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#because french-isms you know
kingofthering · 2 years
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Pierre about Daniel (12/10/2022) : We’re super good friends. He’s a golden guy, a really super cool guy. Super simple, he doesn’t get bothered/worry about stuff, very humble. It’s sad to see his situation and what’s happening to him. He’s really an amazing pilot, he just had two complicated years with McLaren. Unfortunately there are chances that we won’t see him on the grid anymore, I hope for him… I’m not sure where things are now exactly, it’s kind of complicated to talk about that sort of things, contracts and everything. But there are chances that he won’t be here next year and it really sucks for him.
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Writing Advice #?: Don’t write out accents.
The Surface-Level Problem: It’s distracting at best, illegible at worst. 
The following passage from Sons and Lovers has never made a whit of sense to me:
“I ham, Walter, my lad,’ ’e says; ‘ta’e which on ’em ter’s a mind.’ An’ so I took one, an’ thanked ’im. I didn’t like ter shake it afore ’is eyes, but ’e says, ‘Tha’d better ma’e sure it’s a good un. An’ so, yer see, I knowed it was.’”
There’s almost certainly a point to that dialogue — plot, character, theme — but I could not figure out what the words were meant to be, and gave up on the book.  At a lesser extreme, most of Quincey’s lines from Dracula (“I know I ain’t good enough to regulate the fixin’s of your little shoes”) cause American readers to sputter into laughter, which isn’t ideal for a character who is supposed to be sweet and tragic.  Accents-written-out draw attention to mechanical qualities of the text.
Solution #1: Use indicators outside of the quote marks to describe how a character talks.  An Atlanta accent can be “drawling” and a London one “clipped”; a Princeton one can sound “stiff” and a Newark one “relaxed.”  Do they exaggerate their vowels more (North America) or their consonants more (U.K., north Africa)?  Do they sound happy, melodious, frustrated?
The Deeper Problem: It’s ignorant at best, and classist/racist/xenophobic at worst.
You pretty much never see authors writing out their own accents — to the person who has the accent, the words just sound like words.  It’s only when the accent is somehow “other” to the author that it gets written out.
And the accents that we consider “other” and “wrong” (even if no one ever uses those words, the decision to deliberately misspell words still conveys it) are pretty much never the ones from wealthy and educated parts of the country.  Instead, the accents with misspelled words and awkward inflection are those from other countries, from other social classes, from other ethnicities.  If your Maine characters speak normally and your Florida characters have grammatical errors, then you have conveyed what you consider to be correct and normal speech.  We know what J.K. Rowling thinks of French-accented English, because it’s dripping off of Fleur Delacour’s every line.
At the bizarre extreme, we see inappropriate application of North U.K. and South U.S.-isms to every uneducated and/or poor character ever to appear in fan fic.  When wanting to get across that Steve Rogers is a simple Brooklyn boy, MCU fans have him slip into “mustn’t” and “we is.”  When conveying that Robin 2.0 is raised poor in Newark, he uses “ain’t” and “y’all” and “din.”  Never mind that Iron Man is from Manhattan, or that Robin 3.0 is raised wealthy in Newark; neither of them ever gets a written-out accent.
Solution #2: A little word choice can go a long way, and a little research can go even further.  Listen carefully to the way people talk — on the bus, in a café, on unscripted YouTube — and write down their exact word choice.  “We good” literally means the same thing as “no thank you,” but one’s a lot more formal than the other.  “Ain’t” is a perfectly good synonym for “am not,” but not everyone will use it.
The Obscure Problem: It’s not even how people talk.
Look at how auto-transcription software messes up speaking styles, and it’s obvious that no one pronounces every spoken sound in every word that comes out of their mouth.  Consider how Americans say “you all right?”; 99% of us actually say something like “yait?”, using tone and head tilt to convey meaning.  Politicians speak very formally; friends at bars speak very informally.
An example: I’m from Baltimore, Maryland.  Unless I’m speaking to an American from Texas, in which case I’m from “Baltmore, Marlind.”  Unless I’m speaking to an American from Pennsylvania, in which case I’m from “Balmore, Marlin.”  If I’m speaking to a fellow Marylander, I’m of course from “Bamor.”  (If I’m speaking to a non-American, I’m of course from “Washington D.C.”)  Trying to capture every phoneme of change from moment to moment and setting to setting would be ridiculous; better just to say I inflect more when talking to people from outside my region.
When you write out an accent, you insert yourself, the writer, as an implied listener.  You inflict your value judgments and your linguistic ear on the reader, and you take away from the story.
Solution #3: When in doubt, just write the dialogue how you would talk.
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haitianhistory · 4 months
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On Haiti's 220th anniversary
Two hundred and twenty years ago, former slaves and free people of color accomplished the seemingly impossible: defeating one of the most formidable European armies of the day and establishing a new state where bondage, as it existed before 1791, would be forever abolished.
For those who have followed this blog since 2013, you know that I (admin A) have rarely allowed myself any sentimentality when discussing Haitian history. I have tried to present a nuanced portrait of Haiti’s past by addressing the weight of the many isms that have plagued its history (colonialism, racism, neoliberalism…) and by taking a critical look at the role of Haitian leaders throughout all these episodes.
Two hundred and twenty years after the unthinkable, Haiti finds itself without a president, grappling with what seems to be a permanent problem of armed gangs, little security, renewed multifaceted tensions with its Dominican neighbour, and on the brink of a new UN occupation through a Kenyan mission. The young woman who started this blog a decade ago would have said that there are little reasons for us as Haitians to celebrate—not because of a difficulty appreciating the great shoulders on which we stand, but because, at twenty-two years old, I didn’t believe in what I felt was useless romanticism binding us to a distorted past while also blinding us to the reality of the disastrous present.
Today, it’s not so much that I find much to rejoice in given the current state of affairs. It’s that I realize, what is the point of all this if there is no hope? Why this blog, why study the history of Haiti at all, why care about the country? For those of us with family there, why not temporarily send money in the hope of helping them relocate here, there, and anywhere except Haiti? Why not congratulate the complete erosion of Haitian sovereignty, as post-1986 Haiti, and especially Haiti of the last two decades, has shown so vividly the complete utter failure of its foreign-backed governing class?
I don’t know what hope is supposed to look like in this situation. Hope for what? Hope for a change under what conditions, under whose authority? On what would this hope be grounded? Perhaps, despite the best efforts of my twenty-two-year-old self, I am becoming as naive and sentimental as the people I silently criticized then...
Perhaps, however, I recognize that Haiti does matter. Even the most cynical among us would admit that there is something profoundly radical in breaking the bonds of slavery, in affirming that people of African descent could not be stripped of their humanity, that there is something poetic in saying “no” in the face of impressive odds. Newly independent Haiti did not live up to some of the promises of its complicated Revolution. The 1825 French imposition of an indemnity severely affected freshly formed Haiti (beyond the 19th century), but it does not excuse the incompetence of Haitian governments, then and now. Haiti could, may have, and I certainly hope, will change, will remember what 1804 ought to have meant.
Perhaps, especially for the people who currently live in Haiti, particularly the women of all ages who face the constant threats of sexual violence, Haiti has a responsibility to itself, to its unprecedented idealism, to all of us.
