjoon.
You bit at the chance of giving him the stuff he’s asked for from the grocery as per your mom, taking advantage of her focus on organizing the groceries downstairs to have a one-on-one with your brother.
“You have to make Yoongi drive into the city tonight. Either that or he flies to the US. The reunion is already tomorrow,” you seethe, crossing your arms as he sighs in defeat.
“It’s already late. Yoongi’s driving with Haneul, a kid, alone,” he emphasizes, running a hand through his hair as he himself is troubled by you being in a bind over everything. “And he can’t book a flight back on such short notice.”
“Short notice? What, did he just happen to book a one-way flight and not a round trip one?” you snort in amusement, shaking your head in disbelief. The thought actually cracks you up because out of the three of you, Yoongi happened to be the one more adept to websites despite your limited materials back then. Namjoon remains silent, and with how serious he looks, your face falls.
You can’t believe Yoongi at all.
“He did? You’ve gotta be kidding me, Joon,” you groan, throwing your head back. “What, does that mean Yoongi gets to stay in our home while we’re in this godforsaken family reunion?”
Namjoon delivers yet another blow, his revelation making you more enraged than the last.
“Mom invited them.”
“What? Why?!” you exclaim, chest rising in frustration. “Yoongi’s not family, Namjoon. Atleast not for me.”
He doesn’t miss your added remark at the end of your sentence, the underhandedness of it making him look down on the floor. 
Namjoon feels guilty, he really does, but he can’t seem to make it right. He couldn’t even fight you in insisting to apologize that night.
For each day that you try to delay the inevitable of confronting him and letting him taking the fall, of letting him apologize, Namjoon feels more like a big failure for an older brother than he already is. 
“But he used to be,” he says under his breath, looking up at you with a stubbornness you can’t place. “Your lifetime versus those five years — which one amounts to more?”
( ♡ ) 
Everyone gushes over Jungkook.
In an altitude higher than the mountainside that you’re in now, the aunts, uncles, and cousins you didn’t even know you have squeal over your fake boyfriend. By the fifth relative, you’ve already got your routine down of letting them hug you and kiss your cheek before holding Jungkook’s bicep, acting as his bodyguard to make sure they don’t squeeze him too hard or not at all.
“Oh my god, Y/N. Jeon Jungkook is your boyfriend?!”
“I knew it, I knew you were gonna have a partner who’s famous! I dreamed about it when you were-…”
“If that’s your boyfriend, then who’s he?” your cousin (?) whispers to you, cutting himself off as he turns his gaze to Yoongi and Haneul. They’re most certainly not your family, meaning that they’re unrelated to everyone present, so what your relatives (some more nosy than others) can’t wrap their heads around is the fact that there are strangers in your family reunion.
It takes one, two times for your mom and Namjoon to explain who they are and what they’re doing here in the first place, the chorus of nods eventually signaling that they’ve moved on. Some of them could even recall Mr. and Mrs. Min from the neighborhood, and Yoongi could only nod.
It’s not that he doesn’t belong right now — he actually feels the opposite. Yoongi feels that he has a place amongst a barrage of relatives he’s not affiliated to by neither blood nor paper, and it pains him; not because he’s scared of belonging, but because you probably don’t think the same way.
Haneul runs to him underneath the umbrella he’s isolated himself at, his son grasping an assortment of cash, food, and juiceboxes Yoongi most certainly did not pack in Haneul’s backpack from the night before.
“Auntie’s family is really nice, appa. Look what they gave me,” he shows everything that his hands could carry, breathing heavily in excitement as he explains that your relatives told him to come back once his hands are empty.
“Oh dear. They really think you’re adorable,” he laughs, pocketing Haneul’s cash (he swears he’ll give it back) and hiding some of the snacks he’s been given so he wouldn’t give himself heartburn eating too many at once.
Yoongi’s smiling from ear to ear, sitting Haneul in his lap as he overlooks the view of your town from above. Everything looks so small and delicate, you’d almost think none of what laid downhill ever even mattered. He didn’t get views like these in New York. 
Yoongi didn’t get people like you in New York.
“Mama’s family isn’t this nice,” Haneul speaks out of nowhere, his thoughts uttered out loud directed more-on to himself than it is for his dad. Yoongi stops in his tracks in trepidation, shoulders tensing over what his son just said. “They never play with me like this. Not like auntie.”
He knows Hyewon’s relatives, albeit not that well. Her family members in the US were not this kind, not this warm, even to a child who’s actually related to them.
Yoongi’s stuck in his thoughts the whole time Haneul sips on his juice, finally being snapped into his reality nowwhen you approach their direction. His son waves at you excitedly even if you’ve just crossed paths minutes ago.
“Here, Haneul,” you hold out a container to him, the gentle smile on your face limited to only him yet Yoongi, for a lack of grace, pretends it’s also for him. “I tried my best to make it look like Bluey,” you chuckle, pointing to the mini sculpture made out of the marshmallows and blueberries that your relatives set aside for him.
Haneul beams at you, thanking you profusely. If only he wasn’t sat on Yoongi’s lap and therefore grounded, he would’ve launched himself at you to hug your legs.
Yoongi takes the hat right off his head, putting it on you while you’re crouched next to his son.
“It’s hot,” he explains, his heart continuously speaking beats the longer that you linger beside Haneul and the longer that he giggles in excitement. “I know you get headaches easily.”
( ♡ ) 
Despite being reachable, Yoongi still yearns for you.
He yearns for you even if you’re only within arm’s reach, sitting near you but never close enough at the long table because with you, he feels safe. He laughs in the background like it’s a sitcom to every joke and every episode of banter thrown around him. He doesn’t feel out of place with your family — he feels out of place with you.
He’s never been a wickedly jealous type. Even when he and Hyewon were still together and she cheated on him, Yoongi felt more resentful than he was jealous. He didn’t feel this type of way; he didn’t feel inferior. He didn’t feel like he was nursing a loss in his life because he has no choice but to. Yoongi had managed to divorce Hyewon because it didn’t work out between them, and that was that.
Yoongi can neither divorce you nor pull away from you because you’ve never been with each other. He harbors no resentment for you and that scares him, not because he wants to hate you so badly, but because he feels as if everything you’ll do to him, he’ll take it.
Yoongi will take it even if you set a plate for Jungkook despite unconsciously forgetting what he’s always disliked eating when you were still kids. He’ll take the serving tray from your hands still, uncaring if eating the tiniest bite of the food you’ve passed gives him an allergic reaction because you were the one who offered.
He’ll take it even if you hold Jungkook’s bicep in a hurry when there’s a bug that’s getting awfully close to your drink. Yoongi would walk to where you sit and dispose of it wordlessly because even Jungkook himself is scared of bugs. He doesn’t mind if you don’t thank him, because atleast now when he looks at you from a distance, you’re sitting in relaxation and you no longer have to hold your boyfriend.
