Tumgik
#confusion IS a requirement
poisonedfate · 29 days
Text
Tumblr media Tumblr media Tumblr media
bbc merlin - 03x03 Goblin's Gold
is it REALLY an episode of bbc merlin if merlin doesn't baffle arthur beyond belief at least once
148 notes · View notes
ebonyheartnet · 22 days
Text
Prompt: Dorathea has her position as queen be threatened because misogyny sucks, blah, blah, blah. Someone brought up the whole, “lack of an heir,” thing and claimed women just up and reincarnate/move on randomly, because they’re, “easily overcome with emotion.” The best way to keep there from being a riot without just giving it back to her brother? Just name an heir.
Now if only Dora had remembered to actually tell Danny.
342 notes · View notes
uselessimpulses · 5 months
Text
Tumblr media
something something plant membranes as clothing so hes n akey
570 notes · View notes
tiny-coyote · 9 months
Text
Tumblr media Tumblr media
I watched sense and sensibility the other day and the moment this scene came up I had this idea, Lmao. I have so many more ideas revolving around that movie, it’s just so dang good 😩🤌
422 notes · View notes
martlet-my-beloved · 26 days
Text
Tumblr media Tumblr media Tumblr media
ran out of comic ideas so *gestures* take a doodle dump instead
First - Previous - Next - Masterpost
111 notes · View notes
mongeese · 1 year
Text
Something about the way Siobhan and Emily play teenage girls is just so incredible and accurate to life I don’t know how they do it. Adaine’s rage at injustice, her impulsive violence, her constant anxiety. Fig’s insecurity, the way she barely knows herself because she’s always hiding behind a mask, her reckless love and trust. Ylfa’s conviction that she’s turning into a monster, the pain of growing up and realizing you can’t be the girl that everyone wants you to be, the girl you expected to be. Rosamund believing she’s figured it all out at 18 and there’s no use hoping for anything better, trying to establish herself as an active force in her life when she’s always been told to just wait for men to take care of things. I’m closer to my teenage years than they are but they capture it better than I ever could
260 notes · View notes
starrysharks · 4 months
Text
okkkk i watched the first episode of hazbin hotel and i think it has a lot of missed potential. there are actually quite a few goods - the animation for the most part is nice, the voice acting is great (especially keith david as the cat thing), and the songs are alright. the show brings up interesting concepts but the main problem is that it doesn't really execute them in an interesting way, mainly due to the way the characters are written.
every character - with the exception of alastor, charlie and nifty - has a generally "vulgar" personality, ranging from that being a primary trait to basically the entire character (based on the 1st episode alone). they're all written in a similar way, which means that character interactions are very basic funnyman/straightman endeavors with little variation - angel dust says something dumb and vaggie chatises him, or angel dust says something sexual and husk chatises him. that formula basically extends to most if not all of their interactions so far, so the dynamics between characters are similar and frankly uninteresting. angel dust especially (i really don't like him sorry) is so far just a vessel for sexual jokes, and we don't really get anything from his character other than "he's horny", which isn't really good for your first episode imo. the language the characters use is also similar so there's little humorous contrast. there aren't really "jokes" with setup and payoff - just characters saying and doing out of pocket things.
the worst example of this is with the angels, particularly adam. i think that the angel with him (lute i think?) would actually serve his purpose in the story better based on her character - somewhat regal, orderly, but most importantly uses a completely different language to the devils. this sort of contrast would've been way more interesting imo - have the angels be holier-than-thou (quite literally), talk charlie down, make her feel less than or even like a "sinner" - which would be cool because as far as i can tell charlie tries her best to be as good as possible! that would be a unique way to bring out her angry side but instead adam just acts like any other devil, even worse than them, and maybe that's on purpose but i don't think it's very cool...... it would be fun to play off the watcher's preconceived notions and ideas on angels and devils after establishing how charlie deviates from the norm, maybe even having the angels be like "wow you lashing out proves devils are all evil", but now i'm rambling...
other than that, i think the story introduces its main plot points too early. give the concept some time to breathe and establish itself before dropping the bombshell that the extermination is to be 6 months early, damn,,, but i'd have to watch every episode to give an opinion on how they handle that, which i likely won't do. i have some small nitpicks, like the weird lack of buildup to most songs and the kind of weird pacing, but in short, based on the first episode, it's just a compilation of missed opportunities and edgy swear-humor offset by some genuinely interesting and good ideas. this isn't a review of the entire series, by the way - just a "initial thoughts" thing. if you really are interested in the concept, i'd say give it a chance, but please be aware of the creator's actions before you support it monetarily. (i watched the first episode through other means as i genuinely dislike the creator due to her bigotry, of which others have described more eloquently than me - it's very easy to find "call-outs" and critiques of her actions). 4/10, where is verblase :/
58 notes · View notes
shadesofmauve · 1 year
Text
Fire the headcan(n)on: Problems with long-term management of biotic resources for maximum strategic potential in the Alliance military
It is obviously not ideal* for a ship's CO to be running risky ground missions, but the issue demonstrated by Commander Shepard actually brings to light a larger dilemma that's been discussed within the upper echelons of the Alliance military for years. Biotic personnel are a huge asset as front-line troops, and any still able-bodied biotic moving off the front lines is considered a net loss. This poses a potential retention problem, since the usual route for advancement would remove them from where they're considered most valuable.
