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taylorrpark · 9 months
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sunny day real estate by mer wilcox
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hayleyrippy · 1 year
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Sunny Day Real Estate / September 2022 / 35mm Film
-Hayley Rippy
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wamnak · 2 years
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spilladabalia · 3 months
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Sunny Day Real Estate - Novum Vetus
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dailywilliams · 7 months
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HAYLEY WILLIAMS and Taylor York in Nashville with Dan Hoerner.
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Sunny Day Real Estate - "Novum Vetus"
Sunny Day Real Estate have released a new song, “Novum Vetus”, it’s included in the 30th anniversary release of “Diary (Love At London Bridge Studio)”. The song “Novum Vetus” originated during the sessions for 1998 LP “How It Feels To Be Something On”. For the “Diary” re-record, Jeremy Enigk, Dan Hoerner, and William Goldsmith recorded it at London Bridge Studios. Sunny Day Real Estate will go…
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killedtherockstar · 2 years
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Sunny Day Real Estate 1992-1995, 2022-present
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mitjalovse · 3 years
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The late 90's and the rock music should probably be a theme for a comprehensive monograph, since I would dare to suggest that the subject continues to bring more question than answers. I mean, how can we see the idiom of emo at this point? The latter style became prominent during the period we discuss, though I think the label limited the sonic palette in the minds of the possible listeners of the brand. Sunny Day Real Estate, for instance, seem to belong there with their soundscape fitting the cliches of the genre. However, there's something more going on than the usual misanthropy of emo, their aural side finds them on a much adventurous ride than most of their peers. Then again, the collective is considered to be one of the pioneers of the emo, so maybe that's why.
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rainingmusic · 4 years
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Sunny Day Real Estate -Pillars
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struck-by-sunnydays · 6 years
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the days were golden...
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lyrasky · 4 years
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【Sunny Day Real Estate/ In Circles】和訳 解説 Emoの真実
【Sunny Day Real Estate/ In Circles】和訳 Emoの真実 LyraのBlogへ #sunnydayrealestate #incircles #diary #emo #grungerock #seattle #subpop #sdre #posthardcore #サニーデイリアルエステート #jeremyenigk #danhoerner #natemendel #williamgoldsmith #emotional #sadsong #autumn #刹那 #せつない
「emo」を日本では、「エモい」と言う。
が、使い方が間違っていて何でもかんでも「エモい」印を贈呈してるから萎えてしまう。その為、随分前にこのブログで、この人達の名曲を和訳しながら「エモい」意味を書いたのだった。(他バンドでも書いているけどね。例えば【Bring Me Horizon / Drown】 とかね。(和訳 Appearances are deceptive? Lyrics)
今更、エモかろうが、エモくなかろうが、世界は変わらん。
地球は回る。
目まぐるしい勢いで。
それどころじゃない事が、世界で沢山起きてるのだから。
でも今日みたいに暑い夏の日に、フッと空気が変わり、秋が来る瞬間を感じたら、刹那な気分にドップリとハマらしてくれる曲を聴きたくなるの。
���モかろうが、エモくなかろうが関係ねぇ、って人には関係ないのだから、一々、拘らなくて良いんだよね。
でも、「エモい」ってこう言…
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goalhofer · 4 years
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2020 Chicago Cubs Players By Nationality
American: 26 (Reinaldo Almora; Jr., David Bote, Kris Bryant, Tyler Chatwood, Daniel Descalso, Ian Happ, Kyle Hendricks, Jason Heyward, Nico Hoerner, Jeremy Jeffress, Craig Kimbrel, Jason Kipnis, Jon Lester, Alec Mills, James Norwood, Josh Phegley, Colin Rea, Anthony Rizzo, Kyle Ryan, Casey Sadler, Kyle Schwarber, Steven Souza; Jr., Dennis Tepera, Duane Underwood; Jr., Brad Wieck & Dan Winkler)
Puerto Rican: 2 (Ednel Baez & Victor Caratini)
Japanese: 1 (Darubisshu Yu)
Canadian: 1 (Rowan Wick)
Venezuelan: 1 (Willson Contreras)
Colombian: 1 (Jose Quintana)
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transnames · 5 years
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hey this is going to be a random request but can you make a list of some names based off emo guys? :D (like emo youtubers, guys from bands, etc. i’m sorry if this is too much trouble and i’m aware i can do this myself but i can’t find any good names)
No worries, here are some names taken from bands on this list. I am assuming you want masculine names. I do not know a lot about emo bands or these people so I am sorry if one of them does not qualify. It is also worth noting that most of these are just ordinary names, most emo musicians seem to not use stage names much.
