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whileiamdying · 7 months

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THE SCREEN: “Mae West Reveals Herself as a Circus Queen in “I’m No Angel” at the Paramount—Saturday's Millions”

I'M NO ANGEL, based on a story by Mae West and supported by Lowell Brentano; music and lyrics by Harvey Brooks, Gladys Du Bois and Ben Ellison; directed by Wesley Ruggles; a Paramount production. At the Times Square and Brooklyn Paramounts.

Tira .... Mae West Jack Clayton .... Cary Grant Bill Barton .... Edward Arnold Slick .... Ralf Harolde Alicia Hatton .... Gertrude Michael Kirk .... Kent Taylor Thelma .... Dorothy Peterson Benny Pinkowitz .... Russell Hopton Beulah .... Gertrud Michael The Chump .... William Davidson Rajah .... Nigel de Bruller Bob .... Irving Pichel Omnes.... George Bruggeman Harry .... Nat Pendleton Chauffeur .... Morrie Cohen Judge .... Walter Walker

by MORDAUNT HALL.

Arrayed in a variety of costumes which set off her sinuous form, Mae West is appearing at the Paramount in her latest screen vehicle, "I'm No Angel," a title which, as might be surmised, fits the leading character. Here Miss West, who wrote the story herself from “suggestions contributed" by Lowell Brentano, is beheld as a circus beauty named Tira, who wins applause and admiration by risking her blond head in a lion's mouth twice daily.

It is a rapid-fire entertainment, with shameless but thoroughly contagious humor, and one in which Tira is always the mistress of the situation, whether it be in the cage with wild beasts, in her boudoir with admirers or in a court of law.

Tira is ever ready with & flip double entendre and' she permits no skeleton to be found behind her cupboard doors. She has an emphatic personality, which proves a magnet for even social lights with millions. She receives costly presents, Including diamond necklaces, but she is hardly a gold-digger. She refrains from posing, preferring to keep to her natural slangy speech in her journey through the story from a tent to a penthouse.

She admits that she has thrown discretion to the winds, and she sometimes finds herself in an awkward predicament, but through a wily lawyer she succeeds in proving that she is guiltless. The feeble parts of this picture are those in which a criminal known as Slick is introduced. The less one sees of him the better one feels, for the production is interesting only as long as it proceeds on its merry route.

The glimpses of Tira making her impressive entry to the circus arena and then proceeding to the big cage with the roaring lions are depicted shrewdly. Tira does not actually stick her whole head in the lion's mouth, but contents herself by putting her face between the beast's jaws, which is quite enough.

Even this is set forth with a certain degree of fun, and one feels that Tira probably has a pistol ready for an emergency and that other circus employees are ready to shoot in the event that the beast starts to close its mouth. But one is apt to wonder whether they could possibly be quick enough. Society among the spectators is thrilled, all except one snobbish girl, who is furious because her fiancé is very enthusiastic over the performer's courage-and her beauty.

Later there comes the time when Tira puts her fair head into a court of law as the plaintiff in a breach-of-promise case. She sues Jack Clayton, whom she really loves, for $1,000,000, and it is not Tira's artful counsel who wins the case, but the circus queen herself. She cross-examines the defendant's witnesses and turns their testimony in her own favor, the unusual proceeding being countenanced by a judge whose sympathy Tira wins with the utmost ease.

Miss West plays her part with the same brightness and naturalness that attended her second film role. There is no lack of spontaneity in her actions or in the utterance of her lines. She is a remarkable wit, after her fashion. Cary Grant is pleasing as Clayton and Walter Walker is excellent as the considerate old judge. Gregory Ratoff does well as Tara’s lawyer. Wesley Ruggles has directed the film with his usual intelligence.

