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#conor joseph
fkatwigsfashion · 2 months
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FKA twigs for British Vogue - April 2024
Wearing:
Custom-Made Hooded Jersey Top by Jawara Alleyne
Custom-Made Twisted Jersey Skirt by Jawara Alleyne
Heels by Acne Studios (Similar here)
Hoop Earrings are FKA Twigs’ own
Sabre Earrings by Shaun Leane
Septum Ring by Conor Joseph
Wide Sculptural Silver Bangles by Alexis Bittar
Silver-Plated Bangles by Dinosaur Designs
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ambikamod · 3 days
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Pet Name is an award winning darkly comic exploration of the anxious-avoidant relationship dynamic. On the morning of his birthday, anxious Sophie discovers that avoidant James has recycled her cutesy pet name “Goose” from a previous girlfriend. With their special day now poisoned and the relationship beginning to unravel, they both embark on a desperate search for authenticity in a world that feels increasingly unoriginal.
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j-ustkeepgliding · 4 months
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being a leafs fan is wild because I see a picture of auston matthews and I'm like wow there's the love of my life right there. but then I see a picture of mitch marner and I'm like wow there's the love of my life right there. but then I see a picture of willy nylander and I'm like wow he is the love of my life. but then I see a picture of john tavares, love of my life. but then I see a picture of mo rielly and he is the love of my life. but then I see a picture of matthew knies and
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Source: Maple Leafs Media Availability
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nofatclips · 5 months
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Savior Complex by Phoebe Bridgers from the album Punisher - Video starring Paul Mescal, directed by Phoebe Waller-Bridge [Behind the scenes here]
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londonknights · 5 months
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celebrate your goalie!!!
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raynbowclown · 2 years
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The Gorgon
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View On WordPress
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hero-israel · 7 months
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The British military in Palestine disliked the Jews from the beginning, even when it was the Arabs who were giving the trouble.  And this attitude subsisted right through the Arab Revolt, in which the Jews helped the British.  In the mess of the Palestine Mobile Force in 1945, Richard Grossman was told:  'All through the Arab revolt, when our men were being shot in the back and protecting the Jews, most of them liked the Arabs… The old Arab will take a pot at you in the night, but he’ll offer you coffee the next day when you come to investigate.  The Jew doesn’t offer you coffee, even when you’re protecting him.’ People who disliked the Jews before the Holocaust generally didn’t dislike them any the less because of the Holocaust.  On the contrary: the Jews were seen as more pushing, strident, and demanding than ever - and cashing in cunningly on their new asset of enhanced entitlement to sympathy. Dislike of the Jews was existential. If they conformed to the traditional stereotypes - pushy, acquisitive and so on - they were disliked for that.  But if they departed from the stereotype, they were felt to be cheating.  Thus one of the most cherished of the stereotypes was that the Jew was un-warlike.  This had never been regarded as a point in his favor:  Joseph Chamberlain thought they were ‘cowardly’; Treitschke, 'lacking in the martial virtues.’  But for the Jew to become warlike was regarded as a monstrous mutation.  It was all right for 'the old Arab’ to 'take a pot at you,’ but for the Jew to do so was contrary to the law of nature.
Conor O’Brien, “The Siege:  The Saga of Israel and Zionism,” Simon & Schuster, 1986
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fkatwigsfashion · 2 months
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FKA twigs for British Vogue - April 2024
Wearing:
Suspend Bodysuit by Baserange
Pointelle and Lace Thong by Cou Cou Intimates
Meno Woven Belt by Stelar
Socks by Falke
Leather Heels by Alaia
Sabre Earrings by Shaun Leane
Hoop Earrings are FKA Twigs’ own
Septum Ring by Conor Joseph
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dystini · 1 year
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Indycar Driver Lore Master List
What is driver lore? A collection of stats, pictures, trivia, a curated list of links to social media/YouTube and more. All you need to get started on getting to know the drivers of the 2023 Indycar field.
