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super-red-lunatic · 2 months
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Hall of Fame Battleground's Sanctuary Locomotive Station and Waiting Lobby
Biggest crossover I've ever drawn!
Some of them are Original Characters and Characters from tv/cartoon/anime/video game etc.
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Cartoon Network Friday Spotlight: Animaniacs- "A Christmas Plotz" / "Little Drummer Warners"
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I was trying to decide what to write about for this holiday season. Maybe a special from a series on Checkered Past? Or an annual favorite like Yogi's First Christmas. But then I saw that Tom Ruegger and Andrea Romano, two of the greatest to work in the TV animation industry, were inducted into the Children and Family Emmy's inaugural Silver Circle, kind of a Hall of Fame.
Unfortunately, Pinky and the Brain the series was never a part of Cartoon Network's lineup, so I can't talk about its legendary holiday episode. But Animaniacs did have a couple of memorable Christmas segments, including these two that made up the 50th episode!
First we have an adaptation of A Christmas Carol that features Warner CEO Plotz as Ebenezer Scrooge, who fires Ralph the security guard and soon meets his three ghosts (played by guess who!), each of which showing Plotz the error of his ways. Soon, Ralph's surprisingly clever son becomes the eventual CEO of the studio and fires Plotz. Hey, he can't be worse than Zaslav.
"A Christmas Plotz" is pretty by the books, but effective in its work. As zany as Animaniacs gets, the show does have a slither of a heart, which is welcome for the season.
And we follow that with the Warners playing the Three Wise Men as they do a jazzy revue of traditional Christmas ballads, which is brilliantly scored and performed.
That's what you usually got with Animaniacs, quick wit and catchy music. Give this a spin during your holiday playlist!
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adultswim2021 · 2 years
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Metalocalypse #17: “Dethclown” | November 26, 2006 – 11:45PM | S01E17
Dr. Rockso, the rock and roll clown from a previous episode has befriended Toki and is an unwelcome guest at Mordhaus. This eventually changes at Toki’s behest. Toki simply adores Dr. Rockso. Unbeknownst to him, Rockso is tapped by the tribunal to help them spy on Dethklok. Dr. Rockso comes to Mordhaus as an official visitor and distracts Dethklok with a music video called “I’m Just a Rock and Roll Clown”. Rockso is eventually discovered by Dethklok’s manager after Rockso boldly attempts (and seemingly succeeds) to steal stuff out of the manager’s safe. He runs away and allowed to survive. The Mordhaus henchmen are instructed to watch where he goes. THE END. 
If I had to come up with a short list of episodes to occupy an Adult Swim hall-of-fame, this would probably make that list. This is one of my all-time favorites. It’s pretty simple, evidenced by the single paragraph it took to run down the plot. I didn’t even touch on the B-story where Murderface discovers the joys of free-balling, which doesn’t really add that much to the episode. Dr. Rockso is a truly hilarious, if not abrasive character. The hatred he gets from the rest of the band is absolutely warranted. His brand of comedy is pathetic and annoying, and only sold by his exuberant delivery. 
The only joke I can highlight in this one that is specific to this viewing is early on the rest of Dethklok are scolding Toki for hanging out with Dr. Rockso, and Nathan Explosion has the topper, yelling at him that “there’s no such thing as clowns!” I somehow did not remember this joke, despite being quite the devotee to this episode. 
The beauty of this episode is that it all builds towards the final act where Dr. Rockso puts on his music video. It’s an garish and obnoxious thing featuring Rockso belting out a love-letter to himself doing cocaine. This is the high point of the episode, and then the episode swiftly ends. You can’t ask for anything better from 11 minutes of television. The video features clown chicks, mountains of cocaine (which Rockso literally skis on), razor blade imagery, and not least of all Rockso’s singing voice which is completely different from his speaking voice and is hysterical. Fuck, this one is so funny. Cutting to the band glowering at this hideous video (except Toki, who naturally loves it) is so hilarious. Cutting back and forth between the video and Rockso sneaking around Mordhaus with his spy camera is great storytelling. 
The only problem I have with the episode (besides Murderface’s subplot which comes off as filler to me) is that I’ve seen it MANY times; I remember specifically showing it to people who have never seen Metalocalypse. I remember being at a party where it was decided to put on a few episodes and I specifically requested this one. This episode kills. It is their “I, Robot” or “Mayhem of the Mooninites”. And, at a time when Adult Swim was feeling like it was past it’s “classic era” prime and getting a little spotty, it was really affirming to see.
MAIL BAG
welcome back to the wild and wacky world my friend
I feel very welcomed. Thank you!
Remember when they'd re-run the older Space Ghosts with the commercial breaks in them and they'd just throw in that one Cartoon Network Space Ghost bumper? The one that was 60s action Space Ghost-themed that was just Space Ghost flying through space and blowing up a bad guy's ship or whatever and it turned into the Cartoon Network logo? That was badass. Hopefully they put that in the middle of Assy McGee. Talk about your Adult Swim Action!
Do I ever! Also, before Adult Swim was a thing I’d tune in for the Space Ghost rerun on regular Cartoon Network and they’d always run that bumper before the episode started. It is burned into my brain. And it was indeed badass.
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The 23rd Annual Bryan Awards - Programming Categories
Programming Categories
New Series: Andor (Disney Plus) Bad Sisters (Apple Plus) The Bear (Hulu) The Diplomat (Netflix) The House of the Dragon (HBO) Jury Duty (FreeVee) The Last of Us (HBO) Shrinking (Apple Plus) So Help Me Todd (CBS) Wednesday (Netflix)
Comedy Series: Abbott Elementary (ABC) Barry (HBO) The Bear (F/X) Jury Duty (FreeVee) The Marvelous Mrs. Maisel (Prime Video) Only Murders In The Building (Hulu) Ted Lasso (Apple Plus) Wednesday (Netflix)
Drama Series: Better Call Saul (F/X) The Crown (Netflix) The Diplomat (Netflix) The House of the Dragon (HBO) The Last of Us (HBO) Succession (HBO) The White Lotus (HBO) Yellowjackets (Showtime)
Daytime Soap: The Bold and the Beautiful (CBS)
Days of Our Lives (NBC & Peacock) General Hospital (ABC) The Young and the Restless (CBS)
Limited/Anthology Series: Beef (Netflix) Black Bird (Apple Plus) Fleishman In Trouble (Hulu) George & Tammy (Showtime) Welcome to Chippendale’s (Hulu) The White House Plumbers (HBO) 
Made for Television Movie: A Christmas Story Christmas (HBO Max) Dolly Parton’s Magic Mountain Christmas (NBC) Fire Island (Hulu) Hocus Pocus 2 (Disney Plus) Weird: The Al Yankovic Story (Roku)
Variety Scripted Series: A Black Lady Sketch Show (HBO) Last Week Tonight with John Oliver (HBO) Saturday Night Live (NBC)
Pre-Recorded Variety Special: Beauty and the Beast: A 30th Anniversary Celebration (ABC) Carol Burnett: 90 Years of Laughter + Love (NBC) The Kennedy Center Honors (CBS) Norman Lear: 100 Years of Music and Laughter (ABC) Richard III: Great Performances (PBS) 2022 Rock and Roll Hall of Fame Induction Ceremony (HBO) 
Live Special: The Apple Super Bowl LVII Halftime Show Featuring Rihanna (FOX)
Elton John: Farewell from Dodger Stadium (Disney Plus) The Macy’s Thanksgiving Day Parade (NBC) The Oscars (ABC) The 75th Annual Tony Awards (CBS) The Tournament of Roses Parade (ABC)
Daytime Talk Show: The Drew Barrymore Show (Syndicated) The Kelly Clarkson Show (NBC/Syndicated) Live with Kelly & Ryan/Mark (ABC/Syndicated) Today with Hoda and Jenna (NBC) Late Night Talk Show: The Daily Show (Comedy Central) Jimmy Kimmel Live (ABC) Late Night with Seth Meyers (NBC) The Late Show with Stephen Colbert (CBS)
Game Show: Family Feud (ABC/Syndicated) Jeopardy (ABC/Syndicated) Let’s Make A Deal (CBS) Password (NBC) The Price Is Right (CBS)
Reality-Competition Program: The Amazing Race (CBS) RuPaul’s Drag Race (VH1) Survivor (CBS) Top Chef (Bravo) The Voice (NBC)
Traditional Reality Program: Antiques Roadshow (PBS) Diners, Drive-Ins, and Dives (Food Network) Love Is Blind (Netflix) Queer Eye (Netflix) Shark Tank (ABC) Welcome to Wrexham (F/X) Non-Fiction Series: FDR (History Channel) The Food That Built America (History Channel) The Origins of Hip-Hop (A&E) The 1619 Project (Hulu) 30 for 30 (ESPN)
Non-Fiction Program: Being Mary Tyler Moore (HBO) The Day The Music Died: The Story of Don McLean’s American Pie (Paramount Plus) I Am My Brother’s Keeper (NBC) Pretty Baby: Brooke Shields (Hulu) Still: A Michael J. Fox Movie (Apple Plus) 
Animated Program: Archer (F/X) Big Mouth (Cartoon Network) Harley Quinn (Netflix) The Simpsons (FOX) South Park (Comedy Central)
Most Missed Series: Atlanta (F/X)  Better Call Saul (AMC) Dr. Phil (Syndicated) The Marvelous Mrs. Maisel (Prime Video) Succession (HBO)
Studio Sports Program: Big Noon Kickoff (FOX) College GameDay (ESPN) FIFA World Cup (FOX) Football Night in America (NBC) The Road to the Final Four (CBS/TBS/TNT/TruTV)
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corrupt-1984 · 1 year
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boglog · 6 years
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[Hillary voice] Teen Titans Go to the polls
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aquilaofarkham · 7 years
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Samurai Jack (2001-2017)
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Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician, singer and actor, who enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes. He had a number one hit with "Singin' in the Rain" in 1929. He also did voices for animated cartoons later in his career, and he is best known as the voice of Jiminy Cricket in Walt Disney's Pinocchio (1940) and Fun and Fancy Free (1947), and Dandy (Jim) Crow in Walt Disney's Dumbo (1941).
Edwards was born in Hannibal, Missouri. He left school at age 14 and soon moved to St. Louis, Missouri and Saint Charles, Missouri, where he entertained as a singer in saloons. As many places had pianos in bad shape or none at all, Edwards taught himself to play ʻukulele to serve as his own accompanist (choosing it because it was the cheapest instrument in the music shop). He was nicknamed "Ukulele Ike" by a club owner who could never remember his name. He got his first break in 1918 at the Arsonia Cafe in Chicago, Illinois, where he performed a song called "Ja-Da", written by the club's pianist, Bob Carleton. Edwards and Carleton made it a hit on the vaudeville circuit. Vaudeville headliner Joe Frisco hired Edwards as part of his act, which was featured at the Palace in New York City—the most prestigious vaudeville theater—and later in the Ziegfeld Follies.
Edwards made his first phonograph records in 1919. He recorded early examples of jazz scat singing in 1922. The following year he signed a contract with Pathé Records. He became one of the most popular singers of the 1920s, appearing in several Broadway shows. He recorded many of the pop and novelty hits of the day, including "California, Here I Come", "Hard Hearted Hannah", "Yes Sir, That's My Baby", and "I'll See You in My Dreams".
In 1924, Edwards performed as the headliner at the Palace, the pinnacle of his vaudeville success. That year he also featured in George and Ira Gershwin's first Broadway musical Lady Be Good, alongside Fred and Adele Astaire. As a recording artist, his hits included "Paddlin’ Madeleine Home" (1925), "I Can't Give You Anything but Love" (1928), and the classic "Singin' in the Rain" (1929), which he introduced. Edwards's own compositions included "(I'm Cryin' 'Cause I Know I'm) Losing You", "You're So Cute (Mama o' Mine)", "Little Somebody of Mine", and "I Want to Call You 'Sweet Mama'". He also recorded a few "off-color" novelty songs for under-the-counter sales, including "I'm a Bear in a Lady's Boudoir," "Take Out That Thing," and "Give It to Mary with Love".
Edwards, more than any other performer, was responsible for the soaring popularity of the ʻukulele.[4] Millions of ʻukuleles were sold during the decade, and Tin Pan Alley publishers added ʻukulele chords to standard sheet music. Edwards always played American Martin ukuleles, favoring the small soprano model in his early career. In his later years, he moved to the larger tenor ʻukulele, which was becoming popular in the 1930s.
Edwards continued to record until shortly before his death in 1971. His last record album, Ukulele Ike, was released posthumously on the independent Glendale label. He reprised many of his 1920s hits; his failing health was however evident in the recordings.