He’ll endure the jealousy that burns through his throat more than the poorly-made, highly-alcoholic vodka your uncle made himself. He’ll hold onto the poison that is yearning and how he’ll feel like his throat would close up because if you were still young, in this setting of free rein, except you were still in love him like you used to be and he’s in love with you like he is now, neither you and Yoongi would be hurting.
Yoongi will take it. He’ll take the nothing that you give him and give you the everything that you don’t ask for anymore.
Five years versus the rest of your lifetime that you spent being in love with him is only miniscule. The suffering that he’s going through now is only a speck of the years you’ve spent in an unrequited love.
Unlike you, Yoongi’s weak. If he were to say it outloud to you, you’ll never agree because you’ve never regarded yourself otherwise. You’ll go on this tangent that you’ve always been weak, influenced by the times that Yoongi had chastised you for your lack of a passion. 
To you, Yoongi had been right in a way.
To Yoongi, he’s always been in the wrong.
He’s crying to you now that the both of you are alone, overlooking the small town he used to be keen on getting out of. Now, more than ever, Yoongi wants to stay in it. He wants to stay with you.
“Why is everything with you so hard?” Yoongi whispers, his tears stinging badly from the corner of his eyes to the point that he can only make out shapes. He’s unkempt and frantic as if his life flashed before his eyes and there’s nothing he could do about it, voice strained like much of the times he’s drank himself to sleep.
He resembles Haneul at the moment. He’s always had because there’s not one bit of Hyewon in his son’s features or personality, but he looks especially like him now that he’s crying. The back of his hands harshly dig into his face, sobs bursting right from his throat. “Why do I make everything so hard for us? Why can’t I— w-why can’t I make it right for once?”
There’s a tremble to your chest that you ignore earnestly, the presence of it enough to scare you because it’s familiar; too familiar. Seeing your past play out in front of you in the form of a seemingly content family sleeping on your bed is one thing, but it’s another to see its patriarch crumble in front of you. It’s different to see your past pleading in front of you for just the slightest bit of your attention.
As a matter of fact, it’s different now because you resemble Yoongi the most. 
“You never tried,” you seethe, jumping the gun before you even try to decipher what’s in the barrel. It’s a bullet you fire haphazardly that comes from your pocket that you’ve always held onto. It’s a misplaced, misshapen, old bullet that you force into a gun that Yoongi passed onto you.
Right now, Yoongi doesn’t resemble Haneul, and neither does he resemble his ex-wife. 
He resembles you with the way his eyes are clearly swimming in hurt while you avoid looking at his, just to relieve the painstaking feeling of guilt and longing compacted into a sob.
“I never tried?” Yoongi exhales shakily, his quivering hands running through his hair to tug on them.“I never tried?”
You hear yourself clearly even if it’s his voice. The tremble and the anger, even all the way to the blind hope.
“I kept trying to reach out to you every single time. Every single birthday, every single Christmas, every insignificant holiday I could search up!” Yoongi cries — he actually thrashes with the way he sobs, shoulders shaking violently. “I didn’t try? If I didn’t try, try looking at every page of my passport to see all the stamps there are whenever fucking Jungkook was reported to be in another country,” he spits his name like poison, the vitriol behind it, however, never catching up to what he feels about himself.
You resemble Yoongi the most because you stand untethered, eyes blurring and lips quivering, yet you only watch him lose himself before thinking of uttering a single word.
“I’m selfish, I’m an asshole, and I’m fucking insufferable. I can’t even apologize to you correctly,” Yoongi lists, chest rising up and down too heavily, he feels like it’ll give out. “But I love you, Y/N. I-I might be every bad thing in your life right now and I own up to that. I’m still trying to be the best for you.”
Not only does Yoongi resemble you — he’s actually become you.
“You can call me the vilest names ever but you can’t say that,” he grits, teeth chattering not from the cold he’s put himself in, but because he can’t stop mentioning your name in between. “You can’t say I never tried because I always have. I’ll never stop becausethat’s what it takes,” Yoongi mutters; because, he says, not if.
“I love you,” he says it far too clearly for someone who’s drunk; far too sincerely for someone who had spent the better part of his life putting it through your head that he can’t return your affection. “I’ve always loved you.”
( ♡ ) 
You don’t feel good.
There’s a fever that’s starting to bloom from the base of your skull all the way to your toes, the abnormal warmth you feel in your chest making you unable to interact with everyone else outside of your room. Jungkook had left with your uncles before dawn to go fishing in the nearby lake and never would you think to inconvenience him; to tend to someone like you for something as minor as a fever, or for anything at all.
You already have a system down for taking care of yourself when you’re ill. It started when neither your mom nor your brother were home with you, and it was finally perfected when you had to live completely alone in the big city. All you had to do was gather all the energy you have, spend it at the start to get everything you could possibly need and put them all at the side of your bed, and rest until everything no longer hurts.
The major flaw with your system now is that you don’t have the energy at all. You can’t build up the strength to get up, walk across the hall and interact with your relatives, and rummage through groceries to get what you need without being questioned; you can’t build up the sense of importance you have for yourself to ask for help.
Namjoon comes into your room before you could dance around the idea of asking him to get you water, all because he has this innate sense of guilt in him and you could utilize it to your advantage. Your brother gets ahead of you before you could even register that he’s here with you, his eyes sullen and pleading.
“Can we talk?”
“I can’t exactly storm off right now,” you rasp, your voice fading out into a low chuckle.
“Do you want to talk when you’re able to storm off?” he asks sincerely with a small smile, his hand fixing your hair as gently as he could without making your migraine ring further. “If you do though, then you probably might never hear me out again.”
You stay silent because he is right, but Namjoon feels otherwise. He feels as if he hasn’t been doing anything right at all and you existing separate from him is a constant reminder. His career is at its peak but he thinks he could go higher; his relationship with you is deteriorating and he doesn’t think it could possibly be worse.
“I’m sorry for being a shitty brother,” he apologizes, the first thing out of his mouth being the last thing that floods his mind before he goes to sleep at night. “I should’ve never defended Yoongi, even Hyewon by extension.”
The heat behind your eyes isn’t all from your fever. The tears that prick your eyes aren’t because of the pressure in your head, but because of the fact that you haven’t heard Namjoon apologize to you in a long time; you haven’t talked this sincerely for even longer
“I should’ve put you first,” he sniffles, muttering apologies in between his pauses for finding the right words that would make it okay; that would somehow undo all that he’s been an accomplice to. “I should’ve been this reliable, sturdy man of the house. I-I should’ve been more of a father figure to you-…”
“Don’t,” you interject sternly. “You never filled in his shoes and you should never will. You’re only mom’s son and my brother, Namjoon. It’s never been your job to raise me.”
