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weirdlookindog · 1 year
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The Flesh Eaters (1964) - VHS Cover
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sesiondemadrugada · 2 years
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The Flesh Eaters (Jack Curtis, 1964).
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moviesandmania · 2 months
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THE FLESH EATERS Reviews and free on Plex, Pluto TV, Tubi and YouTube
‘Absolutely nothing will prepare you for what will see!’ The Flesh Eaters is a 1964 American sci-fi horror film about young people trapped on a desert island inhabited by a violent organisms. directed by Jack Curtis from a screenplay by Arnold Drake (Who Killed Teddy Bear). According to Brian Albright’s Regional Horror Films, 1958 – 1990, the Third Reich flashback sequence was added by…
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cinemaquiles · 7 months
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Devoradores de carne! O cult "The flesh eaters", um dos primeiros filmes gore
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THE ASSUMPTION OF MARY Byron Gaist On August 15th, the Roman Catholic Church celebrates the feast of the Assumption of Mary, otherwise known as the Falling Asleep of the Mother of God. The Orthodox Church celebrates the same event, and calls it the Dormition of the Theotokos. The tradition is the same: following the death and resurrection of Jesus and the Pentecost, the Theotokos stayed with the Apostle John in his house in Jerusalem, serving the nascent church. The Archangel Gabriel - who had also announced to her her chosenness as the sacred vessel of the Conception - then revealed to her that three days later she would die. 
At her death, the Apostles were miraculously transported from being scattered around the world teaching the gospel, to be present to her. Her death is called the Dormition, to emphasize that she did not suffer. Mary was buried at Gethsemane, but when they arrived at her grave three days later, she was gone from her grave. Her body had been transported physically to heaven, to be reunited with her soul (which Christ is holding in his hands on the icon). Hence, Mary has already experienced the physical resurrection which all of us will experience at the Second Coming. 
The Roman Catholic Church declared this bodily assumption of the Theotokos into heaven a church dogma in 1950. Carl Jung called this declaration "the most important religious event since the Reformation". 
To the Swiss psychiatrist, this dogma was a confirmation of the completion of the masculine Holy Trinity with a fourth, feminine principle. In an age of scientific materialism, the affirmation of Mary's Assumption also suggested to Jung a collective raising in awareness of the spiritual significance of matter. He held that it "points to the hieros gamos in the pleroma, and this in turn implies, as we have said, the future birth of the divine child, who, in accordance with the divine trend toward incarnation, will choose as his birthplace the empirical man. This metaphysical process is known as the individuation process in the psychology of the unconscious." Thus for Jung this event is a harbinger of the future religion.
[h/t Ian Sanders]
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thebutcher-5 · 2 years
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Bianca e Bernie nella terra dei canguri
Bianca e Bernie nella terra dei canguri
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo deciso di ritornare nel magico mondo del cinema trash e quale modo migliore se non con un film chiamato Santa Claus Conquers the Martians? Su Marte i bambini iniziano a comportarsi in maniera strana, sono distratti, tristi e guardano spesso i programmi televisivi terrestri, specialmente quelli su Babbo Natale. Viene interrogato…
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spencernotspencer · 2 years
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Ashton 
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calicojack1718 · 23 days
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Comment on This: Trump's VEEP Stakes
Reading time: 2 minutes Who hasn't seen the quivering slobbering clickbaity headlines about Trump's dithering over his VEEP pick. We ain't learned nuthin, have we? This is what you need to know about his VEEP pick.
The news is full of breathless speculation on who I2I4 will choose as his VP. Frankly, it is just more normalization of Trump’s abnormality. I mean, Senator Rubio is on the list. For God’s sake, has anyone learned anything about the gross caricature of a human meat puppet? He’s giving him the Mitt Romney treatment. The hands thing was a deep narcissistic wound for Trump. He’s just avenging that…
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redcarpetview · 3 months
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Habitat For Humanity Of Greater Los Angeles® Announces Cynthia Bailey As Celebrity Social Media Ambassador For 2024 La Builders Ball Star-Studded Gala
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Habitat for Humanity of Greater Los Angeles (Habitat LA)® returns on Thursday, March 21, 2024, with its signature annual fundraising event, the 2024 Los Angeles Builders Ball® Presented by City National Bank. An evening dedicated to raising awareness and funds to empower families and foster strength and stability in communities through homeownership, the event will be held at the prestigious Beverly Wilshire Hotel in Beverly Hills. Habitat LA is thrilled to announce Bravo star Cynthia Bailey (RHOA) as this year's Los Angeles Builders Ball Celebrity Social Media Ambassador and Jasmine Sanders, Co-Host of the nationally syndicated radio show, "The DL Hughley Show," as Red Carpet Host for the highly anticipated annual event.
