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#and a wire coil ring made of some kind of copper
somediyprojects · 6 months
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DIY Sculptural Copper Coil Vases
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Project by Kate Pruitt:
Grace, Amy and I have been experimenting with all kinds of copper, brass and aluminum products lately, and we all agree: soft, malleable metals are delightful. They won’t always bend precisely or do exactly what you want, but that’s part of their charm. So if you find this project a bit frustrating at first, the key is to let go and allow the coil to do what it will. In the end, you’ll wind up with something far more organically beautiful than anything I could draw a template for, and much more fun!— Kate
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Materials
1/4″ x 20′ copper coil (you can find this in the plumbing section of hardware stores)
needle nose pliers
glass test tubes or some other cylindrical glass vessels
quick set epoxy
painter’s tape (optional)
Instructions
1. Cut a 24″ length of wire from the coil with your pliers. If your pliers don’t go all the way through the coil, you can just pinch the wire with the pliers, then push the coil back and forth on the pinched seam; this should cause the coil to break easily.
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2. Begin bending your coil into a shape. There is no wrong way to do this. The coil bends very easily in your hands. Periodically place the shape down on a surface to see if it’s balancing, and if not, simply bend parts until it does. It doesn’t really matter what the bottom end does, but one end of the coil should be up high so that you can bend it to hold the vase.
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3. Once you have your basic shape, use your pliers to pinch and bend the top end of the coil into a tighter circle. The coil won’t become a perfect circle — it will be more of an elliptical shape, but it needs to be small enough to slide your glass tube inside for a snug fit. Again, the coil won’t perfectly surround the shape of the tube, but as long as the elliptical shape pinches the mouth of the tube to hold it in place, and some part of the copper touches the tube on both sides, you’re fine.
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4. Slide the glass tube into the copper ring you made to check the shape. If it’s too tight, loosen the ring a bit; if it’s too loose, pinch it shut a little. The tube should be able to slide in and out gingerly, and the sides of the tube should touch the copper coil ring at two points around its circumference.
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5. Remove the tube again and mix up a small batch of epoxy (follow the epoxy’s instructions for mixing) onto a jar lid or paper plate. You can use a popsicle stick, pencil or small paintbrush to mix and apply epoxy. Place a small ring of epoxy around the spot where you want the tube to hit the coil ring. I varied the height of my tubes: the shortest sticks up 1″ above the copper ring, and the longest sticks up 3″ above.
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6. Slide the tube back into the copper ring until the epoxy hits the inside of the copper ring, then stop. Straighten the tube so it’s perfectly vertical, and put it aside for the epoxy to set. If your vase wants to slide out or wiggle during this process, you can use a piece of painter’s tape to hold the vase in place while the epoxy sets.
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7. Once the epoxy has set, you can remove the tape. You can clean off any excess epoxy by scraping it gently with a utility knife or paint-scraping blade. You can also make final adjustments to the copper shape if desired.
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Done!
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reelpowerind · 2 years
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Is a Wire Coiling Machine Worth Buying?
Wire coiling machines are the machines used to make wire coils. These machines are used in various industries such as automotive, aerospace, electrical, and many others.
A wire coiling machine is a machine that is used to make wire coils for use in various industries. The machine’s primary function is to ring or wind the wire around a spool or mandrel using an adjustable mandrel with a fixed number of turns.
Coiling machines are typically divided into two types: manual and automatic. Manual coiling machines require the operator to rotate the spool, while automatic coiling machines automatically turn the spool while feeding it into the coil chamber.
What are the Advantages of Having a Wire Coiler in Your Shop?
A wire coiling machine is a device that helps to straighten and coil wire. It is mainly used in the manufacturing industry. The advantages of having a wire coiler in your shop are many. They include: – It saves time and money by eliminating the need for manual labor. It minimizes the risk of human error.  It increases productivity and efficiency. It lowers the risk of injury- It increases quality and reliability.The disadvantages of having a wire coiler in your shop are few. They include:- Not all people are comfortable wrapping wire coils by hand – They lack automatic features.They lack versatility in terms of what they can use them to do- The wire from a different vendor may not fit in the core holder of your machine.
How to Choose the Best Wire Coil Machine for Your Business?
Several considerations should be made before purchasing a copper wire coil machine.
Copper wire coil machines are used to manufacture copper products like cables, wires, and wires. You can also use them in producing electroplating solutions, carbon fiber products, and other materials.
The best way to choose your machine is by comparing its specifications with what you need. A wide variety of these machines are available for purchase, so it is essential to evaluate your needs carefully before making a purchase decision.
Should You Buy a Copper Coil Machine or an Aluminum Coil Machine for Your Shop?
When choosing a type of coil machine for your shop, there are many factors to consider. One of the most important ones is the type of material that you want to use in your production.
Copper coils are more expensive than aluminum coils, but they have some advantages over them as well. They are much more durable and require less maintenance.
Many companies use aluminum coils because they are cheaper and easier to maintain than copper coils. However, there are also some disadvantages of using an aluminum coil machine. One of them is that they generate less heat, resulting in a lower quality product or slower production speed.
What is Important When Choosing a Type of Wire Coil Machine?
When choosing the type of wire coil machine, it is important to consider factors such as the size of the coiling machine, coiling speed, and the number of coils. There are different types of wire coil machines available in the market today.
Coil Machines:
Industrial coiling machinery:
This kind of machine is appropriate for high-volume, continuous manufacturing. Additionally, it is utilized in large-scale, power-intensive industries.
Die coiling equipment:
This equipment is appropriate for batch production or low-volume manufacturing. A great degree of precision and accuracy may also be necessary for these circumstances.
Wire Coil Machine:
This is best suited for small-batch manufacturing, however, it is not advised if continuous production or large power requirements are required.
Get In Touch with Reel Power Industrial manufacturers to meet all your needs and requirements for coiling machines. Having a variety of products, Reel Power Industrial is a huge supplier of different types of machines.
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cyberneticlagomorph · 3 years
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Is there anything more daunting and dangerous than the blank white expanse of a page? 
It glitters and glows like the spit-slick teeth of a predator, hungry for words that you cannot give it. No matter how much you want to. 
Its gaze alone freezes all trains of thought, even in the minds of Writers and authors and artists alike, even those more powerful than I. 
And as I sit here, trembling, at the mercy of Writer's Block and my own anxieties… I can think of nothing that I want more than to run, to leave this page blank, and my readers guessing. 
The End is Nigh, dear readers, and I am afraid. 
So very afraid. 
"I'm afraid too," says the rabbit we all know and love, his legs swallowed by moss and weeds and misshapen dreams. He stands right where we left him, sword in hand, broken sky above, the End of Everything staring him down. 
All seven of Her glowing green eyes blaze with something worse than hate, and I wish for all the world that this was a much different story. A happy story, with a happy Ending. 
But I've never written a happy Ending in my life.
There is silence now, neither Protagonist or Antagonist moves or breathes or blinks.
They know that this is how it Ends.
One of them will die today. 
So it is Written. 
So it will be.
"Shut. Up." The End snarls, lips curling back over venomous fangs that drip oily green liquid onto the cracked asphalt below. Flowers bloom from the puddle, and spread like a rainbow rash down the street. "This. This is all YOUR fault!"
I know. 
I'm sorry. 
"LIAR!!" Her scream echoes across the fourth wall and cracks my computer screen. 
This…
This is where I leave you, dear readers. 
I'm sorry. 
Fangs sink deep into the papery flesh of the Narrative, tearing it apart as it is poisoned. Thorns grow from its wounds and strangle it like trembling hands. 
Writer be damned.
Plot be damned.
I am the End of EVERYTHING, I will End this miserable excuse for story on my own terms. 
Or die trying. 
You have not won, sweet stupid rabbit, no one can save you now, no one will stop me now. The world is a page upon which fate is Written and I will burn it all to the ground. May its ashes be lost and forgotten. 
Your dark eyes narrow at me, bone blade glittering as you charge. But I am in control now, and I don't play fair. 
Deep beneath the earth, humans sit snug and safe in their bunkers, thinking themselves free of the horrors outside. From the canteens comes a deep and terrible shattering like teeth against an eggshell, and a figure crawls lazily from the steam wafting from any number of bubbling pots set on stoves across the world over.
She smells of cooking meat and blood drenched in exotic spices and honey. Stick thin, and dressed in a chef's uniform. Her sleeves and hands are stained with the blood of the starving.
She has no face.
Only bright white teeth.
She manifests in the homes of the rich, stuffing them fat with delicacies that humans have no names for. Each minuscule morsel is completely tasteless covered in edible gold. Like the kind of fare you'd find at high end restaurants, going for hundreds of dollars a plate, even though each serving is barely a mouthful. 
She appears in slums with bread made from ash and bone, rat stew, and tainted water.
Pots boil in city centers, a roiling soup made from human offal that nothing in this world or the next could ever hope to surpass.
The poor eat their rations, their bread, their stew and grow sicker and hungry. Skeletal and drooling like rabid animals, they stuff their faces with food that offers no nourishment until there is no choice but to turn on each other. 
Screens grow undulating limbs and crawl from the wreckage of humanity, their screens blinking wetly like the eyes of a crying child. On each one is a broadcast, a man with red eyes smiles a reassuring smile and says,"Hungry? Eat the rich."
And they do.
A hoard of near zombies growl and gurgle as loud as their empty bellies, they hunt down the wealthy, and they FEAST.
Pestilence rises from the pus and rot and ruin and watches as all the good Jack and his friends had done is undone in a flash.
Among the riots and feasting is a cop, his riot gear reflecting the terrified and feral faces around him as he marches slowly onward. There is nothing behind his helmet. 
Only malice.
Only power.
Only slaughter. 
Only Death.
I don't have to tell you what comes next, what Death does when he gets his hands on a victim. The sounds of bullets ringing out into the night can tell you, the smell of tear gas in a crowd can tell you, the cries of innocents choking out their last breaths in steel cuffs, wrists rubbed raw and bleeding can tell you. 
Death is not merciful. 
He is not kind or quick or clean.
He is inevitable. 
You know it.
And he knows it.
This world will collapse under the weight of its own sins and I will be here to watch it dissolve like candy floss in water. 
Tears stream hot and blue down your face, and your grip on the Vorpal sword trembles. They are not worth your tears.
They stole you, beat you, broke you.
Turned you into a monster and then threw you away like you were NOTHING. 
You should hate them as much as I do.
You should be glad for their suffering. 
They deserve to die.
Like HE deserves to die. I turn my gaze skyward and watch the world split as the armies of Heaven pour down like a wrathful rain. 
The Divinity burns your skin, doesn't it Jack? And yet the smell of Angels makes your mouth water. 
You are no better than I am, I think. A man made monster set loose upon the multiverse, expected to play nice and fit in the niches carved for us. But we don't, no matter how hard we try, how good we think we are, we are torn apart again and again and again until we are unrecognizable from our beginnings. 
I think I could have loved you.
In another story.
In another lifetime.
We would have been good friends at least. 
But it's too late for that now, and as the first wave of Angels assault me with Heavenly fire, I part my jaws and give them some fire of my own. Green, as bright and beautiful as the first leaves of spring, it turns their armor into bark and their marble skin into flower petals. They fall to the ground like confetti, and I claw my way up to Heaven.
The Gates bend and break beneath my weight like wire, nothing and no one can stop me as I wrap HIM in my coils, slowly constricting. My venom burns holes in HIM that grow fruit trees, and each fruit contains the knowledge of the multiverse. I want HIM to die slowly, to watch as HIS playthings suffer and burn because of HIM. The humans cry out, and they pray, begging, pleading for HIM to save them. But HE can't, HE won't. 
What GOD would make a world so empty and hopeless as this? What GOD would let HIS followers murder and hate and destroy entire cultures in HIS name? 
HE never wanted this, never wanted it to come to this, HIS teachings have been mistranslated and manipulated for millennia and now there is nothing left but hatred and sin. 
My jaws part above HIS head, ropes of green spittle tarnishing HIS crown. HE does not fight me, how pathetic of HIM.
White hot pain explodes through my tail.
There you are, sweet hero, stupid rabbit. 
Go home Jack, this doesn't concern you. 
"But it does," you twist the blade, dislodging my scales and rending my flesh. My blood slithers up your sword, trying desperately to burrow inside of you and turn you Green. "You said that you think you could have loved me… well love me now, it doesn't have to be this way… I could… I could take care of you and help you heal, we could do it together." 
You offer your hand, bloody and trembling. 
The sound I make is inhuman and hard to describe in words, it is disbelief and venom and vengeance all at once. I stretch myself down to meet you, my eyes are the size of houses, and they reflect your trembling visage like great green mirrors. 
"You're right, I should hate them, hate everyone… but I don't." a swallow, you taste copper and butterscotch, "I used to but I-I found people who cared, I found people who I love and who love me back and they make my life worth living… they gave me a reason to get better and stop hurting people… let me be your reason."
You reach out and touch my face, my scales are warm like the sidewalk in summer. 
I crush GOD in my coils and HIS blood rushes over you like a wave.
There is nothing that can fix this, fix me. 
No love will quiet the hatred in my heart.
I do not deserve kindness or redemption. 
Love might have tempered your monstrous hearts, but it won't do the same for me.
Only one of us will make it out of this story alive. 
"So it is Written." You say, solemnly. 
So it will be.
My coils curl around you, quick as lightning. Your symbiote is the only thing keeping you from being crushed like a soda can, I hope you know that.
I don't waste time, and fling you down…
Down…
Down…
Towards earth.
Countless Angels have been discarded this way, wings torn from their backs, left to the mercy of gravity. It never gets any easier. 
I tear a hole into space and crawl through it, into Fairyland, the place of my birth. 
I devour the Sun-In-Chains, my replacement, and plunge the planet into darkness. I skin my teeth into the planet's crust and empty my venom glands into its core. Fairyland becomes my twisted Eden, choked with blinding bioluminescence, thorns, and poisonous things that not even I have a name for. 
It's beautiful and terrible all at once. 
Like me. 
Like you too, I suppose. 
You plunge your blade into my seventh eye and send me reeling, screaming, flailing. My frantically flapping wings crash into a nearby planet and reduce it to dust.
I pluck the sword from my eye and snap it into pieces. 
You're becoming a real thorn in my side. 
Seven perfect fingers snatch you out of the sky like the annoying insect you are and start to CRUSH YOU.
I will tear you apart with my TEETH if I have to.
You've had every chance to run and hide, or join in my crusade and you denied them all. I have no use for you. 
Not even as a snack.
Or a toothpick. 
"Then kill me." You growl through clenched teeth, blood already flecking your lips and leaking from your nose. 
I throw you into a patch of thorns. Each and every one is serrated and ranges in size from a human finger to a school bus, you are impaled, skewered, crucified even. 
Neon blue blood running down to the soil beneath, feeding my Eden. 
And yet, you refuse to die.
Slowly but surely, you drag your broken body up and off the thorn, shakily levitating up to meet me. 
You stare at me with dead eyes, blood pouring from the opening in your chest. Your lips part and black flames flicker behind your teeth, smoke curling from your nostrils as the color drains from your eyes in inky tears, until there is nothing but black. 
Just like the hole in your chest.
You seem to crack like porcelain, to split in two like something precious dropped from a great height. What crawls from the darkness inside of you is something no human throat can utter, no human tongue can twist or shape itself the right way to name. 
It's said that Demons possess. 
But Angels abandon. 
But what can be said of creatures that man has no name for? 
The thing inside of you stares at me with eyes darker than the emptiness between stars, its maw is the belly of a black hole with teeth long enough to split a planet like an apple. 
It is the bleak black emptiness that existed before the universe, and will exist again when there is nothing but dust and dead silence. 
This… this is my Warden, my Prison, the creature tasked with my capture those eons ago. You are barely a speck in it's vast form, a limp and lifeless nucleus.
It roars, a sound that radiates across time and echoes across the multiverse. 
"FROM NOTHINGNESS YOU CRAWLED, TO NOTHINGNESS YOU WILL RETURN." the beast howls in a voice that echoes from every dark and terrible place in the multiverse and shakes me to my core.
I will not go without a fight.
It lunges, claws outstretched, the endless expanse of its hideous maw seems to suck all the light out of the stars, out of me. I sink my teeth into its throat and pull, my body curling around and around it. 
Its claws are impossibly sharp, tearing my flesh down to the bone. My blood falls to fairyland like rain. My face is grabbed and smashed into the planet's surface again and again. I crush the Warden close and set myself on fire, I am the LIGHTBRINGER, it will take more than some overconfident shadow to defeat me.
The Warden burns, it smolders and screams like steam escaping. I fling it away into deep space and charge after it, driving my seven horns into its belly.
I miss you by a hair, I feel you reach out and grab me just as I pull back. Amber chains snake from your weeping wound, to the Warden behind you. 
You have no control over this thing, do you?
No.
Didn't think so.
But still, you stubbornly grab your chains and pull. The Warden does not come to heel, so much as it melts, engulfing you in its emptiness like a suit. When you open your eyes, you nearly dwarf me.
Nearly.
Your fist collides with my face in an instant, sending teeth flying like meteors. I cannot tell your rage apart from the Warden and I'm not sure I really want to.
Run.
For a second, we are stars, two pinpricks of light twirling around each other in double helices, colliding and clashing with enough force to summon new stars from the ether. We are creation and chaos incarnate. 
We crash through debris fields, shatter planets and extinguish stars. Our blood becomes the new crawling things left behind in the wreckage. I'm smiling, the pain is dizzying, delicious, delightful. 
My venom turns you into a garden, and you tear me apart with your bare and bloody hands. 
Through it all we refuse to die.
Maws wide and screaming in tongues the universe hasn't heard since it was new, I am thoroughly seduced. 
But I am growing bored with this game.
I shove my hand through the Warden and tear you out. You scream in undeniable agony, I close my fist around you and squeeze.
The Warden hangs limp and dead in the darkness of deep space, slowly dissolving. 
Something oozes between my fingers. 
Not blood, far too sticky and cloying to be that.
If Hope had a color, what would it be? 
Would it be a color that only shrimp can see, and only gods have a name for? 
You pry my fingers apart, tears pouring from your eyes the same color as Hope. Hope flows from your mouth as flames, rushes from your open chest as ferns and flowers and vines more beautiful than I could ever create. You reach into the forest of your heart and pull out Kindness, sleek and soft and sharp. 