Even after everything, there’s a gentleness to you that Namjoon’s always loved but hate the most now. He hates that even if he’s the one who’s apologizing, you’re the one who’s saying sorry for the things you didn’t even inflict on him. Neither of you wanted to be raised by only a single parent, yet you absolve him of the guilt he’s always felt.
“But I could’ve been better. I wish I was already better from the start.”
“I know.”
“I’m sorry. I didn’t think how hard life was for you growing up. I-I would’ve given up football if only-…” he trembles, unable to get the last of his sentence out because you shake your head in earnest.
“Stop.”
“But I mean it. If only I-I didn’t get into football, I could’ve been there for you and mom much often. I could’ve been better and-...”
“But I grew up to be okay, didn’t I? You’re the best at what you do. We’ve managed to retire mom early because we put in the work,” you whisper, the shrug of your shoulders feeling more heavy that it should feel because the words don’t come out easily from you. 
“But okay shouldn’t have been enough for you,” Namjoon tears up, bottom lip trembling as you try to take in his words that you’ve always wanted to hear at the back of your mind; you hear them now when you’ve already grown up. You hear them now after you’ve already endured the grief. “I— we should’ve given you the fighting chance to grow up more than okay.”
.
.
.
It’s not Jungkook who comes to visit you while you’re nursing a fever, because you’ve temporarily banned him from the bedroom. He only pouted in complaint when you called him, but he didn’t fight you that much either because you’ve called him out for the excitement in his voice to go hiking for the first time.
It’s not Yoongi who comes to visit you while you’re nursing a fever, because Haneul asked him to teach him Go (he’s not even that good at it and being the ever unable to show incompetence and have pride especially when Jungkook’s watching father, he discreetly asked lessons from your mom) so he’ll be able to play with your cousins.
Instead, it’s your mom who visits you. Even if Namjoon hadn’t tipped her off that you were feeling under the weather, she’s already had a feeling this morning.
“Are you okay, sweetie?” she asks, her hands full of everything you could possibly need and more before plopping them at your side. She makes you sit up even before you could complain, handing you a drink with some medicine you didn’t even know she carried
“Just a little fever,” you answer, getting back into your cocoon. 
You don’t even attempt to make conversation because you fear that you don’t have it in you to have a heart-to-heart talk with your mom just minutes after you’ve had one with Namjoon.
You don’t even say anything to her except your thanks. Namjoon didn’t even tell her about your conversation, even if he approached her with tear-stained cheeks and bloodshot eyes while saying that it was just allergies.
Your mom feels the guilt spring to her chest even if you don’t utter a single word. She feels the remorse in her eyes when you don’t ask her for anything more. She feels the guilt the most in her hands when you don’t ask her to stay.
“I’m sorry if I made you feel like there wasn’t enough space for your burdens growing up.”
“What?”you scramble to get up in a seated position, eyes hazy from how quick you do it. “Mom, you scared me. Where’s this coming from?” 
She shakes her head at your cluelessness, eyes stinging when you genuinely look at her innocently. You don’t know what she’s talking about, even if the thought has plagued her for so long.
“You’re not really okay, are you?”
“It’s… just a fever,” you mumble, your breathing already trembling at the way she looks at you.
She’s looking at you like you’re still a kid; ever so fragile and innocent, it’s as if she wouldn’t let a single thing in this world harm you. She doesn’t know a single thing about your feud with Namjoon and your long drawn-out conflict with Yoongi. What your mom does know is that she doesn’t know a single thing about the heartbreak you suppress, and that thought alone makes her hiccup in tears.
“You’re right, you know? Our house is small,” she says, distinctly recalling the tensioned conversation you had with Namjoon back at home. “It’s tiny but it was far too big for you growing up alone,” she inhales sharply, trying not to sob in front of you. “He wasn’t in the picture. I was working a hundred jobs left and right. Namjoon was trying to make a name for himself,” she shakes her head, so much so that the necklace she’s had since you were children, the same one with yours and Namjoon’s birthstones on it, rattles. “I’m sorry for making you feel that you can’t come to me.”
In just a full day, you’ve heard everything that you’ve ever wanted. It’s everything you’ve ever wanted during the school plays where you had no one from your family, except Yoongi, to watch you become an extra up on stage. He’d always deny that he did show up for you and just say that it’s because he was genuinely interested in a play about a poet he didn’t care about in reality, but you take it nonetheless.
It’s everything you’ve ever prayed for watching Yoongi live a life far too advanced for you as he held Hyewon’s hand after school. It’s what you wanted to hear when you begged him not to leave you behind.
“I-I’m okay. I’m really-…” you stutter, looking away before your tears fall in the fear that they’ll never stop.
Your mom only hugs you tighter.
“I’m here if you want someone else to carry your burdens,” she whispers. “I’m here now.”
( ♡ )
It’s the last day of the reunion when you fully recover, and it’s hours ahead of everyone when Jungkook has to leave by himself.
Without even asking for it, Jungkook grants you another week’s worth of break. You didn’t even plan on asking, yet Jungkook’s willing to give you a month if only you do. 
You’ve already arranged for his personal driver to pick him up and take him back to the city. You’ve already packed his bags, along with the multiple containers of food that your relatives (and especially your mom) insisted for him to take. You’ve arranged for your substitute to take care of him for his schedules throughout the week, along with the insistent reminder to call you whenever Jungkook needs you. (Read: he does, with or without a schedule.)
Everything is set for Jungkook to leave except for his driver who’d been roped by your mom to be filled with breakfast first, yet with the remaining minutes left, Jungkook’s still with you on your bed. 
He lies on your lap even if there’s plenty of space for him to lie parallel to you on a pillow — and you let him.
“Have you ever thought about kissing me?” he asks in the middle of you texting your substitute, the randomness of his thought already being familiar to you. This time, unlike the few thousand times he’s ever asked you something straight off his mind without refining them, is different.
It’s different now because your pretend-boyfriend asks you if you’ve ever thought about kissing him, while looking like he really wants to kiss you.
“Where’d that come from?” you giggle, looking down on him on your lap. 
Not once does Jungkook ever look away from you.
“Dunno,” he shrugs, pointing up at you. “Your lips are close to bleeding and it’s bothering me.”
“Sorry for turning you off,” you snort in laughter, wiping at the tiny specks of blood. Jungkook tuts when you rub at them, feeling for his lip balm out of his pocket.
“I didn’t mean it like that,” he stresses, going a little cross-eyes when he applies them for you. His eyes keep goading you, the smile he has on his face widening the more that you look at him incredulously. “Sooo… have you?”
You don’t want to lie to him at all.