Given all these reasons, I find it necessary to maintain a guarded optimism, acknowledging that ideas hold significance and possess the potential to materialize into reality.
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kindlespark · 2 months
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The experience of being Chinese diaspora but only knowing English as a first language is universal and insane. I love that babel toys around with that feeling a lot.
Not to mention the feeling of both being ashamed of not knowing and also that weird feeling of offense that it's an expectation for you to know but then you're like wait- why do I feel offended that someone would think I would know Chinese and the answer IS racism - but it's also like do I have biases or embarrassment that one would think I know Chinese? That I'm Chinese, that I would fall into the stereotype of what they think of me. And then it's this horrific feeling of not wanting to be made fun of, but not wanting to be ashamed, and wanting to know it for legitimate cultural reasons, but not wanting to be pointed at as a spectacle if you do know it. And this is the insanity of living around mostly white folk.
There's a tragedy to being cut off from language that is so important to culture, and how much of that are you allowed to claim when you're made a stranger to it. And then it's an infinite loop of self doubt, awareness of racism, and insanity.
for sure! diaspora of colour face the kind of racialisation from both in our communities and out of them where our languages and our cultures/existences as poc are entwined. we're foreign. whereas european diaspora don't get the same judgment for not knowing french/german etc. but there also is privilege in living in an english-speaking country with your native language being english; poc with accents from their home countries are racialised significantly more
like all asian diaspora art majors i have a lot of old angsty writing about not belonging anywhere and not knowing my language and the shame and alienation that comes with it. im also diaspora of a diaspora; my parents are chinese-malaysian, and now we're in australia. it's easy to feel like a watered-down version of my cultures, or to feel like i'm made out of things that i am Not. not to even mention how being queer factors into that lmaoooo
for me it was easy to be like, if you have to spend time learning your own culture, is it really yours? but the answer is yes! like rereading my old writing makes me giggle a bit because since then i've spent more time with asian diaspora here, seeking out queer asian communities, reaching out to my family outside of australia, learning chinese. it's incredibly healing. in the scene where robin first meets ramy, babel captures that feeling of your walls going down when you meet another poc so unbelievably well. it's why i don't take the romanticism of it as a soulmate-ism on robin or ramy's part (even though it is also because they're gay). i've felt that feeling a thousand times! asian diasporic culture isn't any less authentic, it's its own thing. you're not alone anon!
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pollenallergie · 1 year
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Eddie-isms
Since the last set of miscellaneous best friend!Eddie headcanons I posted did so well, I figured I’d type up some more. :)
18+
do not interact if you’re under 18 years old!
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Eddie makes fun of you for being lactose intolerant. “Bunny, you can’t even digest ice cream correctly. It’s like god wanted you to live a joyless life.” <3
Eddie sneezes obnoxiously loud. He doesn’t really do it on purpose, he’s just a naturally loud sneezer. <3
Remember how I said Eddie loves naps? Yeah, if he gets bored with whatever he’s doing, he’ll just drag you back to the bedroom for an impromptu nap and you kind of just have to accept it. <3
Eddie will challenge you to a burping contest and he expects you to put in genuine effort every single time because “this is not a game, this is serious shit.” <3
Eddie takes periodic breaks from smoking and drinking to make sure that he doesn’t build up too high of a tolerance. During these breaks he simply replaces drugs with sugar, which is somehow worse. He’s like a hyper little kid on Halloween night. <3
Eddie still goes to a pediatrician/family medicine doctor and he gets very upset when they don’t offer him a lollipop and a sticker at the end of his appointment. “Why did I even show up? What’s the point in me even being here if they’re not gonna give me anything, jitterbug? I really fucking wanted that Gandalf sticker. This is horseshit.” <3
Eddie calls french toast “eggy-loaf.” No one knows where he got that name from, but he’s been calling it that for as long as you’ve known him. <3
Eddie’s gotten poison ivy way too many times to count. He got it on his dick twice in the summer of ‘84. Wayne laughed at him both times. <3
Most of the mugs in the Munsons’ collection are technically Wayne’s, but the Garfield mug? That’s 100% Eddie’s. He got it on a road trip with Wayne when he was ten and has heralded it as one of his most prized possessions ever since. Interestingly, when Eddie drinks coffee in the morning, he uses one of Wayne’s mugs because he refuses to use his special Garfield mug for anything other than hot cocoa and soup. One time you made the mistake of brewing Eddie some tea in his Garfield mug while he was sick. Of course, Eddie still drank the tea because he’s not wasteful, but he did so while glaring at you ceaselessly. <3
Eddie is a lighter thief… and a scrunchie thief… and a pencil thief… and a t-shirt thief. Basically anything that you own also belongs to Eddie and he will take it without warning. In his defense, he doesn’t mean to steal anything from you, he just borrows your stuff and forgets to give it back to you. <3
Eddie draws little sketches for you all the time. For example, he once drew you a picture of your favorite flower cradled in the bony hand of a skeleton; it was actually insanely good. However, instead of giving them to you like a normal person, he folds them into paper airplanes and throws them at you as hard as he can. <3
Eddie says “safety” every single time he farts. <3
Eddie almost always has a tiny piece of gravel caught in his shoe, it’s the bane of his existence. <3
Eddie is surprisingly strong (as we all know) and he uses that strength for nefarious purposes, like body slamming you onto the couch for no fucking reason; something he does almost daily. He always finishes this epic move by pinning you down and counting to three. Then he’ll spend the next two minutes celebrating his “victory.” <3
When Eddie gets really excited, he’ll grab your hand and squeeze it just a little too tight. He doesn’t even really mean to do that, or at least he doesn’t mean to squeeze quite so hard, but he can’t really contain himself when he gets all hyped up. <3
You’ve learned not to talk about how heavy/big you are around Eddie because he almost sees it as a challenge. “What, so you think I can’t pick you up? You think I can’t lift that much? You think I’m a whimp, huh?” He’ll then hoist you into the air just to prove a point. <3
Also, whenever you talk badly about yourself in front of him, he makes you say three things that you like about yourself off the top of your head. It’s a trick that you started using on him during the dark days of puberty and, honestly, you regret teaching it to him. <3
Eddie is insanely competitive when it comes to board games, especially Pictionary. <3
Eddie often randomly challenges you to thumb wars and, when you don’t accept, he pouts like a baby. <3
Whenever Eddie’s hands get cold, he’ll sneak up behind you and press them against your cheeks or the back of your neck just to shock you. <3
Eddie loves it when you torment him like he does to you because he thinks you look especially beautiful when you’re being ornery. <3
Eddie talks about you to the new Hellfire members as if you’re dead and not just away at college. “Our very own Hellfire queen, the beloved bearer of snacks, may her memory live on forever,” He declares theatrically. “Oh, damn, how’d she die?” One of the freshmen asks. Gareth sighs, “She’s not dead, Munson’s just a dweeb.” <3
He impersonates Yoda… like a lot, one could even say he does it a little too often. <3
“Grub, can you turn your music down a bit? I’m trying to study.” “Do or do not. There is no try.” “Eddie!” <3
