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komori--shoma · 3 years

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If admin is alright with it, could we have some headcanons of Shoma interacting with the Kurosawa family?

But of course, love! After all, they are all my babies, I can make them suffer interact however I want uwu

Shoma and The Kurosawa Family Relationship Headcanons!

Shoma's relationship with Yvonne is the strongest, since she knew her since she was a kid.

She's actually conflicted with August because he's a paternal figure, and yet, he's not... Strict. Yvonne's the strict one, which is weird for her.

The first time she opened up to someone besides Yvonne was with Convoitise. She was having a hard time and he actually was pretty cool with her.

Teasing Aimer every Friday along the twins is her new tradition.

Hela and Shoma are best friends, and the Kurosawa's only daughter is teaching her to be comfortable with dresses and “being girly” in general.

Varick and Hela the only ones allowed to make her hair on important event. Yvonne's the only one allowed to add some details on it.

Her favorite part of the day is when August goes to read on the living room in front of the fire when it's winter. Laying on his big belly and sleep on it it's really a great feeling.

Her relationship with Volker can easily be defined as “Partners In Crime”. Volker goes to a robbery, she goes too; if Volker and Varick are going to steal a mall, she's going too; if they're going to kill off a mafia boss, she's coming too. They want to include her on everything.

When interacting with Yvonne and August, Shoma behaves as much as she can, since she actually respects them, and is playful with them.

With Convoitise and Aimer, she just loves acting out and getting into trouble by the mere fact it annoys them like hell.

Still, both Convoitise and her love annoying Aimer together even more.

But with Hela and the twins, she just lets herself go, you know, doing crime with them, stealing the ice-cream truck, trick people on the casino, breaking reality as we know it. You know, the usual.

All in all, she's getting along, way better than a year ago, when she met them, where Yvonne was the only one she could trust.

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retelling-of-ragnarok · 2 years

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🎨 (with August, please!)

Send "🎨" for a mood board of our muses

🔷 since you made me SOB. CRY. AND ROLL ON THE FLOOR. i’m gonna make smth happier 😌🤲💗 and sorta like a sequel-ish? 🔷

➸ I can’t not picture this song with these two. It’s so upbeat, and fun, and all around just a warm song? So I bet Gwen sung it around August one time and he’s NEVER forgotten it. Learned (or perhaps already knew??) Italian just to sing this little jingle with them.

➸ Given that August is the first father figure, and the Kurosawa’s in general being their first experience in a ‘normal’ family, there’s a lot of things that Gwen doesn’t know. Like how to confide in a parent, or depend on one. Sure, Gwen had Cieran; but there’s a different vibe to confiding in a parent, towards confiding in a brother.

➸ They hadn’t interacted much with their parents as a child, because they were busy training the older kids. So to have someone like August just. at least ACKNOWLEDGE them, makes them kinda happy. Plus all the headpats, pats on the back, hair ruffles, etc… Add to the experience 😌

➸ SIBLINGS SIBLINGS SIBLINGS. The Kurosawa’s are about as large as their biological family, and Gwen is so used to being the youngest child. So have lots of siblings who actually acknowledge them, and actually CARE about them? Yes. Its nice to know that they’re welcome somewhere again. They still try to be the baby of the family, out of habit. They’re spoiled okay— (ARE VOLKER AND VARICK OLDER THAN GWEN? IK SHOMA IS THE SAME AGE AS THEM.)

➸ Training! August doesn’t fight back against them, much to Gwen’s dismay. They wanna see him throw a few punches at least!!! But they always appreciate the advice he gives.

➸ No matter how big they get, he’ll always be bigger than them. So they’ll always right on his shoulder/arm no matter HOW OLD they get. He’s a jungle gym now. 🙄

➸ Gwen is a vary self conscious person, and is always making sure they are doing something right, even the smallest of things. And even though they’re accepted in the home, they always insist on doing things around the house. Like sorta ‘paying rent’ if you will. And when I tell you August picks that kid up. Like a damn CAT. Manually moves them somewhere else like “Nah. You live here. You have a place here.” Gwen def cried.

