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Early Greek prose inquiry (historia) and mythical tradition-I
“The Early Greek Prose-writing Tradition: Bridging the Myth-History Divide
Gaston Javier Basile
Dans Dialogues d'histoire ancienne 2019/2 (45/2), pages 81 à 112
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The so-called move ‘vom Mythos zum Logos’ as well as the myth-history divide have been recurrently revisited in the last decades. The Greek notions of μῦθος, λόγος and ἱστορία have been reassessed. [1] So was the anachronistic compartmentalization of texts in view of the later development of specific institutionalized ‘genres’ or the labelling of texts in terms of contemporary areas of knowledge which were foreign to the intellectual milieu where they first appeared. This paper aims to advance the de-construction of such hermeneutical constructs – often expressed as polarities – by examining some of the methodological and linguistic procedures used by the early Greek prose-writers (6-5th century BCE) to engage with the mythical tradition. Rather than as a categorical distinction, the interface between mythos and logos will be explored in terms of the inception of new discursive prose genres in Archaic Greece and the deployment of novel linguistic procedures.
The sixth century BCE saw the emergence of a new breed of Greek intellectuals in Ionia who, often abandoning verse for prose and adopting a critical stance towards mythology and poetry, gradually began to step beyond the boundaries of the so-called spatium mythicum. They inaugurated a form of prose writing, largely of a narrative or descriptive type, which was based on the first-hand record of experience or some form of source analysis. Though scholars have grouped them by different criteria and given them assorted names (polymaths, logographoi, histores, etc.), these intellectuals can all be said to have produced some form of prose-inquiry (ἱστορίη). These prose narratives ranged from local traditions, popular tales, mythological rationalizations, genealogies, accounts of foreign travel and people, to the kind of discourse about the human past we now narrowly count as “histories”. Regrettably, with the exception of Herodotus’ Histories, an exceptional work which is often regarded as the epigone of the Ionian prose-writing tradition, the works attributed to the logographers have only survived in the form of fragments and testimonies preserved by Alexandrian and later scholars.
Whatever the specific subject matter of these early texts, they can all be said to have produced some kind of ἱστορίη (inquiry) which departed from, but also engaged with and was often critical of, the standard mythical tradition. Hence the term historia does not designate a specific genre dealing with the human past but rather a novel cognitive category and discursive form. It designates an individual, comprehensive and critical mode of inquiry which involved a first-hand gathering and record of experience and source examination. Additionally, this inquiry adopted a new form of discourse: expository texts, largely narrative or descriptive, written in prose. Under this description, the standard myth-history divide appears at best immaterial, if not altogether flawed. Indeed, far from steering clear of myth, the Gods and archaic legends, these early Greek prose writings often actively engaged with the mythical tradition. It is the purpose of this paper to draw on the category of historia in order to sketch out some of the methodological and linguistic features of these early texts. Through a selection of fragments or passages – from Hecataeus of Miletus, Pherecydes of Athens, Pherecydes of Syros to Herodotus of Halicarnassus’ History (Book II) – the paper explores the inception of a number of commentarial and exegetical procedures ranging from straightforward etymological observations to more complex explanatory or critical operations on the traditional material.
I- Mapping the province of early Greek historia: some methodological remarks
As has been well established by classical scholars, historia is a misnomer. Though the Greek term ἱστορίη – as used by Herodotus in the proem to his groundbreaking work – was soon associated with a form of inquiry and record of the human past, the early (and, incidentally, relatively few) occurrences of the word in the Greek classical world indicate otherwise. The now regular meaning of the word historia as an inquiry into the past appears to be in fifth-century Greece a derivative one, or perhaps even a novel and more technical use inaugurated by Herodotus himself. Scholars have insisted on the meaning of the term ἱστορία in general as an “intellectual activity” and, in a more technical sense, chiefly as first used by Herodotus, as the record of the human past. In fact, early and classical uses of the lexical family of ἵστωρ and its cognates – ἱστορέω, ἱστορία – mainly refer to some unspecified kind or act of knowing in general or to the act of acquiring, recording or reporting such knowledge. In this sense, the term has been frequently rendered after Herodotus’ inaugural text as ‘inquiry’ or ‘investigation’. [2]