In 1929, Cliff Edwards was playing at the Orpheum Theater in Los Angeles where he caught the attention of movie producer-director Irving Thalberg. His film company Metro-Goldwyn-Mayer hired Edwards to appear in early sound movies. After performing in some short films, Edwards was one of the stars in the feature Hollywood Revue of 1929, doing some comic bits and singing some numbers, including the film debut of his hit "Singin' in the Rain". He appeared in a total of 33 films for MGM through 1933. He had a small role as Mike, playing a ʻukulele very briefly at the beginning of the 1931 movie Laughing Sinners (1931), starring Joan Crawford.
Edwards had a friendly working relationship with MGM's comedy star Buster Keaton, who featured Edwards in three of his films. Keaton, himself a former vaudevillian, enjoyed singing and harmonized with Edwards between takes. One of these casual jam sessions was captured on film, in Doughboys (1930), in which Buster and Cliff scat-sing their way through "You Never Did That Before".
Edwards was also an occasional supporting player in feature films and short subjects at Warner Brothers and RKO Radio Pictures. He played a wisecracking sidekick to western star George O'Brien, and he filled in for Allen Jenkins as "Goldie" opposite Tom Conway in The Falcon Strikes Back. In a 1940 short, he led a cowboy chorus in Cliff Edwards and His Buckaroos. Throughout the 1940s he appeared in a number of "B" westerns playing the comic, singing sidekick to the hero, seven times with Charles Starrett and six with Tim Holt.
Edwards appeared in the darkly sardonic western comedy The Bad Man of Brimstone (1937), and he played the character "Endicott" in the screwball comedy film His Girl Friday (1940). In 1939, he voiced the off-screen wounded Confederate soldier in Gone with the Wind in a hospital scene with Vivien Leigh and Olivia de Havilland.
His most famous voice role was as Jiminy Cricket in Walt Disney's Pinocchio (1940). Edwards's rendition of "When You Wish Upon a Star" is probably his most familiar recorded legacy. He voiced the head crow in Disney's Dumbo (1941) and sang "When I See an Elephant Fly".
In 1932, Edwards had his first national radio show on CBS Radio. He continued hosting network radio shows through 1946. In the early 1930s, however, Edwards' popularity faded as public taste shifted to crooners such as Russ Columbo, Rudy Vallee, and Bing Crosby.
Arthur Godfrey's use of the ʻukulele spurred a surge in its popularity and those that played it, including Edwards. Like many vaudeville stars, Edwards was an early arrival on television. In the 1949 season, he starred in The Cliff Edwards Show, a three-days-a-week (Monday, Wednesday, and Friday evenings) TV variety show on CBS. In the 1950s and early 1960s, he made appearances on The Mickey Mouse Club, in addition to performing his Jiminy Cricket voice for various Disney shorts and the Disney Christmas spectacular, From All of Us to All of You.
Edwards was careless with the money he made in the 1920s, always trying to sustain his expensive habits and lifestyle. He continued working during the Great Depression, but never again enjoyed his former prosperity. Most of his income went to alimony for his three former wives, and paying debts, and he declared bankruptcy four times during the 1930s and early 1940s. Edwards married his first wife Gertrude Ryrholm in 1919, but they divorced four years later. He married Irene Wylie in 1923; they divorced in 1931. In 1932, he married his third and final wife, actress Judith Barrett. They divorced in 1936. He had no children from any of his three marriages.
As well as being a lifelong heavy tobacco smoker, Edwards also struggled with alcoholism, drug addiction and gambling for much of his career.
In his final years, Edwards lived in a home for indigent actors and often spent his time at the Walt Disney Studios to be available any time he could get voice work. He was sometimes taken to lunch by animators whom he befriended and told stories of his days in vaudeville. He had nearly disappeared from the public eye at the time of his death on July 17, 1971, at the age of 76 from a cardiac arrest brought on by arteriosclerosis. Now penniless, Edwards was a charity patient at the Virgil Convalescent Hospital in Hollywood, California. His body was unclaimed and was donated to the University of California, Los Angeles medical school. When Walt Disney Productions, which had been quietly paying many of his medical expenses, discovered this, they offered to purchase his remains and pay for the burial. Instead, it was done by the Actors' Fund of America (which had also aided Edwards) and the Motion Picture and Television Relief Fund. Disney paid for his grave marker.
In 2002, Edwards' 1940 recording on Victor, Victor 26477, "When You Wish Upon a Star", was inducted into the Grammy Hall of Fame. In 2000, Edwards was awarded as a Disney Legend for voice-acting.
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laetro · 3 years
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David Edward Byrd: Inspiring “Wowie-Zowie” for Over 50 Years
With a career that spans over half a decade during the art, music and technological revolution, David Edward Byrd has developed iconic posters and illustrations associated with the best of the rock and theatre era.
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David has been creating posters since his days at The Fillmore East in NYC where he created the famed 1968 Jimi Hendrix poster now in the collection of MOMA, NYC. As well, he created the poster for The Rolling Stones 1969 Tour, TOMMY by The Who, The Grateful Dead, & the legendary 1969 Woodstock Poster. He quickly moved on to Broadway, where he created images for Follies, Godspell, Jesus Christ Superstar, Hot L Baltimore, The Magic Show, & Little Shop of Horrors amongst many others. He was Sr. Illustrator at Warner Bros. Consumer Products for 12 years where he worked on everything from Bugs Bunny to Harry Potter. He has had Retrospective Shows in Los Angeles, New York & Seattle. He now lives in the Silver Lake area of Los Angeles with his husband of 39 years, Jolino Beserra, a renowned Mosaic Artist.
ORDER A CUSTOM ILLUSTRATION
Q. Any reason why you chose to illustrate for 60s rock bands in particular?
David Edward Byrd: I was the poster artist for the Fillmore East in NYC from its opening on 8 March 1968 to 27 June 1971 when it closed for good. At this same time, I was also creating posters for the Broadway Theatre (“Follies”, “Godspell”, etc.). As Rock Posters have a much higher profile than Theatre Cards, I chose that area to illustrate. Also, Theatre is about THIS play right NOW, while 60s Rock is about 60s Rock in general.
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Q. What kind of changes do you see when you compare the posters that were created in the 60s to the ones that are created today?
David: The rock poster artist EMEK is a great example of the younger generation’s expertise in the art form (see “Coachella”). Whereas, David Singer is an example of the “Old Garde” moving on to create new imagery (see “Moon Alice”). I still create more East Coast imagery, I think . . .
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Q. One of your Hendrix posters is ranked among Billboard’s Top 10 Rock Posters of all time. What was your thought process/ inspiration while you created the poster?
David: Before coming to Manhattan in 1967 I had worked as a freelance Architectural Draughtsman, so I was familiar with the tools of that trade, and thus I decided to apply this craft to the 1968 Jimi Hendrix Experience poster. I created Jimi’s & his band-mates hair using a hexagonal grid with small circles on the grid representing cosmogenic pixels that one might perceive after ingesting certain popular chemicals of the time (see “Acid”). Each small circle was drafted with a drop-bow compass on the center point of the hexagonal grid.
A laborious process, but worth the time . . .
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Q. The poster you created for the Woodstock Festival was rejected because it was too risque in 1969. Do you think it would have received a different response if it was designed today?
David: Absolutely — an entire sexual revolution has occurred over the last 50+ years. Ironically, the nude female in the center of the poster was copied from the 1847 painting “La Source” by Jean Dominique Ingres, which seemed a perfect symbol for a poster representing “An Aquarian Exposition” (the “Water Bearer”). But the Wallkill City Council thought otherwise (exposed breasts & pudenda a no-no). I had a similar experience with the NY Times treatment of my “Tommy at the Metropolitan Opera” full-page ad in the Sunday Times, which featured a nude Tommy rising into Pinball Heaven — the Times editor chose to paint a crude Black Marker Jockstrap over his very modest genitalia, alas.
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Q. What would you describe interacting with so many rock artists like? Any favorites whose company you enjoyed?
David: Manhattan & San Francisco are light-years apart both culturally & artistically. The West Coast artists created Psychedelia and Neo-Nouveau and are due to the many encomiums they have received for this. David Singer and I were friends and we traded posters. David created the most Fillmore West posters (60 total) of any artist on the planet. For me, his posters are the Apex of the West Coast work. Victor Moscoso influenced my design sense with his vibrant close-value posters (see “Sopwith Camel”) and continues to do so today.
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Q. Can you describe your experience at Warner Bros. How were those 12 years different from working elsewhere?
In 1991, I took the position of Senior Illustrator at Warner Bros. Creative Services, which I held till 2002 • Besides creating illustrations, backgrounds and style guides for all the Looney Tunes & Hannah-Barbera characters, I got to create commemorative plates for The Franklin Mint, souvenir posters for the Batman series of films, style guides for feature films such as Space Jam, The Wizard of Oz, and television shows such as Friends, The Cartoon Network and Scooby-Doo • My department was responsible for the Bugs Bunny Postage Stamp, the first cartoon character on a U.S. Postage Stamp • I created special signed pieces for The WB Studio Stores Galleries based on The Masterpiece Series style guide art that I painted in 1999 • I also did a great deal of work on the style guides for two of the Harry Potter films: Harry Potter & The Chamber of Secrets and Harry Potter & the Prisoner of Azkaban.
One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart.
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Q. Your work is displayed in 23 museums at the moment, including the Louvre in Paris. Do you find it a rare accomplishment considering you are an illustrator and not a painter?
As I have often said if I had remained a painter I probably would not be in any Museum at all. But this is not for me to know. One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart . . .
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Q. From Fillmore East to Broadway to Warner Bros, how has your style evolved over the years?
My art-chops improved immensely in the last 20 years. I hope it is somewhat evident. My work was hit-or-miss in the beginning but things have gotten better of late.
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Q. Can you name some of your favourite posters which you have worked on?
“FOLLIES” 1971
“HENDRIX EXPERIENCE” FE 1968
“BOWIE” Carnegie HALL 1972
“QUEEN” 1st Tour 1974
“PRINCE” DNA 2013
“TOM PETTY” 1980
“NY DECO EXPO” 1974
LED ZEPPELIN FE 1969
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Q. What is your process like when coming up with an illustration or a poster?
1.) Collect Reference & inspiration in Folder. 2.) Create rough pencils for scanning. 3.) Collect possible Fonts. 4.) Build rough designs on Mac 5.) Choose 1 main color and build up from that 6.) Proof printing
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Q. What software do you use to create your illustrations?
ADOBE SUITE (PhShop; Illustrator; InDesign) + Typestyler
Q. Lastly, what do you always aim to achieve through your illustrations?
Eye-Fun • Immediacy • Gotcha • Who-Is-This-Guy? • Wowie-Zowie
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godfatherofgreenbay · 7 years
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blackkudos · 4 years
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M. C. Hammer
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Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American rapper, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants.
A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop-rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album. BET ranked Hammer as the No. 7 "Best Dancer Of All Time". Vibe's "The Best Rapper Ever Tournament" declared him the 17th favorite of all-time during the first round.
Burrell became a preacher during the late 1990s with a Christian ministry program on TBN called M.C. Hammer and Friends. Additionally, he starred in a Saturday-morning cartoon called Hammerman in 1991, and was executive producer of his own reality show called Hammertime, which aired on the A&E Network during the summer of 2009. Hammer was also a television show host and dance judge on Dance Fever in 2003, was co-creator of a dance website called DanceJam.com, and is a record label CEO while still performing concerts at music venues and assisting with other social media, ministry and outreach functions. Prior to becoming ordained, Hammer signed with Suge Knight's Death Row Records by 1995.
Throughout his career, Hammer has managed his own recording business. As a result, he has created and produced his own acts including Ho Frat Hoo!, Oaktown's 3.5.7, Special Generation, Analise, DRS, B Angie B, and Gentry Kozia. A part of additional record labels, he has associated, collaborated and recorded with Psy, VMF, Tupac Shakur, Teddy Riley, Felton Pilate, Tha Dogg Pound, The Whole 9, The Hines Brother, Deion Sanders, Big Daddy Kane, BeBe & CeCe Winans and Jon Gibson.
Early life and education
Stanley Kirk Burrell was born on March 30, 1962 in Oakland, California. His father was a professional poker player and gambling casino manager (at Oaks Card Club's cardroom), as well as warehouse supervisor. He grew up poor with his mother (a secretary) and eight siblings in a small apartment in East Oakland. He recalled that six children were crammed into a three-bedroom housing project apartment. The Burrells would also frequent thoroughbred horse races, eventually becoming owners and winners of several graded stakes.
