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jjungkookislife · 9 months

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Quarterly Fic Recs 2023 #3

Hello! I can't believe how quickly we've reached the third list of the year! I wasn't able to read as much as I wanted, but I hope you all enjoy these wonderful fics <3

Namjoon

baby fever @95rkives

summary: what was supposedly a peaceful morning stroll in the park, an unexpected encounter triggers namjoon’s intense desire for a baby, turning him into an adorable, baby fever-filled mess.

drunk in love @joon4eva

summary: you and whiskey are never a good combination. or: you’ve been in love with your best friend for years and you might tell him about it while drunk.

Jimin

menace @eoieopda

summary: Your shithead brother, Seokjin, is throwing his annual Valentine’s Day party. You didn’t want to go in the first place - and now his shithead friend, Jimin, is responsible for getting you there.

all mine @souryoong

summary: your new boyfriend can’t make you finish, but your ex boyfriend sure can.

thank you for your service @jiminniethemarshmallow

summary: As a servant of your kingdom, all Jimin wants to do is please you and service you in any way that he can.

Taehyung

high tide @kookslastbutton

summary: Due to Taehyung’s job as a cruise ship Captain, you are constantly miles away from each other. Weekly phonecalls help and this one gets a little nasty and a lot sweet.

Jungkook

something borrowed @alphabetboyluvr

mafia au

chained to you @hisunshiine

idol au

into the wild @bonny-kookoo

summary: The wolf pretending to be the grandmother, just to later swallow the poor red riding hood whole- is he attempting to gain your trust as well just to feast on your flesh later, once he gets hungry for a meal?

seven days @kithtaehyung

summary: you dump yet another guy that wasn’t up to your “ten day standards,” which leaves your cocky ass, very off-limits roommate to tease your single status yet again. but the teasing is always expected. what’s not expected, is the bet that you make without thinking. the bet that even though you give ten days, he wouldn’t even last seven.

and my man, thank you to my man @darklingjeon

dealer au

because, i love you ch. 12 @readyplayerhobi

summary: According to society, Jeon Jungkook should not be with you. He should be with a younger, hotter and thinner girl instead of wasting his time on you. It’s a good thing Jungkook doesn’t care what society thinks then.

things you don't know @btsgotjams27

summary: it’s been seven years since you last saw the boy that broke your heart. after moving back home, you try everything you can to avoid seeing him around town, but destiny has a wicked way of doing the opposite.

Yoongi

heartache @sailoryooons

summary: Unresolved feelings lead to nothing but heartache when you run into Yoongi at a wedding five years after breaking up. Especially when you realize that despite Yoongi have feelings for you, there is still another woman on his arm.

right here ^

summary: You’re tired of the revolving door of boys in your life. Yoongi is tired of watching you nurse feelings in the quiet of your apartment.

Taehyung

backstage @jeonqkooks

summary: what’s the best way to release energy for someone with an oral fixation?

champagne problems @still-with-koo

summary: you turn down taehyung’s very public marriage proposal. inspired by champagne problems by taylor swift.

Jungkook

6:42 a.m. @bangtanintotheroom

summary: Jungkook is ready to kick off a new day of loving you.

OT7/Multiple Members

cosmic collision @gimmethatagustd

summary: A responsible weedman, Yoongi always tests out new marijuana strains before selling them to his customers. When his supplier offers him a new strain, Cosmic Collision, Yoongi is eager to try it. What he doesn’t expect is the alien that comes with it.

Seokjin

the one with seokjin and without complaints @eoieopda

summary: you don’t want to arrive dateless to a wedding your ex is also attending. enter friend and local hero, kim seokjin.

musical chairs @ugh-yoongi

rival teachers au

lucky ^

things you said when you were drunk

view @noteguk

summary: in which seokjin likes to show people what is his.

sugar sweet @ditttiii

summary: Jin loves sweet things. Jin loves you. add it all together, stir the mixture up, and ta-da! There he has his dessert! Enjoy ♡ Or alternatively where Jin basically uses you as his damn plate and loves every second of it!

wash 'n dry @seokoloqy

summary: The one where Seokjin is the cute RA who catches you doing laundry at 1 AM and you both have time to kill.

thunder @/ppersonna

summary: you allow your best friend Jin to take you backpacking once per year. apparently, this year’s outing would be the wettest yet.

Yoongi

angel @/sailoryooons

summary: Yoongi never meant to keep coming back. You never meant to become Yoongi’s favorite. Being Min Yoongi’s favorite has dire consequences.

carnival of terror @theharrowing

summary: The carnival is in town, and it is unlike anything you have ever experienced. Will you make it out alive?

crescendo @/ugh-yoongi

established relationship

loose lips ^

friends to lovers

baby maker @shadowkoo

summary: You and Yoongi have been relishing the comfort of your newly married life, savoring each moment together. However, there’s an additional want tugging at your heartstrings – the thought of becoming a mother. That’s right, you want a baby. Yoongi isn’t sure if he’s ready for the journey of bringing a baby into your lives. But he’ll agree to anything that makes you happy, and if it’s a baby you want, it’s a baby you’ll get.

on your period @7ndipity

summary: Yoongi looks after you on your period

don't come yet @jl-micasea-fics

established relationship

night short #25 @euphoricfilter

make up sex

Hoseok

sensuous @delugguk

hot emo hobi @minisugakoobies

i'm yours @yoongiphoria

If you're making a mistake, it's bound to be your favorite one.

bad things come in three @hyungieyoongi

established relationship

hoseok drabble @here4kpopfics

brother's best friend

intoxicated @peachypinkygloss

summary: Drugs make everything better. Even sex.

bones @floralseokjin

summary: you were broken from a past relationship, and Hoseok wanted to fix you, but what price was he willing to pay? Would he end up worse off, or would you realise in time, that your best friend was the one…?

Namjoon

signed, sealed, delivered @fresh-outta-jams

summary: You’re in college when your soulmate tattoo finally shows up: an address. Sending a letter couldn’t hurt, right?

the rich man's crochet club @kpopfanfictrash

summary: When they were freshmen in college, Namjoon began a club with his six closest friends. The one thing they all had in common? V i r g i n s as fuck. Obviously, they couldn’t call the club the Virgins Club and so, the Rich Man’s Crochet Club was born. Until time passes and Namjoon is the only one left. Now, the Club has one, final mission: to get Namjoon laid.

not so dinner date @bangtaninborderland

idol au

breakfast @hamsterclaw

summary: Turns out your big dumb goon can make eggs.

everything slow @hobidreams

summary: your boyfriend catches you missing him with your hand between your legs, his name a moan on your tongue. it looks like you need a little help…

tonight ^

how will you spend the night with your man?

love language @rmnamjoons

summary: Exactly one year before one meets their soulmate, their love’s first words spoken to them appear as a tattoo on their wrist. When Namjoon’s tattoo appears, however, it’s not of words, but of the most beautiful set of eyes he’s ever seen.

there was a bug @/kimnjss

summary: you and joon have been best friends for years, unexpectedly his feelings start to grow more than platonic. deciding to keep this to him, joon stays as your best friend and roommate. things are going fine, until one night you’re forced to sleep in his room.

out of my league @ppersonna

summary: Kim Namjoon was never supposed to find out about your years-long hopeless crush on him. And he most definitely was not supposed to find out about it in front of all your coworkers in a company-wide meeting.

will you let me? @bratkook

summary: Namjoon wants nothing more than to see you stuffed full of his cum, and as his mind starts to wander with thoughts of the future, he has to know if you’d let him.

the package thief @/blog-name-idk

summary: You have a new neighbor who is incredibly attractive. Unfortunately, he seems to hate you for no discernable reason at all. Does he think that just because he’s hot, he can get away with being an asshole?