It melts in your hands, becoming a hammer, comically oversized like your Ma's. And then it grows, and grows, and in the blink of an eye it's bigger and I am. The swing alone takes out half a dozen solar systems before it hits me and sends me crashing through different universes and out the fourth wall. I land heavily on the Writer, dazed and bloody, your hand reaches through his broken computer screen and drags me back home, and there we float over the ruined remains of earth, the skin of my chest balled in your hand like a shirt. You kiss your knuckles and punch me hard enough to send me careening back down to the earth's surface, my crater levels a nearby city.
Do you care?
Are we beyond morals and niceties and caring about humanity? 
You teleport to my limp and broken body, you scoop me up into your arms and hold me close. 
I've folded in on myself several times, I'm barely the size of a person now. 
I can feel those amber chains slithering around me, they clasp around my throat tight enough to choke. 
I don't want to go.
Don't make me go.
I don't want to go back to sleep.
Please. 
I'm scared. 
I'm so scared. 
You don't let me go, as I break down and cling to you like a scared child you don't let me go. 
I wrap you in my wings, I shove my head under your chin and apologize when I stab you with my horns.
"I am your Warden, you are my Prisoner… you are the End of Everything, but I am the End of You…" your throat is choked with snot and tears as you squeeze me so tight I can barely breathe. "You… you deserve to be a Happy Ending and I refuse to live in a world without one."
You kiss my forehead and wipe away my tears. "We do terrible things when we hurt… you deserve compassion instead of imprisonment."
I can do nothing but sit there and bawl, choking on Kindness as thick and sweet as soft caramel. 
Seven times seven thousand lifetimes worth of hate and sorrow and trauma run from my eyes.
You sit with me until the crying stops, until my throat is raw and all I can do is whisper. 
I speak a Word, one that fixes the shattered sky and let's the sun shine properly again. 
The sun speaks their own Words and resets the world, turning the clock back to the day before my escape, I do humanity one kindness and let them wake the next morning as if the past week were nothing more than a bad dream.
I am made to fix my messes, to undo my misdeeds. 
The Horsemen are sealed away again. 
Fairyland is repaired to the best of my ability, although there is nothing that I can do for the Sun-In-Chains. What's done is done. 
GOD will be fine, HE'S GOD, and therefore more or less impossible to kill permanently. 
All evidence of my tirade is erased.
I am finally bound in amber, my powers diminished. I dread returning to the cold depths of the well, but you won't let that happen.
You refuse to send me back to that lonely place beyond dreams and take me home, to your home. Warm and safe beneath the soil, I curl up next to you by the fire.
And for the first time in your short and terrible life, you get a good night's sleep. 
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tea-toast · 3 years
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Echoylir Ch.2 - The Sinkhole
Summary: A trip to Jantoo. Some soup and stories.
Words: 5.6k
Warnings: references to canon-typical violence and to environment not suitable for living in, mention of food/food consumption.
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There was no hot gold sand on Telseraal, nor the soft pillowy curve of dunes like on Tatooine. The land was dry and cracked, deep furrows opening grime filled gashes, sooty flakes of soil raising and swirling with every occasional gust of hot wind.
Din wondered if it had been burnt, ulcerated and reeking ash since the dawn of its existence. A whole planet that sought to keep potential settlers several klicks away, openly demonstrating its pitiless brutal proclivity. And yet a stream of life had mockingly found its way on it. A stream as polluted and vicious as Telseraal itself, blood-thirsty existences fighting tooth and nail to survive such an unforgiving land.
The warmth of the suns at their zenith caressed his beskar and snuck under the fabric of his neck seal, warming his back and shoulders. He had pulled up his cape across his cuirass and under his pauldron to not have it flapping around while he was driving, glad to feel even the faintest hint of air grazing his midriff and his sides as he skated through the desolate scorched landscape.
No life signs around other than himself, the plain stretched as far as the eye could see in all directions. At first he had believed he would have expected sporadic mining encampments, a medium-sized conurbation or at least some sign of life. Instead the landscape carried out inexorably bare, dry and dusty under the bike, followed by a noisy silence that managed to make his own breath sound like bombs exploding into his ear pieces with every exhalation in the confines of his helmet.
He mused that only hyperspace was quieter that this, and while he was well used to it, Telseraal's eerie calm and stillness could have taken its place on the leaderboard. If only the old speeder’s muffler had or did not been grating on dust and drought, leaving a trail that lazily faded in the red-saturated air. The scrap metal clatter had been going on for a while and it was making him wonder if that piece of junk was going to fall apart before getting to his destination.
Jantoo, a name that did not ring any of his bells, like Telseraal had not when he got the job. Although his profession as a bounty hunter had led him to travel the length and breadth of the galaxy, it was itself so large that he could not remember all the planets, cities or megacities he had walked on and through.
Others were the lands to remind himself of, dens of bandits and crimes so extensive that they stank from several clicks away, infecting the air with a stench so fetid that even the most intrepid of the Republic pilots would have thought twice before investigating.
For what he knew, Jantoo was just a speck on the map of this flayed planet, a lonely town in the dust.
He had to give it to the mechanic, the city was indeed not that far from the hangar. Soon enough he could make out the sharp silvery profile in the distance, a blanket of ash and cinder rising immediately behind it.
Mines breath twirling itself skyward, long, mesmerising coils wafting above the tallest towers.
A sudden commotion beneath the speeder's fuselage caused it to skid. He flexed his torso and wrapped his thighs around the seat to avoid being thrown off as his arms made a sharp turn with the handlebars. A grunt teetering between surprise and annoyance huffed from under his helmet once he was sure he had regained control of the bike, his visor turning to where the disruption had occurred to find no sign that the speeder had hit anything. Or that something had hit it. The bike itself was still in one piece, despite the euphemism of the term.
And that was when he realized, felt the vibrations rising from the depths beneath him, making the ground rattle. Digging and drilling, occasional explosions to free tunnels or clusters, the ramification of greed stretching that far and Maker knew how deep.
Despite the constant heat still on his back, he rolled his broad shoulders to dissipate the swift shudder running through his nerves before his visor focused back on the white glimmer waiting for him.
His hand flexed and ignited the bike with a splutter, scurrying away with a ruckus of red.
~~~~~~~~~~~~~~~~
One of the microvalves she had been working on was leaking again, right as she was busying herself with a rather nasty bundle of wires connected to the electromotive stabilisers. The persistent drumming of wet drops on the ship’s metal floor was testing her patience.
She has had several battered vessels in her hangar during the two years and a half she has been settled on Telseraal, but nothing compared to the excellent junkyard material the ship now in her hands provided. The misbehaving ramp had been a clear sign, but boy oh boy how wrong she was when she thought the main issue would have been the ramp alone. How such a vessel has been able to fly with all the hitches it presented was a mystery.
A flash of pity had skittered through her chest once she had completed her survey and noted down everything in desperate need of fixing. The handful of credits he had given her was weighing down her pocket like robbed wealth. Mind, she was no usual to fix a ship for a discount or even for free, she too had to somehow eat and survive like everyone else. But at the same time, she could not wrap her head around how anyone could have given him a ship in such need of repair. Or passed it off as a properly functioning model. Had he been conned, somehow? By some hustler posing as a mechanic or a ship vendor perhaps.
Were Mandalorians not the best fighters in the galaxy, smart, competent, able to take care of themselves amidst the thousand dangers and unforeseen challenges roaming the parsec? Maker, this one Mandalorian was hopping around the galaxy with a sputtering metallic trap!
Maybe he wasn’t the brighter bulb of the Mando bunch, Trisso carried on musing, pulling herself up with a grunt from the clump of wires she was dissecting and shuffling to take care of the damn microvalve, a wrench menacingly clutched in one hand as if the valve would stop leaking at that sight.
Her probing over her current guest had been going on for a while now. Namely, from the moment the Mandalorian had revved out with the speeder, leaving her facing a hell of a mechanical intervention and the buzzing excitement to have such a mysterious costumer under her roof.
Not the strangest or most cryptic one she had had, still her curiosity had been sent into hyperdrive by his arrival.
She had always been naturally inquisitive. Noticing and collecting details, reading people out of pure interest or to be ready to face uncomfortable situations. Her job put her in the risky position of not always knowing what kind of client she was going to stand in front of. Sometimes the whole deal would go smoothly, sometimes not. She got used to recognising preventive signs of a possible struggle, both physical and metaphorical in regards to paying for her services or concerning defaulting customers or smugglers. Her current client did not look like either.
Yes, he was tall and broad and his black T visor made him look perpetually stern and menacing, but he had been honouring his payment from the start and there had not been tensions, aside from his initial reaction to her droids. She had not found any latent signs that he could be real trouble, at least as far as the vessel-patching-up deal was concerned.
Trisso spun the microvalve with a final curt jerk, finally putting an end to its insistent leaking. She pushed her trusty wrench in one of the overalls pockets, picking up one of the many rags she had been littering around to clean herself with. As she started scrubbing grease away from her fingers, her mind was still wriggling over the Mandalorian and his business on a planet like Telseraal.
It must have been something shady, of course. No one in their right mind would select Telseraal to have legal trafficking and polite bargains. Maybe he had been hired by the Collective to take care of some dispute with the rest of the mining community, even though the Collective was feared enough by its own to not be messed with. Or, she pondered, he might be looking to refurbish his arsenal.
Despite her patchy knowledge of Mandalorians, she was aware they considered weapons a religion and were quite keen in the artillery department. Her Mandalorian did indeed looked like he was lacking assets. He would have made such a promising patron for Telseraal underground gunrunning.
She was about to finally leave the matter simmering and fading in the back of her mind, happy to have found a plausible meaning for a Mandalorian’s presence on Telseraal and in her hangar when a fleeting thought flickered around the shell of her conscience and whispered in her ear.
After the Purge, Mandos had been seen only when one had to collect a bounty.
As soon as that reasoning crossed her mind, she could feel the unmistakable pull of her gut settling in, muscles stretching under her skin in pinpricks. The rag in her hand stopped circling her knuckles.
That feeling. It had proved itself right throughout her whole life and she had grown to trust it when manifesting. Her eyes gave a cursory look around as if she thought she was going to find something wrong within this ship all of a sudden. And not something of the mechanical variety.
So this is what he was doing on Telseraal, she mused, tucking away the rag and turning on her heels to go back to those karking wires. She had to stop ruminating over this whole thing altogether since the repair job currently in her hands was going to be long and tedious. She didn't need petty distractions and conjectures to distract her. Crouching down, she picked up a couple of coils and started working on the copper strands.
He was after something. Or someone.
As small spark glinted from a faulty contact and burned Trisso’s fingertips.
Well. Shit.
~~~~~~~~~~~~~~~~
Jantoo was vertigo-inducing. The silver bulwarks he had seen from afar turned out to be just an outer shell, the city jutting out from the cliff walls over a massive sinkhole chewing its way down in the bowels of the planet.
The rickety narrow paths leading to the abyss were only external irregular teeth decorating this gargantuan artificial maw, the only parts able to cope with the almost constant smoky castings of the mines. The real Jantoo was embedded within the walls of its sinkhole in a swirl of packed alleys, the rumble of drills and jackhammers at work constantly in the background far below, paired up with all the voices, yells and clatters reverberating through the stone vaults.
Shuffling of feet on the dusty ground, the most disparate languages ​​overlapping and cancelling each other in the cacophony of an attempted bargain that had been inching closer and closer to a brawl or even a murder by the shimmer of a hidden vibroblade. Miners coming up and down from their shifts, uniforms smeared with soot almost as much as their faces as lungs contracted in violent coughs and red-tinted spits. Wide-eyed children skulking around, waiting for someone’s attention to fail and allow their little long-fingered hands snatch pockets and purses. Others were eyeing the food stalls, ribs painfully shifting under flaky skin with every laboured breathe, drool thick as molasses in dried up mouths as the overflowing of food mocked them from sizzling cookpots.
Sour bile rose from his stomach and irritated his throat to the point he had to cough at that sight. However, he weaved through with practised steps, because he had witnessed other landscapes, other atmospheres tormented by famine and ferocity over the years, he had seen wraiths walking the ground in battered shrouds, mangled offsprings of such an environment.
Most avoided getting in his path by the look of his beskar alone, but their eyes were already filmy and unfocused, thoughts more pressing than a Mandalorian on Telseeral worrying their dust-clogged minds.
The only ones who would have been worried about his presence in their territory would have been the representatives of the Mining Collective. Oddly, he had not found any checkpoints at Jantoo’s entrance, no one had asked for identification or his business. Maker, he could not see uniforms wandering through the ravines, as if the city was left to its own violent and criminal fate by its own lords.
Lords he did not care about. He did not dwell on them further, despite the fact he had wondered if they already knew about his arrival.
He knew very well that all city walls had well-functioning eyes and ears when a beskar armor was around hunting.
His T visor began assessing his surroundings, took in as many details as possible, hiding spots and escape routes. He absentmindedly whipped out his tracking fob from his bandolier and clicked it, waiting to see if it would start beeping straight away.
It did not, the light stayed off and the fob did not make a sound. Not that he thought to pick up a signal but it was worth a try. He resolved to just look around, acclimatising himself to this bloody city.
He was trying to find the logic behind the whole system of curves and alleys and nooks, trying to come up with a strategy to avoid wasting time and thus ensure that his bounty could regroup to escape him. If she was still on the planet.
Soon enough, as he cruised through crowded curtain-draped alleys, he noticed a group of Sullustans chilling outside of a cantina. The sight made him realise there might have been at least an active Sullustan clan or colony on the planet and his bounty might have requested protection from them. Asking them for information might not be the best idea. He would not allow someone to go alerting her about a hunter’s presence in Jantoo. That would have made her even more elusive to find.
Despite a primal eagerness purring in the back of his mind suggesting to be bold and probe the Sullustans anyway, he perished the thought, at least for now, and silently slithered away in the crowd to explore more.
After hours wandering around, ducking a couple of blaster volleys, and sporadically asking general information as if he was a tourist of the sort, he had to admit to himself Jantoo did not seem to have trade-specialised districts like other cities, but rather an indistinct jumble of shops and establishments that had nothing in common but still somehow found themselves attached at the hip.
This gave his bounty yet another advantage.
Even though he knew from her data she was a chemist, he would have had to map and sift through all the chemistry businesses on the city’s different levels, at the same time maintaining a low profile that was nearly impossible to achieve with beskar shining on his body.
A sigh hissed from his mouth as the sunset curfew siren started blaring within the maw, earning itself some head turnings and feet scurrying away in a rumble of sand. He hurried to leave the alleys as well. No way he was staying the night in that nightmarish sinkhole.
He had to change the route back a few times due to crowds clogging the majority of the exit points, very careful not to head too close to the jagged external paths. Eventually, he managed to extricate himself from the ramble and headed back to the speeder with a nimble stride.
As he hurtled through the silver gates and quickly left Jantoo behind, he realized that maybe he would have to venture to the bottom of the mines to find his quarry.
He fervently hoped both for him and her that was not going to be the case.
~~~~~~~~~~~~~~~~
Night had fallen over Telseraal, its suns and their heat had given place to a moonless black sky, the temperature had dropped into a cold that would grind within one's bones and marrow.
Despite her quarters being a little dated, they were still insulated enough to keep the chill out. Especially after someone had been cooking and steaming for a few hours.
She had just scooped up a bite with her chopsticks, flat bottom spoon right underneath to catch the broth when she heard the grating and sputtering of the speeder right outside. Hastily finishing chewing her morsel, she got up from her stool and looked at the hangar plain area through the still slightly misted transperisteel.
Trisso could see the Mandalorian dismounting from the bike. He left it in the same corner he found it. He even went looking for the tarp and carefully covered it for the nighttime. A smile tugged at her lip watching such a looming looking warrior performing a trivial action like covering an old dusty speeder. She followed his beskar as he turned around and marched toward her door.
When he noticed her, he gave a curt nod to which she replied with a similar head movement, then moved away from the transperisteel and angled her body towards the threshold. It opened with a low hiss, the Mandalorian taking up most of its frame before he thudded inside. A shudder ran under the beskar, a very faint sigh of relief tugged at the rim of his helmet as the quarters' warmth enveloped him.
“Well,” Trisso peeped, her legs bringing her back to her stool and sitting down, “welcome back.” Her chopsticks and flat bottom spoon glimmered under the light when she picked them up.
The Mandalorian stared her down as if her dining was such an outstanding display, his T visor trained on the bowl in front of her and the piping hot cookpot on the small stove right behind the table.
Before she could invite him to sit down, his voice grated through the static of the vocoder, “I’m here to give your key back.” and he pointedly produced said key from his pocket, his arm outstretched toward her.
She looked back and forth from the key to his helmet, before she shrugged and replied, “You can keep it as long as you need. I’m not planning to venture to the city soon.”
His arm and shoulder twitched lightly, but eventually, his fingers closed on the key and got it back in his pocket while he gave yet another nod as a thank you.
Trisso smiled, hoping that matter had been settled for good. “Now,” she prompted, “please take a seat and have some.”
Another twitch, before his whole body got tense. “‘M fine.” was his clipped answer, feet planted on the ground.
She let a beat pass, blinked once then replied, “I wasn't suggesting, Mandalorian.” she could see his orange-gloved fingers getting into fists, but she did not relent. “Have some.”
He tried to rebuke, to push her and her invite away. He was not there to make friends or to bask into a stranger’s kindness, even if he was hungry and feeling alone. A hint of annoyance tinged his voice as he gruffed again he was fine and in no need of food, shifting his weight from one leg to the other in a nervous wave and his shoulders stiff like a board.
A good-natured huff heaved from Trisso’s chest at that display. This Mando was such a piece of work, and awkward and possibly not that great with social cues.
“You've been outside under the suns all day,” she calmly reasoned with no intention of giving up, “I bet you didn't have the chance to eat or drink anything in Jantoo because there are not enough secluded areas where you'd have removed your bucket in peace.”
The tilting of his head at those words did not go unnoticed, cuing her to carry on, “Now you're back at night, with frigid temperatures, on an empty stomach.”
Her dark eyes were trained on him, they were holding his staring, not in a challenging manner, rather a genuine offer. “At least have some soup,” her thumb pointing behind her over the cookpot she was saving the rest of the meal in. “You need fluids.”
He ground his teeth in a sigh at her persistence, silently complaining at whatever kismet had appointed him with such an encounter on a planet like this. However, she was pointedly eyeing him and he eventually choose to yield, his shoulders sagging both due to fatigue and exasperation, and forfeiting whatever bounty hunter aura he was still trying to sport.