“If I answer yes, Jungkook,” you toy around with his hair, setting your phone face-down because you can’t focus on anything else now. “We can never come back from that.”
Jungkook laughs in glee so loudly, Yoongi (who was only passing by; he really, really swears he didn’t just happen to eavesdrop in your room because Jungkook’s driver is all done eating and wants to beat traffic) actually flinches.
Jungkook strains to be closer to you, unconsciously training you to lean down. His lips are far too soft — far too close to you, you could see every line and every nuance in them. He whispers, eyes practically crossing at your proximity.
“And is that such a bad thing?”
( ♡ ) 
You’re back at home when Jungkook texts you that he’s made it back safe, and that he wants to kiss you again.
You’re back at home when Yoongi asks you if he could use the bathroom first because Haneul spilled milk on him during the drive. You’re in your childhood bedroom when you let him clean up first, and you’re sitting on your childhood bed when you volunteer to put Haneul down because he’s cranky and for some reason, wants to be held by you.
You’re back at home too when Yoongi and Haneul are knocked out for the night, and your mom calls you and Namjoon down for all three of you to talk at the dining table.
You’re back at the home you were raised in, sitting on the dining table that’s creaky when more than two people lean their weight into it, in the space you’ve roamed around alone waiting for them to come home, when your mom talks about wanting to sell it.
“You want to sell?” Namjoon’s eyes widen, exchanging a glance with you who’s as equally surprised as he is.
“Yes. It’s under my name, y’know? Not that… man’s,” she snorts, the off-hand mention of your father making you and Namjoon laugh unexpectedly. Your mom looks at ease as she talks about selling your house, the smile she has one her face being shaped with experience and grace. “I doubt the both of you would want to keep this, and besides, the offers I’ve kept for years now are high. You already know that big-shot companies have been buying out houses here for years now because of the growth potential and whatnot. Who knows, maybe our block will be turned into a mall!” she shrugs, the happiness in her tone infectious. 
For someone who’s decided on letting go the house she’s both struggled and strived in, your mom’s beyond excited.
For two adults, who were once kids, who’ve seen the amount of sacrifices your mother’s put into the place by herself, you and Namjoon don’t have any objections.
“Also, consider this as me asking for permission to go on a vacation, even if I’m grown, because some people get so paranoid when I don’t answer calls,” she digs at you and your brother, immediately inciting coughs because you two, in fact, are guilty of worrying over your mom too much. “I’m going on this worldwide trip with Yoongi’s mom,” she grins, pulling out one last surprise. “We’ve talked about it since we were young. She’s earned her stripes working abroad, I managed to raise two amazing children as a single mom. We’ve earned it, I think.”
You and Namjoon share a glance once again, this time more definite than the last. You’ve made up already as far as your mom could tell, and that confirmation is what she needs before finally selling the house you all grew up in.
“You’ve earned it more than anyone.”
( ♡ ) 
Yoongi’s packing up for their flight tonight when you go into your room to pack up the life you’ve lived there.
“You’re coming with me and Haneul?” Yoongi jokes when he sees you pulling out your own luggage, the tone of his voice highly suggesting for you to become serious. He gets you to smile and that’s big enough of a win as is, the remainder of it more than substantial to hold onto when he’s away from you. Again.
“No, unfortunately. I’m packing up the room and eventually… the whole house,” you answer with a chuckle, voice trailing off when you see the crestfallen look on Yoongi’s face. He looks like someone who’s just absorbed the largest pain to man as he’s trying not to make it obvious. “We’re posting it for sale two weeks from now.”
Yoongi nods tightly, inhaling sharply as he tries to maintain his steady tone. “Then why are you packing up already?”
You could do this tomorrow. As a matter of fact, you could do it tonight because you don’t have to drive them to the airport. You have all the time in the world within two weeks to do this, yet you go into your room now when Yoongi’s still in it.
When Yoongi still hasn’t left, and neither of you know when you’re gonna see each other next.
“I have to get a move on. If I don’t move now,” you trail, voice close to trembling as you open cabinets you’ve never even given the time of day before. “I’m scared that I’ll keep holding onto this house.
Yoongi nods, even if he fully understands — even if he doesn’t want to swallow what you’re saying.
“You want out?”
“We want out — me, mom, Namjoon,” you explain, looking at him properly for the first time since he told you that he loved you. “For the longest time, we’ve held onto this place because we became this house at one point. Namjoon’s this world star, my mom’s traveling the world with your mom-…”
“Oh, they’re finally doing it?” Yoongi interrupts, a smile finally coming to his face at the news. He hasn’t talked to his mom in a month from how busy he’s been, and although he’s always missed her (even if they’re on much better terms than he and his dad could be), he’s happy knowing that your moms have each other atleast. “How about you? What will you be doing?”
“I’ll just be… living day-to-day. I’m not doing anything extremely special, but I’m happy and busy doing it,” you laugh, looking around your room that hasn’t appeared this clean, this warm, since you last stayed in it. “No one’s going to be around here anymore.”
As if on cue, Haneul runs to Yoongi’s arms to be picked up. He knows what the luggages mean and because he’s largely in denial that they have to leave later (as referenced by him crying to your mom and Namjoon), Haneul keeps pretending to sleep so that their trip gets delayed.
Yoongi’s about to put him on your bed even if he knows his son’s antics already, but in the fear that he’ll actually get to sleep and they don’t get to leave (which he isn’t opposed to at all), he keeps him in his arms.
You, on the other hand, take Haneul from him when his arms outstretch for you.
There’s the sentiment of you not having to do it that’s resting at the tip of Yoongi’s tongue but he holds himself back, the image of you and Haneul completely fitting one another, he wants to burn a copy of it to his retinas and designate it to be the last thing he’ll see if he ever goes blind.
Without putting Haneul to sleep on your bed, he goes to sleep in peace in your arms.
“Do you regret it?” Yoongi asks throughout the silence between you, sitting next to you at the edge of your bed. “Do you regret ever liking me?”
“I do,” you answer truthfully, rubbing circles at the Haneul’s back. “I regret knowing you.”
Yoongi takes the responsibility fully, even fuller than the way both your hurt and happiness could make or break him.
“I can’t take back all the hurt I’ve caused you,” he admits just as honestly, turning to look at you. He becomes surprised to learn that you’ve been looking at him the whole time. “But what I can promise you is that I’ll never do anything to hurt you again.”
“I have my share of faults too.”
“Eh. Mostly mine.”
“Mostly yours, yeah,” you laugh easily, nodding to yourself as you continue. “But I held onto you as much as you didn’t hold onto me. That’s my mistake.”
Yoongi stays silent at that, not because he agrees, but because the bias that you’ll never be wrong in his eyes overtakes your humbleness.