#i truly wish i had read more #but life got rocky for a moment #i promise i don't purposely exclude members #i read what's on my dash mostly #and i've been mostly reading drabbles bc i can't focus for very long #i hope you enjoy these fic recs <3

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lucithornz · 8 days

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6, 7, 13 👀

6. What’s the last line you wrote?

"Max didn't really think telling the truth was a good idea." - from ch 5 of Red Horse

7. Post a snippet from a wip.

There were a few times Max could have sworn it wasn't just him. That maybe they'd been heading somewhere beyond the track. Beyond friendship. There were brief flashes of hope when they'd almost been there.

It had almost come to a head in Vegas the previous year.

Almost.

They'd been alone in the elevator.

They'd been alone in the hall.

Charles had hovered outside Max's room to say goodnight.

They'd been close. So close.

Close enough that Max had almost believed Charles might have kissed him then and there in that Vegas hallway.

Chapter 2 of Burn Darker(updating 06/05!)

13. Do you listen to music while you write? If yes, what have you been listening to recently?

I am always listening to music while I write(unless it's one of those 2 am writing sessions that happen in my bed on my phone) I often loop the same song for an entire session. I listen to a lot of Taylor Swift and Bruce Springsteen. I am currently looping Loving You is A Dirty Job by Bonnie Tyler, as I am currently editing as I post this!

Thank you for playing!

fic ask game

#ask games #luci answers

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bisluthq · 3 years

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Not these ex Hiddleswifts trying to desperately make Tom more relevant in her life than he was? It lasted barely 6 weeks. It’s getting kind of old they think Tay was writing love songs about him. Taylor has put Tom in the same category as Calvin, and Getaway Car was about 2 Getaways, imo, one from CH and the other from TH. She stole the keys and left TH also. The money in the bag metaphor implies 2 things — she either paid him off to go quietly or he got his pr. Too bad the pr backfired on him.

Honestly to me the money metaphor is just because they’re like Bonnie and Clyde in the song? To me it sounds like she takes the money they stole together and then steals his car, which tracks with “and the old men that I swindled” like she’s the better criminal in both songs. People always come with this “she had to pay him” and “he was using her” but like it’s pretty clear she sees herself as the one who was using him to get away from Calvin and also for like a host of her own reasons including the Kimye stuff. Spaghetti interview tells me he was far more into it than her and she’s also implied he “really did believe I was the one”. So idk. Like it’s a silly ship to fan girl but I don’t think he was the villain (neither was she, he should’ve fucking read the room).

#nat talks hiddleswift

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gazelessstare · 6 years

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I love the analysis you made of NYD ! It made me appreciate the song more actually, so thank you for that ! I also loved the one you made of SIO. I'm curious about what's your theory on Getaway Car bc no one seems to have a consensus on this one. Wdyt? PS: ça fait du bien d'avoir un(e) autre français(e) dans cette fandom ! ;)

Oh thank you for saying that! That’s so sweet. Et oui on doit être genre 5 Frenchies par ici, on fait de notre mieux 🍷

Yeah I noticed people do not agree about Getaway Car interpretation (and I got two other anons about it so I’m gonna reply here) I am not going to be thourough nor very sophisticated about this one

For me it is quite simple, it really describes her journey during Hiddlestunt from the beginning til the end. How He Who Shall not be name turned her life into a living hell and TH was literally her getaway from that. She describes the meeting at the infamous MET’16 and how she/both of them knew that this is gonna be a mess and well it was. She really, rightfully, drags CH a lot through this.

We can read through her words that TH and her feel like they are pushing their jetsetting too far (I mean even people in the GP were not buying this as a real relationship). Some people link Bonnie & Clyde to some epic romantic story for the ages, I, and Taylor here, link it to something very rushed and doomed from the beginning with the whole metaphoric narrative in the bridge.

In short, it is the story of one side of public life during summer 2016. She got dragged and TH did not get that 007 role he was hoping for. She felt trapped when she was tied to CH and literally any other option would be better. Just like during a prison break, you won’t be picky about who picks you up. Loki seemed to be a wise choice but turned out that they pushed it too far.

The most important line in it remains this one (and it strips its the text from any alternative romantic interpretation):

And a circus ain’t a love story

#anon #analysis #getaway car #GC

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that-curly-haired-lesbian · 6 years

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Could you do a queer analysis of Getaway Car? I'm curious about your opinion. For me it's the most difficult to interpret from reputation. Some think it's swiftgron, other that it's about CH/TS. I think it's about bearding in general. The 1st part about CH/TS "worst of crimes" = the longest beard. But then it sounds like 2014 kaylor (not bearding) and kissgate "It was the great escape, the prison break The light of freedom on my face But you weren’t thinkin’ And I was just drinkin'" Thank you!

Hi everyone and happySunday!

Out of all the songson Reputation Getaway Car is one ofthe most popular, but as anon says it seems to be the one we as a fandom havethe most difficulty agreeing on what or who it’s actually about.

Some are thinking Dianna andSwiftgron, while others, like anon here are thinking bearding (andoften specifically CH or TH)

Personally I tend tofall into the Swiftgron camp, I think the song is about the ending of Taylorand Dianna’s relationship and how close they came to actually picking eachother over their careers (aka escaping the industry, with its systematichomophobia and bearding practices.) Here’s a Swiftgron master post for ahelpful timeline that brings up/explains stuff about the relationship I maymention in the analysis below.

Since it is one ofthe most complex and narratively interesting songs on the newest album it hasbeen heavily analyzed already (the analyses linked above are both excellent andprovided a lot of inspiration for this analysis) but I decided to put it on mylist anyway. I hope I can give you a satisfying and while perhaps not all thatrefreshing, at the very least interesting take on the lyrics.

Before we actuallystart looking at them I’d like to share some of my general thoughts on the song.

We all know Taylor isa brilliant singer and a wonderful songwriter, but what first drew me, a loverof stories to her music was the fact that first and foremost Taylor is astoryteller. From start to finish GetawayCar is a story and a complex one in ways that we’ll get into as thisanalysis progresses.

Taylor has picked (apossibly crime-fueled) road trip sort of theme (no, not THAT road trip) for thestory she wants to tell.

On the surface thesong chronicles the fate of two lovers on some sort of crime spree, or at leaston a road trip escaping their everyday lives in order to be together far awayfrom it all…Sounds familiar as far as lesbian fiction goes, wouldn’t you say?Someone knows their queer pop culture, nice one, Tay!

Unlike the semi-happyending of Carol or the sad andupsetting one of lesbian Bonnie and Clyde(or you know, straight Bonnie and Clyde too, actually) though, it doesn’tend with one of them dying.