In the Oakland Coliseum parking lot the young Burrell would sell stray baseballs and dance accompanied by a beatboxer. Oakland A's team owner Charles O. Finley saw the 11-year-old doing splits and hired him as a clubhouse assistant and batboy as a result of his energy and flair. Burrell served as a "batboy" with the team from 1973 to 1980. In 2010, Hammer discussed his lifelong involvement with athletes on ESPN's First Take as well as explained that his brother Louis Burrell Jr. (who would later become Hammer's business manager) was actually the batboy while his job was to take calls and do "play-by-plays" for the A's absentee owner during every summer game. The colorful Finley, who lived in Chicago, used the child as his "eyes and ears." Reggie Jackson, in describing Burrell's role for Finley, took credit for his nickname:
Hell, our chief executive, the guy that ran our team, uh, that communicated [with] Charlie Finley, the top man there, was a 13-year old kid. I nicknamed him "Hammer," because he looked like Hank Aaron [whose nickname was "The Hammer"].
Team players, including Milwaukee Brewers second baseman Pedro Garcia, also dubbed Burrell "Little Hammer" due to his resemblance to Aaron. Ron Bergman, at the time an Oakland Tribune writer who covered the A's, recalled that:
He was an informant in the clubhouse, an informant for Charlie, and he got the nickname "Pipeline."
According to Hammer:
Charlie said, "I'm getting you a new hat. I don't want you to have a hat that says "A's" on it. I'm getting you a hat that says 'Ex VP,' that says 'Executive Vice President.' You're running the joint around here." ... Every time I come down to the clubhouse, you know, Rollie would yell out "Oh, everybody be quiet! Here comes Pipeline!"
He acquired the nickname "M.C." for being a "Master of Ceremonies" which he used when he began performing at various clubs while on the road with the A's, and eventually in the military. Hammer, who played second base in high school, dreamed of being a professional baseball player but did not make the final cut at a San Francisco Giants tryout. However, he has been a participant/player in the annual Taco Bell All-Star Legends and Celebrity Softball Game wearing an A's cap to represent Oakland (American League).
Burrell went on to graduate from McClymonds High School in Oakland and took undergraduate classes in communications. Discouraged by his studies at a local college and failing to win a place in a professional baseball organization. He joined the United States Navy for three years, serving with PATRON (Patrol Squadron) FOUR SEVEN (VP-47) of NAS Moffett Field in Mountain View, CA as a Petty Officer Third Class Aviation Store Keeper (AK3) until his honorable discharge.
Music and entertainment career
Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988).
With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and Full Blast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career.
At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.
Feel My Power (1986)
In the mid-1980s while rapping in small venues and after a record deal went sour, Hammer borrowed US$20,000 each from former Oakland A's players Mike Davis and Dwayne Murphy to start a record label business called Bust It Productions. He kept the company going by selling records from his basement and car. Bust It spawned Bustin' Records, the independent label of which Hammer was CEO. Together, the companies had more than 100 employees. Recording singles and selling them out of the trunk of his car, he marketed himself relentlessly. Coupled with his dance abilities, Hammer's style was unique at the time.
Now billing himself as "M.C. Hammer", he recorded his debut album, Feel My Power, which was produced between 1986 and 1987 and released independently in 1987 on his Oaktown Records label (Bustin'). It was produced by Felton Pilate (of Con Funk Shun). It sold over 60,000 copies and was distributed by City Hall Records. In the spring of 1988, Tony Valera, a 107.7 KSOL Radio DJ, played the track "Let's Get It Started" in his mix-shows—a song in which Hammer declared he was "second to none, from Doug E. Fresh, LL Cool J, or DJ Run"—after which the track began to gain popularity in clubs. (He would continue to call out other East Coast rappers in future projects as well.)
Hammer also released a single called "Ring 'Em", and largely on the strength of tireless street marketing by Hammer and his wife, plus continued radio mix-show play, it achieved considerable popularity at dance clubs in the San Francisco Bay Area. Heartened by his rising prospects, Hammer launched into seven-day-a-week rehearsals with the growing troupe of dancers, musicians, and backup vocalists he had hired. It was Hammer's stage show, and his infectious stage presence, that led to his big break in 1988 while performing in an Oakland club. There he impressed a record executive who "didn't know who he was, but knew he was somebody", according to the New Rolling Stone Encyclopedia of Rock & Roll.
M.C.Hammer had received several offers from major record labels before (which he initially declined due to his personal success), but after the successful release of this independent album and elaborate live dance show amazed the Capitol Records executive, Hammer agreed to sign a record deal soon after. Hammer took home a US$1,750,000 advance and a multi-album contract. It didn't take long for Capitol to recoup its investment.
Let's Get It Started (1988)
Once signed to Capitol Records, Hammer re-issued his first record (a revised version of Feel My Power) with additional tracks added and sold over 2 million copies. "Pump It Up" (also performed during Showtime at the Apollo on September 16, 1989), "Turn This Mutha Out", "Let's Get It Started" and "They Put Me in the Mix" were the most popular singles from this album, all of which charted. Not entirely satisfied with this first multi-platinum success, Hammer's music underwent a metamorphosis, shifting from the standard rap format in his upcoming album. "I decided the next album would be more musical," he says. Purists chastised him for being more dancer than rapper. Sitting in a leopard-print bodysuit before a concert, he defended his style: "People were ready for something different from the traditional rap style. The fact that the record has reached this level indicates the genre is growing."
M.C. Hammer was very good friends with Arsenio Hall (as well as a then-unknown teen named Robert Van Winkle, aka Vanilla Ice, despite later rumors that there was a "beef" between the two rappers which was addressed during the height of both their careers on Hall's show, and who he would later reunite with in a 2009 concert in Salt Lake City, Utah), and as such, Hammer was first invited to perform the song "U Can't Touch This", prior to its release, on The Arsenio Hall Show in 1989. He also performed "Dancing Machine" in a version that appeared in the same-titled movie.
Hammer used some of the proceeds from this album to install a rolling recording studio in the back of his tour bus, where he recorded much of his second album.
In 1989, Hammer was featured on "You've Got Me Dancing" (with Glen Goldsmith), which appeared on the Glen Goldsmith album Don't Turn This Groove Around (RCA Records). The track was Hammer's first release in the UK. Hammer also appeared in Glen Goldsmith's music video for this song. The single failed to chart.
Please Hammer, Don't Hurt 'Em (1990)
Notorious for dissing rappers in his previous recordings, Hammer appropriately titled his third album (and second major-label release) Please Hammer, Don't Hurt 'Em, which was released February 12, 1990 (with an original release date of January 1, 1990). It included the successful single "U Can't Touch This" (which sampled Rick James' "Super Freak"). It was produced, recorded, and mixed by Felton Pilate and James Earley on a modified tour bus while on tour in 1989. Despite heavy airplay and a No. 27 chart debut, "U Can't Touch This" stopped at No. 8 on the Billboard Hot 100 chart because it was released only as a twelve-inch single. However, the album was a No. 1 success for 21 weeks, due primarily to this single, the first time ever for a recording on the pop charts. The song has been and continues to be used in many filmmaking and television shows to date, and appears on soundtrack/compilation albums as well.
Follow-up successes included a cover of the Chi-Lites' "Have You Seen Her" and "Pray" (a beat sampled from Prince's "When Doves Cry" and Faith No More's "We Care a Lot"), which was his biggest hit in the US, peaking at No. 2. "Pray" was also a major UK success, peaking at No. 8. The album went on to become the first hip-hop album to earn diamond status, selling more than 18 million units to date. During 1990, Hammer toured extensively in Europe which included a sold-out concert at the National Exhibition Centre in Birmingham. With the sponsorship of PepsiCo International, Pepsi CEO Christopher A. Sinclair went on tour with him during 1991.
The album was notable for sampling other high-profile artists and gave some of these artists a new fanbase. "Dancin' Machine" sampled The Jackson 5, "Help the Children" (also the name of an outreach foundation Hammer started) interpolates Marvin Gaye's "Mercy Mercy Me (The Ecology)", and "She's Soft and Wet" also sampled Prince's "Soft and Wet". All of these songs proved to be successful on radio and video television, with "U Can't Touch This," "Pray" (most successful), "Have You Seen Her," "Here Comes the Hammer," and "Yo!! Sweetness" (UK only) all charting. The album increased the popularity of hip-hop music. It remains the genre's all-time best-selling album.
A movie also accompanied the album and was produced in 1990, called Please Hammer, Don't Hurt 'Em: The Movie (with portions of his music videos included within the movie). At the same time, he also appeared in The West Coast Rap All-Stars posse cut "We're All in the Same Gang." Music videos from this album and the previous albums began to receive much airplay on MTV and VH1.
M.C. Hammer also contributed a track, "This is What We Do", on the 1990 Teenage Mutant Ninja Turtles movie soundtrack on SBK Records.
A critical backlash began over the repetitive nature of his lyrics, his clean-cut image, and his perceived over-reliance on sampling others' entire hooks for the basis of his singles—criticisms also directed to his contemporary, Vanilla Ice. He was mocked in music videos by 3rd Bass (including a rap battle with MC Serch), The D.O.C., DJ Debranz, and Ice Cube. Oakland hip-hop group Digital Underground criticized him in the CD insert of their Sex Packets album by placing Hammer's picture in it and referring to him as an unknown derelict. Q Tip criticized him in "Check the Rhyme," asking, "What you say Hammer? Proper. Rap is not pop, if you call it that then stop." LL Cool J dissed him in "To tha Break of Dawn" (from the Mama Said Knock You Out album), calling Hammer an "amateur, swinging a Hammer from a bodybag [his pants]," and saying, "My old gym teacher ain't supposed to rap.", though this could have been seen as a response to Hammer calling him out in "Let's Get it Started", when he was mentioned along with Run-DMC and Doug E. Fresh as rappers that Hammer claimed to be better than. (LL Cool J would later compliment and commend Hammer's abilities/talents on VH-1's 100 Greatest Songs of Hip Hop, which aired in 2008). However, Ice-T came to his defense on his 1991 album O.G. Original Gangster: "A special shout out to my man M.C. Hammer: a lot of people dis you, man, but they just jealous." Ice-T later explained that he had nothing against people who were pop-rap from the start, as Hammer had been, but only against emcees who switch from being hardcore or dirty to being pop-rap so that they can sell more records.
Despite the criticisms, Hammer's career continued to be highly successful including tours in Asia, Europe, Australia, and Russia. Soon after, M.C. Hammer Mattel dolls, lunchboxes, and other merchandise were marketed. He was also given his own Saturday morning cartoon, called Hammerman, which he hosted and voiced.
Too Legit to Quit (1991)
After publicly dropping the "M.C." from his stage name, Hammer released Too Legit to Quit (also produced by Felton Pilate) in 1991. Hammer answered his critics within certain songs from the album. Sales were strong (over five million copies), with the title track being the biggest hit single from this record. The album peaked in the Top 5 of the Billboard 200. Another hit came soon after, with "Addams Groove" (which appeared on both The Addams Family motion picture soundtrack and the vinyl and cassette versions of 2 Legit 2 Quit), reaching No. 7 in the U.S. and No. 4 in the UK. His video for the song appeared after the movie.
Hammer set out on a tour for this album, with a stage show which had become as grandiose and lavish as his lifestyle ⁠— ⁠loaded with singers, dancers, and backup musicians, the supporting concert tour was too expensive for the album's sales to finance, and it was canceled partway through. In 1992, Boyz II Men joined Hammer's high-profile 2 Legit 2 Quit tour as an opening act. While traveling the country, their tour manager Khalil Roundtree was murdered in Chicago, and the group's future performances of "It's So Hard to Say Goodbye to Yesterday" were dedicated to him. As a result of this unfortunate experience, the song would help advance their success.
Music videos were produced for all four singles released from this album (including "Do Not Pass Me By" and "This Is The Way We Roll"), all which charted.The "2 Legit 2 Quit" video featured many celebrity appearances. It's been ranked as one of the most expensive videos ever made. The hand motions used within the song and video also became very popular. The song proved to be successful in the U.S., peaking in the Top 10 of the Billboard Hot 100, at #5. Despite the album's multi-platinum certification, the sales were one-third of Please Hammer, Don't Hurt 'Em.
At the end of the "2 Legit 2 Quit" video, after James Brown enlists Hammer to get the famous glove of Michael Jackson, a silver-white sequined glove is shown on the hand of a Michael Jackson look-alike doing the "2 Legit 2 Quit" hand gesture. In a related story, M.C. Hammer appeared on The Wendy Williams Show (July 27, 2009) and talked about his hit reality show Hammertime on A&E, his marriage, his role as a dad and the reasons he eventually went bankrupt. He told an amusing story about a phone call he received from "M.J.", regarding the portion of the "2 Legit 2 Quit" video that included a fake Michael Jackson, giving his approval and inclusion of it. He explained how Michael had seen the video and liked it, and both expressed they were fans of one another. Hammer and Jackson would later appear, speak and/or perform at the funeral service for James Brown in 2006.
