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#Transformers: The Lost Seasons
transformers-mosaic · 5 months
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Transformers: Mosaic #503 - "Home Is Where The Laser Core Is"
Originally posted on June 16th, 2010
Story - Juan Pablo Osorio Art - Oscar Choquecota Letters - Franco Villa Edits - Zac DeBoard Diaclone designs - Benjamin Galley
deviantART | Seibertron | TFW2005 | BotTalk
Later revised and annotated for Transformers: The Lost Seasons
wada sez: The first of three strips written to bring a Transformers Animated character into Sunbow continuity; I've bumped up the other two, which were originally posted not long after, for a better reading experience. Bulkhead’s group here has a mixture of origins, as explained in the comments on deviantART, but includes a couple of Diaclone bots, who were slightly redesigned by Galley for the sake of variety. The blue bot is actually a Brazilian character, Camaro, who was renamed "Sprint" after Windcharger's preliminary name. In the final panel, the bots present are the main cast of Animated, and to cement the homage Ratchet is seen fixing his forehead chevron, a cheeky reference inserted by Choquecota. Bulkhead’s original design was done by Choquecota, and Osorio wrote the whole story based on it; later, Osorio would create a separate character model for Bulkhead along similar lines for The Lost Seasons, which was widely shared online and seems very likely to have inspired the later official release of the G1-style Legacy Bulkhead. See below for all of this relevant artwork.
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king-starscreams-fics · 7 months
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youtube
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introspectivememories · 2 months
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i've decided that i dont care about max verstappen domination anymore. i am swinging back around to it being funny. by how many seconds will he be in the lead in the next race? 45? a whole minute? maybe every other car on the grid will just break down and then max can do all 50 or whatever laps by himself. ferrari will still find a way to fuck charles over.
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shyspider · 2 months
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Chapter Summary: You take everyone to go foraging deep in the woods and find something unexplainable... Everything in the Valley is not what it seems, but all you want is a bag of salmonberries.
Rating: Mature Warnings: No Archive Warnings Apply Fandom: Transformers - All Media Types, The Transformers (IDW Generation One) Characters: You, Reader, Lost Light Crew (Transformers), First Aid - Character, Tailgate, Rodimus, Megatron, OC - its the dog, Ratchet, more to come as they're introduced, Stardew Valley Characters Additional Tags: tinyformers, miniformers, Domestic Bliss, and the frustrations that comes with it, Farming/gardening, Home Ownership, Slice of Life, You're just trying to get by, Stardew Valley setting, maybe self-indulgent?, this is just my chill fic
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hyp3rfixation-h3ll · 10 months
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perfectly looping gif of my FAVOURITE botbots scene + closeups on all of the lost bots which you can use as matching pfps for you & your squad! :3 (all f2u, credit isnt required lol)
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transingthoseformers · 11 months
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I have always been a big fan of the Rewind is just as bad about sharing info as Chromedome and the reason he was so utterly convinced possibly reuniting with Dominus would be find despite Chromedome's completely reasonable panic was that he and Dominus had an agreement about Rewind and him getting a third and knew that Chromedome would be just his type which Dominus agrees with and now Rewind is trying to plan dates between his two husbands in between failed attempts to kill the DJD.
Rewind has spent this entire marriage thinking Chromedome understood that Dominus would be chill with Rewind Conjunxing him and be totally down for at least trying to date Chromedome too.
(Minimus is despairing in the background and finding he and Megatron are having a lot of bonding moments over the mutual chaos they are enduring.)
I cannot express just how much I've been thinking about these three since I started reading the comics actually, I feel like honestly our friend Conjunx Georg would be delighted to know he's not only got his conjunx back and that he's not leaving, but that he might end up with two? Once it clicks that Chromedome wasn't just a bandaid husband I feel like Domey and Dominus would actually bond pretty well.
Also don't think I missed the little thing between Minimus and Megatron over there...
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perenlop · 10 months
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I know it's because she's an attempt at a main series Sunset Shimmer and because they eventually have her be Twilight's student, but man I don't quite see the point in having Starlight Glimmer be a Twilight Sparkle parallel
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teodorawitchblade · 9 months
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Hot Summer
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askvectorprime · 11 months
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Dear, Vector Prime.
Are there any other Botbots besides Wasabi Breath that transform into sushi?
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Dear Itamae Interested,
There certainly are, a handful that mostly clustered together under the ranks of the Hibotchi Heats.
The self proclaimed leader was Shogun Tekkatron, who turned into a hosomaki roll. In his robot mode he was a fierce commander, clad in nori-armor, feared and respected across the mall—although he also lacked any weaponry and mostly just sat on a chair while the others went about their days.
