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#This girl is driving me crazy
dangan-kagura · 9 months
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Confession: Before I realized that Ibuki is supposed to be a parody of the cast of K-ON, I was originally trying to compare her to the Touhou oni, Suika Ibuki. Yes, both characters have “Ibuki” in their names, but just hear me out on this. Suika is confirmed to be based on Shuten-douji and is named after Mt. Ibuki where he was born. Not only that, Mioda’s hairstyle made me think that they look like oni horns, like the ones Suika has. Those two facts made me think that Mioda might be the same as Suika, that she too is supposed to be an oni, is based on Shuten-douji and is named after the place he was born, that's what I thought at the time (I’m sure that some of you already knew this about Mioda, but I just felt like saying it in case no one else knew).
It’s only until now that I’ve been told that Mioda makes K-ON references, such as having the same birthday as Yui Hirasawa. Of course, I haven’t watched K-ON since like 2016, so I really don’t know any other references. But it turns out that the kanji in Ibuki's name can be found in the K-ON character names, "I" derives from Yui Hirasawa, "buki" derives from Tsumugi Kotobuki, "Mio" derives from Mio Akiyama, and "da" I think is supposed to be "ta" in Japanese and derives from Ritsu Tainaka.
I will say that at the time I watched K-ON, Yui was in fact my favorite character. She’s just really cute, and yet I never pictured Mioda like that due to how idiotic she can be (and my birthday is only a few days after theirs), isn’t it funny? So due to her name and appearance, when I think of Mioda, what comes to mind is oni characters like Suika, not Yui. But I guess every anime fan is different (If you want the truth, I’m more of a gamer than an otaku, so all my favorite animes are actually video games that are anime themed).
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tinylittlemexican · 7 months
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Nothing like sexually frustrated masturbation
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foursidecity · 18 days
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Some little guys
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sternenmeerkind · 2 years
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I'm so done already and the week hasn't eben started 🙄
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deimcs · 6 months
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LAE'ZEL and WYLL in BALDUR'S GATE 3 (2023)
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coquelicoq · 10 months
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justice of toren collecting songs and one esk/breq constantly humming/singing them is such a good detail and ann leckie does so much with it. an incomplete list:
justice of toren's eager collection of songs is part and parcel of its violent destruction of cultures: these songs are cultural artifacts that it only learns because of its presence on those worlds during their conquest, and in many cases breq is the only one to remember them because their people have died out due to that violence. JoT preserves cultural artifacts for its own use at the same time it directly contributes to the need for that preservation in the first place.
the matter-of-fact way in which this is narrated to us gives us information about JoT's stance on respect and imperialism - that is, contrasted with other characters who look down on the conquered cultures, JoT does actually seem to appreciate their value. and yet it communicates to us no sense of remorse over its role in their genocide.
singing can be a communal activity. this allows us to feel the difference between one esk's multiple bodies singing together in harmony/in a round vs. breq singing alone. this has emotional weight, is an evocative image, and illustrates quite nicely some of the logistic considerations of having one vs. multiple bodies.
the constant humming/singing is extremely notable and idiosyncratic according to other characters, which is a dangerous combination for someone who's supposed to be undercover, so it adds a lil bit of fun suspense for us.
the fact that no one ever figures out breq's identity despite this giveaway tells us something about the other characters' attitudes towards artificial intelligences (though see below about seivarden).
the fact that it's so idiosyncratic also tells us something about the ability of individual AIs to have personalities that distinguish them from other AIs, and the fact that one esk sings constantly but two esk doesn't tells us something about the ability of different ancillary decades that are all part of the same AI to have distinguishing characteristics. this is very relevant to, and illustrative of, the series' thematic throughlines around identity, personality, continuity, etc.
the fact that breq personally has a bad voice also serves multiple purposes. because breq and seivarden both believe that the medic could have chosen a body with a good voice if she had wanted to, we can infer something about how ancillary bodies work, how much the AI (and, by extension, its medics) knows about the individual capabilities of those bodies while they're in suspension, and what kinds of things the AI can and can't control once it has unfrozen and taken over a body.
we can also draw conclusions about the medic that chose that body and about intracrew relations on that ship.
breq's bad voice creates moments of humor and irony in the narrative, such as when breq's constant singing - aka the most obvious clue that she is one esk - is precisely what makes seivarden so sure that breq can't be one esk, because no esk medic would use a body with a bad voice for an ancillary.
constant singing/humming imposes itself on the shared soundscape, meaning other people can't easily avoid it and it has the potential to annoy them, especially if the voice itself has annoying qualities. the reactions of other characters to the frequency and/or quality of this verbal tic tells us something about the level of affection those characters have for one esk or breq.
because singing involves words, the meaning of the lyrics being sung can be used to advance the plot, communicate things about specific characters, create irony in juxtaposition with what's happening on the page, etc.
i especially like what's done with the lyric "it all goes around". it's woven throughout the story in such a way as to manifest its own meaning (the repetition of "it all goes around" is, itself, an example of something going around). by repeating the lyric, breq is the one making it true, and i would argue that her repetition of this particular lyric about things orbiting other things contributes to, and/or is a sign of, her growing understanding of the necessity/reality of interdependence and her place in that framework/her role in constructing it, or in other words, the extent of her own agency and the rights and obligations it confers upon her.