Also slips into Shakespearean mode every now and then. <3
“Hey, grub, should I wear my hair up or down with this dress?” “To wear it up or to wear it down, that is the question.” “Dude, you’re such a dork.” <3
He’s tried to create a special friendship handshake for the two of you multiple times, but the problem is he makes them way too complicated so neither of you can remember them. <3
Any time you have ever worn a two piece swimsuit in front of him, he’s blown a raspberry on your tummy. He doesn’t do it to embarrass you or to make you feel insecure about your belly, quite the opposite, he likes your belly so much that he can’t suppress the primal urge to blow a raspberry on it every time he sees it. In his mind, it makes perfect sense, but, in yours, not so much. <3
Eddie physically cannot go twenty-four hours without seeing you or, at least, talking to you on the phone. <3
Eddie will take you and your friends to see a rom-com if you ask him too. If it’s good enough, he’ll even secretly enjoy it too. <3
Eddie actually really enjoys hanging out with you and your friends, so much so that he’ll forever be bitter about the fact that he’s not allowed to come to your group sleepovers. Of course, you want to invite him, but they typically take place at one of your friends houses and, given that he is a dude that’s attracted to women and that has the capacity to knock up the majority of your friend group, none of their parents are super fond of the idea of him spending the night with you guys. He gets it, obviously not everyone can be as forward thinking as your angel of a mom, but it still sucks nonetheless. </3
You try to make up for that by doing some of the same activities at your sleepovers with him; face masks, hair braiding, makeovers, taking the quizzes in your copy of this month’s issues of Cosmopolitan and Seventeen Magazine, etc. Honestly, Eddie has had to lie on so many of those goddamn quizzes, just so you wouldn’t find out that he’s hopelessly in love with you. <3
Eddie makes NPCs for his Hellfire campaigns that are inspired by you; it’s his way of including you in the campaigns while you’re away at college. He’ll even fill you in on how your NPCs are fairing in the campaigns every Friday over the phone after he gets home from the club’s meetings. <3
Eddie kinda uses Philby as his therapist. Whenever he’s had a hard day, he’ll take your dog on a long walk, talking through whatever’s on his mind all the while. You accidentally caught them in the midst of one of these therapy sessions once and Eddie’s face went beet red from embarrassment. <3
Eddie’s brain short-circuits every single time you boop his nose (which is often, because how could you not?). It’s like his reset button. He’ll just be rambling on and on about something, most likely either an upcoming campaign or a sick guitar riff he came up with the other day, and you’ll just give that sweet little nose of his a quick, audible boop and suddenly the words are dying on his tongue. His cheeks flush a sweet rosy hue and his mouth parts in an inaudible gasp. It’s a rare moment of speechlessness for him, as if that one affectionate touch was enough to halt his ever-racing thoughts. Unfortunately, the more often you boop his nose, the more quickly he begins to recover, but that initial moment of quiet shock never fully goes away. <3
When Eddie was a kid, he couldn’t keep a secret to save his life. The holiday season was always so stressful for him because he constantly had to fight the urge to tell people what he’d made for them. In fact, back then, you all frequently received your presents from him weeks before Christmas because, as soon as he would finish making them, he’d get so excited to give them to you that he just couldn’t wait. <3
Now that he’s older, Eddie’s gotten way too good at keeping secrets… for the most part. If someone confides in him about something serious or wholly private in nature, then he’ll take that shit to the grave with him, won’t tell a single soul about it. However, when it comes to less severe secrets, Eddie tends to make an exception, at least for you. Case in point, you know about all of the Hellfire boys’ crushes simply because Eddie cannot keep his big mouth shut. <3
Eddie has this general disposition about him that just makes it so easy to confide in him and many of his customers frequently take advantage of that, venting to him about their shitty parents or opening up to him about whatever’s stressing them out. He always listens to them attentively and without judgment, and, occasionally, he’ll even offer them some genuinely good advice. Truthfully, Eddie gives great advice, the problem is that he often doesn’t follow this advice himself. <3
Eddie writes poetry and, sometimes, he’ll even read his poems to you, but only the ones that he’s really confident in and that, importantly, are not about you. <3
Eddie’s not worried about being stuck in the friend zone, mostly because he’s worried about a second, worse thing: the brother zone. Due to how close your families are and how long you’ve known each other, Eddie worries that you see him as nothing more than a brotherly figure and the thought of that kills him because is it even possible to get out of the brother zone?? The way Eddie sees it, at least the friend zone might, maybe have the potential for future upward mobility. The brother zone, however, might as well be a limitless vat of swiftly drying cement, because once you’re there, you’re there for life. </3
Given how close Eddie and your mom are, she’s told him many times that, if he’s comfortable with it, he can call her mom. However, Eddie refuses to do that. Not because he’s uncomfortable with it, but because he refuses to do anything to further increase his chances of ending up in the goddamn brother zone. </3
He’s irrationally afraid of ladybugs. Whenever one lands near him, he freaks out, much like most people do when wasps start buzzing around them. Unlike most people, he’s not too bothered by wasps, just ladybugs. Fuck ladybugs. <3
Eddie really enjoys baths, but his trailer doesn’t have a tub, so your mom lets him use the one in her trailer while she’s at work. He’d spend all day there if he could. However, he also gets really lonely, so he forces you to sit just outside the bathroom, talking to him through the closed door. <3
He also gets lonely while he poops, but he feels like asking you to sit on the other side of the door to talk to him while he poops is just a tad too intimate, so, while the two of you are still just friends, he’ll make do with reading the ingredients on your shampoo bottle. But if (when) the two of you ever start dating, that shit will be fair game (pun intended?). <3
Eddie likes to play footsie with you whenever you’re sat across from each other at a table. It doesn’t matter if the two of you are eating at your favorite diner, reading books at the public library, or simply sitting across from each other at the kitchen table, sipping on some coffee, the man will initiate it anywhere. This is also to his detriment, though, because it means that he ends up with a lot of awkward boners in public places. Oopsie. <3
He likes letting you do his makeup and paint his nails. Really, the man will take any opportunity for you to dote on him. <3
He secretly loves it when you call him Eddie Bear or Teddy, but he’ll never tell you that. <3
He spends way too much time looking at you, studying and admiring all the features that make up your pretty face. How you fail to notice his incessant staring is beyond him. <3
Eddie very much enjoys clinging onto you like a sloth. Oddly enough, he kinda wishes that he could go eight days without needing to poop or eat, like sloths can, just so he could get to really maximize the amount of time that he gets to hold you. <3
Eddie’s weird, really weird. Adorable and unexpectedly charming, but also weird. He worries that he’s off-putting, but your mom tells him that he’s just eccentric and that the right person will like that about him. He hopes that person is you. <3
He’s kind of obsessed with you; talks about you all the time, craves your attention 24/7, would do anything for you, etc. Just as Eddie used to say when he was little, he loves you long time. <3
Eddie Munson is the biggest hopeless romantic on this side of the Mississippi River. <3
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slocumjoe · 9 months
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Do you have any grab-bag headcanons for the companions? (SFW or NSFW, whatever you're in teh mood for!)
