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Who is the best at drawing among patience, leo and sal?
Leonardo, without a doubt. He went to Yale for sculpting and photography (per Patience, chapter 36, "Your father sent you to Yale and he paid for a useless arts degree, too. I don’t think he’s half as bad as you make him out to be.")
Leonardo is fascinated with the human form. Sculpting requires knowledge of human anatomy, which usually starts with sketching, memorization, repetition, legs and arms and faces coming alive under your pencil. Like a human pressing an ant under the tip of his graphite.
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I just remembered that Sal was a jazz fan. With her married to jazz singer Ernie Nash, they undoubtedly ran into each other a few times, especially if Sal went to his concerts.
Now, THOSE would have been some interesting interactions.
Did Salvatore and Belinda know each other?
I doubt it. They may have known "of" one another, but Leonardo's social circle is pretty tight, and she was one of the earliest members of it. Salvatore has little to offer Belinda, who is more ambitious and mostly interested in social climbing, while Salvatore is perfectly happy being low-rent street for the rest of his life--besides being, her career in prostitution is the forte of the Borghese family, while the Di Scarpettas don't deal with that sector at all. Maybe they met a few times during the early years when Leonardo was expanding his activities and Salvatore was clashing with him, but at this point in time I'm sure they cordially do not know nor care about each other.
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Chris Sarandon as Salvatore Mallozzi
Fancast by Isla from the Ragnatela comments
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Sending love to one of the best writers on ao3 😘💕 I check your page frequently and wanted to ask about the things that you enjoy doing or aspire to do
Hi Anon, it's so sweet of you to send this ask to ask after me. Rest assured your words are appreciated on this end; thank you from the bottom of my heart and top of my soul 🫂 I'm very glad you think highly of my work even after so long, and I'm so so sorry I haven't had any new content in such a long time. But I am hard at work on a oneshot that will definitely be published before the next chapter of Samarra, so the well won't stay dry for long! The summary is “A jaded prison nurse must come to rely on a man she hates and fears in the midst of a deadly prison riot.” I started writing it in the ward; it's based off of the Moundsville Penitentiary which is an especially spooky place I've been to–an old 19th century prison made of towering stone turrets, eerie high ceilings, and rusted iron cells packed together like pigsties. I'm hoping to get that atmosphere across; it's about ⅔ of the way finished so good progress is being made!
Well I enjoy writing, most of all, but I've already talked about that in detail a thousand times so I'll spare you. I love reading, of course (I just finished “The Five”, about the victims of Jack the Ripper, and it's a fascinating bit of history and an incredible and horrifying look at Victorian-era industrial Britain). I love exploring the mountains with my cats trotting along beside me and photographing what I find. In all honesty I'm a bit of a trappist–I rarely see people except hunters and cashiers, and most of my time is spent alone with myself or my dad. But each day is an adventure when you're in nature and each season brings primordial and beautiful changes– I collected watercress the other day and found the downy remains of a fawn. 
I love watching old movies. My dad and I were watching Laurel and Hardy last night and I swear it holds up a century later. Before that we watched King Rat, which is one of his–and my–favorite movie; about two men stuck in a Japanese prison camp and the Machiavellian and underhanded ways they survive there. The book is particularly good too, and the epilogue about rats devouring each other has haunted my dreams for a long time. 
On the same subject, a series that I highly recommend is called Tenko, which is very similar to King Rat, except the prisoners are women. It's so grueling, realistic and enrapturing; I've never seen anything that so squarely focuses on women's experiences, relationships with each other, the hardships they face, and how they struggle to survive together in a thankless, deprived environment. The backstabbing and despair that comes in their darkest moments, the love and support in which they uplift each other with, their mistrustful and uneven relationships with their captors that occasionally erupt in friendships and affairs–and all the episodes are on dailymotion, too!
https://www.dailymotion.com/video/x74u4fi
I like dreaming most of all. So many of my story ideas come from my dreams. The worst thing in the world is waking up and trying to catch the stray strands of the dream slipping through your fingers. It's amazing to live so many lives–good or bad–inside your head. Sometimes when I wake up, I feel a sweeping, palpable sense of relief that I don't live in the world I conjured last night, and sometimes I wish I could just claw myself back into my brain and live in that little pocket world for the rest of my life.
I do not aspire to much. I don't really have any base wishes but to keep writing and live til 70. We all have our hopeful fantasies, of course, and when I finally do get Ragnatela on Amazon Kindle (Microsoft Word is trying to swindle me out of one hundred and fifty American dollars to use their dogshit platform, and since the manuscript is half-edited, I'm afraid to lose my formatting if I switched to a free program like Libreoffice) maybe it will get some attention. 