Habitat LA is rolling out the red carpet to honor some of the most influential game-changers in the city. MLS Cup Champions, the Los Angeles Football Club (LAFC), will be spotlighted with the prestigious Dream Builder Award, recognizing their vital role in creating safe play spaces for kids. Meanwhile, Ring, the leading name in home security, is set to receive the Foundation Builder Award for their unwavering commitment to home safety and community support. Real estate giant Lowe is being honored with the Builder of the Year Award for the company's remarkable 13-year journey with Habitat LA in making dream homes a reality.
As always, the Habitat LA Los Angeles Builders Ball will feature red carpet arrivals, interview and photo opportunities with honorees and celebrity supporters, exciting live entertainment presented this year by Grammy Award nominated performer Brian McKnight, spirited online and live auctions, and after-party.
In her role as Celebrity Social Media Ambassador, Cynthia Bailey will leverage her powerful voice and extensive social networks to amplify Habitat LA's work in raising awareness and funds to empower families and build strength and stability in communities through homeownership. As the evening celebrates the work of individuals and companies transforming the landscape of Los Angeles, Cynthia will share live updates and exclusive moments with the evening's honorees and attendees across social media platforms.
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2024 Los Angeles Builders Ball Red Carpet Host Jasmine Sanders
Joining Cynthia on the red carpet will be Jasmine Sanders, whose charm and charisma have captivated audiences nationwide. With over twenty years in the industry, Jasmine brings her warmth, wit, and charm as the Red Carpet Host of the 2024 LA Builders Ball. Her illustrious career includes roles as a special correspondent on HLN’s “The Daily Share,” former co-host of BET/Centric TV’s lifestyle show, “Culture List,” and featured music expert and pop-culture pundit for Billboard Magazine.
Together, along with other Habitat LA supporters and celebrity attendees confirmed to appear at the 2023 LA Builders Ball, Cynthia and Jasmine will help set the stage for an unforgettable evening of celebration, philanthropy, and community empowerment. Other special guests expected to attend include: Glynn Turman (Rustin), Earvin ‘Magic’ Johnson and Cookie Johnson, Breegan Jane (HGTV's Extreme Makeover Home Edition), Tina Knowles (Businesswoman), Holly Robinson Peete (Peacock’s Queens Court), Byron Scott (3x NBA Champion), CeCe Gutierrez (Basketball Wives LA), Novi Brown (Tyler Perry's Sistas), Kate Linder (The Young and The Restless), and more.
For more details, visit https://aesbid.co/ELP/LABB24/
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nodynasty4us · 5 months
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Yes, we are doing this already.
You probably won’t recognize some of these names that Politico contributing writer Bill Scher suggests as possible presidential aspirants in 2028.
Vice president Kamala Harris (D - California)
Governor Gretchen Whitmer (D - Michigan)
Governor Andy Beshear (D - Kentucky)
Governor Roy Cooper (D - North Carolina)
Governor Wes Moore (D - Maryland)
Governor Josh Shapiro (D - Pennsylvania)
Governor Gavin Newsom (D - California)
Governor J. B. Pritzker (D - Illinois)
Senator John Fetterman (D - Pennsylvania)
Senator Raphael Warnock (D - Georgia)
Secretary of Transportation Pete Buttigied (D - Michigan)
Ambassador Nikki Haley (R - South Carolina)
Governor Sarah Huckabee Sanders (R - Arkansas)
Governor Greg Abbott (R - Texas)
Governor Brian Kemp (R - Georgia)
Representative Matt Gaetz (R - Florida)
Representative Byron Donalds (R - Florida)
Representative Elise Stefanik (R - New York)
Senator J. D. Vance (R - Ohio)
Senator Josh Hawley (R - Missouri)
Senator Katie Britt (R - Alabama)
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artist-issues · 10 months
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And ya’ll should watch Bolt again. I don’t really care about John Travolta or Miley Cyrus or anything that you might think makes the movie cringe or whatever. I have the most reasons out of anybody to dislike that movie—see: my obsession with Chris Sanders, who was supposed to direct and was replaced by Byron Howard.
