#anyways i love trish

[niishi]

"I hate Trisha paytas" okay kys

#i love trish #so much #she talks so fast and says so many things #she covers 10000 topics in 5 minutes and i understand everhthing #shes vibrating at my frequency #also is she a piece of shit? yeah #but we all are pieces of shit in our own ways and we arent defined by our best and worst moments #i think ppl on a moral high horse are very scared and unaccepting of humanity and their place in it #and the only thing they can leverage for social normalcy #is morality #otherwise they got nothing #ive been an amazing person #and ive been a shitty person #we all have #its human nature #you couldnt exist if you didnt experience both #anyways i love trish

[duvewing]

#saint.txt #it’s 1am here gn #devil may cry #dmc #lady dmc #trish dmc #ladytrish #id in alt text #anyway i love how it seems to be a common hc here that trish is a lesbian #and the lesbian trish truthers are right

[car-goes-brrr]

I’ve realised people on here like when I yap about DMC so, I wish we got to see Trish more. I think she’s very overlooked in terms of development for her character.

She’s aware that she looks like Eva, that she’s a constant reminder of Dante’s and Vergil’s trauma, she’s also aware that she isn’t Eva. So knowing the hurt she’s causing unintentionally to Dante, seeing the picture frame of Eva, it’s gotta take a toll on her in some way. Perhaps she feels some guilt even though she’s innocent, and Dante knows that. She probably once hated Eva just from the fact that she exists because of her.

I also think that, to sell the act more, Mundus did create Trish with some sort of “maternal instinct”. We see, time and time again, where Trish can be considered protective of Dante, obviously this could be because they’re friends and Dante was the first person she ever met, but it could be a mixture of the two.

Maybe Trish dresses the way she does, acts the way she does, because she wants to separate herself from Eva as much as possible. To form and solidify her own identity.

That’s it. Give Trish her own game PLEASE CAPCOM

#devil may cry #dante #devil may cry 5 #dmc #dmc5 #vergil #trish dmc #dmc trish #dmc1 #dmc4 #I DO NOT SHIP TRISH X DANTE EWWWWW #I HAD TO CLARIFY #PROSHIPPERS DNI #ANYWAY LOVE YA

[ubashaaa-archived]

going to a soad concert together ^_^

#mine #jjba #my art #trish #fugo #THIS is them being bffs for ever btw. not ship art #anyways . they would love soad ok?. ok. #i like to believe whatever piece of clothing fugo has on will always fray and get holes in it. forever cheese boy

[carefulfears]

the biggest thing about elegy is that it takes all of that unspoken isolation of this arc, and it slowly lets the audience in. the first thing that mulder says about the apparitions, is that they seem to be an "omen." an impending prophecy. and carefully, throughout the episode, both the audience and scully are waiting to see, not who the killer is, but what is being foretold. when they're going over records, and scully's nose starts bleeding, it's the one thing that they can't ignore. she wasn't even there in the previous episode. she was in the hospital. alone. they don't talk about it. she's "fine." she has "always been the strong one." just like in irresistible, years earlier, she does not want him to know how much she is struggling. but she doesn't have any control. it is dripping out of her. the sound of his voice when he says "oh, scully." and how quickly she responds "it's okay. i'm fine."

it's that kind of childlike grimace in him, the same man who flinches away from dead bodies and stares at the ground before his father. and she's so fast to try to restore order. it's okay. i'm fine. don't worry, i'll clean it up. i'll make it go away. when she disappears into the bathroom and sees an apparition there herself...i think she decides to go to the hospital because she just needs space, honestly. she's scared. he offers to drive her, to go with her, twice. asks, "you sure?" and she says, twice, "i'm fine."

elegy builds to two separate climaxes: the first, when mulder comes to scully's apartment. but before that, we see scully in karen kosseff's office, the same therapist that she had gone to in irresistible, and presumably has kept a relationship with in the years since. she tells karen that she's been diagnosed with inoperable untreatable cancer, and when karen asks, "you've kept working?" she answers, "yes. it's been important to me."

she's taken aback when karen asks why, is surprised at the question, and tells her "agent mulder has been concerned. he's been supportive, through this time."

KOSSEFF: Do you feel that you owe it to him to continue working?

SCULLY: (quickly) No. (pauses) I guess I never realized how much I rely on him before this...his passion...he's been a great source of strength that I've drawn on.

KOSSEFF: What happened last night, Dana?

SCULLY: I saw something. I, I don't know what to trust. If I saw it because of the stress, because the image had been suggested to me or if it was a suggestion of my own fears.