A trail of internal communications dating back over a decade (recently acquired by Westerlund News) documents how the Alliance instructed recruiters to push biotics to enlist (with exorbitant sign-on bonuses) rather than attend school for a commission.
It's worth noting that when faced with a similar recruitment-and-retention problem for pilots, the Alliance chose to offer commissions, while technically-skilled Specialists can be brought in as officers or warrant officers, depending on their pre-military career and level of education.
Alliance military doctrine suggests preventing a "Shepard Problem" not by restricting a biotic CO to their ship, but by making sure they'll never command a vessel in the first place. If at all possible, biotic personnel should not be given the opportunity to advance to senior command positions until they are physically unable to serve on the front lines.
*Understatement
261 notes · View notes
essektheylyss · 10 months
Text
Okay wait speaking of mid-battle forehead touch I REALLY gotta get around to my close reading of Eiselcross arc shadowgast interactions because when looked at in comparison the tower scene was a whole dtr conversation in the sense that they go from a kind of timid uncertainty (particularly on Essek's part, but also on Caleb's, especially when comparing normal Caleb to polymorph Caleb) to a distinct feeling of what I can only describe as an orbit—very much in tandem without being a discrete pair.
The conversation does not "define" the relationship in a romantic sense, but in the sense of an assurance of where their relationship stands and where it will, if they survive this, proceed from there.
84 notes · View notes
starscelly · 2 months
Text
for those interested in printing and creating your own zine! jpegs of the template for the hockey zine here, link to download from drive (+ more info on that) and a tutorial below!!
if you can print from somewhere that supports psd files (also in the drive) i highly recommend, to preserve the colors better (: these appear weird as rgb color profile right now but Should print properly as they'll convert to cmyk. let me know if thats not the case!
Tumblr media Tumblr media
also, i'm. not charging for any of this. but instead if you're able to, please consider donating esims for gaza or in some way supporting those in palestine (even just doing your daily arab.org click!!)
again, if you have somewhere to print psd files that is what i would Highly Recommend, the colors and quality will just turn out better, i think.
here is the link to a drive folder where u will find these files as well as tutorials (both specifically for this zine and for this type of zine in general)
some further info not included/expanded on in that drive! :
this is meant to be 8x8in when laid flat (not folded) and the files there should print as such, you wont need a special printer or anything, i literally just used the normal library printer on printer paper.
you will need to cut off the edge around the printed bits as straight and close to the edge as possible, as well as the 4x4 empty square in the middle.
if you're able to line them up, you can print these back to back as they are. if you can't, or want the zine to be a little thicker, you can just print them on separate pages and glue them back to back (the way theyre currently oriented, if that makes sense) and fold it like that. that's how i did it!
there are 24 image slots, but if you want to make your own you will only make 6 images. these images will then be split up into 4 sections (theres an example of this in the tutorial folder) in order to be folded, which is why there's 24 little sections.
i would recommend folding around every square of an image before doing the Actual Final Fold, it'll be soooo much easier to manipulate it from there imo. then, once you have done the final fold, taking something and creasing around the edges of the zine on each page you flip to will help it be easier to move, as well.
also this is the video i originally used to learn to make these (but found to be a little confusing/not friendly to those making their own)
if theres anything i missed/is unclear/doesn't work, please feel free to send me an ask or message about it!!! i hope you all enjoy and make ur own zines <3
21 notes · View notes
thefirstknife · 11 months
Text
The Witness and the Unveiling
I've been processing the new cutscene for days now and had a lot of good conversations with other people. A lot of people are interested in figuring out what this cutscene means for the lore book Unveiling, which is also my big interest. I'll talk about the lore book itself and how it related to the cutscene and what that possibly means for our understanding of the setting.
A LOT of the text will be super speculative, very long, often abstract and ultimately not conclusive. I'll drop absolutely everything I can think of to discuss about this to try and gather every possible question and possible answers in one place. But the truth is that we don't know the answers to these questions and maybe we never will.
What is the Unveiling lore book?
