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#also ignore the mistakes lol
hammysamhah · 6 months
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something great i had to make cus kevin hart voices george in the movie
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klokaqueer · 1 month
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✦ Dethklok Kewpies ✦
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goldenkenku · 11 months
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BLOOD ON YOUR HANDS
- (Don't tag as ship btw)
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carlyraejepsans · 1 month
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i wish i had more energy to draw and plot lately i NEED to make the insane daemoverse flowisk situationship real. i need you guys to see my vision
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sentientsky · 5 months
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tah-dah ✨✨ Crowley in casual wear, as requested by @fearandhatred (ty for the brainworms. i’m in tears). this is more of a loose sketch bc I’m very busy, but whatever lol
(also, i’m obsessed with the idea of Crowley being so stressed that he self-actualizes the growth of grey hairs)
alternate/meme versions below the cut
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screamingallium · 7 months
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sorry im just thinking about forever and bad again, and especially forever's return from the nether. do you think that they'll be told he's back by the feds? do you think they'll just somehow know?
whether forever returns with the eggs or not, do you think there will be a frantic server of people searching for him as soon as they realize? do you think bad, baghera, pac, cellbit and bagi will be the most frantic? pac, bagi and bad huddled in a group, trying to reassure the demon that they'll find forever. bad who keeps doubting this is real but wants to believe so badly that forever is back. he still needs his flowers. it's certainly not because of the ache in his chest that's been there since forever disappeared.
do you think they all rush to the order just to see him trying to stumble his way away from the portal? mutliple people rush forward first, eager to check on him and to assure that he's safe. is he okay? did he find the eggs? what happened? why did you go alone? were you forced? a veritable waterfall of questions and statements.
the only thing that bad can do is stare for a second, he wonders if this forever is real. he lurches forward, steps unsure and eerily silent as the president is bombarded with questions and almost touches to try and check for wounds. the only thing bad can do is move forward and bring forever into a hug. bad's face tucked into the ash covered, burnt fabric of forever's ruined suit. they crumple to the floor before anyone else joins them.
it makes him a hypocrite, both of them really. to say never do that again. not alone. please. the unspoken 'i can't lose you's and the care. bad does not cry, maybe forever does. but they sit there together for a while. others join the hug eventually, baghera, pac, cellbit, bagi.
they all just sit and revel in the fact their friend is back.
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wiseatom · 1 year
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hello !! byler with prompt 11 for kisses prompts maybe :)??
thank you for the prompt!!! this super got away from me, but i hope that you enjoy, and that it fits the prompt in a way you had in mind!!
kisses prompts #11: welcome home kisses
Objectively, nine hours is not a long time. Will knows this.
He’s tried to rationalize it every which way, every day of the week: it’s a single-digit number, he reminds himself, when he wiggles out of Mike’s arms in the morning and forces himself out of bed. It’s not even half of the hours that make up a day, he thinks, every time he glances impatiently at the clock on the studio wall and finds it’s still ticking that same, steady speed. You are being a giant baby, he chastises himself, out loud, when the traffic on the way home turns nine hours into nine and a half and makes him want to tear his hair out. 
Subjectively, nine hours is the longest amount of time in the world when every other hour of your day is spent with Mike Wheeler, and nearly every one of your days has been spent that way since kindergarten. 
(So he’s kind of dramatic. Will knows this, too.) 
It’s Saturday, which is Will’s Friday, and Mike’s everyday, because when you have the luxury of (kind of) being your own boss and (kind of) working out of your own home, you (kind of) get to set your own schedule. Will is both (kind of) jealous at the flexibility and (very) grateful that it allows for a more instantaneous reunion when he finally arrives home every day, nine hours of work and traffic behind him. It’s the promise of that instantaneous reunion that gets him up both flights of stairs to their apartment, feet (kind of) dragging and (very) tired and his heart (kind of, very) aching because he’s dumb and misses his boyfriend after nine hours. 
(Nine and a half.)
It’s fine. It’s fine. He’s at their front door, and he’s already got his keys out, and he sticks the right one in the lock on his first try, and he opens the door and he’s ready to be greeted by his boyfriend when–
Said boyfriend nowhere in sight.