➸ They try their best to open up, and ask for advice. They’re learning to depend on others, and August just SCREAMS “I’ll carry you in my arms” energy. Plus, he’s old. Gwen’s always asking him deep questions that require wise answers.

➸ Hugs. Thats it. Gwen just wants hugs from dad :’)

➸ THEY ARE HAPPY. AND. healing. :’). August makes Gwen’s acceptance of their current familial situation come a little faster. Makes them realise things like ‘not all relatives are family.’ , ‘no matter how far apart you are, you aren’t really seperated,’ and ‘sometimes families are wacky. mixed and matched.’

➸ uhhh TLDR; i want Gwen to have a happy and healthy home and that is August. They will sign the adoption papers immediately. Please.

#((nah but this song makes me smile sm #((its so fun 😭#((def canon that Gwen knows it 🙄#ask.stuff #ask game reply #ask-shoma-komori #august kurosawa #gwen exicor #.moodboard

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hadarlaskey · 3 years

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Discover Hans Hillmann’s extraordinary film poster archive

A digital archive chronicling the almost six-decade-long career of Hans Hillmann, one of Germany’s most influential postwar graphic artists, launched this month. Incorporating his life’s work – 164 film posters – the archive includes works created for Jean-Luc Godard, Alfred Hitchcock and Ingmar Bergman, alongside drafts and illustrations.

Better still, the archive is accompanied by the beautifully designed ‘Moving Pictures – The Complete Film Posters of Hans Hillmann’, edited and published by Jens Müller, who heads up the major archival project alongside Katharina Sussek.

Speaking to LWLies, Jens explains how he came to work with Hillman and the importance of uniting the designer’s archive now. He recalls discovering the archive of Atlas Film in a local film museum, which he says “led to the FilmKunstGrafik project, which paid tribute to the brief era of sophisticated film graphics in West Germany from the 1950s to the ’70s, with Hillmann as its central figure. This was followed in 2009 by the monograph ‘Hans Hillmann: The Visual Works’. Through these projects, a personal friendship and ongoing exchange about his graphic work developed.”

Jens adds: “As with many well-known graphic designers, public perception is limited to only a handful of iconic works. When we talked to Hillmann’s widow about how we could commemorate his work on the occasion of his 95th birthday, we came up with the idea of an online archive that would make as many of his works as possible accessible.”

The archive surely succeeds in this mission, charting Hillmann’s remarkable achievements and shedding light on his prolific career, which began when, having graduated from art school, he started working for the distribution company, Neue Filmkunst, who afforded him considerable creative freedom. Hillmann initially depended on typeface which he cut and drew himself, since few poster typefaces were available in print shops after World War Two. But in the 1950s, once he was able to afford a darkroom, he fused photographic elements into his striking designs.

Although he collaborated with such trailblazing filmmakers as Akira Kurosawa and John Cassavetes, Hillmann had relatively little contact with them, preferring to produce his designs independently upon meticulously studying the films themselves. By contrast, he worked closely with German directors such as Volker Schlöndorff and Edgar Reitz, exchanging concepts in advance of film production. Nevertheless, acclaimed international filmmakers greatly admired Hillmann’s artistry, with Jean-Luc Godard even decorating an apartment in Two or Three Things I Know About Her with Hillmann’s posters.

So what are Jens and Katharina’s favourite designs? Jens has a few, including the poster for Masaki Kobayashi’s Ningen no jôken, admiring Hillman’s success “in applying cinematic elements such as zooming and cutting in a graphically very simply solved poster.” For Katharina, it’s not one of the designer’s iconic works for Hitchcock or Bergman but “Hillmann’s timeless 1964 design for the Kieler Woche annual sailing contest.”

