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ronanziriano · 5 months
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So. Um. Now that I've already got a few hundred posts on this blog, I should probably go ahead and make an introduction post. That's usually the order for this sort of thing, right?
You can call me Ronan. My pronouns are he/they. I'm a Scorpio and am an adult, and this blog is definitely very much for adults only.
My interest in and feelings toward whump is definitely very, uh, unconventional? Based on what I've seen around the whump community and others' intro posts, at least. Sort of a combination of a kink and a coping mechanism and a way to confront fears and a thrill-seeking thing. I dunno.
I'm aroace and sex- and romance-repulsed, which probably isn't exactly obvious based on, you know, everything. Especially the fact that a lot of the content here is very NSFW. I guess the thing is, at least for me, I see nsfwhump and non-con as such a completely different thing than sex? It's approached in fiction in such a vastly different way, and a way that's more relatable. Seeing non-con portrayed as something traumatic and horrific, I can understand. Seeing consensual sex portrayed as something beautiful and desirable, I can't wrap my head around.
I like the aesthetic of BDSM, and have done some self-bondage on my own time. In fiction and art, I have absolutely no interest in things that are safe, sane, and consensual. I engage in it in a way that's more about fantasizing. Playing pretend. Imagining that I am the whumpee, being captured and tied up and gagged. In real life, that's obviously going to be the means of enjoyment. But in fiction, that layer of pretend isn't necessary and just gets in the way.
Anyway. I do also enjoy plenty of whump stuff that is perfectly SFW and non-kinky, and I enjoy the occasional kinky thing that wouldn't be considered whump. But there's a lot of overlap between the two. Makes more sense to keep it all on one blog.
I've been a longtime lurker and only recently decided to jump in and make a tumblr of my own. I have tried my hand at art and writing, although I don't know whether I'll actually ever share the results. I don't know that people would be particularly interested in things I create.
I will warn, I'm, well, very picky when it comes to whump enjoyment. Less so when it comes to art than writing; just, writing has a lot more opportunity to include details that end up hurting my ability to enjoy it, while art just has the space of a single image to shoot its shot. That being said, here are a few of my favorite things:
Non-con/rape
Creative torture devices
Defiant whumpees
Slave whumpees
Whumpees who are humanoid but not quite human
Aroace whumpees
Restraints and gags of any variety
Objectification
Kidnapping and captivity
Blackmail, extortion, whumpee having to go along with the whump under extreme duress
Sensory deprivation
Public or broadcast whump
Body modification
Tight spaces/claustrophobia
Asphyxiation (including drowning, strangling, suffocation, etc.)
Mind/body control
Fantasy/sci-fi scenarios
Blood and the removal thereof
Cruel and unusual punishments
Whump where medical accuracy is more of a polite suggestion than a rule
Some things that I'm really not interested in:
Romance/shipping
Villain whumpees or whumper-turned-whumpee
Lady whump
Non-humanoid whumpees, including robot whumpees
Um... let's call it "bathroom activities"
BBU, and any whump where the whumpee doesn't resist or try their best to do so
Amnesia, memory loss, brainwashing
Comedic/crack whump
1st- or 2nd-person POV
Live-action media, particularly photography
I have a page here that lists the topics I always tag for, as well as topics you will never see on this blog under any circumstances. If you decide to give me a follow and there's a trigger or squick that you want me to tag, just let me know.
And, you know. Also let me know if you've got content that you think I will enjoy. I want to consume.
In conclusion:
Hello.
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messagestothem · 2 years
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Message to, Bipolar
Mental health seems to be on a lot of people’s minds lately. More than ever, we hear companies, influencers, and other advocates talk about mental health but when they do it seems to only scratch the surface. Rarely do we hear personal accounts from ordinary people. I want to change that, in hopes that at least one person can relate and find comfort in knowing they are not alone, maybe even see a glimmer of hope. I know, it sounds extremely cliche, but these conversations need to be had and the stories need to be heard. The minute we stop talking about mental health is the minute we start to forget about those that need to not be forgotten, rather we need the most company. 
To accomplish this, I need to introduce myself. My name is Javier Pina, Jr. I’m 26, I work full time, and attend university full time. My family is somewhat close but years of trauma from various situations have caused us to keep a distance. I was sexually molested from the age of 6 until I was about 8. The day I told my secret, what happened to me is the day I felt a change. That day I gave up my secret was the day I gave up my shield, I became vulnerable. 
This post isn’t about the trauma itself but what it caused and how someone like me; us, can cope, and find community, and happiness. I am not a doctor, nor do I consider myself a professional in the mental health space, I can only speak from my own experiences.
In addition to proper medication and therapy, I’ve found taking inventory of my feelings has helped me tremendously. While it may seem scary having to face your emotions, having a better idea of why you’re feeling a certain way makes it that much easier to combat those emotions. Ask yourself, why do I think I’m feeling this way? what triggered it and are your feelings reasonable for the situation. 
To be specific, I suffer from a disorder called Bipolar, unfortunately, the depiction in the media and culture is that those with bipolar are unhinged, however, it’s not the case for most. I myself have periods of highs and lows, as I’ve gotten older the lows have become less intense but have become longer in time. 
Lately, I have found myself to be uninspired, the things I once found joy in have become less satisfying. I blamed being extremely stressed for my lack of inspiration. I can’t get myself in the gym, I can’t get myself to focus on school and a lot of my responsibilities besides work go unattended to. For weeks I was in denial that I may have entered a depressive episode, I did not want to accept it because not knowing how long this one was going to last was going to be the death of me, sort of speak. Then I remembered that I’d gone through this before and I prevailed, my point exactly! We get so caught up in our diagnosis, we can’t see past what is in front of us because we are so consumed by such big emotions and anxieties. 
CAUTION! Cliche’s ahead! 
I’m aware that just hearing it gets better isn’t enough, but I am here to tell you IT DOES! You must believe that you will get past it, maybe not forever but I promise there will be a relief. Take it day by day, there will be good days and there will be days that just feel like 
absolute hell. When we hear this, we automatically think “but you don’t know what I’m going through” or “I’m going through something worst’. Both are valid points. While they might be true, we can’t sit around and do nothing. Even the slightest effort will go a long way. You might consider going out for a walk, talking to a friend or what some might find the hardest, seeking professional help. For the longest I rejected any idea that involved professional help because to me that was admitting something was wrong. Excuse the informality but MAN am I glad I did, even making the appointment made me feel hopeful, I knew I was going in the right direction. If seeing a doctor doesn’t sound like your cup of tea or it might not be accessible, I urge you to try alternatives such as self-guided meditation, apps dealing with anxiety and depression. I also understand and deeply sympathize with those out there that might not have the means to see a doctor but when there is a will there is a way. Below are a few links I found helpful when I first started my journey of healing, including places where you can find affordable or subsidized treatment. 
Therapy for Every Budget: Access It 
App/web based help: 
National Helpline - confidential, free, 24-hour-a-day, 365-day-a-year, information service, in English and Spanish, for individuals and family members facing mental and/or substance use disorders. This service provides referrals to local treatment facilities, support groups, and community-based organizations:
1-800-662-HELP (4357)
Best of luck and a lot of love, 
Javi.
Rheingold’s definition of “connective blogging” asked the writer to create a connection with the public. Connective blogging brings people with similar interests together. In addition, he says, “…improve your digital profile, influence others, and contribute to the commons”. He describes four voices, filter, connector, critic, and advocate. 
In my blog I filtered by sharing something I found interesting in or could provide some insight to others seeking such information, defining my own terms. In this case, I chose to write about mental health and my personal experience with it. In addition, I provided useful links that not only increased the credibility of the blog but also furthered the idea of “filtering”. Providing links related to the content of the blog continues the specific conversation even once they’ve clicked off the blog 
Providing links in a blog also makes “connections” according to Rheingold.  Providing several types of mental health resources in my blog provided the reader with several options to take. It’s an important feature when making connections because it broadens the possibility of connections made. The reason is, not everyone will connect to the same thing as the next person. 
He also mentions that the saying “Everybody is a critic” is a clich��. His words, to me, seemed as if he was saying to take everything with a grain of salt when reading blogs. With those same words, it could also encourage writers of blogs to not care about what others might say when responding to their ideas. Opening about my mental health in a blog closely ties to this ideology. While I may assume that me being vulnerable will result in fewer critics, I could be wrong. Even if that were to be the case, I am never discouraged to talk about my journey because doing so would lessen the possibility of me reaching someone who might need to hear it. 
Being an advocate when blogging can, “..change both the bloggers and bloggers public.” States Rheingold. I accomplished this by speaking about mental health challenges and being a champion for those who have yet to conquer it. In my blog, I advocated for mental health services, and I encouraged my readers to seek help and to lessen their hesitations. In addition, as mentioned earlier, I provided helpful links to several types of mental health services.  Being an advocate for something goes beyond just providing links and information. The words written in the blog must be authentic, genuine, and inspired to truly be an advocate for something.
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watchbeard17 · 2 years
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Tubi Is Still Showing This Wonderfully Sexy Movie For Free
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WATCH TWOGETHER ON TUBI FOR FREE!
LOS ANGELES, CALIFORNIA: January 11, 2022 (ReportWire.org). FreeStyle Digital Media announces the re-release of the 90's cult hit “TWOGETHER” for HD streaming and download on most of the popular online digital streaming platforms. In 1995 Sony Pictures Entertainment initially distributed “TWOGETHER,” which at the time, shocked viewers around the world. Highlighting Jeremy Piven (“Entourage”) as Arnie, “TWOGETHER” is a story about a sexy couple who lose themselves in a weekend of untamed, adventurous, unbridled, naughty pure physical intimacy. “In many ways, “TWOGETHER” is timelier today than when it was first released,” comments Writer/Director Andrew Chiaramonte. “Casual sex leading nowhere is a sign of the time; another 'drug' of sorts to help distance oneself from the harsh reality of today's world.” Produced by Emmett Alston and directed by Andrew Chiaramonte, the movie stars Nick Cassavetes (“Hangover II,” director of “Notebook”), Brenda Bakke (“Hot Shots! Part Deux”), Jeremy Piven (“Mr Selfridge”) and Jim Beaver (“Supernatural”). "Brenda Bakke was great." - BOB EDISON, ROBERT ADAM SLOAN SYNDICATE John Madler (Nick Cassavetes) is a driven, volatile, hungry painter who believes in the value of artistic expression who develops a magnetic fascination to Allison McKenzie (Brenda Bakke) a wealthy girl from Bel Air who's looking for an escape from her reality. As soon as the two meet up at an art work exhibit, it's lust instantly, and practically nothing can hold them back from running off to Las Vegas together with each other for what turns into a wild moment of sexual abandon and intoxication - a spent weekend where they surrendered their own desires and their affections devoid of restraint. Nevertheless hearts get entangled, their arrangement made upon lust proceeds to turn directly into something unforeseen. “TWOGETHER” is about a overview within the true love around two people; this is an example showing how people are able to fall for one another regardless of whether they should not, but they can make it succeed regardless if the relationship is not really worth it.