COMPANION HEADCANON SAMPLE PLATTER PART 4 I THINK??
Cait; Actually pretty mellow as a person, like, down to her bones, she's...not quite laid back, but she isn't as hotheaded or firey as people think. Trauma and addiction will give you that reputation, though. Once she's off the chems, eased up on the booze, and gotten herself to a healthier place all around, Cait is more like your friend's older, alternative sister in college who buys you Pizza Hut for your sleepovers, than a loudmouth riot girl. It surprises Cait, too. She's got her own way of looking out for people, but once she's got your back, you know it.
Codsworth; functions as a stand-in secretary for the mayor of Sanctuary that is the Sole Survivor. Most people report or complain to him, if not Sturges or Preston. He has a better, less fallible memory, and has a knack for managing things on his own. Sure, sometimes "managing things on his own" means getting a group to fix the water system, sometimes it means personally torching a band of raiders scoping out the outskirts of town. He gets things done. Keeps meticulous record of anything he's told and anything he does "on the clock."
Curie; absolutely loathes working with Wasteland doctors. Very rarely do they stand up to her high, high standards. They have no degrees—understandable, there are no colleges anymore. They don't wash their hands. They don't have basic understanding of anatomy. They don't know what goes in the simplest medicine. Her greatest pet peeve is the more...superstitious healers. If you hold up a rock and say it fixes bones, Curie won't cuss you out, but you'll think for a moment, she just might. Her usual method of handling is to simply guide and educate where she can. But if the week has been full of people just sticking needles in places and praying, her nerves get shot to shit.
Danse; if you end up in a settlement, and Danse goes missing for a bit, just follow the sound of kids. He always attracts kids, drawn to his power armor. Sometimes they just want to watch it move, sometimes they have questions. Usually they want to be picked up. Danse is too soft to say no. He can end up stuck in a loop of playing with local kids, telling the child-friendly stories he has, maybe giving them some pointers with firearms or how to take down a wasteland monster. If you have to pull him way, his puppy eyes are sadder than any of the kids'. Always wanted to have a small family of his own, but resigned to the fact that he'd never have one.
Deacon; Polyglot, but can't speak any language beyond English. He can read other languages, though. Spanish and German are his strongest. This happened largely because his small school growing up had to use books that weren't wholly English. Things just spiraled from there. He can understand a few other languages, but speaking himself...he makes Curie cry with his French. As for his Italian, if he took out some of the, for lack of better word, Mario-isms, he'd be able to hold a conversation with Nick. As things stand, Nick starts hitting him with the fedora until he stops butchering the language.
Gage; really good with kids, though most take one look at him and see a monster. He tends to draw younger adults, fresh off their farm and new in the frying pan that is raider-dom. He usually tells them to go the fuck back home. Most of them aren't cut out for it. They're there because they're scared, they're hungry. They're angry. They want, want, want. Those kinds don't last. Once they're fed, they get the first payout, they get their first kill, they've had enough and want to go home. And Gage, he does get them back home, if they don't listen the first time. You tried. You saw what this life was like. You're still a kid. Go back home, don't tell your ma and pa what you did, and if you see anyone you just worked with, shoot to kill. He doesn't know why he does it. Why he lets them go.
Hancock; Could have been a championship chess player in another life, chems or not. He's smart as shit, quick on his feet, and can read someone's game before they even set it up. He learned to play chess from his neighbor in DC, an older Ghoul gentleman everyone just called Bubblegum. Bubs got his name for always having bubblegum on him, and giving pieces to whoever beat him or just improved at chess. Hancock liked gum, and his parents didn't allow it. So, he was always playing against Bubs after school, hoping to either win, or at least impress the guy enough to get another piece of candy. Bubblegum moved west after the Ghoul exile, but Hancock likes teaching the few young'uns of Goodneighbor chess and any other tricks he knows. If they catch on, they get a gum.
MacCready; Actually a rather quiet, withdrawn person. People he likes/gets close to tend to think of him as more extroverted, more of a rowdy young man like you'd think. Nope. He gets that way once he's really comfortable with someone. If he's not...doesn't talk much. If it's business, he's a bit more sociable, but Mac isn't the type to, say, chat at the bar with strangers, or make small talk with a shop owner. It's a mix of shyness and his more brusque side. If he sticks around one place, he'll open up, and such is the case with Goodneighbor, but if they remember him at all, majority of people will remember thinking he was mute.
Nick; Was a theater kid. The moment he could go into theater at school, he did, and it consumed his teenage years. His favorite play to perform was Hamlet, obviously, and even at a young age, he had a strong voice, so he was often the titular character. This gave him a complex. You don't recite Poe unprovoked without being a little bit pretensious. Aside from the Theater Kid Ego, Nick was different from his peers in that he lacked mental illness (it would come later). Half of his negotiation and de-escalation skills were honed to a fine point, trying to keep Heather and Back Up Veronica #4 from trying to method-act. Nick would later stare down gun barrels and feel less fear.
Piper; Potentially suffers from arthritis, or will in the future. It could be from overworking her hands from writing, or fiddling with her printing press, but the first knuckles on her hands and her wrist joints ache frequently. The pain varies, but putting pressure on her hands usually helps, hence her fondness for fingerless gloves. She wears them a bit too small for the pressure. Piper can always tell when its about to rain or radstorm, because her hands flare up. She jokes that its a superpower, but suffers from anxiety about potentially struggling to use her hands, if she gets older.
Preston; there are few ways to really aggravate Preston, but if you wanna, restrain any limb in any capacity, or touch him from behind or to the side. Y'know how people will sometimes grab another's arm, like, while laughing, but quickly let go and not mean much by it? Preston hates it. He doesn't like any limb being pushed down or held back. As for the touching from behind, he's a bit like a horse. Approach from the front and telegraph the movement. If you try to hug him from behind, or read over his shoulder, God forbid lean on it, you're cruising for an elbow to the crotch. He doesn't mean to, it's just muscle memory, instinct.
X6-88; nosy bitch. He wants to know everything about everyone, and will shamelessly and explicitly poke and prod to get the information. This man will ask pointed questions about your husband that you don't want to answer, not just because it's X6 and you don't know him, but because you don't want to know the answer. He's that kind of person. Oh, you complain about your child? Well, why did you have one? Didn't want an abortion? Kept it for the husband? Well, do you like your husband? No? Did he even want kids? Also no? So, why did you have a kid? Sometimes, X6 isn't even trying to be deliberately confrontational, like a therapist from hell. He has moment of honest, if not overzealous, curiosity. But most of the time, he's just throwing shit in your face.