Will frowns, toeing his shoes off and setting his keys down in the dish they have on the hallway table, a clatter ringing out as they settle into the glass. The lights are off, but the entire apartment is bright with the yellow-orange glow of the setting sun, streaming through the window with such intensity that it looks like streaks of fire tear through the room, patches of it setting the carpet and the empty couch and coffee table ablaze. He steps further inside, and the cat comes to greet him, rubbing her face up against his leg and purring loudly. At least someone cares that he’s home. He stops where he stands, letting her do a few figure-eights between his legs before he reaches down to pick her up, cradling her against his chest. She lets out a happy meow and nuzzles into him, and he scratches behind her ear as he wanders into the kitchen, just as Mike-less as everything else in his line of sight. 
Objectively: this is fine. Mike does not need to wait by the door for him. Mike doesn’t need to drop whatever he’s doing to greet him the moment he gets home. Nine hours is not a long time. 
Subjectively: this is not fine. Mike should be waiting by the door for him. Mike should be dropping whatever he’s doing to greet him the moment that he gets home. Nine hours is too long to be apart, and Will is going to lose it. 
“Your dad sucks, Carrie,” Will says scornfully to the cat, flipping the kitchen light on and then glaring down the hallway to the office door, where he assumes Mike is holed up typing away at the computer, careless to the fact that his boyfriend is withering away in their very own kitchen from attention and affection deficit. 
Carrie, who does not care that her dad sucks, rubs her head against his chest, which does not solve the her dad sucking problem, but does serve to make him wither just a bit less. 
Whatever. Whatever. Who needs Mike, anyway? Not Will, who has very bravely survived the last nine and a half hours without him. He has a cat who adores him. He has a hand that’s cramped from drawing animation cels all day. He has… a box of Kraft mac and cheese in the pantry, he’s pretty sure. He can make this work. 
He goes to put Carrie down, but she promptly screams the moment she’s within three inches of the floor, so it looks like he’ll be cooking one-handed, then. Thankfully, his instinct about the mac and cheese is correct – there are actually two boxes, which is great, because then Mike can make his own damn food once he finally decides that Will is important enough for his time. The thought makes him scowl again, and when he retrieves a pot from one of the lower cabinets, he makes sure to clang and bang it into every other pot beside it, making as much noise as possible.
The ruckus makes Carrie dig her claws into his shoulder, but even after waiting a minute, Mike doesn’t poke his stupid head out of his stupid office. 
Stupid, Will thinks, slamming the pot into the sink and startling Carrie enough that she launches herself out of his arms, pushing off and away from his chest with all the force her little body can muster. All twelve pounds of her momentarily wind him anyway, and the sound of the bell on her collar jingles cheerily as she darts away from him. “Shit,” he mutters, pressing his hand to his chest where her claws dug into his skin through his sweater. He turns the tap on with more force than he intends to, scowling some more as water begins to fill the pot.
“Stupid,” he says out loud, under his breath, once the pot is full enough. He transfers it to the stove, flicking on one of the burners and reaching for the salt. He glances back to the hallway, where the door to the office is still closed. He nearly empties half of the salt into the water with how aggressively he’s shaking it. It has been nine hours and forty minutes, but he’s not counting. “Stupid,” he mutters again, and turns his attention back to the pot.
His mother’s voice comes to him, soft and kind: a watched pot never boils. Will huffs, crossing his arms and leaning against the counter opposite the stove. He sneaks a glance back to the office door, still closed, still no signs of life from beyond. A watched door never opens, his mother adds gently. That’s not even a saying, he shoots back, and then, quieter: sorry, Mom. I love you. 
She doesn’t respond. The water isn’t even simmering yet. A teeny, tiny bell jingles somewhere in the distance. The office door stays closed.
Objectively, Will is going insane.
(Subjectively, Will is going insane.) 
The thing is – yeah, he could march right down the hallway, bust down the door, and demand that Mike pay attention to him. He knows this, because he has done it before, and at that, often, and he has a 100% success rate of immediately distracting Mike from whatever it is that he’s doing and getting his undivided attention. It’s not at all a matter of whether or not he can.
It’s that he shouldn’t have to, because he was the one who sat in traffic, and he was the one who had to interact with other people, and he was the one who had to draw the same stupid lion over and over and over again, and he was the one who had to be away from home for nine hours, give or take. He worked all day. He shouldn’t have to work again just to get Mike to welcome him home. 
