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dustteller · 5 months

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Reading He Who Drowned the World and honestly Baoxiang has no right to be as bitchy as he is about Ouyang squandering Esen's love or whatever. Baoxiang is genuinely convinced that Esen loathes him. No you dumb bitch, your brother loves you and the reason he's giving you a hard time is because he wants you to be safe and happy and healthy. Yeah, he sucks at expressing it, and his efforts are misguided (bc the toxic masculinity gender rolesis fucking up Esen as much as it's fucking up everyone else), but Esen very much does love Baoxiang deeply. Every time Baoxiang remembers a time when Esen "enjoyed his fear" or whatever, I can only think of these parts of Esen's POV from the first book:

Esen's first instinct is to defend his brother. The only reason he doesn't is bc Baoxiang leaves before he can. And Baoxiang glares at him bc he assumes that Esen agrees with Altan and won't defend him, but no, Esen WANTED to defend him and it's Baoxiang that took away his oportunity to do so.

And a bit later, we have this interaction. Baoxiang assumes (again) that Esen would hate him if he was gay, and immediately goes on the defensive. Meanwhile, Esen literally does not care about this except for how it would affect his brother's reputation. He's just WORRIED. He doesn't care if Baoxiang is gay or whatever, but he's deeply aware that if he IS it would put him in more danger. Because, again, he cares about his brother, and he hates seeing what he assumes is Baoxiang making his own life harder.

And it's heartbreaking bc Baoxiang will probably never realize how much Esen adores him. He's so jealous of Ouyang for having his brother's heart without realizing that Esen sees him as his beloved baby brother and is desperately trying to protect him from a world that he KNOWS is cruel to him. Baoxiang will never know that his greatest supporter and the only person that loved him unconditionally was Esen. And maybe it would be WORSE if he realized how dear he was to Esen, because the realization that all thise things that caused him pain were borne out of a deep, unconditional LOVE and not the disdain he's convinced himself Esen felt for him might break him. Baoxiang has deluded himself into simplifying Esen's feelings for him into those of hate and disdain because its so much harder to accept that the person you love the most has destroyed you out of love. Baoxiang is doing the exact same thing Ouyang does in convincing himself that he's unlovable and relishing in the world's response as a form of self-harm. And Esen, who is genuinely trying (and floundering horribly) is a great tool for Baoxiang to use to tear himself apart.

And, on the other hand, Esen will never realize how much damage his attempts to help Baoxiang caused. He loves him so much, bc that's his baby brother! It's his job to protect him! But Esen has been raised as the golden poster child of a Mongol Warrior Man, a perfect pinacle of masculinity, and is thus doomed to only being able to express his love and acceptance for Baoxiang through a tough love, lets sand down all the edges to remove friction approach. For him, pushing Baoxiang into a box IS an act of love. It's the act of saying I love and accept you, and so I will help you succeed in all the things you're bad at so that everyone will love you too. Except by doing this, he doesn't realize how awful he's being and how he's asking someone that CANT ever fit the mold to break himself in the attempt. He's a perfect Mongol Warrior Man after all, and as such he has never been given the tools to express his affection in a healthy way. He will never truly understand how much he's an asshole, not because he is lacking in love (as Baoxiang assumes) or because he is incapable of sympathizing (as ouyang thinks), but because understanding is not something allowed of him and his role in society. At the end of the day, Esen is as much a slave to his role as all the other characters are, and now he's dead he will never be able to break free of the assumptions people have made of him. He went to his grave having destroyed the people he loved most, and now he will never have the chance to prove their assumptions wrong as be better.

#he who drowned the world #she who became the sun #wang baoxiang #esen temur #gosh i have many thoughts about this #i have repeated things here particularly in regards to Esen #but idc #listen if we're gonna give other characters a pass for their “gender angst bullshit that has a bodycount” i think Esen also deserves one #gender roles are destructive and they are fucking him up too.#bc even the perfect poster children aren't actually perfect and are also trying to live up to something they cannot achieve #also slightly unrelated but growing queer and neurodivergent in a hispanic family where the neurodivergent one is genetic #i am related to many Esen's. they love me deeply and I love them and we have all been broken by the same wheel.#and i can see that the trauma and harm they pass down to me is the armor they've cobbled together to survive.#and it's so heavy but it is the only way they know how to help me.#so i have a really big soft spot for Esen.#leave him alone he's doing his best!!