First things first. The Unveiling is a lore book that we started uncovering at the end of Shadowkeep. Shadowkeep campaign ends with us acquiring a strange artifact: an orb that we recover from the Lunar Pyramid, in front of the statue of a veiled figure. As soon as we touch it, we are transported into the Black Garden and the cutscene with our clone plays.
After this cutscene, we return to the Moon and we give the orb we collected to Eris. At the time of Shadowkeep's original release, Eris worked on the orb for weeks to come, revealing 1 lore tab per week. Every page of this lore book is narrated by an unknown entity who told us about the time before the universe existed and then about the creation of the universe. It also told us about the Gardener and the Winnower, their struggle, their philosophies, what we (Guardians) mean to them and ultimately what might be coming in the future. It's one of the fundamental texts for Destiny.
Is the Unveiling now retconned with the new cutscene?
This is a question that gets both asked and claimed a lot. The answer is no. First and foremost, if we're talking about a hard retcon (Bungie saying that this lore book is no longer considered canon or Bungie simply ignoring to mention it ever again), that is literally impossible. Unveiling is the culmination of a non-vaulted campaign that's considered a big part of the Light and Darkness saga and it will never be removed from canon. This text is not only the ending of a campaign, it is referenced in-game; characters have canonically read it and commented on it, most notably in Witch Queen Collector's Edition and it's directly referenced in the lore book Inspiral from the newest raid which I'll touch on later. But the point is, if they wanted to quickly push Unveiling under the rug, they wouldn't have told us "hey remember Unveiling?" with the Lightfall's raid lore.
If people are talking about a retcon in the sense of "we believed that certain things from this text are true, but now new information is challenging that, does that mean that the original text is being retroactively changed or rendered pointless?" The answer is also no, though with a big caveat. (super long post under)
The thing is that the Unveiling was never 100% proven true. We have always known this. We've received this text from a Darkness artifact and the narrator of it is very clearly both biased and unreliable. The Unveiling is not telling us objective truth, it's telling us a biased interpretation of something that may or may not be truth. There is probably some truth to the Unveiling, which I'll get into a bit later, but it is largely a propaganda piece, meant to sway us to the side of the Darkness and reject the Traveler (Gardener). It uses a familiar and casual language to make it more relatable while it talks about how the Gardener made a fundamental mistake by wanting to introduce complexity and unpredictability to life.
So if new information comes out and says "Unveiling was all a lie or wrong or simply a myth with little connection to reality" it would be perfectly in line with what we know about Unveiling right now. I expected that at some point we should learn directly if Unveiling was just a biased tale filled about something incomprehensible that may never be fully true. The new cutscene does nothing to Unveiling outside of simply giving it a new context and a new way to interpret it. This is not new for the Destiny setting which is actually filled with unreliable narrators, characters who lie and characters who are wrong. As a matter of fact, that's what any setting should be like if it strives for realistic storytelling.
The fact that the Unveiling is directly referenced in the newest lore from the newest raid means that Bungie didn't magically forget about this lore book. They literally basically added two extra pages of it with Root of Nightmares. But we never knew the true meaning of the Unveiling so any new information that confirms or denies certain parts of it makes full sense in the story.
Unveiling and the Witness cutscene
So, what are the issues and contention between these two things? Well, there's a lot. A lot of little details from the Witness cutscene are now putting a lot of original interpretations of Unveiling into question. Did we blindly believe in this origin of the universe myth that the Unveiling told? Is it a complete fabrication? Is there at least a kernel of truth to it? Who wrote the Unveiling?
The biggest divergence comes from the fact that Unveiling claims there are incomprehensible entities that created the universe called Gardener and Winnower; the Gardener becoming the Traveler and the Winnower being completely unknown. The cutscene explicitly calls the Traveler "Gardener" but it's revealed that was a name given to it by the Witness' species when they stumbled upon it on their planet, covered in dirt. How can this be the entity that created the universe?
When the Witness was officially introduced at the end of the Witch Queen, the immediate assumption of many was that the Witness was the Winnower. This is now categorically untrue, at least on some level (will get to it eventually later); the Witness is not an entity that fought the Gardener in the allegorical garden that predates the existence of the universe. So does the Winnower still exist as that entity that fought in the garden?
Let's summarise the Unveiling piece by piece first. First page is an introduction with a lot of grand claims about the nature of existence. It immediately makes it clear that the narrator is selling us a worldview:
But imagine the abomination of a world where nothing can end and no choice can be preferred to any other. Imagine the things that would suffer and never die. Imagine the lies that would flourish without context or corrective. Imagine a world without me.
Pages two, three, four and five claim to detail a time from before the universe existed presented in an allegorical tale about a Gardener and Winnower that live in a garden and play a game. The allegorical language is not subtextual, it's very much explicitly told that this is an allegory.