“Stupid,” he says very neutrally, not at all mad, and the loudest he has yet, speaking in the direction of the hallway, ringing out through the kitchen. Carrie sneezes twice. The water starts letting out a hissing sound from where it sits on the stovetop. A minute passes, bringing his running total up to nine hours and forty five minutes. 
Why would the office door ever even consider opening?
“So much for honey, I’m home,” Will mumbles, scathing, under his breath. The water finally rises to a boil, and he tears the top off of the Kraft box, flinging the torn cardboard somewhere on the counter. He does the same with the little packet of cheese flavor, though this toss is more careful, since he’ll actually need it later. Then he’s pouring the macaroni into the pot, and the office door still hasn’t opened, and he grabs a spoon from the pot they keep next to the stove, and every door in the apartment is still closed, and he starts to stir the noodles around, and there are still no doorknobs turning and hinges creaking and boyfriends leaving their fucking offices.
It’s fine, it’s whatever. Seriously. He’s not even mad, really. Nine hours and forty eight minutes without seeing his boyfriend, but what does it matter, right? Fucking objectively, that’s not even a long time, something most people wouldn’t even blink at–
The office door opens. Several more jingles ring out, timed with every little step Carrie takes to go greet her stupid, sucky dad. Will focuses every ounce of attention into stirring the noodles, and resolutely does not glance in the direction of the hallway. 
Mike coos at the cat. Seriously? Will thinks. 
“You’re home,” Mike says, as if this has not been the case for the last, like, eighteen minutes. And it’s like – okay, Will doesn’t know exactly what time it was when he got home, but eighteen minutes feels super right, and either way, it doesn’t matter, because there were at least nine entire hours before those eighteen minutes where they were forced to be apart by the cruel twist of fate. It’s certainly not Will’s fault that Mike decided to be crueler and twistier by enforcing an additional eighteen minutes onto their sentence.  
Stupid. Stupid, stupid, stupid. 
“Yup,” Will answers, clipped, mouthing popping on the p.
If Mike notices that Will is absolutely-not-at-all-pissed, he doesn’t care. “I missed you,” he says, all soft and sweet, and before Will can tell him to fuck off, because if he really missed Will, he would have been out here eighteen – nineteen – minutes ago, he’s coming up behind him, stepping into his space. His palms come to rest on Will’s lower back, sliding up and over his hips and stomach as his arms come to wrap around Will’s entire middle, pulling him back into Mike’s chest. He hooks his chin over Will’s shoulder, nuzzling into Will’s neck. “What are you making?” he asks, breath puffing out over the exposed skin at his collar. 
Oh, right. This is why he was so mad – the closed door meant he didn’t get this, Mike touching him and talking to him all sweet and lighting up at seeing him. Objectively, it’s a nice thing, to be wanted like this, held like this, loved like this.
Subjectively, he’s still pissed that he could have had this twenty minutes ago. 
“Mac and cheese,” he replies. He is horrified to hear that his own voice mirrors Mike’s, subtle and fond, that harsh edge Mike sidestepped smoothed over just with one touch. 
You’re better than this, he chides, trying desperately to channel the annoyance that has been by his side since he stepped in the door. 
“Gourmet,” Mike teases, swaying them back and forth, still hunched over him from behind. The comment should stoke the flames of his anger, but it’s hard to focus on that blaze when everywhere Mike is touching him feels like a thousand tiny fires of their own, burning and bright and scorching, just like the sunlight earlier. It is hard to be anything but delighted in their warmth.  “Enough for both of us?” 
You’re not, he reminds himself, all of the madness from earlier starting to scorch itself away. You’re really, really not. 
“‘Course,” says Will, light and easy, stirring the noodles. They might almost be done, by now. It doesn’t matter, because they are less interesting than they were thirty seconds ago. He sets the spoon aside and twists in Mike’s arms, lifting both arms up and wrapping them around Mike’s neck. One hand comes up to his nape, thumb brushing through the hair that curls there, while the other hangs off his shoulder, ready to go back to stirring if needed. He allows himself a moment to stare, studying Mike’s face for new freckles or signs of aging that may have happened in their awful, arduous nine hours and forty eight minutes apart. Then, because he has to, he says: “I’ve been home for twenty minutes, you know.”
Mike hums. “Have you, now?” he asks, and there’s a quiver in his lips that is just this side of too amused, and Will hates him, hates him, hates him. 