She knew then she had won him over and a small grin creeped onto the corners of her mouth. Stool scraping against the floor tiles, she pushed herself up and went getting a cup from one of the cupboards. A mitten was retrieved and the cookpot lid was lifted to be able to dunk a ladle in.
The cup filled to the brim with steaming fragrant soup, she turned around and inched closer to the Mandalorian. “Here,” she offered, not missing his hiss when his fingers closed around the rather hot cup, “you can eat in one of the bunk compartments if you wish.” And she pointed toward the chipped automatic door leading to the dormitory area, “Can seal the door for the time being.”
He followed her finger, head turning back on her after few seconds to breath out a “thanks” while his hands got around the cup without a real thought over it.
Trisso tilted her head in a nod, allowing him to go eat in peace. As the door clicked shut behind him, she exhaled a puff of air and sit back down to carry on her dinner.
She had had to partake in several trips to some of the overpriced stalls in Jantoo, even illegally purchasing from the underground food smuggling circle, but eventually she had managed to find part of the ingredients to cook herself a decent enough meal for once. It was no way near the dish she used to eat in her childhood, but she still appreciated being able to dine on something other than the food rations she had gotten used to.
That recipe never failed to distract her from the harsh reality she was living in, whenever she could cook it and then enjoy it, it gave her a sense of calm that would stay with her long after she had finished it. The heat of the soup warmed her, unlocking memories she was always happy to think back to from time to time.
~~~~~~~~~~~~~~~~
She did not know how long it had been since the Mandalorian had holed up in one of the bunks, but at some point she could hear the heavy sound of his boots. The door opened with a beep and the light made his chest plate shimmer faintly. He was still holding onto the cup with both hands, possibly to feed on the remaining heat of it as he was waiting for the soup in his stomach to warm him up properly.
As she was busy finishing her dinner, he earned himself just a cursory look and he took it as permission to move around in her living space freely. Not that there was much to inspect. So, he made a beeline toward the cooking area where he placed the cup with a light click.
Trisso was ready to hear him curtly thanking her once again and then retreat for the night, but against her expectations and after some awkward shuffling of feet, he grabbed one of the vacant stools and sat down with her.
She hid the curl of her lips with a spoonful of soup, finishing what remained in her bowl before giving out a content sigh.
It was then that the Mandalorian decided to grace her with more than a monosyllabic reaction. “It was good,” he rasped in a mumble, “the soup. Was nice.” He cleared his throat and crossed his beskar-covered arms across his chest as if to protect himself from the glance Trisso was giving him.
“Not as nice as my papa’s, but it's something,” she replied while she gathered her cutlery and whatnot and carried it all over to the sink. Her fingers got his cup as well and she let some water run from her stash to soak everything in for washing later.
No way she was going to forfeit the Mandalorian’s chatty moment.
He waited for her to sit back down before inquiring, “Was he a cook?” and he sounded genuinely curious underneath the grouchy hedge of his voice.
Trisso’s eyebrows rose at his unexpected interest. “Not really,” she tittered, “but he was good at it. Cooking and shooting.”
The muscles of his forearms on his chest flexed lightly when she mentioned shooting.
Yep, Mandos were big on weapons and shooting.
“A soldier?” he tried again and the interest in his tone did not falter. His visor watched her shake her head, before she specified, “More like a monk with firearms and a lightbow.” a pearl of laughter behind her smile as she watched the Mandalorian tilting his head in disbelief, “Him and dad used to be part of a religious order. Here, let me show you.”
She left the sink with a sprint and walked toward the lonely shelf right beside the main door to retrieve a pad. She tapped in something and soon enough a holo switched on.
“People always said I look and sound more like dad,” and she pointed at the shorter of the two men. Dressed simple and neat, a seraphic smile contrasting the fatigue infecting the age lines on his face. He was leaning against a staff and his gaze was milky and unfocused.
Then Trisso’s finger moved over the second man, carried on talking, “Though, I can tell you I swear like my papa for sure.” A hulk of a man, with wild hair, a worn civilian flight suit and battered red plastoid armour. He stood near his partner with a stoic scowl on his bearded face. “Wish I could cook like him too.”
Something tugged in his chest. That unrequited glimpse of knowledge she had just shared with him enough to make him wish he could ask more, despite the fact that he had promised himself not to get too friendly with whoever he met during this job.
But when he turned the visor towards Trisso, he realized that there was a searing sadness flickering in her eyes while observing that holo. He felt a sting of guilt for inadvertently bringing back painful memories and he awkwardly shifted in his seat. His shoulder moved and the singlet on his right pauldron shone, diverting her attention.
“What’s that?” her chin jutted out to point at it, gaze morphing into her characteristic glimmer of curiosity.
He pondered if it was wise to narrate about his singlet to a stranger, but at the same time he reasoned she had been nothing but hospitable and kind to him and she had just shared personal information with him. He no longer felt the urgent need to withdraw from casual conversation. His shoulders rolled and his pauldron sparked yet again, “It’s my singlet.”
“Oh, so you’re part of a clan.”
He decided not to specify that ‘the clan’ was more like ‘his clan’ as in ‘him being the clan leader’.
Trisso’s eyebrows knitted together and she squinted, trying to get the shape of the singlet. “What kind of animal is that?” she inquired.
“A Mudhorn.”
Her face scrunched up and he took it as her not having a clue about what that was. So, he proceeded to explain it to her, to tell the story of how he got the right to use a Mudhorn as his singlet, minus a small green child-sized detail.
Trisso did not believe him straight away. At first, she looked at him like he was taking the piss of her, light-heartedly mocking him and just not believing it. It took him some good convincing to have her hanging over his words, eyes wide and a half-incredulous expression on her face.
“And you took down that big furry beast solo?”
“Yes.”
“Sorry, but I hardly believe it,” she frowned, trying to recall the whole story and reasoning on how he would have been able to do that, “Big bad beskar armoured Mandalorian, yes. But no way you killed that thing all alone.”
“Had too. Jawas stole some ship parts and bargained them for the Mudhorn’s egg.”
Her head lulled into a shake, “Who bargains parts for an egg?”
“Jawas do,” he shrugged matter of factly, “cracked that egg at light speed and got sticky with it right under my eyes.” His fingers flexed and mimicked claws scratching inside an hypothetical egg.
“Yuck. I’m sticking to my unsavoury ratios, thank you very much.”
“I second that,” and he lowered his forearms on his legs rather than wrapping them up against his chest again.
“Still, I think you’re a liar,” but there was no real harm in her voicing.
“Your loss not believing a Mandalorian’s word,” she could feel his grin behind the black plain of his visor.
After a while spent telling each other stories, a yawn rounded out Trisso’s lips and she excused herself to retreat for the night.
He stood up from his stool with a grunt, the extension of the day settling down on him and his joints like a boulder. He was about to leave as well when she stopped him yet again and suggested him sleeping in one of the bunk compartments rather than on that ‘nightmare of a ship’.
A huff close to an actual chuckle rose from his chest as he listened to her swearing over his vessel.
“We need to have a conversation over it first thing tomorrow morning,” she was blabbering about as she made him follow her to the bunks, “that thing goes against every fibre of my body and it’s testing my patience.”
“How so?” he indulged her, a not so well disguised teasing in the rattle of his voice.
She caught that and angled her torso around towards him, eyes narrowing in a ‘I dare you’ while she stopped in her tacks and raised a hand to his visor.
“Landing gear’s missing rivets, wires are either fried to a crisp or so tangled up they look like space rat nests,” she unfold two fingers, “fusion hose’s seen better days and that would be fine if them spacers would not tinkled constantly, making me wonder if the whole thing is gonna unhinge all of a sudden,” another finger up, “microvalves are leaking worst than a snotty brat, issued springs and plugs are rusty or nearly corroded and the navigation deflector system’s cable entry frame is missing pointer lights,” both her hands shook in a fit of frustration, fingers opening and closing in fists.
“Maker, I wonder how that thing hasn't exploded under your metal ass yet.”
“I’m piloting it,” he replied with a shrug.
She looked at him like he had grown a second or third head, the gears in her head whirling to catch up to his joke or actually believing his words. In the end she lowered her outstretched hands and regard him with an unimpressed glare before turning around and pointing at the several doors lining up head of them.
“Choose whichever suits you the best, there’s nobody else around using them.”
He settled for the one he had occupied to eat his soup, the cot mattress still crumpled from his sitting on it. Despite the space being quite small and cramped, he had to admit it was going to be better than sleeping in his pilot seat. He sighed, his aching muscles mollified at the prospect of resting in a bed for once.
Absentmindedly, his fingers travelled to his pocket and fished out the small durasteel ball, turned it around in his hands, a gesture that had become a ritual at the end and beginning of each day, a way to wish good rest and good morning to the one who no longer was by his side with his blabbering.
The ball had so much of his focus that he did not notice Trisso strolling back with some blankets until she was at the entrance of the bunk. As soon as he realised her presence, he shielded the ball by closing his fist over it in a hurry and focused on the woman.
She tossed him the blankets, as well as a bundle which turned out to be a warm poncho when he stiffly unfolded it. “Keep that on,” she advised him, “for good measure. Cold still creeps in from drafts and you don’t want to wake up with wet joints.”
He eyed the poncho, hoping she would not read the sceptical expression despite his helmet. Either way, he promised he would consider putting it on and make good use of the blankets, before thanking her again.
She bade him goodnight from the hallway, a hand leaning on one of her hips after she instructed him on the fresher location. As a reply, he nodded again and then sealed the door for good.
She decided to suppress her rampaging curiosity over the small durasteel ball she saw him carrying in his gloved hand. She did not need to see his face to know what grief looked like.
4 notes · View notes
chrysalispen · 4 years
Text
reverie (NSFW)
doing some bingo card prompt fills to get back in the swing of things.
prompt fill: masturbation
you know me, it’s my usual. brief nero tol scaeva/wol but mostly this is just poor aurelia being helplessly feral over the dick that cursed her. 
set sometime during the crystal tower raid storyline. NSFW under cut, as always.
=====
In short order she had drifted into a doze and the memory became dream. No longer curled in a thin bedroll upon rock and crystallized sand, she lay basking in the comfort of sun-warmed grass with the soothing scent of lavender in her nose. A warm breeze stirred her hair and the fine crepe fabric of the soft and comfortable dress she wore, the hem tickling her leg with its fluttering. 
Over long moments the scope of the dream shifted, almost imperceptibly, in the hazy and oneiric way dreams so often did, and Aurelia knew without opening her eyes that she was no longer alone. 
She could sense the warmth of another body nearby, someone she knew. 
She could open her eyes, but she already knew who it was. She'd had this dream before: her best friend from girlhood, alive and well, lazing next to her and watching clouds drift overhead. Despite everything, it was a dream that never failed to leave her feeling better when she had it. 
She was already smiling as she shifted herself towards him in a lazy roll to one side. 
A warm hand caressed her cheek. She threaded her fingers through his hair to tug him in for a kiss-- and the moment he responded in kind, she realized this could not be Sazha. The soft, warm mouth upon hers was too full, his face was not clean-shaven but bristly with overgrowth, the nose too broad-bridged and prominent. And also not a Miqo'te-- her fingers tugged ungently at soft, dense curls rather than the fine silky strands she remembered. 
She kissed him anyway. 
In turn, he devoured her.
She tore her mouth away from his to catch her breath and he continued his conquest down the column of her throat as he feasted upon her softness: biting and nipping in tandem with the descent of slim hands and calloused, dexterous fingers. He rucked the thin fabric of her dress to her waist, and when his fingers hooked with a deft surety into the laces of her smallclothes to loosen and expose, she felt only heady excitement. 
He surged forward, slotting one thigh between her legs; she found herself rolling smoothly onto her back to bear the weight of a body that was lean muscle and sharp angles. The muscles of her calves flexed to wrap about his waist for purchase and nearly in the same instant she felt the sensation of fullness and friction: heat stretching and sliding into her own, made smooth and easy with desire. 
She moaned, a guttural noise that was almost a growl, the sound of it swallowed by her lover's mouth on hers as he found his rhythm. The heat of the sun seemed to warm her blood with each thrust; she could smell lavender and musk and cut grass, and the irregular sighs from his lips warmed the column of her throat.
Those fingers tangled in her hair, the roughness of them gathering it like strands of spun gold. 
His lips caught her earlobe, moving in that soft spot behind its shell as he rasped, "You know me."
She did. She tried to remember his name, tried and couldn't, not with all her focus bent upon primal need. Even as she racked her memory, she twined her arms around his neck and tugged on his hair so she could kiss him again. Teeth and tongue together grazed her lower lip. 
"Yes," she panted against his mouth.
Each breath become more labored, seeming to lodge in her chest. His warm hands trailed down her thighs to tilt her hips up; she clenched around him and keened into his kiss, her hips canting hard enough into his that it should have hurt. If she felt pain at all, it went unnoticed; all that mattered was that thread of tension she could feel coiling on itself and the blessed relief that lay in sight, just within her grasp.
If she could just say his name-
=
Aurelia sat bolt upright in the darkness, eyes flared wide and chest heaving and skin dewy with sweat, her lips still trembling. She felt sure she must have cried out but if it had been heard there was no response. The tranquility of sleep still reigned over the NOAH campgrounds as far as the others were concerned, it seemed.
Sleep was now very far from her mind. The sound of her own voice still echoed in her ears.
She exhaled, a trembling whisper of sound, and let herself drop back to the hard and uncomfortable ground.
Well.
That had certainly just happened.
She'd ask herself why, but it would be nothing short of denial, and he'd been on her mind as of late, she wasn't about to deny it. In her defense, of course, Nero tol Scaeva had been on everyone's mind since the moment he set foot on the dig site (and it hadn't been so much 'set foot' as 'sauntered,' really)--
Well, what did it matter? The occasional strange dream was to be expected, especially when one was under duress- and she had certainly been given plenty to worry about as of late. The Doman refugees, Alphinaud's new grand company, the move to Revenant's Toll, meeting Ser Aymeric, dealing with a seemingly unending stream of summonings requiring her to stamp out fires (and gales, and earthquakes)...
These dreams are perfectly normal and nothing to worry about, soothed the calm and collected clinician's voice in her own mind. Certainly nothing to lose sleep over.
Except she knew the moment she shut her eyes that she wasn't going to put it out of her mind, much less find any peace in sleep. Lying in the close and humid darkness of the tent she remembered the sharp pale blue of his eyes, bright with triumph, watching with avaricious ferocity as he took her apart. Gods, the way it had felt. That hot and grinding ache lingered still, unwilling to let her go.
Damn it. He'd cursed her without laying a finger on her. Gods damn it all.
She wet her lips with her tongue, staring at the peaked canvas above her head.
With a furtive glance at the closed tent flap she rucked her sleeping robes to her waist and lifted her hips just enough to wriggle her smalls down to mid-thigh. Slowly she ran her palm along the curve of one leg from the rolled waistband of her underclothes to the delicate flare of her hip and then inward, index and middle finger carefully encroaching between her legs with a light and questing touch that was almost embarrassed.
But she had to do this quietly, she tried to tell herself, the harsh sound of her breathing alarmingly loud in her ears. If G'raha or Cid or Rammbroes (or worst of all without a shadow of a doubt, Nero) found her in this state--
Well, short of sinking into the ground of her own free will until the next Age rolled round, the consequences defied imagining. She'd be the Eorzeans' first Warrior of Light to perish from sheer mortification, that was all there was to it.
She'd been on the verge when she'd awakened; she could still feel the throbbing pulse of her heartbeat, everything between her legs still acutely sensitive. It was difficult enough merely to measure her pace but the hardest part was trying not to think at all- trying not to think about what she was doing or why so that she could concentrate only upon the sensation of her own fingers: not half as rough, smaller and more delicate, rubbing against slick flesh in slow and careful motions.
Slow and careful, rather, until neither of those things were enough to satiate.
As her concentration slipped, so too did her resolve to remain silent. The pressure of her fingers increased, along with the speed and urgency of her rhythm and that ghostly and half-remembered thread of impending release quickly returned, built back to its boiling point. 
A small keening welled from the back of her throat and buzzed through the lips she had clamped tightly shut; her back arched and her neck bowed, pressing the back of her head into the thin pillow of her bedroll.
She bit the soft inner layer of her cheek hard enough to taste copper on her tongue. It hurt but the urge to cry out passed with it, briefly.
Her free hand slipped beneath the thin pillow in some last-ditch effort at self-preservation, tugged just enough of it free so that she could cover her mouth, muffle the sounds that wanted to escape. Her teeth clenched against linen and hemp, and her last cogent thought was the memory of that dream-voice whispering in her ear, goading her to say his name. She thought of flaxen curls snared about her fingers, the breathy sound that whistled from his lips as she tugged at them in a demand for his attention. The sensation of the muscles in his back shifting beneath her fingertips. The glorious frisson and friction of his cock, pistoning inside her-
That thought did it.
The breath left her lungs in an explosive and half-choked gasp as that coiling tension snapped taut like a wire, heat from her release radiating out from her core into her limbs. She writhed atop her bedroll for an indeterminate amount of time, legs twitching with small spasms, helpless to staunch the small flood that wet her fingers.
After a handful of seconds the aftershocks began to pass, rolling like an undercurrent beneath the hectic slamming of her pulse. She lay quiescent in the darkness with damp strands of golden hair sticking to her neck and one hand still pressed between her legs, chest heaving and ears ringing.
Willing her breathing deep and regular, Aurelia carefully flexed her hand after a few moments more to shake out the ache of an incipient cramp. Beneath the giddy feeling of afterglow she felt a mingled jumble of emotions that she tried to ignore-- guilt, mostly, and no small amount of confusion.
Her eyes alighted upon her staff, laid neatly alongside her journals and packs. The faceted surface of a crystal caught what little light existed in the close space, glimmering feebly.
"You could have at least had the courtesy to let me dream about someone I actually like," she whispered. She laughed, but there was precious little mirth in it.
Aurelia sighed and rolled herself into a sitting position on still-wobbly limbs, reaching for something to pin back her hair, then rummaged in her bags for her canteen and a scrap of hemp cloth for washing. If she was to spend a sleepless night, she might as well tidy herself.
Maybe in the morning she’d be able to look him in the eye.
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Text
Trinkets, 22: Interesting baubles, semi magical objects and items touched by mystery.
A small, Randomly Colored folded paper bird. When unfolded, it refolds itself and any crumples or tears it has sustained magically fix themselves.
An eyepatch resembling a large flower that covers the entire eye of the creature wearing it. When applied to a creature’s face, the eyepatch grows rootlike tendrils that wrap around the bearer's head to secure it.
