#bering and wells Anniversary | Explore Tumblr Posts and Blogs

apparitionism · 11 days

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Asleep 2

For the anniversary this year, I have the second “half” of my @b-and-w-holiday-gift-exchange story for @kla1991 : an involuntary bed-sharing situation that turns not sexy but disastrous. The first part took on Myka’s perspective; this conclusion is written from the other side of the bed. A confession: I find in-universe Helena’s head voice a somewhat difficult register to compose—because while she can’t be fully insane, she needs to teeter or list, sometimes more than a little (but without falling into histrionics). Which is to say that if you don’t entirely buy the turns of thought and/or coping mechanisms I’ve given her here, your skepticism is well-placed. Ultimately I hope it’s the case that a person can be broken but still want in a way that’s... pure? Justified? Sweet? Reciprocatable? Maybe just “vaguely recognizably human”?

Anyway, this is long, first because it extends well beyond the point at which the first part ended, but also because when a Bering and a Wells get to talking (as they at last do!), they need to work things out at their own pace...

Asleep 2

My arm is asleep.

Under normal circumstances, a person would, upon becoming aware of this, shift position so as to restore blood flow.

Under normal circumstances.

But very little is normal about the circumstances under which Helena’s arm is asleep.

She is in a hotel-room bed, in the dark of night, lying on her left side, with her left arm, her now-asleep arm, pinned beneath her. So ends the disturbingly limited “normal” portion of the situation.

Here begins the larger portion: she absolutely must not move.

Irony guts at her with that, a shiv-and-twist remembrance of bronze restriction—but that prohibition had involved a significantly different auxiliary verb: “cannot” rather than “must not.”

Grammatical particulars aside, her immobility now is barely less a torment. This is because her other arm, her alive right, terminates in an even-more alive sensate hand, one that now rests—but is in no way at rest—on Myka’s right hip.

Myka, too, is lying on her left side, a small distance in front of Helena, lying in this hotel-room bed. Such proximity in such a space might, under other circumstances, signify the fulfillment of a long-held dream... but here, now, it seems a nightmare. For Myka is Helena’s colleague and no more; they are in this bed for sleep and no more; and Myka is playing her part correctly while Helena is not, in contravention of what she has sworn to herself she would do no more.

Such drowsy sense the placing of that hand had seemed to make, when she had found herself facing Myka’s back. She had in the past regarded that length covetously, relishing the idea of touch both salacious and tender.

For all her coveting, however, she had in fact only once laid hands on that back, both hands with intention on the clothed blades of Myka’s shoulders: a terrifying embrace, one that was in the most basic physical manner right but overall searingly wrong, screaming bodily truth but surrounded by words that said nothing they should. A perversion of promise, like so much else that had happened in Boone.

Yet Helena had clung to its memory all the same.

She’d thought, here in this unexpected proximity, to supersede that, to touch once again, once again but brief, once again though brief. To erase and replace.

First she touched the right blade, light; yet her hand wanted stillness, more connection than a mere pat against cotton-clad bone. And there was Myka’s hip, a beckoning promontory jut... a place to rest. Rest, however brief.

Once placed, however, her hand had proved reluctant to retreat.

Brief, she reminded it.

No, the hand had responded. I belong here.

Helena knows this is true. She knows also that it cannot be true.

But she is no stranger to holding contradictory thoughts in her head. This has been essential to establishing and maintaining, in these new Warehouse days, a functional equilibrium. Functional. Indeed her goal, in this “reboot,” has been to function, which she has lately defined as something on the order of “to move through time nondestructively.”

This definition had come about due to her realization, pre-reboot, that her difference from others, her inability to fully perform a modern self—her arrogance about that inability, even as she attempted to hide both the inability and the arrogance—chipped at, chipped from, the good (the good nature, the good will, the goodness) of those around her. Over time, such chips accrued as wounds.

Nate. (Adelaide.) Giselle.

She had as a result finally understood that coming back to the Warehouse would mean, at the very least, that those with whom she interacted had already made a bargain, perhaps even a peace, with the inevitable violence of history: with the way the forces of the past could—would—affect, even infect, the present. Helena herself was, at her simplest, merely one more of those forces.

She did consider requesting that she be re-Bronzed, now absent any pretension of traveling through time, but rather as a way of neutralizing a dangerous, and demonstrably unstable, artifact. But then an image had come to her, possibly as an omen, possibly as only a desperate wish: Myka’s devastated face upon hearing such news.

Boone all over again.

Thus the reboot. Because the most significant entry under “function,” with additional emphasis on the “nondestructive” portion of that definition, was her resolution to spare Myka pain. In the past, Helena had been both careless and careful—surgically so—in her infliction of damage on Myka above all others. But she had sworn to herself that those days were done.

Done, but Helena knew she had not paid anything near a sufficient price.

So. To maintain distance, no matter how troublesomely ardent her wish to close it, was—had to be—part of her penance. And to do so decorously was—had to be—the gentlest approach. That was what Helena told herself in her more rational moments.

This moment, in this bed, is not one of those. If it were, she would simply remove her hand. Simply remove it, then roll over.

But her mind races, finding complication: She doesn’t know what sort of sleeper Myka is. Had Helena’s placing of hand awakened her? If she had awakened, has she now fallen asleep again? If she has, would she then be reawakened by the hand’s removal? Or would she, if still awake, draw some negative inference about the entire situation based on removal?

Ideally, Helena would maintain a facsimile of entirely blameless sleep while engaging in that removal, but can she make such a performance believable?

Never in her life has Helena been so concerned about her ability to mislead convincingly as when she has attempted to deceive Myka. That was the case in the past, even at her most nefarious, and now she worries day-to-day that her strictly disciplined disguise of near-constant wishing ache will slip and fail. A simple I am asleep should be... well... simple. But it is not, and Helena is reminded of Claudia’s tendency to observe, in situations both dire and banal, “Here we are.”

Here we are, because Myka is apparently indifferent to the idea of sharing a bed with Helena.

Here we are, because Myka is apparently indifferent to history.

Here we are, and that latter indifference is a surpassing irony, due to the fullness of—

Helena sees that she needs to divert her train of thought, as descending into unjustified anger will help absolutely nothing.

First, she entertains a fantasy of sitting up, turning on a light, and explaining to Myka that this entire situation is untenable, and that if they are going to share a bed, they should share a bed. But it’s true that Myka did not seem even to consider that as a possibility, which seems ludicrous, given the past... no, that’s back to unjustified anger, for who is Helena to resent what Myka wishes not to consider? And indeed, who is she to interpret the past in such a way as to believe she understands what Myka would have considered?

Focus on the facts, she tells herself. What actually happened in that nefarious past. And do so dispassionately.

Regrettably, the word “dispassionately” brings to mind another word: “passionately.”

Again. For she had thought that word not long after she and Myka had first entered this room, first entered it to find, as Helena’s unrestrained fantasies might have conjured, only one bed. That they were clearly intended to share. Thus her mind’s unruly leap to... an adverbial manner in which they might do so.

But Myka had said not one word about the accommodations, so Helena had held her tongue as well. She nevertheless couldn’t help but feel it an elaborate lack of remark on both their parts, the silence practically baroque in its fullness.

Baroque too had been the courtesy with which they jointly prepared for bed, a you-first-no-you stutter-choreography of politeness that ensured privacy, yes, but also reinforced the barrier between their past and their present.

Which Helena understood was necessary. It did nothing, however, to mitigate the breath-hold of preparing to lie down beside Myka.

Once she had managed that lying down, however (with a relative aplomb for which self-congratulation was not, she felt, unjustified), she hoped her torment might ease. A bit. If she could manage the additional task of pretending the body beside her was no more significant than any other human. Some flesh, recumbent.

But when they were situated thus beside, Myka spoke. “You seem a little upset,” she said.

Helena had barely been able to restrain a snort. Now Myka saw fit to comment? As if allowing this portion of the play to pass without remark would create some undue strain upon collegiality? As if their incongruous bonhomie might buckle under the weight of that silence? Oh, that was rich.

Bottling her pique, Helena questioned: “With?” To make Myka say it. Mere saying wouldn’t hurt. Would it?

“You haven’t been yourself since you put that camera in the static bag. Was it a problem, seeing it again?”

Helena held herself rigid so as to keep her body from betraying neither her disappointment at the question nor, contradictorily, her relief...

It was a reasonable question. A good question. Not one on which Helena particularly wanted to focus (although it indicated a certain attention on Myka’s part, an attention on which Helena suspected she should not dwell), but it did deserve an answer. “It closes a door, doesn’t it,” she told the ceiling, for turning her head to address the other body directly seemed an invitation to peril. “That one I opened so nefariously, long ago.”

“Or—and—maybe it closes a loop,” Myka said.

Unexpected. “A loop?”

“Right after college, I went through a self-help phase,” Myka said. She paused, and Helena found herself on relative tenterhooks regarding the applicability of this (new!) information to the current situation. Which reminded her how much she had missed talking with Myka... because of the very sound of her voice, yes, but also because her conversation could range so unanticipatedly. So rewardingly unanticipatedly. Helena had known few people who could lead her on such unpredictable, yet productive, journeys.

Was Myka’s apparent willingness to begin such a journey now indicative of... anything? A softening, perhaps, of relations between them? Not a rebooting of their once-burgeoning intimacy, for that had to remain taboo, but could it be that some restoration of their previous intellectual engagement might be, at the very least, neutral rather than harmful?

Helena had moved a tentative pawn in that direction during their conversation on the airplane. Perhaps this was Myka’s answering move?

With an exhale that seemed like resignation at what she was about to say—to reveal?—Myka said, “I felt like I needed to be someone different—someone better.”

Another pause. Helena considered that such a feeling seemed very Myka (and she heard that phrase in Claudia’s voice), but also very misguided. Of course she was not at all placed to make such judgments, and even less so to convey them to Myka. Thus she said a simple, “Did you,” to encourage without prejudice.

“So I read a lot of books,” Myka said, to which Helena had responded internally, Of course you did. “One was about how to get things done.”

“All things?” Helena asked.

“Sort of.” That was followed by yet another pause. Yet another puzzle.

All these pauses. Was Myka on the verge of sleep? Helena said, soft, thinking she might go unheard, “Perhaps I should read that book. As a help to myself.”

At that, Myka had laughed, more delay, but also soft. “I don’t think it’s any kind of help you need. The guy who wrote it had a big system, all these rules, and I love rules, but these... I admit I didn’t stick with most of them. Honestly, any. But an idea that did stick was actually a pretty minor part: open loops. Stuff you track subconsciously, all the time, because it’s incomplete. How troubling that is. And what a difference it makes when you close a loop, when you each a resolution. I mean, he was talking about stuff like answering emails.”

“Emails,” Helena echoed. So far from artifacts.

“Which this is so much bigger than,” Myka said, exhibiting, not for the first time, an uncanny ability to scoop from Helena’s thoughts. “But maybe the principle holds. You don’t have to tell me. But I hope you have fewer open loops now than you did. Before.”

“Yes. The number. Fewer,” Helena said, factually.

She of course couldn’t say out loud (but it was equally factual) that Myka herself was the loop most capaciously open. The one that gaped, superseding, never mind the number of lesser.

Indeed, however, that number was now minus-one. Oscar. Oscar and his ballad... that loop closed.

Helena had in fact, while handling the camera, begun to ideate a wish that someone (Steve? Claudia?) might be persuaded to use the camera to capture her image... for it had occurred to her that a spark of art, some production on which to concentrate, might animate this reboot... something to pursue, rather than to be pursued by...

But. Lying abed, still and strangely hopeful—a state she should have known would not endure—a realization had struck her, as an open hand to the face, a realization of why Myka had brought up loops and the closing thereof: she had somehow discerned Helena’s wish, via that scooping of thought, and was discouraging her from pursuing it.

So much for any softening. This was instead a warning: Helena should not open a loop that Myka might be obligated to close. And Helena had no trouble grasping that the warning was in no way limited to the use of a single artifact... no, it doubtless applied to any burdensome loops Helena might be thinking of opening, any new incompletions that might come to trouble Myka.

“I understand,” Helena had said, regretting that pawns could not be moved backwards.

At the same instant, Myka said, “I’m glad.”

That collision had canceled communication entirely; in its wake, Myka had turned out her light and turned away from Helena.

Leaving Helena to her thoughts.

Well, fine, had been the first of those.

Next had come an equally mulish sniff of And I will have no difficulty directing any subsequent away from this shared bed.

Whereupon she had proven herself both wrong and right, thinking about history, about the fact that, whatever Myka’s commentary or lack thereof had or hadn’t signified, the fact of Warehouse agents lodging together, sharing beds completely platonically, was certainly nothing new.

This line of thinking had enabled Helena to distract herself by recalling a mission with Steve and Claudia, one in which Steve had announced, after checking in at their hotel, “Bad news. Just a king room left, but they said they’d bring up a cot.”

He had then immediately assigned Claudia to said cot, prompting her to protest, “No way! This situation screams rock-paper-scissors tournament! Loser gets the crappy night’s sleep!”

“No way,” Steve protested back, far more mildly. “The father of science fiction gets first dibs on the lumbar support, and my back’s got a decade on yours, so I call second. If that father agrees.”

Helena had. Sharing with Steve had been fine.

Sharing with Myka should of course have been no different.

Should of course have been...

But now, here in the impossible present, as Helena’s left arm slumbers and her right hand sparks, what should have been? Isn’t isn’t isn’t.

She needs further distraction, so she casts her mind again to Claudia and Steve, to the compensations they have offered her during this strange and estranging reboot: at first Claudia, who had welcomed Helena back so unreservedly and continues to offer wholehearted allyship; and then Steve, who had quickly become an unanticipated boon companion, a partner upon whom Helena has felt increasingly, and increasingly exceptionally, lucky to be able to rely.