“Yes,” Will replies, haughty, swiftly reminded of how much Mike sucks, and is the worst, and doesn’t deserve any of the covers tonight. Not even a scrap. “And where were you?”
“I already answered that,” Mike says. His voice has dropped, still soft, but a little rough around the edges. Carrie lets out a mewl by their feet. Will should probably stir the noodles. He doesn’t move, except for his thumb, still tracing a path through Mike’s hair – back and forth, back and forth. 
Will wracks his brain for the answer Mike claims he’s already spoken, but his thoughts are sluggish, gone slow from the exchange of heady oxygen between their faces. He can’t recall anything. 
“When?” he asks, dazed.
Mike lets his smile run loose. “When I said I missed you,” he responds. He runs his own thumb along the dip in the small of Will’s back, the movement searing, even though the wool of his sweater. “That’s where I was. Missing you.”
Objectively, that doesn’t make sense. If he were missing Will, then he would have greeted him at the door, waiting there for Will to get home just the way Will had been hoping he would be from the moment he cut the engine in the parking lot. If he were missing Will, he wouldn’t have let the cat be the first to greet him, wouldn’t have let Will stomp around the kitchen and bang pots around and say the word stupid so many times that it stopped feeling like a word. 
Subjectively, Will stopped caring about the details of it all the moment Mike wrapped his arms around him. 
“Stupid,” Will mutters a final time, just for good measure, before pulling Mike’s face down to meet his.
When their lips brush, every single minute of their nine hours and forty eight minutes apart suddenly becomes worth it – the exile from bed that morning, the repetition of drawing the same cel over and over again, the ticking of the studio clock, the frustrating, non-movement of the traffic on the way home. They were all worth it, because here is Mike, with his chapped lips and his warm hands ready to reward Will for it all, to welcome him home without punctuality, but with a whole lot of personality. His mother’s voice floats back into his head, still soft, still kind: absence makes the heart grow fonder. Will laughs, right into Mike’s mouth, the kiss breaking with it, and thinks, go away, Mom, please, before pressing back into Mike with intention, insistent. Mike lets out a little giggle of his own, breaking it apart a second time.
“What are you thinking?” he asks, mumbling, muffled only because he won’t dismantle the kiss fully, and Will’s own lips are stopping the words before they can get all the way out. 
Will blows out a puff of air, which makes Mike pull back, a bigger laugh spilling out of him. “Stirring the macaroni,” Will answers, because he’s not about to tell Mike that he was thinking about his mom while they were kissing. Before Mike can answer – or call him on his bullshit – Will swivels back around, retrieving the spoon from the counter and giving the macaroni one last, halfhearted stir before he’s moving it off the burner entirely and turning the stovetop off. 
“Very mindful of you,” Mike comments. He stays attached while Will grabs the pot and turns around towards the sink, both of them somehow sidestepping Carrie, who is still hovering by their feet. 
“One of us should be,” Will bites back, but it’s a playful thing, and Mike knows it. Will reaches up to the pot rack that hangs above the sink to grab the strainer, and makes quick work of letting the water wash down the drain. Normally, he’d carry on, would move to grab the butter and milk from the fridge and the abandoned cheese flavor packet from the counter, but Mike is (kind of, very) preventing that, so he leaves the strainer with the noodles in the sink and turns back in his arms, smiling up at him. 
“Yeah?” Mike asks, also clearly not caring about the mac and cheese anymore. He lifts one of his hands to Will’s face and runs his thumb over Will’s upper lip, smoothing over the hair there. “You gonna shave this off, then?”
Will actually does scowl at him, now. “You like the mustache,” he says, and it is meant to be a defense, but it comes out as a demand. 
Mike laughs again. “I like you,” he corrects. His thumb does another pass, sweeping over the hair again before trailing down to Will’s bottom lip. Will shudders. 
“You love me,” Will revises, more correct than Mike’s correction. Mike’s thumb stays on his lip as it moves with the words.
“I love you very much,” Mike confirms. He brings his other hand up to cup at Will’s face, and he cradles it in his hands as he tilts it back so that he can kiss Will again, dry and warm and just as much his home as the walls around them and the cat with her belled collar dancing at their feet and the macaroni sitting in the strainer behind them. He pulls away too soon, but it’s to plant a kiss at the corner the corner of his mouth, the apple of each cheek; to trail them along his jaw, behind his left ear, and then along and behind his right; and all the way, between each one, two words: “Welcome home.” 
