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#and they both lose points for it
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The Immortal as a "love interest for Buffy" and Nina as one for Angel may also have some similarities (I know that it wasn't really Buffy who dated the Immortal. But at first, Angel didn't know that, and the audience didn't until Buffy season 8 came out. And it was actually Angel thinking Buffy was with the Immortal that partly drove him into Nina's arms), as both Nina and the Immortal can be seen as fourth love interests for Angel and "Buffy," after they dated each other, of course.
Rebecca, Darla, Cordelia, and Nina for Angel (I don't count Kate since that was an aborted plotline). And Parker, Riley, Spike, and The Immortal for Buffy (though not really the last one). Though obviously, Buffy had crushes on more guys than this (like Ben and Robin), so I'm just counting the ones that she was intimate with.
And both Nina and The Immortal are supernatural creatures, of course, with Nina being a werewolf and The Immortal being a vampire.
#buffy the vampire slayer#bangel#something else i thought of some days ago in trying to think of any and all bangel parallels that i possibly can#also part of me wonders if originally the writers WERE planning on that really being buffy in the 'girl in question' and then changed there#mind about it by buffy s8 and had it be a buffy decoy instead. and honestly if they did... i'm so glad about it because buffy would NEVER#sleep with the immortal#i've seen some fanfic authors try to explain it away. and some make good attempts. but it will never sit well with me#like i could maybe be okay with the idea of her partying it up in rome and enjoying a vacation or thinking she could finally retire (at#least temporarily) after the series finale and finally enjoying life now that there are new slayers (though even that seems kind of ooc).#but sleeping with the immortal? no.#though i have read some fics where she had to do that to get info out of him like a spy... or she really didn't do that and angel and spike#just assumed wrong--and once again. she was being a spy--and that makes it all a bit better#though all this being said i still love the episode 'the girl in question'#i just see it as angel and spike being morons and not realizing that it's CLEARLY not buffy (and. i mean. it's not. s8 made that canon)#and they both lose points for it#but it's fun to see them both obsessing over who they think is her and having their hearts break in thinking she's with the immortal. pfft#angel the series
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oars · 8 months
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mayhemspreadingguy · 2 months
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Lost boys
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gen-toon · 2 months
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ruporas · 1 year
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asking and receiving (bonus below readmore)
[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.
The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.
Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"
More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"
In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."
A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]
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[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#it took me so long to post this even after getting clarification about the maturity warning and stuff#bc i am so shy about it. SDGMKDSGMKSD I LIKE THIS COMIC BUT IM ALSO SO LIKE... AUGHHHH....#when i posted this on twitter though it was like... a few days after ep 11? ive always had the thought circling about vash deserving of#asking for things... and getting what he wants bc he never gets both. doesn't get the opportunity to ask and hardly does he get what he want#maybe the results can go in his favor but at some point along the way he'll still lose something bc nothing can ever go perfectly for him...#and he's usually the one begging and pleading with people to not. do something. it's not even asking at that point it's just straight up#please believe me. please trust me. please don't shoot that person. please don't kill anyone. please don't do it.#and wolfwood.... it was not always this lovey dovey ok. he wouldv noticed this habit miles away and they got into a fight about it the first#time they talked about it bc wolfwood is being hypocritical too. as he always is!!!! but i think as they get more intimate#wolfwood finds ways to make vash understand. smth smth insatiable want and love and desire for wolfwood that makes it much easier to ask.#wolfwood can also just be so compliant. sometimes. which is also an issue in of itself that id love to explore at some point#but he also just enjoys giving into vash fully and completely.#bc he loves him a lot. but anyway#i hope the id is comprehendible.... please lmk if there's something wrong with how im doing it asfdgkdsmgs#ruporas art
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buckttommy · 2 months
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a new (returning) character being added to 9-1-1's roster means that at some point, buck has to scream tommy's name in terror. he just has to. like. can you imagine how much differently that would hit? we saw the members of the 118 give buck the grieving spouse treatment when they all thought eddie was dead in a well. but if buck's boyfriend—as in, his actual, honest to god, officially recognized boyfriend—was in literal danger somewhere? jesus. i just got chills. i need it like oxygen.
