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nevzatboyraz44 · 9 months

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Anadolu evliyaları:

İsmini bölgeye veren Analar yakın tarih insanları pek bilmez o sadece kulaktan dolma duydukları.

Ey eli öpülesi Anadolu’yu Anadolu yapıp ismini veren ninelerimiz.

Neler gördük neler, harmanda 40 derecede Başak topladın.

Onu ezdi ufaladı un yaptı beş on çocuk büyüttü, öllüklere beledi.

Kırk teneke buğdayı eledi at arabasına o yükledi, deh dedi ata değirmenden nöbeti almıştı sıra onundu.

Sabaha karşı unu,tamamdı ama daha gendimesi, yarması ancak akşama belki bitecek atı arabaya koşacak evin yolunu tutacaktı bir kış evinin zahiresini tamamlamanın Sevinç’i yorgunluğunu unutturmuştu karnı toktu değirmene giderken evdeki dut pekmezinden almış bulgur kepekinden tohinik yapmış onunla bi güzel karnını doyurmuştu.

Malatya’da 18 su değirmenini Anaların sesiyle şereflenirdi.

Malatya’da zahra denirdi kışlık hububata henüz ananın o meleğin iş bitmemiş buğdaylar haşlanır, damlara serilir daha sonra değirmen sırası beklenirdi.

Mahalledeki taş zokkuda buğday dövülüp (gendime) çorbalık ,aşürelik dövülecekti.

Mahalle kadınlarından bir zokku çavuşu seçilir 4 kadın Çavuş’un ritmiyle ağaç tokmakla ıslatılan buğdaylar saatlarca dövülür ve zahire tamamlanırdı.

Peynirler küplere basacak sovuk sulu damlarımıza konacak, besili keciler kesilip koca Kazan’larda pişirilip küp veya tenekelere yerleştirecek Anadolu anası.

Henüz turşu zamanına var şimdi dutlar sıkılıp pekmez yapılmalı,reçeller olmazsa olmaz.

Sıra püşürük yapma zamanı samanla toprak karışılacak çamur yapacak (püşürürk) dam sıvanacak, damın üzeri sıvanacak çünkü kış kapıda kuyruk doğalı bir hayli oldu.

Beyaz toprak alınıp odalar ve eyvan pardaklanacak

Çocukların öllükleri elenip tenekelere konacak.

İneği sağacak yoğurt yapıp pazarda satacak aklama yemekte yapılacak keşke yoğurt biran önce satılsa,Eve tuzda alınacak.

Ey mahalle kadını dedikleri Anadolu’nun evliyaları sen sayılı evliyalara

diploma verirsin ya.

Anadolu’ya ismini kazıyan anaların görevi bitermi.

Çoraplar,hırkalar örülecek öte mahlede bir kız varmış hep met ederler onu oğluna almak için o aileyi hamama davet edecek vay ana sen neymişsin.

Bir mahalleye birinin adı verilir senin adın Anadolu’ya kazıkmış ya.

Gel senin adına bir tarih yazalım sayfalara sığmazsın ,bablarımızıda sen leğenlerde yıkardın, üzerine kuma getirmiştide sen olsun kızım gibi Onur’da büyütürüm demiştin be Ana!..

#türkiye #doğa #travel photography #travel destinations #travel #manzara #view #natural #europe #africa #SoundCloud

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roppongi-division · 5 months

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"The question isn't who's going to let me, it's who's going to stop me." - Ayn Rand

Introduction

Mireya Moto Quinlan is the second member of the Roppongi Division rap battle team, Private Party. She is known by her rap moniker, Gypsy. A former dancer and stripper known for working in just one of the many bars in Sin City, this was just a stepping-stone on the way to fulfilling this spicy and determined young woman's true ambitions. After working and building up her career, she's now determined to prove that her self-owned nightclub/casino is the best, not only in Roppongi, but in all of Japan.