Adam (Lazzara)
Andrew / Andy (Hurley)
Arthur (Gerard Way’s middle name)
Beckett (William Beckett)
Billy (Hamilton)
Blake (Schwarzenbach)
Brendan / Brendon (Urie)
Chris (Carrabba)
Cooper (Shaun Cooper)
Dan (Hoerner)
Frank (Iero)
Gerard (Way)
James / Jim (Adkins)
Jamison (JamisonParker)
Jeff (Stinco)
Jeremy (Enigk)
Joey (Westwood)
John (Nolan)
Joseph / Joe (Trohman)
Josh (Bradford)
Matt (Pryor)
Mikey (Way)
Nolan
Parker (JamisonParker)
Patrick (Stump)
Paul (Koehler)
Pete (Wentz)
Phoenix (Fall Out Boy)
Pierre (Bouvier)
Raymond / Ray (Toro)
Rick (Burch)
River / Rivers (Cuomo)
Rob (Pope)
Ronnie (Winter)
Sebastien (Lefebvre)
Shane (Told) / Shaun (Cooper)
Taylor (York)
Tom (Linton)
Tyson (Ritter)
William (Beckett)
Wilson (Expensive Mistakes)
Zach (Lind) / Zac (Farro)
Looking for names associated with bands or youtubers that you particularly enjoy, instead of just any names based on emo bands, may help for a more personal connection to a name.
Let me know if you want some more names!
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allefoglie · 5 years
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+ SUNNY DAY REAL ESTATE +
Nel 1992 a Seattle, nello Stato di Washington c’è un fermento culturale che in Europa non è mai esistito. Qualche bacchettone storcerà il naso sostenendo che “il punk in Inghilterra”. Stronzata, secondo me, per due motivi: il primo è che il punk in Inghilterra dell’anarchia e dei Sex Pistol’s era un movimento sociale più che culturale, il secondo è che, si, fighe le creste e le borchie, ma sul serio chi cazzo si ascolta i Sex Pistol’s per la loro musica? Che se ne dica è un gruppo che va benissimo fino all’età prepuberale o adolescenziale, ma poi ti spaccano il cazzo. I Sunny Day Real Estate li ho ascoltati anche l’altro ieri.
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Premesse a parte, a Seattle nel 1992 succedono mille cose.  Kurt Cobain sta per diventare veramente famoso e per spararsi un colpo (o venire ucciso, decidete voi). I Nirvana sono una band di cui si parla, ma deve ancora uscire Nevermind e Kurt deve ancora beccarsi la scritta dentro casa KURT SMELLS LIKE TEEN SPIRIT (famoso deodorante dell’epoca) in casa, dopo un concerto mediocre e i suoi atteggiamenti da rockstar dalla cantante dei LeTigre. Il 1992 rappresenta proprio il punto di svolta per i Nirvana. Mollano infatti la casa discografica che li ha scoperti e gli ha dato fiducia per la prima volta, si chiama Sub Pop ed è una piccola casa discografica fatta da vera gente del giro punk del posto. La Sub Pop infatti nasce a Olympia (un posto assurdo che ho visitato, dove ho mangiato un veg burger con la mia ex, sopra dei flipper, serviti in un locale di soli travestiti e mi sono perso in interi negozi di libri che vendono solo fanzine) e nasce appunto come una fanzine, la Subterranian Pop. Una fanzine di cui ci furono solo 9 numeri, ma che è riconosciuta come quella che ha portato alla ribalta il Grunge. Che poi Grunge non è nemmeno identificabile come un vero genere musicale, il termine significa “sporco”, un po’ come “punk” e rappresenta più un’influenza geografica delle band che non dei canoni stilistici. Rappresenta proprio l’ondata dei gruppi di Seattle e dintorni del PNW americano. Volendolo identificare è comunque una cosa che mischia il punk con il rock e che infatti spesso sfocia in caratteristiche del rock, tipo nell’uso delle droghe come l’eroina, la coca e gli antidepressivi.