“TWOGETHER” is now available for rent or purchase - immediate download on:
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starcloud-nova · 3 years
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Favorite fics by some of your buddies on Tumblr and Discord?
God nonnie. You fucked up big time. You underestimated just how hard I can appreciate my friends. I’d like to formally apologize for how long and in-depth this got, but I would pick a stopping point and then go ‘oh! but i cant leave out so-and-so’ and then this got mega out of hand.
Organized by author and not genre! And if I didn’t include any of your works (or I did and it was not the one you wanted), please, don’t take it personally. I am trusting everyone who comes across this post to read the tags themselves, but for two of the fics I have left TWs in front of them.
Cassia’s fics:
Internet Enemies by @cassiopeia721 (x)
At school, Midoriya Izuku is ignored at best. At home, he's raised by a single mother who seems to be always taking night shifts, and who he communicates with almost exclusively through notes on lunch boxes and texts lying about his location. As such, Midoriya Izuku turns to the internet— or more specifically, an All Might fan server on discord— for companionship. Like most things in his life, it goes wrong eventually. It just takes longer than usual.
hypnic jump
Izuku finds himself somewhere he doesn't recognize in an oversized green jumpsuit with a hero he's never seen at his back. He's pretty sure he's dreaming, and subsequent events only solidify that theory into rock-solid certainty.
Paradigm Shift (Harry Potter)
Harry undergoes a paradigm shift at the beginning of his fifth year. (Slytherin Harry)
~~~
Kestrel’s fics:
Compass by @autisticmidoriyas (x)
Midoriya Izuku never had the chance to become a hero—or even to grow up. Fifteen years after his death, Akatani Izuku tries to save the life of a dying hero and in return receives a target painted on his back and a power humming in his bones.
All Might, Sir Nighteye, Ground Zero, Suneater, and Skyquake are left scrambling in the wake of Lemillion’s death to figure out who now holds One For All.
Intertwined with all this, the League of Villains’ war against Japan burns on. With the loss of Lemillion, the advantage is now theirs, and with the loss of One For All, victory is all-but-assured.
(What the villains don’t know is that One For All lives on in the blood of a boy who was always meant to be a hero.)
triskelion
A few seconds, and their lives—their life—is changed forever. Where three people used to exist, there is now only one.
While visiting the mall with their class, Izuku, Katsuki, and Shouto are the victims of someone whose quirk can fuse together objects … and people.
Permanently.
Facing down the fact that they may never be unfused, a long adjustment period lies ahead of them as they learn how to be themself and figure out where they fit into their families, their class, and their world.
the meaning of hope
One day, the smoke will reach its end. They hold out hope for that. Even with quirks, fires cannot burn forever. They will consume all their fuel, until there is nothing left, and they will wither and die.
~~~
Lilly’s fics:
Rise of the Rat Finks by Authoress_Lilly
“You're not in trouble Neito. You’ve been tapped to join The Rats.”
The boy blinks. “The what?”
Vlad opens up a folder and hands Monoma a flyer and a small pin in the shape of a rat. “It’s a sort of secret society here at UA.
Or: an excuse to put Monoma and Midoriya together in way too many words 😅
The Root to Villainy
Prompt: Izuku doesn't realize how fucked up his past was until Aizawa does an immersive class on villain origins.
Whoops?
~~~
Dance’s fics:
Never Take Your Problem Children To Costco by DanceInTheKitchen
“SECURE THE EGGS! I REPEAT SECURE THE EGGS!” Bakugou bellowed.
“YES SIR! AYE AYE SIR!” Izuku saluted.
Shouta is staring at his students, one of whom seems to be reenacting the Lion King with a carton of eggs while the other salutes him, and wonders. What the hell did he do in his past life to deserve this?? Past him must have committed some great sin, like putting sugar in his coffee, or being a dog person.
 Or, Aizawa, Bakugou and Midoriya walk into a Costco.
grow as we go
The dorms were silent, but out here in the open air, she felt both isolated and free. Isolated from the world, but free from the responsibility crushing her, isolated from her friends and family, but free from judgement. Up here, with only the stars and Iida as company, Momo felt like she could breathe.
They sat next to each other in silence, watching the stars silently crawl their way across the sky. Iida doesn’t break the silence, but he also doesn’t leave. It’s a silent promise, to listen if she needs it, or to keep her company if she doesn’t want to speak. It’s comforting.
She’s not sure when she speaks, it’s somewhere between staring up at the stars, and looking at the shiny dew covering the grass of the hills behind UA.
“I’m not ready.”
 Or, with graduation right around the corner, Momo has a conversation with Iida about what growing up means.
~~~
Azure’s fics:
A Helping Hand for All by azureskyy
Izuku doesn't know why everyone's talking about a certain hero analyst online. He's tried browsing through the forums and other sites, but he just can't find the person they're talking about.
Maybe he'll ask them later. For now, he has some analysis to do.
Or: Izuku is a well-known hero and quirk analyst across multiple social media platforms.
Not that he's aware of it, of course.
A Missed Chance
Two paths cross then diverge. In another universe, perhaps, they could have walked on the same path; they could have talked for the second time that day, and Izuku could have been given an opportunity that could change his entire life. And maybe, just maybe, he would have taken it.
But this isn’t that universe.
Or: What if All Might wasn't able to find Izuku after the Sludge Villain Incident?
~~~
Alice’s fics:
A Terrible, Horrible, No Good, Very Bad Day by @makeitbluue (x)
“Did you think you’d be safe from me forever? That you could chip away at my power base and I would not care or try to hunt you down?” The man asks as he steps forwards.
Izuku scrambles backwards in his bed, searching the covers as he goes for his phone. If he can get a text off to All Might or Aizawa-sensei he can alert people to the potential danger.
But even as he moves, something in the back of his mind tells him he had heard this voice before. A different time, a different context, but the same voice.
~~~
Ely’s fics:
bend and break by @queenangst (x)
In a world where you can feel your soulmate's pain, Eijirou spends a lot of his life up until meeting his soulmate hurting.
draw and quarter
In District Twelve, no one volunteers.
When Aizawa Shouta’s name is called, no one says a word. He stands there for a moment, feeling all the world slow around him, and then he straightens his shoulders and walks to his death.
He will die fighting. At the very least, Shouta can promise that.
Shouta's name is drawn for the Hunger Games, alongside Shirakumo Oboro. No one from their district has ever won.
damage control
After All for One's defeat, Aizawa Shouta is grasping for ways to protect his students. At the same time, a discrepancy in Midoriya's behavior leads Shouta down a dangerous line of investigation and to a single question: if Midoriya is the U.A. traitor.
Between the Wind and the Water
Staying at U.A. for winter break, Izuku hopes it'll be a quiet chance to spend the holidays with Todoroki and supervising teachers All Might and Aizawa-sensei.
It's just his luck a gift-shopping trip turns into a gift from a villain, and Izuku's new Half-Cold, Half-Hot Quirk is not so easy to control. Neither are the secrets he's been carefully keeping.
a glimpse of tomorrow (looking back)
Subject: Aldera Time Capsule Ceremony Forwarded Message— This year marks ten years for the Aldera Middle School graduating class of 20XX.To celebrate, we would like to invite pro heroes Kingpin and Deku, Aldera alumni, to participate in a public time-capsule opening. We are incredibly proud to have helped them on their journeys to becoming heroes, and would be most honored to receive them as guests and for them to speak at the ceremony. [...]
"Well," Deku says, leaning over to turn the monitor towards him. His eyes flick over the contents of the email one more time. "If they haven't changed, then I guess we could return the favor."
Ten years down the line, Bakugou and Midoriya are invited to a time capsule ceremony at their middle school to read letters from their past selves, and look back on their past and how it shaped their future. For anyone else, it would have been a celebration.
For the two of them, it's an opportunity.
A look into Bakugou and Midoriya's past—through a future neither of them imagined—as pro heroes, agency partners, and friends.
of the mighty heart
It was just complicated. Kacchan had changed. Izuku had changed. What was between them was constant—Kacchan was always there—but even constants, Izuku supposed, could change, too.
...You saved me, sometimes you say Deku and it doesn’t sound so much like an insult, you say it like you mean it, you say it like you mean me.
After the war ends and the dust settles, Izuku is left in pain and feeling useless. There's still so much to do and people to save, and it's just... too much for one person.
And then there's Kacchan.
~~~
Fawn’s fics:
Bough Breaks by @fawnvelveteen (x) (trigger warning for discussion of rape/noncon)
In life, nothing is certain. Pro-heroes aren’t always the good guys. Children are not spared from the darkest realms of humanity. Izuku isn't acting like his normal self at school lately, and his homeroom teacher has taken notice. After learning about the mother’s new, unwelcomed boyfriend, Aizawa’s concern shifts into dread. He’ll do whatever it takes to keep his student away from harm.
Almost Moon (trigger warning for suicide) (Black Clover)
It was always at night. One of Noelle's squadmates, apparently, believes it's a good idea to walk across the rooftop, directly over her head while she is trying to get some sleep. Finally, she decides to confront the nighttime nuisance. What she discovers is something she never expected, nor did she wish to see.
~~~
Nez’s fics:
The True Successor by @neko-nez (x)
Toshinori is caught in a time loop.
~~~
Aodh’s fics:
new game + (the pros of being over-leveled, the catharsis of finally beating That One Boss, and a bonus social link) by @takeyamayuu (x)
Izuku hasn’t been noticed yet, being as far from the fight as he is. Or if he has, they’re dismissing him in favor of the larger threat of Aizawa-sensei. As they should, since he takes out the last one with a well placed kick, turning to face Shigaraki,
Izuku tenses, this is-
This is where his teacher’s arm is injured and then-
The Nomu.