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streamondemand · 1 year

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'Safe in Hell' – Dorothy Mackaill takes refuge on HBO Max

The Hollywood films of the early 1930s pushed the limits of what was permissible to show on screen and few directors used that freedom as well as William Wellman. Her directs the pre-code drama Safe in Hell (1931), a kind of B-movie riff on Sadie Thompson (the original bad girl in the tropics melodrama), with a merciless brutality. It stars the largely forgotten Dorothy Mackaill as Gilda, a…

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#1931 #Blu-ray #Charles Middleton #Clarence Muse #Donald Cook #Dorothy Mackaill #DVD #Gustav von Seyffertitz #HBO Max #Morgan Wallace #Nina Mae McKinney #Ralf Harold #Safe in Hell #VOD #William Wellman

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byneddiedingo · 6 months

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Dorothy Mackaill in Safe in Hell (William A. Wellman, 1931)

Cast: Dorothy Mackaill, Donald Cook, Ralf Harolde, Morgan Wallace, John Wray, Ivan Simpson, Victor Varconi, Nina Mae McKinney, Charles Middleton, Clarence Muse, Gustav von Seyffertitz, Noble Johnson, Cecil Cunningham, George F. Marion. Screenplay: Joseph Jackson, Maude Fulton, based on a play by Houston Branch. Cinematography: Sidney Hickox. Art direction: Jack Okey. Film editing: Owen Marks.

Seamy and salacious, Safe in Hell is sometimes cited as an example of what finally scared Hollywood into accepting the Production Code, except that you could hardly find a more conventionally moral fable than this tale of a call girl who gives up her sinful ways when her sailor comes back from sea and proposes marriage. Unfortunately, the man who done her wrong intervenes and Gilda (Dorothy Mackaill) is forced to flee to a Caribbean island populated mostly by men of the wrong sort. Still, she manages to hold on to her renewed virtue and rise to self-sacrificing heights at the end. Mackaill is terrific in the role, making me wonder why she's not well-known today. It's probably because most of her work was done in silent films and she was turning 30 when sound came in, putting her at a disadvantage against younger actresses like Bette Davis and Barbara Stanwyck when it came to landing lead roles. Director William A. Wellman had a steady hand with this kind of tough-edged melodrama, introducing touches of comedy like the crowd of lecherous barflies who live in the hotel Gilda moves into while waiting the return of Carl (Donald Cook), her sailor. When she moves into her room on the balcony at the top of the stairs, they turn around their chairs to face it, eager for whatever action may occur. They're not disappointed: Piet Van Saal (Ralf Harolde), the man she thought she killed, forcing her to flee to the island, turns up alive, and the island's lawman, its "jailer and executioner" in his words, the unsavory Mr. Bruno (Morgan Wallace), also takes an interest in her. It's a middling movie, mostly of historical interest, particularly in the appearance of two important Black actors, Clarence Muse and Nina Mae McKinney, in roles that don't call for them to kowtow too much to the whites or speak the standard dialect concocted for Black people in the movies. McKinney, best known today for her performance as Chick in King Vidor's Hallelujah (1929). gets to introduce the song "When It's Sleepy Time Down South," which became a jazz standard when Louis Armstrong popularized it. Muse, who plays a hotel porter, was one of its composers, along with Leon René and Otis René.

#Safe in Hell #William A. Wellman #Dorothy Mackaill

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deafeningwhispersphilosopher · 1 year

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10 Pinterest Accounts To Follow About Nardi Alpfa Chaise Lounge

When it comes to outside furniture, you wish something that will stand up to the elements and keep looking nice. Unfortunately, there are various completely different factors that may cause harm to your outside patio and Nardiden furniture, together with sun rays, rain, dust, and rust.

Grosfillex incorporates a history of research and development of innovative industrial merchandise, that nardi alfa specialize in new materials and technologies. They're committed to providing foodservice, hospitality, and institutional professionals with smart and sturdy furnishings that feature the performance, vogue, and comfort they need return to expect at a competitive worth. They continue to evolve their designs based on their long-standing passion for the commercial market.

Founded in 1990, Nardi Nardiden is one of the leading Italian outside furniture manufacturers. Located in Vicenza, they have distinguished themselves from the beginning by producing trendy, innovative furniture that is based mostly on high-quality standards.

Nardi out of doors pool and patio furniture uses resin to provide commercial-grade chaise lounges, tables and chairs that are designed to stand up to the weather. These pieces are ideal for hotels, glamping sites and resorts worldwide.

These bases can be purchased in a very selection of styles and are usually compatible with most center pole umbrellas. Floor mounts are the most widespread, however wall mounts are accessible furthermore.

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Customization

Meridiani features a massive showroom in the Miami Style District with lots of area to display their best furniture styles and lighting product. Their signature pieces include the Harold sofa, Bongo and Ralf low tables and Ludwig storage element.

