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#der fan 1982
film-o-teka · 6 months
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Der Fan, 1982
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oflightandshadows88 · 2 years
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The Fan (Der Fan) (1982) | dir. Eckhart Schmidt
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threelinewhip · 1 year
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filmap · 10 months
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Der Fan / The Fan Eckhart Schmidt. 1982
River Unter d. Metzig, 89073 Ulm, Germany See in map
See in imdb
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anitapallenberg · 2 years
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Der Fan (1982) | Dir. Eckhart Schmidt
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doubtfultaste · 2 months
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The Fan (1982, Der Fan)
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itsnothingbutluck · 2 years
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honeygleam · 2 months
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désirée nosbusch as simone in der fan (1982) dir. eckhart schmidt
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legallybrunettedotcom · 9 months
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Do you have a list of all the films used in your psychosexual edit?
dead ringers, crash 1996, the handmaiden, body heat, blue velvet, the piano teacher, secretary 2002, videodrome, audition, in the realm of senses, y tu mama tambien, mulholland drive, love exposure, thelma, gothic 1997, climax, possession, titane, law of desire, raw, the skin i live in, the lighthouse, 3-iron, eyes wide shut, thirst, belle de jour, antichrist, salo, possessor, black swan, repulsion, dogtooth, the lair of the white worm, persona, peeping tom, phantom thread, the silence of the lambs, red dragon, the duke of burgundy, the cook the thief his wife & her lover, docteur jekyll et les femmes, the exorcist, the devils, shame, der fan, body double, psycho, quills, basic instinct, immoral tales, caligula, crimes of the future, the double life of veronique, woman in the dunes, stoker, a clockwork orange, the beguiled 1971, the innocents, who killed teddy bear 1965, the housemaid 1960, taxi driver, sisters, teorema, oedipus rex, vertigo, trouble every day, sex lies & videotape, suspiria, carrie, nbc hannibal, a dangerous method, solaris, cat people 1982, the cell, spider 2002, spider 1992
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oroniusn · 27 days
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Introductions
Hello! You may call me Samuel :] (or Sam, Samael, Oroniusn, Oro, I’m not picky!) I decided to redo my introduction post so it was more accurate and elaborate.
I’m a trans man, I’m oriented aroace (romance and sex repulsed/indifferent but it fluctuates at times, when not repulsed I consider myself gay/MLM)
I call myself Transexual, Tranny and a fag, that bothers you feel free to leave your complaints at the door I do not care. All other “old” queer terms fit as well!
My two big special interests are WW1/WW2 history, and survivalist/apocalypse prepping. I’m always down to talk about both.
Currently learning German (A-1? Bordering on A-2? It’s a slow process) and will probably be posting on here in German as a practice when I get better.
American English is my native language (C2)
I’m a practicing Norse Pagan (with Christopagan/Enochian elements mixed in) as well as a Therian/Otherkin (spiritual and mental, depends on the kintype, feel free to ask questions!) I’m generally a very open person when it comes to the paranormal, ghosts, cryptids, curses, demons, I follow a sort of “It’s real until proven otherwise” path. It keeps life interesting.
-DNI-
Supporters of the IDF/Israel or anyone who thinks you can have a neutral stance on the liberation of Palestine
Actually anyone who thinks ANY form of colonization is correct, I don’t want you here
Far right wingers (I’m a socialist, why are you here)
TERFs/SWERFs/TRUSCUM, any of those fuckers, I’ll just block you anyways but might as well add it
“Kill all men” people (I’m a trans dude, once again why are you here?)
Evangelicals, I have no problems with other branches, Y’all are welcome here
Anti-recovery (It’s fine if YOU don’t want to recover, just not if you don’t believe people should recover)
Anyone who is Anti-reclaiming, please do some research on 80’s-90’s queer culture.