Once upon a time,* a gardener and a winnower lived** together in a garden.*** * It was once before a time, because time had not yet begun. ** We did not live. We existed as principles of ontological dynamics that emerged from mathematical structures, as bodiless and inevitable as the primes. *** It was the field of possibility that prefigured existence.
The story goes: before the universe existed, Gardener and Winnower played a game of life. They were able to configure the game board with starting set pieces and then let it play out and see what comes out of it. The end of the game was always the same; the same pattern would always win and the game's ending would always be predictable. This bothered the Gardener who wanted complexity and freedom. It didn't bother the Winnower; the Winnower prefered the clean and clear cut outcome that always follows the same principles and always leads to the same conclusion.
Page six is an interjection with a philosophical question about the nature of a specific protein. The page explains it to us and asks if this protein is an agent of Darkness or the Light. This is not entirely relevant to the topic at hand, but it's important for the understanding of how Unveiling is trying to exert its bias onto the reader by presenting some sort of a gotcha. It wants us to come to the conclusions that benefits the narrator.
After that, page seven resumes the origin story of the universe. They fought together in the garden about their differences and about the Gardener's decision to make a new rule for the game. Their fight was so fundamental that it led to the creation of the universe. The chapter title is "T=0" which means "time equals zero" and is a part of understanding how the universe was made out of nothing.
The garden had given birth to creation, the rules were in place, and there would never be a second chance. We played in the cosmos now. We played for everything.
Page eight returns to trying to sway us to its side by telling us that the concept of predation is what made all of life possible and that it is the narrator who is responsible for our existence.
It was the first defector—the first predator. It changed everything. Now the oozeballs needed sensors to watch for danger, and brains to integrate those senses and generate plans of survival, and swift neurons and muscles to enact that plan. This was the Cambrian Explosion, the great birth of complex life on your world. I caused it. I, the defector, the destroyer, the one who takes.
It's selling us a worldview again. It wants us to believe that the reason we have everything we do is because of the sword logic; everyone fighting for the right to exist. When everyone fights, everyone has to evolve to defend and survive, therefore the reason we've evolved is because we had to fight. This is a huge contrast with how the Gardener works. The Gardener jumpstarts and uplifts species by gardening, terraforming, evolving them without the need to struggle. The Gardener also doesn't pick and choose when it comes to terraforming; everyone is equally important and you don't have to justify or prove your right to exist. An ant's value is the same as a human's. To the narrator, that simply cannot be. If the ant can't prove the right to exist by being stronger, then it should not exist. This always showed bias and the way this ideology works on the misinterpretation of the "survival of the fittest" phrase; survival of the fittest isn't "survival of the strong" it's "survival of those who are best adapted to their environment."
Page nine is very important and is one of the things that makes Unveiling possibly true in some aspects. Namely, this page called Patternfall, is about the Vex. The narrator describes the Vex and how they existed in the allegorical garden from which they escaped into the universe with the Big Bang. Before the battle between Gardener and Winnower, the Vex, this pattern, always won the game. The Vex were the winning outcome of every game played, the source of Gardener's frustration and Winnower's elation.
Given that we know that the Vex are real and that they have a... tenuous relationship with time, this part of the story feels correct. It would make sense that the Vex predate time itself, which would explain why they are able to navigate it and manipulate it as easily as we manipulate any other force; the Vex already existed when all of time was a singularity before the Big Bang, this is known to them. Not only that, but the Vex can't understand paracausality, which was added to the game as a new rule, a rule they've never seen before. The description of the Vex in this chapter is also on point so it's has to be correct or close to correct.
They propagated in the saline meltwater of comets orbiting the first stars. That broth of chemicals became their substrate, and they learned to catalyze impossible chemistry with quantum tricks. Then, they rained from the sky into the steaming seas of fallow worlds, and there they built their first housings from geometry and silica.
We know that they are linked to first stars because of Clovis Bray's expedition to 2082 Volantis, an impossibly old star dating back to the beginning of the universe that the Vex have kept artificially alive ever since by refuelling it.
In all their transformations, they retained that kernel of ultimate self-sufficiency that had made them victors in the flower game. But they are not incontrovertibly destined to rule this cosmos. They were made before Light and Darkness, but the rules are different now, and even this pattern must adapt.
Patternfall also makes a note about the Vex that are alligned with Darkness: Sol Divisive of the Black Garden.
They are not all mine, not in the way that admirers such as my man Oryx are mine: utterly devoted to the practice of my principle. But some of them have, nonetheless, found their way home.