Josef Nicolai Newgarden
Scott Thomas McLaughlin
Conor James Daly
Alexander Michael Rossi
James Douglas Meredith Hinchcliffe
Felix Rosenqvist
Patricio "Pato" O'Ward Junco
David Joseph Malukas
Álex Palou Montalbo
Kyle MacLean Kirkwood
Colton Thomas Herta
Rinus VeeKay
Christian Lundgaard
Callum Benjamin Ilott
Marcus John Armstrong
William "Will" Steven Power
Scott Ronald Dixon
Simon Pagenaud
Hélio Castroneves
Marcus Thorbjörn Ericsson
Tony Kanaan
RC Enerson
Ed Carpenter
Stefan James Wilson
Ryan Christopher Hunter-Reay
Santino Michael Ferrucci
Katherine Anne Legge
Graham Robert Rahal
Takuma Sato
Marco Michael Andretti
Benjamin Pederson
Jack Joseph Murray Harvey
Agustín Hugo Canapino
Sting Ray Robb
Devlin Defrancesco
Romain David Jeremie Grosjean
George Dario Marino Franchitti
Indycar - Social Media
Indycar Drivers gym/trainer preferences
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FKA twigs wearing:
- Acne Studios, Rope Jungle Yellow Bag
- Custom Conor Joseph ring
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strawbs-screaming · 6 months
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What do you think the boxers real names are? Because i like to think that the names you see would be stage names(i suppose aran ryan and don flamenco could be their real names). So what are your interpertations of their real names.
youre in for a ride!!! hcs below!!
Glass Joe - Joseph Lapointe
Von Kaiser - Viktor Ulrich Kastner
Disco Kid - Chad Marcelino Chaney
King Hippo - King Hippo (How creative of me i know)
Piston Hondo - 北折 克己 (Katsumi Kitaori)
Great Tiger - Neerendra Govind Khatri
Bear Hugger - Tanner Pfeffer
Don Flamenco - Don Ornelas Valencio
Aran Ryan - Aran Conor Canavan
Soda Popinski - Данилов Дмитрий Фёдорович (Dmitry Fedorovich Danilov)
Bald Bull - Okan Taşçılar
Super Macho Man - Richard Borgman
Mr Sandman - Kenneth Karnes
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irish-dress-history · 3 months
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Identifying J.C. Walker's Illustrations
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An Historical Essay on the Dress of the Ancient and Modern Irish by Joseph Cooper Walker published in 1788 was the first major work published on Irish dress history. Due to a combination of the limited information known at the time, and his erroneous assumption that Irish dress didn't change for the entirety of the Middle ages, Walker got a lot of things wrong, so his writing isn't cited much anymore. Some of his illustrations, however, are still used.
Because Walker lived before the invention of photography, he used drawings of historical Irish art created by colleagues and family to illustrate his book. I decided to track down the original works of art to see how Walker's drawings compared. I am resorting these into roughly chronological order, because Walker's lack of regard for chronology makes my head hurt.
The High Crosses, 9-10th centuries:
Ireland's high crosses have unfortunately lost a lot of their detail due to erosion, making these hard to identify. Sadly, the breeches with a fitted knee-band and the skirt gathered to a waistband look more Late Medieval or Early Modern than they do Early Medieval, so I don't think these are reliable depictions of the lost detail.
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Plate 1: Figure 1 (right) is supposed to be from the Clonmacnoise Cross of Scripture. At a guess, it's based off the guard on the right arresting Jesus:
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Figures 2 and 3 are based off a high cross fragment at Old Kilcullen, County Kildare. Unfortunately, I don't think the original carving survived. I initially blamed its loss on the United Irishmen, but this drawing from 1889 convinced me that acid rain was the real culprit.
Plate 5 Figure 1 is supposed to be a king from Muiredach's cross. The closest image I could find on the actual cross is Cain killing Able:
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Ironically, Cain and Able have more embellishment on their clothes than the "king" based off of them.
12th century:
Plate 1 Figure 5 is from the capital of an arch at St. Saviour's Priory in Glendalough, County Wicklow. The drawing gives the impression that the sides of the head were shaved and the hair was deliberately curled at the end. In the actual carving, the hair is slicked back at the sides and interlaced with adjacent design elements. These are stylistic elements of Irish Romanesque art and not intended to be a realistic depiction of an Irish hairstyle.
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13th century:
Plate 4 is the late 13th century effigy of Felim O'Connor, Dominican Priory of St. Mary, Roscommon with a frontal of gallowglasses added in the 15th c.
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This drawing is pretty accurate, although the gallowglasses are lacking some details like their quilted cloth gambesons.
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photos by Edwin Rae
I cannot find a good photo of Felim O'Connor's effigy, but Conor O'Brien's contemporary effigy at Corcomroe Abbey, County Clare wears the same style of clothing.
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13-14th century?
Plate 6 is based on a sculpture from Athassel Priory in County Tipperary. I can't find a solid date for this one. Athassel Priory was built c1200 and then burnt and rebuilt twice before it was dissolved in 1541. The clothing style of the carving makes me think it's from the earlier part of this time frame.
The biggest thing the drawing gets wrong is the gender. This is a man, not a woman. The "necklace pendent" on his chest might have actually been a brooch holding his cloak, but the sculpture is now too damaged to tell. The drape of fabric at his side, which Walker calls a train, is actually the edge of his cloak. The drawing also leaves out the way his become more fitted below the elbow.