KOSSEFF: Your fear of failing him?

SCULLY: (exhales emotionally) Maybe.

this is such a rare admission from scully. first of all, she's being confronted. this is not normal. it is not normal to work to your death. it's like bill tells her, a couple of episodes later, "what are you doing at work, getting knocked down, beaten up? what are you trying to prove?"

(she hadn't even told bill about her cancer. she'd been sick for months. she thought she was going to die in memento mori, she knows she's going to die sooner than later. and she instructed her mom not to tell her brother. from the moment that mulder said "i refuse to believe that," it really was only going to go one way.)

she's being confronted. why are you working? (for mulder). do you feel you owe him? (no, i need him).

she's really alone. she's sick. like, she's really sick. she spent the last case in the hospital. she's having a hard time keeping up. she's thinning, and bleeding, and struggling. but there she goes, every day, at every hour. monster chasing. telling him she's fine.

(so much conflict comes from the way that mulder's ignorance perfectly enables scully's repression)

when he shows up, late, at her apartment, he comes in a mile-a-minute, about how he needs her "help" on the case, before asking her what her doctor said. (her answer, of course, being, "i'm fine.")

he tells her that everyone who has seen an apparition, was dying. every person who reported a premonition, was near death themselves.

SCULLY: Harold Spuller is dying too?

MULDER: Well, that's what I need your medical opinion on.

SCULLY: Well, what if he isn't?

MULDER: I would be very surprised. What is a death omen if not a vision of our own mortality? And who among us would most likely be able to see the dead? 

this is one of the most hauntingly isolating moments of the series...he has just told her that she is going to die. and he doesn't know, that that's what he said. she is forced to process it, completely by herself. and she doesn't believe in ghosts, or "premonitions," but she knows that he is right. (when is he not?)

("maybe harold is sicker than we thought he was.")

the second moment that this episode builds to, is the final confrontation between mulder and scully. after the murder is solved. after harold dies.

SCULLY: I saw something, Mulder.

MULDER: What?

SCULLY: The fourth victim. I saw her in the bathroom before you came to tell me.

MULDER: Why didn't you tell me?

SCULLY: Because I didn't want to believe it. Because I don't want to believe it.

MULDER: Is that why you came down here, to prove that it wasn't true?

SCULLY: No, I came down here because you asked me to.

MULDER: Why can't you be honest with me?

SCULLY: (defensively) What do you want me to say? That you're right, that, that I believe it even if I don't? I mean, is that what you want?

MULDER: Is that what you think I want to hear?

SCULLY: (softly) No.

they come really...close here? to talking about it? she almost baits him several times this season. she spends so much of this arc thinking...maybe, this will be it. maybe if she fucks off on assignment, gets a tattoo with another man, he'll say it. maybe if she calls him out for never celebrating her birthday, he'll acknowledge why this is the year he did. maybe if they spend a friday night with a bottle of wine, they'll talk. maybe if she tells him, those things you believe are death omens? i saw it. he'll know.

i can't remember which one of you said that all of their arguments are just how to love each other. she doesn't want to believe. but she's there, because he has asked her to be. even in all of their repressed denial, there is no escaping what's happening. it hangs over both of them.

i love the moments in this arc where she just snaps. in this scene when she says, what do you want from me? do you want me to just believe you? and her quiet resignation, when he makes her answer her own question. no. she knows that's not what he wants.

MULDER: (his voice softens) I know what you're afraid of. I'm afraid of the same thing.

SCULLY: The doctor said I was fine.

MULDER: I hope that's the truth.

SCULLY: (whispers) I'm going home.

"i know what you're afraid of. i'm afraid of the same thing."

except, no, he doesn't. and no, they are not.

but she knows what he's afraid of, just as her therapist had known what she's afraid of ("your fear of failing him?") and so she dodges his admittance with reassurance. she's fine.

that last scene, when she goes out and cries in her car, and she sees harold's ghost in the backseat. she is so alone. she's working on her deathbed. they don't talk about it. she's afraid, and she's not fine, and she is going to "fail" him because she cannot keep herself alive for him, and she can't avoid it. it's in the backseat. it's in the bathroom mirror. it's bleeding out of her.