This specific page tells us that at least in some way, some sections of the Unveiling must be telling an objective truth, or at least be as close to the truth as possible. Barring any new reveals about the Vex, this seems to fit with what we know about them so it must be correct. The Vex are the way they are because they predate the universe and their existence in the universe right now is the only remnant of a time before time. They used to be the final shape, always, until paracausality was introduced and now they must fight with the rest of us to reclaim their position. This means that the allegorical garden where the Gardener and Winnower lived and fought must be in some way real. Remember, we are talking about a time from before the universe. The word "real" is a very loose description of that place, but the Vex must've come from there and possibly have a memory of being there so it there must be a "there" before the Big Bang. Mind boggling stuff going on. (As an aside, the Vex HAVE to be the core of The Final Shape expansion. They gotta. Also note that there is a weird metaphysical space on the other side of the portal)
Speaking of aspects that have to be true or at least reflect truth; there is the Tree of Silver Wings. This is mentioned throughout Unveiling as a tree that existed in the garden that was toppled when the Gardener and Winnower fought. The Tree is clearly real because we've seen iterations of it several times now. A completely new Tree was grown in the cradle on Io and now we can also see the Tree in Root of Nightmares, growing at the cradle on the Witness' Pyramid. The seeds of the Tree are also real; Osiris had one and so did Calus and we've seen both. How does the allegorical Tree from an allegorical garden from before the universe existed relate to the real Trees in a very real universe is completely unknown.
Page ten is a lot more attempts to convince us that the narrator is the correct choice to follow and that its philosophy is the winning one and that we should abandon the Gardener and join them. The narrator also tells us that we don't have rush with our answer because it is coming over to meet us anyway. This was the end of Shadowkeep so it was quite an ominous message. The Shadowkeep year ended with the arrival of the Black Fleet to our system and then was further expanded in Beyond Light where we gained a more direct contact with them and their gifts of stasis.
The final page, eleven, is Eris' message to us about hope and resistance to the allure of Darkness. Mind you that she's not talking about using aspects of Darkness as tools, but more about the philosophy of it as it's presented in Unveiling; you can use the Darkness without entertaining the Darkness and the philosophy of the extreme version of the sword logic.
Okay, so what's the issue between this and the Witness cutscene? Well, before the reveal of the Witness in general, we believed that the narrator of the Unveiling, the Winnower, is the big bad. The entity that is the origin of Darkness, the entity that made the Black Fleet, the entity that controls our enemies. This was never confirmed, but it was a reasonable conclusion to Unveiling, until further notice. Now we know that some parts of this aren't true. The Witness is the big bad and the Pyramids are just the remains of its species' technology. And while the Witness does fulfil some of the roles of the Winnower, we now know that the Witness is not the origin of Darkness so it cannot be the Winnower that's spoken of in Unveiling, not the Winnower that existed before the universe.
The Witch Queen and some hints here and there before that (mostly in the Presage mission where Savathun more or less explicitly told us that the Darkness is not the same as the entity that we're fighting against) introduced the Witness directly without any metaphors or vague language. We finally saw this being, in full glory, as it emerged, moved and spoke. From then until now, we've tried to understand the Witness but we really knew nothing substantial.
A lot of conversations were about the nature of the Witness and the Winnower, the narrator of Unveiling. Were they the same thing? Or are they separate entities? Is the Winnower even real or is it literally just a metaphor for a philosophy, an idea, that the Witness represents? There's always people who will immediately clamor about "retcons" but once again, the Unveiling was never an objective truth. We made assumptions about the Unveiling and its narrator, but none of those assumptions were ever confirmed in any way. This is also reflected in-game with characters discussing the meaning of the Unveiling in many different ways. Unveiling being unreliable and unclear was intended. The Witness existing does not contradict or remove Unveiling's significance. It just recontextualises and already unreliable text that was never objective to begin with.
And it continues to do so. The Witness cutscene first and foremost shows us the Traveler, curiously covered in dirt and depicted almost as if it's rising from the ground. The Witness' people are described as discovering it and naming it "Gardener." It then uplifted them, terraformed their world and gave them a golden age which is familiar to us.
But wait. If the Gardener is from a time before the universe, how is it now suddenly a dirt covered orb on a random planet? This is where the Unveiling being interpreted literally becomes a problem. If the Gardener (and Winnower) aren't from a time before the Big Bang and that whole allegory of a garden that existed before the universe is a lie, then what is the Unveiling and who wrote it and for what purpose?
I've seen a lot of good discussions on it that I'd like to highlight here. This post discusses things in a similar way to what I'm writing here, for example. Just a little while ago, I reblogged this interpretation of it which I really like which differs from this. There's been a lot of various similar theories in which the Witness has simply created this idea of the Winnower and the associated philosophy after it went through an existential crisis of catastrophic proportions; the Unveiling is simply entirely a lie, an attempt to make people believe the winnowing philosophy.