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creatively-cosmic · 6 months
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submas designs
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silverspadesss · 1 year
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‘tomas and his two brothers step out…
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carrying the alive but at the moment weak and sort of malnourished body of henry hubbard.’
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THEIR REACTIONS. what if i sobbed
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feedingicetothedog · 4 months
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"But then he is so good at grieving! He wears woe as others wear velvet; sorrow flatters him like the light of candles; tears become him like jewels.”
(w. crystal tears and vampire tears variations) inspired by this veil
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smokbeast · 3 months
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I have some scribbles here and there but I haven’t had time to fully clean em.. but sombra concepts I been cooking with @skelekins and his oc imi taming sombra’s beaft moments,,
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atopvisenyashill · 6 months
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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agentc0rn · 8 months
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Dreams sweet as peach
Mushed into pulp
All gone but the pit
Out of mind, swallowed it whole
amygladin comes
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butchshevik · 1 year
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no but really the focus on pronouns Determining Actual Gender And Having Unique Social Roles in lgbt spaces is absolutely bizarre and beyond any form of basic material analysis of gender it exists in the real world. like speaking from experience you can literally be a stone butch lesbian who goes out of ur way to exclusively dress in traditionally masculine clothes, who uses a masculine name, who intentionally and explicitly plays a complex and deeply nonconforming gender role as both social performance art and for personal fulfilment, and then get lumped in by other lgbt people in the category of "she/her type" (and, more broadly, if you use she/her and are afab, you inevitably get labeled as 'cis' regardless of your actual gender performance as interpreted by the world writ large) just because you dont care enough about pronouns to determine and enforce the use of any others for yourself
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lu-sn · 24 days
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Porsche pulls three strings. The first is Tankhun.
“He seems really down,” he says as he tosses a spattering of food into Khun’s koi pond. “I don’t know what to do about it.”
“Well, that’s easy,” Khun says haughtily. “We’ll take him to Hum Bar. Pete loves Hum Bar.”
The second string is less trouble than Porsche thought it would be. Kinn approves their outing with no fuss.
(Kinn does ask whether Pete really went home, though. Porsche fibs his way through that answer so poorly that he’s surprised Kinn doesn’t call him out for it.)
He leaves the third — the hardest — for last.
“You don’t have to come if you don’t want to,” he says quietly, arm slung over Pete’s slumped shoulders. “I can hold Khun Noo off. But… it would be nice. We all missed you.”
Pete is silent.
Porsche draws from a well of truth deep within himself, taking care to twist his words just-so. “Last time I was down, you took me to Hum Bar. Do you remember? I really did feel better after that. It helped just to get away from here.”
Pete’s eyes slip shut. “I remember,” he mumbles.
“It’s worth a try, right?” Porsche pleads.
He waits, heart thudding against the confines of his chest until, finally, Pete nods.
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Porsche [16:32] : we’ll be there
+6676603223 [16:32] : Okay
Porsche watches as the typing bubble flickers in and out of view.
+6676603223 [16:35] : Thank you.
Porsche cannot even begin to process that. So he deletes the message thread, erasing all evidence of his covert dealings — save for the awful, gnawing pit in his stomach.
-
#kpanniversary2024 episode 13 + prompt 13: secrets
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supreme-leader-stoat · 8 months
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D'you think the suits at youtube realize that they've created a site so fundamentally hostile to actually watching videos that it's easier to just open videos in private windows than turn off adblock?
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pocchi-poket · 1 month
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Anyway my main takeaway from the fandom's reactions to the "Toichi and Yusaku are twins/Kaishin are cousins" reveal:
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