The simplest manner to find eco-friendly furniture is to seem for stores that specialize in sustainable products. These stores use reclaimed or recycled materials to supply their things. A number of these firms even reuse flawed or broken wood items to create durable furniture.

Seaside Casual Furniture

One way is to coat your metal pieces with an anti-corrosion coating. A coating will facilitate keep your metal pieces from deteriorating, and it will additionally extend their lifespan by protecting them from moisture and chemicals.

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They turn out a big selection of commercial furniture for restaurants, hotels, and different business institutions. The company’s mission is to provide their customers with the best wood furniture at reasonable prices.

#Youtube

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ozu-teapot · 2 years

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Murder, My Sweet | Edward Dmytryk | 1944

Otto Kruger, Dick Powell, Mike Mazurki, Ralf Harolde

#Otto Kruger #Dick Powell #Mike Mazurki #Ralf Harolde #Edward Dmytryk #Murder My Sweet #1944 #Noirvember

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letterboxd-loggd · 1 year

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Safe in Hell (The Lost Lady) (1931) William A. Wellman

May 16th 2023

#safe in hell #the lost lady #1931 #william a. wellman #dorothy mackaill #donald cook #ralf harolde #nina mae mckinney #morgan wallace #charles middleton #clarence muse #john wray #ivan f. simpson #victor varconi #cecil cunningham #gustav von seyffertitz #lady from new orleans #pre-code

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fourorfivemovements · 3 years

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Films Watched in 2021:

64. Smart Money (1931) - Dir. Alfred E. Green

#Smart Money #Alfred E. Green #Edward G. Robinson #James Cagney #Evalyn Knapp #Ralf Harolde #Noel Francis #Margaret Livingston #Maurice Black #Billy House #Boris Karloff #Films Watched in 2021 #My Edits #My Post

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wqp88888 · 2 years

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Nickname

Abbreviation

Proper Name

Abe

Abrm

Abel, Abraham, Absalom

Abner

Abraham

Addy, Atty

Adam

Albert, Allan, Allen, Alfred

Alec, Alex, Alick, Ally

Alexander

Alf

Alfred

Andy, Andie

Andrew, Alexander

Archie

Archibald

Arnie

Arnold

Art

Arthur

Baldie

Archibald

Barnie, Barney

Barnabas

Bart

Bartholomew

Ben

Benjn

Benedict, Benjamin, Ebenezer

Benezer

Ebenezer

Bern, Bernie

Bernard

Bert, Bertie

Albert, Bertram, Cuthbert, Egbert, Halbert, Herbert, Hubert, Lambert, Osbert

Bill, Billie

William

Bob

Robt

Robert

Bram, Bramley

Abraham

Cal

Caleb

Charlie, Chuck (American)

Chas

Charles

Chris

Xian, Xopher

Christian, Christopher

Clem

Clement

Cliff

Clifford

Colin

Nicholas

Cuddie, Cuddy

Cuthbert

Cyprian, Cyril, Cyrus

Dai, Dave, Davie

David

Dan, Danny

Danl

Daniel

Dand, Dandie

Andrew

Daniel

Donald

Derick

Frederick

Des

Desmond

Dewi

David

Dick

Ricd

Richard

Dixon

Benedict

Dobb

Robert

Dod, Doddy

George

Dodge

Roger

Dom

Dominick

Don, Donnie

Dond

Donald

Daniel

Doug

Douglas

Drew

Andrew

Dump

Humphrey

Duke

Marmaduke

Eben

Ebenezer

Ed, Eddie

Edgar, Edwin

Ed, Eddie

Edwd

Edward

Ed, Eddie

Edmd

Edmund

Eli

Elliot, Elias, Elijah

Elmo

Erasmus

Eph

Ephraim

Erik

Frederick

Ern

Ernt

Ernest

Ewen

Owen

Frank, Frankie

Fras

Francis

Fred

Fredk

Alfred, Frederick

Gabe, Gaby

Gabriel

Gary, Garret, Garth

Gareth, Gerard

Ged

Jedidiah

Gene

Eugene

Geoff, Giff

Geoffrey, Jeffrey

Geo

George

Gerard

Jarrett

Gerry

Gerald, Gerard

Gervase

Jarvis, Jervise

Gib

Gilbert

Gord

Gordon

Gorry

Godfrey

Greg

Gregory

Guido

Guy

Gus

Angus, Augustus, Gustav

Hab

Herbert, Robert, Halbert

Hal

Harold, Henry

Hank (American)