But I still think that movie has no right to be as good as it is, and to have such good structure and consistent characters.
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screamingforyears · 3 months
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MINI_REVIEW(s):
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The review template of choice for the TL;DR Tribe…
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‘ROMANCE’ (@candlepin_records) is the debut LP from @velvetbkny & it finds the New York-based quintet of Byron, Zack, Tyler, Bryce & Matt bringing the six-string slangin goods across an 8-track spread that tenderly wraps their dreamily hazed meets alt_rawking ways under one distortion filled GrungeGaze(d) umbrella as witnessed on the slow_coring “Slowdance.”
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‘FAST PAINT’ is the latest EP from @vincent.christ_& it finds the prolific London-based producer/multi-instrumentalist embracing his inner nü_romatic across 3 tracks that revel in their percussively throbbed, sonically surged & sensually saxxed up ways as heard on the new_waving rush of “Rain In Europe.”
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‘THE GREAT CALM’ (@piasbelgium) is the latest/greatest LP from @whisperingsons & it finds the Brussels-based quintet of Sander Pelsmaekers (synth), Tuur Vandeborne (drums), Bert Vliegen (bass), Kobe Lijnen (guitar) & Fenne Kuppens (vocals) optimistically charting a new path across 12 tracks that maximize their brand of ambiguously stoic PostPunk as evidenced on the cinematically synth_waving “Cold City.”
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‘SPIRITUAL SICKNESS’ is the latest LP from @yeahrs_ & it finds the increasingly prolific Berlin-based quartet of Morgan (guitar/vocals), Tom (drums), Thomas (bass) & Oyemi (guitar/vox) sounding as dialed in as ever across an even 10-track spread that finds the group pushing their post_gazing ways to new heights by adding some passioned screams into their well-worn template of dream_poppin AltRawk as witnessed on “It Never Leaves Me.”
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Long post and hyperfixation/infodump session incoming:
It's reminiscence time again... A) Life hasn't been great as of now, and B) I saw something pretty cool the other day...
So, there's a free book online called DRAWING FOR NOTHING, which was compiled by an individual named Ziggy Cashmere. It is a book chronicling unmade animated movies, or animated movies that got - more or less - cooked into something else...
The book, so far, has a treasure trove of concept art and stories for ME AND MY SHADOW, FOODFIGHT!, B.O.O.: BUREAU OF OTHERWORLDLY OPERATIONS, THE INCREDIBLE MR. LIMPET, JOE JUMP, DREAMING MACHINE, DRAGON'S LAIR: THE LEGEND, JACK AND BEN, CAPTAIN FANTASTIC AND THE BROWN DIRT COWBOY, and HUCK'S LANDING...
All kinds of animated films from different eras, some that weren't made, some that were re-imagined as something else entirely...
And their work isn't over yet!
The Drawing For Nothing's twitter account is posting all kinds of cool, unearthed stuff...
And the other day, they found some conceptual work for an unmade Disney animated movie called AMERICAN DOG...
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Actually, AMERICAN DOG kind of... Was... Made?
This film was to be directed by Chris Sanders for Walt Disney Feature Animation, his sophomore directorial outing following the success of LILO & STITCH. If all had gone according to the plan, this movie would've likely debuted around fall/Thanksgiving 2007-ish, maybe a little earlier. Things were a little more fluid back then, when it seemed like The Walt Disney Company were to lose Pixar after their contract was up. Either way, it was aiming for 2007.