#here trish #txf.txt #elegy #DANA LOOK OUT!!! YOUR ELEGIES ARE EULOGIZING YOU!!!!!!!!!! #i was saying last night how much i love ‘gethsemane’ as an episode title #and i think that may be my favorite one #but i love ‘elegy’ a lot too #‘a lament for the dead’ #this whole episode is sorrow for the dead and dying #how we cannot catch up to them #and our dying girl at the center. seeing the omens. knowing what’s coming. crying alone in her car. #this show was always so so so resonant and impactful when it came to themes of grief and loss #anyway. there is no beyond the sea etc etc #also i noticed last night that scully mentions how long they've been together a lot during this arc #'in the four years i've known you' in tempus fugit #'i would think after four years' in elegy #'everything that we've done over the past four years' in reduxii #she's taking stock

[tianhai03]

some new C coloring pics from the past couple of days~~

(lineart + some shading done by me, colors by C)

#figured it'd be better if i start writing the credits again like what i did when i first started posting their submissions #once again a reminder that i have not been coloring these posts tagged with 'fan's colorings' theyre stuff done by other people! #anyway; C!! you've been improving a lot lately!!! it really is great to see #and ty for always including a small story along with your submissions i look forward to them every time :) #keep up the good work!! #fan's colorings #devil may cry #dante(dmc) #vergil(dmc) #nero(dmc) #trish(dmc) #also little side note for C: #i know you submitted one more thing!! i did see that one!!!!! and i love it you have no idea how much i like that page in the manga #but yknow.. its not my art so i figured i shouldnt post it JKHSDFHKAJSHA just know that i did see it and i appreciate it #anyway thats all ty for your continued effort to color my stuff <33 hope youve been learning a lot from these #allyart

[whos-hotter-jjba]

#have you SEEN her #she's one of the prettiest jojo characters #she suffers from araki not knowing how to draw a proper girl's body BUT it doesnt matter she's so pretty anyway #i love her sm #of course i'm smashing #trish una #golden wind #vento aureo #jojo no kimyou na bouken #jojo's bizarre adventure #jjba golden wind #jjba vento aureo #jjba #smash or pass

[mekammin]

SPICE UP UR LIFE

#yayayay did u know this is my first fully finished digital piece in like 3 years or maybe ever #i want to revisit it when i get better :3 #i just love their designs soooo much #anyway barrage of tags -->> #jjba #trish una #jojo's bizzare adventure #trish jojo #jjba golden wind #vento aureo #spice girl jojo #art #my art #christ first jojo piece and its fucking part 5. who would have thought

[ikyw-t]

(okay for my second ever poll, a redo of my first poll bc i had made an unforgivable omission)

#okay i apologize to the swiftie community for somehow forgetting to include id lie in the first poll #when i actually have always rly loved that song!! so idk how i forgot it!! #anyway please vote your opinion is very valuable to me and also pls reblog!! #taylor swift #unreleased taylor swift #tay #polls #trish polls

[evansbby]

If y’all wanna know what racism in the UK looks like in 2023, especially racism towards black women, then watch the current season BBUK.

#every episode I am left infuriated #then I go on fb and look at the racist ass comments there and get even more infuriated #tiktok is my safe place lol #but anyways the blatant racism and micro aggressions towards the two black women on that show aka Trish and noki #is insane #like fully it’s insane #honestly it’s like every time I think white people aren’t that bad…. I get a slap in the face with how they act #if I hear someone call Trish aggressive ONE MORE TIME #when all she does is speak her mind #the white women on that show get babies and coddled #the black women get called aggressive if they speak too much #and get called fake if they stay quiet #I’m not even making this up #it’s not even entertaining watching this shit it’s absolutely HARROWING #I love Trish so much 🥹🥹🥹 #she is honestly such a strong beautiful woman #anyways

[moonymoonbeam]

so sexy and real of me to read a 1 million word band au in 12 days 🫶🤠

#yes im talking about #cadence of part time poets #i actually dont know what to do with myself now im done #this fic has consumed my every waking moment and i loved every second of it #is this my new favorite fic!?! im thinking so!! #literally every character is so fucking real and fleshed out #dont even get me started on the OCs!!!!! #tomny my true and forever love #tonya!!!!!!! #lottie trish!! #absolutely buzzing for my boys to be on their way to america #incoming break up angst? yes fucking please its gonna FEED ME #anyway im gonna sit in the corner and stare at the wall until pt 2 <3 #coptp #em speaks #fic talk

[mister13eyond]

thoughts/feelings on slightly-better-dads au where the diadops adopt trish into a life of supernatural crime instead of a life of attempted murder? failing that: who r the best and most fun/disastrous ot3 candidates?