Instead it all endswith one of them betraying the other and escaping with their stolen goodsleaving their partner to take the fall and presumably be arrested.

It is fairly easy toconclude that this plot is not to be taken as autobiographical, obviouslyTaylor didn’t rob a bank with a past lover, but she might’ve done somethingthat betrayed said lover’s trust and when writing a song about the incident sheused this escaping-the-law-thing as a metaphor for what actually happened inher own relationship. I think you’re all with me so far, but how do we connectthe story being told here to Swiftgron? Well, let’s look at it and see.

Oh, but also, beforeI forget, my usual disclaimers:

This is just mespeculating, I could be extremely wrong and everyone is free to speculate asmuch as they want on what this lyrical masterpiece is about.

Lyrics cred goes toAZLyrics yet again.

Now let’s start theactual analysis!

–

No, nothing good starts in a getaway car…

–

It’s been reported that Dianna actually proposed toTaylor as a sort of last, desperate attempt to save their relationship. After gettingback together yet again and enduring months and months of back and forth Diannasupposedly threw the idea of marriage out there and Taylor, forced to berealistic about her career and her life in general had to say no, thus endingthe relationship. I assume though, that Taylor didn’t say no immediately, atfirst she considered what would happen if she said yes.

Well, for starters it’d be the end of all the bearding,she could escape that part of her life if she actually came out, but it alsomost likely meant that she’d have to give up her career (at least mainstream,big-time success…cuz ew, homophobia.)

She considered it however, for a moment she consideredgetting into that getaway car Dianna was providing and just drive away from itall, all the fame and the fake PR games (LuckyOne vibes, anyone?) in order to be with her girlfriend, but then sheactually truly started thinking about it and realized that for this to workthey’d have to pull off something akin to a freaking heist.

Their coming out process would be complicated andwould most likely hurt both of their images considerably + both of theirmanagements at the time seems to have been pretty pro-closet, so coming outwould be challenge and a risky one at that.

If they’d actually be able to pull that off their marriage(and by association the rest of their lives together) would start in the dustof their public come out and all the drama that’d come with that.

Taylor fearedtheir (already rocky) relationship wasn’t strong enough to survive the public’sreaction to them coming out and getting married. In addition to that theirmarriage would’ve been born out of frustration, they’d both just about had itwith the closeting process and the PR games in their respective industries and+ they wanted to save their relationship which was rapidly falling apart,perhaps not only due to both of thembeing forcibly closeted, but I’m sure that didn’t…you know, help.

A marriage built from a combination of thosecircumstances doesn’t strike me as one that will last and Taylor seems to havecome to the same conclusion. (A reoccurring theme in her songs for Dianna is agut feeling or a knowledge that no matter how much they want to, they won’tlast forever) so she decides that they shouldn’t get married, shouldn’t try toescape their miserable, straight-passing PR lives this way because the marriagethat would come from that wouldn’t be a strong and enduring one.

After all nothing good starts in a getaway car, orfrom a need escape something (bearding) while holding onto something else (afailing relationship) that very clearly won’t last.

Criminals trying to escape the law will get caughtsooner or later and two closeted women won’t be able to be together without PRdrama if they don’t come out. In both cases it is pointless to try and escapethe inevitable (capture by police, or putting the crime metaphor aside,eventual outing) and if they do manage to put these things off it’s onlytemporary and not the foundation for something lasting or good.

–

It was the best of times, the worst of crimes

–

Generally Taylor seemed quite happy in herrelationship with Dianna, but their relationship was also torrid and prettydramatic and in Wonderland shedescribes it as “Never worse, but neverbetter” and what’s happening here seems to be similar. Taylor is happy andin love, having the best time, but just being happy and in love with another woman is basicallyconsidered a crime in her line of work. Homosexuality is insanely taboo in theentertainment industry, as a celebrity it seems to be just about the worstthing you can do (unless you’re already out at the start of your career andthus marketed as a gaysinger/actor/performer.)

So while Taylor was happy and in love she was alsoaware that the general public would judge her harshly if they found out she’sgay, in their eyes that’d be a betrayal of trust since she’d “lied” to themabout being straight, she might as well have murdered a man (aka committed acrime) as far as the hets are concerned.

Also as we knowin many parts of the world being gay IS in fact a literal crime, it’s evenconsidered so bad you could get death penalty for it in multiple countries.While that’s (thankfully) not the case in the U.S “the worst of crimes” seems afitting way to describe that atrocity that’s a reality for many LGBT+ peopleelsewhere. I hate this world with a burning passion!

…Okaaaaay,let’s not talk about that anymore… 🤮🤮🤮

–

I struck a match and blew your mind

But I didn’t mean it

And you didn’t see it

–

Matches are a recurring motif in many Taylor songs (atthe top of my head I can think of PictureTo Burn and Dear John) and mostoften they seem to signify ending a relationship or getting over someone.

Here they seem to allude to Taylor trying and failingto convince a proposing Dianna (and herself) that she couldn’t say yes and thatthey’d have to break up.

Dianna had been so desperate to save theirrelationship and so convinced Taylor felt the same desperation and thereforewould say yes that she wasn’t ready to get any other answer. When Taylorstarted explaining why saying yes wasn’t realistic (or “struck the match” aka essentially broke up) it blew Dianna’s mind,it wasn’t at all the response she’d expected as she’d convinced herself thatgetting married was the logical next step since they didn’t want to lose eachother.

Taylor wanted to be able to say yes, she wanted tobelieve their dysfunctional relationship could still be saved. So when sheresponded to the proposal she didn’t want to believe what she heard herself say,it’s not what she wanted to say (“I didn’t mean it”) and Dianna refusedto admit Tay was right. (“You didn’t seeit” “it” being the truth of their doomed love.) They were both clinging to an already lost hope, much like twodelusional criminals thinking they will be able to escape police forever.

–

The ties were black, the lies were white

In shades of gray and candlelight

–

Black ties makes one think of formal events orcorporate business dealings, kind of like how Taylor’s hetero relationships arenothing but business and how they tellwhite little lies in order to sell the hetero story like the business deal itis. (“they” in this context being Team Taylor, but also Dianna’s team sincethey seem to employ much of the same techniques to keep the girls closeted, orat least they did before Taylor got rid of her old publicist and hired Tree.)

The mentions of black and white also makes me think ofhow all Taylor’s bearding relationships seem almost painfully simplistic, theyare either in love or they aren’t, it’s all the tired fairy-tale view of lovewith the prince and princess (code word for “straight woman” in much of Taylor’smusic, remember?) It’s all very black and white, much like black ties and whitelies. This PR-version of love is put in opposition to Taylor’s actual (gay)love life where everything is more complicated and realistic. For example twopeople who still love each other might have to break up, because their lovesimply isn’t enough to keep them together anymore. In other words, in this realversion of Taylor Swift’s love life everything doesn’t always work out so Disney-like, it’s often more complicated(and less straight) than the black and white narrative of her public lovelife. (“Shades of grey”) but stillromantic most of the time (“candle light.”)

