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buttdumplin · 4 days

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The sweet, lovely poly 141 boys and their Spanish-speaking latine partner.

This was meant to be a quick little thing, but boy did this get away from me lmao. This is the fluffiest shit I've ever indulged in and I love it. Big thank you to @mikichko for inspiring and helping with this!!!

CW: poly 141, gn!reader, latine reader, mexican slang, hint of d/s dynamics in Johnny's

Price, god love the man, is the one who seems to stumble the most. It's almost comical, considering the fact that Spanish and Arabic are so similar due to their histories. But there's a big difference between the Spanish he's learned to recognize and what you throw at him on the daily. He truly thinks it's because of his age, window of acquisition and all that. John does not expect to be able to speak fluently with you, but he does at least want to understand you. What he really wants, though, is to make you feel more fully at home with him, and he is forever grateful that you feel comfortable and safe enough with them to embrace all parts of your identity.

"Hola, amor mío. How was your day?" you greet him from the couch, eyeing him from tip to toe and almost whistling at seeing him in uniform. "Sigues rechulo, mi güerito, so I assume all went well?"

John swings down to kiss you, gripping the back of your neck to prolongue the kiss, trying to soak in as much of the affection as he can while also disguising the fact that he still doesn't fully recognize what came after.

"Yours was good too, I trust?"

"Yeah, but my brother called. El güey still con sus pinches mamadas and asking for my help. Aguas, in case he shows up this week."

"I... will keep an eye out, dove."

"Call me si les arma pedo and I'm not around."

He just nods sagely and squishes up against you on the couch, letting your warmth seep into his tired bones.

Later that evening, he rounds up the boys while you're in the shower and pulls out a small notebook where he's written things out phonetically. John may not have all the knowledge he needs, but he sure as hell is good at getting it.

"'Güey,' that's the brother's nickname?"

"No, that's like 'man/guy.' But it's also an insult. But not always," Johnny supplies.

"Fuck me, okay. 'Rechulo' is... I got nothing for that one."

"The 're' is for heavy emphasis, 'chulo' is 'cute/handsome/pretty.' 'Re' can go on practically any adjective," Simon steps in.

"'Aguas' and 'pedo' CANNOT be what they are, right?"

Kyle takes his hand and chuckles, "No, sweetheart. The first is like a warning, the second a fight or scene or scandal. In this context."

John's shoulders finally relax and he lets out a heavy sigh, putting the final touches on his notes of the day.

"Thank you, boys, for your patience and your kindness. And your secrecy," John huffs a little laughter and gives them his sweetest smile, the one where you can see the dimples poking out through the beard.

They all reach over to gently caress him, taking turns kissing the parts of him they can reach.

"Thank you, John, for trying so hard."

Beautiful, wonderful Kyle, the delight of a man that he is, is the one giving it as good as he gets. He's the one crooning in your ear, showering you with the most decadent terms of endearment, knowing full well they make your knees much weaker in Spanish. He'll use the advantage every single chance he has, don't doubt that for a second. But truly, it's the soft seclusion of those moments that he cherishes most, when you're looking up at him with big bright eyes, knowing you fully trust him to take care of you.

You're grumbling away as you wash dishes after dinner when Kyle comes up behind you, arms making the way slowly around your waist, chin dropping onto your shoulder.

"Oh, tesoro mío, look at you working away, working so hard for us."

You refuse to look at him and give a fussy pout. He knows it's your least favorite of the house duties. So much so that you're always willing to do almost anything as long as you don't have to touch wet food.

"It looks like you've done enough, cariño. Come join us in bed."

"No. None of you wanted to trade with me so se aguantan," you try to wiggle and bump his head away from yours.

"Come on, cosa hermosa, we need you with us to settle for the night," he pulls your hands from the water, drying them and turning you towards him.

You immediately bury your face into his chest. Can't look him in the eye, he'll win you over the moment you do.

"So they send in the smooth talker, huh?"

Kyle laughs, clear and bright, and he wraps you back up in his arms, gently cradling your head until you give in and look up at him.

"Or," he says, making you both rock gently, "I'm trying to sneak in a little solo time."

Your body melts against his as the words sink in, big eyes blinking softly up at him, "Besito?"

"As many as you want, mi vida. Until you grow bored of me," and you're letting out a sweet sigh as those soft lips meet yours.

His hands move to bring your body closer to his, to milk this quiet moment for as much contact as possible, to sear it all into his memory.

"You two are awfully quiet out there," Simon calls from the bedroom and it makes you break apart with a little jump.