Mireya, much like her husband, is a woman of many origins, mainly Japanese and Hispanic. She has tannish skin, which she attributes to her black background. She has dark-brownish curly hair that goes down to the top of her back. She has light green eyes that are slanted, giving her a somewhat-tired look. She also wears a lot of make-up, giving her a younger look than her age shows; she wears pink blush on her cheeks and matching-colored lipstick. She stands at 5'7" and weighs 124 pounds. She also has a D-sized chest. Finally, she has two kiss mark tattoos, one on her neck, and one above her left breast.

When she is at home or lounging around, she tends to dress comfortably. She wears a plain greenish-blue blouse with a black leather jacket over it, a silver black necklace with a moon and stars charm at the end of it around her neck, a pair of dark blue slim jeans, a pair of black stockings and a pair of black Mary Jane shoes.

When she is on the job, she dresses more fashionably. Her attire usually consists of a red and black cut-off shoulder dress with a black feather boa over her shoulders, a pair of black stockings, and a pair of black heels. She also changes her hair color to golden blonde, giving her a more youthful look. Also, she has her moon wedding ring displayed on her right ring finger to show that she is happily "taken".

When she is performing or dancing, she wears a Beledi dress, a type of Egyptian-style dress suited for belly dancing. It is adorned with many beautiful jewels.

Name Meaning

Mireya - A girls' name is of Spanish and Latin origin, and the meaning of Mireya is "admired". Variant of Miranda. Also form of Mira. Also form of Mireio.

Moto - A girl's name of Japanese origin meaning "mind, spirit, soul".

Quinlan - A name of Irish and Gaelic origin. It means "descendant of Caoinlean, slender" or "fit, shapely, strong." It is also a form of the name "Quinn".

Aliases:

"Gypsy Queen" - Her old stage name

"Mrs. Quinlan" - Her subordinates

Ma/Mom - Zakari

Love/Babe/Hun - Kai

Biographical Info

Gender - Female

Age - 34

Birthday - July 31st

Ethnicity - Half Japanese, Half Hispanic

Hair Color - Dark Brown

Eye Color - Light Green

Height - 170 cm (5'7")

Weight - 56 kg (124 lb.)

Star Sign - Leo

Piercings - A diamond stud earring in both of her ears.

Markings - Some permeant scarring on her arms due to track marks from her drug use. She also has a kiss mark tattoo on her neck, and above her left breast.

Family -

Mother

Father (Unknown)

Husband

Adopted Son

Voiced By - MoNa a.k.a Sad Girl (Rapping)

Fun Facts

MC Name - Gypsy

Occupation - Nightclub Owner/Belly Dancer

Position - Second Member

Favorite Food - Stuffed Peppers

Least Favorite Food - Mutton

Likes - Her nightclub, belly dancing, her family, partying, the nightlife, children, Roppongi, sunsets, good drinks, fashion, jewelry, sleeping in late, smoking after sex, heights, the city at night, and her current life.

Dislikes - Quitters, thinking about her past, drugs, hardship, black coffee, getting older, abuse, being used, her mother, being objectified, the fact she can't have children, and her son's suicidal tendencies.

Hypnosis Microphone

Mireya's Microphone takes the form of a gold handheld microphone adorned with amethyst jewels and diamonds, making it look expensive and extravagant. The name 'Gypsy' is also written on the mic.

Her Speaker takes the form of a large purple half-naked woman with long flowing orange-yellow hair. Her hair seems to morph, taking the form of an-octopus-like creature with one eye, where the speaker is located.

Her ability, Allure, allows her to hypnotize and charm one of her opponents, making them attack anyone but her. This ability also increases her defense each time she uses it. Though she can use this move frequently, the more she uses it, the more stamina she uses up.

Mireya's rap themes revolve around doing what you must, regardless of who or what opposes you. She raps that in order to get what you want out of life, you can't worry about who is against you; you just have to go and get it. Like her husband, she also raps about sensitive subjects like her past and the problems she had with her mother. She'll also rap about her love for her family and dancing. She'll also sometimes rap in Spanish.