Objectively, he’s a little late with the sentiment.Objectively, the macaroni is getting cold, and it’s going to be hard to mix in the cheese flavor. Objectively, just like one of her fathers, Carrie is quickly approaching the point where she is not going to take kindly to getting ignored much longer.
Subjectively, Will doesn’t care, and pulls Mike’s mouth back to his.
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lynxbabey · 11 months
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TANGLE!!!!!! Turns out my local library has some sonic stuff (and i managed to get my hands on vol 1 of the idw whatever the hell comics the other day!!!! i absolutely adore this lil lemur :3 :3
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cowardlybean · 6 months
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some inktober works from class plus extra doodles while I recover from the evil artblock
(do NOT. Tag as rei//m0b.)
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meavitamin-notes · 11 months
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the unwilling Accomplice and the Mastermind
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orphicauroras · 8 months
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Each one of their requests had gotten more and more absurd, and Nesta might have felt like they were exploiting the House had it not been so.. exuberant in answering their commands. Adding creative flourishes
I just love how the House spoils Nesta, Gwyn and Em.
I can definitely see them discussing smutty books and in the middle the house just dumps it's favorite and joins in the discussion. From then on Nesta starts recommending the book she reads to the House and the House in return.
I can also see the House helping Gwyn in writing the Valkyrie book. It would provide a safe space for Gwyn to write without anyone bothering her. Nesta and Em would find her munching on cakes besides books about Valkyries courtesy of the House.
The House would provide Emerie with books of farming and Illyrian history. And every time Em visits she would find a small bag of spices beside the table with some seeds.
@officialvalkyrieweek
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glitter-alienz · 8 months
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Ov baxter, xeinos and bishop doodle dump :3
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(they're in an elevator, they would never stand beside each willingly)
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she's so close to just beating the fuck out of him
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they're best friends (they hate each other)
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bishop (joke) eye reveal + baxter with different hair
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theboyskisser · 28 days
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Dude just wants to sip his tea in peace
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lhazaar · 1 month
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hey. i'm turning my chair around and sitting in it backwards now because i want to speak specifically to people with ocd. this is a targeted post and is not meant to apply to the userbase of this website at large or to serve as a policy decision.
hi. do you know what scrupulosity means? it is a strong, intense, often painful concern about morality or religion. it's very common for religious people with ocd, actually—the fear that you've sinned, that you will sin, that your thoughts themselves are sinful. you're afraid of being an evil person. every thought and feeling you have is scrutinized to exhaustion in case it's proof that you're evil. this also happens for non-religious people with ocd, it's just that ours will look different; it's often a preoccupation with social justice issues. you care a lot about being a good person, right! most people do. you want to be a good person, you want to be kind to others and to dismantle oppressive systems where you can. i'm making some assumptions here, but they're based on my specific audience base.
so, there's this thing that happens online, especially on tumblr and twitter—not because bluh bluh platforms bad, but because of the ways in which information is propagated on here. people used to tag for these posts sporadically but don't do so as much anymore. you know posts that exhort you, the reader, specifically, to take action? they tell you not to look away, not to bury your head in the sand. they tell you to give and to agitate and to donate time, money, resources.
those posts used to make me intensely, deeply anxious. i don't mean mild agitation, i mean life-ruining, day-occupying panic that seizes your entire body, and thoughts that don't leave your brain. guilt that paralzyes you because you, personally, cannot go kill the politicians responsible. you don't have enough money to do more than donate a few dollars, and sometimes you don't even have that. but because of where you live, because of the fact that you have internet access and you're literate enough to read these posts, you know that you have a level of privilege that most people never will. you're aware of that privilege because you're reasonably in-tune with social justice movements and you've probably spent some time dissecting your own privilege to examine your biases. (that's not a bad thing; i'm not here to condemn that. stay with me, if you can.)
there's a thing that can happen if you've lived with ocd like this for a long time where you become kind of incapable of telling what's addressed to you personally and what isn't. everything feels like a personal exhortation. you have trouble saying no, or knowing when you're overextended, because other people have it worse. how dare you enjoy relative comfort when people are being bombed or drowning in a climate change -induced flood or being crushed to death in a crowd panic. how dare you not be aware of it at all times, always, constantly. how dare you look away. don't look away.
