#boardwalk empire: anastasia | Explore Tumblr Posts and Blogs

quokkacore · 3 years

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𝔯𝔢𝔪𝔢𝔪𝔟𝔢𝔯 𝔪𝔢 𝔣𝔬𝔯 𝔠𝔢𝔫𝔱𝔲𝔯𝔦𝔢𝔰 [nct collab call]

take a look inside the chapters of this history book and read of several events spanning across all of human civilization. read about people from all walks of life: great heroes, legendary foes, daring outlaws, ordinary people. read about the rise and fall of empires, conspiring courts, the rise and fall of empires, forbidden alliances and romances. in fact, dear reader, don’t just read. learn from the past, because if we don’t, we are doomed to repeat it.

𝖋𝖔𝖗𝖊𝖜𝖔𝖗𝖉

in lieu of hitting 500 followers, i’ve decided to announce this collaboration!! i’ve always loved history so why not? some of these eras are specific to certain cultures and places, but others are a lot broader. at the end of the day, they’re your stories. also if you saw me post this on accident the first time... no you didn’t <3

𝖋𝖔𝖗 𝖞𝖔𝖚𝖗 𝖈𝖔𝖓𝖘𝖎𝖉𝖊𝖗𝖆𝖙𝖎𝖔𝖓

this is a historical au collaboration, but any genre is allowed as long as your story is set in your chosen era! however, smut is not allowed for jisung or if you, the writer, are underage.

all works must be member x reader. love triangles and the like are allowed, but the main male character must be the member you chose.

eras and members are chosen on a first come, first served basis. please message me if you want to participate! if your main blog isn’t your writing blog, please be sure to tell me your writing blog so i can add it to this list correctly :)

you must have discord, since i will be sending all writers working on this collaboration a discord server link. there, i will send announcements and we can all give each other feedback!

tag any triggering content. if you’re not sure, ask in the discord server!

research is definitely encouraged as you will be writing about historical eras, some with specific cultural significance! please be respectful of any cultures or traditions you write about.

in the same vein, don’t romanticize any historical events or figures that are controversial, or have had negative cultural impact (ie, 9/11, the crusades, colonialism). again, if you’re not sure, ask in the discord server!

minimum word count is 2k. your words cannot be blurbs or timestamps.

please inform me if: you’re changing your url, you’re going on hiatus, or if you need to leave the collaboration.

the deadline is currently november 2021, but it is very flexible and can be pushed back even further should several writers ask!

after you’re added, i would really appreciate it if you reblogged this post to boost its reach :D

𝖈𝖍𝖆𝖕𝖙𝖊𝖗 𝖎𝖓𝖉𝖊𝖝

moon taeil -

johnny suh - @aquamoonchaii - the joseon dynasty

lee taeyong - @moondustaeil - the victorian era

nakamoto yuta -

qian kun -

kim doyoung - me! - the renaissance

lee ten - @sleepylixie - the 1940s

jung jaehyun - @doderyscoffee - the rococo era

dong sicheng - @loonacitys - the regency

kim jungwoo - @smileyjaeminies - ancient greece

wong yukhei -

mark lee - @lamaiejeno - the 1920s

xiao dejun -

wong kunhang - @zephyr-abyss - the golden age of piracy

huang renjun - @seulgiswhoreee - the 1930s

lee jeno - @jenoentry - the roman empire

osaki shotaro -

lee donghyuck -

na jaemin - @jaehyyns - the 1960s

liu yangyang - @lovelyutas - the late middle ages

zhong chenle - @softcrescendo - the tang dynasty

jung sungchan -

park jisung - @heejinnien - the three kingdoms period

𝖈𝖍𝖆𝖕𝖙𝖊𝖗 𝖚𝖓𝖎𝖙𝖘

listed below are historical eras to choose from, a brief description of them (except anything past the 1900s as they’re pretty self explanatory), and a few examples of media or cultural phenomena you could use as inspiration if you can’t think of anything! media will be in italics, cultural phenomena will not.

ancient greece (800 BCE—32 BCE): a civilization based in the mediterranean, known for its extensive mythology and advancements in math, art, western philosophy and government. inspiration: the odyssey, hercules, the iliad, percy jackson.

