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#christian bale interview
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Christian Bale On Set Interview on Newsies (1992)
Re: Christian Bale as Jack Kelly in Newsies (1992) dir. Kenny Ortega
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staybeautifulmp3 · 1 month
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theres something terrifying about him. he could snap at any moment
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lisamarie-vee · 3 months
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zukosgay · 1 year
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the cock sock is normal in hollywood BUT what's funnier is that alexander Skarsgard is famous for not wearing a n y t h i n g during nude scenes. for hours on end. every true blood interview was like "yea alex is crazy he will just strut around the set stark naked for three hours"
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chrisquartet · 2 years
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“Were you on set when Chris Hemsworth had the buns out?”
“I was not actually but let me tell you one thing. If you’ve seen the comic book character of Gorr, he’s in a g-string all the time. Very wise choice because people want to see Chris like that and nobody wants to see me like that.” 😆
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hollywoodoutbreak · 4 months
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The Dark Knight is considered one of the best superhero movies in cinema history. While the performances are top-notch, including the late Heath Ledger's Academy Award-winning portrayal of the Joker, Dark Knight star Christian Bale credits co-writer/director Christopher Nolan. At the time of the film's release, he spoke about Nolan's handling of the material, making great action and showing great depths of the characters, as the key element that made the movie a timeless classic.
The Dark Knight is currently streaming on Max and is available on DVD, Blu-ray, 4K, and most digital platforms.
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soupy-sez · 2 years
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CHRISTIAN BALE – Charlie Rose interview on American Psycho (2000) [X]
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5bi5 · 2 years
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He's just like me fr
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brucewayneissexy · 2 years
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"I remember somebody threatening me on the street because some people did object to the film [American Psycho] being made and all that. I remember people saying that they were going to do me harm and stuff like that. Somebody warned me, must have been a friend of mine [...] They rang me up and went, ‘There’s some person and they know where you walk every single day, and you go down these back alleys. They say they’re going to jump on you and rip your cerebral cortex out of your head. So please don’t go down that alley.’ 
So of course, I was like, I’m going to that alley! I wanna see what happens. Fortunately nothing happened, but I kept walking up and down it going, ‘Where are they? C’mon.’ “
- Christian Bale (timestamp: 4:15)
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thorst · 11 months
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This interview is so fun, he has such a frenetic energy I guess I love him now
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christianbalefanatic · 2 months
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DP/30: Hostiles, Christian Bale
Christian Bale as Capt. Joseph J. Blocker in Hostiles (2017) dir. Scott Cooper
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capricigarettes · 2 years
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christian bale for gq magazine october issue
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don-lichterman · 2 years
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Behind the Scenes Secrets from the Thor: Love and Thunder Cast!
Behind the Scenes Secrets from the Thor: Love and Thunder Cast!
From Thor’s Loki tattoo, to a Gorr moment that didn’t make the final cut, to how many Stormbreakers Chris Hemsworth has taken from set, the cast of Marvel Studios��� Thor Love and Thunder reveal behind the scenes details! ► Watch Marvel on Disney+: https://bit.ly/2XyBSIW ► Subscribe to Marvel on YouTube: http://bit.ly/WeO3YJ Follow Marvel on Twitter: ‪https://twitter.com/marvel Like Marvel on…
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hollywoodoutbreak · 2 years
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After collaborating on 2010's The Fighter and 2013's American Hustle, Christian Bale and director David O. Russell have teamed up again for the new movie Amsterdam. Though Russell, who also wrote and produced "Amsterdam," has become a polarizing personality in Hollywood, Bale told us he has no reservations about working with Russell whatsoever, since the results are usually spectacular.
Amsterdam is now playing in theaters.
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provokedgoalie · 1 year
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yooo so I ordered the book american psycho :)
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ghibli-collector · 5 months
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For anyone who’s already seen Boy and the Heron i found this really interesting article where Ghibli Boss/Producer Suzuki was interviewed recently by indie wire and explains the background of the characters from the new Ghibli film, I’ve copied the full article below or you can click the link to go to the interview but once again it contains so many spoilers
‘The Boy and the Heron’ Is So Personal, Hayao Miyazaki Needed a Year to Grieve Before Pivoting in a New Direction
Miyazaki came out of retirement for his first film in a decade, about his friendships at Ghibli with the late co-founder/director Takahata and co-founder/producer Suzuki.
When Hayao Miyazaki pitched “The Boy and the Heron” (GKids, now in select L.A. and NYC theaters) to Studio Ghibli co-founder/producer Toshio Suzuki in 2016, he asked permission to make the story about himself. This took Suzuki — his friend of nearly 40 years at the time — by surprise; the legendary anime director isn’t known for getting so personal. And yet this aligned perfectly with the notion that Ghibli films are devoted to reliving memories.
