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sunshine-and-moonshine · 3 months

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Why?

Requested: No

Warnings: Light angst, Robot!Reader

A/N: Wow, two preferences in one day? What the hell was in my chocolate this morning?

You couldn’t fathom it. Couldn’t….couldn’t understand it. Comprehend it. Accept it. That this person, this living breathing human being, was really treating you like this. That they seemed to….value you in some way. At first you had thought of it as a joke, a cruel one that they shared amongst themselves. Tease the bot, remind them of their place. It was a game you were all too familiar with, and always ended up with a pain in your chest, right where a beating heart would be for a human being. But this person….they were so nice. So genuine in their actions, so unlike all the others you had met over the years. And they had taken care of you, patched you up and repaired you, given you a purpose in this life after you had been tossed aside like common trash, left to rust and deteriorate in a scrap pile, barely clinging to that last bit of battery life, to consciousness. You remembered exactly what you thought of before the lights inside you dimmed.

I don’t want to die.

And you hadn’t. Something that had been quite a shock to you when you woke up in a dark room. The rust scrubbed from your plates, your gears and joints oiled, your battery in the middle of a long recharge. By a cable no less! You couldn’t remember the last time you had been charged by one of those instead of the wireless charging that had become common over the years.

You were alive. You had been given a second chance. And you were determined not to waste it. But that doubt lingered in you, festered like infection in an open wound. And one day, you couldn’t stop yourself from asking the question that plagued you since the day you woke up in their home.

“Why are you doing this?”

“Doing what?”

“Treating me like a person.”

Price

Price hummed softly, the question not entirely unexpected. It’s likely that he was already questioning that himself for some time now. Ever since he brought you into his home, started fixing you up, growing so attached to you so quickly. Sitting by your bed as he waited for your servers to turn on, replacing your batteries so many times he lost count. So gentle whenever he had to open you up to fix something. Even giving you your own room, and a bed to lay on. And complete and utter freedom to do…whatever you wanted. Sure he’d always been a bit kinder to bots everywhere, some part of him unable to separate their human faces from their mechanical insides, but with you it was like it was dialed up to a thousand. He looked at you, and he couldn’t see anything but a living breathing person.

“....Dunno, Love.” He’d say, tilting his head as he met your eyes. The clear crystal blue soft and shimmering under the moonlight that shone in through the kitchen window. “You want me to stop?” He asked, seeming pleased when you shook your head. “Good. That’s all that matters then.”

Gaz

“You get bonked on the head again, Love?” Gaz would ask in return, arching his brow at you before bending over to pick up a box left at the front door. A new cooling fan for you, since yours was starting to malfunction. “That’s about the dumbest question I've ever heard. You’re a person. Course i treat you like people.” He says, cutting open the box before pulling out the small fan. “Don’t matter that you need things like this. That your insides are different then mine. You’re a person all the same. And I'd bet my last pound that, if such a thing as souls exist, you got one just like me. One much shinier and brighter, all good and perfect. I just know it.” He tells you, a bright sunshine-like smile crossing his face, and you could feel your broken whirring to life as your circuits malfunctioned and started to burn molten hot, heating up your whole body until your systems had to do a mandatory shut down just to avoid melting anything. Leaving Gaz to panic and damn near tear the house to pieces looking for the tools to open you up and replace that damn fan.

Ghost

A slow blink, a tilt of the head. Cold eyes raking over you in thought. Thinking through every word meticulously, making sure nothing left his mouth until he knew exactly what he wanted to say to you. It took a few minutes, anxiety inducing silence that would have you sweating if you were capable of such a thing. Until finally, blessed finally, he graced you with a soft response.

“You are a person.” He whispered, so soft that you almost didn't hear him. He repeated it, a bit louder when you tilted your head in confusion. “You are a person. To me at least. Maybe not to all those bellends outside, but to me. I’ve seen you laugh, get upset, excited, curious. I’ve never met someone who has so much personality to them before. And it doesn’t matter what anyone else thinks, because they don’t know you like I do. They haven’t seen every beautiful part of you that you try to hide behind a disguise of being just a bot. I know. And I’ll make sure that you know it soon enough to, so you don’t ever ask any daft questions like that ever again.”