the han dynasty (206 BCE—220): known for its long reign and achievements, it was the second imperial dynasty of china. it is highly regarded as an age of peace and prosperity that allowed china to grow into a major world power. inspiration: painted skin, the virtuous queen of han, the king’s woman

roman empire (27 BCE—476): in its time, this was one of the most powerful empires in the “known world” as a result of its political prowess and military power. it spanned from england, to the mediterranean, to parts of the middle east. inspiration: the heroes of olympus, pompeii, gladiator

the tang dynasty (618—906): regarded by many as china’s golden age of arts and culture, the tang dynasty allowed aristocratic life to flourish. poetry, art, and education prospered. inspiration: house of flying daggers, the empress of china

the viking age (793—1066): time period in scandinavian europe during which vikings conquered parts of north america and england. inspiration: vikings, how to train your dragon trilogy

the three kingdoms period (892—936): period in korean history in which the korean peninsula was split into three kingdoms, all wanting to conquer one another: goguryeo, silla and baekje. inspiration: the blade and petal, hwarang

feudal japan (1185—1602): period of civil unrest in japan, during which the political world was unstable, and power fluctuated between the shogunate and the royal court. it can be separated into two main eras: the kamakura period, and the sengoku period. inspiration: samurai, inuyasha, hakuouki

the late middle ages (1250—1450): a relatively brutal period, known for its numerous wars and civil unrest, throughout europe and asia. inspiration: the princess bride, robin hood, marco polo

joseon dynasty (1392—1897): the last and longest ruling confucian monarchy in korean history. inspiration: 100 days my prince, mr. sunshine, rookie historian goo hae-ryung

the renaissance (1450—1600): period based in europe (mainly italy) which was known for its advances in art, technology and science. inspiration: shakespeare in love, romeo and juliet, ever after

the golden age of piracy (1650—1730): during which maritime piracy across the world grew more and more prominent due to large shipments of cargo making their way to places like the caribbean, west africa, north america and europe. inspiration: pirates of the caribbean, treasure island

the rococo era (1737—1770): art movement in europe which glamorized grandeur and luxury, revolving around heaven, angels, love and lavishness. inspiration: barry lyndon, marie antoinette, a little chaos

the age of revolutions (1765—1849): a period in which a shift occurred in the western world, and monarchical institutions were overthrown in places like latin america, north america, and france. inspirations: les miserables, hamilton

the regency (1795—1837): british time period surrounding the time before, during, and after which prince george of england iv ruled as prince regent after his father was deemed unfit, during which time aristocracy flourished. inspiration: pride and prejudice, emma, bridgerton

victorian era (1837—1901): period spanning the rule of queen victoria of england, during which the industrial revolution occurred and urbanization became widespread. inspiration: the young victoria, the phantom of the opera, penny dreadful

the old west (1860—1890): period in american history during which many made the dangerous decision of migrating west of the Mississippi river, in search of gold, new land, and money. inspiration: jane got a gun, the good the bad and the ugly

the 1900s: moulin rouge!, finding neverland

the 1910s: downton abbey, my fair lady, anastasia

the 1920s: the great gatsby, boardwalk empire, silent films

the 1930s: bonnie and clyde, the handmaiden, the beginning of hollywood’s golden age

the 1940s: casablanca, the godfather, the notebook

the 1950s: swing kids, grease, dead poets society

the 1960s: american graffiti, the british invasion, summer of love

the 1970s: the lovely bones, mindhunter, the birth of punk music

the 1980s: atomic blonde, stranger things, the americans

#nct smut #nct fluff #nct angst #nct au #nct scenarios #nct x reader #kpop x reader #kpop scenarios #kpop angst #kpop fluff

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raindrop-on-a-spiderweb · 3 years

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Do u have any favorite media that revolves around organized crime?

Sopranos

Goodfellas (and Casino, really anything by Scorsese)

Boardwalk Empire

All the biographical documentaries, for example Inside the American Mob and the Bio docs (Albert Anastasia's one was especially good)

The book version of Donnie Brasco

Anything by Selwyn Raab (recently picked up a brand new copy of his Five Families at a booksale!)

Black Mass (book and movie)

Midnight in Sicily

Baccano

I was also recently reccommended Gangsta! By a friend, haven't watched it yet.