“Do you think he’ll remember the entirety of the trip?” you ask, gesturing to Haneul who’s already sleeping like a hibernating bear in your hold. “Or will Haneul just remember that time the power went out because he cried a lot?”
“Oh, he’ll remember everything alright. He’s good with retention and people in general,” Yoongi waves you off. “Even if he didn’t come along the trip— even if we didn’t crash the whole thing, Haneul would remember you.”
“Who am I to him?” you ask in curiosity, lips turning into a straight line before they curve in the slightest. “Appa’s friend, I bet.”
“Not really. You’re a lot of things to me,” Yoongi chuckles, looking at the way Haneul grips you as if you’ll float away if he lets go; he’d do the same too. “More like my first love.”
Yoongi loves you quietly.
He loves you quietly with the way he draws the curtains downstairs when you sleep on the couch, tired and stressed over a solution you couldn’t understand. He loves you with the way he’ll scoop the warmest, freshest, least-burnt portion of rice to your bowl without you even asking for it. He loves you with the way he’s willing to let you walk all over him.
He loves you quietly in the way that not even distance nor time could disrupt him.
Yoongi loves you quietly, it might have been too much.
“Is that a lottery ticket?” he asks suddenly as he spots the familiar face of it inside your luggage, tucked into the discreet pocket where your mother’s letters of encouragement when you went to the big city were also kept
“Oh, it’s still there,” you answer, in surprise yourself because even if this is the same luggage you use whenever you go out of the country with Jungkook, you’ve never noticed that it was still there. “I bought it when you left for the US.”
Yoongi stops in his tracks in retrieving the scratch ticket from the pocket, looking up at you in curiosity. “Why did you buy one that day?”
Haneul stirs in his sleep in your arms, waking up right at the middle of you and Yoongi being lost in each other. He mistakes the silence as a signal that they’ll be leaving already, making a mess of himself as he quickly goes down the stairs to look for your family there and cling to them instead.
You and Yoongi are alone again.
“I don’t know,” you answer honestly, grasping the scratch ticket you used to spend hours looking. “I guess I just needed some proof that fate was against me that day.”
“But how would you even know that?” Yoongi asks, pointing to the card that’s still covered. “You didn’t even scratch it.”
You answer honestly, the reason burnt to the back of his mind.
“Because I knew I would lose my mind if I actually lost.”
“Try,” Yoongi swallows, nudging the ticket closer to you with a gaze that mirrored yours when he left. “Try again. Please.”
You have nothing else to lose.
Yoongi isn’t yours to lose.
You retrieve the same old coin Yoongi gave to you on the same day that he bought you your first scratch ticket, the appearance of it from your luggage making his heart skip a beat.
He doesn’t speak and neither do you, gaze only fixed on the way you scratch the card almost hesitantly, as if you’re still scared of the results of something that you should’ve known five years ago. (Read: you still are.)
When you get to the last digit, you freeze. You comb through the pattern over and over again, yet you still can’t believe it.
You’ve won the highest possible prize.
“Oh.”
“Oh,” you parrot Yoongi, looking up at him as he can’t believe it either.
“You won.”
“I won,” you repeat, running a hand through your hair. You actually laugh, the lump in your throat subsiding. It’s a welcome, albeit loaded, feeling of happiness that comes in between the two of you. “I thought I would lose,” you mutter bitterly, shaking your head. 
You didn’t lose. Fate wasn’t against you that day, and yet you still lost yourself thinking subconsciously what the proof of it would’ve been.
“Who would’ve thought, right?” you sigh, eyes drifting to Yoongi. “If only I took that chance years ago, I would’ve won.”
Yoongi smiles tightly, breath faltering in recollection.
“I’m familiar with the feeling,”
Yoongi doesn’t get to finish packing for him and Haneul and neither do you with your whole room, the shift in the atmosphere suddenly making him stand.
He’s breathless and he doesn’t know what for, the rapid beating of his chest making his voice louder than necessary. “Hey, what do you say you take a break? I’ll pack up your room. I have to stay alert anyway for Haneul."
You thank him before leaving him alone in your room.
Yoongi can’t find the strength in him to pack. The only power he has left in him is for him to think of taking everything out from his luggages, the thought of leaving again, this time worlds different than the last when you were begging him not to — he feels like throwing up.
Yoongi’s merely an amalgamation of you. He’s only a compilation of your every word, every feeling you’ve implanted in his heart. He’s filled with nothing but your every triumph and shortcoming; every late night hanging out with you as you attempt to study while he keeps you company, every minute he spent going out of his mind trying to look for you when you ran away from home.
Yoongi loves you silently to the point that he gets out of your room without accomplishing a single thing he said he’ll do just awhile ago.
In the grand scheme of things, Yoongi realizes that he was wrong. He was as wrong as you were right that the moment he leaves home, he’ll spend the rest of his life looking for it. 
Even if you left your home like he did, even if neither of you could come home anymore the moment your childhood house gets sold, Yoongi would still search for it. He’ll still search for you. You’re no longer where you were, but you are everywhere that Yoongi is.
He looks for you in Namjoon’s room, to the dining table, and all the way outside, just to ask if he and Haneul could stay for dinner.
Yoongi finds you and Haneul eating sundaes on the pavement outside, with you on the ground and a scrap cardboard underneath Haneul so it wouldn’t be hot for him.
Fate hadn’t been against you five years ago. And even if he’s much too late, Yoongi could only pray that fate isn’t against him now.
He walks over to where you and Haneul are, grabbing another scrap of cardboard to put underneath you.
Yoongi is consumingly yours all the time.
506 notes · View notes
rafeandonlyrafe · 11 days
Text
the same tv
Tumblr media
words: 1.8k
warnings: 18+ only, smut, unprotected sex, p in v sex, parent death, funerals, robbery, redemption/forgiveness, addiction, drinking (wine, not like hard drinking), tickling, cockwarming, they call themselves kids at one point but at no point are reader or rafe under 18, like itll make sense once you read it in context
the first thing you do when you enter your house is kick off your shoes. the next is to stop holding back your tears as they stream down your face. you can't even sob anymore, just silent, steady tears.
you sigh as you look around the entryway. there's been some changes since you moved away, despite only being out of your parents house for a little over a year. they replaced the grand portrait that was of your mom's parents with one of you, now taking the place of honor.
you look away before you get to the rest of the family photos. you've seen enough at the funeral. you walk further in to the house, bare feet against the shiny wood floor.
you pause when you hear something further in. you haven't forgotten how the old house seemed to speak, groaning and settling during strong winds or when too many people were crammed between it's walls.
this sound seems different, but you're also occasionally sniffling, your ears are shot from blasting music in an attempt to distract yourself, so you shrug it off and walk further into the living room.
the sound suddenly makes sense as you see someone stood in your living room, arms holding up your parents flat screen television, awkwardly trying to carry it.
you aren't even mad. you honestly don't care about the tv. or the fact that someone is trying to rob you.
you let out a bitter laugh before you sink to the floor. “of fucking course this happens.” you are glad you still have your purse slung from your shoulder as you pull your wallet out, quite aggressively throwing it at the robber who has now frozen.