Of course, a lot had changed at Disney Animation after Michael Eisner was essentially ousted as CEO of the wider company. After Bob Iger succeeded Eisner, one of his first big moves was acquiring Pixar for over $7b, in early 2006... And then that move lead to the studio's veterans and founding fathers John Lasseter and Ed Catmull becoming the heads of that studio, on the heels of critically lambasted films like HOME ON THE RANGE and CHICKEN LITTLE.
And they took their way of doing things at Pixar with them, infamously. Chris Sanders was given lots of notes on AMERICAN DOG throughout 2006, until Lasseter took him off the movie at the end of the year. Lasseter had "reasoned" that the movie was "too quirky for its own good", and that Sanders wasn't getting it to where it needed to be. This was a shocking blow to animation fans everywhere, that not only was Sanders removed from his next movie, but that he was also leaving Disney Animation for DreamWorks. (Where he currently is at the moment, in twenty-twenty three!) Yet some suggested, "They're from Pixar, maybe we should trust them?"
Lasseter then had AMERICAN DOG completely re-imagined, working only off of the core concept of a dog TV star going on a cross-country trip with some animal friends, into an entirely new movie called BOLT.
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Directors Byron Howard and Chris Williams, both first-timers at the helm of something, brought the film to the finish line for Thanksgiving of 2008 to critical acclaim and even an Oscar nod, but a low final gross at the box office... While it was generally liked, there was a sort-of lingering feeling of what kind of movie AMERICAN DOG would've been. BOLT has often been compared to it, negatively, because visually it's just sort of... There? It looks nice, it's cute, the animal character design is pretty appealing, while WDAS was still working out CG human designs pre-TANGLED. Some of the extras in BOLT are little strange-looking to these eyes, to go off on a tangent.
Anyways, the short version: BOLT's fine, but what could've been... AMERICAN DOG...
There have been other pieces of concept art for AMERICAN DOG that have available to view for years, especially pieces from when the movie was still in development...
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So, now... I want to talk about the days when I first came across this project... Around November/December 2004...
At the time, 12-year-old Kyle was beginning to look up upcoming movie slates and such on various movie news websites. Stuff like ComingSoon-dot-net and stuff like that. Box office was reported in many places, not just the usual suspects...
I had already seen THE INCREDIBLES maybe three times in theaters by this point (I saw it *five* times on a big screen total, during its one and only theatrical release), and that movie really rocked my world. It still does. I'm a huge fan of THE INCREDIBLES, and its sequel too. I was endlessly influenced by the movie, and it actually legit excited me at the possibilities of what CG animation could... Even though this was an era of hand-drawn animation being ushered out...
Still, I saw a lot of potential CGI before we got glomped with a ton of kiddie talking animal movies and such within a few years, that kinda cast CG in a more negative light online. It already got so much blame for ending 2D, for merely existing, so the kinds of movies that came out - like a dam burst - around late 2005-2007 certainly didn't help...
Anyways, I wanted to know... What was next???
For Pixar, since it seemed like they were splitting with the Disney Co. at the time, the future was a little less definite. A teaser for CARS was running before THE INCREDIBLES, and after that the plan was for RATATOUILLE to be next... Which it ultimately was. This was back when Jan Pinkava was still directing the movie, before he got taken off of it in early 2005 and replaced by INCREDIBLES director Brad Bird... And a lot of it was changed after that. Back in late 2004, it was simply a movie about a rat "living with" an eccentric famous chef.
Of course, per the original contract that Pixar signed with DizCo (to borrow from Steve Hulett, to save syllables), Pixar couldn't make any sequels to their hit movies. DizCo had those under lock and key if Pixar were to split with them, and they planned on taking advantage of that... DizCo opened up a CG animation studio called Circle 7 Animation, and tasked them to make TOY STORY 3, MONSTERS INC. 2, and FINDING NEMO 2... Quite different ones from the movies we ended up getting. At this stage, TOY STORY 3 might've still been about the whodunit story set at Andy's grandmother's house... Or, it had become the infamous "Buzz Lightyear recalled" story that got the green light.