Discover more about the archive at hanshillmann.de

The post Discover Hans Hillmann’s extraordinary film poster archive appeared first on Little White Lies.

source https://lwlies.com/articles/hans-hillmann-film-poster-archive/

#movie

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videoassocdallas · 7 years

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BART CHAT

We will be starting a New German Cinema program in February at the Alamo Drafthouse in Richardson. What is this about? First we believe that that showing classic films on a big screen is a great service to the Dallas film community. Many people have not seen these films and while they may or may not be available on a screening service, and indeed could be purchased on Blu-ray, but that is not at all the same as seeing it communally, with good projection and discussion afterward. And even when things are available, one tends to never get around to them. Why new German films? When I was in school, I was very influenced by new German cinema. I remember being blown away by early Hertzog films (back when he made dramatic films). There was something new and exciting and fresh about this work. I was too young to be around for the emergence of the French New Wave, but I was around for this new German movement and it was great to be watching the wave in real time. My introduction to this movement was Hertzog’s Fata Morgana which blew my mind, then The Enigma if Kaspar Hauser, Stroszek, and I was hooked. I loved each of the films with his two main actors Bruno S. and Klaus Kinski and eventually, I came to Fassbinder. He was so prolific. I heard a story that he had an idea for a film on a plane, wrote the treatment and was in production within a week. That may or may not be true. Here is a link of Rick Linklater discussing his work It was so hard to select a film from his work as there are many others you should see. In a Year of 13 Moons, is very depressing and contains one of the most memorable scenes in film history. After wrapping Dekalog, you might want to think of watching Fassbinder’s TV series Berlin Alexanderplatz. Many years ago, when I was programming an on air show that showed music videos, we ran the whole series. Somewhere, I have Betamax tapes of it. We can’t forget Wim Wenders, who I did not catch up with until Alice in the Cities and then The American Friend. There of course are many others including, Volker Schlöndorff, whose Tin Drum was very influential. I also admit that I loved German expressionist film and early German experimental films. All this was a bit strange, since I grew up Jewish in the 50’s and we were told over and over about the ovens, and shown holocaust films over and over as little kids, so that I would find that these new films spoke to me, was strange. Indeed, there were times when just hearing the German language would bring images of those films into in my head. I mentioned a few weeks ago you may want to watch from Calagari to Hitler, which is on Netflix to give you some historical background on the Weimar films. It is my theory that because all the great masters left Germany, a new generation had no one to tell them what NOT to do, so they made their own way, similar to Karlheinz Stockhausen, who created a new experimental, electronic music in that void. Come and check out these films and be inspired! So, what else is happening? At the Texas Theater they are starting their own series this week on Thursday night with a new documentary on Mifune, The Last Samurai. Like Bruno S. and Kinski for Hertzog, Mifune was the key actor in so many of Kurosawa’s great films and they are showing some of them, as well. Including Roshomon (which is interesting now, when everyone has their own alternative facts) and Yojimbo. All very much worth seeing. They are showing Solaris on Saturday night. The Alamo will show Beavis and Butthead do America and Fight Club. Also, don’t forget to Support Texas Incentives. Let’s keep cameras rolling in Texas. Bart Weiss VAD Artistic Director

#video association of dallas

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chicagoindiecritics · 4 years

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New from Kevin Wozniak on Kevflix: What’s Streaming This Month? – September

Here are my picks for the movies coming to Netflix, Prime Video, Hulu, Disney+, Criterion Channel, and HBOMax in September. This month offers up many unique choices, from original films to Hollywood classics.

NETFLIX

Full list of everything coming to Netflix in September can be found here.

THE BACK TO THE FUTURE TRILOGY (Robert Zemeckis, 1984/1989/1990)

A trilogy that is full of life, fun, and originality.

THE DEVIL ALL THE TIME (Antonio Campo, 2020)

An all-star cast of Tom Holland, Robert Pattinson, Riley Keough, Sebastian Stan, Mia Wasikowska, Bill Skarsgård, and Jason Clarke lead Antonio Campos’ thriller about corruption and brutality in a postwar backwoods town.

GREASE (Randal Kleiser, 1978)

A musical classic.

I’M THINKING OF ENDING THINGS (Charlie Kaufman, 2020)

The latest directorial effort from the great Charlie Kaufman looks like a haunting mind-bender.

MAGIC MIKE (Steven Soderbergh, 2012)

One of Steven Soderbergh’s best features a scene-stealing performance from Matthew McConaughey.

NOT ANOTHER TEEN MOVIE (Joel Gallen, 2001)

This comedy satire of teen romcoms is still hilarious and has aged quite well.