Fatto sta che i Nirvana decidono che protendono più per il rock che per il punk e diventano famosi.
Ho sempre sostenuto questa cosa: se i Nirvana fossero stati una band punk nessuno se li sarebbe mai cagati. Sarebbero stati un gruppo di punk che facevano qualcosa di strano e che avrebbero poi ribattezzato “post punk” e che spaccavano cose durante i concerti, come fanno molti altri. È stata l’esposizione mediatica e la ricerca del successo a: - far pigliare male Kurt - farli finire su MTV e in pasto alla popolarità - farli diventare l’icona di qualcosa che i regolari associano come assolutamente punk (“cazzo spaccano cose e si drogano”) anche se di punk non c’è quasi nulla.
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I Nirvana vogliono diventare famosi, ed è questo il motivo che li porta a separarsi da Sub Pop nel 1990 a favore di una casa discografica molto più grossa, la DGC Records.
Nel nel 1992 i Nirvana sono comunque già sulla cresta dell’onda della popolarità, si sono già esibiti agli MTV Music Awards per capirci. E nel 1992 la Sub-Pop scopre un’altra band, sempre di Seattle. Il loro nome è lunghissimo e sembra fatto apposta per non essere ricordato: sono i Sunny Day Real Estate.
I Sunny Day Real Estate nascono da Dan Hoerner e Nate Mendel, due ragazzi che studiano all’Università di Washington e sono coinquilini, assieme a William Goldsmith alla batteria. Il primo nome della band sarà Empty Set, che poi diverrà Chewbacca Kaboom poi One Day I Stopped Breathing fin quando un ragazzo si presentò alle prove e tutti capirono che era quello giusto.  il suo nome era Jeremy Enigk. La Band cambiò il nome in Sunny Day Real Estate.
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I Sunny Day Real Estate fanno qualcosa di diverso e che non c’entra nulla con grunge. Sembra assurdo dirlo, ma saranno tra i fondatori del genere EMO che ascoltiamo fino ad ora. Stessa casa discografica, stessi anni, stesso posto, entrambi per certi versi pietre miliari della musica: eppure chiedi a 10 persone se conoscono i Nirvana o i Sunny Day Real Estate e vedete quanti vi dicono la seconda.
La band nella formazione definitiva è quindi composta da:  Dan Hoerner (chitarra), Nate Mendel (basso) e William Goldsmith (batteria) e il frontman Jeremy Enigk. Jeremy è un personaggio enigmatico e affascinante. Magro, faccia da bravo ragazzo, testa rasata e occhi profondi. Sarà lui a scrivere, nel bene e nel male, il destino della band.
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Nel 1994 Kurt si spara un colpo in testa in stanza e i Sunny Day Real Estate pubblicano Diary, lavoro al cui interno ci sono dei pezzi indimenticabili. Sono in pochi ad avere testi così, suonati in questo modo e con questa attitudine. Ma i Sunny Day Real Estate non rilasciano interviste, sono schivi, si fanno i fatti loro. Parlano poco e vogliono far parlare poco di se: questa è la differenza coi Nirvana. (Oltre al fatto che le canzoni hanno un senso compiuto). Questo sarà l’unico lavoro in cui I membri della band fanno parte di una band, intesa come persone che si riconoscono l’una nell’altra.
Face the fool The mirrors lie, those aren't my eyes Destroy them, raise my hand Reflected in savage shards A new face, a soul reborn
You'll taste it, you'll taste it In time
 Sunny Day Real Estate - Seven
Jeremy Enigk è un ragazzo con una sensibilità sopra la media. Verrà definito il padre fondatore del genere EMO. Lui riesce a parlare di emozioni in modo netto, marcato, mescolando una voce tirata e sincera, senza alcun effetto sonoro prodotto da qualche strumento. Ma come spesso accade alle persone particolarmente sensibili o intelligenti che si espongono, si trova impreparato ad accettarne ciò che ne consegue.