Soap

“Watcha mean, Love?” Soap will ask, head tilted in utter confusion. Like you just asked him something in gibberish, brows scrunched together and mouth twisted in a little pout. “Tha’s a dumb question. You are a person. Course I treat you like one.” He says, shrugging his shoulders before turning back to your dismantled arm piece, adjusting some of the little screws and oiling the gears. It was almost funny how he could say that so casually, as if he wasn’t fixing your mechanics right this instant, his fingers tenderly stroking over metal and silicon, like he was scared he might hurt you if he pressed too hard. You didn’t even get the chance to protest his statement before he was opening his mouth again, effectively cutting you off. “I dinnae wanna hear anymore ah that talk, Lovey. You’re a person, my person. Simple as that.” He says, turning to give you a soft smile, hand reaching out to touch your cheek. His hands calloused and rough, but oh so warm. You could feel your motors backfiring, sensors heating up beneath his touch. And that grin on his face took a mischievous turn when he noticed, leaning in to whisper in your ear. “Glad we had that chat then, Love.”

#cod #call of duty #john price #john price x reader #kyle gaz garrick #kyle gaz garrick x reader #simon ghost riley #simon ghost riley x reader #john soap mactavish #john soap mactavish x reader #robot!reader

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mariaofdoranelle · 2 months

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The Courtship Deception - Part 1: Morning

Fic masterlist

Written for @throneofglassmicrofics

EEEEEE I’M SO EXCITED!!!

Warnings: none?

Word count: 983 words (I got it under control in the next parts, I promise 😅)

The wind in Aelin’s hair brought a rare sense of freedom, and it only got better the more she picked up speed. Tipping her head back, she felt weightless in this quaint little avenue—

“You’re supposed to be watching the road!” Fenrys shouted in the passenger’s seat. He was usually much cooler than this, but her favorite Personal Protection Officer was being handsomely paid to ensure not only her safety, but her dad’s convertible’s too.

“I’m feeling the road, Fen!” Aelin said, head tipped back into the tangled mess her hair became in this drive.

“That’s not— Fuck. We’re here!”

She slammed her foot on the breaks, tires screeching while their bodies were thrown forward. The force in which the seatbelt pressed against her collarbone was near bruising, but Aelin was laughing when the car stopped.

“How did I do?”

Fenrys threw his head back, cackling. “Fucking awful, Princess.”

Aelin’s father never allowed her to have driving lessons because he believes it’s an unnecessary waste of her time. Now, at the ripe age of 21, she finally convinced one of her babysitters to cross Rhoe’s orders, and her skills were getting less lethal each day.

Out of the car, she waited for Fenrys to parallel park—the spot was small, and Aelin was still getting the hang of it—and took in the charming residential street. An array of colorful little houses facing a park. It was Orynth in June, so the cool breeze brought the freshness of blooming trees, the late morning sunlight burning into Aelin’s skin and feeding into her soul, much like the flowering scene around her. Her bodyguard mentioned to a white and green house with a tiny but well-kept garden up front.

When Fenrys said they’d meet his secret tech guy, she expected something a lot more sketchy than this.

He said a few things to a camera by the front door, and it automatically opened. Um, rude? She didn’t expect a butler, but even in mafia movies there’s someone to answer the door.

After locking the front door and going through the living room, Fenrys led her into another one, and the amount of screens was far from being the most surprising thing.

“Rowie Bowie!” the bodyguard called, arms up, happy to greet his friend.

The mysterious man looked up, and it knocked Aelin’s breath out of her lungs. Holy rutting Mala. When Fen told her about this ‘grumpy tech guy’, she expected a weird-looking smelly nerd, not a scary-looking tattooed hottie. She immediately straightened, one hand subtly attempting to realign the bird’s nest that her hair became after the drive.

“Don’t bother,” scary-looking tattooed hottie said, piercing green eyes briefly assessing her before they were back on the screen. “You look pretty disheveled like this.” And he smirked. Her poor panties.

“So…” she trailed, leaning on the nearest desk. Smooth. Be smooth. “Rowie—“

“Please, don’t call me that.”

“It’s Rowan,” Fenrys added, “But Rowie is much better.”

He rolled his eyes. “Absolutely not—“

“Rowan.” Aelin cleared her throat. “Did you get past the security system?”

Of her own house, she meant. Her father was strict, so it was easier to get an illicit second phone than to get past all the monitoring her official phone was under. But Aelin had just bought a new iPhone, which meant she needed someone to make this phone fly under her dad’s radar—Mala forbid if someone finds an undetected wireless device within the walls of her mansion.

“All six of them, yes.”

“SIX?” Fenrys’ eyes were wide, caught by surprise.

“Yes,” Rowan replied, “Wireless detectors, frequency scanners, NLJDs, all six of them. And my job would be a lot easier if you knew your own workplace before hiring me.”

Poor Fen. His main job was to guard Aelin, he never got into the thick of Rhoe’s security system.