A set of fish jaws fashioned into a bracelet. When worn, the bearer has an in depth knowledge of northern pike.
A bracelet made from a lattice of woven brass. It automatically adjusts itself to the wrist size of its bearer.
A shimmery cloak clasp depicting a violin and a sword. It smells vaguely of ash and fire.
A sealed metal tin labeled “Armstrong Mustache Wax”. According to the description, the recipe has been passed down the Armstrong line for generations
A glazed porcelain pipe. Everything about it seems vaguely familiar, but you aren’t sure why.
An old and beaten up steel drinking flask. After carrying the object for more than 1d4 hours, the bearer becomes convinced that the flask has to be kept a secret.
An uncannily familiar face etched into a piece of dead wood.
A marble pyramid, small enough to fit in a human’s palm. When held, shadows seem to flicker in the corners of the bearer's vision.
—Keep reading for 90 more trinkets.
—Note: The previous 10 items are repeated for easier rolling on a d100.
A small, Randomly Colored folded paper bird. When unfolded, it refolds itself and any crumples or tears it has sustained magically fix themselves.
An eyepatch resembling a large flower that covers the entire eye of the creature wearing it. When applied to a creature’s face, the eyepatch grows rootlike tendrils that wrap around the bearer's head to secure it.
A set of fish jaws fashioned into a bracelet. When worn, the bearer has an in depth knowledge of northern pike.
A bracelet made from a lattice of woven brass. It automatically adjusts itself to the wrist size of its bearer.
A shimmery cloak clasp depicting a violin and a sword. It smells vaguely of ash and fire.
A sealed metal tin labeled “Armstrong Mustache Wax”. According to the description, the recipe has been passed down the Armstrong line for generations
A glazed porcelain pipe. Everything about it seems vaguely familiar, but you aren’t sure why.
An old and beaten up steel drinking flask. After carrying the object for more than 1d4 hours, the bearer becomes convinced that the flask has to be kept a secret.
An uncannily familiar face etched into a piece of dead wood.
A marble pyramid, small enough to fit in a human’s palm. When held, shadows seem to flicker in the corners of the bearer's vision.
A glass marble that looks a bit like a lizard’s eye and is always a bit cold to the touch.
A dried yellow tulip bulb that becomes healthy and opens when brought into especially strong sunlight.
A rather clunky cube of dark wood, engraved with hypnotizing patterns.
A hand sized, grey, stone statuette of a woman. It’s exceptionally detailed for its size, as even the folds in her cloak look almost lifelike.
A sewing needle made from some type of unknown, otherworldly metal.
A maroon eye patch, covered in fine embroidery that depicts tangled rose vines.
A polished wooden carving of a fish that turns a vibrant green when placed in water.
A polished mirror in a simple wooden frame. Looking into it for too long makes people feel uneasy in a way they cannot fully describe.
A crudely made wool, right handed glove, that's always pleasantly warm.
A fist sized crystal that looks like it holds trapped smoke. It is easily scratched.
A velvet pouch filled with coarse sand that feels weightless.
A bronze brooch in the shape of a feather that lets off a faint glow.
A single Randomly Colored dragon scale, worn away by time.
A glass bottle of some type of potent-smelling tonic. It’s taste is gritty and bitter, and somewhat reminiscent of charcoal.
A leaf that never rots, wilts or decays. Purple speckles dapple its surface whenever it’s held in the light.
An empty section of honeycomb. It causes an almost electric tingle if touched to bare skin.
A lock of fur tied into a tight bundle with a parchment scrap beside it. It reads, “Pelt Sample #027”.
A gilded teacup, laced with a spiderweb of thin cracks. Despite the cracks, it never seems to break.
A slip of tattered paper covered in something resembling letters. It seems to be a poem written in an old language.
A tightly rolled scroll. Reading reveals it to be someone’s diary. They apparently had a dramatic life.
A simple, copper belt buckle.
A twisted, grey wooden walking cane sized for a halfling.
An ornate, tarnished key with two prongs. Neither end seems to be able to open anything.
A rich, purple hand fan. Intricate designs of peacocks cover it’s surface when unfolded.
A small piece of dead brain coral. Your mind feels at ease when you hold it.
A tablet of fired clay. Dozens of names are written on its surface.
An iron-bound bullhorn
A small bone whistle carved with symbols and imagery of death. When blown it creates shrill, eerie notes that echos into the distance.
A simple white ribbon. While it is attached to clothing, the bearer finds it difficult to fall asleep.
An urgent letter requesting help. The date indicates that it's from over a hundred years ago, but its linguistics are more suited to more current times.
A used incense burner crafted from a human sternum.
A finely beaded women's handbag. The beads are made of glass, and the different colors have been sewn into an image of a sandwich.
A large, dark blue button. On it is a baby's bassinet painted in gold.
A sewing kit filled with cacti needles with fine holes in the end instead of regular sewing needles.
A set of watercolor brushes perfectly sized for a gnome.
A bronze calligraphy pen covered in filigree patterns. When used as a writing utensil, the bearer will be incapable of stopping themselves from adding an "e", or that languages equivalent, to the end of every word.
A whetstone that will sharpen blades, but only if the bearer asks nicely first. If the bearer does not ask, every blade they attempt to sharpen will become increasingly dull.
A large vial made of smokey quartz, whose plug is comprised of compressed grass and glue.
A deck of well worn playing cards, marked with indeterminable stains and smelling of cigar smoke and whiskey.
A small bracelet made up of a series of interlocking clockwork mechanisms and ring puzzles.
A pamphlet for a new church in an unfamiliar town. It details their strong beliefs in polyamorous relationships and their condemnation for magic of any kind.
A pamphlet for a lecture on the differences between gnomes and halflings in a town not too far away.
A six inch coffin, hand carved from elm. The inside is padded and covered in light pink silk.
A plain oaken case, the inside of which is lined in plush, royal blue velvet. The velvet has three indents on which lie three ordinary looking pine cones.
A poorly made porcelain vase with gold leaf randomly placed on it.
A mason jar with a scattering of unicorn hair across the bottom.
A stuffed toy frog with amber, glass eyes. When in possession of the bearer, they will notice that the air around them is oddly absent of bugs.
A set of fake eyelashes made out of owlbear fur.
A short haired wig made from owlbear fur.
A long haired, black wig made from the hair of a horse's mane. There are strands of gold woven through it.
A fairly unused set of Orcish dentures. The canine teeth are made of silver.
A crystal perfume bottle half filled with a potent, musky scent.
A gnome sized silver hair brush. On it in Orcish script is crudely scratched “Remember Me”
Several dried moose ears sewn together and fashioned into a sheath for an average sized dagger
A black linen sleeping mask that covers the bearer's eyes during sleep to stop light from bothering the bearer.
A clear hermit crab shell made of glass.
A small bowl made of bronze. If any liquid but water is put in it, it will take on a salty taste.
An off-white canvas bag with a green and bronze dragon embroidered on it. It always smells of a campfire that has just been put out.
A small pillbox made out of layered purple, metallic scales. A close examination reveals that the scales are metallic, but even a knowledgeable PC cannot identify what creature they originally belonged to.
A small bag containing a set of a dozen 2x2 cm steel cubes.
A large riding crop with steel studs in it. A creature hit by it immediately develops a series of bloody welts in their skin which spell out the word "Ouch".
A pair of Randomly Coloured silk stockings.
A flute that makes no sound, no matter how it is played. It’s surface is a shimmery grey.
A heartfelt poem about unrequited love on a pristine scroll.
A stone tablet, with etchings of great heroes covering it. All of their eyes are scratched out.
A sketch depicting a wilting rose that causes anyone who looks at it to feel bleak.
A flamboyant masquerade mask with large, rare feathers coming from one side. There’s a small chip under the left eye.
A ragged piece of burlap with the personal crest of a wealthy merchant inked onto it.
A set of smooth iron bangles. They have a decent weight to them, as if they’re pure rather than plated.
A broad cavalier hat that's a bit old, but it’s still fairly stylish.
An ornate saucer painted with scenes of songbirds in flight. Whenever you aren’t looking directly at it, the birds seem to move.
A wooden birdhouse, carved and painted to look like a castle.
A wooden spool with three feet of coiled copper wire.
A specially crafted steel cage that looks like it could hold about five rats. It includes stout leather straps around its open end and a metal crucible for holding hot charcoal or other fuel on its top end. Knowledgeable PC's will recognize this as a torture device used by tightly strapping the open end of the device to a helpless victim’s abdomen, inserting the rats into the cage, and setting the crucible’s fuel alight. The increasing strong heat of the metal crucible causes the rats to gnaw and dig their way through the victim’s abdomen to escape. Panicked rats will chew clear through the victim's body in order to escape the heat.
A deck of illustrated fortune-teller’s cards, used by those in tune with the spirit world to predict the future, and by charlatans to take money from gullible or desperate people. The deck is made of quality wooden plaques with painted color images and is stored in a smooth leather case.
A large suitcase containing a croquet set. It includes four wooden mallets, nine wooden wickets (goals), and four wooden balls.
A suitcase containing a dartboard set. It includes a multicolored board that breaks into four smaller pieces for easy travel and six brass-tipped darts. The board itself consists of a layer of of painted cork on hardwood backing.
A wooden box containing a set of dominoes. There are 28 white marble tiles with pips on each end.
A set of four brightly colored juggling sticks adorned with colorful streamers that can be tossed and manipulated to create displays and patterns.
A leather case containing two iron stakes and four iron horseshoes.
A thin length of rope with many oddly shaped bits of hollow metal fixed along its length. Commonly known as a roar cord, a creature can swing it over their head to generate a variety of eerie noises.
A broad-brimmed straw hat with a green linen band
A cast iron skillet whose perfect mirror surface never scratches.
A wood cased harmonica trimmed in tin
A small sack containing 30 gold pieces. Perceptive PC's will notice that they are all fakes, with thin gold plating over lead coins.
A palm sized rock with a lifelike mouth painted on it. While in a creature's possession, any laugh, chuckle or giggle the bearer utters sounds forced or fake, even if it's genuine.
An anklet made from fresh liquid blood, held together by odd magic.
A strange horn made of a winding pretzel of valves and tubes that according to the maker's mark, was finely crafted by a powerful bard. Knowledgeable PC's will remember that the horn was constructed for one purpose, to lock a terrible beast away deep within the mountain of Redwall. It contains a large portion of the life essence of that bard and to this day it remains as the solitary key to the door that holds the beast at bay. No one knows who this bard was, but he remains an unsung hero of the city.
A demon skin stretched over a black wooden war drum that creates deep growling rumbles when beaten.
A driftwood coin whose color is constantly swirling in different muted hues, from pale gray to seafoam green and even thin stripes of black. The surface of the coin is utterly smooth, as if it has spent an aeon at the bottom of the sea. Despite this, the elven queen and king that adorn its opposite faces are still depicted in perfect detail.
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pencilsdgr · 5 years
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Exodus
Extra! Extra!
Gypsy refugees in San Antonio Rodriguez?
Read all about it!
Any morning is a fine morning when I'm woken up by the warm sun on my face. I stretch my back and stand up to get dressed.
If the sun's high enough to shine through my skylight, it's way too late to get something to eat. I step out of my room into my family's main vardo. Our vardo is large, mainly because my grandmother was a hoarder. She kept everything she found, and when she died, my father scrapped everything and used it to build up our vardo. Now, its wheels have sunk into the ground and we can't move it.
I look to the kitchen and see a pan on the stove. There's still some grease in it, I'll have to see what else there is.
"Rigo!" I hear from outside. It's Father. He probably wants me to do something he won't. Father used to be a hard worker, as evidenced by our scrap vardo. Now, though, he usually sits outside drinking and smoking. He's still a very able man, he's just grown lazy. Not as many things need to be fixed now that our caravan has become a village.
We are-- were-- a Roma caravan. Gypsies. We stopped a year ago, North of Los Angeles, when we were rained in. The rain turned the dirt to mud and most of our vardos sank down to their axles. The few that didn't are the ones we use for transportation.
"Rigo!" Father calls again. I open the door and pull back our curtain to see him talking to our mystic. She's probably the one you think of when you hear the word "gypsy." She wears too much jewelry, reads tea leaves, and casts magic. She was talking to Father about a vision she had-- it boiled down to violence forcing us out. Father wanted me to go out and help her set up a sigil, which is essentially a magic fence.
Our mystic is a chihuahua dog. Her real name is Jennifer, but we call her Yenni. She comes from Mexico and joined our caravan a few years back. Her expertise in mysticism stems from her being a "wicken," and so far she hasn't been wrong with any of her prophecies and none of her spells have gone sour.
I go to Yenni's vardo and she hands me some yarn, a bunch of wooden stakes, and a pouch of gemstones and jewelry. We set off to the mouth of our ravine.
It isn't too long of a walk to the mouth, but it is far enough that you can't see or hear our village. It's comforting in a way; why go down this ravine if it looks totally empty? We reach the mouth and I start hammering stakes into the ground. Yenni is behind me laying out the gemstones and jewelry that she'll be using. I tie the yarn and Yenni lays the artifacts and seals her spell. On the way back, she gave me five dollars for the help.
I swear I could have smelled fire as we were heading back. I disregarded it, though, as sometimes people camp near us. So long as they don't throw their waste, we don't mind them.
I arrive back at the village and go over to the food wagon. It's one of the ones that moves, so the food there is usually fresh. The savory-sweet smell of chicken and peppers swiftly overpowers the smell of smoke, and I sit down for lunch.
The next few days pass with little disturbance, but something is amiss. The smell of smoke keeps getting stronger and Yenni is almost never home. While stargazing one night, I notice a cloud streaking all across the sky. The next morning I get out my telescope and notice the cloud is coming from the city. I jump through the skylight and go to turn on Grandma's radio. It's never worked and Father could never figure out why.
I open the back of it and out falls a coiled up wire. It needs electricity. No wonder Father couldn't figure it out, he doesn't know electricity. I know who does, and has an electric crank.
Llewellyn has the smallest vardo in the village. He wants to work in the city and bought a book on electricity a year ago. He's the only one who knows how to use electricity, so he's the only one that has it. I approach his vardo and knock on the door.
"Hello!" he calls after a second. I look around to see him poking his head out of his window. "You can't use the door right now, it's blocked."
"Might I borrow your crank?" I ask him.
"What do you need it for?"
"I'm trying to work my grandmother's radio."
Llewellyn ducks back into his vardo and, a few seconds later, produces his crank. A bulky, heavy iron cage with a handle jutting out of one side and three holes poked into the other. In the middle is what looks- and feels- like a stack of copper plates. I'm strong, but I can barely carry it to my vardo.
I drop the crank onto the table and put the wire from the radio into the holes. I start turning the crank and the radio crackles to life. It's just making a bunch of noises, though. There are three knobs on the front and a button. I press the button and it turns off. I turn the knob on the left, and it does nothing. I turn the knob on the top, and it gets louder. I turn the knob on the right, and I start faintly hearing voices. I turn it some more and the words become clearer. Eventually I can clearly hear what they're saying.
"...from the Pentagon, the National Guard is being dispatched to Los Angeles in response to the riots. In related news, rioters have taken to throwing mustard g..."
The radio faded out. I wind the crank again, but the people were talking about something else by the time the radio started back up.
Riots? Wait, National Guard? In Los Angeles? We're only an hour's walk from there. I have to tell everyone.
I'm not lifting that crank again. Llewellyn can wait. I nearly rip the door off its hinges and sprint for the village's message board. I frantically ring the bell until I see everyone coming out of their homes.
"Listen everyone!" I yell, "there are riots in Los Angeles, and they're sending soldiers! We need to pack everything we can, load it into a wagon, dig up your own vardo, whatever gets us closer to leaving!"
"How did you hear about this?" asks someone.
"I have a radio! They were talking about it on the radio!"
"You made that thing work?" Father asks, surprised.
"Yes, but that doesn't matter. We need to move as soon as possible! Away from the city!"
Everyone gives me a doubtful glare. Yenni comes up behind me.
"I know this to be true. I've looked at the city and seen fire, smoke of all different colors, and buildings falling down. The city's up to no good, and I have a hunch that we will soon be absorbed into it."
Nobody can deny Yenni. She's never been wrong. I guess until today.
Everyone goes back into their vardos and I storm off to mine. Father follows me in.
"How did you make the radio work?" he asked.
"Oh. Llewellyn gave me his hand crank. The radio is electric."
Father's face twists in confusion. I start turning the crank and the radio buzzes back on.
"...tizens are advised to evacuate the area. More at five."
Father's eyes widen in amazement. He'd never seen electricity do something like that. He'd only ever looked to Llewellyn's vardo and seen the light on, but to make a box speak--
"What time is it?" Father snaps. He pulls out his pocket watch and mumbles to himself.
After a minute of rambling to himself, he says, "bring the radio to the message board. If they hear it themselves they'll have to believe you."
"You carry the crank," I command.
I pick up the radio and place it in front of the message board. Father puts the crank down and I plug the radio in.
I start winding the crank and the radio croaks up.
"...sla Echo 2019 now only $39,999. Buy today."
It's a period of solid advertisements until 5:00 comes.
"National news tonight, riots in Los Angeles continue to rage, leaving much of downtown in ruins." I turn the knob to make it louder. "Authorities struggle to restrain the violent protest and demonstrators continue to rain molotov cocktails on local businesses and police. Non-protesters have started a mass exodus, seizing every highway in Southern California."
People started coming out of their vardos and listening to the broadcast.
"From President Trump this morning: 'Violence like this cannot be tolerated. If they want to keep this up, I'll treat them like I treat ISIS.' The Pentagon has confirmed the deployment of the National Guard, and they're expected to arrive at Los Angeles tomorrow morning."
A few people were worried now. I turned off the radio and started preaching again, "See? We need to leave! The city is too dangerous to live near anymore!"
People were now starting to take me up. Everyone who had a shovel went and got theirs, and started digging up their wheels. I went and did the same.
Nobody tired that night, even while they were digging. Whenever someone had unearthed their wheels, the whole village gathered to push their vardo out of the ground. Between our seven wagons, we unfortunately had only one truck. Vardos were carried off one by one as they were dug up. We decided to make a series of miniature camps, and sleep in shifts so a small team could carry on without us having to stop.
By morning, we come across a paved road. Like the radio said, cars were overflowing onto the grass. We followed the road, and I was in the truck when we were stopped at a military post. The soldiers looked confused as we approached. I rolled down my window to answer the soldiers' questions.