GOSH THESE ARE BOTH THINGS I'VE DEVOTED A LOT OF THOUGHT TO SO PARDON ME FOR BIG BIG INFODUMP

okay, so the first scenario is... legit a scenario my partner and i are playing with in roleplay right now... so this is a pretty well-built series of thoughts that i'll try to boil down into something comprehensible

but first and foremost, I think that it's interesting if the early part of Diavolo/Doppio and Trish's history is identical up to a certain point- ie, Donatella gets knocked up during a fling, raises Trish alone, and passes when Trish is 15. I think there's something really compelling about Trish still having to build a relationship with this utter stranger that is her father? Especially with Diavolo taking her under his wing as a pupil for crime, because I think like.... If he raised her from birth, I think Diavolo would be a very different person than he is now, and I don't think he'd have nearly the same philosophy on running Passione, since I feel like a lot of his insistence on power and utmost secrecy was at the heart of his position, and if he had people who knew him and spent time with him he'd be a drastically different person than a person who essentially spent every moment of his life alone. But if he's still Diavolo- if he's still been alone until now, and he still has Passione wound tight under his control, and he hadn't tried to kill Trish to wipe clean his identity, I could see him interested in the idea of legacy. Like... Diavolo has only ever trusted one person with the full breadth of viewing all of Passione as a whole- he only has one underling that is allowed in the position of underboss- and he knows for a fact that when he dies, that person will die with him. There would be a massive power void if Passione were to dissolve, but there would also be a whole bloodthirsty mess of infighting for the position and a possible schism if it were to be proven that Passione was without a leader. So I find it really interesting thinking about Diavolo seeing in Trish an opportunity, because I think that kind of pragmatic view would be the only way he would ever give Trish a chance? Because the thing I love most about the idea of him raising her as his heir is the idea of Trish as his heir, as she is now- ruthless, motivated, confident, guarded Trish. The same Trish that was raised by a single mother, the same Trish that demands givenchy blush and sparkling water from a crew of criminals who holds her life in their hands, the same Trish that held Bruno's hand in the elevator because she was terrified. I think she would have already somewhat built a determination about this and a tolerance for violence during her time being with the Bucci gang as they escorted her, and if she had any connection to or positive relationship to them I think she'd be willing to go- okay, so i become a criminal. so what? some of the only people i've ever been able to stand are criminals. SO I REALLY LIKE THE IDEA that she gets to San Giorgio Maggiore, and instead of what goes down in the elevator, it reaches its destination and she sees Doppio. Who is apologetic that the Boss wasn't able to come pick her up in person, but he'll be looking after her in the meantime! And for a while Trish is just like, floating around with Doppio waiting for the other shoe to drop, wondering if she's just in a further limbo and when her father is going to hurry up and kill her (because she's decided, at this point, that he is undoubtedly going to kill her, and he's just prolonging it.) And Doppio says he's never seen the Boss's face before, even though he's the underboss, and so she's CONVINCED she's going to be erased, if even his underboss can't know his face. Until one night, when Doppio is asleep in his room, and Diavolo makes his introduction to her. In person. Shows her his face, and Trish is convinced this is it.

Except he makes her a deal. Because he's been observing her while she was traveling with Doppio, assessing her from afar. And he has determined that she would be a worthy successor to all that he has built. She is not capable of taking it from him- not yet- because if he viewed her a threat, she would not survive. He makes this clear. But he sees in her the potential to step into his shoes, given time, training and guidance. And he has been thinking of legacy, and the fate of Passione. Trish doesn't understand why he isn't leaving it to Doppio, but he won't give her a reason aside from a solid and resolute "he will not be able to run it without me, no matter what." And Trish and Diavolo both like... Diavolo tells her, flat out, that he does not know how to be a father to her. He does not know how to be family, he does not know how to try and step into a role as her parent. And Trish is like, that's fine, i don't really have room for another parent in my life. my mom raised me pretty damn well on her own, and I don't think anyone can ever step into the shoes she filled. so like....if they're not going to come into this trying to force some familial bond neither of them wants, he gets a chance to bond with her as a mentor. Which I think is something Diavolo is far, far more equipped to be. Because he's spent so much time in that role for Doppio, and he is very comfortable conceptually with guiding someone into their own strength and slowly immersing someone in the world of crime. AND THEN YOU GET THIS KIND OF FUN DOUBLE LIFE, LIKE.... Trish is still living with Doppio, and as far as she knows, Doppio is just the Underboss, just some guy who has never met her father in his life. She's also partially convinced he's actually a blood relative of hers, because the resemblance is uncanny (which makes her feel very Odd about Doppio's fervent, romantic devotion to the Boss, because he can't find a way to be normal about Diavolo, not when he's actually Never had anyone else around who knows that the Boss even exists or who Doppio is. He's literally never been able to talk about his work with anyone else, with the level of secrecy he needs to operate properly as the Underboss, so when he can tell Trish even a little of anything the floodgates come open and he can't hold back the clear strong, absolute devotion with which he approaches his work, and Trish figures out pretty quick that his feelings about the Boss are not purely professional. But she also can't seem to convince him that he has anything to do with the Boss bloodwise- trust me, he has absolutely no link to a nobody like me, my father died before I was born- so she figures well, it's none of HER business.)

