What is the antisemitism in TUC season 1? Does it have to do with Wally the golem?/gen
[ID: an ask from an anonymous tumblr user that reads "would love to hear more about the antisemitism in unsleeping city! was a while ago that i watched it and can't remember what you might be referencing but definitely want to be aware of it.]
no, it's not about willy the golem -- i actually think willy is a great addition to the season (even if i wish we got to see more of him), and an indication to me that brennan/the showrunners were definitely trying to be sincere and inclusive. i want to make it clear that i don't think anything antisemitic in tuc is there intentionally; i think it's there out of simple ignorance, which is also why i think fans don't frequently see/comment on it either. but i don't think that's an excuse, either.
my grief with tuc1 is largely centered around its portrayal of robert moses as the villain. especially by making him a greedy, power-hungry lich working en league with bloodsucking vampires. (also his mini is literally a green skinned skull man in a suit. yikes.) here's the thing; i know robert moses was a real life horrible person, who actually was racist and powerhungry etc etc. and i know that robert moses, the real actual person, was jewish. my grief with tuc1 is not that they chose to use robert moses over literally any other person (real or fictional) to be their season villain (though i'd be really curious to know what tuc1 would have looked like with a different villain), but that they chose to take a real jewish person, turn them into an antisemitic caricature, and then only barely add other portrayals of judaism to balance that out.
like, tuc isn't completely devoid of other jewish representation. as you mention, there's willy the golem -- and again, i really like willy, and i love that it's a portrayal of a golem that's faithful to jewish folklore (ie as a benevolent, guardian construct rather than a mindless destructive monster. i am not a fan of how 'golem' is so frequently misused as a generic enemy creature in other fantasy and ttrpg spaces, including other seasons of d20). but as i said earlier, i wish we see more of him in the season, because he's not around very much, and feels a little more like worldbuilding than a full character to me. also, he's not human. jews are people.
the only other human jewish character in tuc1 is...stephen sondheim. which, again, yeah, that's a real person who really was jewish. but i really wouldn't blame you if you had no idea of that when watching tuc1. maybe from the name you could guess he might be jewish, but i don't think people ought to make a habit of trying to 'clock' someone being jewish by having a 'jewish-sounding' surname. as he's portrayed in tuc1, you'd never know he's jewish, unless you happen to already be pretty knowledgeable about the man in real life. it's far more likely you'll know him as a theater legend than anything else (may his memory be a blessing).
now i'm not saying that brennan or the showrunners should have played up the jewishness of Real Person Stephen Sondheim to counterbalance the depiction of robert moses; that just feels weird to me, especially considering that sondheim was literally alive when tuc1 was filmed and released. it's a tricky thing to portray real people in fiction alongside made up characters, especially when they are contemporaries, and i don't think 'outright caricature' is the way to go about that. nor do i think that moses' jewishness should have been played up at all, because again i don't think that would have been particularly true to the person/character, and also Fucking Yikes. but, c'mon, if you hear the names 'moses' and 'sondheim' next to each other, which one do you associate more with judaism?
and as it stands, these are the only representations of judaism in tuc1. one admittedly nice but very minor nonhuman character; one human character you'd never be able to tell was jewish; and a third human character who, while never explicitly referenced as jewish, plays into some really hurtful antisemitic stereotyping. and it was a choice to not include anything else. maybe not a deliberate one, probably more likely one made out of simple ignorance than anything else, but a choice nonetheless. in a city with one of the largest and most visibly jewish populations in the country, and a culture that is inextricably influenced by that jewish population. a jewish population which has been and continues the target of rising hate crimes for years. i know that nyc means different things to different people, and everyone's nyc is their own -- but my nyc is jewish, and it sucks that that its jewishness is referenced directly in only one very minor way, which is greatly overshadowed by its, in my view, really insidious indirect references.
i don't know exactly how to go about addressing this. obviously, the show can't be changed by now. even if it could, i think the final product would be very significantly different from what it is now if the villain was something/someone else. i think including more references to jews in new york, more (human) jewish characters, hell, even mentioning hanukkah celebrations and menorahs in windows (it takes place in late december, after all; depending on the year it's not at all out of place for hanukkah to coincide with xmas!) would help. having literally any more positive jewish representation in tuc1 would, i think, help balance the bad stuff that's there. because, yeah, robert moses was real and he was terrible and he was jewish. but he's one jewish guy in a city with over a million jews, the vast majority of whom are just normal people. i don't want him to be the only vision of us that people get, in tuc1 alone or in any media. i'm not saying that jews can't or shouldn't be villains in fiction; but especially if you are a goyische creator, you should be really careful in how you're portraying us, and if there are other contrasting depictions in your work, too, in order to not (even accidentally) demonize jewish people as a whole.
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Momo confirmed: there can never be a Banri-centric three:vale
And actually, his logic behind this is really interesting. Because at it's heart, the difference is that with Banri, Momo could never have formed the same sort of codependent relationship that he does with Yuki. Banri is capable of taking charge and taking care of himself, and so Momo wouldn't feel the need to step forward and try to help him.
Hell, it's only after he realizes that no one's taking care of Yuki that he reaches out to him in the first place. Momo establishes very well in Re:member that he needs to feel needed and useful to feel loved, or to express his love, and Yuki lets him do that in spades. Banri, though. Banri doesn't need someone to dote on him (or at least so judges Momo) and therefore Momo's acts of service (his declarations of love) are unwarranted at best and unnoticed at worst.
Whether or not this is actually true is a whole separate question. Banri does seem to rely on Momo when he's helping them out backstage (Momo valiantly kills the dreaded spider for him) -- but he does it in a moderate sort of way, taking the time to make sure Momo's not overexerting himself (ie, when he's lugging around more equipment in one trip than he probably ought to be) and that he is generally taking care of himself as much as he's taking care of others.
But Momo seems to want someone who relies on him too heavily. He needs to devote himself fully and completely to another person (perhaps because he feels he can no longer fully devote himself to his own dreams, so he seeks some other outlet, someone else's dream to latch onto to replace that). He gets drawn in by Yuki's sopping wet meow meow nature and the fact that Yuki so clearly needs someone to take care of him, because Yuki is the only one who enables him to express his love in the way he wants to. Needs to, perhaps. Regardless of how (un)healthy that expression and the resulting relationship is.
That's why MomoBan won't work with just each other. That's why they need Yuki to draw them together: Momo needs someone who he can devote his everything to, and Banri can never be that person for him.
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a while back i made a post (that of course i now won't be able to find) that was like, two really popular (complementary!) fallacies are (1) thinking an experience is universal, when in fact it's specific to one's particular body/psyche/milieu; and (2) thinking an experience is specific to a particular body/psyche/milieu, when in fact it transcends such divisions—
anyway i get that the phrase 'purposelessly cloistral' is fun to sneer but i'm afraid that, like rhetoric about 'touching grass,' i actually think it's both unkind and intellectually unrigorous as analysis. yes, exposure to a broad variety of people is good for you, and can help you realize that positions you've taken for granted aren't shared by everyone; but people tend to cluster into insular echo chambers anywhere they congregate, whether that be in chatrooms or churches or cities, and i'm frankly very tired of this recurrent urge to, like, resurrect middle school ideas of coolness and use them as cudgels. clubbing—of either variety!—doesn't make you a better person.
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