Rowan extended the new phone towards her, but took it back when she reached out. “I took the liberty to download something to get around your…” a small wince. “security cameras. You can crop some previously-recorded footage make make it look like it’s live. You’ll see it in the tutorial.”

How sweet of him. Aelin smiled. “You didn’t need to, but thanks.”

Her dad had security cameras installed in her bedroom—not in her closet or bathroom, but it was still annoying. Lorcan, one of her father’s men, was in charge of it, but Aelin terrorized the guy out of watching her footage. After a stunt she pulled a year ago, it’d take a nuclear explosion to get him to check the cameras on her bedroom.

“How much was it again?” Fenrys asked, his eyes widening when he saw the price, then complained, “That’s not what we settled for.”

“Agreed.” Rowan’s eyes, aimed at the bodyguard, were hard as steel. “You made my work sound much simpler than it actually was.”

She frowned. “How much is it?”

Fenrys sent her an apologetic look. “Half the Hermès we were buying after this.”

It’s not that money was a problem for Aelin, but her access to it was rather bureaucratic. She couldn’t go out, spend money on a “shopping spree”, and come back without shopping bags.

She waved him off. “What’s the point of getting a new purse if I don’t have a phone to put in it?”

Still upset, Fen turned around to focus on the payment. With his back to her, Aelin got closer to Rowan, both hands on his desk.

“I might have some trouble with this new setup on my phone,” Aelin lied.“So, I was wondering if you could give me your number, in case I have any questions.”

“Sure.” Rowan’s eyes sparkled, not leaving Aelin’s as he got her phone back. “Anything else?”

“Actually, yes.” She tilted her head, a fake helpless look from under her lashes. “I’m not as good with online instructions, so you might need to come find me sometime.”

The dark look Rowan gave her sent a shiver down her spine. “Let’s say I do. Does your guard dog come in the package deal?”

Aelin smirked, not bothering to keep up with the naïve facade anymore. “I guess you’ll have to find out.”

You can get notified when I update by either turning notifications on for @mariaofdoranelle-fics or entering my (sometimes glitchy) tag list!!

TAG LIST

I couldn’t tag the people in bold, sorry!

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#rowaelin #rowan whitethorn #aelin galathynius #throne of glass #rowaelin fanfiction #rowan x aelin #aelin x rowan #rowaelin fanfic #throne of glass fanfic #the courtship deception #tcd

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andreablog2 · 11 months

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What do you mean by parallel economy? Is this happening rn?

“If you are a God-fearing, gun-toting patriot, conservative companies are hungry for your business. If Google and YouTube have become too woke for you, consider ditching them for Tusk and Rumble. Before paying your monthly at&t bill, you might want to switch to Patriot Mobile, the nation’s one-and-only Christian conservative wireless network. Rather than fruitlessly scouring Hinge for fellow right-wingers you can now make a profile on the Right Stuff, a dating app that helps users get to know each other by eliciting responses to prompts like “January 6th was” or “favourite liberal lie”. To get java roasted by veterans, consider sipping on Black Rifle Coffee’s “Silencer Smooth” (light roast), “ak-47” (medium roast), or “Murdered Out” (extra dark roast). And to protest against Hershey honouring a transgender activist on international women’s day, you can instead buy Jeremy’s Chocolate, where the HeHim bar contains nuts and the SheHer one is unequivocally nutless.

And that’s just the beginning. PublicSq, an online marketplace, is home to 40,000 firms devoted to freedom, the family unit and the constitution. Click through and you can find skin care and artisan jerky, probiotics, banks, app developers and accountants. The businesses listed hope to capture the hearts and wallets of as many as 100m patriots, who together, according to Michael Seifert, PublicSq’s founder, make up “the third-largest economy in the world by gdp”. Its ceos, sellers and most avid customers dream of a parallel economy where conservatives need never buy from liberals. Is such a vision feasible?”

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robfinancialtip · 2 months

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youtube

Halo has been a game-changer for Roger and Billy. This remarkable GPS-based wireless fence empowers dog owners to grant their dogs the freedom to roam without the constant worry of their whereabouts. It's akin to having a remote control for our furry companions – with a simple press of the "come home" button on the smartphone app, they obediently return.

Roger can't emphasize enough how much Halo has assisted him in ensuring his four-legged friend stays within safe boundaries. He used to be constantly on edge whenever his dog would wander off, but now, he awaits Billy's return to the doorstep. The profound relief he experiences, knowing that this device reliably fulfills its intended purpose, is indescribable. Roger's love for Billy knows no bounds, and his top priority is keeping him safe and close to home.