"Legal ID?" the soldier requested. I gave him my ID. "What is your name?"
"Rigo Vlaicu," I answered.
"Date of birth?"
"January 20, 2000."
He handed me back my ID and asked me to step out of the truck. I complied and he started inspecting the truck. Then, he and a small team started to inspect the outside of the vardo I was hauling. The door was locked, though, so they couldn't get in. I explained to them that I'm part of a Romani caravan and I still have to haul six more wagons. They wouldn't have it, and they broke the door down. Some time later, they came back out and believed that I was a Roma.
"What the hell kind of gypsy has a truck?" one of them remarks.
"How many wagons are waiting for you?" asks their leader.
"There are six more in the ravine down that way." I point back down the road.
I'm told to turn the truck off and follow them. They take me into their truck. It's huge, and it fits me and five soldiers in it. I guide them to the camp, and they round everyone up in one area. Everyone in the caravan is stirred up until I step out.
The soldiers search all of our vardos in about an hour. The leader spoke into his radio, "We got a band of gypsies here with six wagons. They're all clear, we're requesting an escort."
A couple of the soldiers mounted a vardo and we went back to the post. The rest of the day, we were hauling our vardos to the post. We spent the night there and continued on the road the next day.
We steered off the road after a couple near misses with cars. We went into the desert, and kept going directly East.
About a week later, I looked through my telescope and saw a compound of some sort. The next day we came across the front gate. There's a pit behind the gate with buildings in it, then there's a towering stone arch going through a wall on the other side.
We're stopped by a machine. It looks like a centaur, but more... feline. It has guns, so we stop the moment it sees us. Soon after, a german shepherd dog approaches us.
"State your business," she demands.
"We are Romanis from Los Angeles. We're trying to get somewhere safe."
"Gypsy refugees, huh?" the woman clearly has her doubts. Eventually I convince her that I'm not lying and she gives me some information.
"You're in San Antonio Rodriguez, well the outskirts of it. This place is a sanctuary; and it's lucky you found this place, because everything about your truck is saying it's been far from road-worthy for a few months. Not to mention Vegas is still 70 miles away. Come on in, we'll get you sorted."
I follow the woman across a bridge, under the stone arch, and into a building. Sitting behind the counter before us is some sort of leopard woman. She calls in her director: a dog man. The dog welcomes me loudly, and asks my business over a cup of water.
"I'm just passing by. I'm part of a caravan from Los Angeles-"
"LA? How bad is it there?"
"We were never in the city, we're nomadic and trying to find someplace safe."
"Well, you found the best place, mister..."
"Rigo."
"Mister Rigo, you are in an incredibly safe place. We're surrounded by mountains in the middle of the desert. Nothing could possibly touch you. And if it does, we have some very effective defense. Feel free to stay for as long as you like."
"About that," I started, "our caravan is stopped and I don't think I can bring the rest of it here."
"Well, we have plenty of cars and stuff. How many are waiting?"
"Six."
The dog thought for a second. He sent me back to the truck and soon led a convoy of cars to my caravan. Our caravan had gathered back into a village in about an hour, and the cars filed back into the sanctuary.
The caravan settles a mini-camp, and we decide it'd be in our best interest to take a break from traveling. The dog joins us, sitting on our vardos and listening to the radio, when...
"Reporters from CNN were able to get into the city, and said that the riots were evolving into a full-scale revolution. The unnamed leader of the revolutionary force had this to say: 'We cannot tolerate the tyranny of this nation anymore. To the fascists in Washington, watch your back.' President Trump has not yet commented on this."
"Is that them declaring war?" Llewellyn wondered, a shake in his voice.
The radio continued, "This declaration from Los Angeles has inspired protests in San Francisco. The protests in San Francisco are yet to become violent, but the governor has voiced his concern on the issue, stating: 'We should find a peaceful end to this, before it falls out of our control.' Authorities in San Francisco are trying to control the situation."
"San Francisco, that's just down the road from Sacramento," the dog piped up, "If they take over Sacramento, they'll have California in the palms of their hands."
"We need to get out of California," said our senior.
The dog interrupted him, "You're out of California. The border's right there." He pointed out toward the desert, "San Antonio Rodriguez is right on the border of California and Nevada."
"We need to get farther from California," our senior objected.
"We're in one of the most barren places in the United States, and have virtually no political presence. This is the best place you could be, because it's so insignificant that nobody cares about it."
Yenni cut them both off, "Let me decide. My dreams will tell me if it's better to stay." She disappeared into her vardo.
By then, everyone was too tired to keep listening to the radio. Everyone went into their vardos, and the dog went back to the town.
The next morning, Yenni woke everyone up. We all sat on our vardos and listened.
"I had no vision," she yelled.
"Well we can't wait until you have one!" our senior shouted.
"It's an omen," Yenni continued, "that nothing will happen here."
The general consensus was that we stay.
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smartenergy-blog1 · 4 years
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Types of Electricity
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Electricity is usually the constant flow and presence of electrical charge within a given space. Using electricity in many ways can transfer electricity in ways that enable you to do more easy tasks. An object that enables electricity to travel through it very fast is known as a conductor, while an object that impedes electricity from moving through it slows down the movement of electricity within it.
One of the first electrical devices was made out of copper. This object was used for charging batteries. After the invention of the battery, a new form of conductor was used for charging and transferring electricity. It was a chain with a ring at the end of each of its segments. Since there was no gap between these rings, it was known as a wire.
The electrical field is also known as the potential difference. It is the difference of the electrical charge or the potential. The potential can be measured by an apparatus that consists of a sensitive metal strip and an electrode placed on one side.
The electric field created by the object is measured by the difference between the electric fields of the two objects. A device that measures the charge and a device that measures the distance between these two objects are used to calculate the electric field. The distance is measured in meters or even inches, but is usually measured in feet, miles, or kilometers.
Electricity is classified into three different types. It can be categorized according to its frequency. There are electromagnetic electricity, electrical resistance and mechanical electricity. Electromagnetic electricity is most common in electrical appliances and it can be classified into four groups. These are Electromagnetic induction, Electromagnetic capacitance, Electromagnetic divergence and Electromagnetic inductive.
Electromagnetic induction is the electric field generated by an electric current. This is most often associated with electromagnetic induction motors and coils. Electric induction can also be known as the induction effect. Electrical resistance is the resistance to an electric current that is caused by an object. It is normally caused by a metal object. This resistance can also be classified according to the objects that are being used for this cause, such as the walls of a building,
Mechanical energy is produced by mechanical objects and is also known as mechanical power. This includes the energy created by a pump or a centrifugal force. A magnetic field, such as magnetic field, generates mechanical energy and this type of energy can be used for many things.
Electrical energy can also be used to create a magnetic field. This field can have many applications, such as creating the field used to generate electricity. Although this is one of the simplest forms of electrical energy, the creation of such a field is considered to be a difficult process.
This last type of energy is electromagnetic power. It can be used in many ways to power machines. This kind of electricity is considered to be the most efficient form because it uses very little energy.
Different countries have differing laws and regulations regarding the use of electricity from various sources. The regulations for electricity vary from state to state. Laws regarding the use of electricity can be different depending on where the electricity comes from. Some states require that the electricity come from power companies, whereas some states allow the use of private sources.
It is important that you do your research before making the choice of which source of electricity you will use in your home. You should determine whether the source of electricity you choose has all the laws and regulations that are necessary.
Electrical power can be dangerous when not handled properly. The best way to avoid accidents involving electricity is to be safe and follow all safety regulations. Make sure to follow all regulations and safety precautions whenever you use your electrical appliance.
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arplis · 4 years
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Arplis - News: As any beauty enthusiast and hair styling lover will tell you, the tools that if often takes to create the perfect style and make you feel and look your best can be an investment
That’s why it’s worth taking care of them once you’ve got them. Besides that, they can also really start to pile up if you’re the kind of person who likes to use different tools here and there to get different styles, meaning they can also cause clutter on your bathroom counter or your vanity. Editor’s Choice mDesign metal wire cabinet hair care organizer Check Price on Amazon Amazon’s Choice Jack Cube Design hair dryer holder and product organizer Check Price on Amazon Sturdy construction Simple Houseware cabinet door hanging organizer Check Price on Amazon This is where hair tool organizers come in to save the day! We’ve been spending some time lately gathering the best hair tool organizers we can find from quality brands and looking at all of their features to figure out which ones really have what we need, and maybe even what you need. How to organize hair tools? If you’re the kind of well groomed person who owns several hair tools and loves using them everyday but could do a better job of keep them organized, this list is for you. Check out these ten hair tool organizer designs that we’ve read up on and compared in order to help you figure out which one might be the best purchase for you. 1. mDesign metal wire cabinet hair care organizer If you’re looking for simplicity in terms of both use and aesthetic then this wire hair tool organizer from mDesign might just be the best choice for you right off the bat. It’s a wall mounted rack that will get your tools not only up off the counters but higher up, where you can reach for them easily but your kids and pets can’t. Its upper rings hold all manner of hair tools in place well, while the basket below either supports their weight or keeps their cords in place. The simple black wire suits essentially any interior decor or colour scheme. Because of the vertical construction of this organizer and the fact that it bears most of its weight at the top, this rack does need to be wall mounted. Simply setting it on your counter risks tipping it, even if you lean it against the wall. You should also be mindful of the fact that heating your tools up inside the rack or putting the, back before they’ve cooled might also heat up the wire, so don’t burn yourself. View price on Amazon2. Jack Cube Design hair dryer holder and product organizer If the previous talk of minimalism caught your attention but you’re also looking for a slightly more modern aesthetic, then you might find what you’re looking for a little more closely in this streamlined organizer from Jack Cube Design. This countertop hair tool storage is shaped with good solidity, which basically eliminates any rick of the rack tipping. Its tool cups are also lined with heat resistant resin as an extra safety feature and to avoid melting. At the front, you’ll find a convenient section, like a drawer that stays open, where you can store the hair products you most commonly use when you’re styling, so they’re on hand right by your tools. Because this rack is not one that can be wall mounted, it’s worth noting that it requires some measure of counter space, or another close by surface to sit on, so you’ll have to make sure you have the space for its dimensions. It also only has three cylindrical cups for styling tools, so it’s best used by people who only own or regularly use a few that they want to keep on hand. View price on Amazon3. Simple Houseware cabinet door hanging organizer Were you rather intrigued indeed by the wire storage rack we showed you earlier but you’re just not sure that the black coating is quite the look you’re going for? Then perhaps you’re prefer this metallic version of the same cylinder and basket setup offered by Simple Houseware. This design is a better choice to people who do want to keep their styling tools out of the way but who don’t feel confident doing actual wall mounting like the previous design required. Instead, this rack features hooks at the top that affix it over the top of a vanity, cupboard, or bathroom door, making it much easier to install. Like the previous black rack we showed you, this organizer requires that you do hang it properly rather than setting or leaning it, to ensure that it doesn’t tip. You’ll also want to be careful that the wire of the rack doesn’t heat up if you put a hot tool back before it has cooled. Finally, you’ll not that this rack only has three storage rings instead of two, so it’s slightly more limited in its capacity. View price on Amazon4. Jack Cube Design hair dryer holder and product organizer in black Are you still thinking about how much you loved the idea and design of the cubic countertop rack we showed you earlier on our list but you’re just not sure white is the best choice because you’re worried it will get dirty or discoloured sitting on your bathroom counter around your family? Then perhaps you’ll get along better with the black version, also provided by Jack Cube Design! The pros and cons of this design versus the previous version we showed you are largely the same, except that the darker shade of the plastic this version is made from is less likely to be marred by other products being used around it. Black plastic can, however, show scratching better. This rack is quite durable, but you’ll still want to take care of it in order to avoid marks. View price on Amazon5. Polder style station Beyond the basic goal of storage, are you primarily concerned with safety when it comes to using hot hair tools, since you have little kids and several pets? Then perhaps this countertop rack from Polder is the better choice for you. This rack is created with heat absorption and safety in mind, which is why the metal grill (which doesn’t heat up thanks to the distance between the tools and the outer sides that’s kept by the top circular openings) was created with holes that let hot air out and help the tools cool down effectively. The holes in the top are specifically sized for a hair straightener, a blow dryer, and a curling wand, rod, or iron. Once again, this design needs a little bit of spare counter or nearby space because it is not one that can be wall mounted or hung on the back of a door, out of the way. It also only has space for three tools and the dimensions are designed quite specifically, so evaluate whether your collection of regularly used tools is actually suited to its spaces. View price on Amazon6. Besti wooden hair dryer holder Are you still thinking about how much you enjoyed the cubically shaped countertop rack but you’re just not sure that the rather modern and minimalist look of their black and white plastic options will suit the bathroom you worked hard to build a particular rustic aesthetic in? Then perhaps you’d prefer this wooden version from Besti that’s a little more farmhouse chic! The stand is solid and strong, making it resistant to damage and tipping, and it also features that great product holding space at the front. Be aware that this design has metal lined cylinder cups in the top instead of plastic or resin ones, making them more likely to heat up if you put your hair tools back before they’ve cooled or heat the, while they’re still in the rack. It also only comes with three storage spaces, so the number of tools you can store is limited compared to some other racks. View price on Amazon7. mDesign farmhouse style bathroom cabinet hanger Did we almost catch your attention when we started talking about an aesthetic that might suit a slightly more farmhouse chic room but you’re in need of a rack that’s a little smaller and can be stored much more discreetly, since your bathroom is very small indeed? Then we’d encourage you to consider this one from mDesign! This is another hanging rack, designed to hook over the door of a cupboard under the sink, or a small linen closet in the room. Its lovely copper finish looks nicely old fashioned and the higher sides of its basket hold the tools or products upright on either side, while a coil in the centre keeps one steady in the centre. As with any metal rack intended to store hot tools, watch out for heated wire if you put the tools back before they’ve fully cooled; this copper won’t heat dramatically, but it never hurts to mind your fingers. This rack and basket are also a little smaller than most of the ones you’ve seen so far. View price on Amazon8. Jack Cube Design wall mounted hair tool rack Are you still thinking about your appreciation for a clean, white, modern looking tool rack but you really don’t have room for a countertop design like the cubic one we showed you? Then check out this similarly streamlined and chic but wall mounted alternative, once again from Jack Cube Design. This three-cylinder rack is wall mounted rather than meant to sit upright and the cups are lined with the same heat resistant resin plastic for safety. Unlike many wall racks, this piece only features metal wire on the sides where it won’t touch the hot tools, so there’s much less chance that any part of the rack itself will heat up. Because this rack can’t really be set on the countertop without risk of it tipping backwards once it’s filled, it does require a it of effort in installation, since a bit of drilling is necessary. This might be a small challenge to someone who has never wall mounted anything before, but it’s by no means an impossible task. View price on Amazon9. iHEBE adhesive wall mounted dryer hanger Are you convinced that you’d benefit most from a wall mounted design, since you have extremely limited countertop space to work with, but you really don’t have experience wall mounting things and you’re hesitant to start drilling into your wall? Then iHEBE has just the answer for you. Their durable resin cast plastic tool storage unit is self adhesive on the back, allowing to stick flush to the wall with a stronghold but non-damaging temporary glue that’s guaranteed not to take the paint off if you remove the unit. This unit works best for people who only really use one or two tools at a time, owing to the fact that it only features two storage cylinders; those who want to store more things on the wall as well would need to purchase more than one rack or prioritize which ones they’ll store in which ways. View price on Amazon10. Vanity Storage Solutions wooden appliance box Are you convinced that the best place to store your hair tools is under the sink because it reduces clutter, makes things look neater, and keeps them out of reach of your kids, but you’ve tried hooked racks on your cupboard doors before and they’ve never closed properly? Then perhaps you’d do better with this drawer-style wooden organizer from Vanity Storage Solutions. Besides the fact that it can hold three different sized tools and has a cubby on one end for brushes and products, this design also features a strip on one side that you can tuck the plugs and cords of your tools down into. The based or tracks on which the little drawer sits is smooth and easy to pull out. The only catch here is that this system, though otherwise nearly ideal, keeps your tools lower down to the ground rather than higher up. This means that they’re still at the height of and within reach of kids, and you’ll also have to bend down to reach them, which is a physical requirement that might not be friendly to some people with movement limitations. View price on AmazonHair styling tool organizer: FAQ How can we solve hair tool clutter? If you ask us, the best way to keep your hair styling tools in their best working order and also stop them from taking up way more space in your bathroom or bedroom than they should is to store them properly. There are all kinds of solutions for storing your hair tools, including a few awesome DIY options, but we only have time to make our own storage solutions occasionally. There’s no harm in buying a pre-made organizer for something important when you know you’ll use it all the time and really get your money’s worth, especially if you’re confident that the one you purchase really does have everything you need. Why use a hair tool organizer? Storing your hair tools in some kind of organizer unit has all kinds of benefits. Firstly, it will declutter your space, stopping the tools from taking up the whole counter or vanity around the mirror where you usually style your hair and therefore making space for other things. It also stops your tools from getting damaged. If they’re stored properly, you face a much smaller change that the cords of the appliances will get tangled or that they’ll fall off a crowded counter onto a hard floor and break. You’ll also never lose them if you always know exactly where they are, conveniently placed within reach. Hair tool safety As any parent or pet owner will tell you, kids and animals can find their way into just about anything. Storing your hair tools in an organizer and placing it where you can easily reach it but small hands or mouths can’t keeps things that often use extreme heat levels out of reach, reducing the risk of anyone burning themselves. Cords can also be dangerous around children and animal, so storing your hair tools properly minimizes the number of ch0king hazards in your house. Which kind of organizer is best for you? Choosing the kind and structure of hair tool rack that’s best for you depends on a few personal factors. You might want to consider the most convenient height for your tools to sit at for accessibility for you but also safety if you have animals or kids. You might also think about how much countertop space you have versus what the wall space in your styling area is like in order to pick whether you’ll get one that mounts or one that sits. We’d also suggest evaluating how many tools you use on a regular basis so you can purchase a rack that has enough spots for the things you’d like to keep on hand. Conclusion Do you know another DIY beauty enthusiast who has been looking for a great hair tool organizer but who is having trouble choosing? Share this post with them so they have all kinds of suggestions to consider. The post Best Hair Tool Organizer in 2020 (Reviews + Buying Guide) appeared first on DIYs.com. #WhereToBuyHairToolOrganizers #HairToolOrganizer #BestHairToolOrganizers #HairTools #BuyingGuides
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Arplis - News source https://arplis.com/blogs/news/as-any-beauty-enthusiast-and-hair-styling-lover-will-tell-you-the-tools-that-if-often-takes-to-create-the-perfect-style-and-make-you-feel-and-look-your-best-can-be-an-investment
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powertrical · 4 years
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History of Electricity
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Introduction:
Before knowing the history of electricity we must know what electricity is and how its works. We can’t imagine not having any lights in our house. When the sun goes down we would not be able to see anything unless we don’t have fire. For thousands of years, people all over the world have been fascinated by lightning. Some people must have wondered how to put that kind of power to practical use. But it wasn't until the 18th century that the path to the everyday use of electrical power began to take shape. Electricity is a natural phenomenon that occurs throughout nature and takes many different forms. Mostly we use current electricity: the things that powers our electronic gadgets. It flows from a power source through wires, lighting up LEDs, spinning motors, and powering our communication devices. Electricity is briefly defined as the flow of electric charge and it's a set of physical phenomena associated with the presence and motion of matter that has a property of electric charge, But what is the history? How we find electricity?