The artwork featured in the album was created by James B. Young and accompanying studios.
During 1991, Hammer was featured on the single "The Blood" from the BeBe & CeCe Winans album, Different Lifestyles. In 1992, the song peaked at No. 8 on the Christian charts.
New venture with Oaktown/Giant Records (1992–1993)
In 1992, after a four-year hiatus, Doug E. Fresh signed with Hammer's label, Bust It Records and issued one album, Doin' What I Gotta Do, which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the Rick James 1979 single "Bustin' Out") was a commercial failure.
Prior to Hammer's next album, The Funky Headhunter, rumors from critics and fans began claiming Hammer had quit the music/entertainment business or had suffered a financial downfall (since a couple of years were passing between his two records), which Hammer denied. Hammer claimed rumors falsely heralded his downfall were most likely a result of the fact he turned over his "trimmed-down" Bust It Records to his brother and manager Louis Burrell Jr., and his horse racing interests to his brother Chris and their father, Louis Burrell Sr.
During his hiatus between albums, Hammer consequently signed a multimillion-dollar deal with a new record company. He said there were a lot of bidders, but "not too many of them could afford Hammer". Therefore, Hammer parted ways with Felton Pilate (who had previously worked with the successful vocal group Con Funk Shun) and switched record labels to Giant Records, taking his Oaktown label with him. Hammer was eventually sued by Pilate. Additionally, Hammer launched a new enterprise, called Roll Wit It Entertainment & Sports Management, with clients such as Evander Holyfield, Deion Sanders and Reggie Brooks. In 1993, his production company released a hit rap song by DRS.
By this time, he also parted ways with his only female executive, music business administration consultant and songwriter, Linda Lou McCall (who previously worked with The Delfonics and her husband Louis A. McCall, Sr.'s band Con Funk Shun). She went on to work with artists such as Puff Daddy, Faith Evans, Notorious B.I.G., Mýa, Black Eyed Peas and Eminem. A music industry vet who attended Howard University's College of Fine Arts and the University of California-Davis School of Law, McCall was hired by Hammer's brother and manager, Louis K. Burrell, in 1990 to help set up his corporate operations and administration at Bust It Management and Productions Inc. in Oakland, California. She later became Vice President of Hammer's talent management company, overseeing artists like Heavy D, B Angie B and Ralph Tresvant. While at Bust It, she and her husband Louis A. McCall, Sr. brought their artist Keith Martin to Felton's attention who hired him as a backup musician and vocalist for Hammer's Please Hammer, Don't Hurt 'Em and Too Legit to Quit world tours. In 1993 and 1994, Linda Lou was also involved in several lawsuits against Hammer which were eventually settled out of court.
With a new home and daughter, a new record soon to be released, and his new business, Hammer claimed he was happy and far from being broke during a tour of his mansion for Ebony. "Today there is a more aggressive Hammer, because the '90s require you to be more aggressive", Hammer said of his music style. "There is a harder edge, but I'm no gang member. Hammer in the '90s is on the offense, on the move, on the attack. And it's all good".
The Funky Headhunter and Prime Time (1994)
In 1993, Hammer began recording his fifth official album. To adapt to the changing landscape of hip-hop, this album was a more aggressive sounding album entitled The Funky Headhunter. He co-produced this record with funky rapper and producer, Stefan Adamek. While Hammer's appearance changed to keep up with the gangsta rap audience, his lyrics still remained honest and somewhat clean with minor profanity. Yet, as with previous records, Hammer would continue to call out and disrespect other rappers on this album. As with some earlier songs such as "Crime Story" (from the album Please Hammer, Don't Hurt 'Em), the content and reality about "street life" remained somewhat the same, but the sound was different, resulting in Hammer losing favor with fans. Nonetheless, this harder-edged, more aggressive record went gold, but failed to win him a new audience among hardcore hip-hop fans.
In another appearance on The Arsenio Hall Show during the mid-1990s, Hammer debuted the video for "Pumps and a Bump". Talk show host Arsenio Hall said to M.C. Hammer, "Women in the audience want to know, what's in your speedos in the 'Pumps and a Bump' video?" A clip from the video was then shown, to much approval from the audience. Hammer didn't give a direct answer, but instead laughed. Arsenio then said, "I guess that's why they call you 'Hammer.' It ain't got nothin' to do with Hank Aaron."
The accompanying video to the album's first single, "Pumps and a Bump", was banned from heavy rotation on MTV with censors claiming that the depiction of Hammer in Speedos (and with what appeared to be an erection) was too graphic. This led to an alternative video being filmed (with Hammer fully clothed) that was directed by Bay Area native Craig S. Brooks.
"It's All Good" was the second single released, which would become a pop culture phrase as a result of its success. It was also the most successful song by this title.Within this album, Hammer disses rappers such as A Tribe Called Quest (Q-Tip), Redman and Run DMC for previous attacks they made against him on wax. This quite possibly led to a decrease in his popularity after this record responded to his critics.
On December 20, 1994, Deion Sanders released Prime Time, a rap album on Hammer's Bust It Records label which featured the minor hit "Must Be The Money". "Prime Time Keeps on Tickin'" was also released as a single. Sanders, a friend of Hammer's, had previously appeared in his "Too Legit to Quit" music video, and his alter-ego "Prime Time" is also used in Hammer's "Pumps and a Bump" video.
The song "Help Lord (Won't You Come)" appeared in Kingdom Come.This album peaked at number two on the R&B charts and remained in the Top 30 midway through the year. To date, it has managed to become certified platinum.
Inside Out, Death Row Records and Too Tight (1995–1996)
In 1995, Hammer released the album Inside Out V (or inside out V). The album sold poorly compared to previous records (peaking at 119 on the Billboard Charts) and Giant Records dropped him and Oaktown Records from their roster. Songs "Going Up Yonder" and "Sultry Funk" managed to get moderate radio play (even charting on national radio station countdowns).
Along with a fickle public, Hammer would go on to explain in this album that he felt many of his so-called friends he helped staff, used and betrayed him which contributed to a majority of his financial loss (best explained in the song "Keep On" and the bio from this album). He would also hint about this again in interviews, including The Ellen DeGeneres Show in 2009.
In 1995, Hammer released "Straight to My Feet" (with Deion Sanders) from the Street Fighter soundtrack (released in December 1994). The song charted No. 57 in the UK.
Hammer's relationship with Suge Knight dates back to 1988. Hammer signed with Death Row Records by 1995, then home to Snoop Dogg and his close friend, Tupac Shakur. The label did not release the album of Hammer's music (titled Too Tight) while he had a career with them, although he did release versions of some tracks on his next album. However, Burrell did record tracks with Shakur and others, most notably the song "Too Late Playa" (along with Big Daddy Kane and Danny Boy). After the death of Shakur in 1996, Burrell left the record company. He later explained his concern about this circumstance in an interview on Trinity Broadcasting Network since he was in Las Vegas with Tupac the night of his death.
Return to EMI and Family Affair (1996–1998)
In October 1996, Burrell and Oaktown signed with EMI, which saw the release of a compilation album of Hammer's chart topping songs prior to The Funky Headhunter. The album, titled Greatest Hits, featured 12 former hits. In 1998, another "greatest hits" album, called Back 2 Back Hits, was produced and released by CEMA. (Another compilation version of Back 2 Back was later released by Capitol Records in 2006.) As Hammer's empire began to collapse when his last album failed to match the sales of its predecessors, and since he unsuccessfully attempted to recast himself in the "streetwise/hardcore rap" mold of the day, Hammer turned to a gospel-friendly audience.
In 1998, MC Hammer released his first album in his new deal with EMI, titled Family Affair, because it was to introduce the world to the artists he had signed to his Oaktown Records (Geeman, Teabag, and Common Unity) as they made their recording debut. Technically his seventh album since his debut EP, this record was highly promoted on Trinity Broadcasting Network (performing a more gospel version of "Keep On" from his album Inside Out V), yet featured no charting singles and selling about 1,000 copies worldwide.
The album also features a song written for Hammer by 2Pac called "Unconditional Love". Hammer would later dance and read the lyrics to this song on the first VH1 Hip Hop Honors in 2004.
A double album mostly about faith and family values, additional tracks from Family Affair are: "Put It Down", "Put Some Stop in Your Game", "Big Man", "Set Me Free", "Our God", "Responsible Father Shout", "He Brought Me Out", (Geeman Intro), "Eye's Like Mine", "Never Without You", "Praise Dance Theme Song", "Shame of the Name", (Smoothout Intro), (Teabag Intro), "Silly Heart", "I Wish U Were Free", (Common Unity Intro), "Someone to Hold to You", "Pray" (1998), "Let's Get It Started" (1998), and with "Hammer Music/Shouts/Tour Info" announcements between songs. The compact disks are also "PC Ready" with interactive features.
After this album, new projects were rumored to be in the works, including an album (War Chest: Turn of the Century) and a soundtrack to the film Return to Glory: The Powerful Stirring of the Black Man, but neither appeared.
The Hits and Active Duty (2000–2001)
In 2000, another compilation album was released, titled The Hits. It contains 17 tracks from his first four albums.
Following the September 11, 2001 attacks, M.C. Hammer released his 8th studio album, Active Duty, on his own World Hit Music Group label (the musical enterprise under his Hammertime Holdings Inc. umbrella) to pay homage to the ones lost in the terrorist attacks. The album followed that theme, and featured two singles (with accompanying videos), "No Stoppin' Us (USA)" and "Pop Yo Collar" (featuring Wee Wee) which demonstrates "The Phat Daddy Pop", "In Pop Nito", "River Pop", "Deliver The Pop" and "Pop'n It Up" dance moves. The album, like its predecessor, failed to chart and would not sell as many copies as previous projects. Hammer did however promote it on such shows as The View and produced a video for both singles.
This patriotic album, originally planned to be titled The Autobiography Of M.C. Hammer, donated portions of the proceeds to 9/11 charities. Hammer shot a video for the anthem "No Stoppin' Us (USA)" in Washington, D.C., with several members of the United States Congress, who sang in the song and danced in the video. Present members of the United States House of Representatives included J. C. Watts, Eddie Bernice Johnson, Thomas M. Davis, Earl Hilliard, Alcee Hastings, Rep. Diane Watson (D-Calif.), Rep. Corrine Brown (D-Fla.) and Jesse Jackson, Jr.
Full Blast (2004)
After leaving Capitol Records and EMI for the second time in his career, M.C. Hammer decided to move his Oaktown imprint to an independent distributor and released his ninth studio album, Full Blast (which was completed in late 2003 and released as a complete album in early 2004). The album would feature no charting singles and was not certified by the RIAA. A video was produced for "Full Blast", a song that attacks Eminem and Busta Rhymes for previous disrespect towards him.
Some of the original songs didn't end up making the final album release. Guest artists included The Stooge Playaz, Pleasure, Rain, JD Greer and DasIt.
Look Look Look and Platinum MC Hammer (2006–2008)
After going independent, Hammer decided to create a digital label to release his tenth studio album, Look Look Look. The album was released in February 2006 and featured production from Scott Storch. The album featured the title-track single (Look Look Look) and a music video. It would sell much better than his previous release (300,000 copies worldwide).
"YAY" was produced by Lil Jon. "What Happened to Our Hood?" (featuring Sam Logan) was originally from Active Duty. "I Got It From The Town" was used in the movie but is only present in one scene instead of the originally planned two on The Fast and the Furious: Tokyo Drift (soundtrack).
Between 2006 and 2007, Hammer released a military-inspired rap song with a political message to President George W. Bush about sending American troops back home from war, called "Bring Our Brothers Home". The video was filmed at the Santa Monica Pier.
In 2008, Platinum MC Hammer was released by EMI Records. The compilation consists of 12 tracks from Hammer's previous albums, with a similar playlist as former "greatest hits" records (with the exception of including a remix of "Hammer Hammer, They Put Me In A Mix" which includes rap lyrics that "They Put Me In A Mix" originally did not). An import was released by Capitol Records.
DanceJamtheMusic (2008–2009)
Since his 2006 album, Hammer continued to produce music and released several other raps that appeared on his social websites (such as Myspace and Dancejam.com) or in commercials, with another album announced to be launched in late 2008 (via his own record label Fullblast Playhouse). Talks of the tour and a new album were expected in 2009.