I still intend on writing on Ao3 until the day I die, though. Even with its unsavory content I have such a soft spot for its unrestricted freedom of speech and prose. Plus I don't want to give up talking to you guys and goofing off in the comments ☹️ I also aspire to stop drinking. I'm sure I've already shaved a few years off my lifespan with my tippling habit. But when one day is much like the other, is there much point in extending it?
I aspire to travel around the United States more. I took a trip through the Deep South to visit Savannah and it was enrapturing; something I will remember for the rest of my life. Rusted-out cars felted in green moss, skinny, grazing horses in windswept fields, peeling roadside signs advertising tent revivals, clownish golliwogs behind still windows of cafes, forgotten tugboats half-sunken into lagoons, highway strip hotels where craggy hookers peered at you suspiciously from their fold-up chairs, and derelict cemeteries separated between Union and Confederate. It was just post-Irma and we were often the only tourists at any of these places. The effects of the hurricane were stark and obvious, with the land in a state of shock before any official agencies came to clean them up. I remember boats crashed into the harbor and grandfather trees felled in front of opulent antebellum homes, and the sea churned brown and murky when we trekked to the beach. The sense of desolation, and not only from the hurricane, was chilling–but I loved being there and loved being swathed by the kudzu and history. My mother is very ill and before she dies we might make up briefly and take a trip to New Orleans together and explore rural Louisiana; I'd always wanted to write a story set in New Orleans. Louisiana is a fascinating state with its mixture of Napoleonic and Creole influences; and I've always been drawn to the grand, decaying tombs of New Orleans as much as I have been to the odd Francophone swamps and their hidden dialects and traditions. And one day I would like to go way, way out west and explore the Gold Rush ghost towns. All the mines where I am are filled-in, so I would like to venture underneath the earth just once. 
Most of all, I aspire to be alone, and live by myself for the rest of my life, far away from town, somewhere in the mountains like where I am now. I wish I didn't have to see another person for the rest of my life. Being alone with myself is bad enough, being with others is intolerable.
Anyways, I apologize for my undue pleonasm, you caught me in a chatty mood 😀 Here's an excerpt from the newest prison one-shot:
Rhoda had met Jesse Fitzner her first day on the job. It was midway through her shift, and she was taking a lunch break and grading her sister Sherise's homework in her office. The day had started with a white-knuckle ride in early morning mist so thick she couldn't see the taillights of the car in front of her. Midway through her preliminary tour of the prison, an inmate had stuffed his toilet full of socks, which promptly overflowed and leaked sewage out of the cell onto her high heels. The hoots and jeers had made her speed up, trying to avoid the leering eyes of her future patients. And her introduction to the mental ward, by a younger but just as pessimistic Fawna, had not lifted her mood any either.
So there she sat in her office, snatching a moment of calmness and frantically scribbling corrections over Sherise's homework before her sister turned it in tomorrow. And then the door swung open.
A blond man poked his head in and briefly raised his eyebrows. He was wearing the omnipresent, drab gray prison uniform, pants and a sweatshirt rolled up to his elbows. "What are you up to?"
She flipped the cover of the notebook over.
"Going over my sister's homework. Is there something you need?"
"Passing on a message to Nurse Judson. One of the inmates wants to switch his blood pressure medication."
"Oh, she'll be back soon. I think she's–doing something with the prisoners. Just give her a few minutes."
"No hurry." He pulled the chair opposite her and sat down in it. "So you're grading your kid sister's homework? Shouldn't she be doing that herself?"
The man had thick blond hair that stuck up in back like a duck's tail, and very rosy cheeks. He looked like he had just shaven, by the nicks on his neck. 
"It's a long story. I should be–"
"I've got time. If this is your first day, you need to take some time to yourself to relax--else you'll end up in the infirmary."
Rhoda laughed. He had a nice smile and a nice manner about him–very jovial and friendly. It was refreshing to see a man who didn't stare at her like she was a piece of meat. "Well, my parents died when my brother and I were still young. Seth was seventeen, I was fifteen. He went to work so we didn't have to break up the family, and I stayed home to care for my little siblings, all three of them. It wasn't fun. I always wanted to do more for them than what I was stuck with, so I'm making sure they get good grades and go to good colleges. That's why I got this job in the first place, to put some back for their college funds."
"That's real decent of you. I don't know a single woman who would go so far for their family. You'd best be proud of yourself. Where's your brother now?"
"He's working out of state in Pennsylvania. He found a good woman and has a concrete contracting business now."
"You got yourself a man?"
"Never saw the need. Someday, maybe, when I'm lonelier."
"Working here for a few years will train that loneliness for a man right outta of you." 