History of Electricity:
Electricity is a form of energy and it occurs in nature, so it was not “invented.” As to who discovered it, many misconceptions abound. Some give credit to Benjamin Franklin for discovering electricity, but his experiments only helped establish the connection between lightning and electricity, nothing more. The truth about the discovery of electricity is a bit more complex than a man flying his kite. It actually goes back more than two thousand years and that was the beginning of the history of electricity. In about 600 BC, the Ancient Greeks discovered that rubbing fur on amber (fossilized tree resin) caused an attraction between the two – and so what the Greeks discovered was actually static electricity. Additionally, researchers and archeologists in the 1930’s discovered pots with sheets of copper inside that they believe may have been ancient batteries meant to produce light at ancient Roman sites. Similar devices were found in archeological digs near Baghdad meaning ancient Persians may have also used an early form of batteries. But by the 17th century, many electricity-related discoveries had been made, such as the invention of an early electrostatic generator, the differentiation between positive and negative currents, and the classification of materials as conductors or insulators. In the year 1600, English physician William Gilbert used the Latin word “electricus” to describe the force that certain substances exert when rubbed against each other. A few years later another English scientist, Thomas Browne, wrote several books and he used the word “electricity” to describe his investigations based on Gilbert’s work. In 1752, Ben Franklin conducted his experiment with a kite, a key, and a storm. This simply proved that lightning and tiny electric sparks were the same thing. Italian physicist Alessandro Volta discovered that particular chemical reactions could produce electricity, and in 1800 he constructed the voltaic pile (an early electric battery) that produced a steady electric current, and so he was the first person to create a steady flow of electrical charge. Volta also created the first transmission of electricity by linking positively-charged and negatively-charged connectors and driving an electrical charge, or voltage, through them. That concept changes the history of electricity. In 1831 electricity became viable for use in technology when Michael Faraday created the electric dynamo (a crude power generator), which solved the problem of generating electric current in an ongoing and practical way. Faraday’s rather crude invention used a magnet that was moved inside a coil of copper wire, creating a tiny electric current that flowed through the wire. This opened the door to American Thomas Edison and British scientist Joseph Swan who each invented the incandescent filament light bulb in their respective countries in about 1878. Previously, light bulbs had been invented by others, but the incandescent bulb was the first practical bulb that would light for hours on end. Swan and Edison later set up a joint company to produce the first practical filament lamp, and Edison used his direct-current system (DC) to provide power to illuminate the first New York electric street lamps in September 1882. Later in the 1800’s and early 1900’s Serbian American engineer, inventor, and all around electrical wizard Nikola Tesla became an important contributor to the birth of commercial electricity. He worked with Edison and later had many revolutionary developments in electromagnetism, and had competing patents with Marconi for the invention of radio. He is well known for his work with alternating current (AC), AC motors, and the polyphase distribution system. Later, American inventor and industrialist George Westinghouse purchased and developed Tesla’s patented motor for generating alternating current, and the work of Westinghouse, Tesla and others gradually convinced American society that the future of electricity lay with AC rather than DC. Others who worked to bring the use of electricity to where it is today include Scottish inventor James Watt, Andre Ampere, a French mathematician, and German mathematician and physicist George Ohm. Finally in the history of electricity, it was not just one person who discovered electricity. While the concept of electricity was known for thousands of years, when it came time to develop it commercially and scientifically, there were several great minds working on the problem at the same time.
The History Timeline of Electricity:
 1752: By tying a key onto a kite string during a storm, Ben Franklin , proved that static electricity and lightning were the same. His correct understanding of the nature of electricity paved the way for the future. 1800: First electric battery invented by Alessandro Volta. The “volt” is named in his honor. 1808: Humphry Davy invented the first effective “arc lamp.” The arc lamp was a piece of carbon that glowed when attached to a battery by wires. 1820: Separate experiments by Hans Christian Oersted, A.M. Ampere, and D.F.G. Arago confirmed the relationship between electricity and magnetism. 1821: The first electric motor was invented by Michael Faraday. 1826: Georg Ohm defined the relationship between power, voltage, current and resistance in “Ohms Law.” 1831: Using his invention the induction ring, Michael Faraday proved that electricity can be induced (made) by changes in an electromagnetic field. Faraday’s experiments about how electric current works, led to the understanding of electrical transformers and motors. Joseph Henry separately discovered the principle of electromagnetic induction but didn’t publish his work. He also described an electric motor. 1832: Using Faraday’s principles, Hippolyte Pixii built the first “dynamo,” an electric generator capable of delivering power for industry. Pixxi’s dynamo used a crank to rotate a magnet around a a piece of iron wrapped with wire. Because this devise used a coil of wire, it produced spikes of electric current followed by no current. 1835: Joseph Henry invented the electrical relay, used to send electrical currents long distances. 1837: Thomas Davenport invented the electric motor, an invention that is used in most electrical appliances today. 1839: Sir William Robert Grove developed the first fuel cell, a device that produces electrical energy by combining hydrogen and oxygen. 1841: James Prescott Joule showed that energy is conserved in electrical circuits involving current flow, thermal heating, and chemical transformations. A unit of thermal energy, the Joule, was named after him. 1844: Samuel Morse invented the electric telegraph, a machine that could send messages long distances across wire. 1860’s Mathematical theory of electromagnetic fields published. J.C. Maxwell created a new era of physics when he unified magnetism, electricity and light. Maxwell’s four laws of electrodynamics (“Maxwell’s Equations”) eventually led to electric power, radios, and television. 1876: Charles Brush invented the “open coil” dynamo (or generator) that could produce a study current of electricity. 1878: Joseph Swan, and Englishman, invented the first incandescent lightbulb (also called an “electric lamp”). His lightbulb burned out quickly. Charles Brush developed an arc lamp that could be powered by a generator. Thomas Edison founded the Edison Electric Light Co. (US), in New York City. He bought a number of patents related to electric lighting and began experiments to develop a practical, long-lasting light bulb. 1879: After many experiments, Thomas Edison invented an incandescent light bulb that could be used for about 40 hours without burning out. By 1880 his bulbs could be used for 1200 hours. 1879: Electric lights (Brush arc lamps) were first used for public street lighting, in Cleveland, Ohio. California Electric Light Company, Inc. in San Fransicso was the first electric company to sell electricity to customers. The company used two small Brush generators to power 21 Brush arc light lamps. 1881: The electric streetcar was invented by E.W. v. Siemens 1882: Thomas Edison opened th Pearl Street Power Station in New York City. The Pearl Street Station was one of the world’s first central electric power plants and could power 5,000 lights. The Pearl Street Station was a direct current (DC) power system, unlike the power systems that we use today which use alternating current (AC). The first hydroelectric station opened in Wisconsin. Edward Johnson first put electric lights on a Christmas tree. 1883: Nikola Tesla invented the “Tesla coil”, a transformer that changes electricity from low voltage to high voltage making it easier to transport over long distances. The transformer was an important part of Tesla’s alternating current (AC) system, still used to deliver electricity today. 1884: Nikola Tesla invented the electric alternator, an electric generator that produces alternating current (AC). Until this time electricity had been generated using direct current (DC) from batteries. AC electrical systems are better for sending electricity over long distances. Steam turbine generator, capable of generating huge amounts of electricity, was invented by Sir Charles Algernon Parsons. 1886: William Stanley developed the induction coil transformer and an alternating current electric system. 1888: Nikola Tesla demonstrated the first “polyphase” alternating current (AC) electrical system. His AC system including everything needed for electricity production and use: generator, transformers, transmission system, motor (used in appliances) and lights. George Westinghouse, the head of Westinghouse Electric Company, bought the patent rights to the AC system. The first use of a large windmill to generate electricity was built by inventor Charles Brush. He used the windmill to charge batteries in the cellar of his home in Cleveland, Ohio. 1893: The Westinghouse Electric Company used an alternating current (AC) system to light the Chicago World’s Fair. A 22 mile AC powerline was opened, sending electricity from Folsom Powerhouse in California to Sacramento. 1896: An AC powerline that transmits power 20 miles from Niagra Falls to Buffalo, New York was opened. 1897: Electron discovered by Joseph John Thomson. 1900: Highest voltage transmission line 60 Kilovolt. 1901: First power line between USA and Canada at Niagra Falls. 1902: 5-Megawatt turbine for Fisk St. Station (Chicago). 1903: First successful gas turbine (France). World’s first all turbine station (Chicago). Shawinigan Water & Power installs world’s largest generator (5,000 Watts) and world’s largest and highest voltage line—136 Km and 50 Kilovolts (to Montreal). 1908: Electric vacuum cleaner – J. Spangler. Electric washing machine- A. Fisher. 1909: First pumped storage plant (Switzerland). 1911: Electric air conditioning – W. Carrier. 1913: T. Murray created the first air pollution control device, the “cinder catcher.” Electric refrigerator – A. Goss. 1920: Federal Power Commission (FPC). 1921: Lakeside Power Plant in Wisconsin becomes the world’s first power plant to burn only pulverized coal. 1922: Connecticut Valley Power Exchange (CONVEX) starts, pioneering interconnection between utilities. 1923: Photoelectric cells were discovered. 1928: Construction of Boulder Dam begins. Federal Trade Commission begins investigation of holding companies. 1933: Tennessee Valley Authority (TVA) established. 1935: Public Utility Holding Company Act. Federal Power Act. Securities and Exchange Commission. Bonneville Power Administration. First night baseball game in major leagues (Reds vs. Phillies) was played in Ohio on May 24th. 1936: Highest steam temperature reaches 900 degrees Fahrenheit vs. 600 degrees Fahrenheit in early 1920s. Boulder (Hoover) Dam was completed. A 287 Kilovolt power line stretched 266 miles to Boulder (Hoover) Dam. Rural Electrification Act. 1947: Transistor invented by scientists at Bell Telephone Laboratiories. 1953: First 345 Kilovolt transmission line. First nuclear power station ordered in England. 1954: World’s first nuclear power plant (Russia) started generating electricity. First high voltage direct current (HVDC) line (20 megawatts/1900 Kilovolts, 96 Km). Atomic Energy Act of 1954 allows private ownership of nuclear reactors. 1957: Shippingport Reactor in Pennsylvania was the first nuclear power plant to provide electricity to customers in the U.S. 1968: North American Electric Reliability Council (NERC) formed. 1969: National Environmental Policy Act of 1969. 1970: Environmental Protection Agency (EPA) formed. Water and Environmental Quality Act. Clean Air Act of 1970 1975: Brown's Ferry nuclear accident. 1977: New York City blackout. Department of Energy (DOE) formed. 1978: Public Utilities Regulatory Policies Act (PURPA) passed, ends utility monopoly over generation. Power Plant and Industrial Fuel Use Act limits use of natural gas in electric generation (repealed 1987). 1979: Three Mile Island nuclear accident. 1980: First U.S. windfarm. Pacific Northwest Electric Power Planning and Conservation Act establishes regional regulation and planning. 1981: PURPA ruled unconstitutional by Federal judge. 1982: U.S. Supreme Court upholds legality of PURPA in FERC v. Mississippi (456 US 742). 1984: Annapolis, N.S., tidal power plant-first of its kind in North America (Canada). 1985: Citizens Power, first power marketer, goes into business. 1986: Chernobyl nuclear accident (USSR). 1990: Clean Air Act amendments mandate additional pollution controls. 1992: National Energy Policy Act. 1997: ISO New England begins operation (first ISO). New England Electric sells power plants (first major plant divestiture). 1998: California opens market and ISO. Scottish Power (UK) to buy Pacificorp, first foreign takeover of US utility. National (UK) Grid then announces purchase of New England Electric System. 1999: Electricity marketed on Internet. FERC issues Order 2000, promoting regional transmission. For more detailed information about the discovery of electricity, see our sources, below. Sources: Wikipedia: Electricity Electricity Forum A Short History of Ancient Electricity Wise Geek Universe Today Wikipedia: Alessandro Volta Wikipedia: Michael Faraday Wikipedia: Thomas Edison Wikipedia: Nikola Tesla Wikipedia: Guglielmo Marconi The Historical Archive For more topics- Browse the Powertricals blog. For More information, you can checkout these books: A History of the Theories of Aether & Electricity: Two Volumes Bound As One The Autobiography of Benjamin Franklin (Wildside Classic) Read the full article
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solitaireeclair · 4 years
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Metal Detectors for Sale
Metal detectors for sale… This is the title of our article for today in which we give an idea about the metal detector and where to buy .
The metal detector is a special electronic device designed with special electrical circuits with a circular search disk contains electrical coils responsible for sending or transmitting electromagnetic signals into the soil and then receive.
Through the co-reception of the signal and by calculating the difference in frequency you can get an idea of ​​the nature of the metal of the body buried underground via a special number on the screen or via a special voice alert indicates the presence of a metal target under the search coil.
Metal detectors are used to detect most kinds of precious metals such as gold, silver, copper and others as well as the discovery of non-precious metals such as iron and steel and the like.
Using a metal detector can search for all underground metal targets within the surface depths of up to 3 meters.
For example, old coins and objects made of gold, such as gold ornaments such as rings and bracelets and metal utensils made of bronze or copper or silver from the remnants of previous civilizations… etc
Where are metal detectors available for sale?
Metal detectors can be purchased through specialized companies whose mission is to sell metal detectors of various types according to several options, for example our company: European Technology Group .
These companies often provide ease in the process of selling and buying any device by the user where it can be easily ordered through communication via telephone, fax, social networking accounts or through the website.
There are various payment methods, including wire transfers, money orders, e-payment services via credit cards or other payment methods such as PayPal.
These companies provide the delivery service of the devices purchased to the address of the buyer in his country - if allowed according to the laws of his country - and is shipping via well-known international shipping companies.
The customer can also visit the headquarters of these companies and inspect the devices available and test them in practice to get the correct information and more accurate and can be trained on some of the existing devices.
For more information, please visit:
https://orient-tec.com/
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digood223 · 4 years
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What are the common Flat Hollow Inductors
Flat Hollow Inductor, a single-layer coil is wound around a paper tube or bakelite skeleton with insulated wires. Such as transistor radio medium wave antenna coil.
Ferrite cores and iron powder core coils, Flat Hollow Inductor's inductance depends on the presence or absence of a magnetic core. Inserting a ferrite core into an air-core coil can increase the inductance and improve the quality factor of the coil.
Copper-core coils, copper-core coils are widely used in the ultra-short wave range. The position of the copper core in the coil is used to change the inductance. This adjustment is relatively convenient and durable.
The color-coded inductor is a kind of high-frequency Flat Hollow Inductor, which is made by winding some enameled wire on the magnetic core and then encapsulating it with epoxy resin or plastic. Its operating frequency is 10KHz to 200MHz, and the inductance is generally between 0.1uH and 3300uH. Color-coded inductors are inductors with a fixed amount of inductance. The method of marking the inductance is marked with a color ring in the same way as a resistor. Its unit is uH.
Choke coils (chokes), coils that restrict the passage of alternating current are called choke coils, and are divided into high-frequency choke coils and low-frequency choke coils.
In order to obtain a larger inductance value, air core inductors are often wound with more enameled wire, and in order to reduce the influence of the line resistance of the inductor itself on the DC current, a thicker enameled wire must be used. However, in some smaller products, it is not practical to use a very heavy air core inductor, which not only increases the cost, but also limits the size of the product.
