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#and I really appreciate that it exists
getvalentined · 9 months
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Man. I love Pillowfort.
I love being able to have discussions with people where we don't really agree but it doesn't feel like a fight or a game of oneupmanship, and where there isn't the risk of things getting lost in the shuffle of threads and reblogs and tags.
I love being able to say everything I mean to say without having to limit my language or truncate anything and increase the risk of misunderstanding that's already inherent to text communication.
I love being able to go "No I get that, here's my reasoning, we're both right!" and not feel like I'm about to get told to kill myself.
I love being able to have a conversation without worrying about getting super triggered because ad-hominem aggression is the exact opposite of the tone of choice for users there.
I wish I knew how to get more interaction there, because it almost always feels like I'm the one starting and finishing conversations, but that's not something the platform itself can change. I wish I knew how to get more eyes on my art, because most of the people I've interacted with there with regard to my work are pretty cool and I think it'd be nice to build some deeper connections, but that's not something the platform itself can change either.
As a platform, Pillowfort is so good. It's just so sincere, it harbors such a clear opportunity to communicate with people, it doesn't reward bad actors with engagement-based boosts. The whole environment is just so good.
I really love Pillowfort.
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screebyy · 4 months
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A little crowlyon dawning comic wheee i finished it please clap
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I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂
ID/transcript below cut
Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically. Crow: “There's still time to turn back…” Glint: “Don't!” Crow: “But -” Glint: “You said you wanted to go through with this!” Crow: “I know but -” Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled. Crow: “!-”
Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag. Crow: “Jolyon.”
Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.
Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible.  Crow: “Thanks for meeting me” Glint: “ok good luck bye”
Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed. Crow: “I’m sorry if you… didn’t want to hear from me.” Jolyon (offscreen): “It’s fine.”
Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression.  Jolyon: “What do you want?”
Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness. Crow: “I’m…”
Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral. Crow: “I’m trying to make amends.” Jolyon: “Amends. For what?”
Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow.  Crow: “For-... For Uldren, for everything-”
Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow. Jolyon: “No. What specifically?”
Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred. Jolyon: “Tell me. What exactly do you remember?”
Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth. Jolyon: “Crow.”
Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon. Crow: “...”
Panel 15: Crow looks away to his right, looking ashamed. Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”
Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed. Crow: “I remember the garden.”
Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left. Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”
Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks. Crow: “So… I’m sorry. For all of it.”
Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional. Crow: “And so is he.”
Jolyon: “...”
Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him. Jolyon: “Okay. Is that all?”
Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment. Crow: “Um…”
Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag. Crow: “No.”
Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously. Crow: “Do you know about the dawning?” Jolyon: “Yes… The Awoken don’t celebrate it.” Crow: “I know.”
Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing. Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”
The background shifts to a black backdrop, with white snowflakes falling quickly.
Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense. Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”
Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak. Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”
Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village. Four inset panels show closer views of people within the village.  The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing. The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers. The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly. The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed. Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”
Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant. Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”
Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.
Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.
Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.
Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.
Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants. Jolyon: “Hello?”
Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside. Jolyon: “Wha-”
Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand. Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?” Uldren: “Why do you think? I was freezing my ass off.”
Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible. Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”
Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds. Jolyon: “Hah… you remember that?”
Panel 38: Crow glances away, smiling nostalgically and blushing lightly. Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”
Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough. Jolyon: “Haha, what are you doing? You’ve got to measure.” Uldren: “Following my royal intuition.” Jolyon: “Your intuition kind of looks like cat puke.”
Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek. Jolyon: “You’re making a mess of my kitchen, Sov.” Uldren: “I’ll clean it up.” Jolyon: “Will you?” Uldren: “For you? Probably.”
Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly. Crow (offscreen): “We didn’t really have much of a plan…” Jolyon: “Uldren wasn’t big on plans. Or recipes.”
Panel 40: Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.” In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands. Jolyon (flashback): “Oven’s going off. We should probably get that.” Uldren (flashback): “I don’t give a shit.” Crow (present day): “Um. Yeah. They were kind of… burnt…”
Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face. Crow (offscreen): “These are better, I hope.” Jolyon: “Seems like it.”
Panel 42: Close up of Jolyon taking a bite of the cookie.
Panel 43: Crow is smiling enthusiastically up at Jolyon. Jolyon (offscreen): “They’re good.” Crow: “Good!”
Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears. Jolyon: “I uh…”
Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut. Jolyon: “I should go.”
Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon. Crow: “Wait…” Jolyon: “Thank you.”
Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset. Crow: “...”
Panel 48: Crow facepalms, looking frustrated and embarrassed. Crow: AUGH.
Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic. Glint: “That could have gone worse! He said they were good! How do you feel?” Crow. “Fantastic. Why did I let you talk me into this?”
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gingerteaonthetardis · 4 months
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NICK & JESS in New Girl S01E03: Wedding
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the-sage-libriomancer · 6 months
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Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!
And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.
Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.
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prototypelq · 4 months
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V(ergil)&Griffon banter is precious to me because Griffon clearly had his personality form from Vergil's memory and yearning for his brother - witty, sarcastic smartass, yet undeniably supportive and a good ally.
Even if he's gotten 'the real thing' at the end of DMC5 it's obvious he would still miss Griffon, as Griffon clearly wasn't a carbon copy of Dante either (especially given Vergil's view of Dante), he is his own beast, and those two, while connected, are not mutually exclusive.
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uhbasicallyjustmilex · 11 months
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it does something incomprehensible to my little writer’s soul whenever alex articulates a phenomenon of the writing process i’ve always picked up on and then goes on to describe it in exactly the same way
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kastillia · 2 months
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my alphabetical list is complete
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lemonyinks · 1 month
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PT. 7 of Drawing Legionnaires eyes: Luornu
plus the single colour versions
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fishyfishyfishtimes · 7 months
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Help me decide something folks, should merfolk that have the lower half of a whale or a pinniped (or other aquatic tetrapods) be able to breathe underwater?
Pros of having them be able to breathe underwater:
-Everyone can have fun and silly underwater adventures without worrying about drowning which is yes and good (now only pressure! yippee!)
-Can lead to some very cursed solutions like (external!!??) gills on mammals. I enjoy cursed solutions very much.
Cons of having them be able to breathe underwater:
-Not realistic. Ironically even though I enjoy making cursed things the fact that it wouldn't be realistic is making me hesitant :( Biologist side of myself doesn't enjoy the idea
-Feels sort of like a cop-out to just put gills on a seal and call it a job well-done??
It is not a realism issue because this is a magical world where mermaids were deliberately created by a higher being playing via mixing and matching parts i.e. the mermaids are not natural in the slightest and make due with a combination of very strange adaptations and straight up magic. But I don't know if this should be one of those things?? Fish mermaids use their fish half's gills to breathe underwater but I'm stumped on aquatic mammals and other guys lol
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six-of-snakes · 8 months
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somtimes a boy's just gotta recognize the girl he used to be and acknowledge what she did for him and then move on to keep living his life knowing she's watching proud of what he's done
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pseudophan · 2 months
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honestly they were disrespectful to themselves. they let it get completely out of hand for a MONTH. the palace did this to themselves
yeah... look nobody will get me to agree with people being like 'conspiracy theorists have gone too far' 'you've all been disrespectful towards catherine' 'there was never a reason for any of this' 'you should be ashamed for what you said' etc etc etc. because like... first of all, again, i hold zero respect for these people. why the fuck should i. but even if i did... it's their own fucking fault???? the fuck?????? lmao?????????? literally only a handful of people gave a fuck until that doctored photo. and then they just kept making it worse. and i'm sorry but i actually don't think they're entitled to their privacy when their entire job is pr and they're blatantly lying in all their pr shit like ? what else are you good for lol. but then that also makes me angry because as much as i don't like kate for several reasons i'm still a bit genuinely offended at her behalf for how they've handled all this shit.. like making her take the blame for the photoshop (i hope for her sake it was her own idea, because otherwise........), having her appear alone in the video announcing her cancer (why tf isn't william there when she's talking about how he's by her side lmao), the general just lack of giving a fuck about anything whilst the world went wild theorising about her.... i can't tell whether she's taking the fall to cover for something else or if they're just all absolute assholes ?? again like. i don't like kate middleton. for many reasons. but i like william and charles a whole lot less and it's infuriating that they're making me feel like she's been wronged lmao
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front-facing-pokemon · 10 months
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alright. know what? with Secrets of the Obscure right around the corner and plenty of new Mists-related sky island settings coming with it, I'll just bite the bullet and interest-check a little something I've been turning in my head for a long, long while.
would YOU be interested in a Mists-based GW2 roleplay guild that uses a lore compliant multiverse system to allow canon, canon-adjacent, lore-breaking, and otherwise 'contradictory' muses to coexist in the same setting?
