PAUL'S BALL
a launch party for wings
He produced a handwritten invitation, leaving space to write in the invitee's name, as well as a number, which would be used for a raffle drawing toward the end of the evening. (The prize was a magnum of champagne; the disc jockey Jeff Dexter was the winner.) (..) The recommended dress was "glam."(..)
Some 800 musicians, reporters, friends of the band and music business honchos were invited.(..)
As always at such events, there was ample carping, which a reporter for Rolling Stone duly cataloged. After describing the Empire Ballroom as decidedly unhip, a leftover from the days when the Joe Loss Orchestra would play foxtrots, and young ladies shopped for husbands among the dancers, the writer noted that while the wine and cheese were free, everything at the bar was for sale.
(…)
Eyebrows were raised when, instead of a Wings performance, partygoers were treated to fox-trots, waltzes, quicksteps, and congas, played by McVay's band-along with what McVay remembered as arrangements of sixties and seventies hits, including a Beatles medley and some Beach Boys tunes. They were raised higher still when the heavily sequined and coiffed Frank and Peggy Spence Latin and Ballroom Formation Dancing Teams filed onto the floor to demonstrate their artistry.
"I'm beginning to think that Paul actually digs all this" one guest quipped to the Rolling Stone reporter, "that he actually likes dance bands, ballrooms, and buffet food. That's incredibly camp, you know, incredibly camp. Have you seen his suit? It's like a clown's costume, the jacket is about five sizes too big, and it's not even been finished."
(from the McCartney Legacy Vol. 1)
Paul: A press launch is always a good excuse to have a night out, so we invited friends and journalists, played the album, danced and had a few funny people come on to entertain. I wore an outrageous big check suit that I thought would be good. When I went to collect it from the tailor that morning he told me that it wasn’t finished. I said, ‘Maybe not, but it’s a look!’ So I went to the party with the cotton and the stitching showing, and everyone said, ‘Your suit’s not finished.’ I said, ‘Yeah, I know. Great, huh?’
(from Wingspan, 2002)
Some of the guests that attended were Jimmy Page, Elton John, Sandy Denny, Mary Hopkin, members of the Who, the Faces, Deep Purple, Ginger Baker, Henry McCullough, Gilbert O'Sullivan, Graham Bond, Sandie Shaw, the Greek synthesizer wizard Vangelis, the actors Malcolm McDowell, and Terence Stamp, some of the Monty Python troupe, Sir Joseph Lockwood, the head of EMI, Allan Clarke, of the Hollies, and (Benny) Gallagher and (Graham) Lyle.
After the party a fan encountered Paul:
He went skipping (yes it is true) down the road with Linda and just as he turned the corner to a side street, I took courage and called him back. He stopped and said “yeah” so I ran to catch him up and breathlessly asked him for his autograph. The funny part is my pen was at the bottom of this large bag of mine! He stood patiently watching me with arms folded as I rummaged elbow deep. I asked him if he had a pen as I just couldn’t find mine; he said no (which isn’t surprising as he had this crazy suit on that had no pockets).
(Kathy Turner – From Meet the Beatles for Real: Wings Party)
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Staff Pick of the Week
For today’s staff pick, I want to share another book from the collection of our late friend Dennis Bayuzick, entitled Kimono| Kosode: A Decorative Study of the Kimono. Designed and bound by Carol Schwartzott (b. 1945), this book uses Japanese Chiyogami paper as the ‘fabric’ for the kimonos between archival boards throughout the book. The book explains to readers the history of the Japanese kimono’s creation and augments the information with beautiful decorative elements. Each fold-out includes a cut-out kimono as well as a heading and short section about the topic introduced in the heading. Another interesting feature of this book is its binding; it uses a piano-hinge binding designed by Hedi Kyle (b. 1937) and the patterned paper can also be seen wrapped around the dowels that make up the binding.
The book discusses the origins of the kimono, which was once called a kosode, and goes into detail about the historical periods when the garment gained popularity, explaining how “[with] each period in history, the kosode evolved, adapting its design and decorative elements to current style…”
Printed in an edition of 125 copies by Blacks Corner Letterpress with Monotype Gill Sans Light cast by the Bixler Press & Letterfoundry, this book was created for the Library Fellows of the National Museum of Women in the Arts in Washington DC in December of 2001.
View more Staff Picks.
View other books from the collection of Dennis Bayuzick.
– Sarah S., Special Collections Graduate Intern.
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