“what?” he questions, lowering the tv to the ground and pushing his hood of his head, a dumb move for someone currently committing a crime.
“this has been the worst week of my life and now you're robbing me. just my fucking luck…” you let out a broken sob. “just take whatever you want and leave.”
the only things that matter to you still in the house aren't actually worth anything anyways. the photos of your parents, your dad's cologne that's half empty, the oak tree that your childhood dog is buried next to.
“i thought the people who lived here died.”
you pick your head up, a look of fury overtaking your face.
“they did. they're my fucking parents! and now they're gone and you're fucking robbing me! get the fuck out!” you stand up, pushing at the robbers chest.
he looks familiar, like you should know who he is but can't place him.
“im-shit. im sorry.” he says, allowing you to shove him away and out the door. 
“im really fucking sorry!” he yells again before you slam the door shut.
-- years later --
you park your car in the driveway instead of pulling it all the way into the garage like you know you should, but you need to know if you're correct about the man sitting on your front step.
“you're the kid that tried to rob me.” you say as you walk the sidewalk to the porch.
“yes.” he says, looking ashamed and a whole lot more grown up. “i was an addict and i owed a debt. my dad had just kicked me out of the house and i was on my own for the first time. it was stupid of me, but when i heard the people living here died, i thought it'd be a victimless crime.”
he sighs deeply, like even just thinking back to that time physically hurts. “i didn't even think that someone could have inherited the house. im so, so sorry.” 
he swallows thickly. “my mom died when i was young. my dad- my dad just died recently. he faked his death and i got him back, but he's actually gone this time. you know what you said about the worst week in your life?”
you think back those years. it's mostly a blur, especially the days surrounding your parents car crash and funeral, but you do remember breaking down in front of the robber. you nod gently, waiting to hear the end of his speal.
“i know what you mean now. and im sorry i hurt you. im sorry about your parents dying.” he pulls something out of his pocket, extending his hand.
you look into his open palm, realizing it's a ornate gold necklace.
“no.” you shake your head. “you keep it. you don't need to bribe me to forgive you.”
“i want you to have it.” he says. “it's… it's not a lot, but it's something. something to help make up for what ive done.”
you reach forward, carefully taking the necklace out of his outstretched hand, carefully not to accidentally bump his skin. 
“thank you.” you say, admiring the way the sun gleams off the metal. 
“im rafe, by the way. rafe cameron.”
“y/n.” you respond, undoing the clasp of the necklace.
“here, let me.” he takes it out of your hands, moving quicker than you can think as he steps around you. your hair is already up in a bun, so rafe is able to reach around and easily place the chain around your neck.
“thank you.” the weight of the necklace feels comfortable against your skin, like it's the last finishing touch you need. you are wearing your mother's earrings, your father's bracelet, and now you have the other piece of what made that time in your life so miserable, your robbers necklace.
“i… i guess ill be going now.” rafe says.
you turn and watch him walk away. you recognize so much of your former self in him, the clear grieving he's going through.
“are you sober now?” you call out before he reaches the end of your driveway.
“sober enough.” he shouts back. rafe doubts he'll ever truly be clean, but he can at least manage now, doesn't need the drugs like he used to.
“then come back for dinner tomorrow. we can talk.”
you can see the smile stretch over his features. “ill be there.”
-- three months later --
“shit.” rafe says, head snapping over to you. “this is the same tv.”
you giggle and nod, surprised it took him so long to realize. “i never really watch tv on the actual tv, so no need to replace it.” you shrug, the gold necklace still draped over your neck. you haven't taken it off except to shower and sleep.
“god, thats crazy.” rafe looks over to you. “imagine if we just talked back then.” 
you shake your head. “you just think you want that because we get along now. we were both in bad places.”
“you don't think we would have been hooking up back then?” rafe asks, raising an eyebrow at you, watching the way your thighs press together at the mere mention of hooking up, already feeling the urge to sleep with rafe even after having sex only a couple of hours ago.
“we were two scared kids. if we were hooking up we definitely shouldn't have been.” you giggle, reaching your wine glass out for rafe to refill, which he is glad to pour a more than healthy amount in.
“and now?” rafe looks down at his lap.
“and now we are two slighty less scared slightly older kids.” you giggle again, taking a deep sip before leaning across the couch cushion to press a kiss to rafes cheek, the movie you had put on long forgotten.
“rafe.” you wait until he looks you in the eye. “im here for you.”
“god, what have i done to deserve you?” rafe wraps his arm around your waist, pulling you on top of him as he flops back onto the couch. 
you let out a laugh before it's cut off with his lips. he kisses you heavily, hand against the back of your head, not allowing you to pull away, not that you want to.
you let himself get lost in your kiss. you wish you had someone to support you in the time you needed most, and you're determined to be that person for rafe now.
rafe easily dominates your mouth even though he's underneath you as you quickly work your shorts off, wiggling against him until your bottom half is nude.
you press against rafes crotch, still covered by his sweatpants. you feel his cock straining against the fabric as you rub your pussy against it, wetting the gray material.
“baby, please.” rafe groans. he would pull his cock out himself, but his hands are preoccupied holding you close to him as if his life depends on it.
“oh, now you don't like teasing?” you smile.
“alright, i deserve this.” rafe also manages a chuckle despite his straining erection. “but please. need to feel your pussy ‘round me.”
“alright.” you roll your eyes dramatically. you'll have to get revenge on rafe at a different time for edging you the other night.
you push his pants down his thighs until you're able to reach into his underwear and pull out his cock. you give him a few quick strokes before lining up your entrance and sinking down.
rafe let's out a moan, barely pulling his face away from yours. “you're so wet.”
“it's almost like i like you or something.” you roll your eyes.
rafe laughs before kissing you again, hand moving up to your hair, tangling his fingers between the strands.
you sit on his cock for a moment, adjusting, before beginning to move, up then down, up then down, subtle movements of your hips, not needing anything fast, wanting drawn out, wanting it to last.
the movie is long over by the time rafe finally cums, a hand finally moving down to rub your clit to make sure you get off at the same time as his.
by the time you're both satisfied, you're sweaty and exhausted. you don't even bother to pull off his cock as you rest your head against his chest.
“thank you.” rafe says softly, rubbing his hand over your back. you don't need to ask what for. you know. for being there. you'll always be there.
you look up at him, a small smile on your face. “how are we gonna tell people we met?”
things are quickly getting serious, and while he hasn't breached the subject with you yet, neither of you have been hiding how quickly you're falling.
