Really disliking the current popularity of killing off main male characters at the end of their series or book (usually dying fairly young) and unable to watch their unborn or small child grow up. This going along with the current trend that main characters should be killed off at the end to give a finite end to their story (as of their life). Like, it is one thing to kill parents for backstory or whatever but constantly, I’m seeing these main male characters that we know and we love and we have seen grow and want to get their happy ending and then they just…die in the end. I get that these deaths are often (almost always) sacrificial with meaning or whatever but that doesn’t mean I want it in everything. I can literally think of at least three examples absolutely immediately off the top of my head. I fear that this trend is people saying something about the role of fathers. And I don’t like. I’m sick of these “realistic” and “dark/gritty” stuff in fiction and fantasy. I am absolutely good with happy endings. I want the happy endings. We see enough sadness and tragedy in real life. Let the fiction kids of fictional main characters of books and series and movies grow up with their parents.
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
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I love Trucy so much but I’m just thinking about her and Phoenix’s first couple of months living together
Trucy moves so silently (“she’s like… the twins from that scary movie”), so Phoenix either has his eye on her constantly so she won’t get into trouble (or hurt herself) or
“Hello Daddy.”
SHIT— has to restraint himself from flinging what he’s holding into the nearest wall, “o-oh! Hey Trucy!”
Staring at him with her All Seeing Eyes, “do you want to see something cool.”
Oh— oh god please don’t let it be a body. Do we have mice? Did she catch a mouse??? “Oh, yeah, sure thing kiddo.”
Tenderly takes him by the hand and pulls him into her room, “I organized all my socks by color.”
“…oh. Wow. Cool!”
“I also organized all my construction paper by color but that seemed less important at the time”
“Uh-…huh”
AND AN ASIDE I THINK ITS VERY IMPORTANT that Phoenix takes EVERYTHING IN STRIDE, like yessss king, water off a ducks back, this is your child now
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A portrait of my Pathfinder character Sabella's current mental state. She's having A Time.
▸ Everything she thought she knew about her life was a lie.
▸ Her great-grandfather is not just dealing with a fiends, he is one. He's a Rakshasa, has probably been several of her ancestors through reincarnation or impersonation, and he wants her to come home and be a good little pawn, sorry, grand-daughter. He particularly wants her back now he knows she can change her form and hide that she's a tiefling.
▸ But she wasn't actually born visibly a tiefling! Her older brother Cesare was though, and that was deemed unacceptable because they needed a respectable face for the family heir and not one that openly advertised that they had been dealing with fiends. Their second born, however, could be safely kept out of sight until they could find a way to permanently hide her fiendish blood too. So their heritages were swapped via horrible transmutation magic involving a painting stretched over a frame of magically re-shaped ribs, which has been hanging in her bedroom most of her life :)
▸ Totally unrelatedly hahaha; She's missing a rib! Cesare is probably missing one too :) It's fine, it probably contributes to her ridiculous acrobatics modifier she's real bendy :) :) It's fine :) Or could that be the ancestry involving a creature know for having wierd joints? Certainly no-one's looking at the way she moves with new eyes at all hahahahaaa :)
▸ Her parents may have been trying to protect her all her life which meant pushing her away and making her want to leave. Real shitty way to discover your parents might not actually hate you, might in fact love and want you very much.
▸ AND her dad has "business dealings" with the Azarketi ambassador, of the kind that mean they light up when they're in the same room and her mother is really pissed off. Is your family life not complicated enough already, dad???
▸ Everything is Fine.
▸ :) :) :|
She's quite looking forward to getting to go and hit things that are completely unrelated to her fucked up family. (I am having a great time. Sabella may be in the middle of a nervous breakdown.)
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Same anon- wasnt trying to imply that with blossom either! Just wanted to say that it could've been read that way and could be triggering to some, and the fact that no one speaks up felt off, even if its against the code. I've never read the more recent books either, so by the way the posts were spaced it felt like the series goes Df battle > Tempest > Ashfur in the span of a few moons, meaning blossom went from one horrible event to another and was still feeling isolated and shameful. Sorry if anything came off as confrontational or mean!
As for the 'why dont they leave?' thing, I think we all default to how Ravenpaw actually DOES leave and we just apply the same logic. As humans we naturally draw connections, and if we see a situation where a whole clan turns on one cat, we ask why didn't they just do what Ravenpaw (or Dovewing iirc) did and decide they can't deal with this and it's better to move on. It's a pattern that we itch to see fulfilled: Tigerclaw turns everyone on Ravenpaw so he leaves, Dovewing gets her whole clan telling her to do better so she leaves, Blossomfall gets named as a traitor and repeatedly gets dishonor titles to remind her of all her faults- why do cat not leave???
But yeah, if Blossom got to heal, i retract my statement entirely. I just was going off the logic that she felt isolated/cut off and that being told she's better off invisible would just shove her further into that belief. I do wanna ask, do you know what the thing Blossom spoke up about that got her slapped with the title?
Ah, I see! Let me clear up the order of events so far;
ThunderClan's Tempest, shortly after the Great Battle, dealing with the Clan moving on. Contains some parts of the canonical Dovewing's Silence but mostly Bramblestar's Storm
AVOS, with Blossomfall joining the Kin and being rescued sometime towards the end. Still working out some kind of incident where her kits are either stolen, or have to be retrieved-- the sire is not known
Squirrelflight’s Horror, a book about how Bramblestar turns a tense political situation into an excuse to leverage his power to abuse his deputy after feeling slighted.
TBC, which is at least a year after AVOS, with all of Blossomfall's children now being young warriors and her life coming back into order
So Blossomfall is having a pretty long journey here! Her life has been rocky and she can be a really nasty person, but she was brought back into ThunderClan because she is still loved. There are people who really want to see her get better.
And as for when she gets Clearface'd, I'm torn on it either being the first sign and SUPER shocking because it was just the normal amount of Blossom-sass, OR it coming right after the death of Bristlefrost and she argued that
"Bristlefrost was a codebreaker but who cares! She was a warrior of ThunderClan! There's no way that StarClan--"
And then interrupted and quashed with the title.
So, first option, to demonstrate Bramblefake's new level of malice at the earliest possible point and use Bristlefrost's death as the "turning point" of the arc where cruelty becomes violence,
Or, as a direct response to Bristlefrost's death, and the moment where there begins to be suspicion, because Bramblestar is NOT this good at naming.
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every time. every time without fail, that i go on a Dethklok/Brendan's music overall binge as I have been lately. I find myself looking at my guitar like. If only i knew how. if only i could do it right. I could hold her and shred and have fun making music.
alas. my skills are too lacking*
*to clarify, I struggle to read music & learn by ear, but my memory also struggles with remembering chords/finger placements/tabs so even tho i can usually hear how a song should go enough to identify notes & whatnot, and can, with enough time spent noodling, eventually recreate it on guitar. That is not conducive nor useful in actually playing and getting better at it and makes it feel like an Impossible Task lmao.
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