You hear frantic rustling that has to be Johnny, "Hold on, what happened to doing the dishes!"

A chuckle escapes the two of you, sparkling eyes meeting in the low light from the stove hood. The sound of John huffing to get comfortable floats in from the bedroom.

"Just a minute more, hermosura," he mutters against your hair. "Wanna stay here a bit longer."

"Really liking all those pet names, aren't you?"

Kyle laughs again and gives you a squeeze, "Mean every single one of them."

And you happily linger, not pointing out that you've noticed an endearing pattern of Kyle wrapping up nights in the kitchen with you in his arms and a faint love song echoing down the hall for you two to sway to.

Beloved, darling Simon, he hides his own understanding of the language. He understands it nearly perfectly, with just the tiniest margin of error, nothing too big to bring attention to it. Overall, he's able to catch almost everything you mumble. It's not to be sneaky or anything like that, Simon would never do anything to compromise your privacy. It's more that he doesn't quite see the need to verbalize it. To him it's nothing special, no need to make a spectacle. Instead, he lets it seep into his actions, ever the acts of service lover that he is.

You're spread out on the couch, on the phone with your mother, complaining, "Como chingan los del trabajo. Me pidieron un reporte para el viernes y ahora me reclaman que todavía no se los he dado y apenas es miércoles."

There was a tension in your shoulders when you came home from work, he didn't miss that. Caught you jolting to a stop mid-stretch. And as the call goes on longer, Simon picks up on more.

"No he tenido chance de lavar ropa, ni una putisima pijama... Traigo un pinche antojo de mole, pero es un chingo de trabajo y ahorita no le puedo dedicar el tiempo..."

He quietly moves to gather the boys as you continue ranting and pace around the room. You're too caught up in your call to see them forming a massive huddle and their nodding at Simon right as the break and throw their joined hands in the air.

By the time you're off the phone, it's dark out and you notice the house is quieter than usual. You move to look for the boys (they can't have left without telling you, right?) when Simon pops out from the hall, crooked smile you love so much adorning his face, and he simply takes your hand to pull you into the bathroom. A hot bath greets you, some honeyed bath bomb already dissolving in the water and your laptop set up on a bucket besides the bath, your comfort show already pulled up and ready to play. Simon then points to your softest pajamas washed and set out on the counter for you.

"And you'll help me with my lotion too?"

He kisses your forehead, "When do I not?"

"The boys?"

"Setting up dinner. Kyle and I are making your favorite."

You whip around to face him, eyes wide and excited, "With fresh tortillas?"

With a low, affirmative hum Simon pulls you in closer and just holds you. He doesn't say anything, he doesn't need to. But he lends you his strength, which is all he can really hope for. The steady beat of his heart and the warmth of his arms around you help release the tightness in your body. Letting out your own little hum, you give him a squeeze and he squeezes back harder, crushing you in the way he knows you find comforting. There's a soft devotion in his tenderness with you, an unshakable support in every single thing you do.

"So you gonna undress me too, or...?"

A peal of laughter escapes you as he playfully swats at your butt, "Undress yourself. I've got cooking to do."

A day without hearing your laughter is a day poorly spent to Simon.

He's almost to the door when you pull him back into you, hands tugging on his shirt to bring him down to your height. His own laughter rumbles in his chest as you cover his face in loud kisses, and he stays locked in place. He will for as long as you need him to, never mind his back. If it's gonna go out eventually, he'd rather it go out from his time spent like this.

Johnny, bless the boy, is desperate to hear it, to have you address him directly. You speak plenty around the house, on phone calls with friends, talking back at the tv (some shows have been put on temporary bans, or at the very least you're not supposed to watch them alone), at the lovely crooked cat yall adopted. You shower them with pet names with every breath you take. And he loves it all! Loves that you so willingly share so much of yourself with them. But Johnny boy is dying for something specific- "Love, why don't you call me papi?"

When he voices it, it's a complete surprise. Simon and Kyle both laugh so hard so suddenly that they find themselves choking on their own spit. Price himself is caught so off-guard that he fully looks up from the dinner he's prepping in the kitchen, raw chicken slipping out of his hands and plopping back into the flour bowl. You at first laugh it off lightly, thinking it was one of his cutesy jokes he makes to get a giggle out of everyone. That would have made the most sense, honestly. But when he looks away, big blue eyes shining with the softest hint of embarrassment, it sinks in.

You shift in your seat a fraction, "Johnny, I don't even call any of you that in English. You know it's not exactly the same thing, right?"

"I know but the little old lady from the corner shop calls me "papi" and so does the older man who brings the water and other people too and it's always so affectionate and so I thought..."

