Hi! Love your posts !! Suggestion for a fact (if you take those): Eurocat. The 1990 Eurovision featured an animated purple cat in the postcards (?) named Eurocat and I’ve never seen anyone mention anything about his existence. I only learned about him bc I was researching old shows and saw him mentioned on the Wikipedia page. 10/10
Eurovision Fact #477:
Eurocat was the mascot created for the 1990 Eurovision Song Contest in Zagreb. He appeared at the beginning of each postcard in an animated short that featured a blue background with the name of the country repeating on a diagonal and some cultural representation of the country being showcased that Eurocat would interact with.
For example, on the postcard for Spain, Eurocat blew bubbles that formed the Olympic rings, calling to the fact that Spain would host the Summer Games in two years.
Eurocat was created by Joško Marušić, who is credited for his as a member of the directors of the per-production materials for the contest for animation.
While introducing Belgium, commentator Terry Wogan spoke a bit about the mascot saying, "Eurocat! A tomcat who's slightly neurotic, not too silly, and eminently lovable." He also later said while introducing Luxembourg that he was "trying to ignore this cat," adding "I don't think he's gonna go away though," under his breath.
[Sources]
Yugoslavia, Eurovision.tv.
Eurovision Song Contest 1990 (No commentary), 2:47:06, YouTube.com.
Eurovision mascot 1990 EuroCat compilation, YouTube.com.
Barcelona 1992, Olympics.com.
"I would love to share with you..." @rice-crackerz on Tumblr -- See reblogs and comments (esp by @mirai-desu, @elliemadeit, and @unibrowzz) for their knowledgeable comments :)
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Nace Jordan for Slovenian online journal Aleteia
From performing at Ritem srca (Rhythm of the Heart) to Eurovision: "I value honesty the most"
03.06.2023
Interview with Nace Jordan, bassist of Joker Out
"Thank you, don't count on us..." This is a segment of their currently hottest song Carpe diem, taken out of context. Two weeks ago at Eurovision we were counting on them quite a lot. Despite finishing 21st they did not let us down, as we got to witness an energetic, playful and colourful musical delicacy.
We are glad you managed to take some time for Aleteia during the exciting post-Eurovision events. The youngest member of Joker Out according to length of service, and the wisest according to age, the likeable bassist Nace Jordan.
Congratulations for your wonderful Eurovision performance. Have you gone deaf due to the crowds that have excitedly welcomed you yet?
(laughter) We haven't gone deaf, but the reactions were very nice. We heard that people in Slovenia were watching and loudly cheering for us, especially during the semi-finals performance. All of this is very 'extra'.
Did anything disappoint you in Liverpool?
I can't say we were disappointed about anything. Maybe I would mention that they were promising us 'crazy' parties, which take place during Eurovision. They were great, but not as special as we were promised.
How long has it taken for the adrenaline to calm down after Eurovision?
Personally, I have not yet managed to recover from it all. All together it was very mentally and physically exhausting, but because of our love for music, we managed to pull through.
When coming home, was it difficult to switch from a huge event, where everything is about you, and come into a familiar, calm environment and simply go to the store?
We are lucky enough that since coming home from Great Britain, we have had so many things happen that we haven't yet had any time to lead a normal life, even to go to the store to buy something.
Currently we are positioned on various European charts. (Author's note: On the day of the interview (interview posted 03/06/2023) the group is fourth on the Spotify Global Viral chart; the only fellow Eurovision contestants above them are Finnish representative Käärijä and Swedish representative Loreen. Overall they have surpassed the 1,500,000 monthly listeners on Spotify. Source: evrovizija.com.)
Marvelous!
All of this feels unreal and nice and it gives us a lot of energy. In addition, many are beckoning us to concerts abroad. The dreams of each musician are to once spread from the narrow area of Ex-Yugoslavia to the markets all across Europe. We decided that we will risk it, since the people want to hear us. We announced a concert in Dublin which we will perform with our Irish Eurovision friends. Let me say that the concert was sold out in 20 minutes. These are truly 'insane' numbers, which are not letting us catch our breaths after Liverpool.
The excitement of the crowds does not surprise us. When and how did the members of the group even meet?
Bojan Cvjetićanin and Kris Guštin met at a performance in secondary school, where Kris was the reporter of the school newspaper. After a while, Bojan invited Kris and Jan Peteh into the band. After a while Jure Maček joined, and last year myself as well.
You came into the band last, yet it seems as though you've been with the boys since their beginnings in 2016.
That's right.
Nace, we have already managed to observe you well on stage. We see that you're all smiles, brave and energetic. How would you describe yourself?
Really? (laughter) I would describe myself as silent and smiley. Due to me being the oldest member of the band (Author's note: Nace is 28, the ages of the other members vary between 23 and 24), I have noticed that I have a different view of things than the other members of the band.
So the age gap is noticeable?
I think so.
In short, describe the other members of the band.
Bojan is intuitive, Maček playful, Guštin serious. And I can't describe Jan in any other way than saying that he is a pure artist.
Do you have other occupations, not connected to music?
I can speak for the entire band when I say that no one does anything besides music. Well, Bojan may occasionally appear in a commercial or two. (laughter)
What is the atmosphere among you? Do you trust and help each other?
No doubt, without it we couldn't have handled the pressure of Eurovision. Everything was easier because there were five of us. If someone was feeling down, the others noticed right away and gave him some space. Or offered him to talk - whatever he needed in that moment.
I liked it how you said at the press conference in Liverpool that you wouldn't consume alcohol before the performance. I have also noticed that you know how to express yourself in interviews. And we can't forget the fact that you sang in Slovene at Eurovision. Do you think it's important to maintain our language?