One for All spikes to around fifty percent, his muscles stinging, bones creaking as Izuku darts forward, aiming for Shigaraki’s head with an axe-kick.
Second year Midoriya Izuku gets hit with a Quirk, skids into the USJ, and learns a little about self-care along the way.
~~~
Ghost’s fics:
fingerpaint bruises and a kick in the teeth by @ghoststrawberries (x)
There’s a sour taste in Shouta’s mouth as he stares at Jackrabbit’s bright smile. The smile he’s wearing in every clear photo of him. It somewhat reminds Shouta of All Might’s smile.
Jackrabbit might be a menace to the Commission, but there’s no way Shouta can believe that a man with that smile is anything less than good to his core.
“And I’m your last resort to handle this quietly.” He says knowingly, keeping his thoughts to himself.
“Precisely.”
Shouta’s gut response is to refuse.
The words “I don’t kill.” are halfway up his throat before they become stuck.
As an underground hero, sometimes Shouta Aizawa is called upon to do darker jobs than one might expect a hero to have to do. This time, when he's tasked with taking out a vigilante who's managed to bother the Hero Public Safety Commission one too many times, he's not sure he'll be able to follow through.
~~~
Amira’s fics:
And Now I See Daylight by @awake-my-oceans (x)
AnalysisOverload Current mood: HERO CON HERO CON HERO CON HERO CON
AnalysisOverload reblogged AnalysisOverload  Okay, let’s talk HeroCon. 
Look around, and you’ll see a lot of discrimination—against people whose Quirk is debilitating, against people whose Quirks scare us, against people who have trouble controlling their Quirk, against people who don’t have a Quirk at all. It’s easy to feel alone in a sea of discrimination.
Enter HeroCon:X.
A social media fic following Deku post-graduation.
The chaotic neutral’s guide to time travel
“You claim you are from the future,” Nedzu said, hopping onto his desk. “Do you have anything to prove this?”
Hitoshi fished around in his pocket. “Here’s my hero license,” he said, holding it up.
Nedzu opened his mouth, but Hitoshi kept right on going, producing a handful of odds and ends from his pocket. “Also a movie ticket, some dryer lint, some, uh, didn’t know I still had that but it’s old gum—“
That was when Aizawa walked in, capture weapon floating around him. “What’s the emergency?” he asked, clipped, as he kicked open the door.
“—and the left arm of a Deku plushie,” Hitoshi finished, unruffled. “My cat ate the rest.”
~~~
Aaaaaand that’s all I got. Thanks for making it to the end!
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Hi! You’re here!
You’re here from a video about shifting ->
Awesome! Welcome.
If you don’t believe and plan to express that, go ahead! Please read the entirely of this post before interacting. The FAQ might help you as well.
I know Anthony’s video is out. My thoughts on it are here.
Me!
My name is Jade, primarily they/them, here’s about me!
Most important info from that is I’m a minor and I have minor but chronic depression which means inactivity because of sadness will be gradual/partial but likely long-term. What I lose motivation for usually goes in the order of: socialization/dms/interactions in general, motivation to work on my own shifting journey, informational posts or stuff I need to research for, and then other quicker asks answers. It gets better in the reverse order of that usually!
When I am not talking about shifting, I’ll probably be dropping random thoughts about whatever media I’m consuming at the moments or stuff about my day either tagged under not shifting + relevant tags or just not tagged unless it’s for a trigger. Feel free to ask me to tag anything! No judgement!
CEO of starting “Shiftblr”™️ and CEO of the Shiftblr Directory ™️ therefore I am your overlord. bow to me /j /lh
Blog stuff!
Here’s my
Masterlist
which includes my
FAQ that answers what shifting is
+ answers to useful asks or reblogs, a list of my informational posts, a list of my subliminals, and it includes the Shiftblr Directory!
If you want an ask to be included in the Masterlist that isn’t, just ask!
It would be more timely for you to skim my Masterlist to check if there’s an ask that obviously answers ur question before asking, I know there’s a lot so it’s natural to miss something so it doesn’t matter to me if you don’t, it’s just I take some time to respond and it’ll be in ur best interest lmaoo luv u
If you reply to a post and I reply, I’ll reblog and tag you! I will not be replying in the comments (this is a sideblog)
And since THIS IS A SIDEBLOG! I follow and like from my main!
Asks, dms, submissions, etc are as of now always open! I do answer asks and such out of order based on factors such as what I can answer without researching, what I need to make a long response to, etc. Dms tend to get a bunch of quick replies soon after and then they dwindle because I’m forgetful.
I have gotten suicide baiting before. I am a minor. I have depression.  Please keep that in mind when making commentary to an audience. 
If you’d like to repost or use my content on another site for whatever reason, including “look at these losers” compilations (not that I’m encouraging you but I can’t stop you) and such, please ask for permission first so I’m aware but the answer will be always be yes on the grounds I can’t stop you lol
My Shifting Journey Stuff!
Regarding what I believe about shifting: as of right now, I do believe that shifting is a projection of consciousness into an alternate, real reality. As of now, my answers and information on shifting do tie into that. I speak for those who believe the same as me when I make statements about shifting and such. Regarding what I believe shifting is is liable to change depending on the results I get from experiments when I do shift. It is completely possible experiments I do bring me to the conclusion it’s a meditative, in-the-mind thing, in which case I probably will keep shifting terminology but have a different personal understanding/definition of stuff. As I have not shifted yet, I’ll get to all that later.
My shifting schedule is terrible lmaoo I barely try
I have not shifted yet but y’all will be the first to know!!
My DRs/DR ideas include:
•(Incorporated with other realities as well) Reality with something we don’t know here/some sort of ‘proof’ thing, post with context here (shifters PLEASE check out)
•Reality so I have more time to study
•Reality with different economic systems in society to see the differences
•Reality of my novel(s)
•Reality where I have a dog and/or a cat
•Reality where I’m a famous YouTuber/streamer
•Minecraft (including dream smp)
•Good Omens
•The Witcher? Perhaps?
I think you’re mentally unstable.
Sure. You can totally not believe in this, and thus think I’m delusional, ‘insane,’ etc.
You don’t have to believe anything I believe. You don’t have to keep believing if you already have. This stuff is strange, I totally get it.
I’d just prefer you don’t apply specific disorders to me or shifters on the basis of believing of shifting, out of respect to those with the disorders.
And you’re still welcome on my page no matter what your beliefs—as long as you’re respectful. If you’re not respectful I’m probably not gonna treat you seriously.
I just need you to understand that there’s just really no point in responding to people who don’t offer any sort of points to go off of.
For example if I receive, “shifting isn’t real,” “shifting is daydreaming,” or my personal favorite /s “kill yourself,” in my inbox, I am going to treat it lightly as there’s no specific evidence outside of opinion or general statements to discuss and for some of the sentiments, I have already responded to. 
If I receive something like “some people can pass reality checks in lucid dreams,” “I don’t understand the differences between daydreaming and shifting/don’t think there are any because X” or “the escapism in shifting worries me,” etc. I can totally discuss this and I welcome that kind of feedback.
There’s also no point in getting in our tags with pointless statements like “shifting isn’t real” if there’s no points to go off. I probably won’t engage with that sort of thing either because again, it’s so general, and I’d have to address every single possible reason they would feel that way before we could have a proper conversation.
If I’ve ever been hypocritical in what I will respond to seriously or not, which I probably have been, that is my fault, and I will do my best to be better. You can point hypocrisy out to me.
So if you’re here to simply roast me or shifting PLEASE be funny. I’ll be rating ur jokes out of /10 and I’m not gonna sugarcoat. I want quality. This applies to YouTube videos as well. If you use me in a video please drop a link I fr wanna see
Current record: 6/10
But if strangeeons ever tumblr deepdives into this I need you to know I love you w my heart and soul. you can make fun of me however u want I’ll thank you /J
In all seriousness this is good guideline in how you handle delusions. If you think we’re delusional, please be mindful in how you go about it. Nobody’s saying you can’t say you don’t believe in it but purely insulting people to their face because of it isn’t being helpful.
You are also not being helpful to the mental health of people you claim to care about by hating on them and sending large audiences their way. I don’t like shifting tiktok but I feel terrible for the mostly teens who are getting most of the heat regarding shifting. It must suck.
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huntertales · 4 years
Text
Part Two: Wicked Witch of the West. (Slumber Party S09E04)
Episode Summary: The reader and the boys call in I.T. expert Charlie Bradbury to help track fallen angels with technology found in the Men of Letters bunker. However, they soon discover something more in the form of the one and only Dorothy from Wizard of Oz. Everyone joins forces to take down the Wicked Witch and her evil plans. Pairing: Dean Winchester x Reader Word Count: 5,020.
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There was nothing more you loved than curling up with Dean in bed to enjoy a little bit of TV and enjoying one another’s company. Sam offered up his room for all of you to stream the show, you took a wild guess that it was because the man was afraid to step into his brother’s room to see a wild assortment of leftover food growing new forms of mold. You reassured him you made sure all half-eaten meals were thrown away and everything was kept in a tiddly order. He reminded you that his room was the one with the TV. And your bedroom was a mere disaster of still unopened boxes from your house and clean clothes thrown around in a manner you swore was organized. All of you settled on the offer and enjoyed a few episodes of the TV series you had heard so much about. 
The bowl of popcorn shared between you and Dean had nothing left but kernels after munching through the episodes that kept your attention with its enjoyable plot and characters. You sipped the remaining mouthfuls of your beer as Dean slid his hand from around your waist and reached for the remote to pause the screen after nearing the end of the final episode on the DVD. 
"Wow. That Joffrey's a dick." Dean felt the need to declare his hatred for a character you had grown to despise yourself from his childish and downright horrific behavior. You didn't think you ever had more of an urge to jump through a TV screen and strangle a fictional character more than you had for that blonde headed bastard.
"Oh, you have no idea. Wait until he—" Charlie smiled at the upcoming plot details you and Dean might want to hear about that would happen in the next season. Before she could get a single word out, the young Winchester promptly stopped her from spilling any details.