#i should say all of my favorite media revolves around organized crime #lol #reccs #personal

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moodscreencaps · 2 years

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boardwalk empire season 1 episode 4 "anastasia" (2010) dir. jeremy podeswa

#boardwalk empire #jeremy podeswa #screencaps

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fantastica-daily · 3 years

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Richard Elfman on his new bizarro comedy - Aliens, Clowns & Geeks

By Staci Layne Wilson

When it comes to cult science fiction movies, Forbidden Zone stands tall. Richard Elfman's 1980 Mystic Knights of the Oingo Boingo vehicle was a one-of-a-kind film zooming down on a one-way street to a whacky conclusion that’s stayed in the minds of schlock cinema fans ever since. His latest film, Aliens, Clowns & Geeks is an equally wild and expressionistic indie featuring Austin Powers' Verne Troyer in his last role, promising that Aliens, Clowns & Geeks is the antidote to mainstream and a breakneck cure for the run-of-the-mill.

“I was fortunate to have my dream cast on this one, including Verne Troyer (Mini-Me) as my demonic clown emperor–his final film role,” says Elfman. “Our ninety-minute film has seventy-five minutes of driving music by my brother Danny (Elfman) and acclaimed animation composer, Ego Plum Guerrero. Along with Danny’s to-die-for clown and alien music, Ego added a Latin element with the band we play with, Mambo Demonico.” The score was composed by Danny Elfman, who wrote the theme song to The Simpsons, the music to The Nightmare Before Christmas and did the singing voice of Jack Skellington, and won six Saturn awards.

"Eddy Pine (Bodhi Elfman) is a jaded actor dealing with the cancellation of his series," reads the official synopsis. "To complicate matters, he wakes up with the key to the universe stuck up his ass. Apparently an alien Clown Emperor (Verne Troyer) is in hot pursuit of this, as are his rivals, the Green Aliens. Professor von Scheisenberg (French Stewart) and his comely Swedish assistants, the Svenson sisters (Rebecca Forsythe as Helga, Angeline-Rose Troy as Inga), come to Eddy’s aid. If only Eddy hadn’t fallen for Helga, and then the aliens manipulate his mind to confuse her with Inga! And when the mad little Clown Captain (Martin Klebba) steps on the gas and shifts his spaceship into fourth gear, all hell breaks loose.”

We had the opportunity to sit down with Richard to ask him about his movie.

Q. To what do you attribute your enduring interest in clowns? And why do you think they’re so fascinating to people in general?

As I’ve always said: “To be born a male redhead is to be born into a clown suit.” Hence my carrot-topped brother Danny and I have always had a fascination with clowns. Coupled with our wicked sense of humor and a love of the horror genre, it was an easy morph into thoughts of creepy clowns. Just like dolls and puppets—yes, I’m speaking Anabelle—clowns can have something “surreal” about them. Bill Skarsgard’s Pennywise really nails it. And I laughed my head off at Killer Klowns From Outer Space. (And we have honk-honking shit-load of killer clowns in my new film).

Q. How did the idea for Aliens, Clowns & Geeks come about? Is it similar to The Forbidden Zone?

Joined-at-the-hip. Yes. And no. Forbidden Zone is basically a surrealistic “human-cartoon” set to musical numbers. So I was working on Forbidden Zone 2, a thematic extension of FZ but on a much grander scale. I did a successful crowd-funder to develop the project, then, with the help of my producers, raised about half the budget. They asked me if we could do something quick (and cheaper) in the interim to keep the momentum going.

So I basically locked myself in my roof-top writing garret with a box of cigars and many bottles of whiskey and banged out my Geeks script over the next three weeks.

Geeks is utterly zany and music-driven, but it’s not a “singing musical” so to speak like FZ. It has surrealistic elements, thanks to my insane special effects department--and a little help from Hieronymus Bosch—but I would describe Geeks having cartoony elements rather than being a total “human cartoon” as FZ was…if that makes any sense. (And please don’t try!)

Q. Tell us about the multiple roles played by your family – and do you have role as well? What was it like working with your family – any funny stories?

My son Bodhi Elfman—a serious dramatic actor with 100s of credits--did a great comic turn as Eddy, the lead; a bitter out of work actor who wakes up with the key to the universe stuck up his ass. He also played the ass-kissing clown (literally) on the space ship plus the green alien network executive who orders the destruction of Earth. My wife Anastasia played multiple roles, everything from a nun to a carny slut. She also danced and choreographed the cabaret burlesque numbers as well as played a clown…until she got sick from the chemicals inside the clown mask and had to throw up—after we got the shot, of course--committed trouper that she is. When I met Anastasia she was a ballet dancer with a “day job” at a horror fx shop. She can dance with a broken toe but seems to have developed a sensitivity to certain shop chemicals.

