bare with me bc im fatigued but unable to sleep so i’m just here thinking and need to get my thoughts out, but i think much of louis’ passivity stems from his relationship with his mother and family. we don’t really see him become passive until claudia arrives. please correct me if i’m wrong but i believe that side of him is awakened once that traditional family structure is solidified in his home and i think the du lac family has a lot to do with why he’s like that and not just that he’s incapable of acting or choosing.
i see him and i see the child/mother that doesn’t want to repeat his mother’s failings on his own family but takes it so far to the extreme that it means he refuses to confront anything ever bc he feels he’s communicating the unconditional love he never received. he really is someone who wants the ones in his life to know they can be loved through anything. whether or not people receive it in the way he gives it i don’t think should be put on his shoulders as much it is.
he doesn’t have healthy understanding of discipline/consequences bc he was punished for things he couldn’t help like his queer identity. it doesn’t really seem like growing up he got into much trouble, again correct me if im wrong. other than paul his pimping isn’t really admonished by the du lacs bc it affords them their lifestyle. they are willing to distance themselves from it bc they get the house and the staff and the honeymoon trips etc. but they won’t overlook who he is. and it outweighs anything else. and that’s a weird thing to process being punished for bc the only thing you can do is deny yourself. but they know. so you hiding it and they know and they show you they disapprove even if you’re trying to play by their rules. it creates a complex.
then there’s paul. he’s the only one who really took it on to take care of paul and establish a relationship with him. i think florence probably didn’t push back against his institutionalization and grace seems to agree he belonged there. louis was the only one who saw how it negatively impacted paul. he loved paul that was his favorite person and then he killed himself and florence blames him for simply being there. this is where he starts to go from the favored son to the scapegoat which is a fucked transition to experience and i think its super underestimated how badly louis is impacted by it. it also happens when he starts to openly entertain lestat so it’ll never matter that his last moments with paul were expressions of love bc his all florence sees is that he’s been acting in sin and so of course he must of done and said something to kill her baby who he was raising and caring for in her place btw. when paul was upset he went to louis not florence. the last thing he ever said to paul was he loved him and he still died and florence blames him for it. he’s always punished for loving as far as he’s concerned.
then he does make “a choice” to become an immortal monster/companion/wife, which given all the circumstances is very much not much of a choice on his part, but he decides to go with what he wants and that choice is at the center of the unraveling of almost all the things he cares about and links to his human identity. and he clings to his human identity so i believe that fucks with his ability to trust his own decision making for sure. it’s the loss of his role in his family slowly but surely and everything he did he did for them. he always struggles with his decisions about how he supports his family and how he copes w the impact it has on his community. so if in choosing his own desire to love and be loved for once strips him of his family and his community what does that say about the decisions he made along the way? what was it all for? and then on top of that he didn’t even know what he was choosing in choosing immortality with lestat. he’s rocked by being faced with the reality of his choice so much so that he forgot his brother died for a moment. he’s probably developed an inability to take a step in any direction bc every step leads to a new rock bottom and he doesn’t trust himself anymore. that’s a very real thing that happens.
so how does that manifest when he has his own lil nuclear family?? well
with claudia he doesn’t ever want her to feel like she could ever lose his love for her for any reasons. like his family showed him. so bc his own punishments were correlated with who he was and not things he did really i don’t think he’s able to see disciplining claudia as guiding her towards better actions i think he sees it as punishing her for being as she is which he blames himself for and also for loving (where charlie is concerned but i’ll get to that…). it was his choice to bring her into this life so how can he trust himself beyond loving her unconditionally. that’s what he wants so that’s what he gives. claudia does what she does bc she’s a vampire and she didn’t choose that. he did. so he retreats when the consequences of that crop up and becomes passive. he doesn’t want to take a step in any direction on top of the patriarchal structure that the father is the law of the house, but then charlie happens.