-BYF-
I pretty much never check the accounts I interact with before hand, if I broke your DNI it wasn’t intentional (although I tend to find “this fandom dni” type lists stupid as hell)
I can seem very unhinged at times, that’s pretty much my normal (by unhinged I don’t mean “silly” I mean I have little to no moral compass and empathy for others, I also struggle to differentiate right from wrong sometimes)
I also experience paranoia, hallucinations and delusions that can cause me to be irrational. Typically around things like being watched (either by something or by cameras Truman show style) being hunted or an impending sense of doom/feeling that something bad is about to happen.
I struggle with self harm/suicidal thoughts and will occasionally vent on this blog, if you’d like to avoid seeing that block the tags (#tw self harm) and (#tw sui ideation)
A detailed list of fandoms/my interests can be found below!
-Movies/Shows-
Literally every single Studio Ghibli movie
Hannibal (the show and all movies, manhunter included)
Saw 
Sweeny Todd (2007)
The Crow (1994)
The Thing (1982)
Creature from the Black Lagoon (1954)
Land of the Lost (1974)
Tremors (1990)
Coraline
Star Trek (specifically from 1966)
M*A*S*H (1972)
Dawn of the Dead (2004)
Apocalypse Now (1979)
The Truman Show 
Saving Private Ryan (1998)
JoJo Rabbit
All Quiet on the Western Front (1930, the new one is also good however I prefer the original)
Dunkirk
Band of Brothers (2001)
Downfall/Der Untergang 
Inglorious Bastards
Full metal jacket (1987)
Zero Dark Thirty (2012)
Look who’s back/Er Ist Wieder Da (political commentary portrayed as comedy my beloved, the book is even better)
(I’m a massive old/war movie fan and I always take suggestions for new ones!! )
-Books-
Paradise Lost
Paradise Regained
The Divine Comedy 
All Quiet on the Western Front
1984
Animal Farm
Catch-22
Crime and Punishment 
Jurassic park
The Lost World 
The Book Thief
Hannibal (all four books)
The Hunger Games
(And more)
-Music-
The Crane Wives
Swear and Shake
The Oh Hellos
Hozier
Modest Mouse
Gregory Alan Isakov
Kimya Dawson
Noah Kahan 
Iron & Wine
The Mountain Goats
Johnny Cash
Saintseneca
Radical Face
Alex G
Rammstein 
Ghost (bc)
Mitski
Mumford & Sons
Fiona Apple
Big Thief 
Florence + The Machine 
The Hunts
Radiohead
Little Chief 
Roar
(And more but this list is already long)
-Games-
Minecraft
FNAF (Been a fan since 2014 baby!)
LOZ (BOTW, TOTK, Skyward Sword and Twilight Princess mainly)
Night in the woods
Fran bow 
What remains of Edith Finch
Stardew Valley 
(Just the main ones I’ll talk about)
-Podcasts-
Welcome To Nightvale
The Magnus Archives 
Creep Cast 
The Red Thread
-YouTubers/Streamers-
Philza
Wendigoon
ESOTERICA 
Jacksepticeye
Markiplier
Sam O’nella 
GTLive 
Game theory (and all attached channels)
Watcher
HasanAbi
Penguinz0
-Hobbies-
Crochet
Knitting (although I’m not very good yet I do still enjoy it!)
Quilting
Hiking (I love, LOVE being out in nature, I’d die in the city)
Witchcraft
Writing (both my own stories and fan fiction)
Art (painting and digital)
Foraging (both for food and medicine purposes)
Folk medicine/medicinal herbs (just small stuff for myself right now, I’m not confident enough in my skills yet)
Herping (I keep a notebook full of native species I’ve found out on my walks, especially snakes)
Collecting bones, pelts, and other animal parts
Bird watching
Hunting/Trapping (I put this in hobbies because I do enjoy doing it, however I only hunt for food and use every part of the animal)
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film-o-teka · 6 months
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Der Fan, 1982
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flammentanz · 10 months
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To @cackled0g and to @holmesoldfellow
Sherlock Holmes and his faithful friend Dr. Watson have a very long tradition over here in Germany. Personally I’m an avid fan since my teens when I watched “The Hound of the Baskervilles” (1939) starring the immortal Basil Rathbone and Nigel Bruce when it was first broadcast on East German television in 1984.