“Shades of grey” could of course also be a referenceto the Fifty Shades Of Grey series ofbooks/movies, a primary example of something that a vast majority of peopleseem to consider romantic when it actually is quite abusive and gross (x)rather like the structures keeping someone in a straight PR-relationship thatfronts a false sense of perfect and desirable romance while the reality of thatrelationship is something else entirely. 🤔

Yes, I do know Taylor wrote a song for one of the 50 Shades movies so maybe she likes themand does consider them romantic (or it was just an attempt to make her publicpersona edgier in preparation for Reputationand the “death of the old Taylor”) but as a self-proclaimed feminist (and avery smart woman) I have a hard time believing the abusive, patriarchal andheteronormative implications of those books/films got past Taylor.

In my opinion she might’ve drawn a pretty cleverparallel between the romanticized but clearly problematic relationship depictedin Fifty Shades and the romanticizing of her own publicrelationships that are as shallow and void of any deeper substance as thewriting and story in those novels. This is very clearly a reach and I don’t pretend toknow anything of Taylor’s taste in literature, but I thought it was kind offunny to be honest. 😂

–

Iwanted to leave him

I needed a reason

–

Who is this “him”? Well, it could either be her beard(most likely Harry Styles if this was back in the Swiftgron days) or thebearding/entertainment industry as a whole. It seems that by the time she metDianna Taylor was tired of hiding and bearding and by now it seems she mostcertainly is. In previous analyses we’ve touched on the idea that many gaycelebrities are forced to choose between a fulfilling personal life and asuccessful career and this song isn’t the first time Taylor’s flirted with theidea of picking the former. (Lucky One)However, at that point in her career she felt she couldn’t just up and leavewithout giving her fans and explanation and coming out and getting married to awoman seemed reason enough. She wants out of the bearding system, so thereforeit’s tempting to say yes to the proposal even though she knows it most likelywon’t work out.

–

X marks the spot, where we fell apart

–

This is probably just a reference to one of Taylor’sfavorite songs by Hilary Duff, BreatheIn, Breathe out (x) but it could alsobe a reference to bearding being what made Swiftgron fall apart.

Often in bearding and PR relationship contracts areinvolved (See: Blank Space) and mostoften legal documents such as contracts are signed with a person’s signature,but sometimes they are signed with simple x’s.Admittedly that’s most often when a party is unable to provide their written signaturefor one reason or another, but this may be the safest way to hint atcontract-signing in the song without flat-out saying it. With this in mind Taylorcould be saying that putting an x on(or signing) all of those contracts and agreeing to “play straight” as much asboth women were doing put a strain on their relationship and led to its demise.

–

He poisoned the well, I was lying to myself

–

To “poison the well” means to discredit someone’sargument or point. Once again “he” makes an appearance and like I said I think“he” represents the bearding practice as a whole, or possibly the girls’publicists or PR teams. Their previous history with bearding andstraight-passing had poisoned the well in the sense that they’d make coming outa challenge. Everyone assumes both girls to be straight so were they tosuddenly claim to be gay everyone would try to disprove this with references totheir previous history with dating and they’d have no way to dismiss thiswithout admitting to bearding which would frankly probably be a PR disaster.Taylor’s saying that if she tried to convince herself that they could getmarried and then come out without major complications she was lying to herself,she wouldn’t be able to leave “him” as easily as Dianna was trying to convinceher and deep down Taylor knew this even if she didn’t want to believe it.Simply put, Taylor was lying to herself by thinking coming out would bepossible, let alone easy.

–

I knew it from the first old fashioned, we were cursed

–

So, an old fashioned is a kind of drink and maybe thatdrink holds a special meaning in relation to Taylor and Dianna’s relationship?Obviously I wouldn’t know, instead I’m thinking that it might be yet anotherreference to bearding.

After all that’s pretty much a tale as old as time,it’s been going on in Hollywood since day one, quite old fashioned if you askme. Perhaps Taylor is saying she knew as soon as she started bearding that herreal relationships would be hard to make work while pretending to be hetero. Iimagine her and Dianna’s relationship were no different given that both womenare quite famous for bearding.

This could’ve been a factor in Taylor’s aforementionedgut feeling that they wouldn’t last, if we’re to trust I Knew You Were Trouble she had that feeling of eventual doom even inthe early days of their relationship and the fact that they both bearded a lotmight have been a contributing factor to this.

–

We never had a shotgun shot in the dark

–

This is clearly a reference to the wedding they neverhad. A “shotgun wedding” is a hasty and rushed one. A wedding that’s takingplace as a last effort to save a failing relationship through one lastdesperate, but still grand, romantic gesture seems pretty rushed and hasty tome, rather like the wedding Swiftgron would’ve had if Taylor had agreed to theproposal. *heartbreak*

–

You were driving the getaway car

We were flying, but we’d never get far

–

Through proposing Dianna provided a escape frombearding for both herself and Taylor, a getaway car if you will. Whileconsidering this possible plan of escape both girls could taste the freedomthey’d been denied for so long by being forced to stay in the closet. They werehappy and excited (“flying”) that they’dfound a way to both save their relationship AND get out of tedious glass closetroutines, but pretty soon they (or at least Taylor) realized the plan wouldn’twork, their getaway car (or marriage) wouldn’t get far.

–

Don’t pretend it’s such a mystery

Think about the place where you first met me

–

Dianna shouldn’t be shocked Taylor isn’t ready to comeout the singer reasons, after all they first met while they were both deeply inthe closet. I mean this line might hold a more obvious significance to Taylorand Dianna as they alone know the details of their meet-cute, but all I canthink about is that the place they first met technically was the closet.Neither of them should be surprised (or “act like it’s such a mystery”) thatthe other won’t come out, after all they knew what they were getting themselvesinto when they first met as they were aware the other was very closeted.

–

We’re riding in a getaway car

There were sirens in the beat of your heart

–

If we’re going with the story of the outlaws on therun the sirens are quite obviously the police chasing them, the cops are closingin on them, threatening to end their little crime-spree fantasy. In the contextof the song’s queer meaning however it might mean something entirely different.In Greek mythology a siren is a sea creature, a beautiful woman who luressailors to their deaths in the ocean by seducing the men with their beauty. Sothe sirens beauty and grace tricked the men into doing something unwise ordangerous, huh? Sounds like a beautiful woman luring Taylor Swift away from hercareer with promises of happily ever after and beautiful words she wants tohear…Of course Taylor couldn’t be like “you’re a siren, luring me into yourgetaway car” so she had to use the Bonnie and Clyde narrative so that we’dthink about a police siren, not like, a freaking mermaid seducing our singerinto their getaway vehicle. 😂

–

Should’ve known I’d be the first to leave

Think about the place where you first met me

In a getaway car

No, they never get far

No, nothing good starts in a getaway car

–

Yet again Taylor’s saying Dianna shouldn’t besurprised Taylor won’t come out and at the first sign of breaking the glasscloset Taylor would leave. Why? Well,before I suggested the getaway car might be a metaphor for Swiftgron’spotential marriage and how it “wouldn’t get far” the use of that metaphor herethough suggests to me that the getaway car is in fact their entirerelationship. They got into this relationship because they wanted to live theirtruths, at least privately, they wanted to have someone to come home to whenthe bearding was over for the day, they wanted true love, not just thefabricated bearding kind. Their relationship was a way to escape from theirhetero narrative, a getaway car. Keeping a relationship working while havingfake relationship with third-parties must be hard though and that’s why gayrelationships seldom work out for closeted celebs (at least in Taylor’sexperience it would seem) the attempt to escape their straight narratives neverget far. Furthermore having to live and love in secrecy doesn’t give therelationship a stable foundation, nothing good starts with an attempt to fleefrom something else.

