Clarence Muse (October 7 or 14, 1889 – October 13, 1979), actor, director, and writer.
The first black director of a Broadway show and the first African-American to "star" in a film - Clarence Muse Center, Perris, CA
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Safe in Hell
The plot may be utter nonsense, but William A. Wellman’s SAFE IN HELL (1931, Criterion Channel, TCM) is so visually distinctive and features such good performances by Dorothy Mackaill, Nina Mae McKinney and Clarence Muse it’s almost irresistible. Mackaill is a prostitute because after her former boss (Ralf Harolde) raped her she couldn’t get another job. When a procurer (Cecil Cunningham in a brief, vivid bit) sends her off on a job, it turns out to be Harolde. She fights him off, accidentally starting a fire in which he’s reported dead, so her childhood sweetheart (Donald Wood) sneaks her to a Caribbean island with no extradition treaty where she’s surrounded by other criminals “safe in hell.” There she falls prey to a crooked local jailer (Morgan Wallace) who hides Wood’s letters and support payments from her, and her life just goes downhill from there. Wellman and cinematographer Sidney Hickox throw in some impressive camera angles to keep things humming and a lot of shots of mirrors to reflect Mackaill’s divided nature. And she pulls off an impressive job of playing the tough cookie when she has to and letting her vulnerable side come through in places. Most notable is the treatment of McKinney and Muse, the only decent people in the film. Although their roles were originally written in stereotyped black dialect, they speak perfectly on screen, and Muse even has an impeccable British accent. McKinney also gets one of the film’s best closeups, has some remarkably fresh line readings and introduces the jazz standard “When It’s Sleepy Time Down South.”
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Polly Ann Young-Bela Lugosi-Clarence Muse "El fantasma invisible" (Invisible ghost) 1941, de Joseph H. Lewis.
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Apache Drums (Hugo Fregonese, 1951)
Apache Drums (Hugo Fregonese, 1951)
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Lindy: I'm so tired of you running off at your mouth it's getting me down honey. Why don't you just leave? And be an assassin? Or is the only thing you're good at shooting off is your big mouth?
Duane: Will you please get out of my face you sorry looking faggot.
Lindy: Who you calling sorry looking?
[Everybody laughs]
Duane: Can't ya'll see "she" aint funny?
[laughter stops]
Duane: She's just another poor example of how the system is destroying our men.
Lindy: Honey, I'm more man than you'll ever be and more woman than you'll ever get.
Car Wash is a 1976 American comedy film released by Universal Pictures. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film stars Franklyn Ajaye, Bill Duke, George Carlin, Irwin Corey, Ivan Dixon, Antonio Fargas, Jack Kehoe, Clarence Muse, Lorraine Gary, The Pointer Sisters, Richard Pryor, and Garrett Morris. Originally conceived as a musical, Car Wash is an episodic comedy about a day in the lives of a close-knit, multiracial group of employees at a Los Angeles, California car wash and their boss, Leon "Mr. B" Barrow
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A foursome of famous stage and screen stars at the party given by Alan Mowbray. Pictured: Mowbray, Clarence Muse, Bill Robinson, and Pat O'Brien. (Original Caption)
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Two Smart People
Two Smart People combines the best of film noir, crime caper and romance in this little gem with Lucille Ball, John Hodiak and Lloyd Nolan.
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White Zombie | Episode 387
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White Zombie | Episode 387
Jim looks at a 1932 Bela Lugosi Horror Classic from Halperin Productions – “White Zombie,” Starring Lugosi, Madge Bellamy, Joseph Cawthorne, Robert W. Frazier, John Harron, Brandon Hurst, George Burr Macannan and Clarence Muse. A Haitian plantation owner sets hi sights on a young woman and has her turned into zombie to have her to himself. Find out more about this first zombie film on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
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