Foxy Fierce was one of the most dramatic of their clique, often ending up in a duet with Drama Sauce. His kabuki-inspired facial insignia was so impressive that it could frighten particularly nervous bots, so he often remained in inarizushi form when around others.
Lucky Sevens is one of the most friendly of the gang, spending a lot of her time hanging around with the Seasons Greaters. Like Shogun Tekkatron she turns into hosomaki, but her variety is what I believe is called ehomaki.
While not a true piece of sushi or even a full member of the Hibotchi Heats, the Lost Bot Sensei Spicy was commonly associated with them. This wandering warrior was happy to help out bots of any gang, although most found her sharp comments and acidic tone too grating to actually listen to. She turned into a wasabi stem, and her biggest rival was Hojonigiri, the rancid riceball from the Spoiled Rottens.
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fluffyspaceowls · 7 months
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i dont know which one and i dont want to draw both (at least not right now)
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onlygodknowsimgood · 6 months
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When I was young, I never really understood my parents insistence to only use olive oil imported from Palestine. It took a long time and a great distance in a process that was neither cheap nor convenient. The oil came in old beat-up containers that did not look appealing to me at all. In my head, if they wanted to support distant family back home, they could just send them money and save us and them a big hassle. We could just use the nice looking olive oil containers from the nearby store. Yet, this was never an option in our household. The only olive oil we used at home was from Palestine.
‎As I grew up and started a student part-time job, I worked with olive oil a little. I knew all about olive oil imported from Spain, Italy, and other countries. I knew which ones were better and more expensive. I also learned to tell, based on the pungent taste, which ones were extra virgin. I was tempted to use my employee discount to bring home one of the fancy bottles and use at our kitchen. I could not get myself to do it, and I did not exactly know why. I felt like it would be disrespectful to my parents even if it didn’t make sense to me. It did not feel right. It was not an option.
‎After living in Palestine for a year during the olive picking season, something changed. The olive picking season in Palestine is holy.
‎Palestinians relate to the weather based on how it would benefit or harm the olives. There is well-known unspoken rule about treating olive trees with respect. There is a day off from work just to pick olives. On public transportation, it is not unusual to hear someone on the phone telling their friend to stop by for their share of this year’s olive oil stored in what used to be a Coca-Cola or a liquor bottle. A driver will stop in the middle of the way to give his brother- in- law a jar of olives that are so close to one another that they start to crush showing their insides.
‎In Nablus, the owner of the Nabulsi soap factory takes pride in how picky he is about getting his olive oil. He insists on filling a cup to let me smell how authentic it is and smirks as he sees my diasporic facial expressions transform in appreciation of its strong smell running through all of my brain cells.
‎I started noticing how olive oil is an essential part of so many dishes. “Palestinians drink more olive oil than water” I would jokingly say and they would laugh in agreement. Olive oil is truly an everyday ritual.
‎They fantasize about its color when it’s fresh and remind me that it starts to change as it reacts with oxygen over time. They dip their bread into olive oil, just like that and without any additions, and enjoy it more than the sweetest of all foods. I can guarantee that every lunch invitation (عزومة) I received during the olive-picking season was a chance for my hosts to share their olive oil using Msakhan (a traditional Palestinian dish).
‎I now have a deeper understanding of the psychology behind the burning of olive trees by Israeli soldiers and why farmers moan at the scene as if they lost a loved one.
‎Wherever you are, if it’s accessible to you, make sure your olive oil is Palestinian. Your ancestors would want that.
- Dima Seelawi
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transformers-mosaic · 1 month
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Transformers: Mosaic #620 - "It's Alive"
Originally posted on September 26th, 2011
Story - Curt Lunsford, Juan Pablo Osorio Art - Jeremy Tiongson Colours - Tomoko Letters, Edits - Franco Villa
deviantART | Seibertron | TFW2005
Later revised and annotated for Transformers: The Lost Seasons
wada sez: This is the first part of the “MonsterQuest” trilogy. Per a comment from the team on deviantART: “This is our version of how the three guys that will eventually become [the Decepticon] headmasters were created, they were already existing decepticons when we first saw them in "The Rebirth". They specifically cited a piece of fanart by James Cox, which depicted the trio as the Universal Monsters—see below for that—as being the main inspiration behind the storyline. To counter them, they introduce a G1 version of Crosswise, the monster hunter from Transformers: Cybertron (indeed, Prime’s line “that’s why I asked you to come from Cybertron” has a meta double-meaning to this effect). Crosswise’s character model (see below) was designed by Juan Pablo Osorio; the process was explained as follows: “He's mostly a Smokescreen repaint but with a new head, rocket lauchers and a leg transformation like the one Jazz had. [...] since the Crosswise toy has repainted into Smokescreen and Jazz, I thought if it'd have been the other way around the Smokescreen mold would have been used in G1, with a tough of Jazz transformation scheme just to add variety to the already overused Fairlady mold. By the way, his color scheme is based on the 10th Anniversary gold/black edition of the car”. Skullcruncher’s origin story is based on Frankenstein’s monster, with Scrapper reusing blueprints from when the Constructicons rebuilt Optimus Prime into an alligator in “City of Steel”. Clean colors below.