The notion of historia is seen as embedded in a “pre-disciplinary” world where the boundaries between what later became separate forms of knowledge were fuzzy or ill-defined. At any rate, ἱστορία (ἱστορίη in the Ionian dialect) is generally taken to indicate an active form of learning (“to learn by inquiry”). There have been attempts at pinning down the scope of ἱστορία both in terms of the precise cognitive operations involved (seeing, hearing, questioning, inquiring, adjudicating, etc.) as well as the particular field of inquiry (ethnographical, geographical, historical, etc.). However, scholars tend to regard it as an umbrella term designating a complex intellectual activity spanning the Ionian science, the works of the early Ionian prose-writers, the medical teachings, etc. [3] As more fully illustrated in Herodotus’ work, historia is best understood as a cognitive category entailing a number of heuristic operations – ὄψις, ἀκοή, γνώμη, ἱστορίη (in the narrow sense of questioning the informants) which are not often easy to disentangle or rank. [4]
Aristotle represents both a landmark and a turning-point in the semantic development of the word historia. Even if the use Aristotle makes of this term in his encyclopedic treatises is far from consistent, ranging from narrative or ‘story’ in general, to something close to our modern notion of ‘history’, to ‘inquiry’ or, more precisely, the preliminary stages of an inquiry, Aristotle provides a key to understanding the more technical side of historia as a modus cognoscendi. [5] Following Aristotle’s categorization and revisiting earlier uses of the word, the scope of historia comes more clearly into focus. In this paper historia is understood as a cognitive category and as a discursive form. It designates an individual, comprehensive and active mode of inquiry bearing on empirical matters or involving a first-hand gathering and record of experience. Additionally, this inquiry adopted a new form of discourse: expository texts, largely narrative or descriptive, written in prose. More specifically, the term historia will be used in this paper to characterize the production of a group of intellectuals from Ionia (or epigones of such Ionian tradition) who inaugurated a form of inquiry and discourse on a wide range of topics – ranging from mythography, genealogy, geography and ethnography to history proper – which departed from (and was often critical of) traditional myths.
The term ‘prose’ itself is problematic and deserves a closer examination. While there are earlier records of public uses of prose in Greece through the eight and seventh century [6] in the form of graffiti, law codes and stone inscriptions, the sixth-century witnessed an increasingly widespread use of prose, notably in the Ionian milieu, as a medium to compose and disseminate new forms of knowledge and intellectual inquiries. This new use of prose was not merely aphoristic – as the private record of graffiti in the public space – or apodictic – as was the case with public legislation engraved in stone, but was chosen as the medium to communicate the findings of an extended process of inquiry (and, accordingly, imposed new demands on language). If this choice was not unanimous (for example, as shown by Parmenides, Xenophanes and Empedocles’ preference for metrical rendering), it was by far the medium that the logographers, irrespective of their objects of study (mythography philosophy, history, science, etc.) favored to communicate their individual historiai to a (possibly) semi-literate audience. It is highly probable that these written prose texts were the basis for some kind of attendant epideixis, possibly in the form of public reading or lectures in small circles, but they may have also served as records for private use by the author himself or his disciples and acolytes. This paper will examine a number of formal patterns of this expository prose (or ‘technical’ prose) [7] by comparison with the old genre of didactic epic verse.”
Source: https://www.cairn.info/revue-dialogues-d-histoire-ancienne-2019-2-page-81.htm
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nanditaagr7 · 3 years
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Who wants a reincarnation au?
As mentioned in the Halloween count down for Fate, I have a rencarnation au. Figured I’d put it out there so you can request for them in this au.
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Artoria Pendragon:
She decends from a high ranking mage family that has been around for centruies
Although her sister Morgan is a far better mage than she is
She currently attends a private school in the English contryside, although later will studdy at the clock tower
So will her sister
They make an unstopable team
She’s a straight A student though
While her sister, Morgan, is very feminine and excells at mage craft, Artoria often struggles with feminine persuntes such as make up (Although she is fond of skin care) and prefers fencing to actual magic
As such she’s a member of her schools fencing team
Owns both the boys and girls uniform
Will switch between them depending on how she’s feelings
Most teachers don’t care but sometimes she gets yelled at for wearing the boys uniform
Highly gifted in classes surrouning English Litrature or the Dramatic Arts
Often auditions for the male roles
Although she doesn’t mind playing women
One year she played Lady Macbeth and got a standing ovation
Less talented in subjects like Maths
Due to her gentamanly manner she has gained many female admires due to her kindness and willingness to beat up a dude if he’s hassling someone
She also has many male admiries
However, most want to break her and make her into their little pet
We all know who I’m talking about right?
Friends with an Irish boy called Diarmuid
They form the gentamanly duo of the school
So many love confessions
This dude called Gil also likes to hang around them
It started as him trying to impress her but then he just kinda became apart of the group?