The reassurance that Halo provides, ensuring his dog’s security and happiness, is beyond measure. Halo has undeniably made a significant difference, and Roger is immensely grateful for the peace of mind it bestows upon them as devoted dog owners.

#Youtube

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ib3371010 · 4 months

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rushingheadlong · 7 months

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Today is the 30th anniversary of Brian’s concert at the Palace Theater in New Haven, CT, USA. And since this is my favorite solo show Brian has ever done, I wanted to finally put together a proper post about the concert and why I love it so much.

First, a bit of background about the tour in general… For about 40% of the shows on the tour, the Brian May Band was not the main act at all. From late February to early July 1993 Brian was touring almost exclusively in support of Guns’n’Roses; they had some shows during this time where they were the headlining band but those were (generally) few and far between. It wasn’t until October 1993 that Brian set out on a tour that was exclusively his, with the Brian May Band as the only headliner and with no other support bands joining them.

It’s also important to remember that nearly everything about solo touring was entirely new to Brian, and while he can look back on it all with fondness now that ‘newness’ did cause legitimate issues during the tour itself. One of the biggest recurring problems was the new wireless system they were using for the Red Special.

(Brian, sans curly lead, at Brixton Academy)

The lack of cable meant that Brian had the freedom to move around that he needed as a frontman, but it also meant that they were dealing with constant signal issues and interference. And by “they” I mean Brian and a temporary guitar tech, because this tour took place after Jobby left but before Pete Malandrone came along.

So, with that out of the way… Why is this my favorite Back to the Light concert?

Well for one thing, it’s the best quality bootleg we have from the tour. Really the only video that’s in better quality is the professionally-filmed Brixton Academy show, and that one was edited for release to remove the explicit ending to Love Token and Brian’s cover of “God (Dream Is Over)”. In fact for the longest time the October New Haven show was pretty much the only source we had for “Dream Is Over” at all because it was never performed when they were touring with GNR.

So even though there weren’t any special one-off songs during the New Haven concert, this is really the only easily-available (i.e. on youtube) bootleg we have that includes the original full setlist and the complete encore. Some sections of video are missing, but they’re generally short moments between songs; very little of Brian’s actual performance is missing, and even better the audio quality is fantastic as well.

That's not to say that it's a perfect bootleg, or even a perfect show for that matter. The technical issues that were endemic to this tour are absolutely present here too, from Jamie’s guitar not coming in on his solo to major tuning problems with Brian's acoustic. But IMO that doesn't detract from things too much at all, because the band is far enough into this whole production that they know how to work around these things. You can see those moments when Brian gets frustrated but it doesn't get the best of him, not like it did in South America:

(Brian frustrated by technical issues in Chile)

By the time October 1993 rolls around the Brian May Band is a well-oiled machine. They know how to brush off the mistakes and cover for the inevitable problems that happen during any live show. And when things are going alright for the band and Brian looks more happy than not during shows, it's sometimes easy I think to forget how very not alright Brian still was on a personal level.

Because this final stint of touring kicked off less than two years after Freddie's death. The therapy that Brian found through Back to the Light wasn't in the making of the album, which was nearly finished before Freddie died, but in the touring specifically. Which means that by the time the band rolls into New Haven, Brian's been working through his grief onstage for less than a year. After knowing Freddie for over 23 years and spending 16 of those almost exclusively performing live with Queen.

Saying that Brian was still "not alright" in October 1993 is actually a massive understatement. The worst of his depression, anxiety, and grief is absolutely still there, but Brian keeps working through it - both literally, as he continues with the tour, and figuratively as he uses that tour as his therapy.

But as anyone who’s been in therapy can tell you, it’s not always linear. So when your therapy is performing with your band and you have a momentary backslide…

Well, you pretty much get this exact concert.

I’ve talked about some of this before, most recently in this post where I talk about Brian’s visible reaction to the audience participation in Love of My Life, but honestly I did that moment a disservice by stripping it out of the context of the rest of the show. Because yes, he’s reacting to the audience there (and I'll talk more about the audience later) but critically Brian has been off his game since the start of the show.

(Brian already looking Over It™ after only a few songs)

If you haven't watched (m)any of the BttL concerts, it can be hard to pick up on a lot of this without the additional context of Brian's behavior during other gigs. Brian has always been the most confident while performing and he's comfortable with this band now, so on first watch it’s easy to see him enjoying himself and think that the few moments of overt discomfort are outliers born out of Brian’s unfamiliarity with being a frontman.