Nearly all important film adaptions of the adventures of Sherlock Holmes and Dr. Watson have been dubbed and broadcast in Germany either in the cinema or in television. Here are a few examples:
In 1969 and in the early and mid Eighties East German television first dubbed and broadcast nearly all movies starring Basil Rathbone and Nigel Bruce. All films about the Nazi issue were only dubbed after the fall of the wall. All films are relaesed on DVD and they are are frequently repeated. Theses films are so hugely popular over here that Basil Rathbone is considered as the epitome of Sherlock Holmes by most viewers. For me personally he is the reason for my lifelong enthusiasm for Sherlock Holmes. “The Hound of the Baskvervilles” in the first German dubbed version from 1984: https://youtu.be/sD9M7pxP7Nk
In the early and mid Eighties East German television dubbed and broadcast the Russian television series starring Vasily Livanov and Vitaly Solomin. It was very well received but never hugely popular in the former GDR and was never repeated since its premiere. This series was never broadcast in West German television, Sadly not all dubbed films still exist in the archives but the remaining ones have been released on three DVDs in 2019 in the German version. As for me I simply love these two wonderful actors in these roles and so I made a video tribute in honour to their unforgettable portrayals: https://youtu.be/0jaSdOrntDc
The miniseries “The Hound of the Baskervilles” (1982) starring Tom Baker and Terence Rigby as Holmes and Watson were dubbed and broadcast at East German television in 1985.
In the mid and late eighties East German television dubbed and broadcast the Granada series starring Jeremy Brett as Sherlock Holmes. The series didn't achieve anywhere near the popularity with the general public as it enjoys in the English-speaking world. The series was only very rarely repeated but is now completly available on DVD.
The Hammer film “The Hound of the Baskervilles” (1959) starring Peter Cushing as Sherlock Holmes and André Morell as Dr. Watson was a great success in West Germany. The German dubbed version can be watched here: https://youtu.be/SWgtjG8O_qQ The television series starring Peter Cushing and Nigel Stock as Holmes and Watson was never broadcast on German television. The episodes were only dubbed for DVD in 2017.
In 1962 Terence Fisher directed the movie “Sherlock Holmes und das Halsband des Todes” (Sherlock Holmes and the Deadly Necklace”) starring Christopher Lee as Sherlock Holmes and Thorley Walters as Dr. Watson. The cast included numerous German and Austrian actors includig Hans Söhnker (1903 - 1981) as Professor Moriarty. Fun fact: actor Harry Wüstenhagen, who dubbed Christopher Lee in this movie also dubbed Ian Richardson, John Neville and Nicol Williams in their portrayals of Sherlock Holmes. This movie is available on DVD as well as the other ones I mentioned.