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15th century:
Plate 3 Figures 1-3 are based off a painting at Knockmoy Abbey.
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I'm pretty sure those are houppelandes on the left and center figures. This continental fashion influence shows up elsewhere in 15th c. Ireland (Dunlevy 1989). The drawing omits the massive houppelande sleeves and shortens their hems.
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The painting is now badly weather and difficult to see. This is a more accurate drawing published in 1904. Recent photograph here
Plate 5 figure 2 and plate 1 figure 6 come from a 15th c. grave at the Dominican Friary, in Strade, County Mayo.
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Figure 2 is a decent representation, although it adds a center front slit to the leine which I don't think is actually there. Figure 6 gets the silhouette of the cotehardie a bit wrong and omits the hanging belt accessories, but its greatest crime is that it makes the top of the hood look like a separate object. Walker actually misidenifies it as a Scotch bonnet.
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photo again by Edwin Rae
Plate 7 is Anne Plunket's effigy at St. Mary's Church, Howth, County Dublin. This drawing is decent, though the sleeves are a bit too slim. The cross necklace and belt decorations are no longer visible on the effigy.
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photos by MVP Edwin Rae
Plate 8 figures 1 and 2 are both based on a late 15th c. tomb at the New Abbey in Kilcullen, County Kildare. Figure 1 is based off a carving which is probably depicting St. Brigid, which makes her headwear the wimple of an abbess, not a laywoman's kerchief Walker. The drawing, however, omits her telltale crozier. The drawing makes it look like she has cuffed sleeves, but that is actually just the folds of her brat draped over her arm. It also shows her as wearing 2 layers of skirts when she is actually wearing a single lower garment with a hem circumference so large that it puddles at her feet.
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Figure 2 is based of Margaret Janico's effigy. The effigy is now too badly eroded to make out details, but it originally probably looked very similar to Margaret Janico's other effigy in St. Audoen's Church, Dublin. Unlike Anne Plunket's effigy above, the necklace and belt decorations are still faintly visible on the Dublin effigy. Figure 2 distorts the construction of the gown and headwear. This drawing makes the bodice of the gown look heavily stiffened or even boned like 17th c. stays. The houppelande on the effigy does not have stiffening in it.
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effigy of Margaret Janico and husband at St. Audoen's Church, Dublin (photos, once again, by my man Edwin)
The headpiece in the drawing looks like a linen kerchief wound up to form a turban with a decorated fillet tied over it. The headpiece on the effigy is probably actually a truncated hennin with a veil pinned to it like the one in this mid-15th c Burgundian painting by Petrus Christus.
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16th century:
Plate 9 is based on Katherine Molloy's early 16th c. effigy at Fertagh Church, in County Kilkenny. According to the artist's notes it was in "nearly perfect" condition at the time. I wish he had put more detail into the drawing.
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(photo also by Edwin Rae)
17th century:
Plate 10 is based on The Taking of the Earl of Ormond in anno 1600. Walker's artist clearly fabricated some detail here, falsely giving the impression that triús were ankle-length. We know from extant examples from Kilcommon, Dungiven, and Killery that triús actually extended past the ankle, covering part of the wearer's foot (Dunlevy 1989, Henshall et al 1961).
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Plate 11 was taken from the tomb of Sir Gerald Aylmer (died 1634) and Juliana Nugent. Sadly, it appears to have been destroyed in the early 19th c, so I have no further pictures of it. The clothing looks to me like typical 1630s English fashion with loose gowns over doublets, falling bands, and linen cuffs.
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? Century
Plate 1 figure 4 is apparently from Old Kilcullen, County Kildare. I am not sure what this is based on. I haven't seen any Santa hats at Old Kilcullen. Or anywhere else in Medieval Ireland.
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Bibliography:
Dunlevy, Mairead (1989). Dress in Ireland. B. T. Batsford LTD, London. 
Henshall, Audrey, Seaby, Wilfred A., Lucas, A. T., Smith, A. G., and Connor, A. (1961). The Dungiven Costume. Ulster Journal of Archaeology, 24/25, 119-142. https://www.jstor.org/stable/20627382
Edwin Rae's invaluable collection of photographs of Late Medieval Irish art accessed via TARA.