RATCHED (Evan Romansky, Ryan Murphy, 2020)

I don’t usually post about shows on here, but a prequel series looking at One Flew Over the Cuckoo’s Nest villain Nurse Ratched starring Sarah Paulson in the titular role sounds too good to ignore.

THE SOCIAL DILEMMA (Jeff Orlowski, 2020)

I heard good buzz about this documentary out of Sundance 2020, as it looks at the power of social media and the effect it can have on the world

WILDLIFE (Paul Dano, 2018)

Paul Dano’s directorial debut is a quiet and powerful look at a crumbling family in the 1950’s.

PRIME VIDEO

Full list of everything coming to Prime Video in September can be found here.

THE BIRDCAGE (Mike Nichols, 1996)

Robin Williams and Nathan Lane are marvelous in this Mike Nichols comedy.

CASINO ROYALE (Martin Campbell, 2006)

The film that introduced Daniel Craig into the Bond franchise is also the best Bond film ever made.

GEMINI MAN (Ang Lee, 2019)

Will Smith plays an assassin who is being hunted by a clone of his younger self in Ang Lee’s technical marvel.

THE GRADUATE (Mike Nichols, 1967)

One of the greatest films ever made.

JUDY (Rupert Goold, 2019)

Renee Zellweger won her second Oscar for pitch-perfect portrayal of Hollywood icon Judy Garland.

KRAMER VS KRAMER (Robert Benton, 1979)

This Best Picture family drama features stellar work from Dustin Hoffman and Meryl Streep.

PATRIOT’S DAY (Peter Berg, 2016)

Peter Berg’s harrowing account of the Boston Marathon bombing.

HULU

Full list of everything coming to Hulu in September can be found here.

ANY GIVEN SUNDAY (Oliver Stone, 1999)

Olive Stone’s aggressive, chaotic look at professional football.

BABYTEETH (Shannon Murphy, 2020)

An emotional relationship drama with Ben Mendolsohn and Essie Davis giving two of my favorite performances of 2020.

HAROLD AND KUMAR GO TO WHITE CASTLE/HAROLD AND KUMAR ESCAPE GUANTANAMO BAY (Danny Leiner, 2004/Jon Hurwitz, Hayden Schlossberg, 2008)

Two-thirds of a classic stoner trilogy.

HOOSIERS (David Anspaugh, 1986)

One of the greatest sports movies ever made.

THE LAST BOY SCOUT (Tony Scott, 1991)

It’s directed by Tony Scott, written by Shane Black, and stars Bruce Willis. We could call this the “90’s Trifecta”.

PEE WEE’S BIG ADVENTURE (Tim Burton, 1985)

Tim Burton’s debut film is utterly insane, yet absolutely brilliant

PRISONERS (Denis Villeneuve, 2013)

Denis Villeneuve’s best film to date is a dark, disturbing crime thriller featuring incredible work from Hugh Jackman, Jake Gyllenhaal, and cinematographer Roger Deakins.

THE TERMINATOR (James Cameron, 1984)

One of the greatest sci-fi movies ever made.

THE TWILIGHT SAGA (Catherine Hardwicke, 2008/Chris Weitz, 2009/David Slade, 2010/Bill Condon, 2011/Bill Condon, 2012)

I’ve only seen one of these (I think New Moon?), but want to give them a whirl at some point. Maybe now is the time?

DISNEY+

Full list of everything coming to Disney+ in September can be found here.

BEND IT LIKE BECKHAM (Gurinder Chadha, 2003)

A rousing, inspiring indie sports film.

CHRISTOPHER ROBIN (Marc Forster, 2018)

A somber, sweet look at Winnie the Pooh and the 100 Acre Woods gang.

D2: THE MIGHT DUCKS/D3 (Sam Weisman, 1994/Robert Lieberman, 1996)

D2 is the best of the trilogy, but D3 is pretty good and bit underrated.

MULAN (Niki Caro, 2020)

You have to pay $30 to see this one, but I have a feeling Disney’s latest live-action feature is going to be worth is.

NEVER BEEN KISSED (Raja Gosnell, 1999)

A classic 90’s rom-com featuring a delightful Drew Barrymore.