“Murder by Decree” (1979) starring Christopher Plummer and James Mason as Holmes and Watson was dubbed in West Germany and called “Mord an der Themse” (“Murder at the Thames”). It is available on DVD. The German dubbed version can be watched here: https://youtu.be/AANCR2K17F0
In 1982 West German television dubbed and broadcast the series “Sherlock Holmes and Doctor Watson” starring Geoffrey Whitehead and Donald Pickering. It was quite a success but only very rarely repeated. Meanwhile it is available on DVD. German dubbed episodes can be watched on YouTube: https
Sherlock Holmes in Germany
Alwin Neuß (1879 - 1935) was the first German actor to play the master detective in a movie. In 1914 he played Sherlock Holmes in “Der Hund von Baskerville” (”The Hound of the Baskervilles”). This silent movie was so successful that three sequels were made between 1914 and 1915. Oddly enough Dr. Watson does not appear in them at all. The first film can be watched here: https://youtu.be/PMhVAqef2nY
"Der Hund von Baskerville" (“The Hound of the Baskervilles”) made in 1929 is the last German silent movie about an adventure of Sherlock Holmes. It was directed by Richard Oswald (1880 - 1963), who also directed a German version of "The Hound of the Baskervilles" with three sequels (1914/15) starring Alwin Neuß. Oswald also wrote the screenplay for the very first film version of “The Hound of the Baskervilles” in 1914 which was directed by Rudolf Meinert. The cast is international: an American actor as Sherlock Holmes, a Russian actor as Dr. Watson, a German actor as Stapleton, an Italian actor as Sir Henry Baskerville, an Austrian actress as Beryl Stapleton, an Austrian actor as Dr. Mortimer and a German-Baltic actor as Barrymore. Remarkably, Fritz Rasp (1891 - 1976), who portrays the demonic Stapleton in this movie, plays the servant Barrymore in the sound film version "Der Hund von Baskerville" from 1937. This version is available on DVD and can be watched on YouTube: https://youtu.be/dOO1BwcpP_g
The sound film "Der Hund von Baskerville" (“The Hound of the Baskervilles”) was made in 1937 by Czech director Carl Lamač. The film has a great atmosphere and a cast of then very popular German actors. Especially Erich Ponto (to foreign film viewers very well known for his sinister role as Dr. Winkel in “The Third Man”) as Stapleton and Fritz Rasp (who mostly played sinister roles during his long film career) are great. Unfortunately actor Bruno Güttner (1909 - 1945) as Sherlock Holmes is pretty bland in his role, he even was dubbed by a more experienced actor in this film. Fritz Odemar (1890 - 1955) gives a good and amusing performance as Dr. Watson and does not portray him as a buffon. The movie is available on DVD and can be watched on YouTube: https://youtu.be/XrbMR9NZkVc
“Der Mann, der Sherlock Holmes war” (“The man who was Sherlock Holmes”) (1937) is a crime comedy directed by Austrian director Karl Hartl. The film starres Hans Albers as Morris Flynn and Heinz Rühmann as Macky McPherson. Albers (1891 - 1960) and Rühmann (1902 - 1994) were two of the most popular German actors at that time, and they are still very popular over here. The film deals with two broke English private detectives who decide to pose as Sherlock Holmes and Dr. Watson to get lucrative jobs. The official authorities obviously do not know that the English master detective and his friend are only products of the imagination of writer Sir Arthur Conan Doyle and want them to to solve the theft of the Red and the Blue Mauritius. When their real identity is established, they are taken to court for fraud. Only now writer Conan Doyle (played by actor Paul Bildt without a moustache) declares that he is the spiritual father of Holmes and Watson. As he is very satisfied with the appearance of Flynn and McPherson, they are acquitted by the court. The false Holmes and Watson even sing a song called “Jawohl, meine Herr’n” (“Yes, gentlemen”) while taking a bath. This crime comedy is very entertaining, I can't find any hints of the Nazi period it was made. The movie was released on DVD and can be watched on YouTube: https://youtu.be/vWz-ZYIKsEI
Altough Holmes and Watson were immensly popular in East Germany there was never made a movie nor a television film or series especially about them. There are only exist spoofs.
