#art has been so hard for me this past year | Explore Tumblr Posts and Blogs

allurilove · 15 hours

Text

Yan!Prodigy x Rival you

Rated 18 + — mature short content !

Includes: enemies to lovers?— not really he falls in love pretty quick, first time kissing, stalking, admitting his feelings, he gets excited by the tiniest sight of skin, he’s delusional, gender neutral reader.

*I played violin for a couple of years, but my knowledge is a bit dusty and it’s been awhile 😬 And sorry for not posting! I’ve been busy with studying for the SAT! He is referred to as “your enemy” and this is purely fictional writing!*

Synopsis: He’s been on the top of his game for years. He’s known as the most talented violinist, and his ability to play has brought people to tears. All until you came along and threatened his legacy.

He was upset and furious that a nobody like you could win the spot of the first chair. You were now the center of attention, and not him. He wanted to break you down.

But… why did he find himself yearning for you?

He’s been practicing for years. He spent his whole life dedicating to the art of music. His fingers have been numb before, his wrist hurt, and he’s been staring at music sheets for so long— that everything looked like notes to him.

He’s been the first chair. He climbed his way to the top, he earned his reputation, and everyone admires him.

So, a little and measly talent like you shouldn’t have been in his spot. He had to audition for that seat—just like everyone else— but he knew that the directors loved him the moment he stepped on the stage.

He created masterpiece after masterpiece, and he’s a well sought out man.

He heard murmurs and whispers as he sat down behind you. He could feel everyone look at you with fascination, and admiration. He scowled and his grip on the neck of the violin was tight. He imagined ripping you out of the chair, or shoving his bow down your throat.

He had a steely gaze as you turned around to look at the person who had been glaring daggers at you. You smile at him, feeling a bit bad that you’re a newbie who took his usual position.

Why was his heart beating?

“Dont look at me.” The man scowled at you. His face slowly turning pink, and he looked away as you turned to face him again.

For the first time ever, he was distracted. As the show began he could hear his mistakes. He felt his hand shake, and he accidentally pressed down too hard on the string- causing an eerie squeaking noise. He looked up to see what you were doing and you are confident, each note of yours is perfect, and you were clearly the better choice. His eyes slowly widened as he became hypnotized by the way you moved, and the way your hand was so nimble.

“…fuck.” He was falling in love. That has never happened to him before. His body is filled with warmth, his heart fluttered, and he felt like he could float on the wave of happiness. For the first time ever— he felt alive.

The person next to him gently kicked at his chair, and he snapped out of it. He looked back at the sheet, and he realized he lost his place. His eyes and ears frantically tried to figure out where they were.

The show was a nightmare. He got chewed out for the very first time, and he hung his head low. He made multiple mistakes, made a mockery of the whole orchestra, and organization. He apologized to everyone, and he seethed at how people thought he was slipping.

You were the only one to approach him. Your enemy threw his jacket on, ready to leave, but he paused when he saw you.

“Hey… I’m sorry-“

He raised a hand to stop you. “It’s not your fault.” He said curtly, and he grabbed his instrument case. He brushed past you, and quickly made it out of the building. He had to stop and take a breather- leaning on the wall as he felt red cheeks. He always felt a rush of adrenaline and excitement when you came close to him.

That’s when the stalking began. I mean it was a total accident, and he didn’t mean to find your apartment… he just happened to know it was yours, because of the way the melodic sound came from the window. He was across the street, and he was able to see you sway, and play with such emotion. He stood there for what felt like years, and he started to film you.

He would rewatch them at night in his bed. A huge smile on his face as he was able to relive that moment. Before he knew it… he kissed the screen.

He came to practice early in the morning. Your enemy had to keep up a cool facade, and he ignored your little “hello” to him. He sat in his chair, feeling a bit bitter, but he knew it was well deserved. You’re a good violin player, and he was coming to terms with it. He sighed as he brought his instrument out of the case, he took out his tuner, and he started to tune his instrument. He fiddled with the fine tuners, and eventually adjusting the pegs when that didn’t work.

The whole entire time… he glanced at you. His heart swelled up as he saw you take off your jacket, and he gulped as he saw your shoulders.

Ohhh god.