THE WOLVERINE (James Mangold, 2013)

One of the best X-Men films and the BEST Wolverine movie (hot take).

CRITERION CHANNEL

Full list of everything coming to Criterion Channel in September can be found here.

*The Criterion Channel does things a little differently than every other streaming service. The Criterion Channel, a wonderful streaming service that focuses on independent, foreign, and under-appreciates movies, doesn’t just throw a bunch of random movies to stream. They get more creative by having categories like “DOUBLE FEATURES” or “FILMS FROM…”, giving us curated lists of films that somehow blend together or feature a specific artist.*

BOYHOOD (Richard Linklater, 2014)

Richard Linklater’s ambitious twelve-year project is one of the finest film accomplishments of the last decade.

THE LOVELESS (Kathryn Bigelow, Monty Montgomery, 1981)

Kathryn Bigelow’s debut is one I have been dying to see and one I am going to check out as soon as it is available.

THE COMPLETE FILMS OF AGNES VARDA

Agnes Varda was a true artist and Criterion has put all of her work into one comprehensive collection which features all of her feature length films as well as her short films.

SATURDAY MATINEE

DUCK SOUP (Leo McCarey, 1933)

My favorite Marx Brothers film and one of the greatest comedies ever made.

SATURDAY MATINEE

CHARLOTTE’S WEB (Charles A. Nichols, Iwao Takamoto, 1973)

A beautiful animated film based on the classic book.

THREE BY ROBERT GREENE

Three provocative films from a master documentarian.

Actress (2014)

Kate Plays Christine (2016)

Bisbee ’17 (2018)

DIRECTED BY ALBERT BROOKS

Albert Brooks is one of the greatest comedic minds we’ve ever had. This block of films looks at his genius behind the camera.

Real Life (1979)

Modern Romance (1981)

Lost in America (1985)

Defending Your Life (1991)

Mother (1996)

DOUBLE FEATURE: TEARS OF THE CLOWN

LENNY (Bob Fosse, 1974)

JO JO DANCER, YOUR LIFE IS CALLING (Richard Pryor, 1986)

Two unflinching films delve into the self-destructive dark sides of a pair of comedy legends. Lenny features Dustin Hoffman in a jagged portrait of Lenny Bruce. In Jo Jo Dancer, Your Life is Calling, Richard Pryor draws on his own personal demons in the only narrative feature written and directed by the comedy legend.

BY THE BOOK

A slew of films based on legendary books, from Great Expectations to The Hours and many, many more.

The Count of Monte Cristo (Rowland V. Lee, 1934)

The 39 Steps (Alfred Hitchcock, 1935)

La bête humaine (Jean Renoir, 1938)

Of Mice and Men (Lewis Milestone, 1939)

Great Expectations (David Lean, 1946)

The Killers (Robert Siodmak, 1946)

Anna Karenina (Julien Duvivier, 1948)

Oliver Twist (David Lean, 1948)

The Heiress (William Wyler, 1949)

The Passionate Friends (David Lean, 1949)

The Idiot (Akira Kurosawa, 1951)

The Life of Oharu (Kenji Mizoguchi, 1952)

Robinson Crusoe (Luis Buñuel, 1954)

Senso (Luchino Visconti, 1954)

Pather Panchali (Satyajit Ray, 1955)

Aparajito (Satyajit Ray, 1956)

The Burmese Harp (Kon Ichikawa, 1956)

Apur Sansar (Satyajit Ray, 1959)

The Cloud-Capped Star (Ritwik Ghatak, 1960)

Purple Noon (René Clément, 1960)

Zazie dans le métro (Louis Malle, 1960)

Divorce Italian Style (Pietro Germi, 1961)

Lord of the Flies (Peter Brook, 1963)

Tom Jones (Tony Richardson, 1963)

Charulata (Satyajit Ray, 1964)

Woman in the Dunes (Hiroshi Teshigahara, 1964)

Closely Watched Trains (Jirí Menzel, 1966)

War and Peace (Sergei Bondarchuk, 1966)

Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968)

The Angel Levine (Ján Kadár, 1970)

Dodes’ka-den (Akira Kurosawa, 1970)