Henry

Hank (English)

Hankin

Harry

Harold, Henry

Heck

Hector

Henery, Henrie

Henry

Hez

Hezekiah

Hick, Hitch

Richard

Hodge

Roger

Hobb, Hop, Hopkin

Robert

Hy (American)

Henry

Ike

Isaac

Izzy

Isadore

Jabe

Jabez

Jack

Jno

John

Jake (American)

Jacob

Jamie, Jim

Jas

James

Jarrett

Gerard

Jarvis

Gervase, Jervise

Jed

Jedidiah

Jeff

Jeffrey, Geoffrey

Jerry

Jerh

Jeremiah

Jerry

Jery

Jeremy

Jerry

Jere

Jerome

Jon

Jonn

Jonathan

Joe, Joey

Josh

Joseph, Josiah

Jock

John, or any Scotsman

Josh

Joseph, Joshua, Josiah

Ken

Kenneth

Kit

Christopher

Larry

Laurence, Lawrence

Lem

Lemuel

Len

Leonard

Leo

Leopold

Les

Leslie

Lew, Lou

Lewis, Louis

Mac

Malcolm

Manny

Emanuel, Immanuel, Manuel

Matt

Matthew

Max

Maximilian, Maxwell

Mickey, Mike, Miles

Michl

Michael

Monty

Montague

Morie

Maurice, Morris

Nab

Abel, Abraham

Nat, Nate

Nathl

Nathan, Nathaniel

Ned, Neddy

Edward

Nick

Nichs

Dominick, Nicholas

Nobb

Robert

Noll

Oliver

Norm

Norman

Numps

Humphrey

Nye

Aneurin

Owen

Ewen

Oz, Ozzie

Oswald, Oscar, Osbert, Osmund

Paddy, Pat

Patrick, or any Irishman

Perce, Percy

Percival

Perrin

Peter

Perry

Peregrine

Pete

Peter

Phil

Philip, Theophilus

Phippin, Pip

Philip

Rab, Rabbie

Robert

Rafe, Ralf, Rauf

Ralph

Randy

Randell, Randolph

Ray

Raymond

Reg, Reggie, Rex

Reginald

Rich, Rick

Rd, Ricd

Richard

Rob, Robin

Robt

Robert

Rod

Broderick, Roderick, Rodney

Rolf

Ralph

Rolley

Roland, Rowland

Ron, Ronnie

Ronald

Rory

Roderick

Rube

Reuben

Rudy

Rudolph

Russ, Rusty

Russell

Sam, Sammy

Saml

Samson, Samuel

Sacha, Sandy

Alexander

Seb

Sebastian

Sepp

Joseph

Si, Sy

Josiah

Sid, Syd

Sidney, Sydney

Sim, Sym

Simon, Symeon

Solly

Solomon

Stan

Stanley

Steve

Stephen, Steven

Stew, Stu

Stewart, Stuart

Taddy

Adam

Taffy

David, or any Welshman

Ted, Teddy

Edward, Theodore

Terry

Terence

Thad

Thadeus

Theo

Theodore

Tim, Timmy

Timothy

Toby

Tobias

Tolly

Bartholomew

Tom, Tommy Thos Thomas

Tony Anty Anthony

Val

Valentine

Vic

Victor

Vince

Vincent

Vib

Vivian

Waldo

Oswald

Wally

Wallace, Walter

Walt, Wat

Walter

Wes

Wesley

Wido

Guy

Wilf

Wilfred

Will, Willie, Wilkin Wm, Willm William, Wilbur

Zac, Zach, Zack

Isaac, Zachary

Zac, Zach, Zack Zachh, Zachs Zachariah, Zacharias

Zeb

Zebulon, Zebediah, Zebedee

Zeke

Ezakiah, Ezekiel

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timeless-hollywood-classics · 3 years

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I’m No Angel (1933)

Tira (Mae West) shimmies and sings in the sideshow of Big Bill Barton's Wonder Show, while her current boyfriend, pickpocket "Slick" (Ralf Harolde), relieves her distracted audience of their valuables for Big Bill (Edward Arnold). One of the rich customers, Ernest Brown, arranges a private rendezvous, during which Slick barges in and attempts to run a badger game on the customer. The customer threatens to call the cops, so Slick whacks him over the head with a bottle. Mistakenly thinking he has killed the man, Slick flees, but is caught and jailed.