Personality

Mireya is an attractive woman who knows she has looks and knows how to use them. Being blessed with a good appearance since she was young, she learned how to utilize her charms from the woman who took her in after she ran away from home to get away from her mother and her lifestyle. Though she doesn't have to do much in order to get what she wants, she finds that exerting a little "influence" goes a long way at times.

As her quote can tell you, Mireya is not one to worry when the odds are stacked against her. She doesn't care what she has to do in order to achieve her goals, or further her ambitions. As long as it doesn't bring harm to her friends, family, her city or her way of life, then she will gladly do it. This mindset has been adopted due to the amount of opposition that she has been forced to overcome in her 34-year-old life. Whether it was her mother, her enemies, or just her self-doubt, she has always been counted out or looked over. While this would normally deter others, this only helps to make Mireya more determined.

A natural and charismatic leader, Mireya is usually the one to take the reigns when no one else will. She has no problem being put in the forefront, as that is where people will mainly be looking. The limelight for this woman is where she feels she is meant to be, and only when she is dead and gone will she disappear from. This give her an air of arrogance, but only those in-the-know know that this is just Mireya's confident and certain personality.

This behavior, however, can sometimes come back to bite Mireya. As stated, she tends to be very confident and certain. And when she doesn't hear a voice that coincides with that, she ignores it, even when it is coming from a good place. Basically, if it doesn't match where Mireya is coming from, then it's not worthy.

What's more, Mireya has a very large ego, one that is very fragile. While she comes across as confident, she is incredibly sensitive to criticism, even if it is constructive. When she feels that isn't getting the attention she deserves, she tends to become very sulky and sad. This is especially bad if she is being outdone by someone much younger than her, since she is very, very sensitive about her age. She can tolerate a lot, but the one sorest point for her is fledgling upstarts in her thinking they can one-up her.

Despite that, Mireya does have a good head on her shoulders. A natural charismatic, many people are known to flock to her, whether she is trying to befriend them or not. She is very passionate, both in and out of work. When it comes to her family, she loves them all very much and considers them worth more than any treasure that she could possibly receive.

Background

*Coming soon*

Trivia

Like her husband, Kai, she also has a mixed ancestry; she is of Japanese, Hispanic, and African American heritage (The first two are on her mother's side, while the last one is on her father's).

Because of her mixed background, she is fluent in Japanese, English, and Spanish.

The name of her nightclub is called "Gypsy's Palace".

She was taught how to belly dance by a friend of hers who worked in the same bar as her. She laments that she still isn't as good as her friend.

Besides being a nightclub owner, she also co-owns and runs (alongside Reika Aichi of Shizuoka) a recreation center that's aimed at distancing young girls from crime and prostitution by teaching them education and dancing.

Her favorite brand of cigarettes is Maverick Gold 100s.

Though she knows how loyal her husband, is, she can't help but get a little jealous when he is approached by another attractive woman, especially if they are younger than she is.

Though she gets along with many of the residents of Minato, she has a dislike for Queen Card, due to the fact that the detective's "magic tricks" have, more than once, caused a disturbance within Gypsy's Palace (She also dislikes how she tries to get Zakari involved with her antics). As such, Mireya has made it clear that the masked woman is prohibited from coming within 10 feet of the building.

An excessive amount of hormones in her pituitary gland caused her to be diagnosed with hyperprolactinemia at the age of 26, which sadly made her infertile, meaning she and Kai could not have children. As such, she is very sensitive about the topic, and hates talking about it.

#hypnosis mic oc #hypmic oc #hypnosis microphone #hypnosis mic #hypmic #mireya quinlan #private party #roppongi division #character bio

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zuqan · 1 year

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bu zibilde bildirimler girmediyim halda bele yoxa çıxır. Sizde de beledi?

Parola gelende belke 10 defe deyişmişem

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icantlivedabrat · 11 months

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bu usaq niye beledi

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9-th-isi · 2 years

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Bu gij-gij, sey-sey "bloglara" geyindirmeyim var bir defe. Uje heqiqeten iyrenirem hamsı soruşsan mentalitet ele gerifikr ele amma iş emele gelende çox gozel lazım olanı edirler. Mene çatmır ki bes bele söze bele hereket olur?. Beledi belkede olmasi gerektiyi kimi: TumblrAz Azərbaycandı!?