Other studios had slates of sorts. DreamWorks, in addition to having MADAGASCAR and Aardman's WALLACE & GROMIT movie lined up for 2005, had OVER THE HEDGE and RATROPOLIS (changed to FLUSHED AWAY) on the horizon. They also had multiple SHREK movies lined up, up to five and a direct-to-video origin movie about Puss In Boots. KUNG FU PANDA was entering development at this time, but it wouldn't be announced officially until about a year later, ditto a few other pictures. Donkey made an appearance on the studio's CG animated primetime NBC sitcom FATHER OF THE PRIDE (a real trip of a show), in an episode that aired 9/21/2004, and remarked "But let your kid know that SHREK 3 is coming out in 2006!"
Other stuff was coming, too. Sony was getting OPEN SEASON fired up, I think Imagi was getting started on CAT TALE, there were a bunch of other random movies here and there... Most of them not made, I reckon...
Then there was Disney Animation's future stuff...
CHICKEN LITTLE already had a teaser that I first saw on the spring 2004 BROTHER BEAR DVD, and there was a much faster-paced trailer playing before THE INCREDIBLES (set to R.E.M.'s 'It's The End of the World as We Know It (And I Feel Fine)'). Next up were likes of A DAY WITH WILBUR ROBINSON, AMERICAN DOG, RAPUNZEL UNBRAIDED, and FRAIDY CAT I believe was announced as well.
I caught glimpses of AMERICAN DOG, and saw this particular action-packed image:
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And I was draaaawn in. I was already hyped about how THE INCREDIBLES did such dynamic action, and this piece was reminding me of the scene where the Parr family use a news trailer to weave through Municiberg traffic to find the Omnidroid. I like a good car chase, so this was exciting.
At the time, I was already writing lots of stories about dogs, cats, stuff like that, dogs running away from dogcatchers and such. I was literally writing and picturing all these action sequences because THE INCREDIBLES really lit up my imagination on how action scenes could be done, especially in animation. All the wild angles and camera pans and swoops, it's like I was Incrediblizing everything I was writing at the time, my 12-year-old brain was just sooooo influenced by it. It was a formative film for me, m'kay?
Moving on... I was kind of in-and-out on what was happening with AMERICAN DOG once Chris Sanders was fired from the movie. I had found out that it become BOLT a little before the first trailer debuted, and I remember being down on it. Not to mention, I was going through a lot of other things at the time and I was kind of out of the loop on what was going on. There were some bad vibes going around in the circles too, that BOLT was sure to be bad because it wasn't AMERICAN DOG. It created a sense of "this is what we got instead", like we see a lot nowadays... And I saw the trailer before WALL-E in theaters, and just was not impressed.
The marketing for this movie was so weird. The posters, which pushed a lot of heavy reds, seemed to pass this picture off as "Dog INCREDIBLES". Anyone who has seen BOLT knows that the superhero stuff is literally a TV show he stars in, but the posters and covers really make it seem like it's a super-pets movie or something. And Disney had already done that live-action UNDERDOG movie a year prior. We were kind of at the tail-end of that weird period of Disney's movie output, the remains of the Eisner years and some very strange greenlights... I was starting to see movies in theaters again, following a depressive period where I didn't really go out in public much. And I was kinda softening on BOLT, but I missed it in theaters. I would later get the Blu-ray, as a blind present, around the end of 2009 I wanna say? And I finally gave it a watch, and I really dug it! I still do, actually, even if it is rather standard and workmanlike. Part of me assumes that Disney Animation, after years of critical and/or commercial bombs, were intentionally making something very familiar. Something cute and Disney-like and digestible, a fun little dog movie, as a way to ease back into the swing of things and get audiences to see their movies again.
After all, their last string of movies were... MEET THE ROBINSONS (lost money), CHICKEN LITTLE (made over $100m domestically but barely doubled its budget worldwide, got terrible reception), HOME ON THE RANGE (critical/commercial dud), BROTHER BEAR (critical flop but made its small budget back), and TREASURE PLANET (infamous massive bomb)... Maybe the rationale was, "Let's just make a classically Disney dog movie, but with some stuff that people like about the movies we make at Pixar!" It does feel a little assembled, it does feel like Lasseter using stuff from the movies he directed/oversaw at Pixar, mixing them with some "Disney" elements. The light satire of Hollywood and network television was an extra touch that gives it a little bit more flavor. In a way, I get it... Disney Animation hadn't had a genuine big hit in *years*, and maybe the thought process was "let's just make a straight-up family movie about a dog". Not something a little weirder or wilder, certainly not the utterly gonzo stuff Sanders was coming up with... But maybe, if they had taken a chance on it and kept the budget reasonable, they could've had a bigger hit on their hands? Who the heck knows...