I played a clown as well and almost threw up from laughing. I must say Geeks was a fun show to work on (my greatest joy is creating a sense of fun) and the actors and crew had serious trouble keeping from laughing as I directed in insane clown attire. What a fucking visual!

And brother Danny—what can I say? As an independent (hence lower budget) film maker it helps when your little brother in Mozart.

Q. Tell us how you ran away and joined the circus.

Actually, The Grande Magic Circus--a French musical theatre company. 1971, I was twenty-one, visiting the Festival of New Theatre in Montreal. I ran into a scruffy Parisian street troupe. They had something though, a charisma, an élan, whatever-- it attracted me. Director Jérôme Savary needed a percussionist—et voila, that was me! I persuaded them to give me several minutes onstage at the festival doing my comedy/horror piece set to an Eric Satie’s Gnossienne. When I “killed” the pianist in a pool of blood the audience was shocked. And they loved it!

Then, back in California, I went to see Marcel Carne’s masterpiece Les Enfant de Paradise , a three hour film set in the Paris theatre scene of the 1830’s. I exited the theatre, stopped, turned around and went back in and saw it again.

A few months later I received a letter from Jerome. Peter Brook, famed director of London’s Royal Shakespeare Company was backing the Magic Circus in a large Paris theatre. Would I like to join them? Bloody hell!! Hence, I ran away and joined the “circus.”

Q. Tell us something about your time with the Magic Circus, how it influenced you and also how your brother Danny Elfman joined the show.

I might say that working with Jérôme Savary was perhaps my single greatest influence. The troupe had classically trained actors from the Comedie Francais as well as more Avant guard performers. Jerome was a genius, his material had a sense of Absurdism that really struck me. I would later develop this absurdism in my own fashion. Certainly with my own troupe, the Mystic Knights of the Oingo Boingo (later Oingo Boingo). By the way, my film Forbidden Zone was essentially our Mystic Knights stage show set to film.

Danny—several days out of high school--showed up at my 5ème, Rue Descartes doorstep with his electric violin. The company violinist was from the Paris Opera. Jerome liked to improvise. The opera guy couldn’t deviate one note from the written score. I believe my brother is Mozart reincarnated. He could follow any improvisation and got the job and toured with us for the summer throughout France. He and I opened the show with him on violin, me on percussion—the first music Danny Elfman ever wrote.

Q. Any other interesting experiences that you and Danny had there?

We were in a Basque town near the Spanish border. If I may digress, I am four years Danny’s senior. I went to a high school in Crenshaw (Boyz in the Hood), Danny ended up at a school with no guns. I was a tough boxer. Danny might be described as a bespectacled science nerd. So it’s Friday night, the audience was really rowdy and restless. My “street sense” knew it was just a matter of time before the fights broke out. We had an Argentine fellow in the troupe, “Katshurro,” nicest fellow. Drunks in the audience picked up on his accent and shouted terrible Spanish insults about his mother. Katshurro stopped mid-performance, his eyes bugging out of head, and he dove right into the audience swinging away. All hell broke loose. Everyone was fighting, sets crashing down. Danny’s glasses got knocked off. Well, and not for the first time, I managed to get Danny out of trouble with both his glasses and violin intact.

Q. Tell us about the cast you assembled – which includes Verne Troyer in his final screen performance. What was he like? Who does he play in the film?

I really had my dream cast. Along with my son Bodhi we had lovely kung-fu kicking Rebecca Forsythe, versatile Angeline-Rose Troy who not only played Rebecca’s sexy Swedish sister, but donned prosthetics to play poor Eddy’s junkie/whore “Mom from Hell.”

Professor von Scheisenberg was played impeccable veteran French Stewart (Third Rock From the Sun). Another great vet was George Wendt (Cheers) as Father Mahoney. Six foot six comic Steve Agee (Sarah Silverman Show, Guardians of the Galaxy) played both a tough cross-dressing bar owner and a stuttering dufis in a chicken suit. Nic Novicki (Boardwalk Empire) played his nasty little-person boss. I was really blessed with a great ensemble to work with.