But once you start watching more of his concerts, you realize that Brian only seems so comfortable because he’s avoiding going “off script” in his interactions with the audience whenever possible.

The first time this is really apparent comes at the start of Love Token. The introduction to the song is pretty standard across the tour, but what's missing is Brian talking to the audience before launching into things. He tells them, "You guys are great." but the rest of the typical chatter and comments about not having been to New Haven in a while are turned into part of the Love Token opening monologue.

(New Haven, before Love Token)

In contrast, a week later in Milwaukee, Brian does the happy-to-be-back bits entirely separate from Love Token and he explicitly mentions when he was there before with Queen. He's having a genuine moment with the audience outside of the music, and you can tell from his tone of voice and how he’s talking that he’s not doing this on autopilot.

(Milwaukee, before Love Token)

That's something that seems simple, but it still requires talking off-the-cuff to a theater full of people. And if you're already having a rough night, why put yourself through that if you can simply roll it into part of the song and make it a bit more routine for yourself instead?

Then we get into Love of My Life, and I know I already talked about some of this before but amazingly that moment where Brian physically curls in on himself during the song is not the only tell that this isn’t a good night for him.

Again, we have to take a look at Brian’s interactions with the audience because LoML is one of the parts of the show where he can’t avoid talking to them even if he wanted to. What he specifically says can vary wildly from one night to the next, but there are three main beats he usually tries to hit:

Asking the audience to sing along

Telling them that this song is for Freddie

Acknowledging that he wasn’t the one who originally wrote the song

I say “usually” because Brian doesn’t always mention that 3rd point. Often he just says that this is for Freddie and launches into LoML, without any commentary on the song not being “his”.

Sometimes he does mention it but leaves it a little vague, like in March 1993 in New York when he said, “This is something that I don't usually sing and to be honest I get doubts as to whether I should or not.” And sometimes he laughs it off a bit, like he did in Milwaukee in October 1993 when he said, “And it isn't because I was thinking that I have the right, it's just because I really wanna do it."

Regardless of how it’s said, Brian’s emphasis is still on the song being for Freddie. Any comments he makes about his “right” to perform it are almost always secondary to his assertion that he’s doing this in memory of his friend - but not when he gets to New Haven:

(New Haven, before Love of My Life)

In New Haven, Brian (accidentally) puts the focus on the song’s ownership. His slight hesitance and fumbling over his sentence inadvertently puts the emphasis on his own anxieties and mental state, so when he does mention Freddie his grief seems to come through stronger than it may otherwise have done.

Then Brian starts playing and although we have to acknowledge again that he’s having technical issues here, you can still tell the difference between his background emotional state on this night and his frustrations with his guitar. Because when Brian’s problems are external, he reacts and emotes to them externally - but when his problems are internal, he reacts by turning inwards on himself.

(New Haven, during Love of My Life)

Both of those gifs are from LoML. On the left he’s clearly frustrated by the guitar and/or his playing. He’s making a face, shaking his head, trying to adjust to fix it… He’s not exactly going out of his way to hide that there’s an issue there.

But on the right, when the audience sounds a bit too much like they would have with Freddie and their singing is starting to get to him, Brian’s reaction is to close off. He goes still, his face becomes blank, he turns the mic away from him so it can’t pick up any noises if he starts crying again…

(Yes, again, because I’m not going to swear on my life that that’s what’s happening earlier in the song…. but Brian does wipe something away from his face and sometimes that’s enough to make you wonder…)

(New Haven, Brian wiping his face during Love of My Life)

A few songs later and we arrive at Too Much Love Will Kill You. It’s another moment for Brian to talk to the audience, although he usually doesn’t say anything. At both Milwaukee and Brixton, Spike starts playing and Brian just comes in singing. But in New Haven, Brian feels the need to give the audience a little “warning” before they start…

(New Haven, before Too Much Love Will Kill You)

This is Brian’s anxieties coming through again, plain and simple. There’s no need to tell the audience that this part of the show “terrifies” him. If anything there’s a stronger argument to be made that the better, safer option would have been for Brian to say nothing rather than priming the audience to expect this to be imperfect.

Except the audience has already seen the imperfections. Even if they aren’t picking up on every little tell that Brian is having an off night, at this point they’ve already gotten through LoML. Everyone in that theater has already beared witness to his small come-apart during that song, and you know that Brian is absolutely still thinking about that moment as Spike starts the opening notes of TMLWKY.