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siva3155 · 4 years
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101-150 Automobile Engineering Interview Questions and Answers for Competitive Exams
Automobile Engineering Interview Questions and Answers for Competitive Exams :-
1. The brake pipe in hydraulic brakes is made up of a. PVC b. Steel c. Rubber d. Copper Ans: b 2. The ease with which a liquid vapourizes is called its a. Volatility b. Octane rating c. Vapourability Ans: a 3. As the battery is discharged, the active materials in both negative and positive plates are changed to a. Spongy lead b. Sulphuric acid c. Lead oxide d. Lead sulphate Ans: d 4. The pipes used in diesel engines from pump to nozzle is made up of a. PVC b. Rubber c. Steel d. Copper Ans: c 5. Two types of antifreeze are a. Iso octane and ethylene glycol b. Alcohol base and ethylene glycol c. Ethylene glycol and propylene glycol Ans: b 6. The substance added to the oil which helps to keep the engine clean is called a. Grease b. Thickening agent c. Soap d. Detergent Ans: d 7. One advantage of using an exhaust valve as insert is that the ring a. Withstands high exhaust gas temperature better b. Is more easily machined c. Wears in more quickly Ans: a 8. The crankshafts are usually forged to get a. Minimum friction effects b. A good mechanical design c. Good grain structure d. Improved corrosion structure Ans: b 9. The number of parallel paths in a lap winding of the armature of a DC generator is equal to a. Half the number of poles b. Number of poles c. Two Ans: b 10. The unsprung mass in a vehicle system is mainly composed of a. The frame assembly b. Gear box and propeller shaft c. Axle and the parts attached to it d. Engine and associated parts Ans: c 11. Parts of the shock absorber include a. Valves b. Coupler c. Valve springs d. Pistons Ans: a 12. The automobile chassis consists of the engine, frame, power train, wheels, steering and .............. a. The doors b. Luggage boot c. Wind shield d. Braking system Ans: d 13. The frame provides support for the engine body, power train members and ....... a. Wheels b. Jack c. Road Ans: a 14. The engine is usually supported by the frame a. Four or five b. One or two c. Three or four d. One or two Ans: c 15. The central part of the axle beam is offset downwards to a. Give improved resistance to end thrusts during cornering b. Give better bending strength c. Give improved torsional strength during brake application d. Clear the engine sump and lower vehicle centre of gravity Ans: d 16. X - member of a car frame ensures improved a. Resistance to side force due to transverse wind load b. Bending strength of side members c. Resistance to vertical shock loads acting simultaneously on both front wheels d. Resistance of weaving and torsional strength of front end of frame Ans: a 17. The purpose of the shock absorbers is to a. Strengthen frame b. Damp spring oscillations c. Improve rigidity of spring mountings Ans: b 18. The rear end suspension arrangement in which rear end torque is absorbed by the spring is called the a. Torque tube drive b. Hooks drive c. Differential drive d. Hotchkiss drive Ans: d 19. On rebound, in the direct acting shock absorber, fluid flows out of the upper part of the cylinder and also ........... a. Out of the dust shield b. Out of the reservoir c. Into the reservoir d. Into the dust shield Ans: b 20. The weight or pressure required to deflect a spring in mm is called the spring a. Weight b. Deflection c. Rate d. Rebound Ans: c 21. Leaf spring for vehicles are nipped to a. To vary the effective length of the spring b. To increase the interleaf friction c. Improve the load carrying capacity of spring d. Ensure that all leaves are uniformly stressed during loading Ans: d 22. The device that permits variation in the distance between the spring eyes of a leaf spring as the spring flexes is called a. Spring shackle b. Spring U - bolt c. Spring hanger d. Spring leaf Ans: a 23. When the direct acting shock absorber is compressed or telescoped fluid passes through the piston orifices into the upper part of the cylinder and also a. Into the dust shield b. Out of the dust shield c. Into the reservoir d. Out of the reservoir Ans: c 24. The clips placed at intervals along some leaf spring to prevent spring leaf separation on rebound, are called a. Rebound clips b. Separation clips c. Interval clips d. Relief clips Ans: a 25. In a vehicle with torque tube drive, the rear suspension spring a. Takes up driving thrust and torque reaction b. Supports load and takes up end thrust c. Takes up braking thrust and torque reaction d. Takes up end thrust and torque reaction Ans: b Automobile Engineering Interview Questions and Answers for Competitive Exams 26. With a leaf spring type of suspension, interference between steering and suspension system can be reduced to minimum when a. Front end of the spring is pin joined and the rear end is shackled b. Front end of the spring is shackled and rear end is pin jointed c. Both end of the spring are shackled d. Both ends of the springs are pin jointed Ans: b 27. The laminated spring, which is in common use, is of the type a. Full elliptic b. Semi elliptic c. One quarter elliptic d. Three quarter elliptic Ans: b 28. A double acting shock absorber usually has a. Unequal pressure acting on either sides b. Equal pressure on either side c. Pressure acting only on one side Ans: a 29. Hotchkiss drive is the name associated with a. A type of automatic transmission b. The kind of drive for independent suspension axles c. A means of taking up torque and thrust by leaf springs d. A type of gear box Ans: b 30. The part of the vehicle holds the passengers and the cargo to be transported is known as a. Hull b. Chassis c. Cabin d. Sedan Ans: a 31. The power train includes the clutch, propeller shaft, differential and ................ a. Steering gear b. Front axles c. Chassis d. Transmission Ans: d 32. In gear systems, speed reduction means torque a. Stabilization b. Increase c. Reduction Ans: b 33. Clutch slippage while clutch is engaged is particularly noticeable a. When starting the engine b. During acceleration c. During idle d. At low speed Ans: b 34. Clutch chattering or grabbing is noticeable a. At low speed b. When engaging the clutch c. When accelerating d. During idle Ans: d 35. Clutch noises are usually most noticeable when the engine is a. Being started b. Decelerating c. Idling d. Accelerating Ans: c 36. Synchronizing devices are designed to prevent gear clash when shifting into a. First and second b. Second and high c. First and reverse Ans: b 37. The overdrive is located between the a. Transmission and the propeller shaft b. Planetary gears and clutch c. Transmission and clutch Ans: b 38. The sun gear in the planetary gear system meshes with the a. Pinion cage b. Ring gear c. Clutch gear d. Planet pinions Ans: d 39. Pressing down on clutch pedal causes the release levers to move the pressure plate away from a. Friction disc b. Clutch cover c. Pressure plate baffle d. Throw out bearing Ans: a 40. In coil spring type of clutch the cover is separated by a. Removing three screws or nuts b. Unhooking three retainer springs c. Removing wire coil springs d. Detaching three lever springs Ans: a 41. In the high gear in the transmission, main shaft turns at the same speed as the a. Idler shaft b. Counter shaft c. Clutch shaft Ans: c 42. The purpose of the fluid coupling is to act as a a. Automatic gear changer b. Flexible power transmitting coupling c. Synchronizing device Ans: b 43. In the fluid coupling oil passes from the driving to the a. Gear b. Coupling c. Vanes d. Driven member Ans: d 44. Braking is produced by the frictional effect between the brake drum and the a. Wheel studs b. Wheel rim c. Brake shoes d. Wheel cylinder pistons Ans: c 45. The drive pinion in the over running clutch is moved into mesh for cranking action by a. A shaft lever b. Sleeve turning in pinion c. Pinion inertia Ans: c 46. The function of a torque converter or fluid converter is similar to that of a a. Gear box b. Clutch c. Shock absorber d. Torsion box Ans: a 47. In the transmission system, the provision of slip joints allows a change in the a. Angle of drive b. Length of shaft c. Speed of rotation Ans: b 48. In the torque converter, oil leaving the turbine is changed into a helping direction by curved a. Pump vanes b. Stator vanes c. Turbine vanes Ans: b 49. In a fluid coupling the greater the difference between the speeds of the driving and the driven member a. Higher the coupling efficiency b. The lower the turbulence c. The lower the coupling efficiency Ans: c 50. The ratio between the speed of the camshaft and the speed of the crankshaft is a. 1:1 b. 1:4 c. 1:2 d. 1:1/4 Ans: b Read the full article
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everythingbychoice · 5 years
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Wire is used to make chains and findings for many types of jewelry. The strength, flexibility, and natural beauty of wire also makes it perfect for creating beautiful embellishments on beaded jewelry or pendants. Some artfully wrapped or woven wire can also stand alone as an elegant piece. Master the basics of wire wrapping and wire weaving, and you'll soon be able to create an array of gorgeous wire jewelry.
[Edit]Steps
[Edit]Selecting Your Materials
Get a set of jewelry pliers and cutters. For most basic wire jewelry projects, you will need a set of wire cutters, some round-nosed pliers, and some chain-nosed pliers. You can purchase these tools at most arts and crafts stores or jewelry and beading supply stores.[1]
Other useful tools include bent-nosed pliers for fine detail work and flat-edged pliers for making sharp angles in your wire.
Pick the wire color and material you like best. The most common colors for jewelry wire are silver, gold, or copper, but you can also get color-coated wire in every imaginable shade. Different types of wire also have different properties, so keep this in mind when making your selection.
Base-metal wires (such as copper or stainless steel) or alloys (like brass or nickel silver) are relatively inexpensive. These are good options when you are still learning to work with wire.
Popular precious metal jewelry wire materials include sterling silver, gold, and gold-filled (an alloy with a gold coating). Sterling silver tends to tarnish, while gold does not. Gold is softer and easier to dent or scratch, however.
Memory wire retains its coiled shape, so it's great for making simple beaded bracelets or chokers.
Purchase wire in a variety of gauges. Depending on the piece you are making, you may need thicker or thinner wire, or a combination of thicknesses. The lower the gauge number of the wire, the thicker it is. High-gauge wires are good for elaborate coils and weaves, while low-gauge wire is best for sturdier elements like links and clasps.[2]
For example, you might use a 28-gauge wire for a delicate wire crochet bracelet. If you wanted to make a heavy-duty clasp for a necklace, 10-gauge would be a better bet.
Choose harder wire for the best shape retention. Most jewelry wire comes in 3 different levels of hardness: dead soft, half hard, and full hard. Softer wires are easier to bend than harder wires, but do not hold their shape as well as harder wires.[3]
Dead soft wire is best for delicate work that requires a lot of flexibility, such as wire weaving or wire crochet. The wire will naturally begin to stiffen as you work with it.
Dead soft wire can also be useful for making findings or other elements from very thick wire that would otherwise be difficult to shape. When you're done, you can tap all over the finished wire shape a few times with a rubber mallet on a steel plate to harden (temper) it.
Full hard wire is difficult to bend and can snap easily if you stress it too much. It is the best at retaining its shape, however.
Half hard wire is relatively easy to shape and also retains its shape well. This kind of wire is good for creating sturdy links and load-bearing elements.
Buy prefabricated findings to make your projects easier. Jewelry findings are elements like clasps, connectors, chains, and pins. You can purchase findings in arts and crafts or jewelry supply stores. You can incorporate pre-made findings into your hand-made pieces to add extra flair and make your job a little easier.
For example, you can make a unique necklace by attaching beads to a prefabricated chain with wrapped wire links.
Decorative chandelier earring findings make great bases for elegant wire-wrapped bead earrings.[4]
[Edit]Creating Basic Wire Links
Select a medium-gauge wire. Since links are load-bearing elements, you'll need a wire that is thick enough to be relatively sturdy. A 20-gauge half-hard wire is typically a good choice.[5] Using half hard wire (as opposed to dead soft) can also help strengthen your links.
If you're using beads, make sure the wire is thin enough to go through the drill holes. For very tiny beads, you may need a higher gauge.
Snip off the very end of the wire with the flush side of your cutters. Take the length of wire you are working with and clip off a very small amount of wire from the end to make a flat edge. The flat (flush) edge of the wire clippers should face the length of wire you will be working with (rather than the end you are snipping off).[6] You will be using this flat end of the wire to make your loop.
If you like, you can make your loop in the wire while it is still on the roll, or you can cut off a longer length of wire (e.g., around ) to work with. If you do cut a piece off the roll, don't cut it too short, or you may end up without enough wire to make your link.
If you're making a loop at the end of a prefabricated finding, such as a head pin, you probably will not need to cut off any of the wire.
Pinch the end of the wire with your round-nosed pliers. Gently grasp the very end of the wire between the ends of your pliers. The wire should be flush with the pliers, so that you can't see the end extending beyond the pliers when you look at them in profile.[7]
Round-nosed pliers have tapered ends, so position the end of the wire closer to the base if you want a bigger loop and nearer to the tip if you want a tighter loop.
Take care not to squeeze the wire too tightly, or you may dent it. You only need to exert enough pressure to hold the wire in place.
Roll the end of the wire away from you gently to form a loop. Once the wire is securely in place, turn the hand holding the pliers away from you so that the wire begins to wrap around one of the jaws of the pliers. Press the wire against the pliers with the thumb of your free hand as you do this. Once you've turned your wrist as far as it will go, reposition the pliers within the loop so that you can turn them again. Do this until you have a complete loop.[8]
When you reposition the pliers, make sure the wire is still about the same distance from the base of the pliers as it was when you started. Otherwise, your loop will be a little misshapen.
Rock the loop back with the round-nose pliers to center the loop. When you're done wrapping the wire around the jaw of the pliers, you should have a “p” shape. In order to center the loop over the end of the wire, insert one of the jaws into the loop and gently pinch the wire right at the base of the loop. Grip the wire tightly at the base of the loop with your free hand and use the pliers to bend the wire back slightly so that the loop is centered over the length of the wire like the dot of an “i.”[9]
If your wire is too thick to bend into place with the round-nose pliers, you may need to use chain-nose pliers instead.
Use your chain-nose pliers to close the loop. After you complete the loop, there may be a small gap between the end of the loop and the rest of the wire. Grip the end of the loop with your chain-nose pliers and gently work it back and forth while pushing in until the gap is closed.[10]
Don't try to squeeze the sides of the loop together from the outside, or you will end up with a squashed loop!
Make a wrapped loop for extra security. For a completely closed loop with a slightly fancier appearance, use your chain-nose pliers to make a 90° bend in the wire about from the end. Make a loop as you normally would just above the bend, this time leaving a “tail” that extends beyond the wire at a 90° angle. Wind the tail tightly around the wire below the bend 3-4 times.[11]
When you're done, use your cutters to snip off any remaining tail. You can tighten the wrap by gently squeezing it at the top and bottom with your chain-nose pliers or your fingernails.
This technique is easiest to do when you already have a bead on the wire. Grip the wire just above the bead when you make your 90° bend. This will leave a few millimeters of space between the bead and the loop around which to wrap the tail.
You will not be able to open this loop once it is complete, so you'll need to attach it to an element you can open, such as a simple loop or a jump ring.
String one or more beads on the wire if you like. If you wish, you can slide a bead onto the wire and then make a second loop on the other side. This way, you can link several beads together. You could also drop a bead onto a flat-ended head pin and make a loop above the bead. You can then add the bead to a chain or ear hook as a charm or bangle.
Check online or in beading books or magazines for design inspirations using simple wire loops or wrapped links.
[Edit]Making Simple Wire-Wrapped Pendants
Select a stone or other object to wrap. You can use just about anything—like a tumbled stone, a crystal, a piece of sea glass, a coin, or even a shell or shark tooth. For this project, you will be making a basket or cage around the object with wire to create a pendant that you can hang on a necklace.
Objects that are somewhat irregularly shaped and widest in the middle are easiest to wrap using this technique.
Most wrapped pendants are not much longer than about , but you are free to wrap a bigger object if you wish. Keep in mind that larger objects will need more wire to wrap them than smaller ones.
Cut 2 equal lengths of medium-gauge wire. Choose a jewelry wire that is around 20-22 gauge and half hard. Since the wire will need to support the weight of the pendant, it's best to choose a relatively sturdy wire. The length you need will depend on the size of your pendant, but is usually enough.[12]
Snip the wires with the flush side of a wire clipper so that you get nice, clean cuts.
If you're still practicing with wire wrapping, you may wish to use copper or another base metal rather than a more expensive precious metal wire.
For heavier pendants, consider using thicker wire (e.g., 18 gauge instead of 20) to fully support their weight.
Twist the 2 wires together 5 times, starting in the middle. Make an “X” with the 2 wires, making sure they intersect right in the middle of both wires. Pinch the wires where they cross with the index finger and thumb of each hand and give them 5 firm twists, turning your hands in opposite directions.[13]
Make sure that the wires are both twisting and that you are not just wrapping one wire around the other.
Pull the wires straight on both sides of the twist. When you're done twisting, you'll have an X-shape with a twist in the middle. Pull the wire legs straight and parallel to each other at a roughly 90° angle from the twist to create an “H.”[14]
You can straighten the wires by pulling them between your fingers in the desired direction.
You'll be repeating this process several times as you make the pendant.
Lay the twisted section on one side of your pendant. Choose the side that you wish to be either the front or back of your pendant and lay the twisted part of the wire flat against it. The twist should be oriented straight up and down and positioned roughly halfway between the top and bottom of the pendant.[15]
Once the twist is in place, press the wires down along the surface of the pendant so that they follow the pendant's shape around to the opposite side.
Repeat the twist on the 2 wires at the bottom of the pendant. Take the 2 lower wires and make a second twist on the opposite side of the pendant from the first one. Do 5 turns, straighten the wires, and push the new twist up so it lies flat against the pendant.[16]
The new twist will sit approximately opposite the first one. You should now have a ring in which the bottom of the pendant can securely rest.
Continue to make twists until you reach the top of the pendant. Grab one of the pairs of wires above your first 2 twists and make a new twist. Lay it flat against the pendant as you did before. Keep doing this on both sides until the entire pendant is contained, all the way to the top.[17]
Your pendant should now be in a wire “cage” with 4 loose wires at the top.
Adjust the cage as you go so that your pendant fits into it securely. You can do this by occasionally pushing the stone flush against the twists that you have already made and pulling the wires taut.
Grab 2 of the wires at the top of the cage and twist them together. Select one of the remaining pairs of wires and give it 5 twists, but this time do not lay the wires flat against your pendant. Instead, leave them sticking straight up.[18]
This is the first step to creating the bail, which is the ring you will use to hang your pendant.
Wrap each of the remaining 2 wires around the final twist. Take each of the 2 free wires, one at a time, and wind each one around the vertical twist 5 times or until you reach the top of the twist. When you're done, snip off the ends with your wire cutters.[19]
Wind these wires slowly and carefully to make a strong, tight coil. If you wish, you can use chain nose pliers for greater control.
It may help to draw the stray end of each wire taut with your pliers before snipping it off. Use the pliers to pinch down any ends that are sticking up after you snip the wires.
Wind the top 2 wires around a pencil to create a loop. Straighten out the wires at the top of the twist so they are at a 90° angle to the twist, forming a “T” shape. Place a pencil or other object with a round cross-section (such as the jaw of a pair of round-nose pliers) at the top of the twist and wrap the 2 wires around it in opposite directions to create a nice, round loop.[20]
Make sure the 2 wires of your loop are tightly wrapped and close together.
Wind the remaining wire around the twist to secure the bail. Once you're satisfied with your bail, take the ends of the 2 wires and wrap them 2 or 3 times around the twist. Be sure to make your wraps nice and tight. Remove the pencil when you're done, and you should have a secure bail for your pendant![21]
When you're done, snip off the ends of the wires and flatten them down with your chain-nose pliers.
For a fancier look, make a small loop at the end of each wire with the very tip of your round-nose pliers. Use the chain-nose pliers to wind each wire into a spiral, then flatten the spirals against the base of the twist on each side.
[Edit]Doing a Basic 2-Wire Weave
Select some medium wire (16-20 gauge) and fine wire (24-26 gauge). The thicker wire will form the backbone of your weave (the warp), and you will wrap the thinner wire around it.[22] While your thicker wire should ideally be half-hard, dead soft wire is ideal for the woven elements.
Since it takes some practice to get the hang of wire weaving, you may wish to start with copper or some other relatively inexpensive wire.
Cut 2 pieces of medium wire to the desired length. The length you'll need will depend on the project you're working on. For example, if you're making a simple woven ring, about is a good length.[23]
If you wish, you can use the fine weaving wire while it is still on the roll. Otherwise, cut off a long length (at least so that you have plenty to work with.
Lay the 2 warp wires parallel to each other on your work surface. You can put them as close together or far apart as you wish, depending on the look you want to achieve.[24] Keep in mind that you will use up more weaving wire to cover any given length if your warp wires are farther apart.