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iantimony · 2 months
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BIG tuesday
i skipped last tuesday because i was working on a take-home exam and simply did not have the time nor the inclination, so: beefy tuesdaypost today!
listening: my brother recommended 'dead magic' by anna von hausswolff and boy what an album. gothic, punchy, very vibey. the kind of album you let wash over you like an ocean wave.
pulled 'mostly kosher' from my to-listen list. fun, funky, very jewish, good vibes. ikh hob dikh tsufil lib
i've continued to mainline borodin symphonies 1 & 2. idk they're just hitting right.
and the new pieces for the orchestra i'm in - very french this time round: debussy's fêtes: kinda spooky and ominous and also fluid in a fun way! lots of buildup that seems to resolve into nothingness. horn parts for this are pretty good, not too difficult but are definitely Heard. chabrier's españa: really bumpin horn parts. fun bouncy motifs. what's not to like.
pocasting-wise, i'm up to partizan 38. 10 episodes left!!! the home stretch!!!!! it's so good but things are definitely amping up in the end-of-fatt-season way.
i've also listened to my friend b's gotham tv show podcast 'jim gordon must die'. very good and funny. i laughed out loud at some of the episode 3 descriptions.
reading: i was stuck in Bad Airport Times this past saturday (flight delayed 3 hours, then sat for an hour on the tarmac, arrived at 10pm when i was originally supposed to arrive at like 630) so i blasted through all ~150k words of 'freefall' by Kunoichi21 and xoTsundoku. bog-standard mafia au, but with a fun little circus arts twist; fun background fengqing; i do not like that they made beefleaf wholesome. give me my toxic beefleaf god damn it. but otherwise it was a fun read, sappy romcom-style. the fic itself isn't quite done but it's in endgame. the author notes have peak fanfic culture energy of "hey guys! sorry i didn't update, i started nursing school and my dad died" bro .... ;___; goddamn. please take care of urselves
watching: we are almost done with kill la kill! last two eps!!! so tonight we're doing that and also watching last week's dunmeshi together.
friend and i finished comrade detective. incredible. no notes. so funny. we started 'endeavour' which is a detective morse prequel thing and goddd the british-isms, and also started serial experiments lain. i don't know what i was expecting but god it was not this. i literally thought this was a cute fun hacker mystery show in the energy of cowboy bebop. it is Not That. not even close. it's good though i'm enjoying it. currently staggering through life going uhhhhh like lain does in the first few eps.
playing: fallow. i am re-installing disco elysium on my computer though. ive been wondering if i should try to keep going on the save file from last year or if i should just start over because i barely got in there at all.
making: many things. pottery!! some good some not as good.
so this design came out SO nice but the underglaze is so gd streaky! i hate it !!! i don't think it's really fixable either, i tried the hairspray trick to put new solid glaze over top the inside so at least that would look less like shit but i could not get it to work. maybe sanding it down? idk. it's ugly. it was supposed to be a bright teal but the woman who runs the studio mixed the batch up wrong so it's like. a really drab gray and not in a fun or intentional way. idk.
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some new bisque:
teacups came out! still mismatched but cute nonetheless! gonna do them in a sort of celadon-type color with white flowers to match the teapot that my SO has :)
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i don't feel like adding more photos for these lol they're very boring. the pot for my mom came out fine i think. gonna go in with normal white glaze over top to paint in some trees or other botanical designs. i sponged the underglaze on so hopefully the final result won't be streaky. sponged red on my seder plate to hopefully accomplish the same thing. mugs came through the bisque with no issues but i didn't do anything fun with underglaze on one of them so no new pics of that, but the other i did this tree thing again:
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i KNOW it'll be streaky as hell. i just know. so i'm considering how i want to do it. perhaps putting some slightly transparent green over the top of it all to meld it together? unsure.
some new stuff: made a citrus juicer, this was attempt number 2 and just barely got it to work, attempt 1 was a total disaster. also made another mug type object, hopefully it'll still be wet enough this weekend to slap a handle on.
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two mugs with red clay, i really loved the lascaux mugs that jessica bartram put up for sale last year but i didnt snag one in time so i was like. fuck it. i will make my own. gonna let them dry to leather hard before going in with black underglaze.
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i've been trying to draw again but. idk. i just feel very uninspired. i start drawing and it's like :| :| :|
eating: i was on my own food-wise for much of the last week because my roommate was babysitting for the rabbi, so i did not eat nearly as extravagantly as i normally do, LOL. i made a lo mein recipe that was kinda just a stir fry. this could have been my fault because i added a bunch of extra shit like bok choy and mushrooms. i also didn't use the correct type of noodle, and i didnt have oyster sauce so i used worcestershire, etc. many substitutions so it's probably not fair for me to say it was Just Fine. will have to try again at some later date actually following the recipe. herb and radish salad with feta and walnuts: delicious. 10/10. i tossed in some extra arugula and that was also good. and i made the tofu brussel sprouts tahini/hoisin sauce thing again because it's easy and tasty.
misc: visiting my grandma right now ...... entrenched in the ennui .............. spring break ........................
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trulybetty · 7 months
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oct' 07 x chestnuts
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Prompt: chestnuts Pairing: Dieter Bravo x Bryony Morgan (OFC) Word Count: 982 Warnings: un-beta'd is the name of the game, barely a mention of the prompt, unabashed hippo content with a touch of spice with the mention of oral sex (f receiving) Summary: no clue how we started at chestnuts, through to hippos, but here we are - I just love these two
x. masterlist
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Dieter's office was a paradox in every sense of the word—meticulously disorganized, both casual and sophisticated. A space Bryony had always suspected he rarely worked in, yet one that seemed to capture the essence of him so completely that you couldn't help but think it was an extension of his personality.
Bifold doors filled the back wall of the room that looked out to the garden behind his desk. Built in bookcases framed both sides of the room, all filled with various trinkets outlining both Dieter’s career and interests. His Oscar for ‘Hunger Strike’ stood amongst the trove, topped with a knitted hat Cricket had made a couple Christmases ago. The walls were adorned with paintings of Dieter’s own creations, framed and hung with care by Bryony.
“Conkers.”
“Con-kas?” Dieter repeated, a poor imitation of Bryony’s accent which earned him a pointed stare, “is this one of your weird British-ism things?”
Bryony shot him another glare, “It’s not weird, and it’s legit what they’re called.” she insisted, glancing at a ceramic hippo paperweight on his desk as if to imply that he was no stranger to 'weird.'
“Chestnuts.” Dieter countered.
“Conkers” Bryony reaffirmed, her eyes momentarily landing on the Oscar statue. Despite the hat, it looked oddly dignified.
Dieter chuckled, ripping the foil of a KitKat with a satisfying tear. “And they say I’m the one in this relationship that’s off balance.” 
“Well you are the man who is eating a KitKat, that he had my mother send him from the UK because they taste better than the American ones.” Bryony shot back, smirking as she looked over at the bookshelf nearest the sectional she was lounging on, it was filled with scripts, a mixture of fiction and nonfiction, and, of course, more hippos.
“Because they are,” Dieter said, defending his KitKat as if it were a point of honour. He snapped off a piece, biting into it with a satisfied grin.
“I know,” Bryony smirked.
“Châtaignes,” Dieter pronounced carefully, his mouth full of chocolate and wafer.
“Huh?” Bryony blinked, puzzled.
“Châtaignes,” he repeated again once he’d finished eating, “chestnuts in French, because I know it’s going to be your next question.”
Bryony smiled, because it was going to be her next question - she could listen to the man talk French, and he did at length, all day. He’d perfected his French lilt over the years since he started learning at twelve thinking it would help him with girls. 