And, of course, Verne Troyer, our megalomaniac Clown Emperor. What a wonderful talent to work with! He was funny on set, insisted on doing things in spite of physical limitations and he gave us hilarious comic improvisations. Little body. Big spirit. I will certainly miss him.

Q. The music is by Danny and you also have great animation… please give us some details what it’s like to create worlds through music and manufactured imagery.

Danny, along with my band mate--award winning animation composer Ego Plum (Guerrero)—really gave it to us. Seventy-five minutes of music in a ninety-minute film. ♪ ♫ La, tee-da and a boom boom boom! ♪ ♫ Music is essential to everything I do—especially setting the tone of my films. I even play music before I start writing.

As soon as Danny saw our surrealistic Bosch dream sequence and goofy clown rocket ships he agreed to do the score…after he stopped laughing. I play percussion in a quirky Latin band, Mambo Demonico, led by Hollywood’s top tv animation composer, Ego Plum. He and Danny work with the same people, including Oingo Boingo lead guitarist Steve Bartek, who subsequently has done every one of Danny’s film arrangements. Steve and the original Oingo Boingo members all played on our sound track. I must brag that we do have great fucking music!

You know, Danny was a bespectacled science nerd growing up, basically stayed out of trouble. That was my department. Oddly, he wasn’t really into music. No bands, no concerts, no big music collection. Life is funny how things turned out. I showed him a rough cut of Geeks, he laughed his ass off and offered to do it. Yes, I’m very lucky to have “Mozart” as my little brother!

Q. Who is Aliens, Clowns & Geeks for? Do you think movies like this are more likely to find a mainstream audience?

Forbidden Zone may be a “cult” movie but it still plays all over the world--after forty years. Just this past month FZ played festivals in France and South Korea. Geeks is certainly not for everyone—no one falls in love then dies of cancer. But it will find an audience I am sure. Anyone who had fun with Killer Klowns From Outer Space, liked Rocky Horror, even What We Do in the Shadows in terms of a quirky, wicked sense of humor. I also think it will play well in mental asylums…it certainly shall send people there in any case.

Geeks doesn’t fit into the scheme of “modern films.” Actually, the shooting style and underlying three-act story structure harkens back to classic comedies (says the son of a former English teacher turned novelist). The trappings though, are insane and off-the-wall. You might say it’s just my own, goony creation. Love it or hate it, the humor is balls-out outrageous, definitely not for everyone--no one dies of cancer. Geeks is simply meant to be fun for essentially the genre audience.

Q. What’s your proudest moment associated with making the film?

Proudest moment? Maybe finally paying the actors. People say I’ve embraced the indie spirit. I don’t know how much I “embrace” it, so much as am fucked by it, having to work on such a modest budget. Although I’ve been a “hired gun” and directed scripts written by others, Geeks is really the first time since my 1980 Forbidden Zone that I’ve really done purely my own vision. Per John Waters, well, I’d hope he’d have something strong to drink and/or smoke and then laugh his ass off watching it! That’s what it was like creating the film: Drinking scotch and smoking cigars in my rooftop writing garret, laughing my ass off! The green aliens have a totally high-tech ship, except for the automotive steering wheel and four-on-the-floor to shift gears. For the clowns we went for an absurdly updated version of Flash Gordon. And when our tiny clown emperor takes possession of an earth body, he has little dummy of the earthling sitting in his lap, their heads connected by electrical wires. Absurd and ridiculous, and that’s my middle name.

Want to see a double feature of The Forbidden Zone and Aliens, Clowns & Geeks? You can! They will play at The Regency in L.A. as part of The Valley Film Festival on 1/30/21. Get tickets here.

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Look for our review of Aliens, Clowns & Geeks here soon!

#Richard Elfman #forbidden zone #aliens clowns geeks #bizarro #cult films

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hvitserkk · 6 years

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Boardwalk Empire | 1x04 - Anastasia

#boardwalk empire #boardwalkedit #my gifs #boardwalk empire*#nucky thompson*#jimmy darmody*#al capone*#charles luciano*#lucy danziger*#gillian darmody*#chalky white*#margaret schroeder*#mine #tw blood #boardwalkep #pearl*

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pedroam-bang · 4 years

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Anastasia - Boardwalk Empire (2010)

#2010 #film #series #TV show #television #mafia #Boardwalk Empire #Anastasia #Michael Pitt #James Darmody #Jimmy #Steve Buscemi #Enoch Thompson #Nucky #Gretchen Mol #Gillian Darmody #Atlantic City #prohibition

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aion-rsa · 3 years

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The Many Saints of Newark Director Alan Taylor Talks Whacking Ned Stark and Julius Caesar

https://ift.tt/eA8V8J

This article contains mild The Many Saints of Newark spoilers.