And yet these compensations, though Helena hopes she conveys all appropriate gratitude for them, are never sufficient, for Myka—necessary yet unreachable—is always present.

She’d been so, even during that cot-delineated retrieval. Its aftermath had (so much for distraction) involved a significantly Myka-related incident, for Helena had dared, as she, Steve, and Claudia were relaxing in the hotel lounge prior to retiring, to broach Myka as a topic of conversation. As one might do, she’d thought: speaking about a colleague.

“I have an inquiry,” she’d phrased it. To make the ensuing question sound... scientific?

Dispassionate, she jeers at her recalled self.

She jeers also at what she’d said next: a too-bald, “How is Myka?”

She had known, even at the time, that what she had truly wanted was to say that blessed name, to speak about that blessed person. She could not speak to Myka in any meaningful way, and she was starving.

Steve and Claudia had then shared what seemed an extremely charged glance, so Helena hastened to dissemble, making sure to use questions so as to prevent Steve from finding her immediately untruthful: “Given that her liaison with Pete ended? They’ve... recovered, as it were? Both faring well?”

But her tone had struck her own ears as too bright; a desperation rippled behind it, and Helena knew from experience that behind that tiptoed a still deeper threat of rupture, which required work to be kept at bay. As Helena had been instructed by her most successful therapist to do when such awareness overtook her, she began to breathe with attention.

Neither Steve nor Claudia spoke as she did so.

When the danger passed, she smiled, as best she could, to signal to them her appreciation—and to herself, her success.

Steve then said, “You’re not asking about Pete.”

Helena valued—as a personality trait—Steve’s discerning willingness to push. She did not in that moment value how he thus so easily revealed a glaring flaw in her initial approach: she should have asked about Pete; with that as her entrée, the talk might organically have turned to Myka. Foolish of her to think so unstrategically... or was her failure to do so a paradoxically positive sign?

“Give it time,” Steve said, and Helena knew he was making no reference to Myka and Pete’s recovery.

“My relationship to time,” she said, with contempt. Time: she’d taken it. Now she had to give it? A forfeit. Well, that was fair.

Claudia said to Steve, “Speaking of, we’re wasting it. Are we gonna do the thing?”

“Only if H.G.’s on board,” Steve told her. It was an unexpectedly mind-your-manners utterance.

“What is the thing?” Helena asked.

“Claudia’s trying out alcohols,” Steve said. “We can’t do it around Pete, obviously, which means retrievals are our—”

“So many questions to answer, right?” Claudia interrupted, her avidity increasing. “You know, am I über-suave James Bond with the martinis? Or a fights-against-my-general-cool-geek-vibe Carrie Bradshaw with a cosmo?”

Helena had had no idea what she was referring to, but the investigation seemed entirely fit for someone her age. “What have you determined thus far?”

“Turns out cosmos don’t work for me,” she said, “as the prophecy foretold, and Bond-wise, I like a martini all vodka, no gin; sorry, Vesper.”

“Is that all?” Helena asked.

Further avidity: “Oh god no. Vodka drinks aren’t perfect: white Russians are way too sweet. Also in the white family, the wine category pretty much bores me. Also there was this one time Steve ordered a gin drink called a white lady that I couldn’t even think about because it had an egg white in it and one look made me retch.”

“Quite the wide-ranging experiment,” Helena said, hoping to forestall further off-putting description. “Not conducted with inappropriate... ah... intensity, one hopes?”

Steve patted Claudia’s shoulder, at which she rolled her eyes. “I’m supervising,” he said. “No more than a few tries in one sitting, and we’re doing it mindfully.”

Claudia abandoned her attitude and nodded. “Paying attention to what I’m tasting. How to find, you know, notes and stuff. Except for the disgusting egg-white thing, it’s honestly been fun.”

“I’m not opposed to fun,” Helena said, and she was a bit surprised—but pleased, and pleased to be pleased—that Steve didn’t squint in response. “So, Mr. Supervisor, what’s next?”

“I’ve been pushing for the wide and wonderful world of beer, but—”

“Seems too jocktastic,” Claudia said. “You know, ‘Beer me, bro.’”

“I don’t know,” Helena said.

“Anyway that’s really not me,” Claudia continued, as if Helena hadn’t spoken. She did have a tendency to ignore Helena’s ignorance, a tendency that Helena enjoyed and found frustrating in equal measure.

“Her beer perspective is severely limited,” Steve lamented.

“I myself have always found a strong stout ale quite enjoyable,” Helena said: her contribution to Steve’s cause. It was also true, the fact of which he seemed pleased to affirm with a quirk of lip and a quiet “so you have.”

Claudia’s expression remained skeptical, but she shrugged weakly and said, “I guess I could give it a shot?”

“Oh, because H.G. says so,” Steve twitted.

To that, Claudia squared her shoulders. “Yeah. Don’t you know who she is?” she demanded.

“Who I was,” Helena hurried to emphasize, “and given that Steve assigned me the bed on that basis, he—”

“Who you are,” Claudia corrected, throwing the emphasis back.

“And who is that?” Helena asked. What distinction did Claudia imagine was relevant?

“The person who told me my destiny was glorious. You’re still that guy, right?”

Relevant indeed. Helena was taken aback, indeed taken back to that extremity, back in a novel way. She had been so mired in the Myka of it all in the intervening time, that she had lost her view of the bright salience of Claudia’s presence. Wrongly. “I am,” she said. She hoped Claudia believed her.

“Okay,” Claudia said. “So I’ve got this big-as-Pete’s-biceps incentive to hope the stuff you say is true. And by the way, one of you has to casually drop in front of him how I said that, because I want the points.”

Steve snickered and said, “I know my job. But in the meantime, I think I’d like to toast to all these sentiments, and to the agents offering them. With a strong stout ale.”

They tasted the three strongest the hotel bar had on offer, and Claudia pronounced that her favorite, one purporting to convey roasted notes of coffee, chocolate, and other darkness, was “way too complicated for your average broseph.” Which Steve seemed pleased by, as a judgment, so the overall experience scored a success.

There was no further talk of Myka, however, the avoidance of which topic seemed quite deliberate... as if Steve and Claudia had determined that Helena would not benefit from it.

Or that she did not deserve it.

For the best, Helena had concluded. Either way.

Now, in a similar “for the best either way” sense, she makes to raise her hand, with that intended overlay of feigned sleep, so as to shift away and at last regain equilibrium, restoring feeling to her sleeping arm and calming that oversensitive hand. But instead—in what she can interpret only as a stupidly id-driven attempt to bank some never-to-be-repeated sensation, to the memory of which that desperate id might cling in a touch-deprived future—she moves her hand, not away from Myka, but further down her leg.

And her worst fears are instantly realized: Myka’s body reacts violently, as if in revulsion at the very idea of Helena touching her.

It was only a hand at rest, Helena begs, with no conception of why or to whom she is rendering that supplication. That was all.

Alas, that was—is—not all, for in the next split second Myka is falling from the bed and crying out in pain.

Helena, at a loss, attempts a faux-innocent inquiry, which Myka answers unintelligibly. In trepidation, Helena ventures to the mattress-edge, then lowers herself to the floor next to Myka—and she is appalled, for the situation that confronts her is all debility, even more so than the absurd “my arm is asleep” with which this farce began: Myka’s shoulder is dislocated.

Further, Myka is now unconscious.

Spare Myka pain. How utterly unsurprising Helena finds her inability to obey such a dictum in even this most basic physical sense.

Unsurprising... worse, dispiriting, and it brings her low, such that again the incipient rupture asserts its subterranean power, urging Helena to give up, to run away and leave this broken Myka to someone else to bind up and save.

You’ve done it before.

That resounds in her head as both accusation and affirmation, and the voice pronouncing it might be Myka’s, or some deity’s, or that of any of the other personages who jockey audibly for primacy in that space, including Helena’s own.

She initiates breathing with care, even as an eddying undertow tempts her to entertain the notion that escape, too, might be rebooted, tempts her to entertain and revel in its ostentation as a response to Myka’s indifference, her rejection of history, even her revulsion.

Here is my answer to all that, a departure would declare.

Helena labors to breathe herself away from such perfidy, but the scenario creeps along, with an undertone of sinful relish, as she imagines leaving Myka to awaken alone and in pain.

But then—because her labor leads her there—she further imagines the various permutations of “someone else” who might be called upon to save the day in her absence. Whereupon the thought strikes her that moving through time nondestructively requires her to think seriously of, and to think seriously out, such knock-ons... how, for example, would Steve and Claudia respond to having to clean up this mess, knowing that Helena had made it?

Moving through time nondestructively. Interesting, here, the overlap with moving through time selfishly: selfishly, she does not want to destroy Claudia’s image of her as someone whose opinion matters. She does not want to destroy Steve’s image of her either, for it seems to have at least some positive components. Further, she does not want to destroy the fellowship they three are building.

If for no other reasons than those, she concludes that having caused this quite specific damage, she must fix it.

Because she can.

The fact of the matter is, Helena cannot fix most things. She has tried mightily to maintain the pretense that she can... but she has been forced over and over to confront the absurdity of that bravado. This very specific fix-it, however, she can perform. And while that performance—inconveniently, in the present circumstance—requires touch, here it can be functional. Perhaps in success she might in some way efface her earlier invasiveness...

Yet she can do nothing without two functional arms. She thumps her still-insensate left against the bed, hard—too hard, for Myka’s eyes open. She mumbles out something Helena decodes as “whatareyoudoing.”

“Preparing to remedy a situation,” Helena says.

“Okay.” Myka murmurs. She seems oddly comforted by the answer, to such an extent that she relaxes, losing consciousness again.

That’s fortunate, given the required manipulation.

Helena prepares herself to do it quickly, efficiently, as she has done in the past... rather dramatically on one occasion, as she recalls, for an agonized Wolcott... but she should not think of Wolcott. For the regret.

She sets that aside, preoccupying herself instead with the necessary activity. Her manipulation, determined and strong, is rewarded: what begins as a sluggish resistance resolves into a slip-pop of relocation, one that shudders a familiar path through her own bones. She then cushions Myka’s arm with a fresh towel and uses a pillowcase to fashion around it a tight sling.

Levering Myka up onto the bed would most likely cause further injury, so Helena sits beside her on the floor, ensuring periodically that she continues to breathe. The wait is calming, cleansing, its peace a renewal of a soothing activity of which Helena has been long deprived: observing Myka closely, at actual leisure. At no point since her return—so at no point in, literally, years—has she had such an opportunity.

She’s reminded, in that observation, of the true fundament: this precious person. Who could never be merely some flesh.

After a lengthy time, during which Helena is pressed to consider, to remember, to value Myka’s singularity, that precious person’s eyes flutter open.

That person tests her bound arm, a tentative physical investigation that approaches elegance in its delicacy.

But Myka’s delicacy and elegance, too, Helena should not think of. For the regret.

“I’m not in the hospital,” Myka burrs.

Reasonable, practical. This is what Helena should think of. “Not yet,” she says. “But we’ll go if necessary. If you’re in pain.”

Myka’s face contorts. “Not if. I am. Some. More than some. I’m sorry.”

“For being in pain?”

“That. But also, for changing this whole thing.”

Helena leaves the latter alone, for she cannot begin to interpret it. Focusing on functionality, she asks, “Can you dress yourself?”

Myka nods, but she winces far too much with even that motion, so Helena screws her courage to it and says, “I’ll change and then help you.”

Herself, fast, then Myka: Functional, she snarls internally as she addresses the situation, and even faster. She’s relieved to find that Myka’s trousers and boots are less complicated than she’d feared, and as it happens, preventing Myka suffering additional physical pain—even while undressing and redressing her!—is, paradoxically or not, far easier than navigating emotional shoals, or even hand-on-hip physical shoals. Focusing on Myka’s face for twists, listening for labors in breath, adjusting accordingly... it’s distractingly, satisfyingly concrete. Only the present moment matters.

Only the present moment matters. This is the mantra Helena iterates internally as they proceed to the nearest urgent care facility.

Yet as they wait there for attention, Helena finds herself increasingly unable to ignore why they are waiting there for attention. In the present moment, which matters. She begins—or does she intend it as an ending?—with, “I’m assuming you flung yourself to the floor in an attempt to escape a circumstance.”

Myka hiccups a laugh that makes her cringe in protection of the shoulder. “That’s weirdly accurate. As an assumption.”

Helena recoils at the confirmation, but she must acknowledge it. “A circumstance in which I touched you in a way that was unwelcome,” she agrees, with gloom.

“Unwelcome,” Myka echoes.

It’s so... definitive. It was one thing for Helena herself to think it, believe it, say it aloud. Quite another—though it shouldn’t have been—to hear it from Myka.

A punctuating end to what never truly began between them: there is some consolation, if only philosophical, in the idea that after so many starts that were false, they may at least enjoy a finish that is true.

“Of course it was,” Helena says, following with, “and how could it have been otherwise.” She puts the final period upon it by adding a bare, spare dig: “Given history.”

Myka closes her eyes... in acceptance of the cut? When she opens them, they are glistening. Tears? Helena is egotistically gratified by such a response, never mind that it means she has yet again failed to hold to her resolution.

“Helena,” Myka says, and now Helena is gratified simply by Myka’s low utterance of her name. Myka does not always use that deeper voice, and Helena does love (yes, love) the rare pleasure of hearing her name in it. “I’m so tired,” Myka says next.

That is less gratifying. It’s yet another utterance Helena should leave alone; of course Myka is tired. But in what she is sure is a mistake, Helena says, “Of?”