"Getting Back to Hetton" was made public in 2008 as a digital single. It was a departure for Hammer, bringing in funky deep soul and mixing it with a more house style. Released through licence on Whippet Digital Recordings, media reviews were said to be "disappointing". However, the song "I Got Gigs" from this album was used in a 2009 ESPN commercial and performed during Hammertime (as well as played while he danced just prior to introducing Soulja Boy during YouTube Live on November 22, 2008).
Other tracks and videos from the album included: "I Go" (produced by Lil Jon), "Keep It In Vegas", "Lookin' Out The Window", "Dem Jeans" (by DASIT), "Stooge Karma Sutra" (by The Stooge Playaz) and "Tried to Luv U" (by DASIT featuring Pleasure Ellis).
In March 2009, M.C. Hammer and Vanilla Ice had a one-off concert at the McKay Events Center in Orem, Utah. This concert aided in the promotion of Hammer's new music and television show. During the concert (as shown during an episode of Hammertime), it was mentioned between the two rappers that this was their first headline show together in nearly 20 years, since the time when they were touring together at the peak of their hip-hop careers. Hammer said: "Contrary to popular belief, Ice and I are not only cool with each other, we are like long lost friends. I've known him since he was 16, before he had a record contract and before I had a record contract. It is a great reunion." Vanilla Ice, real name Robert Van Winkle, said: "It's like no time has passed at all. We set the world on fire back in the day - it gives me goose bumps to think about. The concert wouldn't have been so packed if it wasn't us together. I'm so happy right now, the magic is here."
Most recent releases (2010–present)
Hammer has occasionally released singles over the past few years. Below are the most publicized:
"Better Run Run" (2010)
M.C. Hammer promised to release a track (expected on October 31, 2010) responding to a song by Kanye West featuring Jay-Z which attacked him. On the "So Appalled" track, which features Swizz Beatz and RZA, Jay-Z raps a verse targeting Hammer about his financial dilemma in the 1990s. On it Jay says: 'Hammer went broke so you know I'm more focused / I lost 30 mil' so I spent another 30 / 'Cause unlike Hammer 30 million can't hurt me'. Hammer addressed his displeasure about the diss on Twitter, claiming he will react to Jay-Z on Halloween.
Hammer released a sample of his "beef" with Jay-Z (aka 'Hell Boy' according to Hammer) in a brief teaser trailer called "Better Run Run" by 'King Hammer'. At one point, it was uncertain if his reaction would be a film video, a music video or a combination of both. Regardless, he claimed he would show evidence that 'Jigga worships the devil'. It's possible that Jay-Z was offended by an analogy Hammer was conveying in an earlier interview in response to "D.O.A. (Death of Auto-Tune)" on AllHipHop.
On November 1, Hammer's song with video called "Better Run Run!" hit the web in retaliation to Jay-Z's September 2010 diss towards him. M.C. accuses Jigga of being in league (and in the studio) with Satan—and then Hammer defeats the devil and forces Jay to be baptized. Speaking on the video, Jacob O'Gara of Ethos Magazine wrote: "What's more likely is that this feud is the last chapter in the tragic cautionary tale of M.C. Hammer, a tale that serves as a warning to all present and future kings of hip-hop. Keep your balance on the pedestal and wear the crown strong or you'll have the Devil to pay."
In an interview with BBC's DJ Semtex, Jay said he didn't mean the verses as a personal attack. "I didn't know that [Hammer's financial status] wasn't on the table for discussion!" he said. "I didn't know I was the first person ever to say that..." He continued, "When I say things, I think people believe me so much that they take it a different way — it's, like, not rap anymore at that point. I say some great things about him in the book I have coming out [Decoded] — that wasn't a cheap plug," he laughed. "He's gonna be embarrassed, I said some really great things about him and people's perception of him. But it is what it is, he took it that wrong way, and I didn't know I said anything wrong!"
"See Her Face" (2011)
On February 3, 2011, M.C. Hammer appeared on The Oprah Winfrey Show premiering the track "See Her Face" via Flipboard. It was the first time Flipboard included music in the application.
"Raider Nation" and "All In My Mind" (2013–2014)
Among other singles, Hammer released "Raider Nation (Oakland Raiders Anthem)" along with a video in late 2013 and "All In My Mind" (which samples "Summer Breeze" by The Isley Brothers) in early 2014 with his newly formed group called Oakland Fight Club featuring Mistah F.A.B.
"Help the Children" (2017)
Hammer released an updated version of his 1990 charting song with a short film video in late 2017.
Additional business ventures
In 1991, M.C. Hammer established Oaktown Stable that would eventually have nineteen Thoroughbred racehorses. That year, his outstanding filly Lite Light won several Grade I stakes races including the prestigious Kentucky Oaks. His D. Wayne Lukas-trained colt Dance Floor won the Grade II Kentucky Jockey Club Stakes and the Breeders' Futurity Stakes in 1991, then the following year won the Fountain of Youth Stakes and finished 3rd in the 1992 Kentucky Derby. He continues to attend shows as well as many sporting events alongside celebrities.
In the late 1990s into the early 2000s, along with a new clothing line called "J Slick", Hammer began creating and working on M.C. Hammer USA, an interactive online portal.
In 2002, Hammer signed a book contract with publishing company Simon & Schuster which called for a release the following year. However, a manuscript for an inspirational book called Enemies of the Father: Messages from the Heart on Being a Family Man (addressing the situation of African American men), for which Hammer received advance money to write, was never submitted in 2003. This resulted in Hammer being sued by the book company over claims that he never finished the book as promised. The company's March 2009 lawsuit sought return of the US$61,000 advance given to Hammer for the unwritten book about fatherhood.
Hammer was a popular web mogul and activist, becoming involved in several Internet projects (including TechCrunch40 conferences). In 2007, Hammer was co-founder and chief strategy officer of Menlo Park-based (Silicon Valley) DanceJam.com along with Geoffrey Arone. The community site (valued at $4.5 million) was exclusively dedicated to dancing video competitions, techniques and styles which Hammer sometimes judged or rated. After receiving $4.5 million in total equity funding, the site closed on January 1, 2011.
In July 2010, Hammer started a mixed martial arts management company to manage, market, promote, and brand-build for fighters such as Nate Marquardt, Tim F. Kennedy, and Vladimir Matyushenko, among others. According to MMAWeekly.com and Bizjournals, his new company is Alchemist Management in Los Angeles. It now manages 10 fighters. That same month, Hammer also announced his latest venture called Alchemist Clothing. The brand described as a colorful new lifestyle clothing line debuted during an Ultimate Fighting Championship fight in Austin. Middleweight fighter Nate "The Great" Marquardt wore an Alchemist shirt as he walked out to the ring. Hammer has shown an interest in boxing throughout his career.
On September 28, 2010, M.C. Hammer headlined at the TechCrunch Disrupt conference for an official after-hours party.
Hammer appeared on The Oprah Winfrey Show in February 2011 to discuss his tech-media-mogul status, as well as his creation, demonstration and consulting of social applications/sites/media (such as having an involvement with the Internet since 1994 including YouTube and Twitter), and devices such as iPad and ZAGGmate. He also explained how employing/helping so many people in the past never really caused him to be broke in terms of the average person, as the media made it seem, nor would he have changed any experiences that has led him to where he is today. During the "Whatever Happened to M.C. Hammer" episode, he discussed his current home, family and work life as well.
In October 2011, Hammer announced a new internet venture called WireDoo - a "deep search engine" that planned to compete with the major search engines including Google and Bing. With the motto, "Search once and see what's related", Hammer's team planned to eventually open up the site to a select number of beta testers. Wiredoo failed, having never left beta testing, and officially went offline in early 2012.
Television and film career
M.C. Hammer produced and starred in his own movie, Please Hammer, Don't Hurt 'Em: The Movie (1990). The film is about a rapper returning to his hometown who defeats a drug lord using kids to traffic his product. For this project, Hammer earned a Grammy Award for Best Long Form Music Video at the 33rd Grammy Awards (having been nominated for two). He later produced MC Hammer: 2 Legit (The Videos), which included many actors and athletes.
Hammer appeared in major marketing campaigns for companies such as Pepsi, KFC, Toshiba, British Knights and Taco Bell during the height of his career.
In 1991, Hammer hosted, sang/rapped and voiced a Saturday-morning cartoon called Hammerman. That same year, he and Bust It Productions (including B Angie B, Special Generation and Ho Frat Hoo!) appeared in concert from New Orleans on BET
Hammer has made cameos and/or performed on many television shows such as Saturday Night Live (as host and musical guest), Amen and Martin. He also made a cameo in the 1993 Arnold Schwarzenegger film Last Action Hero. Hammer would also go on to appear as himself on The History of Rock 'N' Roll, Vol. 5 (1995). Additionally, he has been involved in movies as an actor such as, One Tough Bastard (1996), Reggie's Prayer (1996), the Showtime film The Right Connections (1997), Deadly Rhapsody (2001), Finishing the Game (2007) and 1040 (2010), as well as a television and movie producer.
Despite public attacks about his financial status, after meeting at the National Association of Broadcasters convention in Las Vegas in April 2001, it was Hammer (credited as a producer) who provided the much needed funding to filmmaker Justin Lin for Better Luck Tomorrow (2002). In its first ever film acquisition, MTV Films eventually acquired Better Luck Tomorrow after it debuted at The Sundance Film Festival. The director said, "Out of desperation, I called up MC Hammer because he had read the script and liked it. Two hours later, he wired the money we needed into a bank account and saved us."
Hammer appeared in two cable television movies. At the age of 39, he was one of the producers for the VH1 movie Too Legit: The M.C. Hammer Story, starring Romany Malco and Tangi Miller as his wife, which aired on December 19, 2001. The film is a biopic which chronicles the rise and fall of the artist. "2 Legit To Quit: The Life Story of M.C. Hammer" became the second highest-rated original movie in the history of VH1 and broadcast simultaneously on BET. "The whole script came from me," says Hammer, "I sat down with a writer and gave him all the information."
In 2003, Hammer appeared on The WB's first season of The Surreal Life, a reality show known for assembling an eclectic mix of celebrities to live together. He was also a dance judge on the 2003 ABC Family TV series Dance Fever. Additionally, he appeared on VH1's And You Don't Stop: 30 Years of Hip-Hop (2004) as well as in 100 Greatest Songs of the 90s (2008), a countdown which he was also commentator on. His eldest child, A'Keiba Burrell, was a contestant on MTV's Rock the Cradle in April 2008 (which Hammer also made appearances on).
Hammer had shown an interest in having his own reality show with specific television networks at one point. Already being a part of shows for VH1 and The WB (I Married... M.C. Hammer and The Surreal Life), it was later confirmed he would appear in Hammertime on A&E Network in the summer of 2009. This reality show was about his personal, business and family life. The following year, Hammer appeared on Live with Regis and Kelly June 3, 2009 to promote his show which began June 14, 2009 at 10 PM EST.
In August 2008, a new ESPN ad featured Hammer in it, showcasing his single "I Got Gigs'" (from his DanceJamtheMusic album). The commercial was for Monday Night Football's upcoming football season. This is not the first commercial in more recent years that Hammer has been in, or his songs/raps/dancing was used for and included in such as Lay's, Hallmark Cards, Purell, Lysol, Nationwide Mutual Insurance Company, Citibank, etc. On February 1, 2009, Hammer and Ed McMahon were featured in a Super Bowl XLIII commercial for Cash4Gold.
In addition to appearing in television commercials, M.C. Hammer's music has also been used in television shows and movies, especially "U Can't Touch This" during The Fresh Prince of Bel-Air (1990), Hot Shots! (1990), The Super (1991), Doogie Howser, M.D. (1992), Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996), Charlie's Angels: Full Throttle (2003), Into the Wild (2007), Tropic Thunder (2008), Dancing with the Stars (2009), Glee (2010) and many more. Additionally, "This Is What We Do" was a 1990 track by Hammer (featuring B Angie B) for the Teenage Mutant Ninja Turtles film and soundtrack. Tracks "That's What I Said" and "Feel My Power" were used for the Rocky V film and soundtrack. Some examples of other raps by Hammer used in movies and television were "Addams Groove" (The Addams Family), "Pray" (License to Wed), "2 Legit 2 Quit" (Hot Rod), "I Got It From The Town" (The Fast and the Furious: Tokyo Drift), "Help Lord, Won't You Come" (Kingdom Come), "Let's Go Deeper" (Beverly Hills, 90210) and "Straight to My Feet" (Street Fighter), among others.
Along with Betty White, Hammer was a voice actor on the September 17, 2010 episode of Glenn Martin, DDS called "Step-brother". In 2016, MC Hammer appeared as himself in an episode of Uncle Grandpa on Cartoon Network.