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sad-endings-suck · 2 months

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Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

#long post #mizu #blue eye samurai #👏 genre and👏 medium matter👏#so does author intention >>>#if a story is telling a narrative that you personally don’t like but it is succeeding at what it set out to do that does not make it bad!!!#so sick of white boys on the internet calling any physically capable or martially skilled female character a Mary Sue #and it almost always boils down just to gender #a female character could be ridiculously overpowered but so long as there is a male protagonist that is even more overpowered they don’t ga #but as soon as there is a female protagonist with any kind of proficiency a male character in the story doesn’t have all hell breaks loose #if i hear one more man so much as utter the words ‘Mary Sue’ in my vicinity ever again i will be resorting to Mizu style conflict resolutio #men never learnt what the term ‘Mary Sue’ actually means and if you don’t know what something means then either research it or stfu #it’s such loser behaviour that shows such a pathetic measly capacity for any kind of critical thinking or reasoning much less media analysi #anyway rant over #this was sitting in my drafts #blue eye samurai analysis #mizu blue eye samurai #taigen blue eye samurai #taigen #overpowered #plot armor #media analysis #mizu bes #bes taigen #netflix bes #feminist critique #bes #blue eye samurai meta #reading comprehension #rant

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xaeyrnofnbe · 9 months

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currently suffering bc i am very genderfluid and unfortunately monster hunter world is not

#mhw #monster hunter #monster hunter world #things i said #this is about the armor sets #they frustrate me to no end #i want so badly to be able to pick genders per set. if that makes sense #i wanna be able to choose between the masculine and feminine versions #but like not me restricted to one or the other

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silentstep · 2 years

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Why do you dislike the idea of Wen Qing being the top of a ChengQing relationship out of curiosity?

Short answer is that if it wasn't such an overwhelming majority of portrayals, I wouldn't!

slightly longer answer is that the idea that ~all het pairings have to have femdom in order to be acceptably progressive~ cuts off women from being portrayed as fully realized characters. It's a lack of willingness to explore their interiority and to allow them access to the full spectrum of humanity. Male characters are allowed to be messy. Male characters are allowed to pine and fall desperately in love and harbor fears that it's unrequited. Male characters are allowed to feel insecure and uncertain. Male characters are allowed to be loved despite all their flaws and all their mistakes and all their blind spots. Male characters are allowed to change and grow and be forgiven. Female characters have to be perfect angel goddesses who are given out to male characters as rewards to be worshipped. Let female characters down off their pedestals for once, I am begging.

*long sigh* It’s just like… nowadays we express attraction/affection towards a female character by going WOW STEP ON ME QUEEN!!! and towards a male character by going OH THE THINGS I WANT TO DO TO HIM… >:) HE’S SO PATHETIC AND WET

and it’s because we don’t want to be sexist and/or degrading! I absolutely get that! but when we’re actually writing longform narrative about specific characters, I want to be able to explore the character of the individual and the relationship, instead of just having those two sentiments writ large. I don’t want to read about generic Character A/Character B.

and like, again, this is a problem I have with the trend, not with any individual fic. I've read and enjoyed individual fics where she's the dominant one who takes Jiang Cheng apart and makes him beg for it. But why is it all I can find? Why is she slotted into the pigeonhole of "Wei Wuxian's mean lesbian bestie, whose own life never gets any focus" in the background of every other fic? Why does she never get teased by her modern AU friends? When does she get to be impulsive and silly? Why does she always have to be “too smart” to get involved in shenanigans? Why does she never get to let her guard down? When does she get to feel safe enough to relax her prickles and expose her vulnerable underbelly? Why does she never get to have vulnerabilities at all? Why does she never get to be soft, why does she never get to be sweet, why does she never get to rest and be taken care of? Why does she always have to have everything together? Why does she never get to appreciate or be grateful for someone else's good points, someone else's strength? Why does she have to be good at literally everything, instead of ever getting to let someone else compensate for the things she's not good at? She's lost so much, just as much as any male character in the series; why does she never get to cry and mourn and be held and comforted? Why does she always, always have to be the strong one? When does she get to put that burden down? Why is her canonical moral ambiguity never given space, when Jiang Cheng's is always portrayed as an obstacle between them? Why do her canonical wrongdoings never require forgiveness or atonement? Why doesn't she ever get portrayed as feeling guilty for the atrocities she stood by and let happen— that she outright enabled? Why does she never get to be a person?

tl;dr: every single time the male character gets to be a skrunkly meowmeow, his female love interest should also get the same treatment, dammit.

#littledust is out there doing yeoman's work though #I'm sorry I recognize that this is less diplomatic than it should be but like #this is. a nerve #I could copy out this whole rant for Royai fics #let! male love interests! be cool and admirable sometimes! otherwise why are you inflicting them on female characters you like!#as an afab person: it is EXHAUSTING to feel pressured to keep up the ~mean tough person who takes no guff and delivers hard truths!!!~ armor #and I don't want that for the characters I love. not in the relationships that I want for them.#whenever I see people say ''haha THIS is 'boys will be boys''' on videos of people having fun and being weird and living in the moment #I get so mad! why are you /gendering/ the human experience of being impulsive and whimsical?#anonymous #answered ask #no good things for the poor sad cultivators

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