In the Seventies the drawing of the lottery numbers were enriched in East German television with short films of different genres. When the number 19 was drawn it was always a humourous crime film. In three of them appaered the English master detective Sherlock Holmes and his faithful friend Dr. Watson. In "James, der Butler" ("James, the butler") we see Ezard Haußmann, who later dubbed Vasily Livanov in "The Hound of the Baskervilles", and Hannes Stelzer. In the monochrome version of "Spuk im Schloss" ("Haunting in the castle") Jürgen Frohriep and Horst Torka played Holmes and Watson. Torka repeated his role as Watson in a new and colorized version of the same story while Alfred Struwe played Sherlock Holmes. These episodes are part of the DVD edition “Die Tele-Lotto Kurzkrimis”. Alfred Struwe returned to the role of Sherlock Holmes in 1979, when he played in a spoof with the absurd title "Kille Kille Händchen" ("Kill, kill little hand"). Photos of it can be seen here: https://www.tumblr.com/flammentanz/626097658197622784/completely-unknown-german-sherlock-holmes-in-the?source=share
The East German children movie “Unternehmen Geigenkasten” (“Operation violin case”) made in 1984 deals with two school boys who want to solve crimes like Holmes and Watson after they have seen “Der Mann, der Sherlock Holmes war” on television. This film can be watched here: https://youtu.be/5CDlfPl6ibU
“Sherlock Holmes und die sieben Zwerge” (“Sherlock Holmes and the Seven Dwarfs”) made in 1992 by director Günter meyer was one of the last big production of East German television after the fall of the wall. The eight part children series starres Alfred Müller (1926 - 2010) - a big star in East Germany - as newly retired Detective Inspector Hans Holms (the only real connection to the master detective is his name and sometimes his clothings) who looks after his grandchildren Anne and Martin while his daughter and his son-in-law are abroad. With the help of a magical armchair, Holms and his grandchildren can travel to Wonderland, where they are inter alia asked by the seven dwarfs to search for the kidnapped Snow White and meet other fairy tale characters. Their great adversary in all adventures is a demonic black magician. The whole series is available on DVD. The trailer can be watched here: https://youtu.be/blrc8cE6jSk
For a serises about famous detectives the television movie “Sherlock Holmes liegt im Sterben” (“Sherlock Holmes is dying”) was made for the West German television in 1954. It starres Ernst Fritz Fürbringer (1900 - 1988) as Sherlock Holmes and Harald Mannl (1904 - 1964) as Dr. Watson. The complete movie is lost, there is only this fragment that still exists: https://youtu.be/LGvELtv6Q10
“Der Hund von Baskerville” (“The Hound of the Baskervilles”) was made for West German televsion in 1955. It was directed by Fritz Umgelter and starres Wolf Ackva (1911 - 2000) as Sherlock Holmes and Arnulf Schröder(1903 - 1960) as Dr. Watson. I don’t know if this movie still exists in the archives.
“Das Zeichen der Vier” (“The Sign of Four”) was made for West German television in 1974 starring German actor Rolf Becker (born in 1935) and French actor Roger Lumont (born in 1934). It was never repearted since, and I don't know if it still exists in the archives. Here are Becker and Lumont:
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In 1966 the television movie “Conan Doyle und der Fall Edalji” (“Conan Doyle and the case Edalji”) directed by Karlheinz Bieber was made. It starres Paul Klinger (1907 - 1971) - who mostly played likeable roles and was very popular because of it in Germany (because of his sonorous voice he also was a verya renowned voice actor) - as Sir Arthur Conan Doyle. The film is based on facts that took place from 1903 until 1907. Young Indian solictior George Edalji was exposed to racist hostilities and was wrongly accused of animal mutilations. Arthur Conan Doyle made his own investigations which led to an acquittal of Edalji. In the movie Conan Doyle uses the methods of Sherlock Holmes to solve the case. The film is available on DVD and can be watched on YouTube: https://youtu.be/32H3PmBcJrM Paul Klinger as Sir Arthur Conan Doyle:
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In 1968 Germany got its own Sherlock Holmes and Dr. Watson at last. In 1967 the WDR (Westdeutscher Rundfunk), a local TV channel of the West German television, produced a six episode television series about the English master detective Sherlock Holmes. Strangely enough, the series was not broadcast under the title “Sherlock Holmes” but the opening credits name the author Arthur Conan Doyle. The series was based on translated scripts written for the BBC series starring Douglas Wilmer. The series was first aired on Sunday afternoons from from October 1, 1967 to March 18, 1968.
Erich Schellow (1915 - 1995) - actually a theater star, that only rarely appeared in movies and on television (the critic Friedrich Luft said about him “He speaks like a God!”) played Sherlock Holmes, while his faithful friend Dr. John H. Watson was played by Paul Edwin Roth (1918 - 1985). The actors knew each other from their theater work in Berlin and got along very well during the filming.