His parents, European immigrants to the States well before Dieter was born, had long shed their own individual languages when they’d moved continents in an effort to assimilate to their new home. Though his relationship with his parents taut, he had a distinct memory of his mother talking about a French man who had courted her before his father came along. She still had romantic notions about the man decades later and owed it in part to the language he would speak which left a lasting impression on a young Dieter.
Bryony shook her head, amused. “You're insufferable.”
“And yet you suffer me,” Dieter replied with a cocky grin.
She glanced at the other trinkets around the room, particularly the hippo memorabilia. “Fiona still your muse?”
“My pride and joy,” he said, looking at the framed picture, signed in a childish scrawl as if the six-year-old hippo from Cincinnati Zoo had autographed it herself. “You know, they sent me a video update just last week. She's growing so beautifully.”
“You're the only adult I know who gets this excited about a hippo,” Bryony chuckled, amused.
“Jealous much?” Dieter waggled his brows, standing up to lean against the edge of his antique, walnut desk, which Bryony suspected had never seen a single day's work.
“Jealous of Fiona?” Bryony quirked an eyebrow. “No, although I wish I could get as much attention for just existing.”
“You don't need to be a cute hippo to get my attention,” Dieter said, the playful tone in his voice shifting ever so slightly towards sincere. “You've always had it.”
Bryony felt a warmth in her cheeks but chose to keep the atmosphere light. “Well, as long as I rank higher than a KitKat on your list of priorities, I think we're good.”
“You're definitely higher than a KitKat,” Dieter said, “but let's not get into dangerous territory by discussing where you stand in relation to Fiona.”
“Ah, so it's like that, is it?” She smirked, as she sat up on the sofa..
Dieter took another bite of his KitKat, savoring it. “Mmm, it's exactly like that.”
“This room is a trip, you know.” Bryony tapped the glass top of the surprisingly large coffee table as if to emphasize her point. It was held up by a bronze hippo with its baby underneath, “Only you could make this collection work.”
“You think it works?” He looked genuinely pleased.
“Absolutely. It's you, distilled into a room.”
Dieter chuckled and put down the remains of his KitKat, reaching his hand down to help Bryony stand from the sofa, “Speaking of things that work, I think it's worth noting that you fit pretty well into all of this, don't you think?”
She looked up at him, caught a bit off guard by the sudden change of tone as his arms wrapped around her waist.
Dieter eyed the obnoxious coffee table with a sly raise of his eyebrow, “No, Dieter.”
“What?”
“I’m not having sex with you on that thing.”
“I didn’t say have sex, in fact I didn’t say anything.”
“Dieter I know you better than you know yourself.”
“Well then Daff,” Dieter purred and before Bryony could protest found herself being lowered onto the glass table, the cold sting of the glass quickly replaced by the warmth of Dieter’s hands pushing up the oversized t-shirt she was wearing, the only thing she was wearing. “How about I reacquaint myself with you then?”
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belle-keys · 6 months
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I read your opinions about swordcatcher and I was curious about what you consider to be the light borrowing of tlh.
I see bits and pieces of both Grace and Cordelia on Antonetta (good god how I hate this name, I know it's a real name but it doesn't sound like one, why couldn't it be antonella? Idc it rhymes with salmonella, it still sounds more legit), and lady alleyne is sona and Tatiana's love child.There is also the matter of marakand being their equivalent of Persia and Conor and Kel (allegedly) being half Persian, but if I'm being honest I see this more as Cc having the opportunity to express her love for Iran than with tlh specifically. Cordelia and Alastair were white and French originally, after all. Besides that tho none of what I like to call "elements of a cc book" present in sw are really a prerogative of tlh.
I would even argue that it was a smart move on cc's part to bring them on this new universe.As much as she may want to cement herself as name on adult high fantasy, she's not starting from scratch and it is to her advantage to endear her enormous fan base, many of whom grew up with her books and now are adults themselves, to this new world by bringing familiar elements into it.
I would also argue that she repeats them not out of a lack of creativity, this rich new worldbuilding is proof that she has that to spare, but rather bc at this point she knows her public and what appeals to them.It may be controversial, but I think Tda is her least liked series precisely bc it lacks some of those tropes and subverts others
When I said “light borrowing”, I actually was just trying to be sarcastic in my original review, but I would now rather say that Cassie very heavily borrowed from not just TLH but the other TSC books. And Kel and Conor allegedly being half-Persian is the last thing that even crossed my mind when I thought of this.
Lin is so very much Cordelia personality-wise in my opinion. Shy girl looking for a sense of empowerment and independence in a male-dominated place. Dips her toes into high society/court and recoils from it. Does a public sexy dance as a means of embracing her sexuality and femininity even though the sensual element from her personality is very much repressed in the name of female propriety in regular daily life. Red hair. Fairly oblivious. Quite sheltered from society’s depravity.
I would also argue that Kel and Conor’s relationship is just James and Matthew’s relationship but on opioids laced with fentanyl. We have the more serious, obvious, trusting main character and his hedonistic, secretive, higher ranking best friend who is absolutely keeping things from him and vice-versa. Kel is the ground to Conor’s sky and whatnot. They love each other but miscommunication and, gasp, a girl is driving a wedge between them. Kel regularly has to slap sense into an inebriated, flirtatious Conor who can’t get his priorities straight. Sounds a little familiar!
Antonetta is very much aligned with Grace’s character as well. Pretty, dainty, blonde character who knows way more than she lets on to people and with an overbearing mother who has spent her life grooming Antonetta for high society and entrapping powerful men into marriage with her. Of course the simple boy at court (Kel) is obsessed with her.
I have a few more minor examples, but all in all I think I’d take the opposite view of yours in that Cassie gives 110% to worldbuilding and story arcs and layered plot and as a result, she uses up a lot of her energy and spark and focus when it comes to fleshing out her protagonists. Don’t take this post as hate towards Sword Catcher or anything - I loved it. I gave it four stars, and I didn’t minus any stars whatsoever because of the Cassie-isms I detected. But I think she needs to diversify a little more when it comes to character development, that’s all!
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art-thropologist · 10 months
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19/7/23
Volunteering at an event at the ISM about global cultures and stuff. I’m at a table where you try to match the word for hello to the language. I learned something today: I know how to say hello in 18 languages. I don’t know where I learned half of these because I’m only fluent in two (English French) and literate in another two (Hebrew Spanish)
English
Spanish
French
German
Italian
Mandarin
Japanese
Arabic
Hebrew
Hindi
Swahili
Hawaiian
Ojibwe
Lakota
Russian
Nahuatl
Mando’a
Roman Latin
I also learned that Indianapolis has a Mexican consulate. They had the table next to mine. Nice guys. Gave me some free language learning books and an atlas.
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jadedaceofspades · 1 year
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So, Dave is truly a fucking delusion piece of trash ... AND I HAVE PROOF!!
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{had to take two screenshots because boy is this asshole long winded}
First thing I'm gonna point out is the "I don't care about other cultures, they didn't build the west, their beliefs and cultural views hold no sway, this is just post modern relativism you're engaging in", AKA, I think being a Christian is more superior. Like... hmm..