“what, you think it's a problem that we met when i was robbing you?” rafe says, making you giggle, only intensified by his hand pressing into your side, fingers tickling you as you howl with laughter.
rafe flips you over onto your back so you're underneath him, keeping his cock pushed inside of you.
“maybe we should just tell people we met on tinder.” rafe shrugs.
you roll your eyes. “somehow that's more embarrassing.”
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erideights · 8 months
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Little pieces here and there (1)
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Pairing: Buggy x Fem!Reader (One Piece Live Action)
Chapters: two, three, four, five
Word Count: 2,6K (i was inspired by god itself)
Warnings: none, lot of context (i promise the next chapter will have way less filling), light flirting
A/N: I HAVE ALREADY THOUGHT ABOUT AT LEAST 5 CHAPTERS MORE, I HOPE SOMEONE LIKES THIS FIRST ONE BECAUSE I'M ON MY KNEES FOR THIS DAMN CLOWN. Let me know if you wanna be tagged in other parts! (Side note: i'm spanish, so if there's some mistakes, i'm trully sorry, i don't have beta readers).
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It's not enough to suddenly find herself locked in a box with 3 idiots she met a matter of hours ago, no; To make it worse, as it could not be otherwise, it turns out that she is in a bloody circus, ''kidnapped'' by a band of pirates that she recognizes as soon as she sees the red and white tent over their heads, the distressed faces of the poor people that make up the audience, and the costumes of the band around them.
She sighs, and wonders what the hell she's doing there despite knowing perfectly well what kind of decisions have led her to that damned place. Wanna know what happened? Let's recap, shall we?
(Y/N) (S/N). That name doesn't sound familiar, right? Very few know it but the reputation that accompanies the person who responds to it is very famous throughout the 4 seas. She is not a bounty hunter, nor a marine, neither a pirate or a pirate hunter, like the green-haired hottie with whom she finds herself in such trouble, or a thief, like the ginger who she bet, will escape running without looking back at the slightest opportunity she finds.
No, she's a mercenary. She doesn't work solely for money, otherwise she would go against the most bloodthirsty and ruthless of each sea, and that doesn'tt interest her, because she would put herself on the radar of both the pirates and the marines.
No, she is contacted through different channels, none of them direct, and if the job interests her, amuses her, or even piques her curiosity, she accept it. She goes after all kinds of people, whether they are pirates or marines, gangsters at the top of the terror scale or criminals who, like her, tried to keep a low profile.
However, and as we were saying, despite trying to remain anonymous, she is good at her job, a born strategist with an incredible facility to adapt and blend in with her surroundings to sneak into the most remote places, so her existence inevitably began to be noticed along the seas, rumors about this young mercenary with an angelic face, who only responded to her own morals and of whom few escaped to tell the tale.
And this is how she met that group of weirdos who found each others through the power of the plot's convenience; her last assignment was to steal the map from the Grand Line. There are not many, these kept safe and protected in large fortresses throughout the globe, and among all those that she could have tried to steal, she made the horrible decision of going for the one that was closest to her, encountering those three idiots in the crossfire of the disaster that unfolded in Shells Town.
How did she end up giving up the assignment and at that precise moment there, with them?  Simple: Luffy piqued her curiosity. And there are few things stronger than (Y/N)'s curiosity.
"Hey, I know you. I saw your wanted poster in Shells Town, you're the clown guy. Umm, uh… Binky, right?" Luffy exclaimed, as confident of himself as usual.
Buggy, she mentally corrected, arms crossed over her chest, rolling her eyes at the same time the clown corrected loudly and dramatically listed his many nicknames. Which she was sure, only he called himself.
''Wow, you have a lot of names. I bet everyone in the East Blue knows who you are.” The audience gasp. There's confusion in the boy's face, and an almost psychopatic tic in the clown's one. ''What did you just say?'' Buggy asks lowly. ''Just that everyone knows who you are.'' Luffy repeats.
''Nose!? Are you making fun of my nose!?’’
Then came the slap, like the one someone usually gives when a friend is trying to steal their food or touch something they definitely shouldn't. Buggy is killing the straw hat boy with his eyes but the gesture is so… innocent.  She expected threats with knives, to be honest.
And because of the unexpected, she almost let a laugh escape in the form of a cough but she controlled herself fast enough to not grab unnecessary attention to her.
''What's real is...'' Buggy resumes the conversation, getting some distance with Luffy to walk around the rest too.  ’’I’ve been scheming for months to steal that map from old Axe-Hand moron…’’ (Y/N) sees how he approaches her, but she didn't expect him to close the distance between each other so much, his nose almost touching her own, sharp blue eyes fixed on her from a slightly lower perspective. The truth is... that she also doesn't know how to tell if that nose is real or not, but now she really wants to touch it to find out. Dear God, what a realistic texture. It’s incredible.
Pressing her lips together in a contained expression as she shakes her head, she raises an eyebrow, letting him know that the joke wasn't as funny as he hoped, and he clucks, accepting defeat in such good humor that no one would say, that is a kidnapping and someone would end up dead by the end of the day.
She heard of him. His reward was not one of the highest but neither one of those that go unnoticed in the East Blue. He was also an eccentric, of course people talked about the blue-haired, red-nosed clown who terrified his victims in a macabre way. Those who survived ended up traumatized.
He is, or at least looks, younger than she imagined, and he fit right in with the urban legends of evil clowns kidnapping children and then dismembering them. She wonders, silently, thoughtful eyes scanning his face and body language from a distance, if this is some softie on the inside with high aspirations in life who was unfortunate enough to bump into someone who traumatized him and hence all this show and facade of the cruel and heartless clown -to protect himself as the good cliché he seems- or if, on the contrary, he is, simply and plainly, a yandere who craves attention no matter how he has to obtain it.
If she remembers correctly, there was also a rumor that he ate a devil fruit. Just like Luffy, which it doesn't take long for the clown to discover after Zoro tries to save the situation by showing off his reputation -obviously it doesn't work- and Nami does exactly what (Y/N) predicted. Not her fault, either, she doesn't owe any of them anything at all.
''Okay. Here ends the theatrics.’’ The lights go out and it’s then that everyone can small the disaster in the air. A chill runs down the back of (Y/N), who tends to infiltrate without being seen and avoids, whenever possible, a direct encounter; hand-to-hand combat is not exactly his specialty. And given the circumstances is impossible for her to know if the daggers she usually hides in the side of his combat boots -for emergencies like this one- are still there. ''I know one of you has my map, and I'm gonna get it back. What was it you said, Rubber Boy? That it was in a safe place?”
How long were they unconscious before? Enough to hijack the ship, get to land, and move 4 dead weight bodies to that circus, locking them in a box. By that point she would bet some member of the gang would have thoroughly searched the ship, and them too. Disgusting.
