messala from the 1959 version of ben-hur, commissioned by the lovely @illegible-scribble , who shares my soft spot for this 3hr+ gay tragedy bible epic 🤭 plus the messala/ben-hur i shared in my main under the cut
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Easter-Like classics that can never be missed in our Familiar Cinema Club
First, we have all the Hollywood-Sword and Sandal like classics that we watch between Lent, the Holy Week and Easter, being mainly and in a historically accurate chronological order:
Joseph King of Dreams
(Mandatory Prequel watching)
The Ten Commandments (1956)
Ben Hur (1959)
The Robe (1953)
Quo Vadis (1951)
Then we watch some other movies that we kinda relate with the celebration, like:
The Fiddler On The Roof (1971)
BBC's The Chronicles of Narnia series
(My mom doesn't like the Disney adaptation)
The Secret Garden (1993)
For a strange relation of ideas, because my oldest brother was transcribing in the middle of the Holy Week one year, the orchestration of the movie for a streaming with live orchestra,
Howl's Moving Castle
We even have for a traditional Easter Sunday breakfast, Sophie's eggs with bacon.
And the main event of Holy Saturday, the most expected movie of the season...
The Prince of Egypt
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The inherent homoeroticism of your nemesis, your sworn enemy that was once like your brother, the one you once cherished and admired but now loathe and despise, dying in your big beefy glistening sweaty bloodied arms
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Happy Easter
In celebration, look at this super-cursed picture of Jesus from Ben-Hur.
They specifically avoided showing Jesus' face for the whole movie. They showed him from a distance or just showed him from the back. But they couldn't avoid it in this scene and they compensated by darkening the film.
Honestly terrifying. Happy Easter!
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The 1959 version of the religious epic Ben-Hur concluded at a whopping 3 hours and 32 minutes (but who's counting?)
The Upset, procedural drama Anatomy of a Murder, ran longer than the average upset but it's nothing we can't handle.
Box office information for high-earning epics is always contradictory. These values fall between those you might see elsewhere, but should best represent the international box office for the initial run.
Comparing religious epics, I preferred Ben-Hur to the previous The Ten Commandments. Charlton Heston successfully led both films, and was met once again by a strong supporting cast.
There is a ton of story to get through, but the pace is quick enough that it doesn't feel like molasses. The film's most famous scene, the chariot race, still holds up today. Overall, it's a very well-done epic, but one can't forget it's 3.5 hours long.
As for Anatomy of a Murder, I'm so excited we're exiting the era of film in which the actors speak so very slowly. Not only was it fast-paced, everyone spoke at a reasonable speed!
Besides Jimmy Stewart cramming a bunch of uncontained fish into his freezer, this film was practically perfect. The dialogue-heavy courtroom scenes are carefully broken up by additional evidence gathering and a smart amount of humor! Who knew panties was such a funny word in the 1950s.
Ben-Hur holds current record for Oscar wins, with only 2 other films reaching 11 awards.
Interestingly enough, it missed out on a typical Oscar for screenplay, which instead went to fellow Best Picture nominee Room at the Top. There's a detailed section of the Wikipedia that describes the dispute over the writing credit for the film, which some believe attributed to this loss.
Sadly, Anatomy of a Murder walked away with zero Oscars from 7 nominations, mostly because Ben-Hur overlapped with them in almost every category. Anatomy of a Murder at least won 3 Grammys for Duke Ellington's work. He also plays a small cameo in the film as Pie Eye! (Note: category names are shortened because they are weirdly wordy)
Anatomy of a Murder holds a perfect 100% from critics on Rotten Tomatoes, as well as high ratings across all sources. Ben-Hur is not far behind, and still commendable.
Unofficial Review: This is personal preference. Ben-Hur is more Oscar-adjacent, but both are great.
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(via PEPLUM TV: Image of the week!)
Judah Ben-Hur (Charlton Heston) is sent to the galleys of a warship in BEN-HUR (1959)
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Stephen Boyd as Messala in BEN-HUR (1959).
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ben-hur 1959 is great because chuck heston is like "i'm the main character a bible epic" and stephen boyd is like "im the antagonist in a lovers-to-enemies gay tragedy"
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Underappreciated aspect of Ben-Hur (1959): Charlton Heston being a horse girl
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