It's a good question to ask what of the story of the Vex and the Gardener if Unveiling is fully a lie. A really important note here is that we've known from other sources that the Traveler is the Gardener. Both from other characters, most notably in Lightfall from Osiris, but also from the Traveler itself and the Unveiling. So if Unveiling is bullshit, what about the Vex and the Gardener? Why did the Gardener even appear on the random planet from the dirt?
My theory is that Unveiling is partially correct. Something incomprehensible WAS happening before the universe existed; it involved forces that would end up becoming the Light and Darkness, the Gardener, the Vex and probably the Veil. This period of time is so abstract and unfathomable that we cannot physically understand it through anything but allegory. Some believe that the Veil now fulfils the role of the Winnower which is possible, but I'm not sure how likely; we will need even more information on the Veil to make that judgement call. Either way, Unveiling's myth about the origins of everything could still hold true in some regard. If that's true, we know that the Gardener made the new rule for the game (paracausality), caused the Big Bang and inserted itself into the new game (aka into the universe). The Gardener thus became the Traveler which it has refered to as being its body.
It feels like lead and neutronium and electroweak matter fashioned into a moon-sized ball that you must carry as you move.
The time before the universe wasn't physical, but the universe is. This body, the Traveler, had to have been made and it's possible that it was made on the Witness' planet. Perhaps that was one of the first planets in existence, a place where the Gardener forged its body and emerged into the existence as a physical being capable of terraforming. The Light is the domain of the physical so it makes sense that the Gardener has to utilise this physicality to be able to do its thing.
The Darkness is psychic; it's emotion, consciousness, the mind. It doesn't have to be physical. Perhaps the Winnower IS real, but it's simply a metaphysical idea that exists in the universe, but cannot be seen. It can influence others; everyone who ponders on the nature of existence runs the risk of being exposed to the idea of winnowing. It's inevitable. Every conscious being can be influenced by Darkness and it's many possibilities; some perfectly neutral or even good and some bad.
And the Witness' people went highly in-depth in their research of the Gardener and then later the Veil. If they were looking for answers to meaning and purpose, they would've likely come close to understanding the origin of the universe. Perhaps from the Gardener (who was there, before the Big Bang) or perhaps by exploring the Veil (which is, as of now, still fairly unknown as an entity) or maybe even the combination of their investigation into both of those. There's some credence to this in particular, given the memory from Ahsa in week 3, mainly this part:
Two halves of a whole... long divided. A... schism between them. Reunited. [exhales in joy] A glimpse beyond... to the beginning...
This most certainly refers to the Traveler and the Veil being reunited and connected as the Witness' people attempted the connection for the first time. And it offered them "a glimpse beyond to the beginning." Beginning of what if not the universe? The connection was never fully realised and the two were never fully reunited. But they were in Lightfall and in Lightfall, this created a portal to an incomprehensible realm into which nobody but the Witness can enter (for now). This realm acts as if it exists somewhere outside of normal spacetime, somewhere beyond, and it resembles... well, a garden world, like a garden from the allegory of existence before the universe.
If the Witness' people saw how the universe began as explored in the Unveiling, they would've absolutely come to the conclusion that everything is meaningless and that the Gardener did something that led to untold suffering, basically on a whim to seek more complex, but ultimately pointless life. Instead of this perfectly ordered garden world where every outcome is known and there is no deviation from the rules, we received a universe that is seemingly random, chaotic and meaningless. At least that would be the interpretation of it in their mind.
The Gardener could've just let things play out infinitely in the game with the same outcome, with the same pattern, but it didn't. It made the universe instead, filled with infinite mysteries and infinite possibilities and you will never know which one of those possibilities are "correct" and which choices are better than others. You will never know where to go and who to follow and what to do and there is no inherent value to any specific choice you make. Countless species will live and die "without meaning and purpose."
This was terrfying to the Witness' people, possibly exactly because they've seen how things were before. Before the Gardener's actions, everyone would have a specific purpose to fulfil in service of reaching the final shape which is always the same. Now, there is no goal, nothing to work towards, nothing to specific to strive for. So they decided to follow the philosophy of an entity that fought the Gardener and take up its job; to winnow in search for the final shape. To reshape reality, reset existence, "free" the Gardener from its own creation.
In that way, Unveiling is still very much true and it's the same as ever; it's a subjective interpretation of the origins of the universe told in a biased nature by a being that learned to despise the chaos of existence and would want to return to the way things were before.