The fact that we sang in Slovene at Eurovision should say it all. We love Slovene and we find it the most appropriate for expressing ourselves, both in songs and conversation.
In the song Carpe diem, among other things, you sing about how you are against hate. How do you, as Nace Jordan, take steps toward a kinder society?
Let me correct that the song itself is not only against hatred, but it also talks about how we have to seize each day and look at the bright side. We ourselves are the only ones who have control over the fact that we wake up in the morning and make the best of the day. Personally, I make a person's day by smiling at them and consequently giving them a good feeling.
During your concerts, unexpected things are bound to happen. Would you let us in on any such event?
Not everything is of public nature. But I can mention that recently we had a concert in Umag. It took us a very long time to find the entrance to the concert hall. Luckily, we managed to find it right before the concert. We were really close to missing our own performance. (laughter)
Nace, Joker Out is not the first band in which you played. In the past you have collaborated with many Slovene performers, you are a member of Diamanti ('Diamonds' - the RTV house band) who take care of the musical accompaniment for the show 'V petek zvečer' ('On Friday Evening' - a show on Slovene national TV).
I don't know how much longer, sadly time is tight.
Your friends mention that you're a real-life 'jukebox', as you still remember the melodies of all the 200 songs that you performed during your times on the cruise ship.
That's true.
How was it, playing on a large ship away from shore?
When others went to study, I went to play on the ship. At that moment I chose to dedicate my life to music. This was one of the nicest and best decisions I've ever made. The half year spent on the cruise ship shaped me into the musician I am today. Living on a ship with so many people was a real school of interpersonal relations.
Was the music you performed always according to your taste?
Of course not, amongst the less favoured were for example German hit songs. (laughter)
I can't not mention that you were a member of the accompanying band at 'Ritem srca' ('Rhythm of the Heart' - festival of modern Christian music) and at the concert of 'Radio Ognjišče' ('Radio Fireplace' - a Christian Catholic radio in Slovenia). What is your memory of that experience?
I was looking forward to performing at Ritem srca this year as well. But sadly we had concerts and practice with Joker Out, so it wasn't possible. Ritem srca is one of the more pleasant festivals in Slovenia and I do not have a single bad experience with it. All participants were not only kind but also in good spirits and energetic. That is exactly what the world needs, it's 'carpe diem' in principle.
Who is the best performer of spiritual rhythmic music according to you?
I can mention Matej Šoklič, who I know personally. And Franci Rotar. Franci is a real 'character'. Every time I meet him he brightens and improves my day.
Speaking of spiritual music... Have you had to give up something that did not align with your personal beliefs during your musical career?
I avoid politics.
At the moment, Joker Out are a role model for many youths. What do you admire in a person?
It may sound cliché, but I appreciate honesty the most, both a frank critique and praise. With time I forget that I'm good at something, so it feels really nice when someone reminds me of it.
~
Translation cr.: @beeoftheanxieties
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Decade of Success and Failure: Semi final edition... an long winded introduction
Not all Eurovision songs are created equal and because there were too many of the songs for one song contest, the EBU had a problem way back in the 1990s. Yugoslavia fell apart. The USSR disintegrated. The West and East Germany's merged. A song contest of 45 songs will a long evening for one contest and it would be 2am by the time the night was over, and the winner would be well into their third bottle of champagne and not able to stand up in order to collect their prize.
On April 3 1993, Ljubljana hosted a semi final. I don't recall why it was Ljubljana, but I know 7 countries competed (Hungary, Estonia, Romania, North Macedonia, Bosnia-Herzegovina, Croatia and Slovenia) and the top 3 of this event went to Eurovision. That lasted one year.
The next solution was created in 1993 and put in place in 1994. The concept was very basic; if you are placed in the last six songs you will not take part the following year. Examples of effective countries absent include Israel, Turkey, Belgium (in 1994), and Lithuania, Estonia and Switzerland (in 1995). This format lasted two years as one of the big 4 dropped into last place: Germany. They complained that they gave a lot of money to the event and that was something the EBU clearly needed so the EBU created something new.
The 1996 contest was the next year of a semi final but not like the animal we have today. The 29 countries submitted their entry on a audio cassette for a jury of 8 people to judge the songs. Norway - the host nation was exempt; but they still voted. At the end, and quite hysterically, Germany was outside of the top 22 songs so they were still relegated from Eurovision 1996. Karma. It is the only time they have been absent from a song contest. They were again unhappy.
It was where the EBU created the Big 4 (later to be the Big 5) and from 1997 onwards Germany, the UK, France, Italy and Spain are guaranteed a place in the Grand Final of he Eurovision. For everyone else, there was yet another qualification change.
The four year rule was a complicated stupidity of a process that I have a migraine thinking about it. To enter into the song contest of 1997, a table of the results of the previous 4 years were added together and averaged and the top 18 or so countries were qualified. The countries that were absent in 1996 were auto qualified as was the host nation. Everyone else was on Eurovision vacation. This rolled around each year right up til 2003 when the EBU created the new semi final process we know of today, except it began as one semi final in 2004 and expanded to two in 2008.
Eurovision is now a two semi final plus one grand final format for many years now. In the past, I have looked at the countries participation in the finals over the last ten years. This time, I am looking at the semi finals and later in the year, I will do the final series as usual.
Clearly, this will be without the Big 5 as they do not take part in semi finals. The bonus is that countries all other countries could have a place in this countdown. Unfortunately, Andorra, Monaco, Turquia, and Slovakia have not completed in the last 10 years, so they will not appear in the list. Bosnia-Herzegovina has taken part only once in 2016. I figure I'll include them, but more of a token entry than a grand gesture.
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