Wow, Getaway Caris quite the bleak look at the price of fame for someone in the closet,isn’t it? 💔

–

It was the great escape, the prison break

The light of freedom on my face

But you weren’t thinking

And I was just drinking

–

Their marriage was supposed to be the great escape,their chance to break out of the prison that bearding, straight-passing andpublicity had kept them in for so long. Damn, in even considering the mere possibilityof saying yes to such a ludicrous plan Taylor could see the light of thefreedom she hadn’t had in so many years, she could see the life outside of thecloset. Then she’s forced to admit Dianna is not looking at their situationrealistically (she’s “not thinking”.)

While the next line seems to suggest Taylor has somesort of drinking problem I think what it’s really saying is that she’s actingas if she was drunk. For a second while considering saying yes to Dianna’sproposal Taylor isn’t thinking logically, instead she wants to believe in theidea that love conquers everything and that they’ll be able to work out thedetails of their coming out as they go along. This isn’t realistic either andshe’s acting like someone who’s drunk by not caring about the fact that heractions will have consequences.

Another interesting interpretation is to consider thepreviously mentioned old fashioned, like I said before it’s a kind of drink sowe can assume that maybe that’s what Taylor’s drinking here. If we go with whatwe concluded before though the old fashioned isn’t a drink here at all, but thevery practice of bearding, so can we then assume Taylor “drinking” symbolizes herbearding?

Maybe. As Dianna was increasingly losing her grip on realitywhen it came to her relationship with Taylor (by starting to actually think adrama-free come out to be possible) the latter went through a quite intensestunting period to try and combat increasing gay rumors. (Most likely on ordersfrom the spiraling pre-Tree Team Taylor.)

In other words Taylor and Dianna were on completely opposite sides of the comingout process and thus the freedom they were dreaming about just wasn’t realisticat that point which is what caused the relationship to end.

–

Well he was running after us, I was screaming ‘Go gogo!’

But with three of us, honey, it’s a side show

And a circus ain’t a love story

And now we’re both sorry (we’re both sorry)

–

As the girls try to escape the closet their historywith bearding haunts them and they both soon realize it’s impossible to deletetheir collective bearding history from the public consciousness. If they comeout as gay their male exes are gonna be questioned about their sexuality,Taylor and Dianna coming out in the way the want to will unravel so much withinthe industry that it’s frankly not possible. They can’t outrun their pastbearding no matter how fast they go.

Even if they do get married or continue theirrelationship they will have to keep bearding as they can’t come out publicly. Therewill never be just the two of them in the relationship, it will all always be aPR circus and that isn’t a worthy love story.

They both realize this is the truth of the matter andas sorry as they both are (note theoverlapping female vocals on that line) the relationship will simply have toend.

–

X marks the spot, where we fell apart

He poisoned the well, every man for himself

I knew it from the first old fashioned, we were cursed

It hit you like a shotgun shot to the heart.

–

Two lines are new here and therefore they are primarilythe interesting ones.

He poisoned the well, every manfor himself

Taylor has realized she’ll have to be the one to leaveas Dianna is still in denial about the fact that they can’t come out. Taylorknows they won’t be able to escape their “straight” past, any claim they canmake regarding their own sexuality has been ruined by past associations withmen, she knows she’ll have to leave Dianna to realize this on her own (“everyman for himself”) as trying to talk to her only leads back to neither wantingthe relationship to be over and thus concocting unrealistic dreams on how theycould make it work against all odds.

It hit you like a shotgun shot tothe heart.

When the truth finally hit Dianna Taylor had alreadyleft and her ex was alone to deal with the pain of the realization that gettingout from the bearding shadow is going to be harder than she wanted to think. Thisundoubtedly felt like a shot to the heart for both Taylor upon having to leaveand Dianna upon finally realizing exactly whyTaylor left.

–

(Chorus)

–

We were jet set Bonnie and Clyde

Until I switched to the other side

It’s no surprise, I turned you in

‘Cause us traitors never win

–

The duo who seem to have inspired the song areactually mentioned by name, quite a long shot from Romeo and Juliet, wouldn’t yousay?

Anyway, Taylor’s saying that her and Dianna were ateam until Taylor decided to pick her career over her girlfriend, this shouldbe unsurprising she muses, as she has (presumably) done so at least oncebefore.

Taylor callsherself a traitor here, interesting.

I recentlywatched HBO’s The Handmaid’s Tale wheregay women are referred to as “gender traitors” this also happens in the book (oneof my favorites) from 1985 by Margaret Atwood on which that show is based. Inaddition to that the term comes up as referring to people (most often women)who act in a way that is atypical or “unbeneficial” to their gender (aka feministsand lesbians) in my course lit for my gender and sexuality in literaturecourse.

I don’t think that’s what Taylor is saying here (unless she likes thatbook too *fingers crossed*) I just thought that was an interesting sidenote asthe “never win” line following that could thus be interpreted as a reference tohow minorities (lesbians for example) are often screwed over by society and “never win”.

What she says I think is that people who pick theircareer over their love life won’t end up being happy, or “winning” at life inthe long-run.

–

I’m in a getaway car

I left you in the motel bar

I put the money in a bag and stole the keys

That was the last time you ever saw me

–

By using imagery that invoke the outlaws storylineTaylor is acknowledging her own betrayal she’s saying “sorry, but you should’veguessed this is what I’m like” she wouldn’t risk her career and they both should’verealized sooner.

–

(Chorus)

–

I was riding in a getaway car

I was crying in a getaway car

I was dying in a getaway car

Said 'goodbye’ in a getaway car

–

Taylor may have fronted with “you should’ve seen thiscoming, Di” but really she was upset with herself, she didn’t wanna do this,but she saw no other way out. She was afraid of losing everything she’s workedfor by coming out so instead she took the safe route and broke the relationshipoff. 💔💔

–

Hope you all enjoyed thatread and feel free to tell me what you think the song is saying, it’s solyrically complex and interesting 😊

If you guys want meto anlyze more Taylor songs or if you have any questions for me, feel free toshoot me an ask 😊