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Sei mesi dopo Diary la band non è più la stessa, Jeremy Enigk diventa cristiano cattolico e inizia a professare la sua fede per Gesù Cristo: la band si scioglie. proverà una sfortunata carriera da solista, lo sguardo perso nel vuoto. finire a farsi di eroina, credere in dio o  impiccarsi, forse il destino della band sarebbe stato lo stesso.
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Il bassista Nate Mendel e il batterista William Goldsmith vengono contattati dall’ex batterista dei Nirvana David Grohl e finiscono a suonare per i Foo Fighter. Nate Mendel, che nasceva come skater e bmxer ed era cresciuto a pane e punk hardcore,  diventa un sostenitore di teorie complottistiche, del tipo che organizza un concerto a Los Angeles (facendo sold out) per un’associazione che si preoccupa di dimostrare che, secondo loro, non c’è correlazione tra HIV e AIDS. Goldsmith rimpiangerà l’esperienza coi Foo Fighter perché vittima di popolarità assoluta e quindi anche di appiattimento culturale e carenza di creatività.
Per quanto riguarda il chitarrista Dan Hoerner, sposò una fricchettona e fece perdere le sue tracce, finendo a vivere in una fattoria.
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I Sunny Day Real Estate non ebbero mai successo finché non si sciolsero, nel 1995. Poi, come spesso accade a chi è troppo avanti, il mondo si ricordò di loro. Sub Pop vendette più di 231.000 copie di Seven  nel 2008. Questo live per me è da pelle d’oca è tratto da un loro concerto del 2009, durante uno dei due momenti in cui la band si riunì per suonare. Se avete delle cuffie sottomano mettetele e ascoltate perché i Sunny Day Real Estate hanno contribuito a svoltare il mondo della musica, seppur per pochissimo tempo.
But you were always one to stay the same girl I know you want to be the rain And I know that we could fall in there For a time and then unfall again For awhile I take you burying old bones Dawns grey the signs in the winter light And I know that you can feel the pain Your eyes speak one hundred million knives
Sunny Day Real Estate - Pillars
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smoreu · 7 years
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Caractère Noël était un ouvrage édité chaque année sous les auspices des syndicats patronaux de l'imprimerie française et des industries graphiques dans les années 50 - 60. Chaque page était produite par un membre de ce syndicat ... typographe, papetier, imprimeur, producteur d'encre, graphiste, éditeur, mais aussi des galeries et des institutions. Des artistes intervenaient pour leur permettre de faire la démonstration de leurs savoirs faire et de leurs innovations techniques. Ici dans l'exemplaire de 1959, quatre compositions de M. Ferrand. Tirage exécuté sur les presses de l'imprimerie Paul Dupont à Paris. Typons de la photogravure B.D.P. Papier offset Lourmarin SB des papeteries d'Avignon. Encres Hoerner. Reports quadrimétal. #caractèrenoel #graphicdesign #printer #paperfactory #ink #offset #50s #60s (à Rue Fabert)
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sundayera7-blog · 5 years
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The Cubs should part ways with Addison Russell
I write an article with this headline with some sadness, because when Addison Russell came to the big leagues in 2015 and had almost immediate success at age 21 it seemed as if the Cubs had a shortstop for the next decade. Things got even better in 2016, when he had the best season of his career, a 4.1 bWAR season in which he made the N.L. All-Star team, drove in 95 runs, finished 19th in MVP voting and hit key home runs in both the NLCS and World Series.
As you know, Russell is serving a 40-game suspension following a MLB investigation of domestic violence allegations by his former wife. 10 of those games were the final 10 of 2018, when he was on “administrative leave.” The other 30 will be the first 30 games of 2019. The purpose of this article isn’t to rehash this situation.
Beyond that, Russell’s last two seasons have been marred by injuries. 2018, in particular, was a bad year, despite Russell posting 2.0 bWAR. He hit just five home runs and posted a .657 OPS and 74 OPS+. The OPS figure was the worst in the major leagues by anyone who had as many PA (465) as Russell did. Wrist and shoulder injuries put him on the disabled list multiple times.