Fearing that Slick will implicate her, Tira asks Big Bill for a loan to retain her lawyer, Bennie Pinkowitz (Gregory Ratoff). He agrees on condition that she does her lion taming act, which includes putting her head into the mouth of one of the beasts, promising her that it will get her (and him) to the "Big Show". It does. (West did some of her own stunts, including riding an elephant into the ring.[citation needed])

Tira's fame takes her to New York City, where wealthy Kirk Lawrence (Kent Taylor) is smitten, despite being engaged to snobbish socialite Alicia Hatton (Gertrude Michael). He showers her with expensive gifts. Kirk's friend and even richer cousin, Jack Clayton (Cary Grant), goes to see Tira to ask her to leave Kirk and his fiancée alone. He ends up falling for her himself. Tira and Jack’s romance leads to a wedding engagement.

Tira tells Big Bill she is quitting to get married. Unwilling to lose his prize act, he has Slick, recently released from prison, sneak into Tira's penthouse suite, where Jack finds him in his robe. As a result, Jack breaks off the engagement. Tira sues Jack for breach of promise. The defense tries to use her past relationships to discredit her, but the judge allows her to cross examine the witnesses herself and in doing so she wins over not only the judge and jury, but also Jack. Jack agrees to give her a big settlement check. When he goes to see her, Tira tears up the check, and the two reconcile.

#mae west #cary grant #edward arnold #gregory ratoff #kent taylor #gertrude michael #classic hollywood #classic movie stars #golden age of hollywood #old hollywood #pre code #classic cinema #classic movies #classic comedy #1930s cinema #1930s movies #1930s hollywood

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classic-laugjhing-hollywood · 3 years

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I’m No Angel (1933)

#mae west #cary grant #edward arnold #gregory ratoff #kent taylor #gertrude michael #classic hollywood #classic movie stars #golden age of hollywood #pre code #classic comedy #classic movies #classic cinema #1930s movies #1930s cinema #1930s hollywood

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tomasorban · 4 years

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FRACTAL DHARMATA & UNIVERSAL HYPER-INTELLIGENCE

Our rediscovery of the accurate 3D Dharmata geometry is based on the novel Timewave discovery of Novelty Theory, visionarily rediscovered by ontologist Terrence McKenna, initially in the 1970s.

The Timewaves’ typological morphology has been acredited by UCLA scientist and mathematician, professor Ralf Abrahams (A Chronology Of Time), as the fractal symmetry of the ontological morphology of time itself.

The Timewave verified to be an accurate cartography of time’s temporal wave architecture within the atomic clock observation measurements made by Los Alamos Laboritory physicist, Dr. Sheliak. The temporal behavior within the scale of the ATOMIC clocks, behaved accordingly to the Timewave-1 graph topology…

Thus, Puharich’s assertion to the ATOM’s nucleus MM force within the proton, to be following fractal electric/magnetic charge, which he also relates to the Mandlebrot set — is clearly here highlighted for the very first time. Especially when we understand the relation between the Timewave, Dharmata, and the mandlebrot fractal, as follows…

This leads us to our findings… By tracing the complete Timewave graph into 3D computer animation software; replicating the design 180° in mirror symmetry; and then rotating this into 3 dimensions, the beautiful and remarkable precise morphology of the Dharmata was resurrected from the catacombs of antiquity. Dharmata’s shape is traced by the Mandlebrot fractal symmetry outline.

Before Leonardo Da Vinci’s version of this mandelbrot fractal design within his Leicester Codex, he was preceeded by several hundred years in the remarkable labour undertaken by Monk Udo of Achen, who spent 9 years calculating the accurate Mandlebrot set which he called Divinitas (“Godhead”), rather than using Abacus, he utlised the Vedic mathematics of ‘algorythm’ calculations that utilised the Vedic arabic numerals (based on Brahmi-script), (The forgotten genius of Udo von Aachen", Schipke, R.J. and Eberhardt, A., Harvard Journal of Historical Mathematics, 32, 3 (March 1999), pp 34-77), which itself is derived from Vedic mathematics. He depicted it as the star of Bethlehem.