He spares a glance at you, hoping he hasn't completely overstepped.

"Where did this come from?"

"Ale let it slip last time we grabbed coffee and the joy on Rudy's face was so blinding that I thought maybe we should try it."

"Honey--"

"Please, just once."

"But I--"

"It doesn't have to be a title! It can be soft and casual, no expectations."

"You don't--"

"I promise I'll be good for it."

Oh.

Your gaze meets the other boys' and you all take a good look at your Johnny. At some point during his pleading he brought himself down to kneel in front of you. His broad shoulders are slumped forward in submission, his hands clenched together so tightly his fingertips are completely white. Price nods at you, the other two eagerly nodding along as well.

Leaning forward, you grab him by the jaw, gently bringing his head to rest against your thigh.

Running your fingers through his hair, you utter out a low, "Sweet little thing like you just wants to be good, don't you papi?"

Johnny's eyes glaze over slightly, a shy, dazed smile growing on his face. There's not an ounce of hesitation in him as he nuzzles his face into your thigh, just sweet elation. Pleased grumbles escape the others, making Johnny's smile grow bigger.

You make sure to add it into your regular circulation.

#poly 141 #poly 141 x reader #poly 141 x latine reader #cod x reader #simon ghost riley #kyle gaz garrick #johnny soap mactavish #captain john price #ghost x reader #gaz x reader #soap x reader #price x reader #i cannot emphasize the poly of this enough #this is truly some of the most self indulgent shit i've ever written and i've never been happier lmao #honestly this is just precious moments with each of them #i'm definitely going to be writing more 141 x latine reader #prepare to be fucking sick of me #frfr tho this is the first long thing i've written in years and ngl it feels good to be doing it again #also yeah i tend to sprinkle in commas like they're condiments

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juliasgoodusername · 1 year

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Sometimes a girl has to go a little crazy. Sometimes a girl has to make a book-accurate floorplan for 300 Fox Way. These things just happen, sometimes.

Obsessive annotations under the cut ✨ but be warned, there's a LOT

Exterior

Okay first of all, I'm no architect, and my only knowledge comes from work experience in the real estate industry + a lot of Sims. The style is sort of neo-rural French colonial. I didn't set out to adhere to that standard so much as I made an amalgamation of homes in Blue Ridge Mountains-adjacent towns in Virginia. Specifically, my headcanon Henrietta template is Orange, VA (I'll save that explanation for another post) so I took inspiration from real estate listings from there.

Alright alright I know there is supposed to be one bathroom, but I simply can't tolerate that in a house with 6+ residents. I can't. There was a possible contradiction in the descriptions of "the single shared bathroom" that I used as an excuse to add a 3/4 bath, and I threw in a powder room for free. Because technically there is still only one full bathroom! But seriously with that many women over 30 most of them probably have IBS or chronic constipation and I'm not making them all share a toilet.

Officially we only have 4 bedrooms listed in text: Blue's, Persephone's, Maura's, and Calla and Jimi's shared one. Everyone else gets rooms that don't qualify as bedrooms via Virginia residential building codes (such as the attic, obviously, which falls below the combined ceiling height and square footage requirements). That really just leaves Orla unaccounted for but I'll get to that later. Other aunts and friends seem to visit during the day and live somewhere else, because in The Raven King only Jimi and Orla were described as needing to move out of the house during the demon stuff.

I designed the entire interior floorplan before I even touched the exterior, so there's a few issues, like how I'm totally missing shutters on the windows that functionally need them most. 🫶 I didn't feel like making the windows smaller to fit them, and I could have added faux-shutters but I think those are stupid. 😘

First floor

"This house is lovely. So many walls. So, so many walls," Malory said as Blue entered the living room a little later.

- Blue Lily, Lily Blue, Chapter 30

Right off the bat, we have an insane number of doors and walls. Old colonial houses are pretty much the opposite of open concept. Functionally I believe that's because it's easier to control heat with closed off rooms, but Virginia is not particularly cold so idk. As for the number of doors, I mean....😤😤😤 I prefer archways/doorless frames in small high-traffic spaces, but every time I thought I could get away with it Maggie would specifically describe doors opening and closing (For example BL,LB Ch 41 gives the reading room double doors, and even the living room gets one in Ch 11. What kind of living room needs a door???). I'm actually missing one of the doorways described in canon, but if you know which one I'm talking about I DARE you to find a place to put that thing!! But I digress.

“Mom," she said as she jumped down the crooked stairs.