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Paul May, a renowned director in film and television with a long-standig career, had a certain idea of Sherlock Holmes from the start. He wanted an impeccable, dignified, and noble master detective. To create a contrast to other television detectives at that time May avoided any action scenes. Erich Schellow wanted to play a bit more depraved Holmes including the use of cocaine but May refused strictly. In 1991 Erich Schellow was made an honorary member of the German Sherlock Holmes Society.
Paul Edwin Roth were allowed more liberties to portray Dr. Watson and he gladly took the opportunity. He is not a buffoon but instead he is amusing and witty (sometimes he even philosophizes), has a perfect name and address memory, he knows how to handle a weapon (usually his army revolver) and is a faithful friend in all situations. His favorite words are “very interesting”, a fact on which he comments ironically in “Das Haus bei den Blutbuchen” (“The Copper Beeches”)
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While the use of cocaine was refused by the director, the consumption of tobacco and alcohol by Sherlock Holmes and Dr. Watson is immense. Even dear Mrs. Hudson (Austrian actress Manja Kafka), who is not only a devoted maid (not a landlady as she actually is) but also amusingly cheeky, is hard-drinking. The running gag within the series is that the cane of the umbrella of Dr. Watson serves as a vessel for alcoholic beverages.
It’s incomprehensible that this wonderful series was only repeated once in 1991 and never since. Sadly Germany’s Sherlock Holmes was never given the the attention and appreciation he deserves. Fortunately this gem was released on DVD in 2012 and re-released in 2021.
For any information about Erich Schellow and Paul Edwin Roth as Holmes and Watson please check my blog.
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filmap · 1 year
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Der Fan / The Fan Eckhart Schmidt. 1982
Bench Siegestor, 80539 Munich, Germany See in map
See in imdb
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anitapallenberg · 2 years
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Désirée Nosbusch in Der Fan (1982) | Dir. Eckhart Schmidt
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fuckyeah-jessicabiel · 9 months
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Jessica Biel for Interview Magazine, November 2003 - Interview by James Van Der Beek
SHE'S FRIGHTENED OF BIG SPIDERS, BUT THAT HASN'T STOPPED THIS ACTRESS FROM SLASHING HER WAY TO THE TOP OF THE HORROR-FILM GENRE BY JAMES VAN DER BEEK PHOTOGRAPHS BY ROBERTO D'ESTE
She ruled the teen airwaves for six years as one of the WB network's young, sexy soap stars (she still occasionally revisits her series, 7th Heaven, now in its eighth season), but lately Jessica Biel has been focusing on feature films. To talk about her role in the just-released, much-anticipated remake of the grisly cult favorite The Texas Chainsaw Massacre, we set Biel up with ex-WB col- league and co-star in last year's The Rules of Attraction, James Van Der Beek.
JAMES VAN DER BEEK: Hello?
JESSICA BIEL: Hey, James. How are you?
JVB: Very good. You know, this is my first interview. I'm excited.
JB: Being on the other end, it's got to be strange.
JVB: I don't know. I've never done it before. [Biel laughs] So where are you-L.A.?
JB: No, I'm in Vancouver.
JVB: Oh, right. You're up there for Blade [III].
JB: Yes. I've been here for two weeks, and we don't start shooting for another two. I'm working out like a maniac. I work with a trainer every day. and I'm learning martial arts and archery.
JVB: Wow. You are going to kick ass.
JB: And I'm on this nutritional plan-no salt, no sugar, no bread. Just some fruits, every vegetable you can think of, lean meat, and water. They say they want me to have a six-pack stomach, but I think they really want me to have a twelve-pack. [both laugh] But it's fun getting paid to work out.
JVB: Let's talk about The Texas Chainsaw Massacre. It's got a big buzz around it, huh? And it's got such a cool trailer. What made you decide to do it?