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jonkatzatbedlamfarm · 8 months

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Two Worlds Come Together In A Beautiful Way. Maria's Belly Dancing Group Comes To The Mansion

I had the touching and beautiful experience of seeing two worlds important to Maria (and me) together in the loveliest and most meaningful way today at the Mansion Assisted Care Facility. Maria is a member of the Bennington Beledi Dancers, a belly dancing group composed of dangerous and devoted friends who have danced together for years. This dancing has been informative for Maria; she and the…

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turkiyehaberi · 1 year

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19 Mayıs Atatürk’ü Anma Gençlik ve Spor Bayramı, İzmit Kent Meydanı’nda coşkuyla kutlandı.KOCAELİ (İGFA) Kocaeli Büyükşehir Beledi...

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tekgozluyuzbashi · 1 year

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Insan evveller sevdiyi birinin başqası ile xoşbext olmasına kenardan baxanda paxıllıqdan dodaqlarını gemirir, içinde sxnti yaranır, eslinde buna eqoistlik demek olmaz bütün insanlar beledi en üreyi açığı bele dözmez bir müddet evvel sevgi sözleri deyib ezizlendiyi şıltaqlıq etdiyi birini indi eyni sözleri eyni ezizlenmeleri sevdiyi insanla başqalarinin etmesine. Dözmez. Çünki insanıq ayrılsaqda içimizde nelerse helede qalır. Ancaq elden heçne gelmeyende duşunursenki ikinizden biri en azında bu travmanı aşıb. Yeni biri ile yeni münasibet üstelik bu münasibet davamli ya davamsız olacaq bu artıq sorakı işdi hemde o ikisini alakadar edir. Gelek özümüze) dediyim kimi bu meni xoşbext etmir tebii. Eksine acıtır hemde pis. Ancaq Dostoyevskinin de dediyi kimi "hayatda hep mutlu olursam, hayalini kuracağim neyim kalir ki?" Yeri gelmişken bu prinsiple getsek menim xeyalini qurduğum o qederrrrr planlarim varki)))) yaş 30 qocalırıq...ancaq her defesinde hiss edirem ki yene Dostoyevski demişken "ertelediğim şey mutluluğumdur ve kaubedeceğim şey hemişe heyatım olub... devamke.💜🫡

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drum-circles · 1 year

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Deaf Drum Circles (or) Drumming With Hearing Impaired

At first glance one might think a deaf drum circle presents a lot of challenges. It really doesn't. I learned from experience to just facilitate it like you would a regular drum circle. Don't over-think it. I did that early on, and it was a mistake that I quickly had to get corrected.

Rhythm games, passing shakers, and pie slices type of thing just wastes valuable time. We are there to have a rhythm session as a group, not play games or talk. Let's just start playing, and shake out those nerves. Then the real fun can begin. Exploring rhythms with different tempos, cultures, and styles.

There are a few mechanical adjustments I make after testing the acoustics of the room, (beforehand if possible loud hand claps, or yell a loud Hey in the likely spots to facilitate the circle). Forgive me for this, but I call it the clap test. If there's an echo in that spot, find a place that is more ideal. Sometimes you have to work with where they want it, or in large gyms, so echo is important to minimize if you can.

One, that is most important, is that neither myself, or the person signing is in front of a window, or less than ideal lighting. I made that mistake early on. You become silhouetted or worse.

The other thing is to remember to keep my head up when I speak, because many are so sharp, they read lips rather than even look at the signer. So heads up, no bright light behind you.

I tend to not say much during a drum circle, because an hour goes by so fast. I mix in a little about volume, history and names of a few rhythms, what they mean, a little about the drums, good safe hand technique, and little else. We can chat a little when drum circle time is up. Let's just get to that warm up that lets everyone relax, and realize they can just have fun, and not worry about silly things, like making a mistake. I was very self-conscious when I approached my first drum as a teen.