They both laughed at that, and Rhoda felt her tensed muscles begin to relax. "I didn't catch your name."
"Jesse Lee Fitzner." He reached across the desk to grip her hand. For being such a small-built man, he had a crushing handshake.
"Rhoda Ames. Pleased to make your acquaintance."
"I knew a few Ameses when I was on the outside. Where your folks from?"
"Beckworth, west of here."
"Oh, you're bullshitting me. I have folks from there too. You don't know a Harry Fitzner, do you?"
"Harry who used to run the car repair shop?"
"That's him! My uncle. He retired a few years ago. His lungs got to him. Too much time in the mines."
The door slammed open again. An elderly prison guard, who had greeted her rather abruptly upon her hiring and who had a hard and wrinkled face, was standing in the doorway. When he saw Jesse, his face grew harder. "What are you doing here, inmate?"
Jesse raised his hands, still not moving from where he was leaning back on the chair. "Just dropping off a message for Nurse Judson."
"Next time, leave the message with Nurse Ames and promptly return to your cell. There's no reason for you to be here actin' so friendly."
To Rhoda's mild disappointment, the guard grabbed Jesse by his arm and yanked him out, harder than he needed to. Before he was escorted out, Jesse tossed a glance over her shoulder and winked at her. "Rhoda, you're a young lady, and I'm a bit of a spring chicken myself. I think we would get along real well outside these walls."
Rhoda couldn't help the giggle that bubbled up from her throat. She felt lightheaded. She was a rangy and abrupt woman with a working tan, and hadn't much experience with men flirting with her.
When Jesse was marched out, Rhoda stood up and grabbed her peaked nurse's cap, girding her loins for the next shift on the ward. While she was counting medications, the elderly guard–Miles–came in again and shut the door behind him. She flinched, expecting a dressing-down on her first day of work. I wasn't fraternizing with the prisoner, was I? Am I… am I gonna lose my job?
He sat down opposite her. "You ever hear that tale 'bout the lady and the snake?"
"I'm sorry. I didn't mean to–"
"Old story; old, old story. One of them Aesop stories they wrote when people was still in togas and carved words in stone. A woman was walking home one day when she saw a frozen snake lying on the side of the road. It begged her to save its poor little self, this little creature of God. So taking pity on it, the woman brought it home and warmed it by the fire between her breasts. And as it thawed, it bit her breast. 'Oh, why would you do such a thing? Your poison will kill me,’ she wailed. And the snake smiled and said, 'You knew I was a snake before you brought me into your house.'"
Rhoda stared at him, puzzled. "I don't understand."
"You know what that fellow did to get in here? Fitzner was top dog in a motorcycle gang outside of prison. A real nasty one. He ordered a contract killing on a rival gang member. They snatched the poor fellow when he was leaving a bar. Hung him from a tree, broke his legs with doublejack hammers, used him as target practice with their sawed-offs, cut his dick off and shoved it in his mouth, then left and let him choke on it and bleed to death for the rest of the night. He was out, too, far out in the mountains, and they only found him weeks later when a hunter stumbled on him. One of the killers snitched on Fitzner in exchange for dropping a drug felony sentence he was staring at. That snitch went into hiding and changed his name. Two days after Fitzner was taken to this good penitentiary, he was found with his head beaten in, in a dry creek bed."
Rhoda's head began to spin in slow whirls. Her hand where Jesse had shaken it grew very clammy. She remembered his bright smile across the desk, his dark eyes, and felt bile and vomit churn in her throat.
"You both were talking for a while, I noticed. He's good at prising information out of people, Fitzner is. A boyish smile and a few good words and he can make both men and women melt like butter on yer tongue. See? Now he knows who you are, and where your folks live. Now he can get to you."
Rhoda tried to talk, but her tongue was paralyzed. She looked down and wiped her sweaty hands on her knees.
Miles got up and went over to the door. He looked out of the window set on top, and his hard face relaxed. He seemed much older in that moment, more wrinkled and exhausted.
"You'd best be careful of him, Nurse Ames. He's a bad 'un. I'll be glad to see the back of him."
As it turned out, Miles retired later that year and it was Jesse who saw the back of him. 
And Rhoda became very wary of him from then on. Whenever he saw her in the hall, in the chow line, in the infirmary, he smiled at her and tried to make small talk. She ignored him, or was curt with him.
Unfortunately, he seemed to take that as an invitation.
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How much of life I have known: love, disillusion, madness, hatred, murderous passions. 
Sylvia Plath, The Unabridged Journals of Sylvia Plath — 29th September 1959
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Vintage photos defined women’s fashion in the 1950s.