So who wrote the Unveiling then? Again, many theories. Since the Witness' reveal in WQ, a lot of people speculated that the Witness wrote it and that the Witness is same as the Winnower. That could be true now, in a way; the Witness took up the mantle of the Winnower so it might as well be it. The Unveiling is written with a tone and voice that differs from how we know the Witness, but now we also know that the Witness is a being of billions; perhaps there is a voice in there who writes text and who speaks that way. It could also be just a ruse; the Witness is a manipulator who lies constantly. It could've written this text in this way to deliberately confuse, manipulate and coerce us; the Unveiling "tone" is fake and it was also fake when it spoke to Oryx.
Another option is that Unveiling was still written by the entity we know as the Winnower. If the Winnower is the origin of Darkness, coming from the garden from before the universe, then it is metaphysical; it's in the mind and consciousness. It doesn't need a body or to be fully physical. It can influence and talk and BE simply by being the origin of consciousness. Every conscious being can access the Winnower. The Winnower is every idea that leads to predation and killing and death. It's every thought and dream and memory and pain. It could've touched the Witness' people and pushed them to adopt its philosophy when they went too far with their research and especially when they connected to the Veil. It could've tried doing the same to us, when we connected to the Darkness artifact in a Pyramid at the end of Shadowkeep.
There is also the angle that the tale from Unveiling is literally entirely untrue. There was nothing before the universe existed. The description of the Vex was the Witness' attempt to understand how they function, or a piece of truth added to make the rest of the text seem correct to those that read it. The myth of the garden and the two entities fighting could be an attempt to give meaning to how everything started, giving a reason to pursue the Traveler and feel justified doing it.
The main point here is that we don't know and we might never know given the incredibly allegorical and mythologised way that Unveiling is talking about something that is incredibly hard to conceptualise in the first place. An interesting bit to add here is the concept of egregore:
Egregore (also spelled egregor; from French égrégore, from Ancient Greek ἐγρήγορος, egrēgoros 'wakeful') is an esoteric concept representing a non-physical entity that arises from the collective thoughts of a distinct group of people.
It's not an accident that egregore in Destiny is a physical manifestation of psychic connections that links points of Darkness together. It comes from this originally; basically if enough people think about the same thing or believe in the same thing, they will create an "egregore" = their thought or belief will spawn a non-physical entity associated with that thought or belief. In that sense, the Witness' people may have created the Winnower when they all united in thinking about how the universe is meaningless without a Winnower. The Winnower is an egregore created by the Witness' people and the belief in this egregore manifests physically as the egregore fungus which infests and links everyone who believes in the Winnower. Perhaps, even, if the Winnower is that egregore, something created by the first beings that ventured that far into metaphysics and then it retroactively became tied to the universe. Once the Winnower was created, the Witness' people tried explaining where it fits into the universe, constructing an origin myth around it. Perhaps they weren't aware that they manifested the Winnower, and believed that they simply discovered it and that the origin myth they constructed was them learning some bigger truth.
There are issues and questions with any of these explanations and they all go into super abstract possibilities and options. If the garden before the universe is entirely a myth, then what of the Gardener and the Vex and the Tree of Silver Wings? If there's truth to how the universe began, what about the Witness being simply a species that got uplifted and went mad with horrors of knowledge? Was the Winnower real in the garden before time or is it merely something conjured from the minds of a people who wanted purpose and meaning?
Furthermore, what about Inspiral, the raid lore book whose last two pages are very reminiscent of the Unveiling, reference it and function almost like extra two pages for it? Inspiral is particularly strange because each page starts with a description of a being that left its memories in the book. First of the final two pages, Meaning, describes its narrator as:
A dream of a metaphor made starkly, an allegory discussed in study of ontology, in Darkness not unkind. It leaves behind a warped, barely-real data fragment to mark its passing.
And the second, Winnowing:
A dream of a friendly conversation with someone impossible to see, cloaked in shadows. It leaves behind an impossible data fragment to mark its passing.
Neither of these descriptions fit the Witness. The Witness is not a metaphor or an allegory, nor is it "barely-real." It is also not "impossible to see" nor does it leave behind "impossible data." The Witness is very much real, though clearly ascended into a state of being beyond our comprehension, but we can very much hear it and see it. The cutscene very clearly explains that the Witness began as just another species and achieved a higher existence; it's not some weird mystical energy that originated before the universe began. Most of all, the Witness is neither kind nor friendly.
The only metaphor and allegory is the garden from before the universe and the Gardener and the Winnower that fought in it. The Gardener manifested as the Traveler, but the Winnower is unknown to us. These two pages read, again, almost exactly the same as Unveiling and they bear no resemblance to the Witness, neither in tone nor in the description of their narrator(s). Obviously, it could be lies and manipulations on purpose which is something to keep in mind in general.
But the page Meaning very clearly makes a distinction between two entities:
There is a voice that echoes across the Darkness, and it asks this question: what is the purpose of it all? And there is another voice that calls back and says: listen, I will tell you a purpose. I will tell you of a Final Shape.