The Timewave, also appears to be the accurate morphology of the full permutation of the DNA genom (by the implication of Dr. Martin Schönberger’s accademically impeccable I-Ching and The Genetic Code: The Hidden Key To Life). Thereby, the fractal MM fields of the hadronic force in the proton, through 8hz electrolysis of water, producing the amino acids and full proteins in the very same fractal symmetry as itself… which itself is the complete permutation of the DNA code, is extraordinary…

That is: proteins “Made in the Image of its Creator,” the organising 27D Hadron through its MM fractal symmetry… and which turns out to be the symmetrical geometry of the full permutation of the DNA codon language.

Thereby, giving a fractal (self-similar, self-organising, self-reflective/conscious), hyper-topology of the All-One Macro nature of the hadron’s hyperdimensional unified hypercharacteristics... The hadronic mechanic’s Macro Irreversible Hyper-Organisation of all life.

Thereby: the hyper-morphology of indivisible wholeness that is all-one Hyper-Intelligence — HTI: Hyper-Temporal/Hyper-Terrestrial Intelligence.

UNIVERSAL LANGUAGE OF LIFE

Thus, some initial major decipherments of the Universal Language orchestrated by the Hadronic-Intelligence Hyper-Organisation of Life, have been decrypted, self-embedded and axiomatic within the very cipher codes of life itself, and within the very heart fields of proto-matter (proton-matter proper).

Hereby, we have identification of the fractal Universal Language composed of a hadronic hyper-semantics that has seamless axiomatic similitude in its linguistics between the fractal design of the code of life and the fractal geometry of the MM force comprising the alphabet of all the periodic elements that composit the universe…

Same fractal semantics as the DNA life code and the organising fractal force in the heart of all the periodic elements that built the universe… And the application of one (the fractal MM within the proton), upon the element water (by 8hz electrolysis), produces living complex amino acid chained proteins that grow according to the fractal Dharmata/Mandlebrot image/symmetry, that is the characteristics of the MM proto-force in the atomic heart; and which is also the fractal image of the entire ontological morphology of the DNA code, itself a composite of amino acids…

Talk about Self-Organisation, Self-Reflection, Self-Similarity… The same, self-similar, universal All-One Mind-Heart — the indivisible unity between the, so called, inanimate and the animate (such a consequence is also objectively established by hadronic hyper-mathematics. Arbitary connections have been eliminated, illusive assumptions vacuumed into nonexistence)

The human genome is some 3.6 billion DNA letters in length, whilst one single X-chromosome is a macro-DNA molecule some 160 million DNA letters in length. Dr Robert Pollack relates that the DNA:

“Is also a form of text, and that therefore it is best understood by analytical ways of thinking commonly applied to other forms of text, for example, books.”

— R. Pollack A Crisis In Scientific Moral, Nature, 385,1997. pp 674

One cannot analyse a text like a book, if one presupposes that there was no intelligence behind writing it. The very fact that the DNA turns out to be an intricate language, written in complex grammer, reveals an intelligence that has a far more holographically integrated hyper-semantics than our present use of languages.

The DNA resonating crystal is an intelligently ordered linguistics with a holographic laser resonation communication continuum, as molecular biologist Dr. Frank-Kamenetskii relates:

“The DNA crystal is aperiodic, since the sequence of base pairs is as irregular as the sequence of letters in a coherent text.”

—M. D. Frank-Kamenetskii Unveiling The DNA. New York, VCH Publishers, 1993. Pp 31

Or as noted biologist Sir Charles Dobbs had relayed:

“The whole of the protein in the human body is replaced in roughly 160 days… When one contrasts the great complexity of the protein molecule with the fact that millions of these substences are constantly being built up and disintegrated in the human body, and moreover rebuilt to precisely the same structure, one cannot help but speculate about the controlling mechanism.”

—Sir Charles Dobbs, quoted in Dr. Harold Saxton Burr’s, The Fields Of Life (Ballantine, New York, 1973).

Thus, to find the same fractal self-similarity in the DNA code’s permutations as that of the organising force within the protons from the hadron omegon, should seriously transcend the primitive assumption of zero intelligence behind the DNA life book.

The fractal self-similarity thus of DNA, time, the proton’s hadronic magnetic monopole force, and the fractal growth of life exposed to the 8hz ELF field of this fractal force, demonstrates a post modern fax simile of the Veda’s, “man made in the Image of the Original Model of Manu,” and the Biblical, “Man made in the Image and the Similitude of God.”