The next song on thelist is Enchanted 🌈🌈🌈

#gaylor swift #swiftgron #kaylor #songs #queer analysis #asks

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corinthns · 6 years

Text

barricade day playlist

i. in the name of love - bebe rexha, martin garrix // ii. one bad night - hayley kiyoko // iii. holding out for a hero - bonnie tyler // iv. work b**ch - britney spears // v. all we ever wanted - hey violet // vi. can’t be tamed - miley cyrus // vii. ...ready for it? - taylor swift // viii. stronger (what doesn’t kill you) - kelly clarkson // ix. sorry not sorry - demi lovato // x. seven nation army - the white stripes // xi. raise a little hell - trooper // xii. whatever it takes - imagine dragons // xiii. yellow flicker beat - lorde // xiv. die young - kesha // xv. just like fire - pink // xvi. like i’m gonna lose you - meghan trainor, john legend // xvii. centuries - fall out boy // xviii. don’t blame me - taylor swift // xix. stand by you - rachel platten // xx. our last summer - mamma mia cast // xxi. dusk till dawn - zayn, sia // xxii. i’ll be there for you - the rembrandts // xxiii. a little party never killed nobody (all we got) - fergie // xxiv. chained to the rhythm - katy perry // xxv. anywhere - rita ora // xxvi. fight song - rachel platten // xxvii. mama - jonas blue, william singe // xxviii. angel with a shotgun - the cab // xxix. i will follow you into the dark - death cab for cutie // xxx. i am here - pink

listen here

#barricade day #playlist #fanmix #for all those feels #les mis

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spreadplaylist · 7 years

Conversation

SPREAD CH.2 ARTIST SPOTLIGHT - Taylor Jamison

Hi SPREAD listeners! I hope everyone has been having a meaningful Pride month while enjoying the PRIDE playlist! The featured artist off SPREAD CH. 2 is dear friend of mine and a force to be reckoned with. Get a glimpse below of Taylor Jamison's life as an unapologetic songwriter and artist. HERE WE GO!

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Taylor: Hey hey, my name is Taylor Jamison and I’m a songwriter/singer right here in most-of-the-time-sunny Los Angeles! I’m originally from Boulder, CO, but have been living here in LA for a second now, writing for some amazing new artists, and creating some cool tunes under my name as well!

Dan: Hi Taylor! Welcome! I am so glad that u are PRIDE's featured artist. You are a songwriting beast who is constantly on the grind. I'm excited for people to hear about ur career and your thoughts about the industry, so let's get started.

Describe a typical day in the life of a songwriter. What do u enjoy the most about it?

Taylor: I’d say a typical day in the studio with me, at least, is catching up on life with whoever I’m working with, joking around, sharing funny moments of the week, usually someone has a good hook up/sex story as well. My favorite part is that, from these shared moments, a story unfolds itself. I see myself as a “Storyteller for the Ears,” so whether it’s myself singing the song or another artist, I love being able to share a moment/feeling in time through music and watching how people react to it.

Dan: I would say that u just perfectly summed up the reason songwriters do what they do! It's all about the story and the connection. In finding this connection for yourself, describe the place that makes you feel the most inspired creatively.

Taylor: I absolutely LOVE the beach because it’s so many things to me. Gentle, but powerful. Beautiful, with a dark side. Tranquil, yet full of energy. It makes me nostalgic for days passed, while making me think forward into the future. I love going out and laying by myself with a notebook, letting the sound wash over me until the words start falling out of my head onto the paper.

Dan: LA beaches are definitely hard to beat, too! I could use a beach day myself. It's a great way to reset and get those creative juices flowing. After running through all of those emotions we then get to the actual songwriting process. Now you have countless songs to ur name. Out of those, what song of yours are u most proud of? Why?

Taylor: Ooooooo, this is a hard one. I’m gonna have to have a tie on this between, “Down”, and, “The Last Time”. When putting together the production and sound scape of, “Down”, I really wanted to create a sense of longing because that’s essentially what that song is: it’s the complete taking-down of your walls for somebody because you want to fall completely into them, letting yourself be vulnerable so they know just how much you want them. For, “The Last Time”, I decided to keep that song with just piano and vocals because adding production was going to end up making it sound cheesy, and this song has such a powerful sense of nostalgia that I wanted it to almost seem completely empty, just like how you feel sometimes when you think back on someone from your past. Plus, that key change is life (have to toot my own horn on that one lolz), I want more artists to do key changes again!!!

Dan: Girl, key changes are UNDERRATED. When done just right, they can completely change a song for me. The key change in "The Last Time" makes me scream every single time. I think we could see them make a comeback.

Now, just like anyone on this journey, there are numerous high and low points. Tell us about when the music industry has maybe made you feel inadequate. How did u overcome this?

Taylor: Ummmm, the industry can make you feel inadequate on almost a daily basis if you let it, honestly. I’d be lying if I were to say that every day is a walk in the park, cause it’s not: you feel like you're constantly trying to prove to the world that you’re talented, yet it falls on deaf ears. However, I think the cure for those feelings of inadequacy is surrounding yourself with amazing people who are just as creative, driven and positive as you are, but always making sure to be humble. Nobody likes a cocky bitch, ever, lolz.

Dan: You are speaking TRUTH in this interview, girl. Surrounding yourself with positivity is almost the only way to get through those moments of feeling inadequate. And you're right, nobody enjoys being around cockiness, even though there can be a lot of that in this industry.

As you surround yourself with driven and encouraging people, I know that also includes artists u look to for inspiration. Tell us about an artist/songwriter who inspires u. What about their artistry/ability would you like to emulate in your own?

Taylor: To kick it a bit old school, I’m gonna say Elton John because I think he was so groundbreaking and just what was needed in the world to move forward progressively. He was completely unafraid to be flamboyant and unapologetically homosexual in a time that it was still not acceptable in public overall. Plus, with Bernie Taupin on the lyrics and Elton on the melodies, they made some prettyyyyyyyy amazing music that still stands the test of time, if I don’t say so myself.

Dan: Elton is a legend and an icon, especially for what he did for queer visibility in the mainstream. I had to include him as a part of the PRIDE playlist. It would have been a crime not to, honestly.

I have mentioned earlier that u are pretty much on the go all the time, whether it's working on ur own stuff or writing for other artists. In the midst of everything u have going on, how do u manage a busy schedule and stress? How do you recharge when u need to?

Taylor: I actually work WAY better on a busy schedule, so I’m a fan of back to back sessions, all week long! But, when I do need a little break, I love getting out of LA for a sec and visiting places like San Diego, Palm Springs, Santa Barbra and more. I also love having parties with my friends, dancing around, being gay, playing beer pong. Oh, and Tequila. Tequila is always an answer to stress and busy schedules (Silver Tequila only though).

Dan: I think that LA is such an encompassing city that sometimes the only solution to getting a break is getting out. I do the same thing. Also, I did not know u liked playing beer pong! I sense a duel between you and me coming soon...

Looking past u only liking silver tequila (sorry I had to throw some shade), what do u think is the biggest misconception people have about working in this industry?

Taylor: Oh lordy, probably that you can just show up in town and become a super star. Sorry to say it, but being a cocky bitch doesn’t get you very far hahah. The only way you’re becoming an overnight pop star is if mommy and daddy are loaded, or a family member is tied into a label somehow. Gotta put in the work to really earn respect from people, at least in my book.

Dan: There are many, many people that agree with u! This industry easily and quickly exposes true talent and true intention. I love how honest and open u are.

Touching on your openness, how has ur identity influenced or affected your journey as a songwriter and artist?

Taylor: I think being gay totally influences my journey as both a songwriter and as an artist because it’s not, “normal”, per say. It doesn’t fit the cookie cutter mold of what a male pop artist has been for the past 5+ decades, so it’s sometimes difficult for people to want to get behind something still so new and not fully understood. But, even though it sometimes makes the journey harder, I wouldn’t change it for the world because I feel like it brings such a unique and interesting view to songs that straight men, and even women can’t entirely relate to.