JB: Well, I was skeptical about doing it at first lbecause it's such a cult classic and-
JVB: -Had you seen the original?
JB: I had. I'd seen some of the sequels too, and I was not a fan of those. I was worried that this was going to be another sequel, but I met with Marcus Nispel [the movie's director], and he wanted to remake it in all its 1970s glory, but also update it. Then I read the script, and I was surprised by how well written it was. And when I found out that Michael Bay was one of the pro- ducers, I was ready to jump on board.
JVB: There are all kinds of horror movies coming out these days with a lot of talented, creative people behind them. It seems like there's a horror renaissance.
JB: I love horror movies.
JVB: What are some of your favorites? Are there some that scare the crap out of you?
JB: Poltergeist [1982], The Shining [1980], The Exorcist [1973]. Oh-Candyman [1992]! I was terrified by Candyman. Have you seen it?
JVB: No. I'm a wimp when it comes to scary movies. That's one of my deep, dark secrets.
JB: Well it's out now. [both laugh]
JVB: When you're on the set making a movie like that, can you get a sense of "Wow, this is going to creep the hell out of people?"
JB: Sometimes. And sometimes it was even scary for us.
JVB: You were out on location, right?
JB: We shot on a stage once, but everything else was on location in Texas, in the middle of nowhere. Even going to the Porta-Potti was ter- rifying. [Van Der Beek laughs] Not only were you afraid of something or somebody coming out of the woods, but the spiders down there were the size of my palm.
JVB: Well, everything's bigger in Texas. [both augh] Tell me about your character.
JB: Her name's Erin, and she's the glue that holds everybody together. She's compassionate and kind of mothering. She tries to save all her friends, though they end up getting killed anyway. [laughs] What's really cool about her is she has a will to survive and the strength to fight. She's not a victim. She's a strong, pissed-off young woman.
JVB: Oh, I can definitely see you playing that. [Biel laughs] I'm going to have to see this movie now. I'll go with Heather [Van Der Beek's wife]. She'll hold my hand.
JB: My boyfriend gets scared at horror movies too. He hides his eyes sometimes.
JVB: I've never actually done that, but I do look away from the screen. "Okay. That's the side of the theater. This is just being pro- jected." [Biel laughs] Now, how long have you been acting?
JB: I started 7th Heaven when I was 14.
JVB: Was that your first gig?
JB: I had done a few commercials.
JVB: Had you done any other work, like theater or singing?
JB: Growing up, I did lots of plays in Boulder and Denver. I remember thinking, This is fun! I can really do this! My parents were amazing. They said, "Okay. Let's go for it." I took some classes, and I performed at a competition where casting agents and managers from all over the country came in to see the kids in my area, and I won a scholarship to an acting school. Then I came out to L.A. for pilot season-I came out for pilot season three years in a row, and in the third year, 7th Heaven happened.
JVB: Did you realize how big it was to get a pilot that was picked up?
JB: I never really thought it would happen. I remember my manager saying "this won't get picked up they almost never do but you'll do it and it'll be great to put on your résumé."
JVB: Now, a series is a dream come true, and every actor wants to work, but at some point, the series inevitably becomes less fulfilling. How many years into 7th Heaven was it before you started to think, The grass might be greener somewhere else?
JB: Probably around the third or fourth season. I knew this character so well, and I wondered what it'd be like to try something else. Did you feel that with Dawson's Creek?
JVB: For me, it got to a point where the characters were getting older, and a lot of things that happen to people the age that we were playing could never be covered on the show because of the time slot and because of what the show had become. It felt like we weren't able to tell the truth anymore, whereas when we first started, we felt like there were no limits. Now, when we were making The Rules of Attraction together, early on we had a difficult scene together-the one after we had sex, and I'm on mushrooms and you just nailed it.
JB: Thank you.
JVB: So, I was wondering, how do you pre- pare? What's your process?