“Everything. But particularly, you.”

A dagger, that was. A cut back. Testimony to Helena’s concatenating mistakes.

“This you,” Myka adds.

The additional twist of blade leaves Helena unclear on the devastation Myka intends. “Of course” is all she can think to say.

Myka closes her eyes and exhales heavy, a near-sob. “Sorry. Sorry. Sorry,” she intones, but what need has she to apologize? “That was the pain talking—or, no, I still know you well enough to know you’ll hear that wrong. What I mean is, I’m saying something I could keep holding back if the pain wasn’t cracking me open.”

The pain. Cracking her open. Which would never have happened in the absence of Helena’s stupid, thoughtless touch. Which in turn makes abundantly clear that the stupid, thoughtless person who applied that touch is the “this you” Myka means.

If Helena is to remain in this situation she must take measures, so she lengthens her inhales and exhales, entirely ashamed both at needing such a crutch and at having to exhibit that need.

After a moment of silence, Myka asks, “Are you breathing differently than you were just a second ago?”

Myka isn’t Steve. Helena could at least attempt to lie about this, to cloak her shame... but it’s effort, either way. “Yes,” she says, choosing the unpredictability of Myka’s interpretation over the unpredictability of her own performance.

“Is that good or bad?” Myka asks. “Or both?”

The questions stop Helena, stop her in the same way her at-leisure observation of Myka had. I still know you well enough, Myka had said, and it is true. This is why, Helena would say if she could. Your knowing to ask that.

But she can’t say it, and, worse, she doesn’t know what she should say. What should come next.

Apparently Myka doesn’t either. That not-knowing persists, hanging, until “next” arrives, as an intrusion from outside their suspension: medical attention is at last directed Myka’s way; she is escorted out of the waiting area and taken elsewhere.

“We’ll call you when you can see her,” Helena is told.

Alone in the waiting area—for no other human seems to have suffered damage this night—and uncomfortably situated on a hard plastic chair, she tilts her head back against a similarly unforgiving plaster wall.

She closes her eyes. She’s had no rest, no rest for so long. She is drained. Physically empty.

Philosophically as well.

She imagines trying to sleep... or rather, she imagines not trying to remain awake.

Doubtless futile, either way.

She next imagines constructing an airtight argument that could not help but persuade all who hear it—Myka in particular, but all others as well—that this entire situation is Artie’s fault.

Also futile.

This despite its being the fact of the matter, for indeed he did bring the situation about. Perhaps not in a proximate sense, but in the ultimate... the idea of which, after a moment, strikes her as both comic and tragic: Artie as the ultimate cause? Of anything, from the universe on down? Though he would doubtless like to imagine himself so... even at the Warehouse, however, he must be not even penultimate, given the bureaucracy that sits over the entire concern...

Helena thus spends the bulk of her time in the waiting area stewing about—stewing over? stewing under?—the relative positions of god, Mrs. Frederic, and various Regents in the universe. None of it, however, requires her to alter her breathing; rather, she composes in her head the opening paragraphs of several publishable monographs on these and related topics. It isn’t restful. But is evidence of something other than emptiness.

When someone does at last call her to see Myka, everything has changed.

Well. Not everything. Helena herself hasn’t, as her bureaucracy-pantheon thought may have been philosophically valid but made no difference.

Myka, however, has changed entirely: her arm is now professionally dressed, but more importantly, the knit of pain has left her face. “They medicated me,” she says, giving the word “medicated” a rapturous cast. “The X-rays said I didn’t break anything, so we’re waiting on results of a scan to see if I need surgery but in the meantime I feel better than I maybe ever have in my life and I am so happy to see you. All these doctors were like ‘why did she think she could fix you’ but I knew why and it was because it’s you. and that scan? It’ll shout out how Helena Wells relocated Myka’s shoulder so she didn’t need surgery, and they don’t know this, but actually H.G. Wells relocated Myka’s shoulder, which is even more amazing. Wait, that’s not more amazing. You’re the most amazing when you’re you than when you’re that guy. Even though I guess you are that guy. Sort of. Wait, Claudia’s been saying ‘that guy’ a lot now. And I cut and paste from her so much, but I don’t like it. The way things are.” She heaves an enormous sigh and blinks at Helena, as if she’s just re-understood that another person is present.

Is there some ideal way to answer this flood? Helena settles for an antiseptic “I’m pleased to see you out of pain.”

Myka gasps and flails wildly with her uninjured arm, which gesture eventually resolves into an index finger directed at Helena. “That’s it exactly. I’m out of pain. All out. No more pain to give. Particularly not to you. So saying I’m tired of you? I regret it, and I apologize for it, and I promise that’s the end of it. I was wishing to get something back, and you don’t want it back, and so I have to be fine. Without it. Without you.”

Without you. Helena supposes she should be impressed by how concisely Myka can foreshadow disaster. “Should I not... be here?” She braces herself for the answer.

“Of course you should. I have to be fine without how you were,” Myka says, very quietly. The collapse of her volubility gives Helena pause.

She knows it would be better not to probe; she ought to, as Claudia says, “take the win.” But “Of course you should” is only facially a win... “How was I?” she asks. To wound herself by making Myka clarify what has been lost.

“Oh, how you were...” Myka says, her words dragging. How much—any, all?—of this might be due to the varying effects of the medication? “Putting me into this story,” she continues. “It was so big, and I didn’t understand what it was, really or at all, but it felt so big. Yearning and tragedy, and there I was, still me, but in it, so in it, all in it, next to you. Bigger than life, and I... loved it? Needed it? Something to take me over. But my wishing for any of it back, when of course you don’t?” She raises that free arm, then lets it fall. Futility, it says. “So small. Only somebody little and desperate would want to make you revisit any of that.”

Medication effect or not, Helena can’t let Myka keep on with this. “Make me revisit it? Yearning and tragedy? I’m the one who inflicted that, and with malign intent; I damaged you. And I cannot imagine a scenario in which that debt is discharged.”

Myka squints. “Debt,” she says, as if articulating a new noun, but not one that names an abstraction; no, this thing is big and blunt, a dumb object that takes up space. Unfunctional furniture. That I carry on my back, Helena moods.

“Oh!” Myka then yelps, her tone shifting to excitement. “But I just damaged myself. So now we’re even!” She delivers that last bit big and broad, for all the world as if she’s the comic lead in a panto.

Helena has not spared a thought for panto in years. “That makes no sense at all,” she says, because it’s the case, but also to scorn the memory. This is no time for that past.

“Would you like me to dislocate your shoulder?” Myka asks, as if it were a reasonable proffer. Still comic, but now strangely sincere.

Helena meets this bizarrely compelling, ridiculous combination with as much severity as she can muster. “Honestly no. I would not.”

“I see,” Myka says, and she points again, this time without preambling flail. “Some prices you aren’t willing to pay.”

Helena can at the very least be honest about this. How nice it would be if Steve were here to verify. “Willing to... in the sense of volunteering to? No. In the sense of understanding that I deserve to? Certainly. So do me damage if you must. In particular, do me damage if you think it could even the score between us. It won’t, but if you think it could? Please do.”

“That’s pretty twisted,” pronounces the only arbiter who matters.

“You sound like Claudia again,” Helena observes. To push the judgment away? Yes, and she tries to make certain of it with, “Is that another cut and paste?”

“Maybe. But now that I think about it, she sees things pretty clearly a lot of the time. Don’t you think?”

“I would like to think,” Helena is compelled to admit. Hoist by her own petard.

At this point—suspending any resolution—a doctor reenters the curtained area. “Good news: no surgery,” she tells Myka.

“See, I told you she fixed it,” Myka preens.

“You did,” says the doctor. “Several times,” she adds, dry.

Helena says “I’m so sorry,” only to hear Myka say, at the same time, “Sorry not sorry!” Another echo of Claudia... this one, however, clearly heartfelt.

The doctor turns to Helena. “Don’t try anything like this again. You got ridiculously lucky.”

“That’s kind of her M.O.,” Myka says. “Except when it isn’t.”

The doctor sighs. “I’m pretty sure that’s my point. And listen, make sure to follow up with your local doc. They’ll prescribe a ton of PT, so brace yourself.”

Myka snorts. “Brace myself? Sure, but not for the PT; my boss is going to flay me alive.”

The doctor barely reacts. “Oh, maybe this one can fix that too,” she deadpans, directing an eyeroll at Helena, accompanied by a murmured, “not a suggestion.”

“Oh, she’s in for the flaying,” Myka says, with more than a little cheer. “If not for this, then for something. Eventually.”

The doctor shakes her head, eyes unfocused. “Good news for me: I don’t have to care.” She points at Myka: “You go to PT.” Now at Helena: “You don’t try to practice medicine.” At both of them, her eyes flicking back and forth with purpose: “Got it?” Helena nods; she senses Myka doing the same. “Excellent,” the doctor says. “Or whatever. I’m done with you now.”

She conveys with her rapid exit that interacting with both of them has been a most exasperating experience.

While Helena does not appreciate being chastised—and especially not for attempting to care for Myka—she does appreciate expertise. Especially when it contributes to Myka’s well-being. It’s a conundrum. “I find your doctor’s aspect strangely appealing,” she says. “Speaking of bracing.”

Myka grins. “I was totally thinking the same thing.”

“And yet I would practice that medicine again.”

“For me that’s good news.”

As they prepare to depart, Helena says, “I confess I’m curious as to what you intend to tell Artie.”

Myka offers a slight stretch of her right shoulder in the direction of her ear: the only version of a shrug available to her, bound as she is. “Maybe I should leave that to you. You’re the writer.” Forestalling Helena’s reflexive objection, she adds, “I know, I know. The research. The ideas.”

“And yet I don’t have any. I certainly don’t see a path to inventing anything that would—”

“How about I take your photo with that camera? Think that’d help?” This is accompanied by a different grin: sly.

Whither the warning? Or is this a test? Myka isn’t Steve, yet Helena goes with truth: “It might. With any number of things.”

“If only,” Myka says, inscrutably. “Anyway I intend to tell Artie that this is all his fault, because he sent us on this retrieval in the first place. Obviously I won’t say what really happened.”

While Myka bestowing such grace is not surprising, it moves Helena all the same. “Thank you,” she says.

Myka opens her mouth, then closes it. She does it again. This wait... it’s grace too. “You’re welcome,” she eventually says. “I mean I’m tempted to tell him how you saved the day—the arm—but I know I shouldn’t, because I don’t want to draw attention to the hotel charging us extra.” To Helena’s quizzical eyebrow, she says, “For the missing towels and pillowcase. Which I tried to talk the nurses into giving back to me, but they’d already tossed them as hazardous waste. Or something. Or maybe I’m just not very persuasive? Or clear in what I’m asking for?”

Helena would very much like to explain that her own answers to those questions are negative and affirmative, respectively: no, you are persuasive; but yes, you are unclear.

“On the other hand, they did medicate me,” Myka says, perking up. “I keep thinking it’ll wear off, but not yet!”

The consolations of intoxication. “To the delight of your shoulder I’m sure,” Helena says. To my delight as well, she wishes she were free to say.

Their return to the hotel room offers another “everything has changed” hinge: no longer a stage for new and awkward performances of politesse, the space is now familiar, a place they have reentered. For the next act of the play?

Myka, who has preceded Helena in, stops and sways—just a bit, but Helena instinctively steps close, taking her by the elbow of her uninjured arm with one hand, stationing the other around the curve of her waist.

She feels Myka’s breath catch at the contact; immediately, she curses herself, loosens her hold, and says a terse, “I’m sure you want to lie down.”

“More than maybe anything. Or, wait, no, not anything.” Myka turns and catches Helena’s eyes with hers, but Helena cannot use that gaze as the basis for any inference.

She backs away as Myka lowers herself onto the bed; eventually, she backs her way into the room’s one armchair. It lacks give. It also lacks arms at a height that might provide anything resembling support. Helena slumps down, trying to be grateful that it exists at all.

Long minutes pass. As in the hospital’s waiting area, Helena imagines trying not to remain awake.

Similarly futile.

She chances a glance at Myka, who meets her eyes again and says, “That looks uncomfortable. Or what I mean is, you look uncomfortable. Which honestly is pointless, unless you’re doing some hair-shirt thing, because we’ve got this big bed. Not a lot of hours before we have to leave it, but we’ve got it for now.”

“That went poorly before.”

“I think circumstances have changed. Don’t you?” Weighted.

Circumstances are always changing, Helena could say. Usually for the worse. Instead she ventures, “You’d let me lie down with you?”

“I never wouldn’t.” Myka squints. “Wait. Did that come out right? Anyway, yes.”

Medication: not yet worn off. “You’re sure?” Helena asks.

“I’m pretty sure this bed is almost as big as a field where Pete’s favorite sport happens. It’s at least as big as an ice rink anyway, and those aren’t small.”

Helena refrains from pointing out that that was no help in the previous disaster. She doesn’t, however, appreciate being able to recline. For the first while, the fact of being beside Myka is less relevant than the slow loosening of her lower back and hips.

“Can you sleep?” Helena asks, as they are both evidently lying with eyes open to the ceiling.

“Not now,” Myka answers, and the sentiment seems clear: not after all of this. All of this with which we must deal.

The bed first, perhaps.

She turns to look at Myka, if minimally. “Did you request a cot?” she asks, because she doesn’t know. Because the answer might reveal... something?

Myka’s eyes widen. “Oh my god I should have,” she says. Stricken.

“Why didn’t you?”

“It didn’t even cross my mind.” She’s talking more to herself—or perhaps to the room at large?—than to Helena. Is this continued evidence of the medication?