Hammer has most recently been a spokesman for 3M Command Strips and Starburst.
Dancer, choreographer and entertainer
M.C. Hammer's dance style not only helped pave the way for the Bay Area movement called Hyphy, but also helped to bring hip-hop and rap to the Bay Area. His dancing skills are still taught to this day. With his popular trademark Hammer Pants, one phenomenal difference from Hammer versus other performers during his heyday was that he was an entertainer, both during live shows and in music videos. His flamboyant dancing was as much a part of his performances as rapping and musical instruments were. With high-energy dance routines, he is often considered one of the greatest dancers. While adding his own techniques, Hammer adopted styles from James Brown and The Nicholas Brothers such as the splits, and feverish choreographed dance routines including leaps and slides, most notably. His creation of such dances as "Hammer Dance" (or the "Typewriter Dance"), "The Bump" (from "U Can't Touch This") and the use of "The Running Man" and the "Butterfly," among others, made his flashy and creative dance skills unlike any others at the time.
Hammer's showmanship and elaborate stage choreography, involving fifteen dancers, twelve backup singers, seven live musicians and two disc jockeys, gave him a powerful visual appeal. Hammer was the first rap artist to put together a choreographed show of this type, and his visual flair attracted heavy airplay for his videos on MTV, which at the time had a predominantly white viewership that had aired little rap music before Hammer.
During a 1990 visit from M.C. Hammer (accompanied by his friend Fab Five Freddy) on Yo! MTV Raps, one of the dancers whom Hammer was holding auditions for was a then-unknown Jennifer Lopez.
At the height of his career, Hammer had his legs insured for a substantial amount of money (into the millions), as mentioned in an interview by Maria Shriver in the early 1990s. He later suffered an injury to his knee that halted his dancing career for a period of time. Eventually, BET ranked Hammer as the 7th Best Dancer Of All Time. Some of Hammer's entourage, or "posse" as he called them, were also trained/skilled dancers (including Tiffany Patterson). They participated in videos and at concerts, yet too many dancers and band members eventually contributed to Hammer's downfall, proving to be too much for him to finance.
Hammer stayed active in the dance media/genre, both on television shows and as co-founder of DanceJam.com (which showcased dance competitions and instructional videos on all the latest dance styles) until he and his partner Geoffrey Arone sold it to Grind Networks. Well known for bringing choreography to hip-hop, many of his dancing skills can still be seen on dance-focused and social networking sites. "Dance is unlike any other social medium. It's the core of our culture", Burrell told Wired News.
In addition to his websites and other Internet appearances, Hammer has also appeared demonstrating much of his dancing abilities on talk shows such as The Arsenio Hall Show, Soul Train, Late Night with Conan O'Brien (performing O'Brien's famous "string dance" together as well), The Ellen DeGeneres Show, The View and was a dance judge on Dance Fever. On June 3, 2009, he performed the "Hammer dance" on Live with Regis and Kelly with Will Ferrell as co-host.
While Hammer may have challenged and competed with Michael Jackson during the height of his career, they were friends, proven by a phone call Hammer had with Jackson about his "Too Legit to Quit" video which he shared on The Wendy Williams Show (July 2009). Hammer wanted to ensure he was not offended by the ending of the video where a purported Michael Jackson (seen only from behind) does the "2 Legit 2 Quit" hand gesture with his famous glove. They also appeared together at the funeral service for James Brown in 2006, where Hammer danced in honor of The Godfather of Soul. After Jackson's death, Hammer posted his remembrance and sympathy of the superstar on Twitter. Michael's friend and fellow pop culture icon Hammer told Spinner that, "now that the King of Pop has passed, it's the duty of his fans and loved ones to carry Jackson's creative torch." He went on to say, "Michael Jackson lit the fuse that ignited the spirit of dance in us all. He gave us a song and a sweet melody that will never die. Now we all carry his legacy with joy and pride."
Personal life
At the time of his first album, M.C. Hammer opened his own music management firm. As a result of the success of his third album, Please Hammer, Don't Hurt 'Em, Hammer had amassed approximately US$33 million. US$12 million was used to build his Xanadu-like home in Fremont, California, 30 miles (50 km) south of where he grew up. Jet reported Hammer once employed 200 people, with an annual payroll of US$6.8 million. The estate was sold for $5.3 million after Hammer lived in it for six years.
Hammer currently resides in a large ranch-style abode situated on a two-acre corner lot in Tracy, California with his wife Stephanie of over 30 years (whom he met at a church revival meeting and married December 21, 1985). They have five children: three boys (Bobby, Jeremiah, Sammy) and two girls (Sarah, A'keiba), along with a nephew (Jamaris) and cousin (Marv) having lived with them. It was reported in July 2012, that Hammer was encouraged to marry Whitney Houston by her father at the Super Bowl in 1991.
Hammer frequently posts about his life and activities on his blog "Look Look Look", as well as other social websites such as Facebook, Myspace and Twitter (being one of the earliest celebrities to contribute and join). A self-described "super geek" who's presently consulting for or investing in eight technology companies, Hammer claims to spend 10–12 hours daily working on his technology projects, and tweets 30-40 times a day.
Hammer was an endorser of the SAFE California Act, which if passed in November 2012, would have replaced the death penalty. However, the proposition was defeated.
Bankruptcy, lawsuits and media reaction
Contrary to public rumor, Hammer claimed he was really never "down-and-out" as reported by the media (eventually expressed on The Opie & Anthony Show and The Ellen DeGeneres Show in 2009). Originally having an estimated net worth of over $33 million according to Forbes magazine, speculations about Hammer's status first emerged during delays between albums Too Legit to Quit and The Funky Headhunter, with Hammer having spent much of his money on staff and personal luxuries. In addition to excessive spending while supporting friends and family, Hammer ultimately became $13 million in debt. With dwindling album sales, unpaid loans, a large payroll, and a lavish lifestyle, Hammer eventually filed for Chapter 11 bankruptcy in the U.S. Bankruptcy Court in Oakland, California on April 1, 1996. The case was converted to Chapter 7 on September 23, 1998, but Hammer was denied a bankruptcy discharge on April 23, 2002.
Hammer's mansion was sold for a fraction of its former price. "My priorities were out of order," he told Ebony. He claimed, "My priorities should have always been God, family, community, and then business. Instead they had been business, business, and business." Along with Felton Pilate and other group members, Rick James sued Hammer for infringement of copyright, but the suit was settled out of court when Hammer agreed to credit James as co-composer, effectively cutting James in on the millions of dollars the record was earning. By the late 1990s, though, Hammer seemed to stabilize himself and made himself ready to undertake new projects.
In 1992, Hammer had admitted in depositions and court documents to getting the idea for the song "Here Comes the Hammer" from a Christian recording artist in Dallas named Kevin Christian. Christian had filed a 16 million dollar lawsuit against Hammer for copyright infringement of his song entitled "Oh-Oh, You Got the Shing". This fact, compounded with witness testimony from both Hammer's and Christian's entourages, and other evidence (including photos), brought about a settlement with Capitol Records in 1994. The terms of the settlement remain sealed. Hammer settled with Christian the following year.
In 1997, just prior to beginning his ministry, M.C. Hammer (who by that time had re-adopted "M.C.") was the subject of an episode of The Oprah Winfrey Show and the VH1 series Behind the Music (music from his album Inside Out V was featured in this documentary). In these appearances, Burrell admitted "that [he] had already used up most of [his] fortune of over $20 million, proving that money is nothing if it doesn't bring peace and if priorities are wrong". He would go on to express a similar point in other interviews as well.
During numerous interviews on radio stations and television channels throughout the years, Hammer was constantly questioned about his bankruptcy. During an interview by WKQI-FM (95.5) for the promotion of his "Pioneers Of Hip Hop 2009" gig at the Fox Theatre in Detroit, which featured 2 Live Crew, Naughty by Nature, Too Short, Biz Markie, and Roxanne Shanté, Hammer was asked about his finances by the Mojo in the Morning host. Hammer responded on Twitter that Mojo was a "coward" and threatened to cancel commercials for his upcoming show.
On November 21, 2011, the U.S. government filed a lawsuit in Federal District Court in California against Hammer to obtain a court judgment on his unpaid taxes for years 1996 and 1997. In December 2011, this litigation was reported in the media. Hammer owed $779,585 in back taxes from his earnings dating back to 1996–1997 - during the years Hammer was believed to be facing his worst financial problems. After years of public and media ridicule regarding his financial problem, Hammer tried to assure fans and "naysayers" via Twitter, claiming that he had proof he had already taken care of his debt with the IRS. "700k … Don't get too excited .. I paid them already and kept my receipt. Stamped by a US Federal Judge", Hammer tweeted from his account @MCHammer. However, the District Court ruled against Hammer. He appealed but, on December 17, 2015, the United States Court of Appeals for the Ninth Circuit rejected Hammer's argument that because the government had not listed those taxes in the government's proof of claim filed with the Bankruptcy Court, the government should be stopped from collecting the taxes. According to a 2017 episode of the Reelz TV series Broke & Famous, the situation was eventually resolved. As of the making of the aforementioned Broke & Famous episode, Hammer had a reported net worth of $1.5 million.
Obstruction charges
M.C. Hammer was arrested in 2013 in Dublin, California for allegedly obstructing an officer in the performance of his duties and resisting an officer (according to "stop and identify" statutes). Hammer claims he was a victim of racial profiling by the police, stating an officer pulled out his gun and randomly asked him: "Are you on parole or probation?" Hammer stated that as he handed over his ID, the officer reached inside the car and tried to pull him out. Police in Dublin, east of Oakland, said Hammer was "blasting music" in a vehicle with expired registration and he was not the registered owner. "After asking Hammer who the registered owner was, he became very argumentative and refused to answer the officer's questions," police spokesman Herb Walters typed in an e-mail to CNN. Hammer was booked and released from Santa Rita Jail in Dublin. A court date was scheduled, however, all charges were dropped in early March. Hammer tweeted that he was not bitter and considered what happened "a teachable moment."
Christian beliefs and pastoral ministry
In 1984, Burrell began attending Bible studies, joined a street ministry and formed a gospel rap group known as Holy Ghost Boys featuring Jon Gibson. In 1986, Burrell along with Tramaine Hawkins, performed with Gibson's band doing several concerts at various venues such as the Beverly Theatre in Beverly Hills and recorded several rap songs. They collaborated on a song for Gibson's 1988 album (Change of Heart) called "The Wall", prior to M.C. Hammer's mainstream success. This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album.
Raised Pentecostal, Hammer strayed from his Christian faith during his success, before returning to ministry. His awareness of this can be found in a film he wrote and starred in called Please Hammer, Don't Hurt 'Em: The Movie (1990), in which he also plays the charismatic preacher character named "Reverend Pressure". Nonetheless, as a tribute to his faith, Hammer vowed/promised to dedicate at least one song on each album to God.
During 1991, Hammer was featured on the single "The Blood" from the BeBe & CeCe Winans album, Different Lifestyles. In 1992, the song peaked at No. 8 on the Christian charts.
Hammer later reaffirmed his beliefs in October 1997, and began a television ministry called M.C. Hammer and Friends on the Trinity Broadcasting Network, as well as appearing on Praise the Lord programs where he went public about his devotion to ministry as an ordained minister. Hammer officiated at the celebrity weddings of actor Corey Feldman and Susie Sprague on October 30, 2002 (as seen on VH1's The Surreal Life), and also at Mötley Crüe's Vince Neil and Lia Gerardini's wedding in January 2005.
During an interview on TBN (between 1997 and 1998), Hammer claimed he adopted the "M.C." back into his name which now stood for 'Man of Christ'. Hammer continued to preach while still making music, running a social media business and television show, and devotes time to prison and youth ministries.
From 2009 to 2010, Hammer joined Jaeson Ma at a crusade in Asia. Minister and mentor to Ma for more than a decade, Hammer assisted and co-starred in his documentary film 1040, which explores the spread of Christianity throughout Asia.
Legacy and pop culture fame
Widely considered the first "mainstream" rapper, Hammer continues to entertain while sharing his legacy with other rappers (as cited on BET.com). Hammer became a fixture of the television airwaves and the big screen, with his music being used in many popular shows, movies and commercials still to this day. Hammer appeared in major marketing campaigns for companies to the point that he was criticized as a "sellout", including commercials for British Knights during the height of his career. The shoe company signed him to a $138 million deal.