He slightly groaned as his pants felt tighter.

He heard the peg creak, his fingers mindlessly kept turning and turning. He gasped as the string he was trying to tune snapped, he felt it hit his cheek, and out of surprise he dropped his violin.

He was so embarrassed as you helped him get an ice pack. You two were in the tiny hallway, an ice pack in your hand. Instead of handing it to him, you placed it on his cheek for him. You made him feel better, told a little joke about what happened and he let out a chuckle.

He saw you smile and step closer to him. Was this seriously happening? He immediately kissed you back as you pressed against him, one arm around your waist and the other on the back of your head. You tasted wonderful.

He started to moan out your name, your hand now down his pants, and he arched his back. His hands then gripped at the brick wall, his hips jerked with the movement, and he felt his orgasm coming pretty close.

He felt you pull down his pants and boxers, and you got down onto your knees, and your tongue stuck out to lick his length.

“God, I love you—“ He pants, his stomach tightening as his arousal grew.

“Hello?”

Hello?

His eyes came back to focus on your hand waving in his face. He gulped as he took a step back. You were confused as to what happened, you tried to speak to him, but it looked like he was lost in his thoughts. His face was flushed and he was murmuring incoherent things.

The man quickly snatched the ice pack and he panicked— his dick twitching— and he ran away from you.

Allure: It’s a pretty short fic, unedited, and i wrote this on my break 😭 yandere x zombie part three should be coming soon.

#Allurilove yandere writing #tw stalking #tw yandere #yandere prodigy x rival you #violin prodigy #male yandere #yandere x reader #yandere x y/n #yandere x you #yandere x darling #yandere oc #yandere drabble #yandere imagines #obsessive love #yandere stalking #enemies to lovers #delulu #delusional

144 notes · View notes

batsplat · 2 days

Note

Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)

I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes

what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint

but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast

it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening

but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it

there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish

(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)

valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):

in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available

obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are

the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices

if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:

the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try

the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:

so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy

and this from 2017:

not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!

that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness

while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez

so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says

then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know

we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)

okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:

so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:

youtube

the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy

one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019

speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick

in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:

and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...

it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong

unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool

anyway

#anitalianfrie #rosquez #//#sg15 #4693 #society if tumblr allowed you to upload more than one video per post >>>>#I hate how speculative the last few paragraphs are. badly sourced psychological analysis but well #this wasn't actually meant to be a sepang 2015 post bUT this was a follow-up post waiting to be written lbr. give me an excuse etc #anyway this post is incredibly incoherent but. shrug. idk how to fix it so whatever #i've seen a few posts here that slightly have the tone of 'oh if only marc had known how valentino behaved towards casey stoner'#listen. he did know. he probably thought it was fantastic. idk what to tell you #you'll note the dec 2015 quote implies casey 'lost' the off-track battle with valentino which I'm not sure casey would be a massive fan of #marc and vale both had a bit of a case of not like other girls about each other and y'know in a way that's still true. just in a sadder way

75 notes · View notes

hannahssimblr · 24 hours

Text

In the hallway after school on Tuesday, as I head to my locker to retrieve my gear bag, I spot Miss O’Reilly. She is locking up the art room, and gives me a big smile as I approach her. She’s always doing that, smiling at me, I mean, and it throws me off. It's usually not the expression teachers have when they see me coming.

I smile awkwardly in return and she turns her body towards me, takes a step, prompting me to halt beside her instead of barrelling past her like I would have, not enthused about facing the wrath of Doherty if I hit the rugby pitch even one minute late.

“Jude! I've been meaning to congratulate you.”

“Um, for what?”

She laughs as though I’m being dense deliberately, “I spoke to Eileen, the guidance counsellor last Friday and she told me about your offers.”

“Oh, for college.”

“Yes! How wonderful. I’m just so pleased for you that everything worked out the way that you hoped it would, after all of the hard work you put in this last year it’s just fantastic to hear it. And tell me, did you get accepted to every college you applied for?”

“Yeah.”

“Wow,” she takes a big pause, taking it in, “wow. You must be delighted. How does it feel?”

“I dunno, miss.”

“Hard to get your head around, I’m sure. Your parents must be proud too.”