"Whoa, whoa, whoa, whoa! Spoilers." Sam warned the redhead. "I haven't read all the books."
"You're gonna read the books?" Dean asked his brother. He didn’t see the point of wasting one’s time reading a fictional version of the same media you could consume in a live action version, no mental imagery required on his part.
You shook your head from the point the older man was missing. Books were not always like the live adaptations. The plot might have been the same from the beginning, but TV versions often strayed from the original material to make their own spin and give the characters new journeys. The reader was able to picture the characters described by how the author saw them and not how the actors were chosen for the role. There was no greater disappointment to a reader when someone chosen turned out to be the opposite of what you spent pages imagining in your head. Not to mention the author was still writing the novels as the show aired. You tried getting yourself into the book until you ultimately failed trying to find interest. You gave the first one to the younger WInchester in hopes he would enjoy them. 
"Yes, Dean. I like to read books—you know, the ones without pictures." Sam shot back with a sarcastic comeback to strike his brother silent. 
You took it upon yourself to finally relieve the ache in your back that started to creep up on you while you were halfway through the fourth episode. You let out a long, drawn out sigh of relief after you got back up to your feet. “Ooh. I have never loved you for talking to me into getting that memory foam mattress more than I do now.” You said to your boyfriend. The price tag made your eyes widen from how expensive it was. In reality you didn’t spend a single penny. And you slept better than you had in a long while. You rubbed your lower back and stretched slightly to make yourself stop feeling twice your age. “I don’t know how you sleep on that thing Sammy.” 
"You're not kidding. This bed is about as comfortable as a brick." Charlie got up from the chair she had been sitting on and switched to the edge of the mattress. She bounced a few times to discover it was painful as it looked. You smiled and leaned against the desk to change up the scenery. Charlie glanced around the room, taking notice of the fifties style attire with not much updated touches to make it personal. "Any plans on moving in anytime soon?"
"I am moved in." Sam said. "This is just my style."
"Yeah, this is style. Old man." You agreed. You took a look around the room yourself to see he didn't do much to give it the Sam Winchester touch except for cleaning out the several decades of dust. He didn't even try to put any effort to make it his own. "You would've really fit into the fifties aesthetics, Sammy. Fifty shades of brown and endless plaid."
"Well, I'm sorry I haven't hung up the 'Hang in there, kitty' poster yet, Y/N. Feel free to redecorate." Sam didn’t like the sarcastic jokes you were saying on his behalf. You rolled your eyes from how he was behaving all of a sudden. "Tell me again how your moving process is going.”
"I'll get there eventually. At least I'm making some kind of effort to make it mine." You said. It was Sam's turn to roll his eyes from your half-hearted excuse. "Are you saying our home's not good enough for the 'Hang in there, kitty' poster?"
"This isn't our home." Sam corrected you. "This is where we work."
You tightly furrowed your brow from the way he was acting. "What's the difference?"
You waited for Sam to give you a reason why he didn't think the bunker was just that, a home. He was the one who helped you persuade Dean into staying here permanently after discovering it for yourself. You thought he would have embraced it with open arms from everything this place had to offer. For once he had a home to call his own. Something that fits him perfectly from the life all of you lead. No one to take it away, no real chance of a monster sneaking in here. You hoped he might have been able to find some sort of comfort here. But it seemed the younger Winchester didn't feel the same way you and his brother did. To say it came as a surprise would have been an understatement. 
Charlie looked between you and the younger Winchester when the both of you did nothing more than stare at one another for a few seconds. It was as if the two of you were waiting for the other one to say something to keep this conversation-turned argument going. You and Sam remained silent. The redhead didn't realize she had triggered such a touchy subject. She shifted her gaze and mumbled something underneath her breath, a weak attempt at trying to relieve the brewing awkward tension.
“All right, well, I'm gonna go get us some more beers.” Dean said, getting himself up from the bed and making his way to the door. ”How about that?”
You polished off your beer when Dean shut the bedroom door behind him, leaving the three of you alone. You set the empty bottle down on the desk and quickly spoke up, not wanting the mood in the room to shift into a subject you didn’t want to discuss while your friend was staying here. 
"So, Charlie," You struck up a conversation you had been meaning to bring up since you heard about the redhead's solo adventures. "what was that all about how hunting isn't magical?"
"Saving people, hunting things, the family business? I am down. But..." Charlie trailed off, making you and the younger Winchester share a curious expression to her hesitance about seeing what hunting was really all about. "I was raised on Tolkien, man. I mean, where is all of this?" She held up the DVD she grabbed to make her point about what she had really been searching out there for. "Where are my white walkers and my volcano and magic ring to throw in the damn thing? Where...Where's my magic quest?"
"Magic, quests...suck. Trust us." Sam scoffed. You had to agree with the younger man about that point. Both of you dealt with your version of fate and quests. It all mapped out to a miserable ending. "They're all dead ends.”
Charlie's shoulders slumped at the possible reality she might have to come to terms with. The few times she had been able to work on a hunt with the three of you had turned out to be sort of fun,  minus the physical and emotional trauma she endured. Charlie was searching for a spark that steamed from a childhood daydream of fighting dragons and saving the princess. An urge that didn’t come along in this kind of lifestyle. 
The supernatural and magic might be real like it was in the books she read, but it was vastly different from the fictional counterparts. It was darker. Scarier. Charlie couldn’t help but find the light in every bad situation. You had a feeling she was going to keep looking for her quest. You were a firm believer everyone had a role to play in life. She had yet to find hers. 
+ + +
The four of you decided to check on the progress of the files Charlie had been downloading to her tablet after giving the progress more than enough time. You made your way down to the control room to see everything was how you left it at first glance. It was when you made your way closer to the outdated machines was when you noticed something was strangely off. You slowed down your pace and looked straight ahead at the strange substance on the wall behind the shelf. You knew for sure it hadn’t been there before. 
“What the hell?” Dean muttered under his breath. The boys approached closer to the shelf as you stayed behind near Charlie as she reached for her tablet to check on things. "Sam give me a hand."
You placed your hands on your hips and watched as the brothers pushed away the shelf out of the way, revealing something you had never seen before. Almost the entire wall was covered in a grayish color cocoon. You were tempted to poke at the substance to see what it felt like in order to figure out what it might be, but your squeamish disgust kept your feet planted where they were. Dean took out a knife from his pocket and slid the blade through the substance, cutting deep enough of a makeshift entrance to discover what might be hiding inside. You weren't exactly sure what you were expecting to find in there. A human arm falling out was not one of them. 
Dean stepped back from the possible danger he was standing next to. You and Sam didn’t waste a second pulling out your guns and pointing it in the direction of where the arm was. The older Winchester waited a moment to see if anything else crawled out. But it seemed you were safe for the time being. Dean opened up the flaps of the makeshift pod wider. A fully grown woman tumbled out and to the ground in doing so. Charlie let out a soft gasp as Dean swiftly grabbed for his weapon if the stranger decided to try and do anything stupid as a way of greeting you all. You slowly made your way forward as Dean leaned down to push the woman on her backside to get a better inspection of her. 
She appeared to be human at first glance. What you found most odd about her was the taste in clothing. They weren't from this decade, or from this century for that matter. You were a little bit tempted to slightly nudge her with your foot when she remained on the ground with no sudden movement. After a few more seconds she started to come around to consciousness. Her eyelids fluttered open as she inhaled a deep breath for the first time in God knows how long. The first question that popped in your mind was who the hell she was. 
You and Charlie did a little digging in the archives to discover the mystery visitor was someone you thought was a fictional character in a movie and book series you remembered fondly from your childhood. You made your way back to the control room with the file in hand to see Dorothy was recuperating from her well over seven decade slumber. She sat on the floor with a blanket Sam had provided for her as he tried to get some sort of information out of her. You dropped the file to the computer and briefed Dean with what you and Charlie learned. You stared down at the sepia toned photograph Dorothy sitting on her motorcycle. She sure wasn’t the Judy Garland version you had pictured in your head when you read the books as a child. 
"Holy crap! The first case invested in this bunker involved Dorthy. She and the witch came into this room, and they never came out." Charlie read off the details of the file she hadn't gotten a chance to go through in finer detail. You let out a quiet sigh from how excited she was getting over the hunt you stumbled upon. "This will never stop blowing my mind!"
"Okay, pace yourself, Toto." You whispered to her.
“Oz is real!” She exclaimed with too much eagerness for your personal liking from the situation you were dealing with. You shook your head from the way she was handling all of this. She nudged you with her arm, trying to get you amped up as she was from the things you were learning. “It’s part of the fairy world.” 
“We have to find her.” Dorothy stated. You knew damn well who she was talking about, the wicked witch. Didn’t explain who put her in the glass bottle and left her on the shelf undisturbed for all these decades. The same bottle Dean must’ve accidentally spilled over when he was trying to take off the back panel of the computer.
“No, we have to talk before anyone does anything, okay?” Sam tried to get the woman to focus on the questions she ignored just moments ago. She remained silent, tugging the blanket closer around her body. “Dorothy?”
“Talk? Typical Men of Letters, standing around, having a nice little chat with your noses buried in your books while your little secretaries take notes.” Dorothy rolled her eyes when she glanced in the direction of you and Charlie, thinking standards for how women were only capable of being nothing more than glorified paper pushers. You scoffed at her presumption that was the farthest thing from the truth. She had a lot to catch up on. 
“We’re hunters.” Dean told the woman. 
"And who are you calling a secretary?" Charlie came to both of your defenses at the sexist title. 
“You’re not secretaries? You’re Women of Letters?” Dorothy looked surprised much as she sounded when she asked a question that felt almost impossible. You nodded your head, only making her become more baffled about her surroundings. "W—How long have I been out?"
“That’s why we need to talk. Look, you’ve been gone for over seventy-five years. Now, according to our file, you came here to kill the wicked witch and then you disappeared.” Sam gave the woman a quick refresher to help jog her memory in hopes it might fill in the gaps of information that the file couldn’t provide. “What happened?”
“We couldn’t find a way to kill her. So I did the only thing that I could.” Dorothy explained to all of you that led her to the demise, and how you found her the way you did. “A binding spell that came at a price—her soul with mine.”
“So you’ve been frozen with the witch for all this time?” You asked. 