because the singing/humming is a constant, background, automatic action, it only ceases when breq is experiencing a strong emotion. from this we are able to infer things about the emotional state of our famously-omits-details-about-her-emotional-state narrator based on other characters' comments about whether or not she is currently doing this thing.
we also aren't even aware that breq is doing it constantly until another character says so. on a narrative level, this serves the dual purpose of making sure we know about how much she hums AND of reminding us that she's not telling us everything.
the humming is not mentioned constantly even though it is happening constantly - this helps us forget in between mentions that it's going on while also simultaneously reinforcing just how constant it must be, so constant that to mention it every time it happens would be like narrating every time she breathes in or out. whenever someone brings it up, we are reminded anew that something has been happening all along that we forgot about. this means that ann leckie is able, by leaving information out, to hammer home to us how much we are not being told.
through this one character trait, ann leckie efficiently and elegantly communicates not just aspects of character but also of setting, plot, tone, theme, and narrative. there's no extraneous exposition just to tell us about the song collection or singing; everything that tells us about it is serving other functions in the narrative as well. the ways in which she manifests this one character trait in the universe and in the narrative contribute to and exemplify both the story itself and the method of its telling.
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yutapet · 1 year
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3:00 BLACKPINK Typa Girl Lyrics (블랙핑크 Typa Girl 가사) (Color Coded Lyrics) YouTube · Jaeguchi 16 de set. de 2022
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itsdefinitely · 5 months
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hey don't cry. the jeri/rys will never be able to share simple human intimacy. they'll never get to hold hands. why are you crying louder
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serene-sabo · 2 years
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Staying on brand, like a boss!
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incorrect-hs-quotes · 3 months
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Rose: Feel Good Inc is the second craziest thing that can happen to a thirteen year old
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devilicious-v · 8 months
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“I can’t remember what it’s like to wake up and not have you be the first thing I think about. Every morning, I roll over in bed to check for a message from you. Every night, I go to bed annoyed because you’re not beside me. Because you’re so far away.”
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demadogs · 2 years
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might be a hot take but god it pisses me off so much that every wlw show ive watched thats been canceled had an INCREDIBLE plot aside from the romance. like time travel or uncontrollable telekinesis or a fucked up social experiment of a staged plane crash. all very interesting stories and the wlw romance is a bonus and they still get canceled.
but literally nothing else has to happen for a mlm show to break records. nothing happens in shows like heartstopper. its JUST a high school romance. yes theres some wlw and i know people will argue that the focus on just high school is why they like it but it pisses me off how well they do compared to incredibly elaborate and brilliant stories that also have wlw romance. and they do well ENTIRELY bc its mlm.
and its because straight people (specifically straight girls) love mlm stories so shows like heartstopper get the straight audience AND the gay audience but no straight people care about wlw fiction like that. so every wlw show gets a smaller audience because its just a gay audience watching, and it leads to it being canceled every fucking time.
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I'm in the process of proofreading my Comte 7th bday event translation. However. I had to say it because reading the english version of the Impossible Choices event KILLED ME WHERE I SAT:
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VIDEO GAMES WERE A MISTAKE I CAN'T UNSEE IT 🤣🤣🤣🤣🤣🤣
Also because it was hot as hell:
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I think Comte deserves to be a little violent. As a treat (for me)
I will also never get over Vlad going AND MAKE IT STRAWBERRY at pretty much everything and Comte just "Can you be an adult. About anything. For like 3 minutes." Meanwhile I'm with MC where I just find it lowkey hilarious. Realizing now as I write about it that Comte, Vlad, and MC just feel like Comte and MC are the dad and mom humoring an overzealous child, and something about that is freaking uproarious to me. I was sitting there like "where have I heard/seen that tone in Comte before" and then it hit me like a ton of bricks (as if he doesn't run a whole house, don't look at me I'm a 🤡)
I find it all kinds of adorable that Comte's playful and silly only when he's alone with MC, makes it feel special in a way--like he's comfortable sharing because it's her. I also think it's cute because he often manages to find a way to spin it into something that ends up being fun/sweet/thoughtful towards MC, which is just delightful. I feel like when Vlad comes in he gets a lil grumpy and jealous and retreats into himself a bit, like his private time with MC was stolen 😚
I still chortle about the Honeymoon event where Vlad gave MC a bouquet of flowers to celebrate their wedding day, and the way it felt like Comte wanted to trash them 🤣🤣🤣🤣🤣 it was so unbelievably funny. Like it was so clear he didn't want to ruin MC's gift, you know, be mature and let her have this. But also. REEEEEEEE M Y MC 🤣🤣🤣🤣🤣
Deleted footage of Comte the second Vlad offered her flowers:
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Also, spoilers for the Epilogue that left me clutching my pearls MC GIANT MOOD, I LOVE HIM:
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ME TOO, ABEL. ME TOO [SOBBING]
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mensweaar · 1 year
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heeeee gets meeeeee soooo highhhhhh
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kajuuuukatliiiiii · 1 month
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And suddenly all the love songs were about him.
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adorasbuttcheek · 1 month
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... Just something that I noticed.
Bonus:
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