i want to tell you about something i went through, if that's okay. a lot of people who follow me will already know this, but i haven't talked about this aspect of it very much publicly. in 2020, while visiting my partner in southern oregon, we had to evacuate from wildfires twice in under 24 hours. that was a really, really bad fire season, caused and perpetuated by a combination of global climate change and colonialization practices that destroyed traditional indigenous fire management strategies across the west coast of north america. fires stretched from bc to california. we wound up fleeing south, and then had to flee back north again, hemmed in on three sides. i flew back home to bc shortly afterwards, and i have this vivid, awful memory of seeing my home mountain range, the cascades, choked out with smoke from the window of an airplane. the woman in front of me sobbed the entire time until we touched down.
i remember thinking at that time that it was insane the entire world wasn't stopping. what i was experiencing was apocalyptic in scale—the fire we ran from the first time was part of a complex that chewed up entire towns. it wasn't the first fire season, nor the worst for the continent, nor the world. but all i could think in the moment was why aren't we doing anything, this is going to be all of us in a decade, why are people looking away.
if i had gone online and posted that, it would not have been morally wrong of me. there's no ascribing morality to a reaction like that. i mean, if i'd gone to someone who suffered in the years prior in australia or california and told them that ours was So Much Worse, that would have made me an asshole, but i didn't do that. i made some upset facebook posts targeted at the trump voters in my family, but i had no way to express at the time the sort of clawing panic of WHY AREN'T PEOPLE DOING ANYTHING??
the answer to that, which you probably know, is: what would they have done? we were sheltered by friends we evacuated with, but what power did a mutual in new york or wales or singapore have to affect a wildfire in oregon?
so, come back to the present day with me again, if you will. i said above that posts worded like this used to make me really, really anxious. in the span of time after the fire, i developed ptsd, and my ocd ruined my life. i took an extra year to graduate after i'd finished all my coursework because i could not send in the forms required. i was too busy spending 10-16 hours a day rearranging furniture in my room, or lying in bed, full-body tense, until it felt like my teeth would crack from the pressure. i'm medicated now. i'm grateful for it. i have more tolerance for these posts because i've been there. i know the op isn't doing anything wrong, because they're not wrong. why isn't the world stopping to look at a natural disaster, or a genocide? the world should not be like this.
you are not the world. you are someone with a brain that will torture you to death given the chance. you know how learning to reckon with your privileges, whatever they may be, requires you to not try and escape them? you need to be able to hold in your head that yes, you benefit from something that isn't fair; yes, other people should have that benefit, and that they don't is unjust. but you need to, for example, not try and weasel your way out of being white because you're uncomfortable with the guilt that it produces. you need to not go online and say well not ALL americans because you can't sit with the idea of being complicit in american imperialism. if you have ocd, you need to apply that to your own brain, too. you need to apply it to every post that you see. you need to know that people are not speaking directly to you, they are crying out in pain and fear. they are not doing anything wrong. they are scared and hurting.
they do not benefit from you taking on all the guilt of that fear and pain. i am not saying this to absolve you of the guilt. i am saying that you need to be able to exist with that level of guilt without allowing it to paralyze and destroy you. if you can't do that right now, i'm not here to cast judgement on you. blacklist phrases. i had "wildfire" blacklisted for a long time. i'm sure i missed aid posts because of it. the alternative was me being nonfunctional. for a long time, i had donation posts blacklisted across the board, because the way my ocd worked meant that i was neurologically incapable of knowing where my own limits were, and i would give money i did not have. if you need to do that, this is me giving you permission. doing this does not make you evil. it does not make you morally bankrupt. it makes you someone whose brain is trying to fucking kill them, and the world needs you to not let that happen.
this is not a post about how you're exempt from caring about the world if you're mentally ill, it's about how you cannot apply that care to anything useful if you're having massive panic spirals every other day about the guilt that you feel. your guilt should not rule your life. if it does, i say this kindly, but you very likely need medication. i'm sorry if you don't have access to that right now. you cannot think your way out of ocd. you cannot think your way into stopping neural activity. you cannot guilt your way into being a good person; you have to be able to exist with the guilt and not let it rule you in order to do that. nobody benefits from your brain trying to martyr you in the name of solving the world's suffering.
you need to be able to function, free of crushing and paralyzing guilt, before you can help anyone. you are not an effective ally like this just because your brain tells you that it's necessary.