- The Raven Boys, Chapter 3

I'm liberally using "crooked" to establish the corner turn stairs. Blue steadies herself on the stair railing when she identifies Gansey for the first time (TRB Ch 15), so I wanted the stairs to have good visual access to visitors. It also sort of has a feng shui-ish effect of separating the public and private energy zones in the house. If that statement made zero sense, I think one of us doesn't know enough about feng shui 👀 and it might be me.

I'm also using that quote to establish Maura's room downstairs, if Blue generally expects to find her mother there, but mostly because everything else was upstairs and it was getting hard to fit. Granted, at one point Blue leads the boys "up the stairs to Maura's bedroom" (TDT Epilogue) but since they were just arriving at 300 Fox Way those stairs could easily be the outdoor ones. There's a handful of little things to support me here, such as Adam grabbing a scrying bowl from Maura's room to use in the reading room (BL,LB Ch 41) implying that her room was the closest place to find one. And speaking of Maura's room-

Calla was overwhelmed by how much shit Maura had in her room at 300 Fox Way, and she told Blue this.

... The mess was taking years from her life. ... Maura liked chaos.

... The psychic hotline rang in the room next door. Calla's concentration fluttered away.

- Blue Lily, Lily Blue, Prologue

Maura is my favorite hypocrite. She claims to detest clutter (TRB Ch 34) and yet her room is literally described as chaos. She probably treats her room like a college student and moves the furniture every time she gets bored/stressed. Thus, I gave her the most insane furniture configuration I could think of while still matching all the contents described.

The phone ringing next door might imply that she neighbors the phone/sewing/cat room, but that area is pretty well described and Maura's room is never mentioned there in any other instance. That leaves us with the kitchen phone (TRB Ch 27) which I put in the hallway with kitchen access as a compromise so it would technically still be in a room next to Maura's.

In the reading room, the man looked around with clinical interest. His gaze passed over the candles, the potted plants, the incense burners, the elaborate dining room chandelier, the rustic table that dominated the room, the lace curtains, and finally landed on a framed photograph of Steve Martin.

- The Raven Boys, Chapter 13

There are so many quotes about the reading room that I just don't feel like citing them, but other details include the mismatched chairs, the shelves, doors etc. It's also described specifically as Maura's "front room" (TRB Prologue) so it's one of the cornerstones that I designed the rest of the layout around. Because of the plants, it makes sense that this room would be south-facing too. (Although idk how much light they get with the wraparound porch awning in the way. Oops lol!)

The outside suddenly seemed vivid in comparison to the dim kitchen. The April-bright trees pressed against the windows of the breakfast area, ...

- The Raven Boys, Chapter 3

Blue Stormed into 300 Fox Way's kitchen and began a one-sided interrogation with Artemus, who was still hidden behind the closed storage closet door.

- The Raven King, Chapter 9

Likewise, I'm using the particularly dim kitchen to place it on the north side, where we also know there's trees in the backyard.

I'll say the kitchen layout is weirder than it strictly needed to be because in the Virginia homes I referenced I adored all the strange kitchens, especially with old timey 'servants area' vibes where laundry kitchen and pantry are all connected. Instead of a kitchen island, they get one of those rolling kitchen carts which I doubled as a bar cart for the drinks they have in the living room.

The kitchen has a doorway to the hall (TRB Ch 13) and the living room is within view when Blue's on the kitchen phone (Ch 27).

Speaking of chapter 27, that's when we get the description "The morning light through the windows turned the drinks a brilliant, translucent yellow." So I put the living room on the east side of the house, where the rising sun would cast really strong light like that.

Second Floor

When she woke up, her normally morning-bright room had the breath-held dimness of afternoon. In the next room over, Orla was talking to either her boyfriend or to one of the psychic hotline callers.

- The Raven Boys, Chapter 3

Blue headed toward the red-painted door at the end of the hall. On her way, she had to pass the frenzy of activity in the Phone/Sewing/Cat Room and the furious battle for the bathroom. The room behind the red door belonged to Persephone, ...

- The Raven Boys, Chapter 11

Blue's room and the Phone/Sewing/Cat room are our cornerstones for this floor. In several examples we know that the Phone/Sewing/Cat room faces the street and has a window (TRB Ch 15, BL,LB Ch 4). While Blue's room is "morning-bright," we also get descriptions of guests at the front door "backlit by the evening sun," (TRB Ch 15) so once again we're probably talking about south windows if it's sunlit at both times of day.