And I love the "we shouldn't teach sex education to children." Children need to AT LEAST know the technical terms of their body parts when cases arise that involve CSEM. There is literally NOTHING sexual about that and if you believe it is, then YOU are the predator here.
"State schools mind you where a majority of child abuse occurs" Umm, what? I would like for you, Dave, to read into some more well-known child death cases and tell me that is was the school, not the parents, who were the problem. Go ahead... I'll wait.
"Gender Theory is literally a branch of sexology invented by John Money, but really began with French Philosophers after WWII, the main one being Simone de Beauvoir. This is all easily researchable information." Hmmm... I did some research Dave. Just a quick Google search. And I-oop... https://en.wikipedia.org/wiki/Gender_studies; Like, I know it's a wikipedia article but NOTHING you said lines up... like... at all. Weird, huh?
"No, nothing I believe in is Grooming, that's a behavior, an action. Now, you wanting kids to be exposed to porn, sexual imagery, naked adults, be taught Gender Theory etc etc and expect no one to question any of it lest they be labeled with your select phobia or ism, are the actions of a groomer. Don't know why I'm explaining this to a Pedo, but here we are." Again... if your immediate thought when it comes to talking about gender is a child's private parts, that's fucking creepy dude...
All of this is fucking YIKES, Dave. And the fact that you want to sit here and be like "I know what I'm talking about" when some of the shit you're talking about are lived experiences and you've not lived them as a cis, straight man and the other things you're talking about are things you found on websites like Reddit and 4chan.
Get a better hobby than pulling shit out of your ass and arguing about it, Dave.
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I'm literally like Jesus in this picture, seeing what you write half the time, Dave. Bombastic side-eye, Dave.
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kuuyandere · 2 years
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do you know any other languages?
What’s your favorite movie and tv show?
What pisses you off the most that isn’t related to your darling?
Favorite song at the moment?
🌾
Thank you for the questions, these are very interesting! It gets long, so there is more under the cut.
I know some conversational French and the barest amount of Mandarin and Cantonese, although I am illiterate in the last two.
Favorite movie and TV show is a difficult one for me to answer as I tend to get heavily involved in fandom culture, and picking just one feels like I am betraying the others. But one movie I rewatch every so often is the 2004 Andrew Lloyd Webber film for The Phantom of the Opera. A great deal of it is problematic with questionable choices (I do prefer the Charles Dance version of Erik and a more spunky Christine), but I love the music, costuming, and set design. I watched it for the first time when I was young and impressionable in late elementary school (which may explain a few things if you are familiar with the plot), so watching it now and playfully insulting it with a metaphorical wine glass in hand is like coming back to an old friend.
A TV show I am currently in the middle of is Neil Gaiman's The Sandman, which I've thoroughly enjoyed so far. I like Gaiman's writing in general, and I read most of the comics for it (I've been meaning to finish the series the next time I hit a library or Barnes and Noble). I also finished the first season of High Rise Invasion a while ago, which I liked as well. I haven't read the manga yet, but I have a soft spot for the English VA for Sniper Mask and have been thinking about cosplaying his character.
I suppose the things that piss me off the most are a majority of the -isms: racism, sexism, classism, heterosexism/homophobia, for example. Systems of oppression are so ingrained into social norms that many people don't realize or care that what they are saying is both hurtful and damaging. I hear how some guys talk to each other about their girlfriends and say the most fucked up shit. Even if I call them out on it (which is not really my place, I know), they have the audacity to look at me like I'm the crazy one. It makes me want to punch their fucking faces in. Perhaps it is mainly because I have a younger sister and my beloved has had many negative experiences with that, but those sorts of things really try my patience and my ability to resist committing homicide.
My favorite song at the moment would probably be "Red Lights" by Stray Kids' Bang Chan and Hyunjin. The music video is very... sensual, to say the least.
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fritalianblr · 3 months
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Festival du Court-Métrage de Clermont-Ferrand
In my city (where I currently live for my studies), every year there's a famous and renowed Short Film Fest. I wanted to make you a post about it before it started but... yeah, life and studies, you know ? So instead of just forgeting about it for a whole year again and missing the deadline again, I guess I should talk about it right now !
Long post, please open 💙​
This Short Film Fest takes place in Clermont-Ferrand, Puy-de-Dôme, France, every first week of February, and in 2024, the 74th edition took place. The first edition was made on 1982 by the non-profit organisation "Sauve qui peut le Court-métrage" (Who can save the short film).
If it was to be briefly introduced, during a whole week (from saturday to saturday included) there are multiples programs of short films, divided into 3 big categories : the competitions (national, international and labo/experimental), the short film market where profesionnals can discover short films from all around the world to buy them, and other programs that have specific themes which are generally meant for a larger audience.
The festival is growing stronger and stronger, with so many visitors now that you can get refused at the entrance of the projections rooms (full room for many programs !). There are also lectures, expositions and worshops around short film(ing) during the week.
An example of 2 days of this year's edition's program :
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29 programs, 10 projection rooms with up to 7 screenings per room per day ! It's really intense and if you want to see a maximum of the programs, you got to take a paid leave or be retired. And there are people who take days or even the full week to be able to see the programs.
Also, as you can see on the planning, some programs have a number next to them. That's because there's a medium of 5-6 short film per screening so some programs got many different screenings to show every shortfilm ! An example below with the "Insoumises" (INS) program that I went to see and liked a lot. There are 4 different screenings possible around this theme.
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The Competitions programs got so many screenings it's huge. National Competition (F) got 10 different screenings, so around 60 competitors. Internation competition (I) got 12 different screenings (huge !).
Okay, enough with the numbers and introducing, let's get to the interesting part : the short films !!!
I was able to watch 5 screenings : INSOUMISES 2, INSOUMISES 3, EUR♀ VISIONS 2, BLOODY and DECIBELLES. And... some of the short films are available online (on YouTube usually) so lemme share those to you ! If you want to see another short film from this year's catalog or from a former edition of the Festival, try typing the title of the short + the director on Youtube and see if you can find it ;)
Most of them have been subtitled in english and not all of them are french. There are short film from all around the world :) It's possible they're not subtitled on YouTube though.
INSOUMISES
These ones are about rebels ! Women rebels ! They defy the norms, the patriarchy and was is expected of them.
Content Warning : violence, sexism, sexual assault (usually mention only), rape (usually mention only)
H24 - 12h : Le Cri Défendu - link (this one is part of a series made by the franco-german channel Arte and is really great. LOTS OF CW FOR THESE, it's hard [make your cisdude friends watch, though])
Quebramar (Brise-lames) - link (about lesbian[ism] and community)
End-O - link (about endometriosis, CW FOOD)
Beach Flags - link (about Iranian women, competitive sport, emancipation)
DÉCIB'ELLES
This program is usually "Décibels" but since this year is about women, it's been feminized with a final "elles". It's about music so there are lots of music video clips.
M.I.A. - Bad Girls - link
Kim Gordon - Hungry Baby - link
Chai - Neo Kawaii, k ? - link
L'impératrice - Peur des filles - link (CW GORE and BLOOD but it's mostly very funny - you can see it's made up)
Pussy Riot - Putin will teach you how to love - link (CW violence, but well, it's the Pussy Riot from Russia)
BLOODY GIRLS
⚠️​ WARNING IT'S ABOUT TO GET BLOOODY !!! Horror, violence, blood, a little bit gore are there. NOT RECOMMENDED FOR PEOPLE UNDER 16 !