“I agree that it is Miyazaki’s most personal film because he actually told me,” Suzuki told IndieWire over Zoom through an interpreter. Not only is “The Boy and the Heron” inspired by Miyazaki’s childhood (he endured the firebombing of Japan during World War II and his father was director of the family’s aircraft manufacturing factory), but also his career at Ghibli with his two closest friends: the late studio co-founder/director Isao Takahata (“Grave of the Fireflies”) and Suzuki.
“Miyazaki is Mahito [the 12-year-old protagonist voiced by Luca Padovan in the English-language version], Takahata is the great uncle [voiced by Mark Hamill], and the gray heron [voiced by Robert Pattinson] is me,” Suzuki added. “So I asked him why. He said [Takahata] discovered his talent and added him to the staff. I think Takahata san was the one who helped him develop his ability. On the other hand, the relationship between the boy and the [heron] is a relationship where they don’t give in to each other, push and pull.”
Collectively, it’s a lot to unpack: Miyazaki came out of retirement for the second time after “The Wind Rises” (2013) to make his 12th feature — the semi-autobiographical, hand-drawn fantasy for his grandchildren. It’s about destruction, loss, and rebuilding a better future through imagination, inspired by the novel he adored as a child (“How Do You Live?”).
Mahito loses his mother in the firebombing of Japan and relocates to the countryside, where his father (voiced by Christian Bale), who runs an air munitions factory, marries his sister-in-law, Natsuko (voiced by Gemma Chan). Traumatized, angry, and confused, the boy encounters a talking heron (part bird, part man), who tells him that his mother is still alive and guides him to an alternate world in a magical tower shared by the living and the dead. There he encounters his great uncle, the architect of the tower, and reunites with both his mother (voiced by Karen Fukuhara) and Natsuko.
At first, Suzuki resisted green-lighting “The Boy and the Heron” because of Miyazaki’s age (he’s 82) and the great expense (it is arguably Japan’s most expensive film but has made the equivalent of nearly $80 million at the country’s box office). Yet Miyazaki wore down his resistance with his enthusiasm and impressive storyboarding. The film took seven years to complete, and Suzuki needed to hire some of Japan’s most talented animators outside of Ghibli to handle the task (including supervising animator Takeshi Honda of “Neon Genesis Evangelion” fame). With diminished stamina and failing eyesight, Miyazaki was unable to oversee the production in the same manner as when he was at the height of his creative powers and relied on Honda to draw, redraw, and review under close advisement.
But with the death of Takahata in 20018, a grief-stricken Miyazaki was forced to scale back the role of the great uncle in the story, who had previously been more central to the boy’s life. “After Takahata passed away, he wasn’t able to continue with that story, so he changed the narrative and it became the relationship between the boy and the Heron,” Suzuki continued. “And in his mind, initially, the Heron was something that symbolizes the eeriness of the mansion and that tower, even ominous, that he goes to during war time. But he changed it to this sort of budding friendship between the boy and the Heron.”
Miyazaki first toyed with the idea of exploring the theme of friendship in “The Wind Rises” (inspired by real-life fighter design engineer Jiro Horikoshi during World War II) before abandoning it. “So this time around, when the Heron became the centerpiece of the story, and he came with the storyboards, I was careful for him to not portray me in a bad way,” Suzuki said. “Having said that, I’ve known Miyazaki for 45 years. I remember everything about him. There are things that only I know. There are things that only the two of us know. And he remembers all these small details, which I was very impressed with.”
For example, when Mahito and the Heron sit and chat at the house of Kiriko (voiced by Florence Pugh), a younger, seafaring version of one of the old maids, it is a recreation of the way Miyazaki and Suzuki would meet. “The place that we do our meetings, where we have our conversation is at his studio, his atelier,” he added. “And he has this like large table, but we don’t sit facing each other, we sit next to each other, and we never look at each other when we talk. And what we discussed was very similar.”
During production, Suzuki became impatient to see the new storyboards with the great uncle. It seemed Miyazaki was intentionally stalling while grieving about Takahata. “My question was: ‘So when is the great uncle going to appear?'” said Suzuki. “He built this great character, but he never appears in the storyboards that he would bring me. But it took him actually about a year after the passing of Takahata that he was able to draw that character into the storyboards in the second half of the story.
“And the most surprising thing for me was when I saw the storyboard where Mahito was asked by his great uncle to carry on with this work, this legacy, and he says no — he declines the offer. Miyazaki was someone who followed the path of Takahata for so many years, and I thought it was a huge thing for him [to follow a different path].”
Meanwhile, Suzuki confirmed that Miyazaki has not retired. The film has given the director renewed confidence to keep working on other stories. However, Miyazaki can’t focus on new ideas while “The Boy and the Heron” remains in theaters. “He needs to empty his mind again,” Suzuki said, “and then when he’s emptied his mind with a blank canvas, he usually comes up with new ideas. So we have to wait a little more.”
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