So she's kind of nurturing this weird almost-sibling bond with Doppio, because she's convinced they're two castoffs in the same boat together, and she's kind of in this wibbly spot where the two of them could almost bond if they weren't both so hardheaded. Because Doppio is really hardheaded and kind of sees her as a threat to his relationship with the Boss, because he doesn't understand why he's being tasked with looking after her when there is so much more important work he could be doing. And she wants to connect to him, and he keeps almost letting down his walls to her, but they're both so stubborn and get into very bullheaded arguments.

And like, at the same time, by night, she's training to be the Boss's heir. And Trish is harboring this secret- that she knows who the Boss is, that she's being trained as an heir, that he revealed his face to her- because she agrees when Diavolo asks her to keep this secret, is willing to pretend to Doppio like she's never met him- while Diavolo and Doppio's secret looms just outside of either Trish or Doppio's purview- so it's a really fun double life. Doppio wakes up every morning exhausted without knowing why, finds Trish just as exhausted in the morning, and neither of them knows the other was, essentially, out all night getting no sleep and training in combat and stand power. IT'S JUST A VERY VERY FUN KIND OF TENSION AND PLAY ON THE SECRET DOUBLE LIFE TROPE? WHICH MAKES IT VERY FUN TO PUT BOTH TRISH AND DOPPIO THROUGH IT..... Trish is trying to earn favor with Diavolo as her mentor by proving herself a worthy successor, eager to learn the ropes of what it will take to run Passione, and Diavolo is telling Doppio that Doppio's most important mission right now is to act as Trish's guardian and keep her safe and cared for, and Doppio thinks Trish is just a normal civilian he has to babysit, so they're never fully honest with each other.

But at the same time, Trish and Doppio are really actually connecting as a found family in a way Diavolo and Trish are not, as Trish actually like- finds a lot of solidarity with him and wants to bond with him in a familial sense, she just- views him as a brother, to some degree. She fully thinks they may be in the same position. And Doppio really is genuinely like for the first time in his life open to actually bond to someone else, and share any aspect of his life, because he has been so, so isolated for so long. And it makes him very weak to her to some degree, like- oh no, he's making a friend? oh no? he enjoys her company? there is someone he can experience equality and solidarity with? there is someone who actually gets to know him longer than a day? so the two of them really do wind up a weird little family even as Trish has a really professional, purely business and mentee relationship with Diavolo, focused as she is on becoming an heir and growing to be a capable enough leader to run passione.

oh my god this got so long, i was going to answer the second question about most fun/chaotic ot3 partners but I don't know if I have enough words left in me after accidentally that whole spiel. I JUST THINK A SLIGHTLY-LESS-BAD-DADS-CRIME-LIFE IS SO COOL AND INTERESTING CONCEPTUALLY AND HAVE GENUINELY BEEN EXPLORING IT FOR A WHILE IN AN AU WITH MY PARTNER.... AAAAAA thank you for the good question, this sparked me to talk about this headcanon so much. it's so good THIS WAS A GOOD INFODUMP OPENING

#i love..... crime dads au.... #i love heiress trish #i love mafia trish and accidentally family doppio and trish and #longing double pining diadop where they're in love with each other but can Never be together i didn't mention that part #Diavolo is ALSO in love with Doppio and pines so fucking bad for him and it's Transparent #but Doppio believes he never CAN confess to Diavolo and will never be worthy #and Diavolo knows that it will only break Doppio's heart to be strung along by someone he can never ever meet in person ever #and will never be able to understand WHY #because Diavolo has to maintain the secrecy of his proximity to Doppio so he cannot ever let Doppio know exactly HOW things really are he- #can never tell Doppio he lives inside Doppio's heart and his mind and his hands #and he is there every moment with him #anyways it goes hand in hand with both of them connecting with Trish in a different way and her viewing them very differently but also like #causing a particular brand of tension between them #it's so good it's so fun #it's such a fun family dynamic #almost spy x family esque i guess when i think about it #..... oh my god doppio is yor diavolo is loid and trish is anya holy Fuck #diadop spy x family au...... #headcanons #diadop #diavolo #jjba #jojo's bizarre adventure #trish una #vinegar doppio #diavolo jojo #jojo au