“Yes.” Dorothy answered. She pushed off the blanket and got up to her feet, growing frustrated from all the precious time you were wasting on silly questions that weren’t going to lead the search for the witch any faster. “Look, the witch cannot be killed. If I am awake, then so is she.”
“Wait, if she’s here, why didn’t she kill you?” Sam wondered.
“She can’t.” Dorothy explained. 
“You’re protected by the witch of the North’s kiss.” Charlie jumped into the conversation and told you the reason why. She smiled from her knowledge that she had a feeling was going to come in handy. "It was in the books."
“Oh, forget the books! They’re not important. I’m protected. You aren’t.” Dorothy turned the focus onto an important detail that couldn't go without saying from the danger all of you were under. ”Now, the witch came here looking for something. I have no idea what it is. But we have to find her before she finds it.” 
“All right, all right. Charlie, dig into the files. See if you can find anything that puts a dent in a witch.” Dean instructed a set of plans to somehow get this situation under wraps. “Sam, Y/N and I will have a look-see. Come on.” 
“I’m helping.” Dorothy declared, clapping her hands together. 
"Yeah, I don't doubt it. But for right now, why don't you rest up and help the smartest person in the room?" You suggested to the woman. You glanced over in Charlie’s direction to catch the smile that began to creep on her lips from the subtle compliment. The young woman admitted about her longing for magic and all sorts of adventures, you had a feeling Dorothy could provide some during her stay. “Have fun, girls.”
You and the boys searched much of the grounds as you could together. Neither one of you wanted to take a chance at splitting up and going up against the wicked witch alone if you were unlucky enough. You didn't know how long it had been after she escaped or where she was hiding. You went through several different locations before making your way to the dungeon shortly after, wanting to be sure your other house guest was still locked up tight. The wicked witch and the king of hell teaming up together wasn't how you wanted to spend your night.
Luckily for you the king of hell was exactly where you had left him earlier today; locked up tight in the chains that secured him from trying to make a foolish escape. But he wasn’t innocent as he looked slumped back in the chair. Crowley was all too causally whistling a familiar tune from a movie you had seen several times in your lifetime enough to recognize the reference. It was the song. “Somewhere Over the Rainbow.” Dorothy sung it before she was swept away to Oz by the tornado. You cautiously looked around to make sure if the wicked witch wasn’t here, and when she wasn’t like how you suspected, you dropped your gun back down to your side. 
"Wow. If it isn't Dorothy and her pals, the Scarecrow and the Tin Man. Your new houseguest—so misunderstood." Crowley informed you of what you already were about to deduce on your own. He waited a moment for either one of you to get the reference he slipped in, but when he was left hanging, you responded with silence. “Neither one of you saw 'Wicked'?"
"Sorry. I haven't exactly had the chance to visit Broadway lately. I'll make sure to get right on that after we wrap all of this up." You said, rolling your eyes. "What did she say to you?"
"Something along the lines of..." You weren't sure if the demon was trying to be cheeky with you when he hissed, bearing his teeth and all. 
"All right, well, I'm gonna get some holy oil and a lighter, dick bag." Dean said to the demon, not even the least bit impressed by the childish behavior that meant nothing to you. 
"I know what she's looking for." Crowley said. He tried to use his knowledge for leverage to get something out of you. You narrowed your eyes on the demon as he raised his brow, wondering if you were going to play long to hear the answer.
"What does she want?" Sam questioned the demon. 
"I'd be happy to tell you, as soon as I get to stretch my legs." Crowley gave you a smug smile you wanted to smack off his face. The demon knew he had you backed into a corner, the only thing you could do was give into his petty demands. Or continue chasing your tails.
You let out a frustrated sigh. The boys weren't too pleased either as to what the demon was asking. But you gave in with a nod of the head. Dean approached Crowley with the key to unlock the chain around the demon's neck, all while holding the knife to stab him with if he tried anything stupid. Crowley behaved the entire time. He slid off the collar and let it drop to the ground, you and Sam never lowering your weapons as he did so. He let out a groan of relief from being freed for the first time since you forced him down here. 
You gave the demon an impatient look as he took his time enjoying the freedom that wasn’t going to last for too long. He moved around his stiff neck and finally pushed himself up to his feet to stretch his aching legs. Crowley even had the audacity to let out a chuckle and smile at his victorious win.
"All right." You spoke up, wanting to get the demon back on track to the reason why you were even letting him off his leash. "What does the witch want?"
"Give me a mo.” Crowley said. “I still need to air myself out."
You pointed your loaded gun at him and shot off a round straight into his chest, showing him you weren't in the mood to keep playing his little games. "I think you're out enough." 
“Rude.” The demon muttered, taken back by your hostile behavior.
Crowley inspected the bullet wound in his meat suit and shook his head, you ruined his outfit even farther as well. You were about to warn him where the next bullet would go, the demon compiled before you could get a single word out. He reached for the crumpled piece of paper at the edge of the table and unfolded it to show you a single word written down. You furrowed your brow slightly, not sure what to make of it.
“Key?” Sam read off the word. “What key?”
“I haven’t the foggiest. Had to send her off on a merry chase before she could melt me.” The demon said. He gave you a smile from the corny joke you once again didn’t find the least bit funny. “Told her you boys kept the keys in the kitchen. You do have a kitchen in this crap hole, don’t you?”
You had the first potential lead at finding out where the witch was before she could get her hands on this supposed key. You and the boys quickly made your way to the kitchen in some kind of hope that you might be able to catch her, but you were too late. All she left behind was the mess she left trying to find the damn key she was doing everything she could to find. 
The witch tore every inch of the room apart; pots and pans were scattered all over the floor, food you had left out to enjoy later laid spilled on the counters. It looked like a tornado blew in here. You let out a groan of frustration and dropped your arm holding your gun back down to your side. Not only did you have this mess to clean up after you solved this Wizard of Oz, the wicked bitch was still on the loose and most likely tearing apart another room.
"Damn it, I just cleaned in here." Dean grumbled in frustration.
"Really?" Sam sounded like he was in disbelief at hearing his brother was capable of cleaning up after himself. 
"Surprisingly, yes. He's become very domestic since we started living here." You said. You made your way into the kitchen when it was made clear your problem was long gone, but still lingering about and causing more chaos in her path. "Looks like we got a witch problem." 
You took a moment to examine the damage the witch left behind and how long it was going to take for you and the boys to clean up. You were still on high alert, nearly shooting at the person who came into the kitchen from one of the few doorways. You dropped your gun back down when you saw that it was just Charlie and Dorothy back from their own tasks you hoped had been more successful than your dead end. 
“Sorry. We raided your gun range. Made us some poppy bullets.” Charlie explained to all of you. She showed off the revolver and shoved a hand inside her pocket, pulling out the one thing you had against the wicked witch. You raised your brow in curiosity and reached for one to inspect it for yourself. “They won’t kill the witch, but they will stun the crap out of her.” 
Dean examined the bullets for himself Charlie had made on her own. He had to admit she did a good job on figuring out a potential weapon against the witch. She always managed to impress him from how she could handle herself in stressful times. “That’s my girl.”  
“There was only enough for five bullets, so…” Charlie told you the downside about her genius invention. You dealt with worse circumstances as you loaded the bullet into the chamber for the moment you might need to use it. “Make each shot count.” 
“Now we just have to find her before she finds whatever the hell’s she’s looking for.” Dorothy said. 
“She’s looking for a key.” Sam informed the two women. 
“How do you know?” Charlie asked. 
“Little birdie told us.” You said, leaving out the source where you found out on your own. You really didn’t have time, or in the mood, to explain the reason behind having the king of hell chained up in your dungeon. “Ring any bells, Dorothy?”
“Unfortunately. It’s the key to Oz. There are magical ways into Oz—tornado, eye of a hurricane, whirlpool—but this key will turn any locked door into a portal to Oz.” Dorothy explained what made this one in particular so special. And why the witch wanted to get her hands on it so badly.  “Insert key, twist, and presto, you’re in Oz.”
“How did the Men of Letters get the key?” Sam asked. 
“I have no idea, but if she finds it, she’ll go back and finish what she started. She’ll destroy all that is good in Oz. She’s got armies of witches, flying monkeys.” Dorothy painted all of you a grim picture of what the future might look if you weren’t faster than she was. “Many will die.” 
"What's this key look like?" Dean asked her. Dorothy pulled out a small leather bound journal from the inside pocket of her jacket and flipped to a sketch of the key. You furrowed your brow slightly when it looked familiar to you. "I've seen that key. Found it when Y/N and I were doing inventory." 
“Where is it now?” Dorothy asked. 
“My room. We got to get that key. Alright, Charlie and I will go look in my room.” Dean formulated a plan before all of you split up to go your separate ways. “Why don’t you guys buy us some time?”
You nodded your head in agreement. You watched as Dorothy and Sam made their way to the more open area of the bunker to get a better chance at finding the witch. You lingered behind for a moment as you called out for the redhead’s attention before she could get too far. Much as you trusted her ability to take care of herself, there was still a part of you that wanted her out of danger. You were dealing with a powerful witch and no real means to stopping her. 
“Safest place in this joint is the dungeon.” You informed her.
“You have a dungeon in this place? Of course you do.” She smiled at the new room she learned about, wondering exactly might be hiding in there when given the chance to explore it one of these days like the rest of this place. 
“So maybe you should…” You hinted around what you were trying to say without coming right out with it. You wanted more than anything to make sure she was safe. But you should have known she wasn’t going to back down from the very thing she admitted to you about stumbling across again. This hunt was her dream come true. 
“I am not hiding, especially in a dungeon. Wicked witch, a key, a quest? Did you not listen to anything I said before?” Charlie was walking on cloud nine from the adventure she stumbled upon. She broke out into a grin and playfully punched the man standing next to you in the shoulder. “Let’s do this, Dean.” 
You shook your head in annoyance as the woman made her way to Dean’s room to find the key, ignoring your last attempt at calling her name. You knew at this point all of your warnings fell upon dea ears. You let out a sigh of defeat and made your way to wherever Dorothy and Sam ended up, Dean quickly catching up with Charlie before she could get herself into too much trouble while snooping around his bedroom.