Alan Taylor, the director of The Many Saints of Newark, comes full circle in the wet work he’s done for The Sopranos, Game of Thrones, Rome, and other HBO murderfests. After almost two hours with the central figure of the film, Dickie Moltisanti (Alessandro Nivola), he meets a gangster’s death. We know it’s coming from the beginning. It’s one of the first things his son, Christopher Moltisanti says about his dad in the film’s opening voiceover. The problem is Chris is dead, by the hands of the same guy who killed his father. A man who didn’t get his fingers dirty. The man who pointed the camera.

Tony Soprano, played by the late James Gandolfini, may have been the one who squeezed the life out of his “nephew” with two fingers, but it was on the orders of Alan Taylor, the director of the episode, “Kennedy and Heidi.” In the mob, the legendary Umberto “Albert” Anastasia, who co-founded Murder, Inc., was known as the Lord High Executioner. Taylor has no such designation, but he has been the resident assassin on HBO. When The Sopranos’ last underboss, Bobby “Bacala” Baccalieri (Steve Schirripa), got shot while waiting for the model “Blue Comet” train to make the last trip from New York to Atlantic City, Taylor is the one who derailed him.

Taylor guided the tortured and disfigured Pearl through her suicide during “Nights in Ballygran,” the pilot episode of Boardwalk Empire. Taylor was also dealing from the bottom of the deck when Jack McCall (Garret Dillahunt) shot Wild Bill Hickok (Keith Carradine) in the back of the head when he was playing cards in Nuttal & Mann’s Saloon in Deadwood. Wild Bill folded while holding aces and eights, the “Dead Man’s Hand.”

He also lopped off the head of the popular and seemingly indestructible Ned Stark (Sean Bean) on Game of Thrones.

“As an episodic director, you never quite know what you’re going to get when you go in,” Taylor tells Den of Geek. “When you see you’re killing a major character, it is like you won the lottery. When I got to do Ned Stark, that was great.”

While speaking about his latest film, The Many Saints of Newark, death is a recurring subject, and one which never comes expectedly. The director knows the secret of an epic death scene often lies in underplay.

“Maybe I’m just perverse in my head, but one of the guiding things for doing something like the Ned Stark death was to deliberately shoot it in a kind of mundane way,” Taylor says. “I wanted the angle that, where his head gets chopped off, to be a coverage angle that we’ve already been using. No special, heightened dramatic angles for the big event.”

The commonplace vantage point of the ground also played specifically to an audience unaccustomed to the shock value of entertainment rule-breaking.

“I think a lot of people watched that scene, not ready to believe that he was going to die because they knew he was the main character,” Taylor says. “Of course, anybody who read the novels knew what was coming at some point, but a lot of people thought, ‘Okay, got it, a big TV show, here is the main character.’ So, I was trying not to telegraph the inevitable or to overdramatize it. In that one, I was actually shooting his coverage almost like it was a conversation.”

But some epic deaths call for a larger cinematic scope. When capturing the end of a dictatorship in one of the most heavily documented periods in history for the HBO series Rome, Taylor, a former history professor, used every frame of reference at his disposal.

“When I killed Caesar [Ciarán Hinds], I just tried to do it with historical accuracy,” Taylor says. “We did all this research about who stabbed him when and where, and tried to match the reality of that gruesome killing. There are few ways they’re worse to go than being stabbed to death by a bunch of people you know. And trying to capture that feeling and just be true to it, I probably got stylized with that a bit more, remembering the select top shots and slow-motion, and things, but every death is different.”

There are deaths galore in The Many Saints of Newark. People die in fires, crossfires, and in the undertow during a sunny day at the beach. Taylor made his bones a long time ago, he got his button and he still delivers.The Many Saints of Newark premieres in theaters and on HBO Max Friday, Oct. 1.

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The post The Many Saints of Newark Director Alan Taylor Talks Whacking Ned Stark and Julius Caesar appeared first on Den of Geek.

from Den of Geek https://ift.tt/2YdzGdO

#aion-rsa #Den of Geek

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