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simply put: every writer's cast would be set in their own self-contained universe. as such, everyone could bring whatever muses they want with their own personal headcanons, and no one could dictate what is or isn't canon for anyone else. so long as your muses are GW2-based, you're good to go! bring your Commanders, bring your canon-divergent OCs, bring your canon muses-- and yes, even the ones that are 'supposed' to be dead. who can say what might have happened in a strange world far across the Mists, after all?
neutral hubs and in-character safety guardrails would be in place to keep all muses on a relatively even playing field regardless of their power, history, and prestige, too. play hardball if you like, but it might not end quite the way you'd hope. the main rule would be to maintain good OOC etiquette at all times: no godmodding, no metagaming, no theft, don't blend IC and OOC, and so-on.
if that sounds like something you might have interest in, please interact with this post! and if you've got questions or concerns, I'd love to hear them; feel free to send an ask or a DM, or just reply to this post!
#GW2 roleplay#GW2 rp#GW2#my posts#so there's a LOT of reasons why I'm putting this forward#but the biggest is that I really want there to be a place that's actually inclusive for all the creativity that exists in this fandom#there was exactly one Mists multiverse event a while back and it was well-received from everything I saw!#i know i for one had a lot of fun AND felt a lot more welcome and comfortable than i have at any other event#and then... we proceeded to just never have another again.#like. we could have more of that. that niche could still use filling! we can do SO much more with this!!!#and especially with SotO coming out we could have some REALLY interesting locations to meet up too!#I'd be happy to kickstart this stuff but the thing is: it WILL need support. I just can't do it all alone and that's a fact#example: if we want a guild hall in-game we'd have to work together to get one; that'd be great for hosting public and private events#my personal goal is 5-10 participants so that we can have enough to run small events and mingle muses a bit#IF there's enough interest i'll roll out more information at that time. for now tho i'll just leave it at this to test the waters#reblogs are HIGHLY appreciate here: i'm a smallfry in a big sea and not many people check the tags. spread the word if you want to see this#on that note: thanks for reading and hopefully i'll hear from some of you soon. o/#(side detail: that sky pic is a screen i snapped at night in Istan. it's so pretty there ok)
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sisterdivinium · 17 hours
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Maybe Lilith's prompt is not exactly one you'd like to see, but that's why you should come on and join us at the upcoming Warrior Nun Commentfic Fest!
Starting June 1st and going up to July 31st, I'll be running a little party over on Dreamwidth, the link to which I'll provide as soon as it starts.
It's pretty simple: you pop up in the comment section of the post where the event will occur, you leave a comment with a prompt (say, "Ava/Beatrice, training so hard in Switzerland that one of them gets hurt and needs to be nursed by the other" or "Jillian/Suzanne, the morning after Adriel's defeat" or even "Any, actually finding Mary", the possibilities are endless) and then you wait around to see if anyone makes that fill, perhaps by filling another prompt someone else left yourself.
The catch is that you need to limit your story to the comment character limit. As it's 16.000 characters, you should be fine!
Anon prompts and fills are allowed, so you don't need to have a Dreamwidth account to participate -- even if it would be nice so as to allow you to track the post and any new additions to it or to edit your entries should you make a mistake (if you're going to post on anon even while having an account, though, you still won't be able to edit) and also because DW is just pretty dang cool.
Watch out for the link to the fest, it'll be posted as soon as it starts!
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fishyfishyfishtimes · 7 months
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I drew Ahti II and his never before seen, very best friend Karleeen (three e's is intentional) for Halloween! They're dressed as Aziraphale and Crowley from Good Omens :) Someone likened Ahti II to Azi once and given that he already had a dark-haired "best friend" who is part edgy animal... it was only natural to have this costume arrangement. Please don't spoil anything about the show though, I am only in the first few episodes of season 1!!
On another note, imagine having to buy pants with eight pant legs. The cost would be insane...
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steelycunt · 1 year
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an um. snippet. from me. for the first time since. july :-)
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