Hammer's impression on the music industry appeared almost instantaneous, as Digital Underground's rap "The Humpty Dance," which was released when Hammer was still early in his career, included the lyrics "People say ya look like M.C. Hammer on crack, Humpty!", boasting about Hammer's showmanship versus Humpty Hump (Shock G)'s inability to match it in dance. Additionally, Hammer had several costly videos, two in particular were "Too Legit to Quit" or "2 Legit 2 Quit" (in which many celebrities appeared) and "Here Comes the Hammer".
Hammer is well-known for his fashion style during the late 80s and early 90s. Hammer would tour, perform and record with his hype man 2 Bigg MC or Too Big (releasing a song in which he claimed "He's the King of the Hype"). This duo introduced the "shiny suit" and popularized Hammer pants to mainstream America, as seen in videos such as "(Hammer Hammer) They Put Me In A Mix", in which Hammer also claimed Too Big was the "King of Hype" and in an unspoken competition with Flavor Flav (hype man for Public Enemy) during the height of their careers.
Hammer also established a children's foundation, which first started in Hammer's own community, called Help The Children (HTC was named after and based on his song by the same name which included a music video with a storyline from his film Please Hammer, Don't Hurt 'Em: The Movie).
A Sesame Street segment features Elmo taking on the persona of MC Hammer; nicknaming himself "MC Elmo" and along with two backup singers they rap a song about the number five called "Five Jive".
In 1994, British TV presenter Mark Lamarr interrupted Hammer repeatedly with Hammer's catch phrase ("Stop! Hammer Time!") in an interview filmed for The Word, which he took in good humour. He claimed Hammer was a "living legend". It was also within this interview that Hammer explained the truth about his relationship with "gangsta rap" and that he was merely changing with the times, not holding onto his old image nor becoming a "hardcore gangsta". By some accounts, this change contributed to his decline in popularity.
In 2005, Hammer appeared in a commercial for Nationwide Mutual Insurance Company which made a humorous reference to his career. First he is shown in his distinctive clothing with his dance troupe performing "U Can't Touch This" in front of a mansion representative of his former house with a monogram H on the gable. Then there is silence and a screen card saying "Fifteen Minutes Later" appears with a view of Hammer sadly sitting on the curb in front of the same house as a crane removes the monogram H and tow trucks pull away sports cars that were parked in front. After a large "Foreclosed" sign appears, the voiceover said "Life comes at you fast. Be ready with Nationwide!"
In 2006, M.C. Hammer's music catalog (approximately 40,000 songs) was sold to the music company Evergreen/BMG for nearly $3 million. Evergreen explained that the collection was "some of the best-selling and most popular rap songs of all time." Speaking for Evergreen Copyrights, David Schulhof stated the songs "will emerge as a perfect fit for licensing in movies, television shows, and corporate advertising." According to VH1, "Hammer was on the money. Hit singles and videos like "U Can't Touch This" and "Too Legit To Quit" created a template of lavish performance values that many rap artists still follow today."
In March 2009, Ellen DeGeneres made plans for Hammer to be on her show (The Ellen DeGeneres Show) after he contacted her via Twitter.
Hammer continues to give media interviews, such as being a guest on Chelsea Lately (June 16, 2009), where he discussed his relationship with Vanilla Ice, his stint on The Surreal Life, his show Hammertime, his family, his mansion, about him being in shape, his positive financial status and other "colorful topics" (subliminal jokes) regarding his baggy pants.
In 2010, Rick Ross released "MC Hammer" from the Teflon Don album which samples Hammer's "2 Legit 2 Quit".
To celebrate Hammer's 50th birthday, San Francisco game maker Zynga offered up some recent player's Draw Something drawings from his fans. Other sources/services offered "props" on behalf of his special occasion and to show appreciation for his memorable persona/gimmicks used during the peak of his career.
In 2012, Slaughterhouse released a single called "Hammer Dance", along with a video. "Hammer Dance" was the lead single from the Welcome to: Our House album.
During the 2013 Oakland Athletics season, the "2 Legit 2 Quit" music video played on the Diamond Vision in between innings, usually during the middle of the 8th inning. The video featured prominent players from the San Francisco Bay Area's sports championships, such as former A's players Jose Canseco and hall of fame inductee Rickey Henderson.
Influences and effect
M.C. Hammer's career in rap and entertainment has influenced and been influenced by such artists as: Kool Moe Dee, Big Daddy Kane, James Brown, Prince, Michael Jackson, Kurtis Blow, Earth, Wind & Fire, Rick James, Doug E. Fresh (who joined Hammer's Bust It Records label in 1992 and issued the album Doin' What I Gotta Do with the track "Bustin' Out (On Funk)" sampling the Rick James single "Bustin' Out") & The Get Fresh Crew (Barry Bee and Chill Will), Run-DMC and Grandmaster Flash and the Furious Five.
Hammer was followed by related musicians: Will Smith, dc Talk, BB Jay, Diddy (aka "Puffy" or "Puff Daddy"), Young MC, B Angie B, M.C. Brains, MC Breed, Marky Mark and the Funky Bunch, C+C Music Factory, Mystikal, Bell Biv DeVoe, Kris Kross, Ho Frat Hoo! and Oaktown's 357.
Hammer also influenced the music industry with pop culture catchphrases and slang.
Some critics complained of a lack of originality in Hammer's early productions. Entertainment Weekly described "U Can't Touch This" as 'shamelessly copying its propulsive riff from Rick James ("Super Freak"). Hammer admits, "When I look at Puffy with a choir, I say, 'Sure that's a take-off of what I do."
Notable feuds/beefs Hammer had with other rappers include: LL Cool J, Vanilla Ice, Too Short, Redman, 3rd Bass, Jay-Z, Eminem, A Tribe Called Quest and Run-DMC. Several diss tracks were featured on The Funky Headhunter.
Award recipient, appearances and recognition
Throughout the years, Hammer has been awarded for his music, videos and choreography. He has sold more than 50 million records worldwide. He has won three Grammy Awards (one with Rick James and Alonzo Miller) for Best Rhythm and Blues Song (1990), Best Rap Solo (1990) and Best Music Video: Long Form (1990) taken from Please Hammer, Don't Hurt 'Em: The Movie. He also received eight American Music Awards, a People's Choice Award, an NAACP Image Awards and the Billboard Diamond Award (the first for a hip hop artist).
The International Album of the Year validated Hammer's talent as a world-class entertainer. Additionally, Hammer was also honored with a Soul Train Music Award (Sammy Davis, Jr. Award for Entertainer of the Year) in 1991. He has also been a presenter/performer at Soul Train's Music Awards several times, including The 5th Annual Soul Train Music Awards (1991), The 9th Annual Soul Train Music Awards (1995) and Soul Train's 25th Anniversary (1995).
Hammer appeared on gospel music's Stellar Awards show in 1997 and spoke of his renewed commitment to God. In the same interview, he promised to unveil the "second leg" of his career.
In the 2005 MTV Video Music Awards, Hammer made a surprise appearance in the middle of the show with best friend Jermaine Jackson.
On June 12, 2008, Hammer gave his support to Warren Beatty by attending the 36th AFI Life Achievement Awards. In August 2008, at the World Hip Hop Dance Championships, Hammer won a Living Legends of Hip Hop Award from Hip Hop International in Las Vegas.
Hammer, Gary Vaynerchuk, Shaquille O'Neal and Rick Sanchez (host) celebrated the Best of Twitter in Brooklyn at the first Shorty Awards on February 11, 2009, which honored the top short-form content creators on Twitter. In September 2009, Hammer made the "accomplishment appearance" in Zombie Apocalypse for the downloadable Smash TV/Left 4 Dead hybrid for the Xbox 360. Hammer attended the 2009 Soul Train Music Awards which aired on BET November 29, 2009.
On January 5, 2010, Hammer (along with Alyssa Milano and others) was a member of panel judges for the Real-Time Academy of Short Form Arts & Sciences at the Second Annual Shorty Awards. On October 2 (televised October 12), Hammer opened the 2010 BET Hip Hop Awards performing "2 Legit 2 Quit" in Atlanta along with Rick Ross, Diddy and DJ Khaled (all performing together during "MC Hammer" from the Teflon Don album as well).
With over 2.6 million Twitter followers in 2010, his contribution to social media and as a co-founder of his own Internet businesses (such as DanceJam.com), Hammer was announced as the recipient of the first Gravity Summit Social Media Marketer of the Year Award. The award was presented to him at the 3rd Annual Gravity Summit on February 22, 2011 at the UCLA Covel Commons.
At the 40th American Music Awards in November 2012, Hammer danced to a mashup of "Gangnam Style" and "2 Legit 2 Quit" along with South Korean pop star Psy, both wearing his signature Hammer pants. The collaboration was released on iTunes. The performance idea with Hammer came from Psy's management. They both performed it together again on December 31, 2012 during Dick Clark's New Year's Rockin' Eve with Ryan Seacrest.
Hammer received the George and Ira Gershwin Award for Lifetime Musical Achievement (not to be mistaken for the Gershwin Prize), presented during the UCLA Spring Sing in Pauley Pavilion on May 17, 2013.
Tours and concerts
Notable tours and concerts include: A Spring Affair Tour (1989), Summer Jam '89 (1989), Please Hammer, Don't Hurt 'Em World Tour (1990 & 1991), Lawlor Events Center at University of Nevada, Reno (1990-2017), Too Legit World Tour (1992), Red, White, and Boom (2003), The Bamboozle Festival (2007), Hardly Strictly Bluegrass (2008–2013), McKay Events Center with Vanilla Ice (2009), Illinois State Fair with Boyz II Men (2011), MusicFest (2012), Jack's Seventh Show at Verizon Wireless Amphitheatre (2012), Kool & the Gang Superjam at Outside Lands (2014) and Hammer's All-star House Party Tour (2019).
Discography
Feel My Power (1986)
Let's Get It Started (1988)
Please Hammer, Don't Hurt 'Em (1990)
Too Legit to Quit (1991)
The Funky Headhunter (1994)
Inside Out (1995)
Family Affair (1998)
Active Duty (2001)
Full Blast (2004)
Look Look Look (2006)
DanceJamtheMusic (2009)
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WEEBLES (...I had a dream)
My father was a meat cutter by trade for the major supermarkets. More on that later.
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WEEBLES were the DUMBEST toy of the 70’s.
I don’t remember dreams too often and maybe it’s for the best. When I was young, I’d fly in a blue bathrobe with frying pans in my hands through the empty halls of my high school-I REALLY love those flying dreams. Then there were the ones where I was being chased by my father off the roof of my house and I’d wake up just before I landed head first onto the autumn leaf strewn backyard. They say if you die in your dreams, you never wake up. I really want to know how someone ever came to that conclusion, I mean, how do you really know?
I woke up this morning with the memory of an interesting dream.
I was in an old building, perhaps a mansion, where everyone was an animated version of themselves drawn in their own style, like it was a scene from the movie Loving Vincent. Among them were former students of mine (at the Joe Kubert School of Cartooning and Graphic Art, I taught story adaptation and basic drawing 2 for a time), and I recognized them by their styles. “How neat,” I thought “that everyone here is different and they all work together despite the differences in style.” I was thinking of how I might look like in this scene; likely I’d be haphazardly drawn beneath my own capabilities because I was pressed for a deadline,
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Loving Vincent
when above and behind me, from a balcony, I look up to see my father stare off into the room. He was dressed in a bloody surgeons outfit, and held on his right hip, a blood splattered chain saw. As if he just cut down a deer like he had when a neighbor would bring their kill for him to butcher in our garage during my youth.
Looking out he pulls down his surgeons mask, and in an ominous stentorian voice, like Ned Beatty in the movie Network he announces, “MY WEEBLES WOBBLE BUT THEY DON’T FALL DOWN.” Then charmingly he looks down at me and with a wink says,” ...would you like to see ‘em?”
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Network
He then brings me into his room where he has a few boiled eggs with faces drawn on them in padded boxes like some high school parenting lesson and introduces me to his new baby egg, Tom Seaver, the hall of fame pitcher of the New York Mets and Cincinatti Reds.
“I wanted him to be born with 290 wins.” He tells me. “Great, dad...” I thought when here I was born and given your name. 🙄
I look over toward a fish tank near a window that’s cloudy and I see a vacuum cleaner decoration floating in it.
The tank belongs to my pal Bob Camp of Ren and Stimpy fame. How do I know? It’s a dream and I just knew. 🤷🏽‍♂️
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I’m not sure what any of this means. My dad is in his mid 70’s and has the beginnings of dementia, so maybe it’s guilt on my part. I should visit him soon. He was a good dad. He coached me in little league and was a Boy Scouts master. My mom was even a den mother once.