How did it even happen?
Unofrtunaly Artoria also has a few stalkers
Once again, we all know who I’m talking about?
At one point her father encouraged her to take their siduel but she declied as Morgan was a far better choice for the family head
I mean her magic is amazing guys
She’s a prodogy
In the future I see her becoming a teacher for both mage craft but also English and Swordplay
Even after graduating she continues her fencing as a hobby and travels to many locations with her two friends from school
Diarmuid Ua Duibhne:
His parents loved old knight stories, thus the name
While he isn’t much of a mage he finds magic facinating and found out about it by accident when he overheared Artoria talking to Morgan
That’s actually how they met
She made him swear on his life he wouldn’t tell and started hangging around him to make sure he didn’t
They became friends from there
His grades could be better but as long as he’s passing he doesn’t care
He’s actually very talented with words and writes rather romantic poetry
It makes Gil vomit
Artoria finds it sweet
He and Gil did not get along at all at first
You can’t treat Artoria like that damn it!
They eventually settle their diffrences
He palyed Macbeth alongside Artoria
And he was brilliant
Not as good as Artoria but still amazing
As stated before he’s one of the schools gentlemanly duo
Gets confessed to at least once a day
So gentle when he turns them down
People confess just to be tuned down so they can hear it
He’s so sweet
Has a crush on one of his upperclassmen for a few years
But she’s in a relationship
Don’t be that guy!
Actually has a rather nice singging voice
Yes he’s in a band
So many fangirls
Oh my god so many
In the future he persues his music career and gets signed rather quickly
Girls go crazy for him
Sells so well
Often uses his tours as an excuse to travel with his two friends
Gilgamesh:
Okay he forces everyone to call him Gil because he thinks his actual name is stupid
Who calls their kids Gilgimehs and Enkidu (His little bro)
an archilogist and a mage thats who
His mother is an archilogist and his father a mage
While he did inherit some magic from his father his brother is far better at it
That’s why he studies at the clock tower and Gil doesn’t
Doesn’t have to many friends at first
He’s up himself who would want to be friends with that?
Very do you know who my father is
fuck off mate
Great at history man
Great at most classes
Straight A student
Feels the need to make up for his failue as a mage to his father
At first he was a creep and flirted with Artoria because he wanted to be the guy to tame the lion
Once they’re friends it turns into a huge joke
Mostly
Now he kind of actually wants to date her? Maybe?
But he’s got a good thing going
A bit of a show off
This is where Diarmuid comes in
He’s like 80% of Gil’s impulse control
Joined a band and forced Diarmuid to join
He plays the drums
Lets him get out his agression
Can also play the guitar if needed
Not really interested in persuing a career in it though
Opens a restraunt instead
He themes it to babalon
His name is Gilgamesh might as well use it
It’s actually pretty sucessful
His first trip once out of school was a tour of all the areas that are recorded to be apart of Mesopatamia
Drags the others with him
This is all a huge joke to him
Hassan-i-Sabbah:
A member of an organised crime cindicate
Not much is known about them
He has a private tutor and rarely speaks to people outside his families circle
Very few friends
Thats about it
Lancelot du Lac:
Another famous mage family
Is tutored by his father for much of his life
He lives in a small town in France
Probibly like in Normandy or something
Met Artoria when he began studying in the Clock tower and the two became quick friends
Although he’s not apart of their trio when traveling he gets along rather well with the others
Although he does question Artoira’s friendship with Gil
Very talented at Mage craft
A bit of a perfectionsit
Might have a crush on Artoria but he’s not sure about if she likes him back
Or even is she likes guys for the matter
He’s a quiet dude and often prefres reading to going out drinking or anything with his freinds
And when he does go drinking with them he’s always the sober one that makes sure they don’t do the stupid shit they try to 
Artoria get down from that wall!
Gil don’t climb the tree!
Diarmuid I expected better from you
Honestly, he’s kinda just a good guy if a little nieve at times
Alexander the Great:
Yo, dude is popular with everyone
In school he’s kind of a history nerd
Loves history books
He was also a huge gamer
But he was popular because he was just so nice and cheerful most of the time
Not to mention he protected everyone!
Walk home all the people who feel scared
Seriously though
People come to him when they feel unsafe and he walks them home
Also flirts a lot
Pretty girls, cute and mature
Cute boys, he prefers them to be smol so he can pick them up easy but doesn’t mind if they aren’t
Just all the humans
You’re non-binary? He’s all about inclusion and acceptance you’re getting flirted with too!