claudia didnt kill charlie out of maliciousness. it was young love with all the demanding of the insatiable hunger of a vampire. even lestat recognizes that she got carried away so to louis punishing her or even makeing her feel bad for the action was too deeply entwined with punishing her for loving at all and that is a sensitive thing for him. he doesn’t handle it better than lestat that’s not what i’m saying what i’m saying is he doesn’t have the tools to guide her through this. what he has is the desperation to not repeat what harmed him growing up. it’s after this that he decides lestat cannot be the law of the household where claudia is concerned until he realizes his approach seriously blinded him to the fact that claudia ,yes is a doomed child vampire, but she’s a doomed child vampire making decisions and her actions have serious consequences for all of them and he doesn’t have the tools to guide. he can love her through anything, but how can he of all people really guide her. this isn’t as simple as no running in the house and listen to your elders. the mother is learning her daughter is her own person (and vampire) not an extension of her and with character traits like her father too. (plus the mother has to realize that she can’t heal herself through her daughter) whew. so louis decides to step back and to let lestat be the law again and then claudia LEAVES and on her way out she challenges his decision to turn her at all (with good reason. these two vampires should not be raising a baby!!) louis is literally so distraught he wants her to come home but he can’t bring himself to go after her and bring her home. he doesn’t want to take a step!! he doesn’t want to decide. it never leads to what he thinks it will. i don’t think he believes he can trust himself to make good choices. so he loves her unconditionally on broadcast for every vampire within radio earshot to hear because that’s what he can do. thennnn she’s harmed while she’s gone and i’m sure he’s feels in a way responsible. he wanted to be her protector so badly (when actually she’s his but i’ll get to that in a bit) and wasn’t able to. and of course there’s that scene™️ in ep5 with being put in a position where he was pressured to choose between lestat and claudia and because it LOOKED like he MIGHT choose claudia and because he didn’t IMMEDIATELY choose lestat disaster ensued. that’s a lot. fuck.
and when the nature of his relationship with claudia shifts more to siblings because she’s getting older, wants more agency and claudia realizes she is also a replacement for grace, this is where the passiveness that is the result of his relationship with grace developed. bc while its true claudia takes over for grace, she is the sister to louis that grace never ever was. on top of the fact that her solution for their issues was “you’re dead to me,” grace never actually accepted and supported his queer identity truly like claudia and she definitely never protected him like claudia either (defending mama du lac in regards to paul comes to mind and also her husband being the replacement son). and louis needs and wants both those things as well as someone who won’t abandon him like grace did and he let’s claudia be them but takes it to the extreme where the last two are concerned. Louis doesn’t think he can save himself from his situation and claudia believes she can save herself and him. she isn’t gonna leave him behind. he leans into that heavily. it’s not just that he can’t and won’t make choices to get them out of their situation it’s also that he’s traumatized by his past choices and also he’s also loving lestat unconditionally as well on top of that (in the way he’s able to). i don’t think louis could see a way out like at all. he was shrouded in darkness. the best he could do was compartmentalize his love for lestat to protect himself when things were at their worst that was his flashlight in that darkness. but like when it was necessary for the success of the plan that he allow himself to love lestat fully he said if i feel it there’s no way out of this fr fr. he knew he wouldn’t make good choices. choosing lestat is the decision he will always make for better or worse. but that’s at the expense of claudia on top of choking her.
like idk we joke about his inability to make decisions but that trait in him is drenched with trauma. and his family is a huge part of why imo. i just get so upset when i think about them. i really rambled on and on here. not sure how much sense this makes but i guess this ties into my feelings about this as well. but yeah not choosing as a trauma response and not just as a way to get out of confronting his problems even tho that is a symptom. if that makes sense. idk. my brain is mash potatoes right now.
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concept: Caleb Wittebane follows a witch into to the demon realm, leaving behind one odd and socially maladjusted sister, Temperance. of course, she won’t rest until she gets Caleb back; she is plagued by nightmarish images of poor Caleb being subjected to all the torments of Hell in that place, alone amongst demons and sorcerers, and so she dedicates herself to finding a way into that infernal realm to bring Caleb back.
(she regrets so deeply that her own fear kept her from following Caleb, that her uncertainty kept her from insisting and pulling Caleb back into their own good and godly world. she won’t make the same mistake again.)
when she does finally end up in the Boiling Isles, she goes in the guise of a man. it isn’t safe, after all, for a woman to travel alone in such a place. who knows what might happen? Temperance is left behind, and it’s Philip who emerges into the winding caverns of Eclipse Lake and must find his way out and climb down the frigid Knee.
and of course, Philip needs help to understand and survive this bizarre place. he needs traveling companions, native guides. and there’s one in particular, a handsome man near his age with a barbed tongue, a quick wit, and a voracious sense of curiosity about all things human, who Philip becomes so fond of he can almost forget the man isn’t human.
as they travel, the two grow closer. they spend long hours talking into the night, discussing anything and everything - their homes, their cultures, religion, philosophy, the natural sciences - magic, of course, which fascinates and repels Philip in equal measure. it’s unnatural, and yet the very earth and air and water of this place are full of it.
he’s very handsome, this witch. Philip finds himself idly doodling his face, sketching out his profile, trying to capture the curve of his cheek, the curl of his mouth when he’s about to lean in and murmur some vicious little aside to Philip about someone else, the way the strange sulfurous sea-wind lifts and ruffles his hair. Philip cannot stop looking at him, cannot stop thinking about him.
he isn’t kind, exactly. but he is eagerly interested in Philip, as excited to show Philip his own world as he is to learn of Philip’s. he listens to Philip. he understands Philip and matches his intellect in a way so few other people ever have.