Puharich’s observation of the fractal ‘mandlebrot’ geometry arising from the Magnetic Monopole force within the proton, in the 8hz electrolysis of water, and his above mentioning of this being the fractal electric and magnetic charge within each of the 3 quarks that compose the proton of the atomic nucleus, now has some astounding and surprising cross-verifications…

That is: the Timewave fractal form discovered by McKenna, vindicated by Temporal Chronologer Dr. Ambraham, and observed to be the actual nature of the fractal geometry of time within the atomic clocks, by Dr. Sheliak.

However, clarity descends only when our novel discovery of the Dharmata 3D symmetry of the Timewave was renderred, and the Dharmata is beautifully outlined by the Mandlebrot set.

The Vedic description of the Dharmata (which also means “the universal law of divine love”), and taken forwards all the way into Sanskrit/Buddhist art and cosmology, is also utilised as the geometry of time, the Dharma Maha Kala (“Law of Omni-Time”).

Java, Indonesia, Meru temple with 72 Dharmata Stupa’s upon the AUM Sri Yantra, 27 line geometry. With 432 Buddhas. Charting the 27 Lunar mansions

Forinstance, the 72 Stupas placed on Mt. Meru, in Java, Indonesia, is a prime example. Not only the outline of the Dharmata, but the fact that there are 72 of them on this version of the Meruprastara mountain (the sum of each row of bricks that build the Meruprastara pyramid equates to the sum number sequence that 8hz established upon itself within water… 8, 16, 32, 64 etc… Meru AKA the Sri Yantra, or the Sierpinski pyramid of modern mathematics).

These 72 Dharmata/Stupas are arranged on the Meru pyramid (itself acting as chronomonitor of the 27 lunar mansions through which the Moon passes in one lunar year), in such a manner as to mark the 1° of precession shift of our planet within the 12 zodiac houses — 72 years per degree, 360 x 72 for the complete zodiac wheel (nevermind the axiomatic 27/72).

Meru Prastara Vedic Pyramid Altar & Chonomoniter

#ananda bosman #metaphysics #universe #sacred geometry #esoteric #consciousness #dna #genetics

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byneddiedingo · 8 months

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Joan Carroll and Bill Robinson in One Mile From Heaven (Allan Dwan, 1937)

Cast: Claire Trevor, Sally Blane, Douglas Fowley, Fredi Washington, Bill Robinson, Joan Carroll, Ralf Harolde, John Eldredge, Paul McVey, Ray Walker, Russell Hopton, Chick Chandler, Eddie Anderson, Howard HIckman. Screenplay: Robin Harris, Alfred Golden, Lou Breslow, John Patrick, based on a story by Ben B. Lindsey. Cinematography: Sidney Wagner. Art direction: Bernard Herzbrun. Film editing: Fred Allen. Music: Samuel Kaylin.

In One Mile From Heaven, a reporter happens upon a Black woman who is raising a white child and says that the little girl is her own daughter. The reporter immediately sees it as a hot news item. It's an odd and distasteful premise for a movie, especially if, as in this case, the child is happy, well cared-for, and loves her mother, who's entirely capable of raising her. It's the mere fact of the racial disparity that sets Lucy Warren (Claire Trevor) on the course of exposing the relationship of Flora Jackson (Fredi Washington) and her putative daughter, Sunny (Joan Carroll), leading to the discovery of Sunny's birth mother, the wealthy (and white) Barbara Harrison (Sally Blane). It winds up with what's supposed to be a happy ending. That the movie is played as a sentimental comedy laced with musical numbers supplied by a tap-dancing Black policeman (Bill Robinson) only makes it seem odder. It could, after all, have been an indictment of nosy journalism, or a story of racial injustice, but instead it's a grab-bag of movie tropes, including a press room filled with anything-for-a-scoop reporters straight out of The Front Page (Lewis Milestone, 1931), and a thwarted prison escape that comes out of nowhere and has only a tangential relationship to the main plot. Allan Dwan handles all of this with his usual finesse, but is never quite able to make a coherent film out of it. This was Washington's last film before she retired from acting and devoted her life to civil rights activism. The movie, based on an actual case in Denver, serves as evidence why that activism was needed.

#One Mile From Heaven #Allan Dwan #Joan Carroll #Bill Robinson

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