BOLT ended up making around $309m worldwide against its $150m budget (I wonder how much of that came from the thrown-out AMERICAN DOG, since that got *very* far in pre-production), and managed to have spectacular legs in North America after such a blah opening weekend. I guess it's kind of a flop? Underperformer? The Hollywood math changes for each and every movie, it seems. But I think the positive critical reception and Oscar nod were taken into consideration, and so the movie was probably viewed as a stepping stone to the likes of THE PRINCESS AND THE FROG, TANGLED, WINNIE THE POOH, and WRECK-IT RALPH. The so-called "Revival"...
But I would loooooove to visit an alternate universe where AMERICAN DOG *did* happen. And that it was the unhinged Chris Sanders movie it was looking to be. Maybe not an alternate universe where David Stainton is running Disney Animation, by all means he really had to go. Lasseter was not exactly an exemplary replacement, as we'd learn in later years, but someone should've let the movie happen. I think a second Sanders WDAS movie could've not only been a major hit, but it could've down as one of Disney Animation's most interesting and experimental films... Much like his own LILO & STITCH was! And to think John Lasseter despised that movie... It's no wonder Sanders left the dog movie and left the studio, though he did negotiate with Lasseter to keep at least one of the characters from his concept and use it elsewhere... Namely the one-eyed cat who became the main character of his comic, KISKALOO.
Sanders made some really cool movies at DreamWorks. HOW TO TRAIN YOUR DRAGON is good stuff, and THE CROODS is a lot of fun. I even enjoyed that live-action CALL OF THE WILD movie he did for 20th Century Studios, with the CG'ed dog... And I'm excited as heck for THE WILD ROBOT, his third DreamWorks movie... But, part of me feels like AMERICAN DOG would've been Chris Sanders at his most Chris Sanders. Something totally uncorked and wild and unlike anything else... Whereas, two of his DreamWorks movies are based on books, and the other was someone else's movie first. He had expressed interest in turning KISKALOO into a feature, and if he gets to do that after WILD ROBOT... At DreamWorks... That would be pretty amazing, honestly. It'd probably be the closest thing we get to what AMERICAN DOG was shaping up to be...
Anyways, I wanted to talk about where I was at with upcoming animation in 2004 as a young, weirdo enthusiast... And just talk about an unmade movie and the director's stuff in general and such. Hope you're having a great holiday!
(And go read DRAWING FOR NOTHING!)
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mrscorpio · 1 year
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Another MR. SCORPIO'S HOUSE FIRE is UP! Mixcloud: http://bit.ly/Mixcloud299 D/L: http://bit.ly/DL-HF299 Shows: http://bit.ly/ScorpioPodcasts 50 Hubert Street (Original Mix)/Freestyle Man/Night In Motion Success (Nebraska Remix)/Byron the Aquarius/The Round Up Pt. 9 Sudan (Extended Mix)/Riveron/Afrospherical, Vol. 6 I LOVE YOUR GIRLFRIEND (LONG MIX)/Omar S,Alister Fawnwoda,John FM/I LOVE YOUR GIRLFRIEND Real Love (Original Mix)/Yamil, Thimble/Real Love We gonna get ya/Shaka/Four Flowers ep Soul Farmer (Ghetto 25 Vocal)/Jeff The Fool/I'm Not Jeff Jump On It (Original Mix)/ЮНОТУС, Younotus/Bunny Tiger Summer Sampler, Vol. 5 Feel the Love (feat. John Newman) (Rudimental VIP)/Rudimental/Home (10th Anniversary Edition) Matig Modern/Lennard Ypma/Rave Invaders, Vol. II Werq. Feel. Gruv. Vogue./Demuir/Heist Classics Vol. 01 VIBRATE/Louis VI/EARTHLING 10 Toes Down (feat. MyGuyMars)/Futuristiks: Mike & Keys, Casey Veggies, Kay Franklin/Ten Toes Down - EP Table Manners feat. Nejma Nefertiti/Napoleon Da Legend & D-Styles/Invincibl Rap Mislz (Extended) Eventide/Atmosphere/So Many Other Realities Exist Simultaneously Baltimore To Tokyo Interlude feat. DJ TMB/Budamunk x Ill Conscious/Sakanoue EP I Would Never/El Michels Affair & Black Thought/Glorious Game L.F.O. (feat. Sampha & George Riley)/SBTRKT/The Rat Road Talkin' to Me/Illa J & Harleighblu/Second Record Aquired Taste/Tino & Marrrtin/La Pie Bavarde Szechuan Capital feat. Action Bronson/Madlib, Meyhem Lauren & DJ Muggs/Champagne for Breakfast Kings Wear White Minks feat. Big Cheeko/Ru$h & Tha God Fahim/Luxury Art Ion Wanna feat. Traxx Sanders & Courtney Bell/Royce Da 5'9"/The Heaven Experience EP The Gist/Alfa Mist/Variables Neon Nightmares/ChasBeats/Neon City Dreams Love Brings Happiness/Adrian Younge & Ali Shaheed Muhammad/Lonnie Liston Smith JID017
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tengomilpalabrasparati · 10 months
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Cada 21 de julio homenajeamos a un animal de cuatro patas fiel e incondicional, considerado el mejor amigo del hombre.
El 21 de julio se celebra el Día Mundial del Perro.
Esta efeméride mundial fue creada en el año 2004, motivado por la inmensa importancia de estos animales en el diario vivir de los seres humanos.
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¿Por qué se celebra el Día Mundial del Perro?
La intención del Día Mundial del Perro no es solo recordarnos a uno de los mejores amigos de nuestra infancia y quizás, nuestro mejor amigo actual.
Se pretende concienciar a las personas sobre la inmensa cantidad de perritos que son abandonados a su suerte, o que aún están a la espera de una familia que los adopte en alguna perrera o refugio.
Al respecto, la Organización Mundial de la Salud (OMS) estima que el 70% de los perros en el mundo no tienen un hogar.
En la actualidad existen aproximadamente 300 millones de perros en el mundo, con una gran variedad de razas y tamaños, todos muy cariñosos y dispuestos a servir a sus amos de formas inimaginables.
Hoy en día contamos con perros policías, perros bomberos, perros lazarillos y perros de compañía. También los encontramos en las redes sociales, siendo un boom en Instagram, ya que posan para los selfies como unos grandes artistas.
Celebración del Día Mundial del Perro en otros países
El 21 de julio no es la única fecha para homenajear al mejor amigo del hombre. Concretamente, varios países coinciden en celebrar el Día del Perro el 26 de agosto, una iniciativa que surgió en Estados Unidos en el año 2004 y que se ha extendido a otros países como México, Colombia o Guatemala.
Otras efemérides asociadas con la celebración del Día Mundial del Perro, con los perros como protagonistas, son las siguientes:
Día del Perro Sin Raza (28 de mayo).
Día de llevar al Perro a la Oficina (21 de junio).
Día Internacional del Perro Callejero (último domingo de julio).
Día del Perro Adoptado (23 de septiembre).
Día del Perro de Trabajo (6 de diciembre).
Películas sobre perros que no te puedes perder
A continuación mostramos algunos títulos de películas divertidas y aleccionadoras sobre perros, para disfrutar en familia:
The Call of the Wild (Estados Unidos. Chris Sanders. 2020): Basada en la famosa novela de Jack London, la película cuenta la historia de Buck, un perro de trineo que se ve obligado a adaptarse a la vida salvaje de Alaska durante la fiebre del oro. Con el tiempo, Buck encuentra su lugar en el mundo y descubre su verdadera naturaleza.