After seeing the cutscene, the first sentence could obviously refer to the Witness' people. They sought purpose and meaning. The second specifies that something answered, something else, when they dug deep into the Veil. Did that something exist on its own, predating the Witness, or did the Witness create it, like an egregore? Either way, the Witness inquired and something returned the call OR the text is referring to a generalised idea of anyone exploring the Darkness, asking that question and then getting a reply from the Winnower, which is a creation of the Witness.
On the other hand, there's the issue of the Darkness being a much more complex phenomenon than we've previously believed. If the Winnower is the origin of Darkness, then would it not represent ALL of Darkness? As of right now, both Unveiling and Inspiral pages that we might be able to attribute to the Winnower are distinctly focused only on the sword logic aspect which fits more with the Witness. The Witness and its pawns have extermined species that also used the Darkness, in different ways. Would the Winnower not acknowledge the entirety of Darkness? This issue can be better solved if we insist that the Witness is what invented or manifested the Winnower and its ideology. Darkness is more than winnowing, that's for sure, but the Witness and its manifestation of the Winnower are focused only on winnowing.
Some more concrete answers may lay in our understanding of the Veil. We're beginning to gather more information about this entity and the cutscene itself shed some light on it as well. The Veil was connected to the Traveler, always, even before the Witness' people found it. It was not near the Traveler, but instead somewhere far away where the Witness' people had to fly to in order to bring it back. Some already believe that the Veil is the Winnower or a product of it; that the Winnower and the Gardener were these abstract entities in the garden before the universe and then became the Veil and the Traveler post-Big Bang, but still connected.
The truth is that this is a highly complicated concept to think about, explore and explain. The Unveiling could be one being's attempt to explain how the universe began and it could be true or it could be false. Nothing in the cutscene explicitly tells us either way, nor does it render the Unveiling useless (and it also doesn't render it a word of god).
The science and philosophy about the origin of the universe are unknown in real life and will probably remain unknown in Destiny. To expect a fictional story to accurately and unambiguously tell us how the universe began is to expect A LOT. The only ones that could truly maybe tell us are the Traveler (Gardener) and the Veil. The question is, would we be able to withstand knowing something like that. Many who peered into the Veil have lost their minds and the Traveler does not speak of things like that because divulging such information would inevitably put someone on a set path. To know everything is to lose choice. You know exactly where to go, how, when and why, as well as what will happen when you get there. The Gardener wants us to make our own fate and it wants the universe to not lead into any specific outcome.
This is some of the most bizarre and wild high concept scifi stuff we've ever had in Destiny. I don't expect us to solve it so quickly after major new information has been revealed and there's still a lot more to find out. This is a really exceptionally long dive into some of the theories and options. A lot of people don't like this type of unreliable philosophical conundrums and would much rather just prefer to be told the facts. And I don't think we'll ever know facts about these topics in a way that would make them easy to digest. Unveiling might one day be fully explained in a way that will allow us to construct the true history of the universe and its origins, but it might also not be. Perhaps it will remain a perpetual mystery to force to wonder about these concepts.
I'd personally prefer a little bit of mystery to remain; for both us and the Witness to forever wonder what was the meaning of it all, what was our purpose, have we chosen it "correctly" and what our choices could've led to if we've done things differently.
87 notes · View notes
layla-carstairs · 1 year
Text
I love the detail of characters like Will still saying "dear God" and not by the angel or something. it's relatively minor but it's such a good little reminder that he grew up as a mundane & not a shadowhunter
116 notes · View notes
clownprince · 1 year
Text
Don't get me wrong I ADORE the Endgame finale it is beautiful and so heartbreaking. But personally I just think it would be so funny and so upsetting if it was like. Joker kills Batman and then almost immediately has a panic attack / mental breakdown about it and promptly shoves his ass in the dionesium
117 notes · View notes
mamawasatesttube · 10 months
Text
the thing about aroace bart and qp konbart is that. AAAAAAAAAAA
65 notes · View notes
seitsukino · 8 months
Text
also hate how they made aang a bad father. HATE IT SO MUCH. it unfortunately makes sense but why katara too??? bryke tries so hard to make us believe kat.aang is the superior couple so then why do this????
32 notes · View notes
brittlebutch · 8 months
Text
forgive any incomprehensibility but the notion that the world can be cleanly split between the two immutable categories of 'the neurotypical' and 'the neurodiverse' ignores the reality that any person can at any point for any reason be arbitrarily 'diagnosed' by a 'professional' and shuttled between categories with no regard for the notions of 'accurate traits' or 'specific symptoms'. nice dichotomy what lies outside of it? you understand me?
40 notes · View notes