Buggy takes a last, attentive look at both Zoro and Nami, ruling out that one of the two has the map because when the girl tried to flee, Luffy was not shocked thinking that perhaps she would steal it from him. Which leaves the two of them, Luffy and her, alone with him.
''So, please'' the clown gestures to his subordinates with his head. ''make these two guests uncomfortable in the green room. I’m gonna have a chat with my stretchy new pal and…’’ His eyes jump to her, tilting his head to the side with genuine curiosity. ''this beauty that was incapable of taking her eyes off me.''
Fuck. Was it that obvious?
''Doll, you are the only one who hasn't opened your mouth yet and I don't think it's because you’re a shy little flower.'' He begins, circling around her like an animal hunting its prey, analyzing it, hoping to see a chink of weakness to attack. ''Are you bored?'' He asks almost in a whisper near her ear. ''Is that it? Are you so, so bored that you don't think it's worth enough interacting with the rest of us?'' Breaking away from her when he realizes she doesn't falter, he smiles a huge, threatening smile, looking her up and down in such a way that it almost makes her feel dirty. "Or maybe you're the one who has my map, and you're quiet to try not to attract /my/ attention."
She? The map? Wearing such tight pants and top? Yeah, maybe up her ass, but she's not the one who is going to tell him otherwise because if he, or one of his subordinates, comes to search her, she could take advantage of the opportunity to steal some sort of weapon from them.
In particular from Buggy; (Y/N) saw the knives he keeps in his coat and… she wouldn't mind taking a closer look at that interesting nose.
"Busted." She finally admits with a lopsided smile, raising both eyebrows when she sees the surprise on the clown's face. He didn't expect such a cocky response, did he? "I'm not the type of person who likes to attract attention, the spotlight is for others who are more... flashy." She pronounces it honeyedly, repeating the same nickname he used before, pointing at him with a gesture of her chin. "However, I'm not going to tell you where the map is. If you want to find it, come and search for it yourself."
Shrugging her shoulders, she stretches out both arms in a gesture that invites him to come closer. Bold, he thinks, more than pleased with this unexpected turn of events, taking some steps in her direction. She adds once more: "although I would be surprised if you hadn't already done it during the time we have been unconscious"
"Me?" He points at himself, stopping right in front of her. "Take advantage of a defenseless young lady?" He almost sounded offended if it wasn't for the shit eating grin and the eager way he was scanning her body now. "What kind of degenerate do you take me for?"
She scoffs, and Buggy, unsure, seems to consider -for some long seconds- whether or not to do the job himself, (Y/N) being too calm for how helpless she seems. But surely, he knows, she doesn't have any weapons on her; his subordinates were in charge, as she said, of searching all of them as soon as they were brought to the circus.
In the end he gives up, because he would be damned if he dared to refuse to thoroughly touch this mysterious woman who may, just may, have his map hidden somewhere. He strongly doubts it, tho.
Soon enough, he moves again, standing then behind her, and without asking permission, he doesn’t need it either, his hands start roaming her shoulders and sides slowly, making sure to feel anything weird between her clothes and the skin underneath. Like the fucking map, folded until it is nothing more than a small piece of paper easy to hide. 
Because that is the whole point of that scene, right?
"Go on, be my guest." she says sarcastically, trying to stay calm and breathe slowly, because (Y/N) likes to pretend to be made of stone, but not /that much/. The pressure of those gloves against her already tight clothes and the hungry way she knows those -green? blue? difficult to say with those circus lights- eyes are watching her every move make her heart beat a bit faster in something she’d call /the average amount of nervousness when a known, wanted pirate search for something we wants while threatening to kill you if he doesn’t find it/.
Buggy, on the other hand, is so engrossed in his task that his usual cocky smile has disappeared a few seconds ago; he is waiting to feel a change in the girl's body language to be able to guess if she has it or if, on the contrary, this search will be saved in his memory as no more than a small pleasurable pause after all the stress that the goddamn map is putting him through. Because he can't deny it, she's actually a beauty, and in other circumstances he wouldn't mind getting to know her in a funnier way. At all.
Inhaling deeply, wetting his red lips with his tongue, he lets the air out slowly, tilting his head to the side to see her better. He should hurry up and stop making that scene as intimate as it's becoming, audience and all, but he's a thorough man. Or that’s the excuse -explanation- he will give to whoever dares to ask.
"Where the hell did you hide my map?" He asks melodiously as he finishes searching her torso, his right hand starting to go a little lower, getting dangerously close to her hipbone when (Y/N)'s right hand flies up and catches his wrist between her fingers, stopping him dead in his tracks. She couldn't help it, she acted on autopilot, she is not ready to be the main character of a porn movie with audience included letting him roaming all around as he pleases. "Not between my legs, so keep lowering your hands and I'll cut them off." she threatens, turning her face to look at him standing behind her.
Right back, as if those words were magical or something, the huge, shit eating smile of his returns to the lips of the unstable clown, and without letting go, he makes her spin, facing her with both hands on her waist, strongly keeping her in place, sharp eyes fixed on her, and without realizing it, she stops breathing for a second. "You promise?" He whispers, pleads almost, in an amused, delighted tone of voice after such a threat. She was way interesting than he expected, not as shy or scared as an unarmed girl like her should be. He likes that. A lot.
However, he has -sadly- things to do and he did in fact, already lost time with her. His eyes betraying him the moment they land on the girl's lips, Buggy winks at her with a cocky expression and pulls away suddenly, raising both arms "Another disappointment, how many more can our audience endure? You’re the only one left, Rubber Boy, don't let me down." He points him, moving closer, while (Y/N) just stays there where he left her, wondering what the fuck just happened and why does her heart run so fast now.
Adrenaline, probably.
"Take her with the others" he ends up saying to a couple of members of his gang, to which she responds by moving on her own in the direction of where they have taken Zoro and Nami before, preventing them from guiding her by force and discovering the knife she stole from Buggy when he got so damn close to her, and which she secretly hid between the waistband of her pants and her shirt.
Risky, she could cut herself with the smallest movement at the least expected moment, but it was way worse to see herself unarmed.
Buggy, infatuated, takes one last look at her and, raising one hand, waves his fingers in the air with a huge smile on his face as he says goodbye to her.
"See you later, love."
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sage-nebula · 1 month
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"Suffer No Fools" - Shiver vs. Marina Analysis
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It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.
So! Here we go.
Exchange 1:
Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."
Analyzing from dialogue only:
Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.
Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.
HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.
Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.
But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.
Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?
And Shiver noticed, hence:
Exchange 2:
Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"
Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.
Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.
Exchange 3:
Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."
This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.
It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.
But those are just my thoughts! Everyone else is free to have their own.
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