Anyway, I just start things off with a basic warm up boom cha la ka where the tempo is nice and slow until everyone finds a place. Then up to faster tempo for 5 minutes or so, and end it up with a nice up and down massive rumble, wailing away, and everyone comes out of that joyous, smiling, and feeling good! That sets a nice tone for the whole session. That this is going to be fun. I'm going to improvise, and make some music with my own two hands.

Generally speaking, a group dynamic happens after 45 minutes, so we are just getting to the real groove on the beam at that point. It's the same with children or adults. I often go an extra half hour because of this. I want them to have as much fun as possible, and it is at this point where they start to feel what playing and experiencing a real groove feels like. It goes deep into your spirit and soul.

After that warm up, I usually have a set list in my head. I also keep it in my pocket, and that way, I don't need to look at it. But it's nice to know it's there in case of a mental hiccup. Sometimes it just happens as a performer. We all make mistakes, move past it, and go on to the next rhythm. I keep duration of rhythms to 5 -7 minutes so we can try out a bunch of them from different cultures. It's all part of giving a full experience. I almost always include African Fanga, something in 6/8, something Native American, and Mid-East Beledi as a part of my experience. Most of it is in 4/4 time.

I always start each rhythm out with a 2 measure vocalization of the beat, and then I start playing it at a very slow tempo so everyone can latch on, and then I slowly bring it up to a comfortable pace. Encourage them to experiment, and find a place in the rhythm when they feel comfortable. I try to keep each rhythm no more than 7 minutes long, as an hour goes by so fast. I can get maybe 7 or 8 drum rhythms in there.

I like to have them experience different cultures as I play along with them. As for endings, I try to mix them up a bit, but nothing beats a good rumble ending. Drum circle chairs set-up: Chairs about 20 feet across the circle, or as you see in the photos, sometimes a semi-circle so everyone can see.

I use only body drums, djembes, doumbeks, darbukas, congas, bottom drums, and a few frame drums.

No lollipop drums or sound tubes, give them a real drum to play if you can, they can feel the resonation more.

My experience working with deaf, or the pc version hearing impaired, is many prefer to embrace the term deaf, and why not? It makes sense if I think about it. Something else as many know, is if one sense is weakened, often one or all the other senses, are heightened. So, good hygiene, no colognes or perfumes.

I don't really care for TV shows with sub-titles, but this Russian series titles Sniffer is about a guy with a heightened sense of smell, and it's pretty good also. It's beautifully shot, the relationships of the characters fascinated me, and the plot lines were pretty good as well.

There was this strange familiarity of the main characters for me. It was like I had seen them somewhere in something. I used to get that look a lot from my acting peers when I had a number of commercials running on cable TV.

That's the life of working as an actor, you tend to watch more than what you see, and it takes a well produced film or TV series for me not to be looking at the filmmaking process or mistakes. It needs to draw me away from that world, and Sniffer did that. Maybe you will enjoy it as well. I'm definitely not a film critic.

I'm not an expert on deaf drum circles, but I do have many years of drum circle facilitating experience, both with adult, kids, and mixed families. My hope is, if you are offered to facilitate a deaf drum circle, some of this may help you.

Something I didn't know much about early on, is that there are varying degrees of deafness. Someone who might be clinically considered deaf may have limited hearing of certain different pitches and sounds. It meant that they could only hear sounds in a very high sound register. Like in super soprano, but that was all they could hear. Others can only hear just a hint of, or feel a hint of the bottom bass beat. My experience is that on the whole, people who are deaf still can be highly functional, and very musical.

Some only can feel the vibration of the drumming. Repetition, repetition, repetition. This is one reason I like to bring 2 beach towels, or yoga mats, and have people lay down flat in the center of the circle and close their eyes for a moment somewhere during the circle. To see things without the eyes, and to feel, even if they can't hear a rhythm, they can feel it. Many times after just one circle I've had many different people come up to me and tell me how delighted they were. Their other senses are so acute, many feel more than say just a public gathering drum circle.