The Phantom Tollbooth (Chuck Jones, Abe Levitow, and Dave Monahan, 1970)

The Little Prince (Stanley Donen, 1974)

Picnic at Hanging Rock (Peter Weir, 1975)

The American Friend (Wim Wenders, 1977)

The Ascent (Larisa Shepitko, 1977)

The Getting Of Wisdom (Bruce Beresford, 1977)

Empire of Passion (Nagisa Oshima, 1978)

Watership Down (Martin Rosen, 1978)

My Brilliant Career (Gillian Armstrong, 1979)

Stalker (Andrei Tarkovsky, 1979)

The Tin Drum (Volker Schlöndorff, 1979)

Wise Blood (John Huston, 1979)

You Are Not I (Sara Driver, 1981)

Under the Volcano (John Huston, 1984)

Mishima: A Life in Four Chapters (Paul Schrader, 1985)

My Life as a Dog (Lasse Hallström, 1985)

Betty Blue (Jean-Jacques Beineix, 1986)

An Angel at My Table (Jane Campion, 1990)

The Comfort of Strangers (Paul Schrader, 1990)

Europa Europa (Agnieszka Holland, 1990)

The Handmaid’s Tale (Volker Schlöndorff, 1990)

Emily Brontë’s Wuthering Heights (Peter Kosminsky, 1992)

The Castle (Michael Haneke, 1997)

The Sweet Hereafter (Atom Egoyan, 1997)

The Virgin Suicides (Sofia Coppola, 1999)

The Piano Teacher (Michael Haneke, 2001)

The Hours (Stephen Daldry, 2002)

Gomorrah (Matteo Garrone, 2008)

Almayer’s Folly (Chantal Akerman, 2011)

45 Years (Andrew Haigh, 2015)

Certain Women (Kelly Reichardt, 2016)

Zama (Lucrecia Martel, 2017)

HBOMAX

Full list of everything coming to HBOMax in August can be found here.

CLERKS (Kevin Smith, 1994)

Kevin Smith’s indie sensation is a masterclass in microbudget cinema.

THE CONVERSATION (Francis Ford Coppola, 1974)

In-between The Godfather and The Godfather II, Francis Ford Coppola made this Palme d’Or winning thriller about a surveillance expert (a brilliant Gene Hackman) who has a crisis of conscience when he suspects that the couple he is spying on will be murdered.

THE CURIOUS CASE OF BENJAMIN BUTTON (David Fincher, 2008)

David Fincher’s gorgeous film about a man who ages backwards.

DOG DAY AFTERNOON (Sidney Lumet, 1975)

Sidney Lumet’s best film features masterful work from Al Pacino and John Cazzalle.

THE INVISIBLE MAN (Leigh Whannel, 2020)

Elisabeth Moss gives one of the best performances of 2020 in Leigh Whannel’s chilling remake of the Universal classic.

JFK (Oliver Stone, 1991)

Oliver Stone’s brilliant account of the assassination of John F. Kennedy and the conspiracy behind it.

JUST MERCY (Destin Daniel Cretton, 2019)

An inspiring film with excellent performances from Michael B. Jordan and Jamie Foxx.

MIDNIGHT RUN (Martin Brest, 1988)

This crime-buddy-road movie is an absolute blast and features one of Robert De Niro’s most underrated performances.

POINT BREAK (Kathryn Bigelow, 1991)

Kathryn Bigelow’s surfing-cop thriller is one of the best action movies of the 90’s.

SNAKES ON A PLANE (David R. Ellis, 2006)

An iconic B-movie featuring a truly great Samuel L. Jackson performance.

Follow Kevflix on Twitter and Instagram, @kevflix, and on Facebook by searching Kevflix.

The post What’s Streaming This Month? – September appeared first on Kevflix.

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kurosawa-family · 1 year

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Diabolik Lovers Oc's as Vines

Warning: Some of these are suggestive.

Elle, DJ, Judas, Mystic Tsukinami and Kazuha Tsukinami belong to @dj-diabolik-fan

This version of Ruki Mukami belongs to @goldazu

Scarlett Wakahisa belongs to @kindan-no-kanojo

Virek Sutcliffe belongs to @sutcliffe-v

Ryuuto Sakamaki belongs to @fruit-of-infidelity

The rest of the characters belong to Rejet.