[godborn]

yes bruno is a man. yes he is giorno’s mother. two things can be true at once

#tbd // #bruno has many children this is true but giorno is special #not only because he is the youngest but because he literally brought purpose and joy back into bruno’s life #actually i think trish might be younger than him but anyway that’s not important #what IS important is the fact that giorno literally gave bruno the will to live and bruno gave giorno unconditional maternal love #for the first time in his life #and i say maternel because the energy is just there. bruno literally nurtures him and gives him a warm & safe place to rest his aching heart #which obv fathers should do that for their children too but yall know damn well what the reality is #anyways hi i’m gonna write today if it kills me

[andrewknightley]

I stoled this meme cause it was fun

#anyways i ddont hate a lady on fire but i thought it was boring i feel out of the lesbian cinema club #great soundtrack idk really i dont have a fav movie soundtrack #so i just put chicago cause it was the musical that made me like musicals #when i was tiny it activated my brain to a World #i dont really ave bad day cures movies for those moments i usually watch a new movie tbh but #barb and star go to vista del mar is just so great #i remember the plane scene talking about trish and i smile #is so funny #im ok with baby driver now but this was the first time wright dissapointed me greatly for how bad he writes women #but after watching soho i think he just is not very good at writing love interests #except danny but simon was there too #im one of the few people who find terminalthe funniest shit ever (is not a comedy) #also new followers might be surprised for m:i there but people who know me Know #talks and stuff

[bellamontwasright]

Ira Una got so many points for being funny. She's like if William Murder face from Metalocalypse was an emotionally compromised teenage girl. Her stand is Eminem. She defeats Modest Mouse and ends the curse that bound their souls but doesn't remember how. because she was blackout drunk during the big battle. Ira stole some of Trish's medication and sent herself to the hospital trying to get fucked up off what turned out to be acne meds. She threw a jar of piss at a vampire from the window of a moving car and knocked a cyclist off their bike instead.

#Jjba ocs #Jjba demon days #Is not my fic but you should read it anyway go give the author some love they deserve it #Jojo's bizarre adventure #She's the APEX of unlikeable yet morally good protagonists #She's a BASTARD but she cares about other people and is deeply empathetic #Though she lacks the capacity to express that in a healthy way #And Mannish/Ira has a surprisingly endearing dynamic to them #Anyway #I think Ira Una should be the next all star battle r dlc character #Those Trish-Ira battle intros would go hard

[rmbunnie]

okay i’m trying to get a drawing done by tonight because i’m sick of working on it so i’ll post it tonight or so help me god but in the meantime it’s so funny to me that two popular fandom interpretations of Vento Aureo characters is “Giorno is distant, proper, and a little cold and closed off and not very outwardly affectionate towards his friends, probably would be uncomfortable with a hug” and “Trish is a lovely and caring girl who would TOTALLY take care of the boy’s issues if they needed help and is overall just absolutely sweet and kind and normal” meanwhile there’s the New Years art Araki drew of them hugging where Giorno is just CLINGING to the girl and Trish (who canonically HATES feeling body heat even if it’s just from a chair or something) is Tolerating It with one arm loosely around Giorno and staring off into the camera reminiscent of an action hero on a movie poster as the frightened female romantic lead leans against him. Buffoonery. LOVE them.

#jjba #jojo's bizarre adventure #golden wind #vento aureo #giorno giovanna #trish una #love her #not… really a ship thing? i mean i am talking about them as friends #but hey if you think they’re cute that’s up to you #it could be but it’s not intentionally #anyways #they’re a power duo #i vote to stop characterizing Giorno like that so much because it’s a little boring compared to his actual canon personality #also the idea that Trish is oh so sweet and helpful is… something #i’m not big on it #because it’s way less interesting and unique than her original personality especially in terms of her being a girl #like she’s nice #but when i think of her i don’t think oh! caring is her main trait <3 #i could say a lot about parts of the jojo fandom commenting on how badly women were written pre-Stone Ocean #and then using that as justification to ignore and water down all the cool women from those parts #well seemingly #but i could honestly just make a separate post about that #i’ll admit SDC was kinda bad in the women department #but i still adore Holly