he fascinates Philip. he is, truly, the first friend Philip’s ever had outside of Caleb. they quickly become inseparable, and Philip starts to think - wrong as he knows it is - that perhaps things aren’t as black and white as he has been raised to believe. perhaps some good can come of this place. perhaps a non-human can still be a person.
their courtship is slow and tentative and awkward and nervous, and Philip does not even realize he’s being courted for quite a long time. (after all, he’s a man here. and God may have given him a woman’s form, so he might lay with a husband and bear him children as intended, and thus made his lust for men only right, only holy, but this witch doesn’t know that.) when he does, it frightens him badly, but... not enough to stop.
he likes being flirted with. he likes being treated like he’s something beautiful, something worth pursuing. he likes the breathless feeling of nervous anticipation, the blissful sense that they are the only two living creatures in all the world when they’re up in the pre-dawn light talking over some point of history or philosophy. he likes the way his entire body lights up when this man touches his hand, or leans in close enough they could almost kiss.
he shouldn’t. he knows he shouldn’t. they aren’t married, they can’t ever be married, this isn’t a proper courtship, this man isn’t a human being, if their union even could produce issue what would it be? some unholy thing, an affront to God - and this man thinks he is a man, this man is trying to seduce him into sodomy, this man is trying to seduce him away from everything he knows is good and righteous -
he ‘confesses’ his ‘deception.’ perhaps it will deter the man’s interest. (perhaps, is the secret hope in his heart, the man will want him as a woman, perhaps there is a way -)
this is an incredibly confusing conversation, because of course the witch has long since figured out his human friend Philip is a trans man, and that’s fine, it ain’t no thing, but this conversation makes it abundantly clear that Philip’s only concept of transness is as something he independently arrived at to explain his own Unnatural Nature, whatever that means, and that it very much IS a big deal where Philip is from, and that Philip for some reason feels very anxious and self-loathing and strange about it, and when witch bf very casually introduces him to the terms and language they have on the Boiling Isles about it and then equally casually alludes to the existence of hormonal and surgical treatments for it, it blows Philip’s fucking mind.
(and so he is seduced even further from God’s plan, tempted into unnaturally altering the body he was born with, and he shouldn’t he should not he knows he shouldn’t, if he does this how can he go back to the town where everyone has known him since he was a little girl?
but it feels so good. he’s never felt so comfortable in himself before. his body has always been this thing he’s trapped inside of, this ungainly anchor of flesh weighing down his soul, but suddenly it starts to feel like it’s actually his own, like he’s actually part of it rather than simply being forced to lug it around. the world seems clearer. he’s calmer, less quick to snap, less frightened, less angry.
he’s happier. he’s never really been happy before, except for in the quiet moments he and Caleb can be themselves, alone together, the world kept at bay beyond the walls of their home.)
eventually, they have sex. it’s fantastic. the man is tender and attentive and admiring of Philip’s body. it feels good, it feels right, it feels like something so pleasant couldn’t possibly be wrong - but then, that’s how the Devil gets you, isn’t it? this is what temptation means. anyone can resist something they don’t want.
Philip feels filthy afterwards. he feels small and strange and used, furious and wounded. Philip knows he has damned himself. Philip cannot blame this witch for obeying his own deviant nature; instead he must blame himself for falling prey to temptation, straying from the path of righteousness, and he must simply be stronger.
it happens again, of course. he is weak. he is alone and scared and he misses Caleb so dearly but with every passing day he becomes more convinced that this horrible place swallowed Caleb whole, that Caleb is dead and Philip is trapped here alone forever, and without Caleb what point is there in going back to the human world?
Philip, after all, has nothing waiting for him there. there is a life for Temperance Wittebane to pick back up, an awkward and ill-fitting and isolated one, but a familiar one. there is no life nor room for Philip.
eventually, his feelings reach a boiling point. he is disgusted with himself, he’s frightened for his immortal soul, he is full of such overwhelming anger and bone-deep grief and he has no idea where it comes from (he doesn’t think about those things, they didn’t happen, his father was a good and godly man and would have never - it didn’t happen like that), and the one cause for all of it is this godless creature of this infernal realm, this thing in the shape of a beautiful man who has seduced him so far off the path of his quest -
so words are exchanged. he says things, cruel things. he makes his tongue into a whip and flays the skin off this man he knows so well. he burns down this strange and delicate shelter they’ve constructed between the two of them and he salts the earth so nothing else may grow, and he parts ways from this group and goes on his own to find Caleb -
hopefully alive, so that they can both be saved from this place and go home where they belong, but failing that he wants to find Caleb’s body or Caleb’s grave or some proof of what happened.
and then, of course, he finds Caleb happy, in love, with a family, and, well. we know what happens from there, don’t we?
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