“And do you know why that is?” Helena asks, hoping for that revelation, even if drug-induced.

“Honestly I think I thought I was being given an ultimatum. Like it was something I had to be fine with or else.”

“Fine with ‘or else.’” Helena means the echo as rueful agreement.

But: “Sharing a bed with you. Platonically,” Myka says, taking it instead as a request for explanation.

“Platonically,” Helena scoffs, unable to avoid the idea that agreeing to accept that adverb would, paradoxically, usher in others. (Passionately.) (Speaking of paradoxically.) “That word is so often misused.” It’s a push-off. A push-away.

“But I’m using it correctly.” Myka sounds not offended, but rather self-satisfied.

Fine. Harden the position. “You are not referring to our consciousness rising from physical to spiritual matters.”

“Well... but how about love for the idea of good? As a path to virtue?”

Myka is well-read. In this moment, that fact is not entirely pleasing. “I suppose we were both attempting to be courtly,” Helena concedes.

“I mean I’ll grant you that nobody ended up transcending the body,” Myka says. Helena is about to agree, to snap away from churlishness, to express regret and apologies, when Myka exclaims, “Hey! I just had the best idea for a joke. So you’re not a hologram anymore, right? So you know what you were trying to be? Last night, in bed?”

Jokes. They confound Helena nearly as completely as metaphors do Steve. “I have no idea.”

“A Platonic solid,” Myka declares, triumphant.

Helena is mortified to find that in this case, she “gets it.” “Myka,” she sighs.

“Too soon? But come on, it’s not bad!”

“Alas, it is.” This quality, Helena can recognize.

“Right, but the good kind.”

Helena is not made of stone. Or bronze. How much easier everything had been then, sans choice and sans reason... and most importantly, sans the near-irresistibility of this one human. “I did always enjoy the word ‘icosahedron,’” she tenders.

“See,” Myka says, now in indulgence rather than triumph. “Pretty sure you have more than twenty faces though.”

“You do as well. Some revealed only under the influence of opioids.”

“Here’s one I don’t think I’d have the guts to use otherwise: my explain-it-to-you-using-words face.”

“Explain what to me?” Helena asks. It’s a surrender. She should better have said she did not wish that face revealed, but that would never have stopped a determined Myka.

“Why I flung myself to the floor.”

“I thought that had been explained? You were attempting to escape a circumstance.”

“First, the flinging was more involuntary than an attempt. And second: your hand.”

“Perhaps you don’t remember”—a strange thing to say to Myka—“but we had this conversation previously.” Helena does not want to have it again.

“Not this conversation. In that one, you drew the wrong conclusion. Or relied on an invalid assumption. Actually both of those. Anyway, your hand.”

“Please stop saying that,” Helena requests. Begs.

“Fine, I’ll finish the sentence: Woke up every nerve in my body,” Myka says, causing Helena to cringe and wish she could this very instant construct a truly useful time machine so she could fly backward, overleaping this latest passage so as to muzzle Myka before she could say that, because she believes it but knows it leads nowhere functional. To her continued mortification, Myka carries on, “Woke them all right up.” This, she says rhapsodic. Helena feels that tone in her gut, a hot twist of something she deserves as pain, but that manifests, shamefully, as pleasure. “Then your hand moved, and it shorted out the system—my system—and I fell out of bed, and the rest is history.”

“On the contrary, the rest is quite present.” Helena tries pushing all of it away, striving for detachment. For function.

“So, your hand,” Myka says again.

Helena raises the offender. “Also present.” Detachment. Humor, even; pushing, pushing, pushing. Trying to maintain.

“No, I mean why,” Myka pushes in turn.

Helena bats back, in faux innocence, “Why is it present?”

“Why was it present. On me.” Low now, her voice, just as compelling as, and even more commanding than, when she uses it to utter Helena’s name.

“I have no excuse,” Helena says.

“I don’t need an excuse. I need a reason. Do you have one?”

“It isn’t exculpatory.”

“As long as it’s explanatory.”

No escape now. No excuse, and no escape. “Here is my reason: I wanted to touch you. So against all better judgment, I did. Intending only that, nothing more.” Myka’s response to these words is an exhale. Loud. Unlike the hospital sob, however, this is slow and controlled. Helena allows a decorous pause, but no words ensue, so she goes on. Myka deserves an explanation that is complete. “But then I found myself unable to... un-touch you. Competently. And the rest will at some point be history, upon which I will never cease to look back and berate myself.”

Waiting for whatever may come next, Helena feels exhaustion inch through her, infiltrating her eyes, limbs, brain, sapping every vestige of energy... her surrender to the creeping leach is imminent when Myka says, “I like that reason.”

All right then. Awake and aware. “You do?”

“You really can be impossible to talk to. Listen to me: if I did that—touched you—I would find myself the same. Unable to un-touch. Do you understand?”

What would be the cost of abandoning her resistance? “I don’t know...” she begins, then reverses course and begins again. Truth, never mind the cost. “Yes. I do understand. But I don’t know what to do about that.”

Myka turns her head full toward Helena, twisting her long neck. Helena turns her own head, but that isn’t enough, so she shifts onto her side—her left side, punitively aware that it will be weeks before Myka can turn in such a way.

They look at each other, Helena both knowing and fearing how her guilt must freight her gaze. Regarding Myka so close, looking now into eyes that are open, is a boon she does not deserve.

After a time, Myka says, “I know what I want to do.”

Her intent is abundantly clear. The entirely of Helena’s being balks, stranding her again in Boone: if she makes a move for the momentary better, it will most likely end worse. She cannot find the... courage? or is it foolish disregard for consequences?... to reach for that moment of joy. Neither, however, can she find the discipline to dismiss its possibility.

“But I also know I shouldn’t,” Myka says, breaking with clarity into Helena’s indecision.

Well. Helena can certainly see the wisdom of that, so perhaps at last they are approaching a real accord that will render all hopes and wishes moot, so that neither courage nor discipline features in the—

“I can tell the meds are messing with my head,” Myka says, “and if there’s one thing I want to remember in picture-perfect detail, it’s this.” She moves her right index finger near to Helena’s lips, then withdraws it.

Unable to un-touch. That withdrawal reaffirms that Myka believes what she says. “This,” Helena echoes, mesmerized.

“So I’m going to wait till tomorrow to—listen to me saying it out loud—kiss you. For the first time. I want to be all there when it happens.”

There is a practicality to Myka’s thinking, and to Myka, that Helena worships. She tries to match it with a bit of her own: “If it happens.”

Myka’s jaw drops. “Come on! I said it out loud! It’s real now!”

“It’s been real for some time, hasn’t it? But I’m being realistic about the circumstance. You might not remember that you wanted to.”

“Seriously? I’ve remembered it since we met.”

Helena has remembered it just as long. She has. Denying it is pointless. But she has a larger concern, and though this is the wrong time to address it, perhaps medicated Myka will afford an unfiltered read...

“Or you might think better of it.”

“Of kissing you? I don’t think so.”

“Of what could ensue. The possibility of a... relationship. Between us. What if it doesn’t work?”

“Relationship.” After she says the word, Myka’s lips part and close, as if the very word is savory. “What if it does?”

It is savory. However. “I’m asking as a practical matter, not philosophically. I’m constrained: I can’t leave again. That’s why I came back.” The thin strand to which she is clinging... refraining from attempting to rekindle an intimacy hasn’t been only to keep Myka safe. It has also been to keep the Warehouse safe for Helena herself to inhabit.

“Then don’t leave again.”

“But what if that means you do?” This is not philosophy either. This, too, is history.

“If I do, then I do, but I’d like to think I won’t. We’ve both had our walkaway crises, and they didn’t take. So if it doesn’t work, we put it behind us like adults. If Pete and I could, then so can you and I. But I’d rather not have to. So let’s be careful.” She pauses. “Breathe however you need to.”

The words are an embrace. A physical clasp might be more galvanizing, but right now, Myka is managing just fine with words. “If this works, it will be because you say things like that.”

“Good news, because I mean things like that. And I intend to keep saying them. Hey, speaking of saying, do me a favor and write down what I said just now, about the adults and the careful, because I want to remember it.”

Sluggishly, Helena ideates rising, going to the room’s desk, finding logo-bearing paper and pen, writing...

****

Helena and Oscar are in a salon. They are engaged in a dispute regarding choices and consequences. Helena is standing at a lectern, and Oscar is reclining on a lavishly upholstered chaise longue, kicking his right leg such that its calf bounces in a languid little rhythm against the low cushioned edge.

Kick. Kick. Kick.

“The choices that create a circumstance will not, repeated, resolve it satisfactorily,” Helena says. Is she reading from a monograph? “As we see in the case of your own Ballad of Reading Gaol, do we not? And yet injury need not lead inevitably to future debility, so clearly some choice in the matter is—”

“Helena,” Oscar says, interrupting her monologue. “Helena,” he repeats. He sounds nothing like himself, but rather someone else, and Helena is straining to connect the voice to the correct person.

Kick. Kick. Kick.

“Time to wake up,” Oscar-as-someone-else admonishes. Encourages?

“I know,” she tells him, hugely frustrated, fighting. “I’m trying.”

His impassive mien is no help. It never was.

Kick. Kick. Kick.

Trust Oscar to cast some part of himself as the pendulum of a particularly annoying clock—

“Seriously, wake up,” Helena hears, and consciousness jolts at her: Myka’s voice.

Oscar dissolves. Into laughter or tears, no doubt, as he was wont to do...

Helena’s eyes open, meeting Myka’s, and she is brought back to it all: the hotel, the bed; the shoulder, the hospital... then hotel again, bed again... and finally words, as if for the first time.

Myka is lying on her right side, facing Helena. Her eyes are bright, her gaze intense.

“Are you in pain?” Helena asks.

Myka leans forward, as if that were a signal. The signal: for Helena is the astonished, grateful, transported recipient of a kiss, a first kiss—the first kiss—one that is swift but soft, gentle, genuine. Like morning... “Better now,” Myka says when she pulls back. “I’m going to brush my teeth. Stay there.”

Better now. Not lost on Helena are all the ways that signifies, including: better that this happened now than at some point in the desperate past. Then, such a kiss would have been a tragic wish for all they would never have. Now, instead, it can stand as a reward for having survived all of that, as well as, universe willing, a mark of embarkation.

By the time Myka returns, Helena has sat up, stationing herself on the edge of the bed. She has also realized that she must apologize—for they should not embark on this new voyage with yet another of her many faults unaddressed. “You charged me with writing down part of our conversation. I didn’t. I fell asleep instead.”

Myka hesitates before joining her on the bed’s edge, clearly considering which arm should be next to Helena. She chooses the functional right. “It’s okay. Even if I don’t remember exactly what we said, I remembered what we needed to do.”

“Needed to,” Helena reprises. She could supply words of her own, but why? Myka is saying the ones that matter...

“Needed to,” Myka affirms. “So where were we?” She raises her useful hand to Helena’s cheek, cradling. Helena leans into it, saying nothing, because silence now says everything.

This is a longer kiss, more wandering, more suggestive of possibility, more likely to lead to such possibility... Helena is the one to this time pull away. “A place quite new,” she says.

“And yet I’m pretty sure we’ve been headed here all along.”

“It wasn’t inevitable,” Helena says. She is thinking now of dream-Oscar, who is slipping from her mind, dropping, like a poorly initiated painting, but he must have obstreperously been maintaining something about inevitability. He always did.

“No,” Myka agrees. “And it still isn’t. So let’s be careful.”

“You remember that part? Despite my stenographic failure?”

“Even if I didn’t—but I do—I’d know it’s important.”

Helena turns and touches her right hand to Myka’s right hip. She would certainly not be able to do this now if she had not done so in the night... the night’s ontogeny recapitulating the phylogeny of their shared history. Myka covers Helena’s hand with hers, and there is healing in the simple fact of their sitting. But eventually that is not enough, and another kiss ensues, longer still, and lips outweigh quiet hands—or no, lips add to quiet hands, but hands are not content to remain so calm, and so this continues and might continue—

Myka makes a noise that is clearly not of pleasure; she moves entirely away, her right hand pressing protectively at her left shoulder. “We’re going to need to be careful about this stupid shoulder too. I’m so, so sorry.”

“You’re sorry? I’m the one who can’t keep my hands to myself.” Ontogeny, phylogeny.

“It’s not like I’m some paragon of self-control... and I am sorry, because I’d like to be able to participate fully. But also I’d like to not have to hurry on account of catching a plane. In good news, eventually my shoulder will heal. I know we can’t stay here till then, but...”

“It would help,” Helena supplies.

“If only because we have to come up with how this supposedly happened. I still think maybe I should take your picture. Or you could take mine? Because by the way, here’s a funny thing: I was trying to write a novel.”

“You were?” More that is new... “Speaking of icosahedra,” Helena notes.

“I want to tell you about it.”

“You do?” Trying to convey her incredulity. That Myka would allow her such... access.

“I want to tell you everything. But in the meantime we have to tell Artie something... I guess we’ve got both flights plus the layover in Denver to get our story straight.”

Stories. Narrative. Novels? “But we’ll tell Steve the truth. Won’t we?”

“Of course we will. And Claudia, right?”

“Also necessary. Although most likely mockery-inducing.”

Myka smiles. It’s a sunrise. “Stress testing. If we can take it from her, we’ll be fine. Then again we might need the time on the planes to rest up for that.”

“Weren’t you able to sleep, this past while?”

Myka shakes her head, and just as Helena opens her mouth to express regret and apologize again for her own sleep, Myka silences her with a kiss, one that lingers, lingers, lingers... still half against Helena’s lips, she says, “The un-touching part really is difficult. But don’t worry about my not sleeping: for the first time in a long time, I was happy to be awake.”