[Next Part]
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allfullofhope · 4 years
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15 Unique Ways To Use Technology In The Classroom
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Kids love technology. Most of them prefer to be on the ground every week rather than being stopped by their smartphones and tablets every day. Experienced teachers can use this love of technology to improve the learning process and make college day more fun for college students and themselves. Here are some awesome ways to use technology in while in class with friends.
1) Use voting apps to encourage student feedback
With great apps like PollDaddy and PollEverywhere, you can create custom surveys. You can use these surveys to see if one or more students are fighting a topic, so you can give them additional help or customize their lesson plans. Then they answer surveys on their smartphones! This is usually an excellent thank you because it lets the student know that he or she has some problems without raising his or her hand and asking questions aloud. If you want to consider using smartphones in the classroom, use a more complex app like Socrative to evaluate so that your students can fight their smartphones.
2) Enter guest virtual speakers
With conferencing apps like Skype and Facetime, you can introduce your students to guests around the world. Nothing will cause emotion in the classroom like an expert from another part of the country, or planet, as a virtual guest in your classroom.
3) Doing projects that made it easy
Use Google Drive settings to make it easier to work on group projects. Students can issue and edit documents for group projects without finding logistics to bring everyone out of class.
4) Take a trip without leaving the classroom
Travel is expensive, and many schools simply don't have a budget to send students on trips outside their immediate area. Many apps allow students to explore famous buildings and landmarks around the globe, directly in the classroom.
5) calendar
With a program like Google Calendar, you can set up your entire curriculum online so your students know what to expect from tomorrow's lesson, and they'll have a useful reminder of the tasks they deserve and the homework they're doing. they can remember. Because parents are ready to access this calendar, they are saved for assignments and activities. In addition to helping students and their parents stay ahead of the curve, this can also allow them to ensure that you do a challenging but inappropriate job for you to stay organized.
6) Keep workers busy quickly
If you have some scientists who always finish their work in front of someone else, you've discovered some devices that contain educational games, videos, or projects that these students can use if they finish their assignments early.
7) Improves presentations
Add media to your presentations. Web-based videos and content will attract students' attention better than a static PowerPoint display in text and diagram.
8) Record important lessons
No matter how hard they fight, students can't grasp everything they say. If you offer a difficult concept or lesson, write it down. In this way, students can return and experience the lesson to grasp what they missed at their best or to help them study for the next exam.
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9) Social networks for education.
Lauer could be a new social network that allows students and teachers to talk to each other on a platform, almost like Facebook. Students can follow their teachers online, and teachers can post materials that go beyond what's included in the classroom to deepen the student's learning experience.
10) Classification requests
Hand-evaluated multiple-choice tests are boring and time-consuming. Applications like ZipGrade can work for you. You can only scan tests along with your smartphone, so the app doesn't work. You should still check them in the results to see if there is an area where students have problems, but you don't have to cut hours to manually grade this type of test.
11) Flash notes
This is an innovative app that allows students to upload their course notes and sell them to other students who may need to miss a conference or who just need a touch of information more than they put in their notes. It's a scoring system almost similar to Uber that allows the simplest note-taker to search for more business. The idea is that great feedback can come into play not only when you get a better rating, but also when you have cash. Who doesn't like the money?
12) Accommodation for students with hearing impairments
Hearing-impaired students can use technology that turns a teacher's voice into text displayed on a tablet or smartphone. SmartHear, Deaf, and Bitalex Hearing are some of the top-rated smartphone apps for free. This allows the teacher to maneuver in the classroom without fear that reading the student's lips will lose what has been said.
13) plagiarism scanner
When sorting items, it is difficult to make sure that the "borrowed" paragraph has simply not been lost. Many plagiarism scanners are there to discover sections that are copied from the published work. Some, p. B. Viber may also identify incorrectly cited citations.
14) Undergraduate Assistants
Rate an exam or article by reading from top to bottom and subtracting points for incorrect answers, bad grammar, or insufficient information, then go back and do a discount count, then hiring the news rating can be a time-consuming process. Apps like Grade Index Tracking discount on in-flight items so you can calculate the line as you go. Once you have completed the exam, you cannot go back and know the trigger points and set the message rating. The app does it for you.
15) Test apps
There are many trial apps, some free, some not, that allow teachers to create beautifully coordinated pressure tests, as well as interactive tests that are archived and classified online. Some, such as going to conquer, grouping library of test sources, resources, and access to other teachers' online community.
Technology, when used appropriately, can make classrooms a more interactive, enriching, and entertaining experience. Think about the 15 tips above to improve your class for your students.
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kashishipr · 4 years
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Are you facing issues in protecting, managing, or monetizing your Intellectual Property (IP)? Don’t worry, as you can now implement blockchain technology, which works as an advanced tool to help you protect, manage, and monetize your IP.
Intellectual property, which refers to outcomes of the human mind, includes many different things. From inventions to artistic works and unique products, almost every uncommon and useful thing can rest under its umbrella. Whether you create a symbol, write a book, design a game, or come up with any other intangible media, you (as an author) can access and enjoy Intellectual Property Rights (IPRs) over the same. Nevertheless, the present system appears a bit weak to bring this phenomenon in practice. You are possibly aware of how easy it is for others to steal your content nowadays when the internet facilitates your data to flow freely across the globe.
Blockchain technology provides an incorruptible digital ledger that aids you in tracking assets and recording transactions in a business network. Assets can be tangible such as cash, cars, and houses or intangible like IP. Working as a tool to store and manage assets on a decentralized ledger and track transactions associated with digital content, including anything – music to pieces of art, etc., blockchain ensures reliability, accountability, and transparency. In this way, it allows an immediate revenue stream for creators by enabling a direct relationship between them and consumers.
IP Protection with Blockchain
As a creator of content, image, or anything else, you can understand how frustrating it is to put in efforts and time on something that people can access freely without your consent and any compensation. Moreover, you also comprehend the importance of retaining ownership rights as it is the easiest method to avoid such frustrating acts. Nevertheless, with the current model of the IP industry where getting your asset registered is a time taking process and the internet that has made copying content quite easy, doing so appears a bit hard. Worst, proving infringement of your content in court without proof of ownership becomes difficult. Here, blockchain digital ledgers that emphasize working with time-stamped and unalterable records come up as the perfect place to store evidence of your ownership rights. They provide a solution for authenticating and proving the time of creation and the identity of the original creator, thus eliminating all sorts of doubts and making it easier for creators to enforce their rights when Copyright Infringement of their content occurs.
IP Management with Blockchain
In the present era, once creators upload their work online, it becomes arduous for them to maintain control of the same. Moreover, not only the creators find it problematic to know who is using or making profits from their content, but even third-parties who wish to seek a license to use someone’s IP face difficulty in determining the relevant owner. All these facts result in increasing infringement issues and preventing authors from properly monetizing their works. The blockchain technology, which maintains a fair digital record enough to prove the creator’s authenticity, can prevent the occurrence of such issues. Besides, by maintaining transparency, it helps third parties to identify the original owner and get his/her permission to use the content. And this, ultimately, benefits the creators with the option to obtain expected compensation in exchange for licensing their IP.
IP Monetization with Blockchain
Blockchain technology-based smart contracts play an active role in helping creators monetize their IP. These contracts empower creators to not only dictate the fee and terms of their licensing agreements and ensure that the licensee is using it as expected but also license content directly to end-users. They can also serve you with benefits like automatic payment triggering whenever people access your content, appropriate scaling of compensations, etc. Blockchain, in this manner, aids you to save your money and monetize IP effectively as with smart contracts, you needn’t have middlemen.
Conclusion
Almost every one of us knows that blockchain technology, if used correctly, can help creators in improving efficiency, cutting expenses, and increasing revenue by creating new products. Still, many individuals and enterprises often ignore stepping ahead with it. Well, whether to use blockchain for protection, management, and monetization of your IP or not is your choice. Nonetheless, if you want to experience noteworthy protection of your IP and suitable compensation for your creative works, it is advisable to go for this advanced technology. ✅   For view-source: https://bit.ly/32nrwvG
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letterboxd · 5 years
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America Lobotomized: The Rick Alverson Q&A.
“If I have any value now, my responsibility lies in nurturing the limitations of cinema and making them apparent.” —Filmmaker Rick Alverson chats with us about the irrelevance of ‘consumer cinema’, the fascinating failure of masculinity, and causing trouble with Jeff Goldblum.
Musician, writer and director Rick Alverson makes the kind of films that are, as Letterboxd member DirkH enthuses, “hard to love and impossible to enjoy”. One of the decade’s most challenging directors, his confrontational style is take-it-or-leave-it, but those who like to take it find something deeply profound in his take-downs of concepts like the American Dream.
Alverson’s newest feature, The Mountain, departs from the ironic realism of his earlier films, creating a lushly immaculate, desolate poke at American society. Set in the 1950s, The Mountain is loosely based on the controversial American neurologist Walter Freeman, here represented as the fictional Dr Wallace Fiennes.
While Alverson’s earlier films have tapped into the twisted comic talent of Tim and Eric (and friends), The Mountain uses the hefty star power of Jeff Goldblum (also a Tim and Eric alumnus) against itself, with Tye Sheridan (of the vulgar mime act in Alverson’s Entertainment) as a mostly wordless photographer who is selected to follow Goldblum’s Dr Fiennes on an asylum tour. French great Denis Lavant appears as an unconventional healer, in one of his few English-language roles; Alverson unleashes him at will.
“A rigorous, alienating work about the rot at the core of the nation”, The Mountain divided audiences when it premiered at Venice last year, and divides Letterboxd members still. “Easy answers don’t always have to be there,” writes Allison, “but it quickly became pointless and even monotonous.” “A modern master is at work,” counters Tyler. “It’s rare in these times to find a movie so precise. Every cut reveals a wonderful new, immaculately composed shot.”
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Tye Sheridan and Jeff Goldblum in ‘The Mountain’ (2018).
Can you talk about when and how you got the inspiration for the premise of The Mountain and why you felt now was the right time to make this film? Rick Alverson: I’ve had an interest that I’ve explored since The Comedy and Entertainment where I’m trying to comprehend what fuels this blind propulsion of American progress in today’s political climate, where we’re romanticizing the white male privilege era of the 1950s.
It’s also something often romanticized in American cinema; if not in its subject matter, then it’s romanticized in its formal depiction. I wanted to take that on and watch it deflate and see how it would hold up to a more nuanced and muddy immersion of the era.