Dan: I am holding onto hope that as time continues, more queer artists will be accepted as major label and mainstream like their straight counterparts. I think that progress in this aspect will really be made by people just like u, who are unapologetically themselves. What advice would you give to up and coming LGBTQ+ songwriters and artists?

Taylor: I would emphasize not trying to hide who you are, letting it all fall out, even if it’s hard to do. We’re in a time where LGBTQ kids need role models, people that they can say they want to grow up to be like. Unlike straight men and women, LGBTQ kids have had to feel the need to hide who they are from such a young age so as to “fit in” with normal, American society; now is the time for us to live our lives to the fullest so we can keep paving the road towards the future. (I felt like a motivational speaker there on a soap box lolz.)

Dan: U are dead on. The more LGBTQ artists and musicians that are in the spotlight, the more LGBTQ kids and youth will see that it really is okay to be themselves. We have to watch out for our LGBTQ youth as much as possible because our government doesn't seem to look out for them enough...

I am sure thinking through these questions has made u, in a way, look back on your own journey as an artist and songwriter. So what would you has been the biggest highlight of your career as an artist/songwriter so far?

Taylor: I think one of the coolest moments so far was opening for Bonnie McKee at OC Pride in 2014. Even though I now look back on my outfit and shake my damn head, it was so amazing to meet her in person, definitely one of my songwriting idols!

Dan: Hahaha, that's incredible. How cool that u were able to open for her at a Pride event! She is a songwriting queen. Definitely an idol of mine, too! (For those of you that don't know Bonnie, u can thank her for hits like 'Teenage Dream,' 'California Gurls,' 'Dynamite,' and 'Hold It Against Me.')

Taylor, it's time for my signature question. What artist/album/song have u had on repeat lately?

Taylor: Ok, album for SURE would be Kehlani’s, “Sweet Savage Sexy”: that shit is AMAZING. I’m also digging The 1975, Jon Bellion, Blackbear and Julia Michaels. “Issues”-Julia Michaels, “Do-Re-Mi”-Blackbear, “Escape”-Kehlani, “Bad Liar”-Selena Gomez and “Death Wish”-Terror Jr are definitely the go-to songs on repeat currently!!!

Dan: This list is SO solid. U know Kehlani has a soft spot in my heart. I was so excited to include her on SPREAD CH.2 as well!

Now that we are sadly wrapping up this Artist Spotlight, how can we check out ur music and stay up to date with ur releases/posts? Anything we should especially be on the lookout for?

Taylor: My Insta/Twitter handle is @TaylorJamison77, and you can listen to my shit on Spotify, Apple Music, iHeart Radio and more under Taylor Jamison! Also, you can check out Matthew John’s EP, “Chain Reaction” on all streaming sites as well (I wrote the title track, “Chain Reaction”!). In the next few months I’ll be having some new music come out, as well as some more releases with other artists (follow me on Insta for the most up to date info, as I share mostly on there. Plus, my InstaStory’s are usually pretty fun, from what I’ve heard!)

Dan: I can attest that Taylor is very fun to follow on social media! Everyone PLEASE go check his pages and his music out, and then go give his song '(Never Gonna) Change For You' another listen on PRIDE! Thank u so much for being so real with us, girl. I cannot wait to see ur name in lights one day.

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Thank u for tuning into the second SPREAD Artist Spotlight! Big thanks to Taylor Jamison for serving some tea today and giving us a closer look at his career as a gay singer/songwriter.

I hope u all enjoy the last few days of PRIDE month! I can't believe it's almost over. In just a couple of days a new playlist will be gracing the SPREAD website, and this one is about to be veryyy refreshing... ;)

Cover e v e r y inch!

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goldandliquor · 6 years

Note

The reason I don't think getaway car is about Dianna bc 1) old fashioned was apparently the drink they were drinking at Met gala (whisky and ice, as mentioned in Gorgeous. Tho obv it's about Karlie, they must've been drinking it for her to have mentioned it). Hiddleswift were mildly stunting at the gala itself. Plus 'I was just drinking' sounds more like current Taylor that Swiftgron Taylor. 2) The whole getaway car escapade thing and wanting to leave 'him' rings is more of ditching CH for

Continued- It rings more of wanting to leave CH to go on Hiddlestunt world tour. Tom was universally loved among swifties and is so even today, unlike CH. 3) the Bonnie and Clyde and running away maniacally thing makes lots of sense considering how whirlwind hiddleswift was, unlike how long and eventful swiftgron was. The song isn't even particularly romantic, she's just kinda frustrated how it abruptly it ended. It sounds a lil impersonal to me. Lastly she's 'clean.' lol long opinion, but wbu?um well idk what you're looking to hear bc I already posted my opinion in excruciating detail? listen to the end of the song again! she doesn't sound frustrated to me, she sounds like she's singing her heart out. her articulation on "I didn't mean it/and you didn't see it" alone, and like? the way she sings "I was dying" at the end? the song is 110% about Dianna, no one is ever going to convince me otherwise.with that said, thanks for being so polite anon! keep in mind that Taylor does this cool thing where just about every song she writes can be loosely ascribed to something from her heterosexual public love life, but on reputation especially it's like trying to shove an oval shape through a perfect circle; it's nearly there but it's never gonna actually fit. in this metaphor, the hiddleswift interpretation of getaway car is the oval. like, it works? I guess? but it's not the perfect circle.

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latoyarubalcava3546 · 6 years

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Guillermo del Toro's Shape Of Water Is The BAFTAs Frontrunner Thanks To 12 Nods! See The Full List Of Nominees HERE!

Awards season is certainly in full swing.

On Tuesday morning, Natalie Dormer and Letitia Wright announced the nominees for the 2018 BAFTA Film Awards. Now that the Golden Globes have come and gone, all eyes are on the British awards show to see who might be a REAL contender at the Oscars.

Related: Oprah Inspires With EPIC #MeToo Speech!

And the answer??? Guillermo del Toro's Shape Of Water is clearly the current frontrunner, as the drama walked away with 12 nominations. Bravo.

Joanna Lumley was also named the host of the industry event, as Stephen Fry recently announced that he'd be stepping down from the role.

Anyhoo, be sure to ch-ch-check out the complete list of nominations for yourself (below)!!