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mino-diabolik · 2 years

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"Darling, who's this?" (With Varick, Volker and Hela)

Send "Darling, who's this?" To meet my muse’s ex.

@kurosawa-family

“Ah, Your Highness!”

[Mystic lifted his head, slightly surprised. A young man of large round glasses. The Founder recognized him as one of the little troublemakers he befriended on his childhood. He grinned, playfully elbowing Varick, who was the closest to his side.]

“Old friend of mine. Oh, hello! How strange for you Owls to leave the kingdom. What are you doing out here?”

[The young man suddenly seemed a bit pale. Before he could speak another word, a second newcomer broke through with a terribly mocking tone.]

“Oh, wow. I knew I’d caught a familiar smell somewhere around here.”

[Mystic turned white. He instinctively shuffled after Varick, just slightly hiding behind his friend while gripping the edge of his shirt. He tried to straighten his posture and compose his expression.]

“Ju—Judas…”

#diabolikloversoc #mystic tsukinami #varick kurosawa #volker kurosawa #hela kurosawa #komori--shoma #kurosawa-family #darling who’s this meme #oc interaction

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kurosawa-family · 1 year

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Kurosawa Boys as Subs.

Admin!Rosy: This has come to me in a dream. I am not kidding. help me.

August.

August is definitely a "always a good boy" type of bottom. He definitely has a praise kink, and it shows in bed every time he asks to please, please be on the receiving end. He loves, loves, loves hearing his S/O tell him how good he's being, how cute his whiny noises are, just how good he feels, and he'll get three times cuter since he tries to hide it si desperately. He'll need a lot of guidance since he's not really someone that needs any sort of carnal act desperately, but when he's on board, it means he's absolutely, one hundred percent on board. He'll beg desperately for his S/O to fuck him until he can no longer speak or think and he's at their mercy, and that will give his partner the biggest feeling of pride.

Also, please be gentle with him. He might be ok with hard, fast sex, but the more time it takes and the more gentle they are towards him, the more reactions they'll get out of him.

Convoitise.

Con is the loud and whiny type, definitely. He'll definitely be on board with him being a sub, no questions asked. He'll act like a brat at first, but please, please, for the love of God, turn him into a whiny mess, he needs it, he wants it. He won't try to hide his reactions or his noises, so please be prepared to hear the most unholy and slutty noises you've heard all your life. Please, praise him, tease him (don't degrade him too much, though), squeeze his thighs and chest, bite him, pull his hair, PLEASE. Anything you want to do it's likely he'll like it a lot. Just please, put a leash on him and give him orders. He might act cheeky and all that, but he'll be a mess in a few hours, if not minutes, so please be patient with him.

Aimer.

The man is a bit difficult, and that's a fact. He definitely finds it hard to let himself be dominated, let alone him being as noisy as his heart desires. He still wants to be in control, so he'll whine about that the whole time until: a) they give in and give him what he wants, or b) they punish him by turning him into a mess and overstimulate him. And by all means, go for the second option. After all he still wants to be on the receiving end from time to time, and sometimes he's the one that wants to act out, so please, go ahead. Don't make him beg you... Because he's ashamed of his puppy eyes.

Varick.

Not a single encounter with this bitch will be done without a few laughs, so no matter in what position he's in, he'll crack any joke to make his S/O laugh, chuckle or crack a smile. Either way, an absolute brat, and it shows. Any punishment might end up with him being even more cheeky than before or worse, so please do go ahead and do your motherfucking worse. Go on, coward. You won't.

Volker.

He's definitely a powerbottom. Still is in control, but likes being on the receiving end. Still, there's this small possibility of him just taking over at any moment notice, so make sure he's enjoying himself when he's bottoming. Caress him, kiss him, and be gentle with him, ok? Because he'll make sure to treat you they way you treat him next time he's on top of you.