You’ve described the film as anti-utopian. Do you think nostalgia is a dangerous thing? Nostalgia is definitely a very rich intoxicant that’s difficult to pull oneself away from. Commercial American cinema peddles almost entirely on those triggers of compartmentalized representation and clean—marginally pornographic—singular dimensions. I find that troubling to some degree because it pretends to be something else.
The remake of The Lion King kinda sums that up. [Chuckles] Yeah.
Toxic masculinity has been central to many of your films and it’s in many ways the enemy of the moment right now. You’ve been ahead of the game in a way. Is that always your starting point? What influenced you to focus on men at their worst? I was raised at a time with influences that come from particular periods so there was a binary presentation of masculinity and I think it’s something that men are mired in. That has been problematic for men in a way that stripped away the wholeness of an individual.
Frailty, or a nuance of communication, hadn’t been as accessible to a generation of men, and that crippled them in a way which inflamed the damage that they did in their privileged space and [for] everyone around them. It’s a cyclone. In my demographic, we have been exposed to that, caught in it, and wrestled with it. Maybe that’s why I look at it so much.
I find failure in masculinity fascinating, too. The problematic American ‘wandering cinema’ of the 1970s is what made me want to do what I do. It’s the great unsung song of cinema that fell out of favor by the 1980s.
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As a working American filmmaker, do you feel it’s your social responsibility to use your medium to comment on and expose what you’re seeing happening in this country? Is this your version of political activism? [Laughs] Maybe. I think that there needs to be a politics of form. It’s the responsibility of filmmakers to not be ignorant of this gesture and what it does to the population. There’s a responsibility of cinema to ask itself some very hard questions before it ends up wrapping into total irrelevancy. What is narrative? What value does it have? How is it destructive? How is it being used for destruction? Is it functional anymore? I think that a lot of consumer cinema doesn’t ask those questions because it’s afraid to expose its vulnerabilities or its potential irrelevance.
How did your experience with Entertainment affect your approach to The Mountain? Entertainment was the first film that played with cinematic influences that I had. It played with things that kind of grossed me out in cinema, with the defaults of metaphors and symbolism to create false profundities.
With The Comedy, I was focusing on a subset of class privilege in nuclear centers like New York City that I find reprehensible. I wanted to engage with it, investigate how to understand it, and make myself uncomfortable. Suddenly the medium felt a little more vital to me. It wasn’t just a propagandistic grandstanding, where essentially I would be showing off my likes and dislikes. I try to play a cat-and-mouse game with my own comfort and hopefully the audience finds some vitality in that.
Your last two films have felt very surreal, stylistically. They’re more lush yet still quite detached. What’s compelling you to stray from the slice-of-life realism you were using with your first few films? I had always wanted to have a career working with non-actors, but as I’ve gradually become more interested in the problems that make me uncomfortable I find myself engaging with them head-on, instead of just ignoring them for my comfort zone. The unreality of cinema has also become increasingly interesting to me.
There are some obsessive-compulsive approaches I took in The Mountain, which viewers might not see off-hand, that sort of heighten that falseness. Nobody leaves or enters the frame unless they go through a door. I’ve padded and loaded the film with limitations and, if I have any value now, my responsibility lies in nurturing the limitations of cinema and making them apparent.
For a long time we’ve been living in a fantasy land of unlimited potential and an abundance of opportunity, but the fact of the matter is we’ve been ignoring the beauty of the finite quality of the world. I think the same thing goes for cinema.
You’ve mentioned before that you don’t usually stick to a script but you did this time, though obviously the film utilizes a lot of long pauses and still imagery. Do you map out this sense of pacing in the script, or is there an element of you finding the film in the editing suite? How important is the sense of discovery in post for you? Editing the movie is incremental in its own way. But for me, the film really becomes alive during production and I find the pacing there. As far as mapping out those things in the script goes, it’s an obligation that I find tedious sometimes. My scripts used to be very short but they’re longer now because they’re a little bit more traditional on the page.
I do relish the moment when something isn’t satisfying our expectations. There’s a very exciting moment there when you let the comfort of distance go on too long. If you curtail it in the right way, it’s like surfing.
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This is a reunion between you and Tye Sheridan. He’s grown a lot since Entertainment, very literally too. Yeah, at least 4 or 5 inches.
Was he your first choice for the role? How did he contribute to the film beyond what you and your co-writers had on the page? He was my first choice and we developed the film together. It was an idea I brought to him when Entertainment wrapped. I talked to him about playing a ‘black hole’—something neutral at the centre of everything—that the whole world would move around.
He has a tremendous amount of patience and generosity. He’s very disciplined and we had a lot of fun subverting some of his capacities for empathy and fragility as an actor to make him inaccessible. That was a mission statement for us.
His character is very literally an audience surrogate. He’s passive, then he becomes pacified. I’m wondering what that says about what you think of your own audience? Do you feel unheard and misunderstood? It’s hard to say. I guess we’re interested in the reception of the film because I do want to engage an audience and there’re all sort of experiments in flirtation of audience expectations—in a constructive sense, I hope.
I do think that audiences have been conditioned to prefer pacificity and media as an anesthesia. I’m trying in my little way to interrupt that. Maybe I’m just having a fit in the corner of the room, I don’t know.
So how did Jeff Goldblum come on board? I was very surprised to see him attached to one of your films, unless I’m underestimating his taste in modern arthouse cinema. He’s getting in the mud of it all. He’s up for anything these days. I think he’s having not just a popularity revival but a revival of his artistic interests. Jeff has a tremendous amount of vitality and he was very interested in causing a small trouble with me.
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Director Rick Alverson.
In what way? He wanted to subvert expectations of the audiences of how they’ve considered him and what he does for them and we utilized that. He’s really keen and smart and I think he understood that it could have a potency in the film. This is one of his more muted performances, even though the personality of Goldblum percolates out of that. He restrained himself in a way I found really refreshing.
We really want to commend your location scout on a fantastic job. What were you looking for in the production design and the sets? Especially for the final shot. The final shot was its own kind of nightmare. We shot that on Mount Baker on the Canadian border in Washington and we isolated the location based on this expanse that’s usually full of four or five feet of snow most of the year. The night before we shot, they plowed all that snow for the parking lot underneath. Those sorts of things drive you crazy.
My production designer Jacqueline Abrahams—who worked on The Lobster among other great films—is an incredibly keen, hardworking person. We wanted to neuter some of the romance of the era, to make it muddy and give it a bland complexity. Obviously when making a period film, the production design and costume design are the most difficult but nerve-wrecking and exciting tools in the whole toolbox. I think we came at it obliquely enough that it became interesting.
Are you still hoping to make your KKK film soon? Now should be the time, right? I’d like to move back to it, but I’ve moved onto another project for now [a horror movie and a comedy series, according to IndieWire]. It still fascinates me, but I don’t want to be too reactionary. It’s a tough time now, for a lot of things.
Would you say you’re drawn to films similar to yours? What are your favorite recent films that challenged you? Oh gosh. The other day I saw Slack Bay by Bruno Dumont, which I found very funny. I’m sorry, I’m terrible at this question.
I’d say that’s a very on-brand choice for you. Thank you.
‘The Mountain’ is in select French cinemas now and opens in US cinemas on August 2.
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silverquillsideas · 5 years
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Salmon and others were openly discussing rape and talking about drawing rape and there were people in the replies talking about how seeing a “rape drawing” changed the way they consumed content and shipped things (they meant that they liked the rape btw). If she hasn’t gone back to private, you can probably find those for yourself since they’re pretty recent. I thought you seemed nice but I’m really disappointed in you. Will be unfollowing and blocking.
Hello! I was debating on how (if at all) to answer this, since you seem to have already made up your mind to not hear anything further about this issue altogether.
But I do have a few things to say, regardless, because I found specific phrases you used, to be sketchy/unclear at best.
Warning tho : this is going to delve into a discussion of "rape and sexuality" from a real life perspective, since the fandom seems so bent upon drawing parallels to reality and compare fiction and irl examples. If you find that uncomfortable, block the tag "tw:rape" and scroll past.
_____
So, my first point of discussion : "Salmon and others were openly discussing rape and talking about drawing rape"
Putting aside the issue of the subject matter of the threads for a second, I'll focus on the other part : about *posting publicly*. I talked to three separate followers of the twt artist, who also happen to be my tumblr mutuals, and they basically confirmed the same thing : there was no "open discussion", in the sense, that, they did so either on Privatter (assuming you know how it works) or they did in the comment threads on their *personal twitter account*, and only those who were willing to engage in such a discussion, went ahead and joined. They did not encroach on anyone's space and invite them in forcefully.
I'm putting the screenshots of conversation I've had with one of my friends regarding this, and as you can see, none of it was *open for public viewing*
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Also, here's the artist's own message that's pinned to their account :
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Let me put this in perspective : suppose you're not into kpop (I picked a random example, btw) and find it weird and flamboyant, and you generally avoid it altogether. While scrolling through tumblr, you stumble upon a hardcore kpop blog, you're totally put off by the contents and you complain to your mutuals about how ABC person indulges in kpop and you found it weird and unappealing.
But my point is, there was nothing public about the said blog or account, because, by nature, every blog or account is a person's private space for expression of ideas. Yes, tumblr, twitter and other social media platforms are all *public* in the sense that they are hosted on public domains and anyone with an access to the Internet can stumble upon any website or blog listed therein. But, you, being a responsible, well discerning person, willingly stepped onto a personal blog or acc on which the owner was likely to present their own views, and started complaining about what you found there. Your statement implies, that you willingly browsed through the comment threads until the point you spotted these uncomfortable discussions and you voluntarily exposed yourself to the same.
My second point : "there were people in the replies talking about how seeing a "rape drawing" changed the way they consumed content and shipped things (they meant that they liked rape btw)"
I find it highly confusing how you generalised something as sensitive and complex as psychological behaviour on behalf of a bunch of strangers you never actually interacted with (or confirmed their views on the said matter) and proceeded to label them as "people who liked rape".