Anyway, for awhile I was wondering what I should blog about here, so there you have it. 😊🙃😕
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alethia000 · 5 years
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[TRANS] 190911 Nichkhun’s Interview with The Cloud  
Virtue
Story by Chernporn Kongma
11 September 2019
[Thai-Eng Trans by Daffodil0624]
A conversation with Nichkhun Horvejkul, a shy boy who has become a member of a popular Korean idol group 2PM, on his role as Friend of UNICEF who encourages children to be fascinated by letters in ‘Every Child Can Read’ Project.
“Eleven years of hard work is not worthless. Fame I have gained can help make our society a better place. It is my way of giving back to society and I consider that virtue or merit of my life.”
These are what Nichkhun Horvejkul has told us. Nichkhun has worked in the entertainment industry in Asia for more than a decade. He has also done volunteer work as Friend of UNICEF for six consecutive years.  
Growing up in overseas entertainment industry has given him an opportunity to see the big, wide world. It has opened his eyes and widened his perspective while he has accumulated diverse experiences. However, doing volunteer work in his homeland has broadened his viewpoint and made him aware of various hidden social problems in Thailand that have been mostly overlooked.
Success and fame may have turned a shy boy into a beloved superstar. Yet, doing volunteer work has shaped and changed his heart, his mind, and his perspective on life. Nichkhun has redefined success, understood the truth about work and entertainment industry, and determined to take part in solving social problems in Thailand.
Every story he has told us indicates that today Nichkhun has a clear understanding of the true value of life.
Little things that have been overlooked
From the moment JYP Entertainment has chosen Nichkhun to be a member of 2PM, this shy boy’s life path is no longer the same. Becoming a popular singer and an idol in South Korea, he has an opportunity to work in different places every day. Sometimes, he travelled to 3 countries in a single day and rarely had a chance to take a break.
Nichkhun’s fans have collected statistical data about his flights. In 2014, his total flight distance (195,540 kilometres) equals travelling around the world for 4.88 times or almost halfway to the moon.
Nevertheless, in the whole wide world he has travelled, nowhere has been able to unforgettably touch his heart and move him like a particular area in the capital city of Thailand. Various forms of social inequality have been concealed beneath the city’s civilisation.
“Among high-rise buildings and luxurious neighbourhoods in Bangkok, there are places we don’t see or have chosen not to look at. When we drive on the expressways past these places every day, we have rarely acknowledged that there are big communities down there. People in these communities suffer from impoverished living conditions.”  
The areas Nichkhun talked about are Klong Toey communities and their numerous social problems.  
Participating in various campaigns to advance children’s rights, Nichkhun visited children in these communities and had firsthand experience of what their living conditions were like. Because of this memorable experience, Nichkhun has promised himself to find a way to help improve these children’s lives.  
“I still remember those children in Klong Toey communities, the overwhelming smell, the poor environments, the rats, and the cockroaches. I don’t know how can we let those children live like that. It is not their fault that they were born there. I think we have to help them, as fellow Thais and human beings that live in the same world.”    
Nichkhun does not live or work in Thailand often. However, whenever he has come back to Thailand, he has dedicated his free time to help children by working with UNICEF and supporting their campaigns.
“I feel very guilty because I often work overseas. I don’t have a chance to visit children in faraway provinces. I will try to find time to work with UNICEF more often. Previously, what I can do best is being a spokesperson who tells people about these problems on social networks and other media channels. I want people to pay attention and help each other. That is what I have to do.”
Shaping his mind and thoughts
Nichkhun admitted that having worked with UNICEF and learned about various social problems affected his thoughts and mind. These experiences have changed the way he looks at the world. He has realised the importance of ‘giving’ more than ever.
“Participation in voluntary or charitable activities has become another motivation for me to keep working in the showbiz and moving forward. I know all the fame I have gained is not futile. I can use fame and my status as a star to give back to society.”  
“I always tell my fans they don’t have to buy me any gifts on my birthday. Please make a donation instead. My fans have often made donations and sent me the donation certificates from UNICEF. They have made me very happy and delighted. I have told my fans we have done good deeds together and we will be born to meet each other again in our next lives.” Nichkhun ended the sentence with a sincere smile.
Life is like a wave.
“In the past, I might measure my success by saying “Which rank will I get?” The songs I released had to reach number one on charts. So many billboards at metro or skytrain stations in Thailand showed my face and products I endorsed that Koreans sent me messages that they saw me again. Now I don’t think about these things anymore.”
Nichkhun reflected back on the period when he spent his life focusing on chasing rankings. At that time, he cared about the quantity of his work and believed that it guaranteed his success.
“Today I don’t think about how popular I have to be.” Nichkhun pondered and continued to say, “I am not worried how many followers I have. I don’t think I have to be more popular than anyone. It’s not necessary that 15,000 audience members have to attend my concerts. I performed in front of two or three thousand fans in my latest concerts. My fans and I were happy. I could see everyone’s face in the halls. That is a success for me.”  
“Thus, at the moment, success means doing what I love and making people who love me proud and happy. That’s enough.”
Nichkhun summed up his definition of success that has changed.
We asked if it was because he has grown up and has a better understanding of the truth about life.
“I understand that being a star is merely a job, not my heart and soul.” Nichkhun promptly said.
“We can be mentally ill if we think we have to be a star at every single moment,” Nichkhun explained. “When we go up to the highest height, we will come down eventually. Clinging to being a star can make us depressed. For me, I have already known being a star is a job. I will keep doing this job until I want to stop. If my fame fades away, that’s the way it goes. If people still want to hire me, I will keep on working. If not, that’s all right. I will find other activities to do.
“My parents have taught me, “Don’t cling to anything too much.” My father has always told me to live sufficiently. My mother has made me understand that life is like a wave. It goes up and down. New and stronger waves keep coming constantly. The next waves will keep bashing into us. We can’t beat them and we can’t stop them. ”
At 31, Nichkhun has understood the true essence of life and has let go of things he used to cling to. We wanted to know what his ultimate happiness is at present.
“Taking a trip with my family,” Nichkhun replied immediately with sparkling eyes. “At the beginning of this year, I took a road trip with my siblings in America. I am thinking about where should I take my mother to next year.” He turned and smiled at his mother. Nichkhun said taking care of his family gave him incomparable and profound happiness.
“We are building a new house. My sister who is an interior designer has been designing and decorating our house. It should be finished soon.” Happiness radiated from his smile, his eyes, and his face.
From the smallest unit of society to tremendous results
This year, Nichkhun has participated in “Every Child Can Read” Project to raise awareness of the importance of reading.
“I think this is UNICEF’s best project. Reading is really a part of our life.”
Growing up with parents who encouraged him to love reading, Nichkhun read cartoon books about the Buddha’s biography instead of watching television. As a result, Nichkhun has been fascinated by books and can confidently say, for him, reading is like magic. He has astonishing experiences because of reading.
“Paulo Coelho who wrote “The Alchemist” is one of my favourite writers. One day he followed me on Twitter because I frequently tweeted about this book. Later he sent me a signed copy of “The Alchemist.” I can say this is the most magical thing that has happened to me.”  
“I sit down to read his book without getting up. When I looked at the clock, I realised several hours passed. He is an exceptional storyteller. I can imagine what he described, the physical traits of his characters, the scents, sounds, and colours of situations. It is like making a movie in our mind. This is the appeal of reading.”
We know that reading is an essential part of a child’s growth. However, in this day and age, digital media is easily accessible. Children are entertained by contents and stories on social networks. Nichkhun believed there are still solutions to these enormous challenges.
“Besides me and other social media influencers, I hope people will help recommend good books for others. Cultivating and nurturing a good reading habit should start from family, the smallest unit of society. Parents should buy books and read them for their kids. These children will remember how enjoyable a book can be. When they are accustomed to reading and want to read a book by themselves, the outcome will be substantial.”  
“It is like throwing pebbles into the water, ripples keep spreading out across the surface endlessly,” Nichkhun concluded with a hopeful smile. The comparison he made demonstrates his determination to truly give back to society.
* The title of the interview “Virtue” has the same meaning as Nichkhun’s nickname in Thai (คุณ or Khun).
Source: https://readthecloud.co/nichkhun-horvejkul-unicef-thailand/
Please take out with full credit.
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adultswim2021 · 2 years
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Space Ghost Week
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Space Ghost Coast to Coast #31: “Cookout” | December 11, 1996 | S03E13
It's Cook Out! This is the one where Space Ghost has some famous chefs on the Space Ghost program and makes them cook food. He has the Council of Doom on so they can help him judge, but instead of actually doing that he just declares it being a tie and blasts each member for no reason. What a jerk! At one point Space Ghost asks for a freaking chicken chimichanga, what is he DEADPOOL?*
*please I am begging you do not reboot Space Ghost Coast to Coast with Deadpool as the host
We get duelling dishes from Emeril Lagasse of “bam” fame. Remember they made him be a sitcom star? Simply too strange. Then Martin Yan of Yan Can Cook tenderizes a chicken and starts tearing it apart and then Space Ghost starts treating him like a villain, and gets all dark-ass like “you killed that chicken.” LOL. I remember seeing this episode with a friend somewhere. I've reiterated time and time again that my town didn't get Cartoon Network but you could get it one town over? Well, I had some B-tier friends who had a satellite dish so sometimes I'd get to see them over there too. I feel a strong sense memory of sitting in a particular kid's living room and all of us laughing our heads off at a sleepover during this scene.
Oh my god. The Martin Yan segment is just so funny in general. Martin asking Moltar to pay attention and Moltar just immediately switching off to watch an episode of CHiPs where a car rams into a dude's speedboat. Zorak inexplicably getting mad when they cut to him “hey get that camera off me!” Also the part where Yan pretends to toss Zorak the bones and Zorak lightly berates him. Yan seriously handed these guys comedy gold. He deserves to be in the Space Ghost hall of fame.
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deanky · 5 years
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Total - Andy Merrill story
Forget the Bat Cave. The new happenin' spot is the Brak Cave, where Andy Merrill hangs his multiple hats as Cartoon Network programmer turned producer, Space Ghost Coast to Coast cocreator-writer, Cartoon Planet cocreator-writer-producer, and, most famously, the voice of both the pedantic locust Lokar and everybody's favorite brain-damaged space pirate: BRAK!!!
To enter the Brak Cave (my name, not his, btw), you slip behind an opaque plastic shower curtain that hides Andy's domain from prying eyes in the rabbit warren of open cubicles that line Cartoon Network's halls. Once inside, it takes a moment for the eye to absorb the sheer volume of information contained in the cell-sized space: random piles of fan mail, videotapes, magazines, comic books, CDs, clean and dirty coffee mugs, toys and gimcracks of all variety (Laurel and Hardy action figures, a giant crayon, chattering teeth, Pick Up Stix, an inflato-doll of Edvard Munch's "The Scream," a Tweety Bird koosh ball, etc., etc., etc.)--and Brak, Brak everywhere, most vividly portrayed on the back of a black denim jacket handpainted by a female fan he met at a space shuttle launch.
Seated behind his desk amid the clutter, Andy greets me in a comfy loose shirt made of huggable plush-like stuff that makes him look like a great big teddy bear. A few locks of damp hair frame fresh-scrubbed, glowing skin and the perpetually twinkling eyes of a mischievous five-year-old. Long before he shyly (and slyly) says of Brak, "He's me," it's eminently clear that this 30-year-old man is his inner child. And throughout a conversation marked by easy laughter--or chuckles, more accurately, Andy is a bona fide chuckler--he exhibits all the traits of an average (clever) five-year-old, from playfulness and a sense of wonder to the short attention span and me-me-me-ness that make Brak such an endearing character.
Easily distracted by his own amusing sidetracks, Andy gets antsy when outside distractions invade his space. "That's going to get annoying really fast," he says as a Celine Dion wanna-be strains to reach the high notes at a noontime employees concert in progress in the courtyard below. "It's already annoying." Like Brak, his self-absorption is astonishingly pure: When, during a break, I try to pitch him on a friend's Coast to Coast sketch involving Dan Quayle, he deftly sidesteps me with "you know I saw Dan Quayle" and launches into a long, rambling anecdote about his days at CNN. But I can't really blame the guy for inwardly rolling his eyes. One price he pays for Brak's ever-burgeoning fame--which still seems to take him by surprise--is being constantly besieged by unsolicited crap from obsessed fans who are convinced that what Andy does is as easy as Brak makes it look.
It's not. Having watched him in action over the course of two days (see Inside the Writers Room), I know how hard Andy works at making his comedy seem effortless. Which isn't to say he's not having fun: He's having a ball, and is acutely aware of how lucky he is to be born Brak and actually get to be Brak when he grows up. Read on, and you'll see for yourself.
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corrupt-1984 · 1 year
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