#scandalous tag #scandalous stuff #scandalous!#Ask The Kurosawa Family #the kurosawa family #kurosawa family #August Kurosawa #Convoitise Kurosawa #Aimer Kurosawa #Varick Kurosawa #Volker Kurosawa #diabolik lovers oc blogs #diabolik lovers ocs #diabolik lovers oc #diabolik lovers #multifandom ocs

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kurosawa-family · 2 years

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headcanon + dinner

send me ‘ headcanon ‘ + a word and i will give you a headcanon around it.

Let me get this straight:

Dinners at the Kurosawa household are chaotic. Depending on who cooks, of course.

Yvonne and August cook on Monday and Friday, so those are usually the most calm dinners. Yvonne prepares really spicy food while August cooks literally everyone's favourite dish.

If Convoitise or Aimer cook, those are, like... "normal" dinners. You talk about your day, some stupid shit you did, you know, the usual. Convoitise cooks any new recipe he finds on the Internet, and Aimer sticks to the good old cooking book.

... If it is Hela, Varick or Volker then my fucking god what a mess.

Food fights, drama, the tea is scolding, bla bla bla. Literally a chaos made out of food. The only ones nlt affected and that continue with their food are August and Yvonne.

Hela literally cooks anything that is pasta, nobody wants to know what Varick cooks and they just know it's yummy and Volker... Volker just orders some takeout.

The dinners might not me the best in the world when it comes to performance, but it still feels like home.

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kurosawa-family · 1 year

Text

Open Interaction (Holidays Edition!)

Things were... Erratic, to say the least, and even that was an understatement.

The Kurosawa Family' household members, with the exception of the two daughters, were running around, making calls, making food; it was pure and utter chaos in the worst sense of the word. They never exactly celebrated Christmas, not exactly because they don't enjoy it, but because it's just... Meaningless to them. Sure, they see the appeal: The children get their presents, the adults get to rest a bit (the ones that can actually do that, at least) and spend time with their family and friends, they get to eat delicious food, and so on, so on. They do see the appeal, and good for those that like to celebrate it! But it just wasn't for them. But apparently the universe loves to play with the ups and downs, and now they were getting ready for what the matriarch of the house could describe as war. Speaking of which, the sophisticated Yvonne, the woman that barely got anything on her nerves... She was—

“What the FUCK do you mean you'll come in three days?! Do you even know how much time it'll take us all to prepare for you too— Yes, father, I said "you too"! My sisters' family are co— Oh, for crying out loud— CAN YOU PLEASE JUST SHUT YOUR MOUTH AND LISTEN, YOU LITTLE—”

“Yvonne, please, don't create a conflict with your parents!” August exclaimed as he was carrying out mountains and mountains of ingredients and others with his arms as Volker followed behind him, carrying ten thick books filled with recipes. In that moment, Yvonne's expression changed to a calm one, placed a hand on the speaker tightly so whoever was on the phone wouldn't hear and sighed.

“August, listen, he can't keep acting like a spoiled brat, ok? He's the triple my age, and I'm more mature than her and mother together!” The woman sighed upon noticing her husband's worry. “... I won't involve you in this. I wouldn't like to ruin this for you all...” The moment Yvonne placed the phone on her ear again, she looked exhausted and angry all of the sudden. “Yes, father?... Oh, for the love of God, YES. YES, I CALLED YOU A FUCKING BRAT—”

Sitting there, on one of the large sofas, the two girls were sitting: One waiting for her father's orders, and the other one so disoriented and overwhelmed by the sudden movement, it was making her dizzy. The house was never, ever in this state, and even if they did not exactly celebrate Christmas (they definitely did celebrate the New Years, though), it seems like today was going to to be a special exception... A really special one.

“... I'm going to take a breath outside...” The human finally said as she slowly got up, looking drained despite not really haven't done anything due to, well, nobody telling her what to do or what is happening.

“You do that, hun-bun. You'll need it.” Hela answered as she helped her up and walked her outside, giving her a book of two to calm herself down. “I'll try to help out if they come to their senses.”

With that, Shoma was out, taking a few breaths in and out, slowly, her headache disappearing little by little.

“... Christmas isn't for us, definitely.”

#open interaction #Christmas interaction #the kurosawa family #kurosawa family #Yvonne Beauchene #August Kurosawa #Hela Kurosawa #Shoma Komori

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