Watching someone signing to music or a rhythm is a beautiful thing to watch. It flows so nice to a drum rhythm if someone is signing to it, and it feels really nice. Or even vice versa. It looks like a sort of hand bound Tai Chi. Signing gives a beautiful sense of rhythm to the music. Many concerts or events I've been to have someone signing off to stage right or something.

I've facilitated many deaf drum circles over the years, and seen many different signers. I've learned a little signing myself in the process, and I use it as often as I can during events while I speak. It is not easy to sign, just try it if you haven't, but if I could learn the basics of it, so can you. I love it when the interpreter interprets the rhythm and prompts everyone to participate. Try to make sure that there are interpreters present if you encounter this. When I am working with a signer, I just have to remember that they have to hear what I am saying, keep my head up when I speak, but not exaggerate it, or speak more deliberately, that is a bit off-putting.

If it's possible, when I load in my gear I try to find the signer and make a new friend. I let them know how my speaking will work, and what I'm going to be saying. For many, it's the first drum circle they've ever seen, they have no idea what to expect, and it is much appreciated most of the time for the head's up.

I explain to the signer, (or signers) I'll be saying short bits here and there, but mostly rhythm names, drum names, cultures, and what they will sound like using 3 or 4 different methods. Middle Eastern doume tek-ka, Babatune's Godo pa-ta, a boom chick a boom boom, I may just scat out a few. Lots of them with a strong downbeat. Some modern stuff, and etc. That gives them a heads up, saves time, and helps everything go smoother.

At this one kids camp event, they were swapping in a new signer every 10 minutes, so be ready for that if it happens. We jammed out like they were drummers mid-jam like in the Parliament Funkadelic days back in the 70s Mothership. The fun never stopped, so be ready if that happens.

Often times, it will be a transitional event, where people have time restrictions, but they can feel free to enter, or leave the drum circle at any point during a rhythm.

Sometimes it is up to you to anchor it, and keep the groove going.

It makes good sense to do your homework beforehand on any group or condition that might be present at a drum circle. So I can be respectful, understanding, patient, considerate, and have a better understanding of it.

Then I can help them feel more comfortable, and if necessary, stay within their boundaries. It's always better to do a little research on deaf culture or anything else you might run into before working with them. Like all cultures, they have their own habits, values, and language. Generally, the deaf community does not see their deafness as a disability. As I said, my experience has been that they embrace it.

It's a deaf drum circle. Nobody wants to be treated differently, so I never do that. It takes some experience to just trust yourself, and do this. It's a regular drum circle. Heads up, no windows behind you or the signer, and slow the pace a tad, especially when presenting the names of rhythms, and what they look like being played.

Do this simply, and there's no communication barrier. We just speak a different language, and it is a beautiful one at that. Connect your rhythm whenever you get a chance.

It's not a variety of challenges, it's a drum circle. Come have some fun!

My website started in 1999. It used to be: drumcircles.net where I updated and ran the drum circle finder worldwide. I ran it for 20 years, and passed it to a younger person.

Please check out my drum circle book on Kindle, 300 pages for just $8.

www.amazon.com/Practical-Guide-Hand-Drumming-Circles-ebook/dp/B003PPDB26/ref=dp_kinw_strp_1

My 2 Hour 101 Drum Circle Rhythms is also on Amazon Video for $8. (On DVD it's a bit more.)

www.amazon.com/101-Drum-Circle-Rhythms-Hand/dp/B006VT37W2/re414000714&sr=keywords=drum+circle+rhythms

If you're making a film - video game, or any other project? A live drum circle track might be just the vibe you need.

Check out iTunes CDBaby.com and listen to a few. There's a wide variety of cultures, styles, and tempos to choose from.

All of my drumming and drum circle music tracks are copyrighted, and licensed.

www.cdbaby.com/Artist/SLRatigan

Thanks, and keep on drumming!

#drum circle #drumming

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