Horror short movies with women protagonists ready to get bloody !
The Robbery - link (CW violence, drug, weapons, wounds)
Stuck - link (CW voyeurism, sexual predator, body horror/beaten up body, to reassure you, the last cw is for the predator 😈​)
Snake Dick - link (CW SNAKE, weapons, sexual harassment)
And that's it for the ones I could find on the web ! Maybe I've missed some, it's possible. If you have questions about the Festival, the short films, want a translation or anything, ask me !
The official website of the Festival du Court-Métrage : https://clermont-filmfest.org/ (french) - https://clermont-filmfest.org/en/global/home/ (english)
Hit me up if you have a question ! Maybe I'll try and do individual posts for some of the short films (the ones in french) with some vocabulary, word plays or cultural stuff, but that won't be soon.
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expendablemudge · 7 months
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FIXING FRANCE: How to Repair a Broken Republic, less how-to than why-should
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More a why-should than a how-to. Author Ramdani goes through the laundry list of increasing right-wing populist horrors that the country's indulging its worst self by celebrating. She shares her very low opinion of the pantouflard Macron. She cites her own experiences and journalism, she sources a lot, but not all, her asseverations about the French Fifth Republic in her "Notes" section. A lot of "everybody knows"ism is present; the right-wing's angry voices are referred to as "{like} Presidents, they are almost always white males" and then in the next sentence, she says "{s}tated facts are scant"! Accusing your enemy of your own sin. Marine Le Pen's public schism from her Nazi-collabortating anti-semite father is treated as political theater without linking to or performing substantive analyses demonatrating it as such, for another example. This is probably true but you're writing a book advocating the disestablishment of the Fifth Republic in it sixty-fifth year, when it's one of the cornerstones of the EU and multiple supranational alliances. You need to go the extra mile with such a proposition.
I'm aware of flaws and inconsistencies in a book, in general, I agree with. I'm aware also of the genuine value proposition the book represents. Most US readers are not aware of how very new France's current government is; they have the same illusion of ancient permanence about their own. No structure of government is, or should be, permanent; that illusion is perpetuated by those who despise and fear We-The-People, because the idea of changing governments is threatening to their control of society's attention.
So, in my opinion, read this book to follow the author's poiting finger, and attend to her argument's substance, not sources. These could be more complete. The argument for a better, more just, more inclusive France, however, is in and of itself convincing and deserves close and attentive reading here in the US.
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bootlegmozart · 8 months
Text
god i fucking hate when people breed animals and they look like such inbred genetic rejects that it should be considered animal abuse to have one.
yes yes i know eugenics is bad, but these are animals bred for profit, not humans bred for whatever fascist dipshits want. nothing should be bred period. we have enough homeless people and homeless animals. let's take care of the fucks we forced onto this planet before breeding another pug or persian that needs holes drilled in its face at birth so it might have a better chance of breathing.
"But ethical breeding practices-"
there is nothing ethical about selectively breeding an animal to look or function a certain way. Work animals don't even have an argument because they aren't fucking healthy, then are left to sit and rot in a pound because while you can afford the $10,000 to buy the damn thing, you can't afford the $25,000 to take care of the laundry list of health and behavioral issues. Any breed you can come up with has a litany of health issues due to inbreeding. You can't ethically do this shit.
"But it's so cute!"
yeah sure whatever. glad you think disabilities are cute. I just can't get past the fact that the stupid french bulldog making adorable noises is because its face prevent it from breathing or that gsheps can't trot because their hips fucken suck.
For those of you with poor reading comprehension, this post is about animals bred to have health problems. Not eugenics. Keep your "What about"isms away from here thanks.
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eternalefficiency · 2 years
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FRIEDRICH NIETZSCHE’S INVERSE OF VALUATIONS AND MASTER-SLAVE MORALITY DIAGRAM.
The bottom half of the diagram attached is Friedrich Nietzsche’s inversion of valuations or what he called slave morality, which he identified as Judaism’s and Christianity’s sympathy, pity, love and compassion etc. European virtues of the virtuous ism (racism) are the inverse or master morality which are what Friedrich Nietzsche emphatically endorsed, such as the elite, aristocratic, belligerent and those with pride, power, vitality and that which is full of life and life asserting etc. Friedrich Nietzsche philosophised that Judaism and Christianity were an inverse of valuations, in that, Judaism and Christianity are weak because they have compassion for and take care of the sick, poor and ill-constituted etc. This Nietzschean inversion of valuations or what he calls slave morality is inverse to master morality represented by the noble and warrior-like ancient Greeks, Romans and other fair haired peoples. Nietzsche believed that Judaism had won an eternal victory over master morality when Rome converted to Christianity in 323 AD under emperor Constantine the Great. Nietzsche’s inversion of values develops out of the ‘ressentiment’ felt by the weak towards the powerful. From the aristocratic mode of valuation, another mode of valuation branches off, which develops into its opposite: the priestly mode. Nietzsche proposes that confrontation between the priestly caste and the warrior caste fuels this battle between slave and master morality. The priests, and all those who feel disenfranchised and powerless in a lowly state of subjugation and physical impotence (e.g., slavery), develop a deep and venomous hatred for the powerful. Thus originates what Nietzsche calls the “slave revolt in morality”, which, according to him, begins with Judaism, for it is the bridge that led to the slave revolt, via Christian morality, of the alienated, oppressed masses of the Roman Empire. Nietzsche hypothesised a historical struggle between the European (master morality) Judaic (slave morality) with the latter eventually achieving a victory, broken temporarily by the Renaissance, but then reasserted by the Reformation, and finally confirmed by the French Revolution when the “ressentiment instincts of the rabble” triumphed. Here is a quote of Nietzsche’s: All the world’s efforts against the “aristocrats,” the “mighty,” the “masters,” the “holders of power,” are negligible by comparison with what has been accomplished against those classes by the Jews – the Jews, that priestly nation which eventually realised that the one method of effecting satisfaction on its enemies and tyrants was by means of a radical transvaluation of values, which was at the same time an act of the cleverest revenge. Yet the method was only appropriate to a nation of priests, to a nation of the most jealously nursed priestly revengefulness. It was the Jews who, in opposition to the aristocratic equation (good = aristocratic = beautiful = happy = loved by the gods), dared with a terrifying logic to suggest the contrary equation, and indeed to maintain with the teeth of the most profound hatred (the hatred of weakness) this contrary equation, namely, “the wretched are alone the good; the poor, the weak, the lowly, are alone the good; the suffering, the needy, the sick, the loathsome, are the only ones who are pious, the only ones who are blessed, for them alone is salvation – but you, on the other hand, you aristocrats, you men of power, you are to all eternity the evil, the horrible, the covetous, the insatiate, the godless; eternally also shall you be the unblessed, the cursed, the damned!” We know who it was who reaped the heritage of this Jewish transvaluation [Jesus Christ].
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