END

#bering and wells #warehouse 13 #fanfic #Asleep #part 2 #B&W holiday gift exchange #kla1991 #also anniversary!#which this year arrived a bit unexpectedly #so I decided to do this mashing up of occasions #because I apparently cannot work fast or well anymore #but as for this story #something something sleep and wakefulness #and when one finds oneself in those states #and whether one recognizes the state one is in when in it #or when finally out of it #and of course there are also the transitions

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jdaydreamer3 · 1 year

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When I Fall in Love (It Will be Forever)

I don’t have an official title for this little scene that I’ve had written for years. It’s saved on my computer as Sabrina AU because it’s based on the movie of the same title - both of them - the classic starring Audrey Hepburn and the later remake in the 1990′s. I was hoping to develop it into a full story, as I love the idea of Myka growing up with Helena and Charles and then seeing how their relationship evolves as adults, but as with all of my works in progress, I haven’t had the time and/or inclination to work on it. But, I still like these scenes and thought even if I never write the full story, it’s worth sharing, especially today when we’re celebrating 13 years of Bering & Wells. Thank you to this fandom - you’ve meant so much to me over these years.

The summer evening is warm, the breeze coming off the ocean offering a refreshing coolness to the air as Helena unconsciously sways to the melody of the music as she watches the dancers make good use of the wooden dance floor installed on the lawn only the day before. It will be removed before the dawn, but the impression left on the lawn will linger for weeks.

“Who is the woman Charles has been dancing with most of the night?" Mrs. Wells asks her daughter.

"That's Myka."

"Myka? Myka Bering as in the chauffeur's daughter?" she asks.

"The very same."

"She certainly grew up,” Mrs. Wells says, her tone bordering on incredulous.

"Yes, didn't she," Helena says softly.

"Well, I'll not have your brother making a fool of himself, nor me, for the chauffeur's daughter. Not when he's engaged to marry Giselle Banks and we're about to close a deal with her family. You have to put an end to this...this dalliance, Helena."

“Mother, they’re just dancing,” she argues half-heartedly.

“When has Charles ever stopped at just dancing?”

Helena sighs. Her mother has a point. “How exactly do you expect me to end their dalliance, as you call it?"

"Find a way. And do it quickly," Mrs. Wells says after Charles pulls Myka closer to him, whispering something against her ear that causes her to throw her head back in laughter.

Helena glances away from the intimate moment between them and purses her lips to keep from commenting further, to ask why she always must clean up after the messes Charles makes. Before she wishes, her gaze is drawn back to them, and she watches her brother leave the dance floor to go to the bar and then notices Myka walk in the direction of the indoor tennis courts. Charles always was so predictable regarding the end of the evening tete a tete at these parties.

She approaches her brother at the bar where he is pilfering a bottle of champagne and two flute glasses.

"Charles, may I have a word with you?" Helena asks stepping to his side.

"Not now, Helena, I'm engaged elsewhere."

"It will only take a few moments."

"It can't wait until morning?"

"I think you mean afternoon given your habit to sleep in until noon after these parties."

“Fine, afternoon then."

"No, it can't wait. Mother wants to speak with you now."

Charles means to protest but he knows the look currently on his sister's face is one not to be trifled with. "Alright, if I must," he says following her, glasses slipped into his back pockets and bottle under his arm.

The noise of the party fades away when they step into their mother's office.

"Charles Wells, just what exactly do you think you are doing with that woman?" Mrs. Wells accuses as soon as he enters.

"What woman?" he feigns innocence.

"What woman! Myka, the chauffeur's daughter, that's who!"

"Oh, Mother, it's just a party. We were only dancing together."

"Need I remind you that you are engaged to be married to Giselle Banks? Whose parents are at this party tonight and watched you dance with a woman who is not their daughter!"

"It was just dancing," he repeats.

"Charles, you know that we are in the middle of a very large deal with the Banks family, one that could hinge on your impending marriage," Mrs. Wells tells him.

"Well did anyone ask me how I felt about that? I didn't even propose marriage. The minute I brought Giselle to dinner it seemed that my fate was sealed."

"Now this is coming out!"

"Would anyone listen to me before?" he argues.

Helena can see the tension between her mother and brother quickly escalating. "Now both of you just calm down before either of you say something you will regret. Mother, sit down," she says guiding her to a chair. She turns to her brother then. "Charles, sit down too."

"No, I don't want to sit down, Myka is expecting me. I've already been away longer than I should."

"Oh, Myka," Mrs. Wells huffs, shaking her head.

"Charles, sit down," Helena repeats, "so that we can discuss the situation like the rational adults we all pretend to be, please."

Charles resists as long as he can but realizing he's fighting a losing battle succumbs to the request. And instantly regrets the decision. The crack of glass breaking is quickly overshadowed by the yelp of pain Charles emits.

Mrs. Wells is instantly on her feet. "What is it - what happened?" she cries.

"Glasses," Charles squeaks out, already beginning to sweat with pain.

"Glasses? What does that mean?"

"Champagne glasses...in my back pockets..." he pants out.

"What in heavens?" she asks perplexed. "What were they doing in your pocket?"

"Can we discuss the details later? I'm in a fair bit of pain now," he says biting his knuckles.

Helena rolls her eyes. "Mother, call his doctor," she instructs calmly.

"Yes, of course," she says scurrying to do so.

Helena grabs a cushion from another chair. "Here, sit on this."

"Myka! I left her waiting for me at the tennis court. You have to go to her, explain that I can't make it. But you know, maybe not delve into the details," he says biting his lip.

"Very well. You take it easy," Helena says stepping aside for the doctor, who happened to be partaking in the delights of the party, rushing into the room. Helena only hopes he's sober enough to actually help her brother.

"Helena, are you going to Myka?" Mrs. Wells asks.

"Yes, Charles doesn't want her to be left waiting."

"Good. See if you can't also diffuse the situation your brother has landed us in, yes?"

"How much are you willing to pay, Mother, for her discretion?"

"Whatever you think is a reasonable amount. I trust you to take care of the situation.”

Helena nods, ready to get away from her family for the moment, even knowing what they both ask her to do.

She exits the office and quickly finds herself immersed in the party. It's getting late but it doesn't seem to be winding down much, their guests still happy to be drinking and dancing - some of them at the same time with varying results as she notices one man trip from the dance floor into the hydrangeas.

She makes her way to the bar, acquiring a fresh bottle of champagne and two flute glasses. Not having any pockets on her gown, she must make do with carrying them between her fingers.

It isn't a long walk to the indoor tennis court, but Helena takes her time. Myka is waiting for Charles, not her, and she needs to figure out what to say to the young girl she once knew who has become a beautiful woman. And she also has the little matter of making a deal, as it were, at least as far as her mother is concerned. She sees Myka as a potential problem. Helena feels it is Charles and his roaming eye that is the real problem. Myka has little to do with it.

***

Myka stands inside the indoor tennis court waiting for Charles. She knows his routine. He will bring champagne, two glasses fitted in the back pocket of his tuxedo, and he will joke and compliment her as he makes a show of removing the glasses. They’ll drink, they’ll dance. He’ll kiss her and if she were any of his other conquests, he will make love to her. Myka cares a great deal for Charles, but he isn’t the one who makes her heart quicken.

She’d looked for Helena all night among the other dancers. As Charles swept her across the floor, Myka’s eyes roamed the crowd for a glimpse of the dark-haired beauty, but it was all for naught. Either Helena wasn’t at the mansion, or she simply wasn’t interested in attending the party – the latter hard to believe given she’d always attended them before. Finally, Myka had given in to curiosity and asked Charles about her.

“Probably in the study making the latest deal,” he had laughed. “She’s more work these days than play. But let’s not waste the night talking of Helena when we can pursue more pleasurable activities,” he said, eyes straying down to the tight bodice of her dress.

It was then that he asked her to meet him in the tennis court in ten minutes, giving him time to acquire the desired champagne. Myka had acquiesced. What else was there for her to do? Mrs. Wells had eyed her crossly the moment she emerged on the dance floor and Myka knew no one else at the party save for Charles.

She trails her hand along the netting, edging towards the large windows to look out, just able to make out a sliver of the ocean waves moving against the moonlight. Perhaps this was a mistake after all. She doesn’t belong here. She is only the chauffeur’s daughter after all, raised above a garage that houses cars worth more than her father makes in a year. When Charles comes for her, she should make her apologies and return to that little apartment above the garage where she belongs.

“Hello, Myka,” comes a soft voice from behind her. A definitively female voice – a voice Myka would know anywhere.

She spins around at the sound, taking in the sight of the breathtaking woman before her and can only breathe out one word, “Helena,” in a voice that is both awed and reverent. For it is Helena whom Myka has longed to see after all this time. And the sight of her does not disappoint. Helena is radiant in a black sleeveless gown, its fabric clinging to her slim figure and when she steps towards Myka, a slit parts the fabric to reveal a shapely leg and toned thigh and Myka snaps her eyes up to meet Helena’s once more.

Helena didn’t come empty-handed. She holds a bottle of champagne in one hand and in the other two flute glasses. “Charles sends his regrets, but he suffered a minor mishap moments ago and is unable to make it after all. He sent me in his place to apologize.”

“What happened to him?” Myka asks concerned.

“He sat down on champagne glasses of all things,” the glint in Helena’s eyes remains unobserved by Myka who is struck with guilt.

“Oh my god,” she gasps. “I’m so sorry. It’s…it’s all my fault.”

“It isn’t,” Helena assures. “And it’s nothing too serious. A doctor is with him now, carefully removing glass from his derriere. He’ll be laid up in bed for a couple days which is nothing out of the ordinary for him, really.”

Myka still looks troubled.

“But at Charles’ insistence, let’s not let it ruin the rest of the evening. I believe champagne was on order, yes?” Helena says stepping closer to Myka and hands her the glasses so that she may work on opening the bottle. She manages to pop the cork and a rush of the bubbly liquid gushes out spilling to the floor, splashing at their feet. A laugh tumbles from Helena’s lips and it has been years since Myka has heard anything so lovely.

Helena takes a glass from Myka’s hands, her fingertips grazing Myka’s skin in the process and Myka would think it an accident if she didn’t do it again with the second glass. Helena sets the bottle on the floor at their feet before finally glancing up, dark eyes staring intently at Myka, but Myka can’t decipher what she sees in their depths.

“What shall we drink to?” Helena asks her lightly. “Longevity? Success? Fortune?”

“To homecoming,” Myka interrupts with a whisper.

Helena’s eyes soften at the utterance. “I can drink to that,” she says raising her glass before tipping it back to take a long swallow.

Myka barely sips at her champagne, the taste foreign on her tongue. Instead she focuses her attention on the breathtaking woman before her, watching as Helena quickly finishes her drink, setting the glass on the floor beside the bottle.

“Well, Charles left me explicit instructions. I now believe I owe you a dance, Miss Bering.” And without another word, Helena is lifting Myka’s glass from her hands to set it on the floor also and then she is turning back to Myka, one arm encircling Myka’s waist, the other reaching for her hand. And the touch is everything Myka has wanted and not at all.

Helena isn’t here for her, she’s here for Charles, that’s been made perfectly clear, but Myka can’t let go of her regardless. Helena’s perfume is soft but the skin of her bare shoulder softer still as Myka’s palm rests against it as Helena sways them to the faint sound of music carrying through the open window on a warm breeze. Myka wants this, wants Helena so desperately. She allows Helena to pull her closer in her embrace, feeling the soft press of Helena’s breasts against her own, her eyes flutter closed at the sensation and her fingertips grip Helena’s shoulder a little tighter.

They sway to the low hum of the orchestra playing, “Isn’t it Romantic?” and don’t say a word as the minutes tick by. Myka breathes in Helena’s sweet scent, feels the way her silky hair tickles her neck as Myka clings a little tighter to her, trying to pull her impossibly closer. Helena’s hand moves from her waist to splay at her lower back, fingertips grazing lower for one moment before the song comes to an end and Helena is pulling away, the look in her dark eyes unreadable.

The orchestra begins a new song, one Myka recognizes as traditionally the last song played of the night, just before the clock strikes midnight and Cinderella loses her glass slipper. The irony that the song is “When I Fall in Love,” is not lost on her. She spent so many memorable nights of her youth gazing longingly upon the guests of these parties dancing, to this very song, coupling off into the night. And now she is in the arms of Helena Wells.

Helena looks at her for a long moment, eyes searching Myka’s for something Myka can’t begin to decipher and then Helena is leaning forward, and soft lips are brushing against hers in a heady kiss. And once more, this moment is everything Myka wants and not at all.

Myka pulls away from the kiss, her fingers instinctively reaching to touch her lips, missing the pressure there seconds before and Helena looks at her with eyes wide and sorrowful.

“Just part of Charles’ message, darling,” she husks. “I realize it isn’t the same without a mustache, but life is full of disappointment.”

Myka has an urge to take her by the shoulders and shake some sense into the woman, to make her understand it was never Charles she wanted. That it has only ever been Helena she wanted – wants even now with anger coursing through her veins brought on by humiliation that she could ever believe someone such as Helena Wells would want her in return.

Instead Myka pulls away from their embrace.

"Helena, why did you really come here now? It wasn't for me."

“We didn’t want to leave you waiting."

“We?” Myka questions, watching Helena glance away, obviously ill at ease.

"I think I understand now,” Myka says, realization dawning. “Your mother sent you to deal with me, didn't she? She thinks I'm some sort of threat between Charles and the woman he's set to marry. Let me guess, your family and her family..."

"Are in negotiations to buy out their company, yes," Helena agrees.