He just loves everyone
(I mean he’s essentually canoncialy bi but I feel like he could be pan)
Once he graduates he enters his families buissness
They’re some really big company
And he becomes Jumin Han to C&R levels important
And what does he do with his money?
Spends it on others of course!
He’s a suagr daddy now
Most of the time it’s non romantic and non sexual sugar babies
But if he finds someone he likes he might persue something more with them
Just date the big guy, he’s a sweetie
Gilles de Rais;
Remember Artoria’s stalker?
This is him
He decends from a long line of mages
And studies abrawed at the English private school
Which is where he stalkes Artoria
He blood liniage intreegs him
Pendragon was an ancient king how can you not be facinated by a family sharing the name?
He’s very creepy
Later in life he gets involved in a murder and ends up in jail for life
Shirou Emiya;
....do I... Do I really need to write for him?
Medusa:
A half greek student at an Amrican public school
Got a big family
Her two older sister keep setting her up on blind dates
But the fact that she’s blind often turns people off dating her
Someone find her a nice partner
Please
She doesn’t deserve this
Friends with a boy called Heracles who lives down the road from her
She got lost once and he helped her home
He’s actually rather sweet, if a bit short tempered
To bad he has a girlfriend right
Or well that’s how her sisters see it
She doesn’t talk to much
Enjoys scilence
Finds it easier to read
She’s obsessed with Homer’s epics and Greek mythology
It’s where she got her name from after all
She loves kids
Plans to go into child care in the future
Heracles:
His parents are imigrants to America
Their lives were hard but they don’t want his to be so they work so hard
Heracles is very thankful for this
He’s got a bit of an anger issue but he’s been working on it and he’s getting better!
You go baby! you got this
Not the best in schools
He struggles to read and pay attention in class
His girlfriend helps him study so he doesn’t fail
Speaking of girlfriends!
Meg is a sweet girl who’s family are pretty well off
Heracles often wonders why she’d pick a guy like him when she could have had so many guys
It’s a sweet relationship and they end up getting married after graduating
Cu Chulainn:
His parents were obsessed with Irish mythology
And he embraces his name! Unlike some other people we know
That’s right Gil!
Cu is judging you!
His family traveled around a lot when he was younger but they ended up setteling down in the English contryside
While he doesn’t attend school with the trio he sees them in town a lot
Its a small town
Where else will they go
Admires Artoria and Diarmuid and Artoria’s ability to be gentlemen
But also admires Gil’s ability to be a dick and somehow still get the ladies
Sometime he talks to them
Specificaly when they come to his families store
They run a magic/spiritual shop
What you thought this kid was normal?
He’s the rencarnation of the son of the god of fucking light
ain’t no way this kid doesn’t have some magic
On the topic of his magic
I have this headcannon that there is a magic like that we see him use in the anime but most don’t use it anylonger due to it being old and the need for fay blood to use it
Well guess who can use it
That’s right this mage family!
He’s rather talented in it but the style is looked down on most mage families as it’s viewed as primitive
Fuck you he’s gonna brun down your whole hose with one movement!
Cu is actually rather popular with them ladies
He’s a bit of a bad boy, ya know?
But as soon as he’s in a relationship boy is loyal
Although there are many temptations
Medea
Oh my pour child!
She needs a break
She get’s one
You don’t have to marry Jason in this life
Aphrodite can’t touch you here
Another mage
She studies at the clock tower and confesses her atraction to Artoria early in her first year of knowing her
Of course Artoria lets her down gently
They stay aqucainted
She’s extreemly talented
Prodogy child
But has a bad habbit of dating guys that are rather cruel
Someone get her a best friend to smack some sense into her
She ends up as a teacher at the clocktower when she graduates
Sasaki Koujirou:
His family runs a sword fighting school in Japan
They’re proud of their linigae
Claiming to be able to trace their family line back centuries
And that it’s full of amazing fighters
He’s a rather talented fighter and proud of his family name
Many of the people he attands school with admire his dedication
Another who get’s many confessions
He’s just so cool and colected
Hard to not get a crush on him
While he’s gone on a few dates with the people who confess to him he’s never felt a spark
he’s sure when he meets the one he’ll feel it
Belives very strongly in soulmates, you see
Spends most of his free time at home
His family are really traditional too, so no shoes in the house
He wears a kimono a lot
They own an old house too
Like the Emiya estate
So he speands a lot of his time doing things most would consider boring or useless today instead of say watching TV
Dude parctices calligraphy for fun
He’s pretty odd in that sense that at home it’s kind of like a diffrent century
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