Togo (Estados Unidos. Ericson Core. 2019): Inspirada en hechos reales, esta película narra la historia de Togo, un perro de trineo que lidera un peligroso viaje para entregar medicamentos a una comunidad remota de Alaska en medio de una epidemia de difteria. Togo demuestra su valentía y determinación en esta emocionante aventura.
Benji (EEUU. Director: Brandon Camp. Año 2018): es un remake del año 1974, que relata la historia de dos hermanos que adoptan a un perro callejero, a pesar de la negativa de su madre a tener mascotas en casa. Los niños son secuestrados por criminales, siendo rescatados por el valiente perro.
La razón de estar contigo (EEUU. Director: Lasse Hallström. Año 2017): muestra la historia de un perro a través de sus numerosas vidas, descubriendo en cada experiencia cual es la razón y propósito de su existencia.
¿Quién se queda con Wesley? (EEUU. Director: Huck Botko. Año 2016): una pareja que se está divorciando debe acudir a la Corte, ya que no pueden acordar quien se quedará con su mascota, un adorable perro labrador.
Marmaduke (EEUU. Director: Tom Dey. Año 2010): un perro gran danés ayuda a su familia a adaptarse a su nueva vida en California, en medio de desastrosas ocurrencias.
Siempre a tu lado (EEUU. Director: Lasse Hallström. Año 2009): basada en hechos reales, muestra la historia de Hachiko, un perro fiel que acompañaba diariamente a su amo a la estación de tren, hasta que sucedió una tragedia inimaginable.
Bolt: un perro fuera de serie (EEUU. Director: Byron Howard. Año 2008): en esta película animada una estrella canina de un programa de televisión cree que tiene superpoderes de verdad y se embarca en una serie de aventuras para rescatar a su dueña.
Marley y yo (EEUU. Director: David Frankel. Año 2008): muestra la vida de Marley, un adorable e incorregible perro, adoptado por una pareja recién casada. Una historia tierna y llena de aprendizajes.
Perro al Rescate (EEUU. Director: Todd Holland. Año 2007): un famoso perro, que ha participado como estrella principal en varias películas, se ha extraviado. Es adoptado por una estación de bomberos y se convierte en su mascota.
Rescate en la Antártida (Canadá. Director: Frank Marshall. Año 2006): tres miembros de una expedición científica en la Antártida deben abandonar a sus perros, quienes deberán sobrevivir en unas condiciones atmosféricas adversas.
101 dálmatas (EEUU. Director: Stephen Herek. Año 1996): es un remake de la película clásica de Disney. Una pareja de dálmatas vive felizmente en su hogar con sus dueños recién casados. Luego del nacimiento de su gran camada de cachorros, son acechados por la malvada Cruella de Vil.
La Dama y el Vagabundo (EEUU. Director: Clyde Geronimi. Año 1955): este clásico cinematográfico de todos los tiempos muestra la historia de amor, entre una cocker spaniel de clase alta y un perro callejero.
¿Cómo podemos celebrar el Día Mundial del Perro?
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Aunque no existe una única forma de celebrar este día, muchos amantes de los canes realizan actividades de esparcimiento que son del agrado de su mascota, como salir al parque, preparar su comida favorita, correr por la playa o disfrutar todo el día en la cama, con el aire acondicionado al frio máximo.
Algunas organizaciones de rescate de animales hacen jornadas de vacunación, castración, esterilización y adopción de perritos, sin costo alguno.
Hay quienes prefieren servir de voluntarios en algún centro de acogida de perritos y hasta deciden adoptar a uno, para que les haga compañía el resto de sus días.
Para celebrar por todo lo alto el Día Mundial del Perro, puedes fotografiar a la mascota peluda consentida de la familia y etiquetarla en las redes sociales, con los hashtags #DiaMundialdelPerro #DiadelPerro.
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thebutcher-5 · 1 month
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Bolt - Un eroe a quattro zampe
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo continuato per l’ennesima volta a discutere della Disney, portando avanti i loro classici animati e arrivando così al loro 47° lungometraggio animato, un’opera ingiustamente dimenticata e criticata, I Robinson – Una famiglia spaziale. Lewis è un orfano di dodici anni ed è un grande inventore, anche se i suoi macchinari tendono…
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