BEST FILM CALL ME BY YOUR NAME Emilie Georges, Luca Guadagnino, Marco Morabito, Peter Spears DARKEST HOUR Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, Douglas Urbanski DUNKIRK Christopher Nolan, Emma Thomas THE SHAPE OF WATER Guillermo del Toro, J. Miles Dale THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Graham Broadbent, Pete Czernin, Martin McDonagh

DIRECTOR BLADE RUNNER 2049 Denis Villeneuve CALL ME BY YOUR NAME Luca Guadagnino DUNKIRK Christopher Nolan THE SHAPE OF WATER Guillermo del Toro THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Martin McDonagh

LEADING ACTRESS ANNETTE BENING Film Stars Don't Die in Liverpool FRANCES McDORMAND Three Billboards Outside Ebbing, Missouri MARGOT ROBBIE I, Tonya SALLY HAWKINS The Shape of Water SAOIRSE RONAN Lady Bird

LEADING ACTOR DANIEL DAY-LEWIS Phantom Thread DANIEL KALUUYA Get Out GARY OLDMAN Darkest Hour JAMIE BELL Film Stars Don't Die in Liverpool TIMOTHÉE CHALAMET Call Me by Your Name

SUPPORTING ACTRESS ALLISON JANNEY I, Tonya KRISTIN SCOTT THOMAS Darkest Hour LAURIE METCALF Lady Bird LESLEY MANVILLE Phantom Thread OCTAVIA SPENCER The Shape of Water

SUPPORTING ACTOR CHRISTOPHER PLUMMER All the Money in the World HUGH GRANT Paddington 2 SAM ROCKWELL Three Billboards Outside Ebbing, Missouri WILLEM DAFOE The Florida Project WOODY HARRELSON Three Billboards Outside Ebbing, Missouri

OUTSTANDING BRITISH FILM DARKEST HOUR Joe Wright, Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, Douglas Urbanski THE DEATH OF STALIN Armando Iannucci, Kevin Loader, Laurent Zeitoun, Yann Zenou, Ian Martin, David Schneider GOD'S OWN COUNTRY Francis Lee, Manon Ardisson, Jack Tarling LADY MACBETH William Oldroyd, Fodhla Cronin O'Reilly, Alice Birch PADDINGTON 2 Paul King, David Heyman, Simon Farnaby THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Martin McDonagh, Graham Broadbent, Pete Czernin

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER THE GHOUL Gareth Tunley (Writer/Director/Producer), Jack Healy Guttman & Tom Meeten (Producers) I AM NOT A WITCH Rungano Nyoni (Writer/Director), Emily Morgan (Producer) JAWBONE Johnny Harris (Writer/Producer), Thomas Napper (Director) KINGDOM OF US Lucy Cohen (Director) LADY MACBETH Alice Birch (Writer), William Oldroyd (Director), Fodhla Cronin O'Reilly (Producer)

FILM NOT IN THE ENGLISH LANGUAGE ELLE Paul Verhoeven, Saïd Ben Saïd FIRST THEY KILLED MY FATHER Angelina Jolie, Rithy Panh THE HANDMAIDEN Park Chan-wook, Syd Lim LOVELESS Andrey Zvyagintsev, Alexander Rodnyansky THE SALESMAN Asghar Farhadi, Alexandre Mallet-Guy

DOCUMENTARY CITY OF GHOSTS Matthew Heineman I AM NOT YOUR NEGRO Raoul Peck ICARUS Bryan Fogel, Dan Cogan AN INCONVENIENT SEQUEL Bonni Cohen, Jon Shenk JANE Brett Morgen

ANIMATED FILM COCO Lee Unkrich, Darla K. Anderson LOVING VINCENT Dorota Kobiela, Hugh Welchman, Ivan Mactaggart MY LIFE AS A COURGETTE Claude Barras, Max Karli

ORIGINAL SCREENPLAY GET OUT Jordan Peele I, TONYA Steven Rogers LADY BIRD Greta Gerwig THE SHAPE OF WATER Guillermo del Toro, Vanessa Taylor THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Martin McDonagh

ADAPTED SCREENPLAY CALL ME BY YOUR NAME James Ivory THE DEATH OF STALIN Armando Iannucci, Ian Martin, David Schneider FILM STARS DON'T DIE IN LIVERPOOL Matt Greenhalgh MOLLY'S GAME Aaron Sorkin PADDINGTON 2 Simon Farnaby, Paul King

ORIGINAL MUSIC BLADE RUNNER 2049 Benjamin Wallfisch, Hans Zimmer DARKEST HOUR Dario Marianelli DUNKIRK Hans Zimmer PHANTOM THREAD Jonny Greenwood THE SHAPE OF WATER Alexandre Desplat

CINEMATOGRAPHY BLADE RUNNER 2049 Roger Deakins DARKEST HOUR Bruno Delbonnel DUNKIRK Hoyte van Hoytema THE SHAPE OF WATER Dan Laustsen THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Ben Davis

EDITING BABY DRIVER Jonathan Amos, Paul Machliss BLADE RUNNER 2049 Joe Walker DUNKIRK Lee Smith THE SHAPE OF WATER Sidney Wolinsky THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Jon Gregory

PRODUCTION DESIGN BEAUTY AND THE BEAST Sarah Greenwood, Katie Spencer BLADE RUNNER 2049 Dennis Gassner, Alessandra Querzola DARKEST HOUR Sarah Greenwood, Katie Spencer DUNKIRK Nathan Crowley, Gary Fettis THE SHAPE OF WATER Paul Austerberry, Jeff Melvin, Shane Vieau

COSTUME DESIGN BEAUTY AND THE BEAST Jacqueline Durran DARKEST HOUR Jacqueline Durran I, TONYA Jennifer Johnson PHANTOM THREAD Mark Bridges THE SHAPE OF WATER Luis Sequeira

MAKE UP & HAIR BLADE RUNNER 2049 Donald Mowat, Kerry Warn DARKEST HOUR David Malinowski, Ivana Primorac, Lucy Sibbick, Kazuhiro Tsuji I, TONYA Deborah La Mia Denaver, Adruitha Lee VICTORIA & ABDUL Daniel Phillips WONDER Naomi Bakstad, Robert A. Pandini, Arjen Tuiten

SOUND BABY DRIVER Tim Cavagin, Mary H. Ellis, Julian Slater BLADE RUNNER 2049 Ron Bartlett, Doug Hemphill, Mark Mangini, Mac Ruth DUNKIRK Richard King, Gregg Landaker, Gary A. Rizzo, Mark Weingarten THE SHAPE OF WATER Christian Cooke, Glen Gauthier, Nathan Robitaille, Brad Zoern STAR WARS: THE LAST JEDI Ren Klyce, David Parker, Michael Semanick, Stuart Wilson, Matthew Wood

SPECIAL VISUAL EFFECTS BLADE RUNNER 2049 Gerd Nefzer, John Nelson DUNKIRK Scott Fisher, Andrew Jackson THE SHAPE OF WATER Dennis Berardi, Trey Harrell, Kevin Scott STAR WARS: THE LAST JEDI Nominees tbc WAR FOR THE PLANET OF THE APES Nominees tbc

BRITISH SHORT ANIMATION HAVE HEART Will Anderson MAMOON Ben Steer POLES APART Paloma Baeza, Ser En Low

BRITISH SHORT FILM AAMIR Vika Evdokimenko, Emma Stone, Oliver Shuster COWBOY DAVE Colin O'Toole, Jonas Mortensen A DROWNING MAN Mahdi Fleifel, Signe Byrge Sørensen, Patrick Campbell WORK Aneil Karia, Scott O'Donnell WREN BOYS Harry Lighton, Sorcha Bacon, John Fitzpatrick

EE RISING STAR AWARD (voted for by the public) DANIEL KALUUYA FLORENCE PUGH JOSH O'CONNOR TESSA THOMPSON TIMOTHÉE CHALAMET

Congrats to all the nominees!!

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