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londonknights · 4 months
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full leafs zodiac list for those curious:
Taurus
- Timothy Liljegren
- Mitch Marner
- William Nylander
Gemini
- Bobby McMann
- TJ Brodie
Cancer
- Joseph Woll
Leo
- Noah Gregor
- Dennis Hildeby
- John Klingberg
Virgo
- Nick Robertson
- Simon Benoit
- Conor Timmins
- Auston Matthews
- John Tavares
Libra
- Matthew Knies
- Jake McCabe
- Calle Järnkrok
- Mark Giordano
Capricorn
- David Kämpf
- Martin Jones
Aquarius
- Ryan Reaves
Pisces
- Pontus Holmberg
- William Lagesson
- Max Domi
- Tyler Bertuzzi
- Morgan Rielly
- Jake Muzzin
and no Aries, Scorpio, or Sagittarius
so, we have:
3 fire signs (all Leo)
10 earth signs
7 air signs
7 water signs
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I woke up this morning and wore my Ohana hat from a store in Hanalei in the house where I'm staying off Sunset Boulevard in Los Angeles. Ohana means family in Hawaiian, and I'm not talking bloodline, though of course it also means bloodline.
I woke up this morning and tried to reach my friend Kat again who lives up country in Maui because they don't have water or electricity and I did not hear from her yet.
I woke up this morning missing Conor and Mika. Last time I returned to Kauai from Los Angeles, five year old Conor asked me what it was like to miss me.
It makes me wonder why as adults we go so long without wondering. How we decide so much before we ask questions.
I went to get a coffee at Erewhon in Pacific Palisades, a health food store where Margaret Cho cut in front of me in line two days ago to order her post workout protein drink with her entourage.
I got into the checkout line and my cashier was a beautiful American Indian man with a moon face and long gray hair to his shoulders and gentle eyes, and he asked me if I was a member of the store.
No, I don't live here, I said, I'm not a member.
Where do you live?
Hawaii.
When I spoke Hawaii, he stopped what he was doing - put my groceries down and reached across the counter for both my hands. His fingers were ringed with turquoise and silver.
He asked me if I was alright.
Yes, I don't live on Maui, I said, but...well, of course I have friends who do, and no - nobody is really alright there at all.
Right there, in the middle of a store on Sunset Blvd. with peonies and sunflowers and eucalyptus leaves in extravagant bouquets, with six kinds of exotic mushrooms and every kind of fresh sushi and nut milk ever made - a place where a protein drink is named after Hailey Bieber -
he blessed me - and everyone on Maui.
I felt a warmth rush through me, and all of humanity between us - the women buying the $300 t-shirts next door and the homeless man with the matted hair being followed by security last night.
The American Indians who have so much suffering in their DNA, they know what a Land Grab is, they know how the government conspires to take and not serve the people...
His name was Joseph and he blessed me, and in blessing me and the people of Maui, he also blessed you - you who are reading this. Whatever illness you are healing from, whatever pain you have endured, whatever laughter and joy you grab when you can and savor....
his blessing was also meant for you.
I'm helping a dear friend heal from an injury and teaching and hiking and weeping and writing and listening to stories about home, because that's our topic in the writing group - love of home.
Los Angeles is not my home anymore - Hawaii has been for fifteen years, but the Santa Monica canyon and Will Rogers park live inside of me, and always will.
Each morning I walk the dogs and take in the morning sage.
Each night I walk the dogs again and listen to the owls talk to each other across the canyon.
Each night I stay up late on my computer learning what I can do to help Maui.
[...]
I'm sure somebody close to you needs help. Sometimes all we need to do is cook for someone and share a meal and pick up groceries, or share a story.
Even take out their trash.
Let's give and give to each other until it's a way of life again. I promise you it will create a ripple wave that will reach as far as Maui, and create the feeling of Ohana all over the world.
Yesterday on Abbott Kinney, I stood in front of a gallery window staring at this painting of The Last Supper by Johan Andersson. I took a photo of it, when a family walked in between me and the painting - they paused.
We all discussed what it meant. At the table is someone snorting drugs, an exhausted mother not paying attention to her baby, a prison inmate, two people making out - someone with a machine gun.
Finally, the mother in the group looked at me and sighed.
It means Jesus loves all of us, she said.
Yep - All of us, I echoed.
Take someone's hands today you love and pass the blessing on.
[...]
To honor all the houseless people on Maui today, and all over the world, I give you this last stanza of a Mary Oliver poem - "On Losing a House."
Goodbye, house. Goodbye, sweet and beautiful house, we shouted, and it shouted back, goodbye to you, and lifted itself down from the town, and set off like a packet of clouds across the harbor’s sandy ring, the tossing bell, the untowned point— and turned lightly, wordlessly, into the keep of the wind where it floats still— where it plunges and rises still on the black and dreamy sea.
-Laura Lentz
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