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penny-anna · 2 years
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ok let’s start workshopping this!! ways they could address why Geralt is Liam Hemsworth now:
- he regenerates
- gets his face eaten by magical face eating slugs and has to get a new one
- plastic surgery
- time cut several years into the future & they try to pass off Hemsworth as an older Cavill
- Geralt has to go undercover, has someone transform his face into a different face
- have him wear a mask for the whole season
- put Hemsworth in elaborate make up to make him look like Cavill
- gets hit with curse of Hemsworth (turns u into a Hemsworth brother)
- that’s not Geralt, that’s his long lost brother, Gerald
- whole episode face/off reference
- Geralt gets killed so they transfer his consciousness into a cloned body provided by Garfield the Deals Warlock
- gets bitten by a Liam Hemsworth and transforms into one
- Geralt gets merged with an alternate version of himself from another dimension
- Geralt gets turned into a cardboard cut out and Jaskier has to reconstruct his face but he cocks it up so Geralt just has a new face now
- reveal that Geralt has actually been wearing a Henry Cavill mask this whole time & this is his real face
- witchers have shapeshifting powers but don’t use them
- Jaskier & only Jaskier keeps saying that Geralt looks kind of different, everyone else insists they have no idea what he’s talking about
- his face just does that
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mxmollusca · 6 months
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 A critique I've heard of season two is that we’ve lost a lot of our symbolic objects, archetypes, and motifs. Season one gave us the lighthouse, the kraken, the red silk and the unicorn, the seagull, the auxiliary closet, Gnossienne no. 5, Pinocchio…
And then I think back to Samba sharing a quote from writer Alex Sherman during the ECCC panel:
“Season one is Stede going from a puppet to a real boy, and season two is Stede becomes a man.”
And that’s it, isn’t it? The transformation from object to subject, from something that has things done to it versus someone with agency. We see that transformation throughout season two. Almost every significant object is discarded, every symbol realized in flesh. 
The process starts at the end of season one with the throwing away of all of Stede’s things. So much has been written about Stede’s potential response to that act, and so many folks (myself included) held on to the idea that perhaps Ed kept a little bit, maybe the auxiliary closet. Stede literally no longer cares about those things. He originally brought all the things he loved with him to sea because he didn’t have significant personal relationships. That’s why we hear Gnossienne no. 5 as he goes through the empty cabin pulling out all of the knives. The discordant love motif shows how his priorities have changed, how his love has transformed.
The red silk is gone as well, but instead we have Stede, real and in the flesh wearing the exact same color, clutched in Ed’s hand in the moonlight.
The kraken, a giant monster capable of rending a ship in two? Ed becomes that, literally, disassembling the Revenge to sail her into a storm and destroy her. 
The lighthouse? A warning, Ned Low in his silver suit, a beacon in the dark warning Stede of what he will become if he continues on his course.
The unicorn, the destroyed masthead, literally becomes Izzy, a man taken apart and rebuilt piece by piece out of the parts of Stede Bonnet to become a beloved and respected member of the crew, and perhaps one of the strongest examples of self-actualization so far.
The attempts at reversing the process are demonstrated to be ineffective. The catalyst is when Buttons becomes a seagull, which shows Ed that the process of change is possible—that someone can become something or someone else. And he tries, he throws away his leathers, dons Button’s old jacket, tries to become an archetype. Stede tries to become a “real pirate”, despite the warning from Low. Even in Ed’s vision of Stede as a merman, Stede is being reduced to the role of symbol—a mythical being rather than a very real, very flawed man. They are both still trying to be the object when they need to be the subject. They need to take action, to realize themselves. And it’s a gruesome process. Jim’s version of Pinocchio is about the horrific transmogrification from wood into flesh and the horrors that need to be faced in order to make that transition.
We, the audience, are experiencing discomfort in this process. We are being held right up against the lighthouse lamp, and it burns. This is the emotional equivalent of body horror. It feels like all of our beloved belongings are being thrown overboard, but I promise they aren’t.
They are becoming.
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payagup · 2 years
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Body Transformation Without Exercise
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hyp3rfixation-h3ll · 9 months
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ulf the orange is a good character and actually very complex when you don't have a bitch in ya ear tellin you she's an evil manipulative hoebag
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