Here he is, about to sing another slower and more emotional song, only this time he doesn’t have the familiarity of his guitar to fall back on or to hide behind if something goes wrong again. If he’s remembering LoML then surely the audience must be thinking of it too - and surely they must be waiting for him to fuck up again, so clearly the best thing for Brian to do is to preempt this song so the audience knows that this is difficult even on the best of nights.

That’s obviously all speculation but, as someone with an anxiety disorder myself, sometimes it just makes you want to apologize for everything. Whether you’ve actually done something wrong is irrelevant, because the anxiety will always find ways to make it feel like you’re “failing” in some way.

Brian can’t outright apologize to his audience. He’s stuck in his frontman role with a certain script to follow and he can’t break kayfabe to say “Sorry” without ruining the entire atmosphere of the show. What he can do is to admit to the things they should already know - in this case, that being onstage without his guitar is unusual and uncomfortable for him - and let them infer the rest.

He does nearly the same thing again when he talks to the audience at the start of the encore. He always thanks them for coming out to the show, but it feels a little more heartfelt at New Haven.

This part is impossible to gif but the first thing Brian says is, “Let me tell you, this is no bullshit, you guys are amazing. Because there's not that many of us here tonight and I appreciate you guys turning out and making that kind of noise.”

And I promise I’ll get more into the audience in a bit, but the fact that this wasn’t a well-attended show is SO important here as is Brian’s acknowledgment of that. This is really his last chance to say anything to the audience and he decides to specifically thank them for being loud enough to make up for the lack of attendance.

If that doesn’t say something about where his anxieties may have been focused - and what moments from the show struck a genuine chord with him - then I don’t know what does.

After that, Brian only has one more thing to say before he starts introducing “Dream Is Over”...

(New Haven, before the encore)

This is as close as Brian can get to saying, “I’m sorry but I’m doing my best.” He’s saying that he’s giving the audience everything he can and it sounds like an apology anyway. And then he has to steal himself to start the intro to the song, which he always has to do, but it hits a little harder when it’s preceded by that and not by something more like this:

(Milwaukee, before the encore)

And if you’ve made it through this nightmarishly long dissertation about every reason this show is heartbreaking and all the ways you can tell that Brian is having a rough go of it, you’re probably wondering “Rushing what the fuck is wrong with you that THIS is your favorite???”

Which, valid. But it’s my favorite because I think it’s both incredibly important and, honestly, very humbling to see Brian like this.

This isn’t the Tribute Concert, where everything is still so raw and performing hurts as much as doing nothing at all. This isn’t 1992 in South America where Brian can channel his grief into his frustration and push it out on the techs every time something goes wrong. This isn’t an opening show for GNR, where Brian’s time is more limited and even if he gets emotional he’s (probably) not the reason everyone in the theater is there.

This is Brian, not quite two years on from Freddie’s death, still mourning and still extremely depressed and anxious. And this is what it looks like when Brian has to push through that and put on a show anyway. The ways in which he both pulls away from the audience and tries to open up to them give insights not just into the state of Brian’s mental health at the time, but how that affected everything else about him from the way he carried himself to his mannerisms to how he followed the script of his own concert.

The October New Haven concert is a stark reminder of the depths of Brian’s depression and just how much time it takes a person to claw their way out of that.

And the other reason I love this concert is that you absolutely can also see the progress that Brian has already made.

Because despite the 2,500 words dissecting all the ways in which Brian was not fine during this show, there are still plenty of moments where it’s abundantly clear that he was enjoying being able to perform his music with this band.

(New Haven, Brian looking happy)

He’s visibly delighted every time he realizes that Jamie has shimmied over to join him without him realizing. He keeps looking over to everyone on his right and grinning. Whenever he really nails a difficult guitar line you can almost see the confidence boost that it gives him.

Yes, Brian is depressed and struggling but when he’s onstage he’s still Brian fucking May. He’s in his element and he is nailing it, despite the technical hiccups and emotional moments and everything in-between.

I love this concert because you see the depths of who Brian is as a person: his musicianship and how he uses that as a crutch to keep himself moving forward, the love he has for both the friends he’s performing with and those who are gone, his fears and anxieties and moments of deep self-doubt, the guitar legend he grew up to be and the incredible frontman he didn’t realize he could be, and the tired person simply trying to find himself anew after 20 years spent as someone he can’t return to anymore.

And there’s one final, very important reason that I love this show so much: the audience. (I promised we’d talk about them eventually, didn’t I?)

Brian has always been someone who thrives on the atmosphere of a live show and by god was New Haven determined to give him everything they could. They were loud, they were enthusiastic, and you can see Brian responding to that.