"How much is the deal worth to you?"

"It's worth millions for my family."

Myka laughs bitterly. “Millions, just another drop in the bucket for the Wells empire."

Helena remains silent, allowing Myka to rant.

"Do you really think I'm such a threat?"

"It isn't about what I think. The fact is, Charles has quickly become enamored with you, not that I can blame him, you are quite lovely, Myka. But the fact is, he's engaged to be married to the daughter of a very influential family. A family that has only agreed to our negotiations because with Charles marrying their daughter it will feel like their company is still in family hands, never mind that Charles has taken no active interest in our business."

"Charles always has been a bit of a dreamer," Myka says fondly, the anger gone from her voice at least for the moment.

The sound of affection in her voice now does something to Helena. She feels a tightness in her stomach that she doesn't know what to do about.

"He's had the luxury of dreaming," she says, the bitterness in her own voice barely disguised. Something in the way Myka looks at her makes her think she recognizes the feeling.

"So, what comes next? Do you forbid me to see your brother?"

"I would never forbid you anything. But my mother, however, would prefer that outcome, even going so far to offer you a substantial sum of money."

Myka laughs now. "Money. Is that your family's answer for everything?"

"When it works, yes."

"And when it doesn't?"

Helena doesn't answer.

"How much?"

"What?"

"How much have you been told to offer me to stay away from Charles?" Myka asks, steel in her eyes.

Helena feels ashamed, not for the first time regarding her family's ways. “Half a million.”

Myka's eyes widen at the sum. "And if I refuse?"

“One million.”

"No," Myka says.

“Two million," Helena counters softly.

"No," Myka stands resolute. "Your family can't buy me, Helena. You have no reason to worry about me getting involved with Charles. And I suppose since you delivered his message in such detail, now it’s my cue to leave. Goodnight,” she says, turning to leave.

Without another word, Myka brushes past Helena, careful not to touch her and leaves the court behind, breaking into a run when she’s escaped outside, tears blurring her vision all the way back to the garage where she belongs.

#bering and wells #my fanfic #happy anniversary #13 years

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amtrak12 · 7 months

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ATTENTION ALL BERING AND WELLS FANS.

Your mission, should you choose to accept it, is to get my fanfic But You're Friction to 10,000 total hits on AO3. (link above)

Why? Because I'm in the process of writing a very long Lucifer fic and given both the larger fandom size and the longer length of the story, that fic is swiftly on its way to hitting 10k hits which would be my very first time ever hitting that milestone. And as awesome as that is (it is very awesome!!), I kind of like the idea of one of my Bering and Wells fics hitting 10k first, and But You're Friction is soooooo close!!!

^Screenshot of my stats graph on AO3. But You're Friction is on the left with 9,964 hits. (It was actually at 9,959 hits for several months but I just had a guest click through and read the whole fic yesterday so it went up!) My Lucifer fic, Can We Keep Her, is the bar on the right and it's currently sitting at 8,833 hits and closing fast. I was getting about 700 hits per chapter, but this latest update has already netted me 900. Which means my very next update could cross over the edge.

Am I proud of my Lucifer fic? Absolutely. Do I think it's better written than my Bering and Wells stuff? Yes, obviously. I've learned a shit ton in the last decade of writing. BUT THAT'S NOT THE POINT!!!

Getting But You're Friction across the 10k mark first is about the nostalgia. It's about the pride. It's about every small fandom -- but especially OUR little small fandom -- proving that we work harder than anyone else!!

This Bering and Wells fic is a high school AU with smut that I swear I wrote in a fever dream because it only took me like a week to draft with no planning and no plotting. I refuse to reread it because of said smut scenes, but I remember feeling very proud of it at the time and the response was extremely positive so I feel like the quality could hold up.

It is 5 chapters and 20,000 words long so I either need 8 people to click through the entire fic or 36 individuals to click on the story link to get us to 10k hits. You are under no obligation to read or comment on the fic. I literally just want my best received Bering and Wells fic to be the first of my fics to hit 10,000. lol

Also June 2023 was the ten year anniversary of when I posted the fic, so it seems extra fitting to hit 10k hits this year :) We have until October 20th (my next Lucifer update) to do this. So let's go nerdsbians!! \0/

Thank you for your time! Hope your current blorbos and faves are keeping you well fed on awesome meaty stuff! <3

#Bering and Wells #Myka Bering #Helena Wells #my fic

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ninth-on-eight · 1 year

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Here is an illustration I made for the Bering And Wells Big Bang for the 13th anniversary, it's a cover art for the amazing story by @anandabrat (beta'd by @madronash) you can read it here : the Remington Standard #2

summary : It’s 1997, and when a quiet teenager in a book shop finds an old typewriter with the previous owner’s name and address inside, she writes a letter. When the previous owner writes back, she takes the 1881 date in stride, and two kids start to fall for each other. This story isn’t an AU so much as an epistolary reboot, letting Helena and Myka flirt, chafe against the people who underestimate them, become adults, and ultimately find a way to the Warehouse (together!) without MacPherson or Paris as catalysts. The only obstacle in their path is time, and we all know that’s no match for Myka Bering or Helena Wells.

clic for optimal quality

#beringandwells13 #bering and Wells big bang 2023 #BWBB23 #bering and wells #warehouse 13 #wh13 #big bang #cover illustration #snow art #anandabrat #madronash

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beringandwells13 · 1 year

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13 Years: Prompts for fanworks

Don't we all love a good prompt list? Here are a few I made for the 13 days leading up to April 23nd:

(The anniversaries are taken from this list (Wikipedia link) of traditional gifts, US Version)

Feel free to use these, either straight up or mix and match, as many as you like for any kinds of fanworks you want to create! Please use the tag "#beringwells13 prompts" when you use them! I do hope (and tried to pick prompts accordingly) that these prompts work not just for fics but for other fanworks too, like art or manips or suchlike. If you feel you need to futz a little to make things work, by all means feel free!

Transcribed prompts lists under the cut!

13s for any date:

13 scenes from 13 years

lucky/unlucky 13/ numerology 1-13

13 things they do now that they didn't back then

12 Zodiac Signs (Western/Chinese) plus Free Space

13 First Times Bering and Wells had over the years

13 Warehouses

13 Most Peculiar Artifacts they snagged

13 Tarot Cards

13 Treasures of the British Isle

13, the Baker‘s Dozen

13 Superstitions

Famous 13s

Your Favorite 13

The idea here is to pick any one bullet point from this list, and then create 13 works based on that group of 13. For example, one fic themed around each zodiac sign plus a free space (add Ophiuchus if you're a nerd :D ), or 13 artworks inspired by one tarot card each.

"Famous 13s" and "Your Favorite 13" are basically free spaces; maybe there are 13 famous movies or books or authors or whatnot you want to create works around, or maybe you have a favorite group of 13 anythings that isn't included in these prompts, so then by all means use that!

Prompts for specific dates:

#bering and wells #warehouse 13 #beringandwells13 #13 years of bering and wells #prompts #prompt lists #fanwork prompts

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galactic-pirates · 1 year

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Drawn for @purlturtle and their fic "Not This": What To Expect When Faced With H.G. Wells - A Field Guide by Myka Bering for the Big Bang as part of the @beringandwells13 13th Anniversary celebrations!

Excerpt of the scene in question from @purlturtle's fic!

A few minutes later, they both squinted at the harsh kitchen light. Myka had insisted they both wrap up warm before they left, so now Helena was wearing Myka’s bathrobe, Myka had pulled an old hoodie over her pajamas, they both wore fuzzy socks, and still the room was cold. Helena held one of the triangles up and tilted her head. “I did not think it was customary to toast the bread?” Myka shrugged, feeling a tiny bit embarrassed – Pete always teased her with that, ever since he’d first seen her do it. “I like it better this way,” she defended her choice. “It’s, uh… They’re a treat, for me. And that includes having the bread be nice and crunchy.” “I see,” Helena said, and bit into it. She hummed appreciatively, chewed, swallowed. “I like what the warmth of the bread does to the peanut butter’s texture.” “Right?” Myka agreed immediately, and bit into her own sandwich with a happy sigh. Maybe it really was a good idea to defer all of the big talk until tomorrow. Maybe it was okay to just take a moment to enjoy this.

#bering and wells #warehouse 13 #13 years of bering and wells #beringandwells13 #bering and wells big bang 2023 #bering & wells #myka bering #hg wells #helena wells #bering and wells art #fanart #sam tries art #done with markers and coloured pencils #when I was doing the coloured pencils I was like am I making this better? am I making this worse? ahhhh #attempted a sort of 'What If?' comic book style #not sure any of this worked but I did my best #much love to Purlturtle for being the best collab partner I could have asked for

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aenslem · 10 days

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happy bering and wells anniversary day! officially a teenager now i think

ahaha thanks <3 happy bering and wells anniversary to you too :D

honestly I did not even know that it is their anniversary, that it was right in the show dated when they meet for the first time, and it's been years since Im into them lol otherwise I would have made something for it, but I will do something later today with them, idk what yet, but if anybody has any specific b&w moment requests feel free to send them to me :3

I will be more than happy to gif my girls again

#ask #wow-creative-title-i-know #bering and wells #or might now depends on how the evening goes

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tryingthisfangirlthing · 2 years

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So, uh. I may or may not be vaguely brainstorming some stuff for a Bering and Wells fanworks thing with a friend, and with the 13th anniversary of the show coming up next year... Would I be stepping on toes? Would anyone be interested in a thing? Would it matter who organized it?

#bering and wells #warehouse 13 #myka bering #helena george wells #helena wells #myka x helena #i'm not sure that's even a used tag on this site but why the hell not #general feedback anyone?#i'm hardly a significant figure in the fandom and i'm sure i'm out of the loop #so uh yeah #y'all could definitely do better than me as an organizer tbh xD #but i'm happy to organize something if there's nothing else in the works

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lonely-night · 2 years

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Date: April 23, 2010 || Location: H.G. Wells Home Museum, London

#bering and wells #myka bering #helena g wells #warehouse 13 #bwedit #happy anniversary!!!!#idk what kind of gifset is this #lets just say graphic design is not my strength lol

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lilolilyr · 1 year

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13 Years (<1k, T) and 13 Kisses (1k, E)

Fluff (and smut), no warnings

Summary: Myka and Helena celebrate an anniversary: thirteen years since they have first met. Helena's idea of a perfect anniversary is to spend most of it in bed, and Myka certainly isn't complaining.

Reblog fic links to support fanfic writers!

#w13 #bering and wells #warehouse 13 #I'm at 12 fics out of 13 i wanted and i have 15 mins (both until the day is over & i should go sleep anyway)#13 years of bering and wells #my w13 #Lilo writes #lilo writes fanfic #fic header #my smut #bering and wells fic #bering and wells anniversary #bering and wells smut #myka bering #helena wells #ao3 link #my post #mine

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apparitionism · 1 year

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Decalogue 5

I’ve been chipping away at this “story” for three years now—it’s more a conceit that got out of hand, really, but ten years’ worth of regular fanfictional postings can send the conceptual car into some unreasonably esoteric cul-de-sacs. This one, as the title makes clear, has to do with ten commandments—not THE Ten Commandments, but one for each year of the Bering-and-Wells situation (I started this excursion on the tenth anniversary, intending to finish it soon after and wind up the ten, but...). Part 1 covered years one through five, with commandments as follows: one, meet at gunpoint; two, thou shalt not touch; three, suffer in silence; four, make mistakes; and five, thou shalt not hold grudges. Part 2 was year six: Thou shalt not damage. Part 3 dealt with year seven and instructed, “Thou shalt take nothing for granted.” Most recently, part 4 yielded year eight’s “Remember the anniversary,” which is always good advice, so here’s year nine, which via time’s-arrow shenanigans and bizarro chapter-math is part 5, being posted on the thirteenth anniversary.

Decalogue 5

Year 9: Calm down.

It would of course have been wise for Myka to have applied such a directive, spiritually, throughout most of her years with (and without) Helena. It would have been wise for her to have applied it throughout most of her interactions with Helena... and if anyone had asked her, she would have said she’d tried to do so. But apparently her efforts hadn’t met the universe’s expectations: such that by their ninth year, said universe saw fit to insist, insistently, that she work much, much harder at it.

That insistence came over time to manifest as an incessant tapping against her consciousness... naturally (or was it artificially? and was there a salient difference?) everything that happened served as a commentary on everything else that happened, for Myka would over the course of the year come to understand the heavy significance of a particular tapping sound.

Circumstances began to converge—though Myka didn’t realize they were converging, and that in itself ended up being salient—when she and Pete were driving home, late at night, from a retrieval that hadn’t mattered at all. Late at night, though: that mattered. Nearly midnight, in fact, which mattered most.

“Helena hasn’t called me yet,” she said. She hadn’t really intended to say it aloud, but there were only five minutes left in the day. And when Helena and Steve were away on a mission, Helena called Myka at some point during each and every day: a compromise, one designed to mitigate Myka’s urge to smother, at least as far as Helena’s health and safety were concerned. It wasn’t that Helena wouldn’t call, left to her own devices. But Myka was able, was allowed, to expect it. To rely on it.

Pete snorted. “Charlize Theron hasn’t called me yet, but you don’t see me checking my phone every ten seconds about it.”

Myka had given up trying to explain to Pete what a non sequitur was. Instead, she asked, “Why would Charlize Theron call you?”

“Why wouldn’t she? It’s like you’ve never looked at me. But also: get it?”

“I think there’s a significant difference with regard to roles in lives.”

“Only because Charlize hasn’t got the memo on her destiny with me. Don’t be acting snooty just because you and H.G. got all the memos. ‘Agent Bering,’” he pronounced, high-voiced, “‘we’re forever destined to meet at gunpoint.’”

