Something Something Avatar The Last Airbender was fundamentally about showing the horrible long-lasting effects of both war and violence in a grand sense (the way people suffer under fire nation occupation including the air nomad genocide and the state of the southern water tribe) but also a personal sense (zukos entire arch) and the show goes to great lengths to avoid glorifying war, often specifically choosing only depict the aftermath of terrible violence while not graphically depicting the violence itself.
And I think it's a profound misunderstanding, maybe even an insult to the source text to continually depict gratuitous death and violence as a focal point of the live action.
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(This was almost 11k the last time I checked and speed edited too. And yes, completely forgot to post this here when I first posted the chapter.)
Chapter 49: timeskips
“How come your air spouts are so good?” Gawa said. “Mine are far from as refined and elegant as yours. I’m envious.”
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Timeskips. Adulthood, celebrations, children, marriage and date at a museum.
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“What is it?”
She looked up at her, brows furrowed and expression unsure. “Can I stay with you? I don’t really wanna stay with anyone else.”
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A truly embarrassing moment for Jamyang. Her children leave the nest. She gets the go ahead for training. She is chosen for something else as well. Gawa finds something interesting. It's also surprisingly wholesome?? Like family vibes wholesome
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I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.
We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.
What's important here, though, is Zuko's introduction to the Southern Water Tribe.
Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.
Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.
He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.
Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders.
Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.
And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.
And then...
He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.
And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."
This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.
It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.
Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.
And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys".
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anyway zukka is so fucking good it's about zuko feeling like his bending will never be good enough and then meeting this brilliant badass nonbender boy it's about sokka feeling underestimated/unseen and zuko seeing him as so talented and intelligent that he's literally irreplaceable it's about zuko seeing himself as irredeemable and sokka treating him like an equal
it's about both of them growing up lonely and finding company in each other it's about both of them being surprised by how easy it is to be around each other it's about sokka talking and zuko listening it's about zuko having trouble understanding people and sokka being endlessly patient and helpful
it's about both of them growing up with warrior fathers who expected them to be warriors and turning out to be softhearted diplomats
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