i love ur scooped mike may i use him as a pfp !??!?!?!?!?!? with credits ?!?!?!?!??!?!?!?!??!?!
YES GO right ahead!! I love when people use my art as pfp ngl, anytime I see one I do this,,
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ive been getting more sugar daddy scammers lately trying to court me which i THINK is a good sign because that means i might be getting closer to getting an offer from a LEGIT sugar daddy, who i would use to purchase more pre-9/11 technology.
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Yoongi for Marie Claire Korea May Issue 2nd Cover - coloured ver.
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It must be tough to live a life where you feel your enjoyment of silly things is affected by knowing someone who votes wrong also enjoys the same silly thing
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does writing comments on every chapter of a fanfiction, so as to get the author motivated for them to post the updates faster act as a bribe or is it just me ?
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
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Daniel watched as his son peacefully slept covered in layers of blankets. He didn't know what happened in the other world that the children get trapped in, but all he knows is that his son was in pain there. Son. He knew that Aiden was his son he watched him grow up (did he really?) But he didn't know anything about him. Somebody of his blood, but in the end they were nothing but strangers to eachother. Deep down he knows that he should know more about his son. He knows that he should be a father.
Is it too late to be a father? Is it too late to make it up to Aiden? To show that he isn't in this alone? Maybe he still had a chance, he was only 16. Aiden is still a child, maybe he could be a father.
But how? How could he get closer to Aiden? He was always too busy with work to find out anything about him, so what does he and Aiden have in common?
Maybe it was too late to be a father, but he could still try.
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