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merymoonbeam · 1 year
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Völuspá
here is a thought. I can't be bothered to make this pretty so bear with me here.
Hosab ended with Azriel taking Bryce to the Town house which was empty in Acosf. Nobody lived there.
He gave no warning as he hauled her over a shoulder and tromped down a set of stairs before entering somewhere … nice-smelling. Roses? Bread? They ate bread in Hel? Had flowers? A dark, cold world, the Asteri had said in their notes on the planet. (hosab)
“But why live in this dump, when the town house was sitting empty?” (Acosf)
But in hosab there is clearly someone living there with the fireplace going and the house smelling like bread and roses. The question is who? (I made a post about how it might be Elain living there.) and how sarah is going to tackle this crossover in acotar world?
my take on this is that sarah seems to LOVE Norse myth and heavily inspired by it. There is a famous poem in Norse myth called Völuspá.
Vǫluspá (also Völuspá, Vǫlospá or Vǫluspǫ́; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the Poetic Edda. It tells the story of the creation of the world and its coming end and subsequent rebirth, related to the audience by a völva addressing Odin. It is one of the most important primary sources for the study of Norse mythology. The poem is preserved whole in the Codex Regius and Hauksbók manuscripts while parts of it are quoted in the Prose Edda.
The poem is told by Völva(a seeress) to Odin about the creation of the world, it is end and rebirth.
who is a seer? Elain.
What created the acotar world? Cauldron
Who is cauldron obsessed with? Elain.
Who is rebirth? Elain. (?) if we take the book of breathings prophecy as Feyre= Life, Nesta=Death
Life and death and rebirth Sun and moon and dark Rot and bloom and bones Hello, sweet thing. Hello, lady of night, princess of decay. Hello, fanged beast and trembling fawn. Love me, touch me, sing me.
So is she gonna use Elain's book to tackle this creation of the world and it's end and "rebirth"? Does Elain's book take place before cc3 or it is gonna happen at the same timeline?
Now that's out of the way. We have Odin right? Völva tells the story to Odin.
In the poem Völva tells something to Odin about his eye.
The seeress then reveals to Odin that she knows some of his own secrets, and that he sacrificed an eye in pursuit of knowledge. She tells him she knows where his eye is hidden and how he gave it up in exchange for knowledge. She asks him in several refrains if he understands, or if he would like to hear more.
Does it seem familiar? In koschei tales koschei hides his "soul" and there is a whole thing about it.
The most common feature of tales involving Koschei is a spell which prevents him from being killed. He hides his soul inside nested objects to protect it. For example, the soul (or in the tales, it is usually called "death") may be hidden in a needle that is hidden inside an egg, the egg is in a duck, the duck is in a hare, the hare is in a chest, the chest is buried or chained up on a far island. Usually he takes the role of a malevolent rival father figure, who competes for (or entraps) a male hero's love interest.
And in Acowar Elain knows about Koschei's box of black stone.
Elain paused halfway up the stairs. Slowly, she turned to look back at him. “I saw young hands wither with age. I saw a box of black stone. I saw a feather of fire land on snow and melt it.”
Elain shifted her face toward him. Another blink. “They sold her—to … to some darkness, to some … sorcerer-lord …” She shook her head. “I can never see him. What he is. There is an onyx box that he possesses, more vital than anything … save for them. The girls. He keeps other girls—others so like her—but she … By day, she is one form, by night, human again.”
Another thing in the poem is that there is horn.  Heimdallr's horn, Gjallarhorn.
Later in Völuspá, the völva foresees the events of Ragnarök and the role in which Heimdall and Gjallarhorn will play at its onset; Heimdall will raise his horn and blow loudly.
Heimdall's horn, which will announce the final battle, is hidden under the sacred tree, where we find another curious object, Odin's eye.
Who has the horn tattooed to her body and fell to Acotar world? Bryce.
That's about it. Looks like Sarah wants to write Ragnarok :))))))))))
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sindumpster · 8 months
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A creature I doodled while whale watching. Lovingly referred to as “an abomination” whenever others asked what I was drawing.
Also made the rookie mistake of forgetting my sketchbook so. Drawn on the back of a kid’s activity sheet with a ballpoint pen and pencil that couldn’t erase. Unintentional but fun challenge mode lol
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