At The Athletic, Patrick Mooney summed up what’s happened to Russell to date, and how the Cubs are “assessing” the situation. Most of the article contains quotes from Theo Epstein’s season-ending news conference, but I was most struck by this sentence written by Mooney:
The Cubs understand that a conditional return would be controversial and unpopular and could backfire in a way that alienates fans and again embarrasses the franchise.
The word “again” is important there. The Cubs have brought in two other players by trade in recent years, Aroldis Chapman and Daniel Murphy, whose acquisitions were controversial, to say the least. There seemed to be a tacit understanding with both those deals that they were short-timers; both Chapman and Murphy were headed to free agency at the end of the season when the Cubs acquired him. The Cubs made no effort to retain Chapman and I do not believe they are going to make any effort to retain Murphy.
At the general manager’s meetings, Theo was further quoted on the Russell situation:
“It doesn’t necessarily,” Epstein said when asked why this process would have to be undertaken with Russell on the Cubs. “But look, this happened on our watch. It’s not like we signed a minor-league free agent and he demonstrated this behavior a month in and you move on from him. This is somebody that we acquired in Double-A, he grew up in large part in our farm system too. Especially with a high school kid, you’re a big part of a player’s development.
“We take credit when players grow up and experience great success on the field and off the field. We feel proud of being a part of that, playing a small role in that and providing the right kind of environment for that. So when a player has something in their life that goes the other direction or does something you’re not proud of, does that mean you should automatically cut bait and move on and have it be someone else’s problem or society’s problem? Or do you explore the possibility of staying connected with that player with the hope of rehabilitation including a lot of verification along the way. I think these are difficult things to wrestle with, but I’m not so sure that the answer is simply to cast the player aside and hope that someone else performs that work or that work takes place at all.”
Beyond all that, though, there has been a real regression in Russell’s baseball performance, granted, largely due to injuries. He is still fairly young in baseball terms; he will turn 25 in January. Yet there is no guarantee he will return to his previous level of performance, and as a second-year arbitration-eligible player who made $3.2 million in 2018, he is in line for a raise in 2019 despite his poor play. I’ve estimated his 2019 salary at $4.2 million and MLB Trade Rumors has it at $4.3 million.
Could they trade Russell, even with his injuries, poor play and 30 games of 2019 where he’ll be unavailable? I’d say maybe. Other teams could look at his age and previous good seasons and maybe offer a low-level pitching prospect or two.
But if that’s not the case, I think the Cubs should simply non-tender Russell. I keep coming back to this:
The Cubs understand that a conditional return would be controversial and unpopular and could backfire in a way that alienates fans and again embarrasses the franchise.
The Cubs don’t need that. They could start Javier Baez at shortstop in 2019 and have second base covered by a platoon of Ben Zobrist and David Bote. Since all three of those players are already under contract, non-tendering Russell would avoid that “controversial and unpopular move” as well as save a little bit of contract money. After 2019, when Zobrist’s contract is up, perhaps 2018 No. 1 pick Nico Hoerner might be ready to step in at second base for the Cubs.
This situation is something none of us thought would happen after Russell’s debut in 2015. Consider, though, that even if Russell is let go with no return, the trade that brought him to the Cubs has already produced quite a bit.
Jeff Samardzija and Jason Hammel were sent to the Athletics July 2, 2014 for Russell, Dan Straily and Billy McKinney.
The Cubs re-signed Hammel as a free agent after the 2014 season and he had two decent years as a starter for the team in 2015 and 2016.
Straily (along with Luis Valbuena) was traded to the Astros for Dexter Fowler. I think you’d agree that one worked out all right.
And McKinney was included in the trade that brought Chapman to the Cubs, so McKinney produced some value for the big-league club in that sense.
But given all that’s happened with Addison Russell, I think it’s time for the Cubs to trade him if they can, non-tender him if they can’t. It’s the best solution for everyone involved; for the team, they can move on even if they give him the assistance Theo mentioned and for Russell, he can then get a fresh start elsewhere.
Source: https://www.bleedcubbieblue.com/2018/11/6/18065750/cubs-should-part-ways-with-addison-russell
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