(New Haven, Brian looking happy because of the audience)

Brian pulls himself back together after the audience starts cheering for him during LoML. During band introductions they applaud for him long enough that it bleeds into the next song, and despite himself Brian smiles at it. And every time they recognize a Queen song you can see Brian responding to something familiar to him again.

Do you know how hard it was to get even these three gifs? Not because finding the moments was difficult, but because this audience is enjoying themselves so much that their arms are blocking the view more often than not.

Look, I am stupidly biased about this show because I’m a CT native - not from New Haven, but this is still a “home” show for me. Brian walks out wearing that tank top and I get why he wore hometown shirts for the encores even though I fucking hate Yale. This show could have been the most run-of-the-mill, routine concert imaginable and I would still find some way to write 3,000 words waxing poetic about it.

But this wasn’t a routine concert - or maybe a better way to put it would be, this was an incredibly routine concert made remarkable because of far Brian’s mask has slipped and what that inadvertently reveals to us. It’s incredible because the quality of the bootleg means we can actually see the little details of expression that otherwise are often lost.

The October New Haven concert is my favorite from Brian’s first solo tour because it proves the entire point he was making with the album. It’s a performance that shows us that Brian was finding his way Back to the Light - and that even when he was still in the dark, he was “still the same old [him] inside” despite everything that changed.

#brian may #brian harold may #brian may solo #queen #queen band #text #long post //#ramblings #brian #HEY WARNING THIS IS 3200 WORDS SO CLICK THROUGH AT YOUR OWN RISK

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tehjmastuh · 7 months

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October 4th National Emergency Alert Test Facts. DON'T PANIC!

All wireless providers carriers and TV providers will be conducting a test Nationwide. But I want to let you guys know what to expect when this test happens. The Test will commence at 2:20PM EST. Your phone will Amit a two chime square lead tone. These tones will be a ~ 932.328 Hz and a ~ 830.609 Hz For all you music majors out there. That is a Ab and a Bb the black keys on a keyboard. The tone will sound in a certain pattern. The pattern will produce one long blast, following 3 short blasts, and the pattern will repeat three times. It will sound like this.

__________________ ______ _____ _____

__________________ ______ _____ _____. TV's and radios will be slightly different then it will be on a cellular device. The message you will receive should say "THIS IS A TEST of the national wireless emergency alert systems! No action is needed." ATTENTION CONSPIRACY THEROISTS! This is only a test!! If you don't want to participate in this test. These are some things you can do. Power off your phone or put your phone in airplane mode. From what I've hear for iPhones the silence switch on the side of your phone will not silence the message. and It will still be audible. If you try to ping your phone using your apple watch and your silent function is on, it will still ping. AGAIN! This test will be for all Cellphones within range of a phone tower that is Powered "On" and not in Airplane Mode. All radios and Television Providers. Period. Just like if you were to receive and AMBER alert or Any Alerts about any severe weather or general public safety alerts. Not your Personal Computer or Laptop! This test will only last approximately 30 minutes. But you will receive the message only ONCE. For TV's and radios, the message will be broadcasted for about one minute. If you power up your cellphone after the 30 minute test. You should still NOT receive the alert!! Nothing else crazy should happen that day, we won't loose power or internet, the government is not trying take over our lives. And if you think that.. ALL INFORMATION ABOUT THIS TEST WILL BE ON FEMA'S WEBSITE!! It's against the FCC to have unauthorized signals to be transmitted from one receiver to another. All electronics and radio frequency devices must be in compliance with FCC regulations. THIS IS ONLY A TEST just like the presidential alert test that happened around the same time in the beginning of October back in 2018. For anyone else that thinks differently, I encourage you to turn off your tv's cell phones, radios, and any other communicative electronic device. Because I will be powering off my cellular devices that day as well. My thoughts. I do believe that if we don't want to be interrupted by these tests or if there were to be a real situation. We should have the right and freedom to ignore it at our own risk. This is my only take on the Government.

#FEMA #Emergency Alert System #FCC #WEA Alerts #This is only a test #Stop panicking #EAS #facts

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black-arcana · 1 month

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WITHIN TEMPTATION Shares Preview Of New Single 'A Fool's Parade'

On April 5, 2024, WITHIN TEMPTATION will release their brand-new song, "A Fool's Parade", which marks a collaboration with the talented Ukrainian producer Alex Yarmak. According to a press release from WITHIN TEMPTATION's publicist, "A Fool's Parade" "highlights Russia's pretense regarding the war, and condemns its lies, ongoing crimes and brutal intentions."

A preview of "A Fool's Parade" is available below.