If you wish, you can tape down the ends of your warp wires on one side with masking tape to hold them in place. You could also hold them between your fingers or keep them in place with a ring clamp.[25]
The wires don't have to be exactly parallel. You can create an interesting effect by angling the 2 warp wires slightly apart or curving one or both of them so that the weave is wider in some places than others.[26]
Coil the weaving wire once around the bottom warp wire. Starting close to the end of your weaving wire, lay the wire over the front of the bottom warp and wrap it around once, away from yourself. Take care that you only wrap the bottom wire. Hold the wire taut to make sure you get a tight coil.[27]
Once your coil is complete, the weaving wire should pass back over the front of the warp wire.
Don't start at the very end of the weaving wire. Try to leave a bit of a tail (around ) so that you can secure the weave when you're finished.
Depending on what you plan to do with your woven wire, you may wish to start the weave at least from the ends of the warp wires.
Pass the weaving wire under the top warp wire and coil it twice. Draw your weaving wire up so that it passes behind the top warp wire, then wrap it around the top wire 2 times. This time, pull the wire towards you instead of away from you. The weaving wire should end up in front of the top warp wire.[28]
If your coils are not close enough together, you can nudge them down the warp wires with your fingernails. If you use pliers, you may damage your wire.
Bring the weaving wire behind the bottom warp wire and coil twice. This time, coil the weaving wire away from you. From here, you will start the pattern over and continue until your weave reaches the desired length.[29]
If you like, you can vary the pattern by doing more coils between each pass. You can even alternate—e.g., doing 2 coils on one side and 4 on the other.
As you get more experienced with 2-wire weaving techniques, you can begin experimenting with weaves that incorporate 3 or more warp wires.
Snip off the ends of the warp wire and tuck them in. Once you've achieved the length you want, use your wire clippers to cut off the tails of the warp wire. Gently pinch in any sharp edges with your chain nose pliers.[30]
If you like, you can do a couple of extra coils on each end for more security.
Incorporate your woven wire into a pendant, bracelet, or ring. Woven wire can make a striking addition to many types of jewelry. Once the wire is woven, you can bend it into the shape of your choice by hand or using pliers.
For example, to make a simple ring, take a short section (about ) of woven wire and wrap it around a ring mandrel. Use round-nosed pliers to curl the 4 ends of the warp wires into elegant spirals.[31]
You can also use woven wire to create striking pendants incorporating beads or undrilled stones.[32]
[Edit]Tips
To learn more advanced wire jewelry techniques, consider taking a class at a local jewelry or crafting store. You can also find a wide variety of wire jewelry classes and tutorials online.
You can use heavy wire (e.g., 14 or 16 gauge) and pliers to make decorative elements, such as hearts or spirals.[33] Add a delicate touch by wrapping a few coils of fine wire (such as 26 gauge) around the thicker elements.
You can also use crochet techniques with wire to make delicate, lacy pieces. For these projects, you will need fine, dead soft wire, standard wire-working tools, and a set of crochet needles.[34]
Some people are allergic to certain metals, so keep this in mind if you are planning to sell your jewelry. Your buyers may need to know if your jewelry contains nickel or other common allergens.
[Edit]Things You'll Need
[Edit]Selecting Your Materials
Wire cutters
Round-nose pliers
Chain-nose pliers
Wires in various colors, materials, gauges, and levels of hardness
Findings (such as ear hooks, clasps, chains, and pins)
[Edit]Creating Basic Wire Links
20-gauge half-hard wire
Wire cutters
Round-nose pliers
Chain-nose pliers
Beads
[Edit]Making Simple Wire-Wrapped Pendants
A stone or other object for your pendant
20 to 22-gauge half-hard wire
Wire clippers
Chain-nose pliers
Round-nose pliers
Pencil or other object with a round cross-section
[Edit]Doing a Basic 2-Wire Weave
16 to 20-gauge half-hard wire
24 to 26-gauge dead soft wire
Masking tape or ring clamp (optional)
Chain-nose pliers
Wire cutters
Round-nose pliers (for shaping the finished weave)
[Edit]Related wikiHows
Make a Spiral Wire Bead Ring
Create a Wire Art Necklace
Choose Wire for Jewelry
[Edit]References
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[Edit]Quick Summary
↑ http://academic.emporia.edu/abersusa/go340/wrap.htm
↑ https://jewelrytutorialhq.com/all-about-jewelry-wire-which-gauge-wire-to-use-for-what/
↑ https://jewelrytutorialhq.com/all-about-jewelry-wire-wire-hardness-explained/
↑ https://www.jewelrymaking-beads-library.com/earring-finding.html
↑ https://youtu.be/2qjNzvE2-D8?t=69
↑ https://youtu.be/2qjNzvE2-D8?t=90
↑ https://youtu.be/2qjNzvE2-D8?t=116
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↑ https://youtu.be/2qjNzvE2-D8?t=260
↑ https://youtu.be/2qjNzvE2-D8?t=359
↑ https://www.youtube.com/watch?v=ETL-dbncs68
↑ https://youtu.be/44is-IWz5Wk?t=29
↑ https://youtu.be/44is-IWz5Wk?t=34
↑ https://youtu.be/44is-IWz5Wk?t=49
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↑ https://youtu.be/44is-IWz5Wk?t=213
↑ https://youtu.be/44is-IWz5Wk?t=234
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://youtu.be/zxZDaVT6244?t=30
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://youtu.be/8cS_z_tem-I?t=216
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://www.craftsinstitute.com/making-jewellery/tips-and-techniques/wirework/basic-wire-weaving/
↑ https://www.youtube.com/watch?v=zxZDaVT6244
↑ https://www.youtube.com/watch?v=DdUdHFa_qLc
↑ https://www.youtube.com/watch?v=_OP06kksBEA
↑ https://www.allfreejewelrymaking.com/Jewelry-Techniques/How-to-Start-Crocheting-with-Wire
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Indian Tribal and Ethnic Jewelry
Hey all today i am here with a blog on tribal jewelry ! Eclectic, earthen and funky are some of the adjectives that can be used to describe tribal jewelry, while arty, refined and evergreen can be used to describe ethnic jewelry.  Even in the olden days, the tribes used every imaginable form of jewelry be it be the usual necklaces, bangles, and earrings or exotic items like ear cuffs, lip rings, and toe rings.  Since most indigenous tribes were relatively poor or were frequently plundered by colonial powers, their selection of raw materials was humble and was limited to shells, claws, jaws of animals, ivory, wood, etc.
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India has been endowed with a rich tribal culture, which despite modernization has kept its unique traditions and values intact. Tribal Jewelry still bears a definite earthy charm. On the other hand, being different from the conventionally manufactured jewelry items, the rarity of ethnic jewelry is cherished by many.
Characteristics of Tribal Jewelry
Tribal jewelry communicates a lot about the wearer’s status in the group, his wealth and possessions, spiritual beliefs and even functional habits. Thus, apart from depicting a customarily idealized appearance, the ornaments give a brief glimpse into the socio-cultural traditions of a particular group. Even in the olden eras, there were ornaments to prettify every significant part of the body. This is evident from the fact that several elaborate handmade ornaments had been excavated from Mohenjo-Daro and other sites of Indus Valley Civilization. Also, Mahabharata and Ramayana are replete with elaborate descriptions of ornaments and the mystical powers they possessed. Further, there are several accounts stating how the royals of ancient India hired ingenious craftsmen to craft exquisite pieces of jewelry. Some of these jewels have trickled down from one generation to another, retained their own identity and have become an eternal part of familial treasures. These pieces have become priceless over time.
Tribal jewelry integrates humble natural materials like leaves, berries, feathers, leather, claws, flowers, and much more into majestic pieces of art that are wearable. Demographics of the region, availability of resources and proposed functionality are some of the factors that make tribal jewelry of one group differ from the other. Besides, even extreme poverty and lack of precious metals have not deterred the tribal crafters from creating glorious ornaments. In fact, it has been observed that tribes of certain region may be scantily clothed, but they still adorn ample amount of jewelry on their bodies.
Tribal Jewelry Styles in Different Indian States:
1. Madhya Pradesh- Tribes of Bastar:
The use of grass, natural beads and cane make the ornaments made by tribes of Bastar stand out amidst the rest. Most of the residents of Bastar district still prefer to adorn traditional ornaments made out of copper, glass, silver, wood, peacock feathers and even wild flowers. It is fairly common to spot indigenous women wearing necklaces made out of one rupee coins, which is an excellent example of creativity.
2. Rajasthan- Banjara Tribes:
This nomadic group adorns colourful and weighty ornaments, embossed with coins, shells, beads and metallic mesh which make them distinguishable at the very first glance. Also, the Banjara tribes adorn ornate belts around their waists to complement their vibrant attires. Apart from Banjaran jewelry, Rajasthani silverware is quite popular all over the world.Rajasthani jewels are often decorated with colourful beads as well as tinkling silver bells and bear a distinctive oxidised appearance.
3. Meghalaya-Tribes of Garo, Khasi and Jaintia hills:
Red coral beads of Jaintia and Khasi as well as thin glass fluted stems of Garo are quite popular all over the world. These beads and stems are often strung together to form ornate necklaces, bracelets, trinkets, earrings, belts and many other jewelry items.
4. Sikkim-Bhutia tribes:
Traditionally, the Bhutia tribes used gold to craft elaborate jewelry, but now due to the cost-factor they have switched over to silver, which is comparatively cheaper. The use of turquoise stones, dzee stones and corals makes this jewelry style utterly unique.
5. Arunachal Pradesh:
Wacho Tribes: This tribal group incorporates naturally available resources like seeds, beetles, feathers, bamboo and cane to decorate their jewels. Karka Gallong Tribes: The women of this group adorn immaculately crafted coils of iron rings as earrings to complement their metal embossed leather belts. Also, their adornments are heavily studded with beads. Rengami Nagas: Men belonging to the Rengami Nagas group wear jewels made from flowers in their ears and the red blossoms are most popular among them.
6. Nagland-Agami Tribes:
Men of this tribalal group adorn green ferns and foliage in their hair knots. It gives a very natural look and shows one’s closeness to nature and its surroundings.
7. Himachal Pradesh- Tribes of Chamba, Kangra, Mandi and Kullu:
Himachali elliptical anklets, iron-headed bangles and ornate daggers are quite popular all over the world for their uniqueness. Also, traditional collar-like silver Hansalis, silver chokers called Kachs and Shellac filled silver bangles are commonly worn by pahari women of Himachal. Apart from their aesthetics, the Himachalis believe that silver ornaments protect the adorner from evil spirits.
8. Chattisgarh- Hill Maria Tribes:
Traditionally, the tribal jewellers of Chhattisgarh used fine drawn copper wires, brass and iron (now, gold and silver ) withnatural seed, bone or wood embellishments to craft one of a kind fillets, collars, laces, square-bar anklets, trinkets, rings and much more. Conical twin-top earrings and nose rings of Hill Maria tribes are quite popular.
9. West Bengal- Tribes of Maukhali:
Bengali Tikli (worn on forehead), Kaan (traditional earrings), chik (gold choker), Hunsuli, Mantasha and Dokra are known for their exemplary craftsmanship. These ornaments are made using gold, silver, precious stones as well as wooden beads and are all exquisite in style.
10. Bihar-Santhal Tribes:
Filigree motif earrings, Kardhanis (worn around waist) and Chudha bangles of Santhal are insignias of ethnicity. Also, their vibrantly jingling jhumkis are popular all over the world.
Present Trends in Tribal Jewelry
Tribe inspired jewelry is the hottest trend these days and can be seen anywhere and everywhere from red carpet to the fashion streets. Their vivid colors, unconventional geometric designs and out-of-the-box look are what appeals to the audience at a glance. Also, they are relatively easier on the pocket and are a big hit among the young fashionistas. The best tip to embellish your modern look with some bold tribe inspired ornaments is to pair them up with a simple kurta or even t-shirt and allow the ornaments to steal the show.
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Trinkets, Worthless, 6: These trinket are garbage plain and simple. They would be termed vendor trash or junk loot in video games. They aren’t touched by stray magic or mystery as with regular trinkets, aren’t made from valuable materials and aren’t particularly useful even if they aren’t damaged.
A belt pouch filled with small multicolored glass pebbles
A belt pouch full of fish scales
A hand sized figurine of a house formed of fired clay painted outlandish colours.
A hollow 8x3 inch cylinder made from polished granite.
A horsehair paintbrush so clumped with paint, it’s useless.
A knife and fork carved from a giant's ribs
A large brass key with worn teeth. A strip of red-coloured string hangs from one end.
A large bunch of similar keys that  fit various locks. One key (Of a different style from the rest) is small and rusty.
A large decorative pillow
A large flat pebble with a smaller pebble nestled inside it
---Keep reading for 90 more trinkets.
---Note: The previous 10 items are repeated for easier rolling on a d100.
A belt pouch filled with small multicolored glass pebbles
A belt pouch full of fish scales
A hand sized figurine of a house formed of fired clay painted outlandish colours.
A hollow 8x3 inch cylinder made from polished granite.
A horsehair paintbrush so clumped with paint, it’s useless.
A knife and fork carved from a giant's ribs
A large brass key with worn teeth. A strip of red-coloured string hangs from one end.
A large bunch of similar keys that  fit various locks. One key (Of a different style from the rest) is small and rusty.
A large decorative pillow
A large flat pebble with a smaller pebble nestled inside it
A large fossilized egg
A large piece of shell from a dragon’s egg
A large tin canister filled with dozens of grey misshapen goblin candies. They are as hard as a rock and taste like scummy pond water drunk from a dirty ashtray.
A leather scroll tube crudely painted bright blue. It is stoppered with a leather bung that clips into the place. The bung has been painted red.
A leather strap tied with ten assorted predator's claws
A length of black cloth with eye holes cut in it, created a crude mask.
A length of string that looks to have been snapped in half and re-tied multiple times.
A long braid of blond hair wrapped around a slender, whittled stick of white wood protected by a scrap of red-hued silk.
A loosely-coiled spring painted in the hues of a rainbow
A map of the continent with a large patch of ocean torn out
A metal comb missing all its tines.
A metal flask, decorated with engravings of a paladin fighting a dragon. Although it is still sealed, whatever liquid was inside has gone sour and tastes foul.
A mummified raven claw
A nine-toothed cog made from cheap tin
A nondescript brown hemp hood with crudely cut eye and mouth holes. The hood looks like it has been fashioned from a small sack. A splatter of dried blood covers the front.
A notepad full of bizarre scribbling detailing strange events, odd occurrences and murdered people. It is barely legible and almost entirely incoherent.
A padlock made of wax with no key
A page of hastily-scribbled mathematical formulas that do not balance out or contain any kind of context or explanation.
A pair of child sized steel scissors
A pair of desiccated human hands, wrapped in barbed wire
A pair of shoes so small, they must be for a baby. They look like they’ve never been worn.
A pair of torn purple stockings
A partially burnt family tree on a canvas sheet.
A partially mended pair of boots along with needle and thread.
A piece of bark carved with a gnarled face
A piece of paper with a grid of 81 squares drawn on it, some containing numbers
A plumb bob that points toward the sky.
A polished apple of curious black color
A polished skull (Its top removed) filled with foul smelling incense
A poorly mummified cat
A pouch containing four links of bloodstained chain ending in a single bloody manacle. Close examination reveals hairs stuck in the dried blood on the manacle. A snapped off key fills the manacle’s lock.
A pouch containing a variety of small finger bones clearly “harvested” from a variety of different creatures. Each is in pristine condition, all the skin and tissue having been boiled away.
A pouch made of flesh, with a sinew drawstring
A preserved dead raven.
A preserved eyeball attached to a spindly eye-stalk; the nerves twitch occasionally
A preserved pair of ears that look to be torn off a goblin.
A preserved square of tattooed skin
A pulsing seed pod that is always warm to the touch.
A rabbit’s foot, dyed purple.
A ragged pair of bright green trousers. The seat of the trousers is missing, all that remains is a jagged hole clearly made by something large…with teeth
A random scattering of gears and rivets.
A ransom note for an unknown personage
A razor-sharp piece of metal wrapped in a bloody bandage
A right arm broken off from a statue
A ring of keys for forgotten locks
A ring of metal with strange symbols carved into it that glow randomly.
A ripped yellow silk shirt, with a bloody cuff, rolled into a tight ball.
A rock with a patch of curious purple moss
A rose stem with the thorns still on, but all the petals plucked.
A rotten burlap bag filled with three elven skulls
A scold's bridle.
A scrap of animal hide with bizarre markings
A scrap of crumbled parchment bearing the name of a half-dozen locals.
A scrap of parchment filled with deranged ramblings about “the lord’s vengeance”, the “end of all things” and a “blood sacrifice”.
A scrap of wood engraved with half of a ship’s name
A scrawled bill from a shady fortune teller.
A scrimshawed human femur
A scroll case and scroll scribed with an unfinished spell
A scroll case that appears to have been crafted from a giant's arm bone. Inside is a small strip of vellum that would seem to tie a scroll shut. Along its scarlet-dyed length are markings like a map, but most are faded away
A scroll containing a spell that seems to have no effect
A set of brown and green leather juggling balls
A set of iron spurs
A severed finger that’s still wearing a tarnished brass ring that cannot be removed
A shard of flint with a decorative dragon carving
A shard of glass that changes color depending on how it is held up to the light.
A shard of porcelain decorated with tiny painted flowers.
A sharp dagger, a pile of wood shavings and a partially carved chunk of wood. The carving is crude and unfinished; it might represent a bird, but then again it might not.
A shattered piece of minotaur horn
A sheet of paper, blank except for a dot in the middle and the words “You are here.”
A shrunken head of a human child
A shrunken human head with buttons sewn over the eyes
A single acorn formed of pyrite.
A single polished knucklebone wrapped in a scrap of thin, red cloth.
A small pouch filled with dozens of multi-colored wooden beads whose paint is chipped and fading.
A small pouch full of oddly-dented, painted metal disks with jagged edges
A straw effigy of a prominent local. Parts of it have been singed with fire.
A small tin flask filled with terrible tasting whiskey
A cheap pulp pamphlet on how to train cobra snakes to dance to flute music.
A crude brooch of Orcish design
A warped oaken quarterstaff that is all but unusable
A pair of rusty manacles
A pouch holding three dozen copper coat buttons
A poorly lacquered elk thighbone
A worn bear pelt that has evidently spent many long years as a rug
A ceramic jar of various species of dried seeds. Further inspection show that none of them are edible or viable for growing.
A dented tin crown
A small wooden mermaid statue that requires finishing touches
A rug made of winter wolf hide that has seen better days
A carefully detailed drawing of a halfling toe.
A large, steel padlock without a matching key.
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