What does the statement "liking rape" mean anyway? And, does anyone who talk about or discusses rape, in the context of fanarts and fanfiction, and that too, "rape fantasy" in this case, (but I'll get to it in a moment) automatically becomes someone who likes the act? Or condones it happening in real life, to real people or situations? I'm curious as to which aspect of rape they talked about 'liking' (since your statement implies they explicitly stated so) : was it the pain, the trauma, the physical and psychological stress, or the violence and the sense of dominance over a helpless, real life person?
If you do have an answer supported by evidence, let me know, I'll modify my response gladly.
It brings me to my third point : these artists or the people who commented, were discussing, not about real life rape, but a fantasy situation in which they put two fictional characters together and made a fanart of them (the composition of the art in question is described in the conversation above).
Deriving pleasure from the actual act of rape or sexual violence is a pathological condition and needs medical or psychiatric treatment.
Deriving pleasure or indulging in paraphilic sexual fantasies, however, is not uncommon. I'll redirect you to @iamtrashforash 's post here that describes this issue more coherently. I'll also point you to articles written on PsychologyToday, based on research done on this specific topic of "Rape Fantasy" that I found, and I think everyone should have a look at them :
Article 1
Article 2
If I remember correctly, the actual comment I saw in the screenshot circulating around, regarding the controversy, went something along the lines of "I love seeing Ash's pained face in this situation", and that's what made people lose their minds. There was outrage over "How could you do that with Ash, a CSA survivor? It sends a bad message to them, it's triggering, it's disrespectful, you are disgusting, etc etc."
But, my own conversations with three people who are in real life CSA survivors, two of them who reached out to me in my DMs over the last two days, have given me a very different idea about what these people actually think regarding the art. Here's the hot take : they did not find it disturbing or offensive to themselves personally.
In fact, they pointed out, that they saw it as a fictional scenario, were well aware of the differences between the artist's intent and their potential real life behaviour (FYI, none of them drew the conclusion that either the artist or the people discussing it, "liked rape").
The fact that the comment threads were openly talking about indulging in such a fantasy is what seemed to baffle the more outspoken and outraged people, who proceeded to harass and send hate messages to the creators. But here's the fact : these fetishes have existed for as long as humanity has, and will continue to do so, regardless of whether you crucify a handful of people in a small corner of a fandom or not.
If you're familiar with the yaoi manga genre, or any adult erotica games (I can't cite any examples bc I don't have enough details, but I do know they exist), you'll find a plethora of works where all sorts of fantasy situations are presented : rape is fetishised, there's shape-shifters (vampires or otherwise), A/B/O dynamics, even bestiality. In other words, a major prevalence of themes like dominant, aggressive behaviour contrasted with helpless, passive behaviour as far as sexual situations go. And they are thriving. They have a huge pool of audience out in the world.
Whether these fetishes are "morally right or wrong" to indulge in, is not a question I have any authority to debate, because I'm not a clinical psychologist, or a behavioural scientist.
Personally speaking, I happen to be a demisexual person. Any discussion of sexual situations or scenarios outside of my own very narrow comfort zone or mental compatibility scares the shit out of me. And I find all of the above scenarios I described, as plainly unappealing and downright weird or scary. I will never, as long as I have my faculties in control, go out seeking any of them voluntarily, in either fanarts or fiction.
My point is, this is a complicated issue, I fully acknowledge that beforehand. We, as a fandom, got attached to Ash as a character, for so many different reasons. We all love him, respect him for standing up against all odds, and fighting against his fate all his life. That's the reason why the back-lash against these depictions got so violent, I think. People are more willing to see him heal, to see him make peace with his scars and move on. The general consensus with this line of thought was so ingrained in our minds, that people lashed out as soon as something "against the norms" and "potentially harmful" came to their notice.
But, the thing is, both these outcomes, are fictional. The fandom's biggest purpose is this : we weave fiction out of fiction itself. That's why we have fanarts and AUs and headcanons and a hundred other things. And different people will find different aspects of said fictional scenarios appealing. It's why we have so many ships on one hand and unfortunately, *ridiculous* ship-wars and toxic discourses on the other. But, it's okay to accept that there'll always be differences in such a wide space where everyone is coming together. It's okay to find content you don't agree with, and simply, move on.
But, I'll repeat myself : I'm not going to persecute people, who have carefully tagged, classified, and filtered their content, being mindful of the others in the fandom, and barge on their doors demanding "why they liked what they liked" and "how could they like such a thing??". Especially because it is fiction, involving fictional characters, separated from reality.
Had it been a real life discourse, involving actual people, I'd have definitely spoken out against it.
Also, to anon, if you find my views or ideas unpleasant, or find my completely sfw multifandom blog a safety hazard, then you're more than welcome to unfollow and block me. Your mental peace is all that I ask for. :)
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uwaalfredo13-blog · 5 years
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Online Video Cutter
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Converting MP4 music info to MP3 is a course of you presumably can complete using audio software program applications like iTunes, Swap and dBpoweramp. Each of those purposes is ready to changing MP4 music files to MP3 and is free to acquire and set up on your laptop computer. This free online audio converter allows you to convert audio recordsdata directly out of your internet browser. Convert MP3 to WAV, M4A to MP3, WAV to MP3, MP3 to M4R (Ringtones), MP3 to M4A, OGG to MP3. Just choose the audio file, then click on the Add File" button and look ahead to just a few seconds. Click Rip CD. It's a tab at the excessive of the Home windows Media Participant page. Residence windows Media Participant will begin ripping your CD's recordsdata. We did not discover outcomes for: On-line Audio Converter. Attempt the options beneath or type a brand new query above. Click on a content variety to see the kinds of filters available inside it. 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When achieved will find the folder of MP3 recordsdata within the location noted in step 6. Audio file converter tools are additionally useful if your favorite music app in your phone or tablet does not support the format that a brand new music you downloaded is in. An audio converter can convert that obscure format right into a format that your app supports. DiscRipper reads CD Text to get details about tracks (artist, title or monitor particulars). Usually no CD Text is current on the CD. When your computer is connected to the Internet, the program automatically makes an attempt to fetch information about the tracks being ripped from an internet database. Set the beginning and end time of the media file. Invalid or empty values shall be ignored. In some circumstances trimming the audio can result in corrupt output files. The enter format is HH:MM:SS (HH: hours, MM: minutes, SS: seconds). There would be a lack of high quality, however the distinction would be negligible to most listeners using commonplace audio system or headphones. For those who're an audiophile, then along with having costly audio gear, you are probably by no means going to use the MP3 format anyway. As a result of WebM is a effectively-defined format, FFmpeg automatically is aware of what video and audio it may help and can convert the streams to be a valid WebM file. Because the arduous drive space these days is relatively low cost, we suggest converting into MP3 with the bitrate of a minimum of 192 kbps or increased. Whole Audio Converter will be run via command line (get the prepared-to-use command line from GUI settings). Choose ".mp3" within the format subject. There may be times when the audio between two different codecs varies. Free CD to MP3 Converter has taken this into account by the addition of an audio normalisation feature. This works routinely to stabilise the sound between two or more sources. So, the consumer will no longer have to make manual changes after the conversion course of has been completed. Later, your converted MP3 songs could be seen in Music Library. And irrespective of you switch to iOS or hear in iTunes straight, the confusion of CDA files will disappear, after CDA to MP3 audio conversion. Step 1: Run Home windows Media Participant, and mouse click the up coming website Instruments within the toolbar on the top. On this instructable, it simply took ten seconds (10 sec) to transform AMR audio file into MP3 format. Step 1: Open your iTunes, click on Edit on the menu bar, after which choose Preferences, and select Ask to Import CD beside once you insert a CD.Frankly, it's possible you'll find things a lot simpler in the event you just combine the recordsdata together with your iTunes library through the ALAC format. But, in case you've gotten different plans, we have discovered a few of the best apps obtainable, all of which will be downloaded by the app retailer on iTunes. I can't confirm this resolution 100% as a result of I deleted the original MP3 profile during my mad experimentation, however I am able to convert MP4 to Mp3 at whatever bitrate I chose. Subsequent edits to the profile don't appear to trigger problems.
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makescentsembr-blog · 5 years
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EMBR: A UNIQUE PLATFORM FOR INVESTORS WHO ARE WILLING TO REAP AND YIELD THEIR INVESTMENT ON LONG TERM BASIS
We specialize in facilitating discussions with potential dealers that lead to important interactions that are lasting.
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We specialize in tight geographic leads that are targeted where you are either restricted by franchise certification or have personal restrictions.  If you can only just target metro areas or regional areas, we have the right targeting tools to assist you. We have created a sophisticated postcode selection tool that allows you to draw a form on a map and extract the postcodes you need for that specific campaign.
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Determine what sort of investment property is best for you
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E-mail marketing:
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We can create a great number of real-time very qualified and leads which are a ‘cost per lead’ basis. These prospects will probably be presented by having a branded concern that is opt-in filter all of them into the pre-determined target demographic.
Homeowner Profiled Leads:
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Leads are sent via real-time API to the CRM are switched by the telemarketers sent via day-to-day CSV exports. This means, according to your personal CRM perspective, you’ll accept time that is real daily exported guides that are set pertaining to the conversation. We have the in-house skills of once you know how exactly to handle co-registration techniques through the ‘client perspective’ and don’t only visit giving the guides. We're in a position to help you with purchases methods, purchases and follow up texts and certainly will couple you aided by the proper CRM and advertisements automation program to really take your co-registration venture to the stage that is further
Follow through the drop and messaging promotions
So you had a date which is essential to talk. You actually have involved the lead, talked to them the first time, today it is timed for all your day phone call that is next. But how quickly is too eventually? You don’t want to sound eager;   you don’t need to come upon disinterested. EMBR will help you to build a number of trigger-automated SMS and email campaigns that may take away the prospective customer's intention and let you take part them at her point that is real of.
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The two C’s. Financial investment house leads have to be gathered wearing an agreeable environment. We make sure there is nothing posted without your approval. Not only all of our marketing messaging and the wording inside the advertising, but furthermore the characteristics when the lead was accumulated, is performed in a certified character sufficient reason for complete permission offered through the customer them regarding their inquiry for you to contact.
Leads are the existence bloodstream of any company and our investment property leads are focused to ensure your house income pipeline is continually full. Our goal and top priority are to see an increase in your enterprise. Enforcing a lead technology approach with EMBR will create a concept plan to get a regular waft of new purchaser acquisitions.
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