The song, released as a harbinger of the much-anticipated "Bleed Out 2024 Tour", is a powerful expression of what the press release calls "WITHIN TEMPTATION's commitment to continue shedding light on the ongoing existential struggle that Ukraine is facing against Russia's cruel invasion."

For the recording of the accompanying music video for "A Fool's Parade", Sharon den Adel — the frontwoman of WITHIN TEMPTATION — traveled to Kyiv, Ukraine. The music video is being directed by renowned Ukrainian video director Indy Hait.

With involvement in initiatives such as the Ukraine Aid OPS foundation, WITHIN TEMPTATION aims to keep drawing attention to Europe's much-needed support for Ukraine's defense.

In a June 2023 interview with James Wilson-Taylor of Rock Sound, Den Adel spoke about the lyrical inspiration for WITHIN TEMPTATION's "Wireless" single: "When the war started in the Ukraine, we were in the studio writing songs, And it's one of the songs that we wrote. And it is about war, of course. It's about a soldier going to war and thinking he's going to liberate people, do good stuff and be a hero and everything, but then he finds out that he's been lied to by media but also government. And then he finds that he can't go back because he's already in his army gear, for instance. You can't go forward, you can't go backward because you have your buddies next to you and you'll all die in the field. And in front of you, you have a mission impossible almost."

The Dutch singer continued: "So that's what we try to do — maybe also shine a light on certain situations within the war. It's just we're storytellers — it's like amplifying a certain kind of emotion that people could feel in this situation."

Asked how she and her bandmates decided to use Russia's invasion of Ukraine as inspiration for one of their songs, Sharon said: "Well, from my point of view, it's not just their war. I really believe what some people are saying — it's really our war as well. Because it's next to us. They already said, they're not gonna stop at Ukraine; they're gonna go further. And a couple of hours flying from my home, it's already Kyiv. So it's also our war. I think we should be aware of the fact that this is a danger for all of us. They won't stop. And hopefully — we wanna keep this a little bit alive in our own small way by writing about it and talking about it and waving a flag on stage about it."

In March 2022, WITHIN TEMPTATION was one of the artists who took part in a telethon concert in support of Ukraine. "Save Ukraine - #StopWar" united more than 20 countries and bring together more than 50 participants. The marathon was broadcast from Warsaw on the Polish TV channel TVP. In addition, broadcasters from many countries around the world, including Estonia (EBR),Lithuania (LTR),the Czech Republic (ČT2),Georgia (GPB / First),Albania (RTSH 2),Montenegro, Slovenia, Latvia (LTV),Croatia (HRT),Slovakia (RTVS),Austria (Puls 4),Cyprus, Canada (OMNI) and others, rebroadcasted the marathon on their local channels.

In an interview with Greece's Rock Overdose, Den Adel stated about her band's participation in the event: "For us, it was an honor to be asked for it. I think as a band and as people, we really value freedom of speech and freedom and democracy. I think as a band, people sometimes say, 'Don't be so political,' people say, 'Don't be so expressive and don't take a side on things.' But as a musician, I think it's important to represent who you are, not just in music but really stand for what you make and what you are saying in your lyrics in a way. And things that are happening in the world inspire us to write music, and then you also have to take a stance and what side you are. I think when it's so obvious where there's an aggressor and where there is a country being violated, invaded, you should take a stance and then it makes it much easier even to be very clear about where you stand in this whole conflict. Of course, it's something that we are keeping ourselves updated with every day because we find it very sad to see that a country that wants to be a democracy is invaded this way. So we are very honored to be asked also to play for this event, this marathon, and happy to do it."

Released last October, WITHIN TEMPTATION's latest album, "Bleed Out", signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, WITHIN TEMPTATION has created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who isn't afraid to make a stand on issues the members care about.

Since the start of the war in Ukraine, WITHIN TEMPTATION have shifted their focus from writing about personal emotions and societal subjects to tackling global injustices and reflecting the tumultuous state of the world in a way that other artists seem unable or unwilling to do.

While songs such as "Wireless" and "We Go To War" examine the authoritarian aggression on display in Ukraine and other warzones, the title track itself addresses the plight of women fighting for their rights in Iran after the murder of Mahsa Amini.

The album also grapples with the complex issues around a woman's right to choose in recent single "Don't Pray For Me" and throughout, this impassioned and political focus is reflected in the intensity and heaviness of the music. Embracing a new era of musical exploration and lyrical depth, WITHIN TEMPTATION have pushed boundaries and showcased their artistic evolution, delivering a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music.

youtube

#sharon den adel #within temptation #a fool's parade #Youtube

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