Adam sat awkwardly on the edge of Blue's bed. It felt strange to have so easily gained access to a girl's bed- room. If you knew Blue at all, the room was unsurprising - canvas silhouettes of trees stuck to the walls, leaves hanging in chains from the ceiling fan, a bird with a talk bubble reading WORMS FOR ALL painted above a shelf cluttered with buttons and about nine different pairs of scissors. Against the wall, Blue self-consciously taped up the drooping branch on one of the trees.

- The Dream Thieves, Chapter 49

We get some great descriptions of Blue's room (especially TRB Ch 43), although the above one is my favorite (#wormsforall). Every piece of furniture is accounted for exactly as described except the desk which I added because it seemed practical, and Blue is nothing if not practical™.

Persephone's room is also very well-described, all the way down to the furniture and lighting placement (BL,LB Ch 4 and TRB Ch 11) and it's surprisingly similar to Blue's room, if not a bit smaller. Her room gets strong afternoon sunlight, so I put it on the south too (BL,LB Ch 43).

Calla and Jimi share a room that's also upstairs (TRK Ch 16). Because they are the only two who have to share a room, I have justified that it must be the "master bedroom" (sorry for using that term) and is far bigger than the other bedrooms. I managed to fit two queen beds in there, but some scholars [me] would argue that Jimi and Calla might also share a bed because they are in love. Can you prove me wrong? No, you can't.

As for the bathroom, remember when I mentioned a possible contradiction? Famously, Maura draws the ley line symbol in the steamed up shower door (TRB Ch 1). However, much later we get Maura, Orla, Calla and Jimi all sitting in the bathtub for some kind of ritual (TRK Ch 9). No matter how I picture it, I can't put 4 full grown women in a bathtub together without someone partially sitting on/spilling over the side. But that would be impossible in a combo bath/shower enclosed by glass doors!! Thus, I gave The Bathroom a nice tub and put a small shower in the en suite of Jimi and Calla's room. I know this is a stretch but I don't really care.

Attic

Blue had never been a big fan of the attic, even before Neeve moved in. Numerous slanting roof lines provided dozens of opportunities to hit your head on a sloping ceiling. Unfinished wood floorboards and areas patched with prickly plywood were unfriendly to bare feet. Summer turned the attic into an inferno.

... In one of the narrow dormers, two full-length, footed mirrors faced each other, reflecting mirrored images back and forth at each other in perpetuum.

- The Raven Boys, Chapter 34

Trying to fit the attic access in after everything in the second floor was my biggest challenge, because stairs normally take up a lot of space and you have to be careful about head room. I'm the end, I decided it was one of those fold out attic doors that you have to reach from the ceiling of the hallway. We might get a lot of instances of the attic door being opened (😤 seriously, Maggie... 😤) but technically a trap door in the ceiling is still a door!

Dormers pretty much cemented the French colonial style for me. And you know the drill by now: a hot room probably means a lot of sun, which means I give it a south facing window!

Mud Room/Cellar/Basement

This cellar has absolutely zero mention in the text, but my justification is based in the architecture. So far we've got a funky old colonial house, built without a garage, lots of walls etc. Especially in a low-income/semi-rural area, it's not crazy to assume that 300 Fox Way was built before most residents had refrigerators (1930s-40s). Besides iceboxes, a major way to keep food fresh was root cellars. Modern renovations for old homes convert these to concrete basements, but that's why the basement is so small and connects to the kitchen.

My headcanon is that Orla originally shared a room. Pick whoever you want: Maura, Blue or Persephone, any of them would easily be such a chaotic roommate that Orla snapped and in a fit of teen girl rage moved herself down to the crummy dark basement. Over time, she made efforts to glamorize it, such as a vintage dressing screen to hide the flood drainage pump. The privacy also allows her to bring boyfriends over, even sneaking them through the mud room.

This is really just my artistic license, but I swear it makes a surprising amount of sense in context. There's cases of Orla sneaking into the kitchen (easier if she has a back entrance) and she's almost always using the phone upstairs or in the kitchen (because a basement would get bad reception) even though her calls get kinda ~intimate.

Aaaaaand I think that's everything. Sorry it doesn't look like the photo from the wiki at all, but I couldn't find a source for it and Victorian style wasn't super common in the areas I researched. Let me know if I missed anything major! I'll probably cry myself to sleep if so.

#happy hyperfixation friday everyone #January was a weird month for me ngl this was one of my more hinged projects if you can believe it #please don't let this flop tho like this definitely took longer than any drawing I've ever posted here #trc #the raven cycle #the raven cycle fanart #300 Fox Way #Blue Sargent #the raven boys #my art #trc unraveled

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