“Mm.”

She’s determined to ignore our mismatched attitudes towards this news, taking a big, jubilant breath before launching into more affirmations, “well, what a confirmation of your talent and skill. I had a really good feeling about your work when you came to my class last year, and I’m just so pleased that you got the results you wanted. Have you decided which college to choose yet?”

I shift my weight from one foot to the other, “yeah I’m choosing NCAD.”

“Oh!” I can tell she’s trying to maintain her upbeat attitude, but eyebrows slowly draw together in confusion, “I hadn’t realised you changed your plan. When we last spoke about it in March you told me you were looking forward to attending universities abroad.”

I shrug, “Yeah, I, um, I changed my mind in the end. I’m going to stay in Dublin.”

“Hm, okay, I just… Jude, do you mind if I ask you why?”

“Yeah, you can ask,” I say, and am instantly horrified by the tremor in my voice. I fight it back with a hard swallow, “It’s just, like… um,” Oh God. What is happening to me? I’m conscious of the crowds of students milling through the hallway right behind me, and of the fact that I categorically cannot do this here. “Sorry…”

“Oh, come in,” she says in a low voice, jangling the keys in the art room door with an urgency that feels entirely necessary, and when she lets me into the room ahead of her I stand dumbly in the middle of it as she fumbles with the blind over the glass doors, tingling jolts of anxiety running down my arms and through the tips of my fingers.

“What is it, sweetheart?” She says, and simply that, the word she uses and the way she uses it makes me want to crumple onto the linoleum floor in front of her.

“You’re alright, you’re just…” she purses her lips, searching for the word, “overwhelmed, I’d say. College and all of that kind of thing, it can get on top of you at this time of year. I know it’s a lot to think about.”

I manage a grunt of vague agreement.

Miss O’Reilly drags a folding chair from the side of the room, “C’mere, sit down there and we’ll have a quick chat about it.”

“Um, Mr. Doherty…” I say, and she understands, “Don’t mind him. I’ll talk to him tomorrow.”

“Okay.”

She settles into a seat across from me, and gives me an encouraging smile. As I search for the words I want to say I’m cognizant of how comforting this woman is, how unfazed she is by me and whatever it is that is happening to me in this room. She has a daughter, I know that, a daughter who goes to our school and for a moment I’m jealous of her, that fourteen year old girl who gets to have a mother like this one, that is soft and comforting in all the places where mine is sharp and disinterested in me and every feeling I have ever experienced.

I’m not convinced that I even know how to talk about things like this, afraid that I will try to and come across like the weirdest, most unhinged person on the planet. My thoughts and feelings will be so nonsensical that they will make everyone around me cringe with discomfort. “I’m trying to do the right things,” I attempt, “but somehow the right things feel very wrong to me.”

“When you say ‘the right things’, Jude, do you mean you want to choose the right college?”

I nod.

“And why does NCAD seem like the right choice?”

“Because of my girlfriend.”

“Michelle?”

“Yeah. I didn’t know you knew that to be honest.” I never thought that teachers noticed or cared about things that weren’t arbitrary uniform rules and homework assignments, but evidently I was wrong.

She smiles kindly, “So Michelle is going to NCAD?”

“Yeah if she gets the points in her leaving. She applied for all the same colleges as me but got none and now I feel sort of... like I have to stay for her.”

“Is that the right decision for you?”

“I dunno, miss.”

She hums contemplatively, “I’m sure you’re tired of hearing this kind of thing, but it’s not always the best choice to base big life choices on your girlfriend when you’re only eighteen years old. Especially one as important as your university.”

“Yeah.”

“It’s never an easy choice to make. I really empathise with you here, because when you’re in love with a person, you-”

“I don’t even know if I love her.”

There’s a pause, she looks surprised, and so am I. I'm stunned that I told her that, this thought that I've never dared to utter before.

And then everything comes spilling out of me. “Look, it’s just that I feel very trapped,” I say, “Sometimes I think there’s something abnormal about my brain, because I make decisions that even I don’t understand, like with Michelle... when I think about us being together and our relationship I can hardly remember anything good that’s happened between us for a long time, the last fun thing we did or the last time I felt happy. I can’t even remember what I was thinking when we got together. I feel like I’m on autopilot, or like things are just happening to me without me having a hand in it.