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Conna gives me Single White Female vibes. She doesn’t just want Shirley, she wants to BE Shirley.
***
Great movie! I love those old 90's thrillers. I get where you're coming from. Conna's intense focus on obsessing over and modeling herself on Shirley is similar; as well as her damaged background and urge to “overcome” her in some aspects. Sometimes when women have never experienced longing and attraction for another woman before there can at first be a misinterpreted aspect of enviousness and attempted one-upmanship, or a sort of puppyish eagerness to impress and be noticed, all of which Conna exhibits. But if it comes across as Conna being a sexual predator or Single White Female, that's entirely on me lmao.
If Conna does manage to pull on a blonde wig and bamboozle the men, I'm certain they would be quite perplexed at the fact that Shirley has suddenly become un-pregnant, an inch shorter, 2 cup sizes smaller, and the Navy SEAL copypasta.
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So, did you watch Griselda yet? If yes, what are your thoughts on it?
By the way, I absolutely adore your work. 🩷 You are very talented and have a unique way with words. Your stories are always a pleasure to read. 💕
Yes!!! I'm 2 episodes in and love it so far.
Thank you for reminding me because I got distracted and started watching the Dollars Trilogy with my dad, here's my sign to go back and finish it! Sofia as Griselda does an incredible job; you can almost sense the barely restrained menace and hurt beneath her outrageous persona--from what I heard the real Griselda was the same way (she named her son after a Godfather character!!) So Sofia hits that exact triplicate in a really believable way.
June's's so harried yet daring and determined, I love her already (and she really is like a mini Patience with a kid, lol). Really eager to see how her and Griselda's two-way dynamic turns out. While Cocaine Godmother was a little more restrained, this is a little more flamboyant. I'm really liking the Narcos atmosphere while being a solely female-centered series, I've always wanted something like that! Lollll if I didn't have ten thousand other things to keep writing it would totally give me ideas 😁 I'm looking forward to finishing it! And thank you so much! That warms my heart to hear that ❤️
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I'm not sure if you've seen Griselda (new Netflix miniseries), but whenever "June Hawkins" appears on screen, it reminds me so much of Patience. The vibes are nearly identical.
Thank you for recommending this to me!!! I love Narcos and had no idea there was a series about Griselda Blanco out. Cocaine Godmother was divine and I'm excited to see how this one is. June is based on a real person which is even neater! Excited to watch it and she does totally give off those determined, single-minded Patience vibes!
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Wow the historical person does bear a bit of resemblance too
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I saw this on Instagram and all I could think about was Leonardo and his mink coat. He started the mob wife aesthetic and we all know it 💅🏻
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Something goofy to make up for the sheer fuckery that happened in @liquor-belle's awesome story T_T
Patty deserves those hits, I'm telling you QAQ
This was originally supposed to be done for the International Slap a Tall person day buuuut I'm a turtle soooo >3>
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JULIE CHRISTIE in DON’T LOOK NOW (1973) dir. Nicolas Roeg
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Appointment In Samarra, Chapter 30
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Ffs, still can't edit drafts. I love his scholarly old-fashioned mien and the way she looks at him. Shirl does have Marilyn's sort of taut, highly controlled public persona, and also that sort of unreachable softness. This does remind me of some lovely timeline where she happens to meet a nice older man at a university or cafe in Berlin and they get into a conversation and fall in love, or her father introduces her to him on a military base or some such and they start getting to know one another.
In their gentler moments in-story they joke around and can be unusually relaxed with each other; Blondie has shown to be more stable, in control and attentive than the other two and I think she would be content with a man like him--she is somewhat deferential to the male figures in her life and if they met under different circumstances (and if he didn't have the profession he did) I think her gentleness could break through his cold carapace and they could be a peaceful and loving couple. (But yes, in the story Shirley is fully justified in wanting to drown them all in quicksand lol)
Offtopic but in this video you hear Marilyn's real voice. She put on a breathy babydoll voice as part of her persona but drops it in this interview around 15:26; she sounds slightly nasal, a little like a midwestern housewife-- a normal woman.
https://youtu.be/kW1qLnkfUxc
This kinda gives me the vibe of Blondie and Shirley in another alternate universe where they're soulmate 🥲 gosh i wish for her happiness, fuck those assholes.
https://vt.tiktok.com/ZSNcS2Lcr/
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This is adorable, who is that man with Marilyn? She looks so relaxed around him
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The Strange Possession of Mrs. Oliver (1977)
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Patience and Leonardo
From @moonlight-drawn-by-dawn
Merry Christmas ♡♡♡
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YESSSSSSSS
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Chapter 61: Part I 🥀
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Special Christmas update as promised x
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