Another thing she’d given up: getting offended and telling him his Helena impression was atrocious. Instead, she said, “I really wish Claudia hadn’t told you about that.” She did wish it. But she knew it was—

“Pfft. Water, bridge, under,” Pete said, reading her mind. “I really wish you’d quit checking your phone every ten seconds. You’re making me nervous.”

“You check your phone constantly!”

“But not for a reason.”

“I just want to know why she hasn’t called yet,” Myka said, hearing herself sound not a little desperate, aggravated that she hadn’t scrubbed—apparently couldn’t scrub—all that evidence from her voice.

Pete didn’t seem to care. “Maybe she’ll tell you when she calls. Or hey, I just realized, phones work both ways.”

That wasn’t the deal, but with three minutes—no, now two—to go, Myka gave in and called. Straight to voicemail. She then went entirely in-for-a-penny on it and called Steve, who picked up quickly, only to say, “Can’t talk; call you back when—”

And then the phone went dead.

Myka’s throat wasn’t really closing in panic, was it? It couldn’t have been. Through the obviously nonexistent clutching choke, she said to Pete, “I called Helena and she didn’t answer and then I called Steve and he said he couldn’t talk and he’d call me back but the line went dead. What do I do now?” She wasn’t really looking for advice, but she had to ask to at least try to force her heart back down.

He didn’t turn his eyes from the road. “Here’s an idea: calm down.”

“I’m very calm,” Myka lied.

Now he did look at her, with an eyeroll of oh please. “Another idea: quit lying.”

“As ideas go, you should quit Steving. And answer my question!”

“I don’t remember the question.”

Myka exhaled with purpose. “What do I do now?”

“Finally an easy one. Wait till Steve calls you back.”

She didn’t have much choice.

Myka had always taken pride in being practiced at simulating calm; that kind of fakery was practically part of an agent’s job description. But she was being forced to learn (and resisting being forced to learn) that such simulation wasn’t enough to resolve every situation... or, more broadly, that appearances unfortunately weren’t reality.

Not until nearly two in the morning—after Myka had showered, changed into her pajamas, pretended to read some pages of Svetlana Alexievich’s Secondhand Time (she and Helena were mutually bookclubbing that), and finally given in to doomscrolling news, because at least that didn’t require an attention span—did Steve call and say, “Everything’s fine. She’s about to call you, but I told you I’d call you back, so I am.”

Helena opened her own call by saying, “Via miscalculation, I broke our deal. I know it, and I apologize.”

“Miscalculations happen,” Myka said, because of course they did. Then she said, “I’m too rigid,” because of course she was. Probably.

“I’ll make it up to you,” Helena said, with a fervent affection.

“By calling twice tomorrow?” Myka asked, her own affection rich.

“It’s already tomorrow, and I’ll be home then. Or now: it’s today.”

“You make no sense.”

“Be that as it may, and it may, but: how was your appointment with the physician yesterday?”

Myka had figured that was going to be on the agenda, whenever this call happened. Earlier in the day, she’d been happy enough to put off talking to Helena about the results of her physical; now that wish for postponement returned full force. “Better than your retrieval, I bet,” she hedged, hoping that Helena might just... drop it. Drop it and regale Myka with retrieval exploits.

That was a vain hope, of course: first, Helena had an uncanny ear for reluctance and would seize it and shake it till it yielded a why; second, a full physical, with its palpations, percussions, auscultations, and analyses of the living breathing body, was jam-packed with the sort of trackable data Helena found endlessly enthralling.

“Steve and I are fine,” Helena said, of course declining to elaborate on the mission, of course dashing Myka’s hopes. “Are you?”

That was without question a shake in search of a why. “Do I look unhealthy to you?” she countered.

“I can’t see you. This isn’t a video call.”

“If the answer’s yes, just say it.”

“The answer is that to me, you look reasonably healthy. I’ve certainly seen you look far less healthy.”

“You have?” Because Myka had hardly been sick at all, these past several—

“I suspect you’d rather I didn’t talk about that.”

“I would?”

A breath. Then: “Boone.”

Stupid mistake, Myka chastised herself. You should have understood immediately. Should have understood—which still often took the place of “did understand”—even now, after so much time. She breathed out heavily, trying for that elusive calm. “Okay. Yes.” They had talked, at first poorly, about the cancer. Talked, continually poorly, about Pete’s role in making it go away. Talked about—argued about—who had the right to, who deserved to, save whom. “I can’t change the fact that he did,” Myka had said.

To which Helena had said, not enraged but resigned, “I can’t change the fact that I resent his doing what I couldn’t.”

“Because you didn’t know,” Myka had tried.

“For which I blame myself,” Helena had gloomed in response.

“Blame both of us,” Myka had tossed into the breach. Before, she would have said “you should,” but she’d seen how time could stretch the boundaries of fault, of responsibility, for so many acts. In this case, she’d made sure to push those boundaries herself. On purpose, hard and away. “Blame the Warehouse. Blame everybody everywhere. There’s so much blame to go around...”

Now, Myka was at least able to follow up with, “I can honestly say I’m glad I looked worse then. Because comparatively, this is not a big deal.”

It wasn’t. At any rate, it didn’t seem to be. Her primary care doctor, whom Myka trusted because he’d steered her through the non-Warehouse parts of the cancer without making any of it weird, had been factual: “Most everything looks fine, but your systolic blood pressure falls in a range we refer to as ‘elevated.’” He then perked up, like he’d been itching for an opportunity to have something to do, in these years she’d been untumored: “In younger people like you, this generally results from lifestyle issues, so I’ll link you to some articles in the portal outlining changes, steps to take so you don’t develop dangerous hypertension.” Myka had thought he’d sounded overly enthusiastic on the word “dangerous”... but she’d hoped that was a figment of her hyperactive imagination.

“And yet you’re telling it to me,” Helena said, after Myka explained what he’d said, trying to downplay it, omitting in particular his use of the word “dangerous.” Trying and failing to downplay it, apparently, despite the omission, because Helena followed up with, “And you sound a trifle agitated, most likely a bit about my failure to call as I should have... also a bit about the diagnosis itself. But perhaps something else as well?”

She was discerning, Helena was, reading Myka not like a cipher, rendering a single message, but like a novel, allowing for varying interpretations. What could Myka have done but reward her by telling the truth? “He wanted to know about family history,” she said. “I had to call my parents. Well. My mom’s blood pressure’s fine. I mean my dad.”

“Ah. A still-fraught proposition.”

“A useless proposition,” Myka said. “I got myself all geared up for it, but he wouldn’t tell me much of anything. Like I was trying to pry military secrets out of him.”

“You two do often seem to be at war.” And Helena added, as if she’d seen Myka’s immediate nod of agreement, “In keeping with that, perhaps you should try another sortie.”

“I’ll need to gear up again. Which I guess is in keeping too.” She harrumphed. “Won’t be good for my blood pressure, I bet.”

“Nor is being awake at this hour of the morning. We should end this call, and you should sleep.”

“But you’re on this call, and so am I. I don’t want to end it.”

“Nor do I, but you should sleep.”

“So should you,” Myka said.

“Lost cause. But we’ll both sleep better tomorrow night. No, tonight. It’s today.”

“You make no sense,” Myka accused again, but drowsily.

Helena rewarded her with a low chuckle. “And you make nothing but sense?”

“You wouldn’t know,” Myka said...

They continued on in that vein that for some time, until they finally agreed to end the call at a three-two-one same moment. Myka felt grateful, as she often did, for the way in which her life with Helena gave her access to some very typical experiences, ones that she probably wouldn’t have appreciated if she’d had them as a teenager. As an adult was better. As an adult with Helena was better still.

But just as Myka was about to slip into sleep, her mind began to race: she realized that she hadn’t asked Helena again about the retrieval, which had to have been more than a little fraught, and while she knew she wasn’t supposed to smother, she berated herself for what must have seemed like a total absence of real concern.

Thus when Helena and Steve arrived home, met by the cadre of Myka, Pete, and Claudia, the first thing Myka said, with a carefully calibrated mix of casual interest and earnest apology, was “I should have asked you before: what was the artifact, anyway?”

Helena didn’t say anything, but she glanced at Steve.

“You... what?” he said. Their imperfect communication—but communication all the same—reminded Myka of herself and Pete. What they’d had before they got it all wrong... what they were ever closer to fully getting back.

Helena shrugged, the very picture of resignation. “Go ahead.”

“It’s Nikolai Korotkoff’s sphygmomanometer—his Riva-Rocci cuff, they called it in his day. He’s the guy who discovered the sounds doctors listen for when they’re taking your—”

Myka’s knee-jerk response, she had to admit, was not ideal: exasperated, she interrupted, “This was about blood pressure? You’re kidding. You’re actually kidding.”

Steve turned to Helena, and while he wasn’t exactly panicked, he was clearly unsettled. “I want to tell her I am. I really want to. I feel like it would make your life easier if I do.”

Helena shrugged again. “Well. ‘Easier.’ Sorting out life’s relative ease, moment on moment, is a tricky business.”

“Is that a dig?” Myka snapped. “Why didn’t you say something last night? Or no, I mean this morning, because it wasn’t last night, which doesn’t matter now, but...”— she glanced at Helena, in a little apology for the snap—“...did. Look, if this thing lowers blood pressure, wrap it around my arm right now.”

That got her an eyebrow. “As someone tends to intone: not for personal gain.”

“Wouldn’t it be personal loss here though?” Claudia asked, with a surprising absence of snark.

That made Myka laugh, and she applauded, a triple-clap for emphasis. “See, this is what the Warehouse needs: a Caretaker who knows a loophole when she sees one.”

Claudia’s jaw dropped. “Who are you? The Myka I know and mostly love but am also driven nuts by because she’s such a rule snob hates loopholes.”

Obviously Myka was going to have to rethink her relationship with rules, if only to get some benefit from... something. “You know what? I’m just going to say—to postulate—that the Warehouse owes me one. Or several. I think it owes me several.”

Helena said, “Keeping score with the Warehouse is the very definition of a fool’s game.” That was her you are overreacting voice, rarely deployed except for when they were in Colorado. “But more importantly, that isn’t the cuff’s effect. It matters not at all to the one being measured, but rather to the measurer, in whom it increases sensitivity to, and the ability to interpret, diagnostically informative bodily processes. Hence our difficulty persuading the doctor who relied upon it to... relinquish it.”

Myka, reacting poorly both to the news and to the tone in which it was delivered, said, “It absolutely figures that the Warehouse would ping out something completely useless at a time like this.”

“Ping out?” Claudia asked. “Do we say that now?”

“I will say what I want. Stupid artifact,” Myka muttered.

Pete and Steve had been notably silent during all this. “Um,” Steve now said. “I feel like something’s out of proportion here, for reasons I’m not getting.”

Pete, apparently similarly confused, said, “Since when are you weird about blood pressure? Used to be anything about H.G. was your trigger, but now mostly it’s anything you think triggers her. So what gives?”

Myka was tempted to let him go hard on painful nostalgia, just to avoid having to talk about this ridiculous medical situation. But Helena gave her a look, one that said both “your reaction is out of proportion” and “you can’t hide this forever and certainly not if this is your response to related stimuli,” and even though Myka would have much preferred to hide it forever and was pretty sure she could if she worked hard enough, regardless of stimuli, she had to acknowledge that the whole thing was about what could stay hidden but would probably have adverse consequences if it did. So she grumped out, “My blood pressure. Is elevated. It’s a term of art,” she added, to try to forestall—

“Wow. That’s a biggie,” Pete said.

Oh well on the forestalling. “No it isn’t,” she told him.

“Except it is.”

“Except it isn’t. This is just a preliminary-warning type of thing.”

“A ping!” Claudia shouted. “Ping out!”

Steve said, “You sound a little too enthusiastic about that.”

“Kind of like my doctor,” Myka said, “who started going on about ‘lifestyle issues.’ I would like to state for the record that I do not have ‘lifestyle issues.’”

“Except for isn’t stress a thing? Working here’s a big part of your lifestyle,” Claudia pointed out, unhelpfully.

“And... you know,” Pete said. He nodded toward Helena, who spread her arms in an angelic “who, me?” gesture.

“‘Lifestyle’ is a stupid word,” Myka grumbled. “So I guess I’ll quit my job and break up with Helena, so I can live to a ripe old age and be broke and miserable. Excellent ideas. Thanks for the help.”

Steve—being his wise, confrontation-avoidant self—said, “I think I’ll just take this little artifact to the Warehouse so it can settle in.”

That had the unfortunate effect of reminding Myka of the artifact’s identity. “Did we all get whammied a long time ago with something that makes everything that happens in our lives rhyme in the most annoying way possible?” she asked. “Or was it just me?”

“I think it’s more repetition than rhyme,” Steve said, though in an I don’t want to be implicated in this way.

“Repetition with variation, however,” Helena said, and Myka wanted to be able to want to smack her.

“Right,” Steve said. “Would that be reprise? Maybe? Or am I thinking of something else?”

“None of this is lowering my blood pressure,” Myka informed them. Pointlessly.

Steve, to his credit, hotfooted it out of the situation, but Pete said, “You should look into stuff that would.”

“ON IT!!” was Claudia’s response.

Myka tried to head off whatever that was going to be with, “I’m supposed to check the online portal for links to what the doctor rec—”

“Links?!?” Claudia enthused. “I got all the links! Let’s run through some together!”

“Let’s not,” Myka said. Pointless again.

“Here’s the first one: ‘Lose extra pounds.’”

“She’s a pretty skinny drink of water,” Pete said. “Not much extra.”

