legitimately insane how to some people, "we should wipe out this ethnic group that we've violently constrained to a ghetto because they're just genetically more violent and dangerous" is a reasonable and justifiable statement but it's Nazi Rhetoric to say something like, "it's bad that Israeli civilians are being killed but acknowledging that as tragic includes acknowledging that the almost daily state-sanctioned murder of civilians by the Israeli government is also tragic and unacceptable"
btw guys speaking of Nazi shit - can we check in, alongside what's been done to Palestinians in the last 75 years, what's the Israeli government's take on the Azerbaijani government's newest round of ethnic cleansing of Armenians? oh are the Israeli government's actions maybe not determined by Jewish identity, but by a commitment to colonial supremacy which puts them on the same page as other violently genocidal states like Azerbaijan, the US, and the UK? god can you Even Imagine?
(framing speaking against Israeli war crimes as inherently antisemitic requires understanding the Israeli state as representing all Jewish people, when it doesn't even represent all Israelis.
framing Israeli war crimes as synonymous with Jewish identity is pretty fucked up if we're being honest. I don't think that controlling water and power and movement for a captive population and shooting children dead for throwing stones is an inherent value of Judaism, any more than I think the torture carried out at Guantanamo Bay is an inherent value of Christianity - in both cases they're atrocities carried out by a far right genocidal government using religious identity as a shield.
Calling statements like "Israel is committing genocide against the people it's displaced" inherently antisemitic is doing more to further the idea that all Jewish people are associated with Israel than saying "the Israeli government is doing war crimes," which is a statement of fact about a country that exists and does war crimes. Is criticism of Israel as a nation often used as cover for antisemitism? Absolutely. Does that mean the Israeli government isn't doing literal war crimes repeatedly, on record, while talking publicly about scrubbing an ethnic group off the map? Uhhhhhhhhhhhhhhhhh well in the last 48 hours they've definitely cut off water and power to almost 600,000 civilians and allegedly used white phosphorus against civilians so in an extremely factual and unambiguous way yeah man those are Literal War Crimes whoever does them.)
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Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
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Maybe the reason I find hate crimes md and hilson so much more emotionally devastating vs spn and destiel is bc it has always been tragic and toxic.
Until the very very end, spn has hope and kindness and love at its beating heart core and it can be devastating, but it so rarely feels like it might be permanent. At no point does hate crimes md feel like any happiness or peace is permanent, it's just a brief moment where you think you've found a firm footing before it crumbles out from under you.
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