JB: It's different every time. For that scene I tried to think about what it would feel like to be used. When I feel comfortable, as I did in that situation, my emotions come out. I accessed the guilt I've felt in my past, applied it to the guilt that my char- acter was feeling, and it just kind of happened.
JVB: I remember being blown away by how proficient you were. You should be proud of that work. But tell me, is there any work you've done that you're embarrassed by?
JB: Umm... [laughs]
JVB: Oh, come on! What?
JB: Okay. When I was about 11, I did this 15- minute short that the filmmakers wanted to take around like a pilot and say, "This is our idea for a movie. Here's a quick taste." It was a musical that involved all the fairy tales, like "Little Red Riding Hood" and "Hansel and Gretel." But it was a bit off: I played Gretel, but my name was Regretel. And for some reason, I was painted blue. [Van Der Beek laughs] And all these slightly off fairy-tale characters were fighting each other. So what hap- pened was this little animated guy who looked like a calculator-his name was Diggy Digital- popped out of this boy's computer and saved the town. Then we all sang this song called "Digital World." [Van Der Beek laughs] That's not all! Afterwards, I went out to dinner with my parents, and I was like, "This is the best thing ever. I'm going to be a superstar!" [both laugh hysterically] Oh, God, I'm really going to regret saying this.
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glamgothhobbit · 1 year
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Bowie and Brecht
Bertolt Brecht (1898-1956) was a Germán absurdist playwright and vehement anti-capitalist. As a German major, I have enjoyed studying a good number of his plays and other works, and as an avid David Bowie fan I was excited to learn that Bowie was a also fan of Brecht's works! So here's some of what I've found out about the two!
In 1982, the BBC televised Bertolt Brecht's first play: Baal (written in 1918) in English, translated by John Willet and Ralph Manheim, starring David Bowie as the main character, Baal. Brecht's approach to theatre was counter-intuitive to what most writers were (and still are) doing at the time. Brecht followed the structure of "epic theatre", and put particular emphasis on the so-called verfremdung (isolation) effect. Basically, when Brecht wrote plays he wanted his plays to teach a lesson and make his audience think. Instead of wanting his audience to empathize with his characters and be immersed in the story, Brecht wanted his characters to be as unlikeable as possible and have everything about his plays jolt his audience out of the story so that they could start thinking about the social issues (read: capitalism) that his plays very overtly criticize.
Bowie began to learn more about Brecht when he was living in Los Angeles in the mid '70s (funnily enough, both Bowie and Brecht lived in -- and hated -- LA).
I think it's really interesting to see Brecht's work translated into English, and although I haven't read Baal in German yet, I think the translation captures Brecht's ethos. The way it was adapted for television was used to enhance the verfremdung effect as well: Scene changes often include Baal singing directly at the camera, with text on a split screen that explains the next scene. This reminds me a lot of the text above the stage in Der Aufstieg und Fall der Stadt Mahagonny (The Rise and Fall of the City of Mahagonny, another Brecht play from which "Alabama Song" comes from, which Bowie covered live in c. '77-'79). Since it's Brecht, the main character Baal is very unlikeable and the plot skips a lot of time between scenes, adding to the verfremdung effect. The play ends kind of awkwardly, which is another technique that Brecht used to get audiences to think, and not be absorbed in the story.
Bowie recorded and released the songs for Baal in 1982 with a fuller arrangement (I own this single on vinyl!!!!). More information about Bowie and Baal here: https://www.bowiebible.com/eps/baal/ Links to an external site. 
Here is a music video of one of the songs, The Drowned Girl: https://www.youtube.com/watch?v=z0smYeB7ZxcLinks to an external site. 
And here is the full play, made for British TV: https://vimeo.com/156058703?login=true
Honestly, I really love Brecht's work, although after reading a few plays it starts to seem like he's beating a dead horse with his ant-capitalist rhetoric. I enjoy absurdism a lot and Brecht's characters always end up in the funniest situations. It's a real treat to see Bowie be involved in a Brecht play and do such an amazing cover of Alabama Song. I hope y'all enjoy!
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