“I guess,” Claudia said, sounding disappointed. “Next one: exercise regularly.”

Helena tilted her head a bit and said, “The regularity of her exercise is indisputable.”

“Come on,” Myka said. “I try really hard not to wake you up when I leave for my run.”

“I was not referring to your run.”

Claudia’s face pinked, and she said a quick, “Okay, okay! Moving on! Next really good idea: Eat fewer processed foods.”

That was patently ridiculous. “When was the last time I ate a processed food?” Myka asked.

“When I made bean dip in the food processor,” Pete said.

Myka sighed. “Look, this isn’t helping.”

Claudia nodded, despondent. “Yeah, you’re also supposed to quit smoking.”

“Like I said,” Myka agreed.

“But wait, here we go,” Claudia said, perking up, “like I said: reduce stress! And there’s a whole list!”

Myka waited for enlightenment.

For once, Claudia didn’t seem inclined to read aloud; in fact, she perked back down. “These are just... tips. Life-hacky,” she said, frowning. “How’s ‘plan your day’ supposed to do anything? And this one totally contradicts it: ‘Don’t experience future pain.’ Aren’t plans all about future pain?”

“Myka’s sure are,” Pete said. “So she’s doing everything right and wrong?”

“This is not a surprise,” Myka said.

“Maybe what’s next is simpler,” Claudia said. “Like, philosophically: ‘Make time to do the things you enjoy.’”

At that one, Pete leered, Myka groaned, and Helena objected, “I am not ‘things.’”

“I should’ve seen how that would go,” Claudia said, managing to refrain from turning red this time. “Okay, but this last one’s for all of us, except Steve, king of zen: practice gratitude.”

“Huh,” Pete said. “You know, I could probably stand to work on that.”

“I as well,” Helena agreed.

They all looked at Myka. “Fine,” she said. “I could too. In that spirit, thank you, Claudia, for caring enough about my blood pressure to find at least one thing that might lower it.”

“Score! And thank you for understanding how helpful I am.”

“Steve might not approve of your mixing gloating and gratitude,” Helena told her.

“No, no, I’m grateful for the gloating: it means we’re done,” Myka said.

Claudia said, “The internet’s a big place. I could find more!”

“Let’s end on success,” Myka said. “For everybody.”

She didn’t actually do very much practicing over the next while, not until she one evening received a surprise call from her father, right before she was ready to head upstairs to bed. She was tired—tempted to fend him off with “I’ll call you back tomorrow”—but it was a ready-made, if challenging, opportunity to practice. So she said, “Hi, Dad. Are you okay?”

He said an expectedly brusque “fine,” but then: “So, about what you were... asking about. The other day. I don’t like to talk about this kind of thing.”

Myka couldn’t quite hold back a dry “Really.”

“Don’t get smart with me,” he said, but with far less snap than he would have in the past. “Sorry. Look. Your... wife. Convinced me I should be a little more up front.”

“She... okay.” That presented a truckload of issues to process—and, she had to admit, to be grateful for.

First, the word “wife.”

That was new, as a word that applied—newly, quietly, it applied.

“I don’t want a wedding wedding,” Myka had said to Helena, once they’d got down to talking about the actual logistics. She knew it was likely to be a problematic position: knew and felt a powerful anxiety rise as she articulated it.

Helena had said, “Claudia does, and—”

“I know,” Myka began, her rebuttal at the ready, “but—”

“And,” Helena had interrupted. “Yet. While we owe her a great deal, that does not include dominion over how we enter into a legal union. And given all I’ve come to understand about modern weddings, I agree with you.”

Thus small it was, with Steve and Claudia—who continued to insist that she was, in fact, the flower ninja—their only witnesses.

Small, yet legal. About which Helena had evinced something very close to wonder: “A binding contract,” she had said, after words were pronounced and papers signed, as if the idea had just struck her.

“You’re the one who proposed,” Myka had reminded her, floating, light; she was in a bubble of something like wonder herself.

“I beg to differ,” Helena reminded back.

“The one who intended to propose. I have to believe you knew about that binding-contract endpoint of the proposal process.” That they could be these people. These word-trading, contractually bound, wonderstruck people.

“Of the proposal process,” Helena agreed. “Endpoint. Yes. But otherwise: beginning point.”

She’d said that last part quietly. But in the silence that followed, it swelled to a clarion.

Steve cupped his hands, as if to have and hold a bit of the air in which the words resonated.

“And here I was worried this—” Claudia had said, gesturing around the small conference room, which they would soon need to vacate for whoever was solemnifying next, “wouldn’t be enough.”

“Enough for what, darling?” Helena asked, though Myka was pretty sure they all knew the answer.

Now Claudia gestured at the two of them. “This.”

A decent enough word for it all, as words went.

Word-wise, and more salient to the present phone call, “wife” was new as a syllable her father would willingly pronounce of someone who was Myka’s. So: gratitude. There was also the matter of Helena having “convinced” her father of anything, although Myka was really unsure about where to place any appreciation for that. Further... well, no, that about covered it.

Her father then said, “I told you numbers. Befores, afters, but not what I did to move them.” He paused, and Myka had no trouble picturing his facial reluctance at having utter whatever might come next. What did come next: “Meditation.”

Not a word she’d ever expected to hear him utter—on a par with “wife” in its new application.

“Your mother makes me,” he said. “Thirty minutes a day, strictly enforced. You could try it.”

“Could,” he’d said, not “should.”

She knew she ought to have appreciated the call for what it was: seemingly sincere, part of an overall positive trend. But instead she worked herself up to offense, marching upstairs to find Helena—brushing her hair, innocent of any intent—and demanding, “You called my dad?” Petulant. An uptight whine. Definitely not her finest hour.

“I did not,” Helena said, not pausing her strokes for even a millisecond. “He called me.”

“He did?” So she’d climbed up to offense for no reason. The climb back down involved an awkward reset of her face and her breathing, but she did it, ending on a cringed, “Sorry.”

“He wanted to know if you were well,” Helena said, still conducting the stroke, stroke, stroke. “This was after he called your sister and asked her the same question.”

“He told you that?”

“No. Your sister did. When she called me to warn me that your father would be calling me, because she had told him she had no information on the point but that I most likely would. I asked her if she wanted me to tell her anything about said point, and she said no, that she would get it from your mother after your father told her what he found out from me.” Now she stopped the hair show and turned in Myka’s direction, brandishing the brush. “Your relations seem to take comfort in communication that is as indirect as possible.”

“I can’t even begin to argue with that. I sort of hate that everybody in my family—but especially my father—likes you more than they like me. But obviously I’m grateful for it too. It’s a slow-motion relief.”

“If your father’s concern for your health is any evidence, he likes you a great deal. I’ve never heard him inquire about my health.”

“Then again, maybe he doesn’t like you,” Myka said. “He thinks it’s your wifely duty to force me to meditate.”

“Coercion seems antithetical. And yet I do have every intention of fulfilling my wifely duties, including such new ones as arise—including this one. Given that it... has?”

“I guess it has. And I appreciate the intention. It’s important. Required, even. I honestly have a hard time believing this particular one’s going to have any tangible effect on the future, but I appreciate it.”

“Well, the future. What did Claudia say? ‘Don’t experience future pain.’ You should experience future effects—even pain, if necessary—when they happen. Not before.” Helena turned back to the mirror. She set the brush down and watched herself breathe in and out, very deliberately.

“Are we still talking about me?” Myka asked.

“I confess I’ve had to put effort into... braking trepidatious anticipation. With regard to effects.”

“Effects?”

“I can, for example, report that my blood pressure is fine.”

“Of course it is,” Myka groused, because of course it was.

Helena ignored that. “Fine for now, that is, which I know because Dr. Calder keeps a close eye. As part of her unplanned, yet obviously necessary, case study of the long-term effects of the Bronze, which she records as I... experience them.”

Myka felt her pulse speed at the thought. Not helpful.

Nor was the overall fact that the future, whatever pain it would or wouldn’t deliver, was unknowable.

“I try—often unsuccessfully, but more successfully with the passage of time—to remain securely in the present moment,” Helena went on. “Steve’s a great help.”

“Pete wouldn’t be,” Myka said immediately.

Helena turned fully around to face Myka; she leaned forward and said, “Wouldn’t he?

“Of course not,” Myka said, because the idea of Pete being helpful in some mindful pursuit of present-ness? Helpful like Steve would be? Preposterous.

“I believe you’re mistaken. Pete has many habits that vex every one of us, but you of all people should know that he does not fret. Certainly not about the future.”

Myka had to think that out for a minute, then a minute more. “You’re... right,” she said. “If something’s unknowable, he doesn’t try to know it. He forgets about it and reads a comic book.”

“A lesson for the both of us?”

“I don’t like comic books,” Myka said. “And neither do you.” But formulating this basic fact about her partner sparked Myka to think of her childhood, the way she would turn to a book in order to soothe herself, so as to simultaneously leave and fully inhabit as many present moments as possible... to Helena, she admitted, “It is a lesson. I used to be able to... lose myself. More. Better.”

A very small smile ghosted its way onto Helena’s face. “You lose yourself quite well.”

That was welcome, if (still, even now, a bit) embarrassing. “Thank you? But for the purposes of peace, maybe not ideal.”

“Well then, I suppose I’ll have to force you to meditate,” Helena said, and was that enthusiasm in her voice?

“Now?”

“No time like the present.”

Myka allowed herself to be manipulated toward the bed, then to be situated there cross-legged, even as she complained, “It seems like it’s going to take up a lot of time. Like the present. Thirty minutes a day, my dad said, but wasn’t one of Claudia’s tips about making time to do things I enjoy?”

“You just now rejected that,” Helena said. She put out the light and joined Myka on the bed, facing her, sitting similarly cross-legged.

“You’re just lucky ‘Things’ isn’t your new nickname. But come on, when you think about it, half an hour’s half an hour. Wouldn’t it just be stealing time from, you know, us?”

“Stealing present time—minimal present time—yes. But to increase the likelihood of maximal total time. For, you know, us,” she concluded.

It was a low blow; Helena knew how susceptible Myka was to having her own speech patterns mimicked by that voice. Nevertheless, she tried, “Didn’t you just say there’s no time like the present?”

“I did, and I was correct. Now focus.”

“Fine.” She closed her eyes. Then she cracked one open. “On what?”

Helena gave that some consideration. “At the risk of adding insult to injury, we might try Korotkoff sounds. I’ve been thinking on them since encountering Mr. Korotkoff’s instrument. We didn’t know them in my day... we could have produced them, used them for diagnoses, at any time. Yet to us, in our ignorance, blood moved ever silent.”

“My ignorance too. I’ve had my blood pressure taken a million times—and there’ll be a million more, and now more often—but I don’t know how it works. Tell me.”

“One imposes pressure by inflating the cuff around the arm, then one releases it, slowly, and listens. Silence at first, then five distinct phases of sounds, telling sounds, emerge as blood begins again to flow. The phases, the sounds. The same in all bodies. Yours. Mine. Everyone’s. Five. In succession.”

Her voice was slow. Lulling. This might not be meditation, but it was an easing. “Tell them to me,” Myka said. She closed her eyes again, imagining a wrapping, enveloping density, an inflating push of an determined cuff... yet even as she did so, a tendril of unease slipped its way in, an instinctive pre-flinch of discomfiture at what the release of pressure might reveal. She reheard “you lose yourself quite well”—felt the reflexive, nervous rise of self-consciousness—but she pressed against it, willing it down, down and away.

“In phase one,” Helena began, “the blood signals its return with clear taps, low but clear, knocks of announcement.”

Myka reached for the lull again, working to hear the silk-low voice both for itself (to be here) and for what it gave (to be elsewhere).

Helena thwarted her for a moment, becoming less hypnotist than lecturer as she said, “The pressure at which phase one occurs is the top number, that troublesome number of yours.”

Eyes still closed, Myka reached her hands out, feeling for Helena’s body, reaching her arms, and at the contact Helena seemed to understand. “In phase two,” she said, slow again, “the knocking softens, joined by a new sound, a swishing, soft, long, the blood taking its time, finding its way...”

Myka let her hands move, just a little, wayfinding.

“Phase three,” Helena said, with a small hitching throat-clear. “Here the knock returns, insistent now, the blood knowing its way, impatient to resume its course, pushing itself to phase four: an abrupt muffling, as if reassembling for a final push of sound.” Her hands now met Myka’s body, grasping her arms, tightening as she said, “But no, no final push, for phase five is the disappearance of all sound, the reestablishment of what the doctors of my day knew only as unrevealing silence. Yet not so unrevealing after all: that restoration is the diastolic pressure, the lower number, completing the diagnosis, culminating the story of how the blood speaks as it relearns to move: sound to less sound to more sound to no sound.”

That repetition of “sound”... it rang in Myka’s head. Sound, sound, sound...

She opened her eyes. Her hands were at Helena’s waist, and Helena’s hands had moved to her shoulders; now they were locked in the pose, statues waiting for a spell-break.

Myka willed herself not to move her hands as she said, “I didn’t meditate.”

Helena wasn’t moving either, but it seemed to be taking just as much effort. “I’m grateful,” she said.

“Are you calm?” Myka asked.

“Not at all.”

“Good.”

But later, later, in the still: yes. Calm. No sound.

TBC

#bering and wells #Warehouse 13 #fanfic #Decalogue #part 5 #I very nearly didn't finish this part in time #and it's less cohesive than I'd prefer #but it's yet another mark of time #my personal observation of occasion #apologies for the obsessive focus on the sounds #but they are quite striking #(no pun intended)#and honestly I think there's a sad lack of awareness #of how bodies are medically understood #such discoveries #and their revelations

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