“Somehow I’ve just, like, ended up here and I’m making plans with her and promising her things that I haven’t even decided if I want yet. I thought that I wanted to move away, but maybe I don’t anymore. Maybe it’s wrong of me to do that, because what if I go away and then I realise that what I actually wanted was to be with Michelle?”

I breathe in, knowing that I have probably been talking too much, but now I am unwilling to stop, “My parents, they’re fighting a lot at home. Something happened a few months ago and it's just been a battlefield ever since. I know that if I go away I’ll leave my sister alone to deal with all of it. She’s only nine, and the constant tension upsets her so much, she goes into a spin about it and starts fantasising about all of these awful scenarios, and see, my parents don’t know how to deal with her, they don’t really like it when kids act like kids. Or at least they’re not that interested in them– in her. I keep imagining this future where I’m gone, I’ve left home and I’m hundreds of miles away and she’s all on her own with them, and there’s nobody to really look after her because I can’t get home so easily, and when I think like that, even the thought of going away, even wanting it a little bit makes me feel like the most selfish boy on earth…”

Miss O’Reilly produces a tissue and holds it out to me. I stare at it for several seconds before I realise she is offering it because I have started to cry. My face is somehow wet with tears. “Oh,” I say, hoarsely and take it.

“Jude, you’re still a teenager.” She says gently, “You can’t possibly be responsible for the emotions of every other person around you. It’s too much.”

“Yeah.”

“When you’re young you have to make selfish decisions, ones meant for yourself and yourself only. Nobody else is going to make them for you. You have to really ask yourself what the right choice is for you, whether you’ll be able to be truly happy in your current circumstance where nothing may change or will you be better off on your own, doing something you love and experiencing real freedom in spite of how others may feel about it.”

I wipe my eyes and nod, staring down at my lap, still in a state of shame and disbelief that I have allowed myself to sob like this in front of my teacher, though if she is bothered she doesn’t show it.

“When you imagine your ideal life,” she urges, “where none of these things are a factor, not the things you promised to Michelle, not what's going on at home, what does it look like?”

“God,” I breathe, almost chuckling because the answer is so easy, “I’m gone. I’m not here. I’m just miles away and I’m making art and hanging out and doing what I like.” It sounds so simple when I say it out loud, yet for the longest time now I’ve felt like a criminal for wanting these things.

“And where do you see yourself?”

“Berlin,” I say, surprising myself. It’s not like I’ve put real time into thinking about this, visualised myself walking those streets, in fact I don’t even know what Berlin looks like, but it feels right to say it, as though there is some cosmic reason for me to go there. Perhaps only because it’s the furthest from home.

Miss O’Reilly nods, “NCAD is a fine college, Jude, but your talent is wasted in a place where you don’t want to be. You could do anything you want. You have incredible potential and I’d be very sad to see it wasted. Life passes you by very quickly, you know, and these kinds of opportunities don’t present themselves as often as you think. It may seem obvious, but you only have one life to live.”

“Yeah.”

“I can’t tell you what to do. I can’t make a decision for you, but all I want you to do is really think about this. Put a good amount of thought into what you really want when you remove everyone else from the equation, then, once you know, you can decide what's worth sacrificing. Do you think you can do that?”

“Yes, miss.”

“Good, then that's your homework,” She smiles and reaches to squeeze my hand, which I am embarrassed about because my skin is clammy, but just like everything else about this moment that is humiliating to me, it doesn't appear to faze her.

“Thank you,” I say, and she nods. “I hope you’re not in a hurry to get to your rugby practice.”

“No,” I sniff, and let out a thick laugh, “No miss, I think I’ll skip it today.”

“Good,” she says, “That’s a good start, see? Here you are, doing exactly as you wish.”

She smiles at me, once again, that bright, warm smile, and I give her one in return because maybe it's just me, my weird brain and the things it invents, but the feeling of hope that rises in me in that moment feels very real.

Beginning // Prev // Next

#lucky boy 2010 #that's the last of April!!#i'm so exicted to move on from this #and say goodbye to this cursed school

44 notes · View notes